Duple and quadruple metre
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Duple metre
Duple metre (or duple meter in US spelling, also known as duple time) is a musical metre characterized by a primary division of 2 beats to the bar, usually indicated by 2 and multiples (simple) or 6 and multiples (compound) in the upper figure of the time signature, with Template:Time signature (cut time, also notated as cut time), Template:Time signature, and fast Template:Time signature being the most common examples.
Shown below are a simple and a compound duple drum pattern.
- <score sound="1" override_midi="Simple duple drum pattern.mid">
\new Staff <<
\new voice \relative c' {
\clef percussion
\numericTimeSignature
\time 2/4
\set Score.tempoHideNote = ##t \tempo 4 = 100
\stemDown \repeat volta 2 { g4 d' }
}
\new voice \relative c {
\override NoteHead.style = #'cross
\stemUp \repeat volta 2 { a8 a a a }
}
>></score>
- <score sound="1" override_midi="Compound duple drum pattern.mid">
\new Staff <<
\new voice \relative c' {
\clef percussion
\numericTimeSignature
\time 6/8
\set Score.tempoHideNote = ##t \tempo 4. = 80
\stemDown \repeat volta 2 { g4. d' }
}
\new voice \relative c {
\override NoteHead.style = #'cross
\stemUp \repeat volta 2 { a8 a a a a a }
}
>></score>
Though the upper figure must be divisible by 2 in duple metre, the contrary is not necessarily true. For instance, in the first movement of Maurice Ravel's Piano Trio, the Template:Time signature time signature is subdivided as Template:Serif (3 beats) rather than a Template:Serif subdivision (2 beats, duple metre). The movement is in odd time, not duple metre, even though the upper figure Template:Serif is divisible by 2.
Duple time is especially common in marches (especially in American march music), where the duple meter provides a clear upbeat/downbeat feel that is suitable for marching. Duple time is also common in many styles including the polka, well known for its obvious "oom-pah" duple feel. Compare to the waltz, a form in triple metre, where the feel is an "oom-pah-pah" triple feel.
Quadruple metre
Quadruple metre (or quadruple meter in US spelling, also known as quadruple time) is a musical metre characterized in modern practice by a primary division of 4 beats to the bar,[1] usually indicated by 4 in the upper figure of the time signature, with Template:Time signature (common time, also notated as common time) being the most common example.
Shown below are a simple and a compound quadruple drum pattern.
- <score sound="1" override_midi="Characteristic rock drum pattern.mid">
\new Staff <<
\new voice \relative c' {
\clef percussion
\numericTimeSignature
\time 4/4
\set Score.tempoHideNote = ##t \tempo 4 = 100
\stemDown \repeat volta 2 { g4 d' g, d' }
}
\new voice \relative c {
\override NoteHead.style = #'cross
\stemUp \repeat volta 2 { a8 a a a a a a a }
}
>></score>
- <score sound="1" override_midi="Compound quadruple drum pattern.mid">
\new Staff <<
\new voice \relative c' {
\clef percussion
\numericTimeSignature
\time 12/8
\set Score.tempoHideNote = ##t \tempo 4. = 80
\stemDown \repeat volta 2 { g4. d' g, d' }
}
\new voice \relative c {
\override NoteHead.style = #'cross
\stemUp \repeat volta 2 { a8 a a a a a a a a a a a }
}
>></score>
The most common time signature in rock, blues, country, funk, and pop is Template:Time signature.[2] Although jazz writing has become more adventurous since Dave Brubeck's Time Out, the majority of jazz and jazz standards are still in "common time" (Template:Time signature).
Sources
<templatestyles src="Reflist/styles.css" />
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