Depeche Mode: Difference between revisions

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| origin            = [[Basildon]], [[Essex]], England
| origin            = [[Basildon]], [[Essex]], England
| genre            = {{hlist|[[Synth-pop]]|[[electronic rock]]|[[new wave music|new wave]]|[[alternative rock]]}}
| genre            = {{hlist|[[Synth-pop]]|[[electronic rock]]|[[new wave music|new wave]]|[[alternative rock]]}}
| discography      = [[Depeche Mode discography]]
| works            = [[Depeche Mode discography]]
| years_active      = 1980–present
| years_active      = 1980–present
| label            = {{hlist|[[Mute Records|Mute]]|[[Sire Records|Sire]]|[[Reprise Records|Reprise]]|[[Capitol Records|Capitol]]|[[Virgin Records|Virgin]]|[[Columbia Records|Columbia]]}}
| label            = {{hlist|[[Mute Records|Mute]]|[[Sire Records|Sire]]|[[Reprise Records|Reprise]]|[[Capitol Records|Capitol]]|[[Virgin Records|Virgin]]|[[Columbia Records|Columbia]]}}
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* [[Alan Wilder]]
* [[Alan Wilder]]
}}
}}
'''Depeche Mode'''{{efn|The band took their name from the French fashion magazine ''Dépêche Mode'', believing that it translated to "[[fast fashion]]". However, the name more accurately translates to "fashion news" as ''Dépêche'' means "news dispatch" and ''Mode'' means "fashion".<ref name="nametranslate">{{cite web|title= Depeche Mode – the real origin of the band's name |website= Eighty-eightynine |access-date= 17 February 2013 |url= http://www.eightyeightynine.com/music/depeche-mode.html}}</ref>}} ({{IPAc-en|d|ə|ˌ|p|ɛ|ʃ|_|ˈ|m|oʊ|d}})<ref>{{cite book|last1=Olausson|first1=Lena|last2=Sangster|first2=Catherine|year=2006|title=Oxford BBC Guide to Pronunciation|publisher=Oxford University Press|page=98|isbn=0-19-280710-2}}</ref> are<!-- This article is written in British English, in which band names take the plural verb form; do not change "are" to "is". See WP:ENGVAR. --> an English [[electronic music|electronic]] band formed in [[Basildon]], [[Essex]] in 1980.<ref name="Bio"/> Originally formed with the line-up of [[Dave Gahan]], [[Martin Gore]], [[Andy Fletcher (musician)|Andy Fletcher]] and [[Vince Clarke]], the band currently consists of Gahan and Gore.
 
'''Depeche Mode'''{{efn|The band took their name from the French fashion magazine ''Dépêche Mode'', believing that it translated to "[[fast fashion]]". However, the name more accurately translates to "fashion news" as ''Dépêche'' means "news dispatch" and ''Mode'' means "fashion".<ref name="nametranslate">{{cite web|title= Depeche Mode – the real origin of the band's name |website= Eighty-eightynine |access-date= 17 February 2013 |url= http://www.eightyeightynine.com/music/depeche-mode.html}}</ref>}} ({{IPAc-en|d|ə|ˌ|p|ɛ|ʃ|_|ˈ|m|oʊ|d}})<ref>{{cite book|last1=Olausson|first1=Lena|last2=Sangster|first2=Catherine|year=2006|title=Oxford BBC Guide to Pronunciation|publisher=Oxford University Press|page=98|isbn=0-19-280710-2}}</ref> are<!-- This article is written in British English, in which band names take the plural verb form; do not change "are" to "is". See WP:ENGVAR. --> an English [[electronic music|electronic]] band formed in [[Basildon]], [[Essex]] in 1980.<ref name="Bio"/> Originally formed with the line-up of [[Dave Gahan]], [[Martin Gore]], [[Andy Fletcher (musician)|Andy Fletcher]] and [[Vince Clarke]], the band has consisted of Gahan and Gore since 2022.


With Clarke as their primary songwriter, Depeche Mode released their debut album ''[[Speak & Spell (album)|Speak & Spell]]'' in 1981 amid the British [[New wave music|new wave]] scene. Clarke left the band at the end of 1981, going on to form the groups [[Yazoo (band)|Yazoo]] and later [[Erasure (duo)|Erasure]]. The remaining trio recorded their second album, ''[[A Broken Frame]]'' (1982), with Martin Gore as chief songwriter. The band then recruited [[Alan Wilder]], establishing a line-up that continued until 1995, beginning with the albums ''[[Construction Time Again]]'' (1983) and ''[[Some Great Reward]]'' (1984). The albums ''[[Black Celebration]]'' (1986) and ''[[Music for the Masses]]'' (1987) cemented them as a dominant force within the electronic and alternative music scenes, and their June 1988 concert at the [[Rose Bowl (stadium)|Pasadena Rose Bowl]] drew a crowd of over 60,000 people.
With Clarke as their primary songwriter, Depeche Mode released their debut album ''[[Speak & Spell (album)|Speak & Spell]]'' in 1981 amid the British [[New wave music|new wave]] scene. Clarke left the band at the end of 1981, going on to form the groups [[Yazoo (band)|Yazoo]] and later [[Erasure (duo)|Erasure]]. The remaining trio recorded their second album, ''[[A Broken Frame]]'' (1982), with Martin Gore as chief songwriter. The band then recruited [[Alan Wilder]], establishing a line-up that continued until 1995, beginning with the albums ''[[Construction Time Again]]'' (1983) and ''[[Some Great Reward]]'' (1984). The albums ''[[Black Celebration]]'' (1986) and ''[[Music for the Masses]]'' (1987) cemented them as a dominant force within the electronic and alternative music scenes, and their June 1988 concert at the [[Rose Bowl (stadium)|Pasadena Rose Bowl]] drew a crowd of over 60,000 people.


In 1990, they released their seventh album, ''[[Violator (album)|Violator]]'', which reached number seven on the [[Billboard 200|''Billboard'' 200]] and was certified triple platinum by the [[RIAA]]. The following album ''[[Songs of Faith and Devotion]]'' (1993) was also a success, though the band's internal struggles during recording and touring resulted in Wilder's departure in 1995. The band returned to the line-up of Gahan, Gore, and Fletcher, and released the album ''[[Ultra (Depeche Mode album)|Ultra]]'' in 1997. The band continued touring and recorded five more albums as a trio—''[[Exciter (Depeche Mode album)|Exciter]]'' (2001), ''[[Playing the Angel]]'' (2005), ''[[Sounds of the Universe]]'' (2009), ''[[Delta Machine]]'' (2013) and ''[[Spirit (Depeche Mode album)|Spirit]]'' (2017)—until Fletcher's death in 2022. Gahan and Gore have since continued as a duo. Their latest album, ''[[Memento Mori (Depeche Mode album)|Memento Mori]]'', was released in 2023.
In 1990, Depeche Mode released their seventh album, ''[[Violator (album)|Violator]]'', which reached number seven on the [[Billboard 200|''Billboard'' 200]] and was certified triple platinum by the [[RIAA]]. The following album ''[[Songs of Faith and Devotion]]'' (1993) was also a success, though the band's internal struggles during recording and touring resulted in Wilder's departure in 1995. The band returned to the line-up of Gahan, Gore, and Fletcher, and released the album ''[[Ultra (Depeche Mode album)|Ultra]]'' in 1997. The band continued touring and recorded five more albums as a trio—''[[Exciter (Depeche Mode album)|Exciter]]'' (2001), ''[[Playing the Angel]]'' (2005), ''[[Sounds of the Universe]]'' (2009), ''[[Delta Machine]]'' (2013) and ''[[Spirit (Depeche Mode album)|Spirit]]'' (2017)—until Fletcher's death in 2022. Gahan and Gore have since continued as a duo. Their latest album, ''[[Memento Mori (Depeche Mode album)|Memento Mori]]'', was released in 2023.


Depeche Mode have had 54 songs in the [[UK singles chart]], 17 Top 10 albums in the UK chart, and have sold more than 100 million records worldwide.<ref>{{cite news|title= Depeche Mode mit Weltpremiere beim ECHO |publisher= [[Bundesverband Musikindustrie]] |date= 3 February 2009 |access-date= 18 August 2014 |url= http://www.musikindustrie.de/presse_aktuell_einzel/back/82/page/3/news/depeche-mode-mit-weltpremiere-beim-echo/ |url-status= dead |archive-url= https://web.archive.org/web/20140819082648/http://www.musikindustrie.de/presse_aktuell_einzel/back/82/page/3/news/depeche-mode-mit-weltpremiere-beim-echo/ |archive-date= 19 August 2014 |language= de}}</ref><ref name="Mason">{{cite magazine|first= Kerri |last= Mason |title= Depeche Mode Prepares for Tour of the Universe |magazine= [[Billboard (magazine)|Billboard]] |date= 23 March 2009 |access-date= 5 November 2014 |url= https://www.billboard.com/articles/news/269153/depeche-mode-prepares-for-tour-of-the-universe}}</ref> ''[[Q (magazine)|Q]]'' included the band in its list of the "50 Bands That Changed the World!"<ref name="50Bands">{{cite magazine |title= Q – 50 Bands That Changed the World! |magazine= Q |via= Rocklist.net |issue= 214 |date= May 2004 |access-date= 31 March 2012 |url= http://www.rocklistmusic.co.uk/qlistspage3.htm#50%20Bands%20That%20Changed%20The%20World |archive-date= 29 June 2012 |archive-url= https://archive.today/20120629012641/http://www.rocklistmusic.co.uk/qlistspage3.htm%23The%20Music%20That%20Changed%20The%20World#50%20Bands%20That%20Changed%20The%20World |url-status= usurped }}</ref> Depeche Mode also rank No. 98 on [[VH1]]'s "100 Greatest Artists of All Time."<ref>{{cite web|first= Brandon |last= Stosuy |title= VH1 100 Greatest Artists of All Time |website= [[Stereogum]] |date= 13 April 2011 |access-date= 26 September 2015 |url= https://www.stereogum.com/495331/vh1-100-greatest-artists-of-all-time/franchises/list/attachment/depeche-mode/}}</ref> In 2016, ''[[Billboard (magazine)|Billboard]]'' named Depeche Mode the 10th Greatest of All Time Top Dance Club Artists.<ref>{{cite magazine|title= Greatest of All Time Top Dance Club Artists : Page 1 |magazine= Billboard |access-date= 29 September 2017 |url= https://www.billboard.com/charts/greatest-top-dance-club-artists}}</ref> They were inducted into the [[Rock and Roll Hall of Fame]] in 2020.<ref name="Class">{{cite news|title= Class of 2020 |publisher= [[Rock and Roll Hall of Fame]] |url= https://www.rockhall.com/class-2020-inductees |access-date= 15 January 2020}}</ref>
Depeche Mode have had 54 songs in the [[UK singles chart]], 17 Top 10 albums in the UK chart, and have sold more than 100 million records worldwide.<ref>{{cite news|title= Depeche Mode mit Weltpremiere beim ECHO |publisher= [[Bundesverband Musikindustrie]] |date= 3 February 2009 |access-date= 18 August 2014 |url= http://www.musikindustrie.de/presse_aktuell_einzel/back/82/page/3/news/depeche-mode-mit-weltpremiere-beim-echo/ |url-status= dead |archive-url= https://web.archive.org/web/20140819082648/http://www.musikindustrie.de/presse_aktuell_einzel/back/82/page/3/news/depeche-mode-mit-weltpremiere-beim-echo/ |archive-date= 19 August 2014 |language= de}}</ref><ref name="Mason">{{cite magazine|first= Kerri |last= Mason |title= Depeche Mode Prepares for Tour of the Universe |magazine= [[Billboard (magazine)|Billboard]] |date= 23 March 2009 |access-date= 5 November 2014 |url= https://www.billboard.com/articles/news/269153/depeche-mode-prepares-for-tour-of-the-universe}}</ref> ''[[Q (magazine)|Q]]'' included the band in its list of the "50 Bands That Changed the World!"<ref name="50Bands">{{cite magazine |title= Q – 50 Bands That Changed the World! |magazine= Q |via= Rocklist.net |issue= 214 |date= May 2004 |access-date= 31 March 2012 |url= http://www.rocklistmusic.co.uk/qlistspage3.htm#50%20Bands%20That%20Changed%20The%20World |archive-date= 29 June 2012 |archive-url= https://archive.today/20120629012641/http://www.rocklistmusic.co.uk/qlistspage3.htm%23The%20Music%20That%20Changed%20The%20World#50%20Bands%20That%20Changed%20The%20World |url-status= usurped }}</ref> Depeche Mode also rank No. 98 on [[VH1]]'s "100 Greatest Artists of All Time."<ref>{{cite web|first= Brandon |last= Stosuy |title= VH1 100 Greatest Artists of All Time |website= [[Stereogum]] |date= 13 April 2011 |access-date= 26 September 2015 |url= https://www.stereogum.com/495331/vh1-100-greatest-artists-of-all-time/franchises/list/attachment/depeche-mode/}}</ref> In 2016, ''[[Billboard (magazine)|Billboard]]'' named Depeche Mode the 10th Greatest of All Time Top Dance Club Artists.<ref>{{cite magazine|title= Greatest of All Time Top Dance Club Artists : Page 1 |magazine= Billboard |access-date= 29 September 2017 |url= https://www.billboard.com/charts/greatest-top-dance-club-artists}}</ref> They were inducted into the [[Rock and Roll Hall of Fame]] in 2020.<ref name="Class">{{cite news|title= Class of 2020 |publisher= [[Rock and Roll Hall of Fame]] |url= https://www.rockhall.com/class-2020-inductees |access-date= 15 January 2020}}</ref>
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Depeche Mode's origins date to 1977, when schoolmates Vince Clarke and Andy Fletcher formed a band called No Romance in China with Clarke on vocals and guitar and Fletcher on bass. Fletcher would later recall, "Why am I in the band? It was accidental right from the beginning. I was actually forced to be in the band. I played the guitar and I had a bass; it was a question of them roping me in."<ref name="P93">{{cite magazine|first= Marc |last= Weidenbaum |title= Fashion Victims |magazine= Pulse! magazine |issue= 114 |date= May 1993 |pages= 48–53}}</ref> In 1979, Clarke played guitar in an [[Ultravox]]-influenced band, the Plan, with friends [[Robert Marlow]] and Paul Langwith.<ref>{{cite web|title= Interviews – "Robert Marlow Interview (1999)" |website= Erasureinfo.com |url= http://www.erasureinfo.com/features/interviews_03.html |url-status= dead |archive-url= https://web.archive.org/web/20121023130210/http://www.erasureinfo.com/features/interviews_03.html |archive-date= 23 October 2012}}</ref> In 1978–1979, [[Martin Gore]] played guitar in an acoustic duo, Norman and the Worms, with school friend Phil Burdett on vocals.<ref>{{Cite web |date=2012-01-11 |title=Phil Burdett – Biography |url=http://www.philburdett.com/fr_biography.cfm |access-date=2023-07-11 |archive-url=https://web.archive.org/web/20120111034422/http://www.philburdett.com/fr_biography.cfm |archive-date=11 January 2012 }}</ref>{{better source needed|date=January 2021}} In 1980, Clarke and Fletcher formed a band called Composition of Sound, with Clarke on vocals/guitar and Fletcher on bass; the pair were soon joined by Gore as a third instrumentalist.<ref>{{Cite web |last=Trimaximalist |date=2022-03-12 |title=Depeche Mode - |url=https://jazzrocksoul.com/artists/depeche-mode/ |access-date=2024-01-31 |language=en-US}}</ref> Dave Gahan joined the ensemble later in 1980 after Clarke heard him perform at a local [[Scout hall|Scout hut]] [[jam session]], singing a rendition of [[David Bowie]]'s "[["Heroes" (David Bowie song)|{{-'}}Heroes{{'-}}]]".<ref name="D93">{{cite magazine|first= William |last= Shaw |title= In The Mode |magazine= [[Details (magazine)|Details]] |date= April 1993 |pages= 90–95, 168}}</ref>
Depeche Mode's origins date to 1977, when schoolmates Vince Clarke and Andy Fletcher formed a band called No Romance in China with Clarke on vocals and guitar and Fletcher on bass. Fletcher would later recall, "Why am I in the band? It was accidental right from the beginning. I was actually forced to be in the band. I played the guitar and I had a bass; it was a question of them roping me in."<ref name="P93">{{cite magazine|first= Marc |last= Weidenbaum |title= Fashion Victims |magazine= Pulse! magazine |issue= 114 |date= May 1993 |pages= 48–53}}</ref> In 1979, Clarke played guitar in an [[Ultravox]]-influenced band, the Plan, with friends [[Robert Marlow]] and Paul Langwith.<ref>{{cite web|title= Interviews – "Robert Marlow Interview (1999)" |website= Erasureinfo.com |url= http://www.erasureinfo.com/features/interviews_03.html |url-status= dead |archive-url= https://web.archive.org/web/20121023130210/http://www.erasureinfo.com/features/interviews_03.html |archive-date= 23 October 2012}}</ref> In 1978–1979, [[Martin Gore]] played guitar in an acoustic duo, Norman and the Worms, with school friend Phil Burdett on vocals.<ref>{{Cite web |date=2012-01-11 |title=Phil Burdett – Biography |url=http://www.philburdett.com/fr_biography.cfm |access-date=2023-07-11 |archive-url=https://web.archive.org/web/20120111034422/http://www.philburdett.com/fr_biography.cfm |archive-date=11 January 2012 }}</ref>{{better source needed|date=January 2021}} In 1980, Clarke and Fletcher formed a band called Composition of Sound, with Clarke on vocals/guitar and Fletcher on bass; the pair were soon joined by Gore as a third instrumentalist.<ref>{{Cite web |last=Trimaximalist |date=2022-03-12 |title=Depeche Mode - |url=https://jazzrocksoul.com/artists/depeche-mode/ |access-date=2024-01-31 |language=en-US}}</ref> Dave Gahan joined the ensemble later in 1980 after Clarke heard him perform at a local [[Scout hall|Scout hut]] [[jam session]], singing a rendition of [[David Bowie]]'s "[["Heroes" (David Bowie song)|{{-'}}Heroes{{'-}}]]".<ref name="D93">{{cite magazine|first= William |last= Shaw |title= In The Mode |magazine= [[Details (magazine)|Details]] |date= April 1993 |pages= 90–95, 168}}</ref>


With the advent of affordable synthesisers and the increasing popularity of electronic music, the group began pursuing a [[synth-pop]] direction.<ref>{{cite news|first= Ed |last= Masley |title= 10/8: Depeche Mode interview: 'Delta Machine' |newspaper= [[The Arizona Republic]] |date= 4 October 2013 |access-date= 11 March 2021 |url= http://archive.azcentral.com/thingstodo/music/articles/20131006depeche-mode-interview-delta-machine-fletcher.html |url-status= dead |archive-date= 28 July 2020 |archive-url= https://archive.today/20200728000215/http://archive.azcentral.com/thingstodo/music/articles/20131006depeche-mode-interview-delta-machine-fletcher.html}}</ref> The first live concert of Composition of Sound as a four-piece was on 14 June 1980 at Nicholas School, Basildon, England, UK.<ref>{{cite web|title= 1980-06-14 Nicholas School, Basildon, England, UK |access-date= 10 October 2022 |url= https://dmlive.wiki/wiki/1980-06-14_Nicholas_School,_Basildon,_England,_UK}}</ref> There is a plaque commemorating the gig at the [[James Hornsby School]] in Basildon, where Gore and Fletcher were pupils. Gahan's and Gore's favourite artists included [[Siouxsie and the Banshees]], [[Sparks (band)|Sparks]],<ref>{{cite magazine|title= Collect-a-Page (Dave Gahan's questionnaire) |magazine= Look In |date= 5 December 1981 |url= http://www.sacreddm.net/1980s/lkn051281/page1.htm |archive-date= 27 November 2008 |archive-url= https://web.archive.org/web/20081127211058/http://www.sacreddm.net/1980s/lkn051281/page1.htm}}</ref> [[Cabaret Voltaire (band)|Cabaret Voltaire]], [[Talking Heads]] and [[Iggy Pop]].<ref>{{cite magazine|title= Collect-a-Page (Martin Gore's questionnaire) |magazine= Look In |date= 12 December 1981 |url= http://www.sacreddm.net/1980s/lkn121281/page1.htm |archive-date= 27 November 2008 |archive-url= https://web.archive.org/web/20081127211401/http://www.sacreddm.net/1980s/lkn121281/page1.htm}}</ref> Gahan's onstage persona was influenced by [[Dave Vanian]], frontman of [[The Damned (band)|The Damned]].<ref>{{cite web|first= Ryan |last= Painter |title= 'The Damned: Don't You Wish We Were Dead' |publisher= [[KUTV]] |date= 28 May 2016 |access-date= 29 July 2019 |url= https://kutv.com/news/entertainment/the-damned-dont-you-wish-we-were-dead}}</ref> Gahan has also later credited David Bowie, [[James Brown]], [[Elvis Presley]] and [[Prince (musician)|Prince]] as influences on his performance style.<ref>{{cite news|title= Dave Gahan of Depeche Mode: 'Regret is a weird word. I don't look back on my life like that' |newspaper= The Guardian |date= 21 October 2021 |access-date= 27 February 2022 |url= https://www.theguardian.com/music/2021/oct/21/dave-gahan-regret-is-a-weird-word-i-dont-look-back-on-my-life-like-that}}</ref>
With the advent of affordable synthesisers and the increasing popularity of electronic music, the group began pursuing a [[synth-pop]] direction.<ref>{{cite news|first= Ed |last= Masley |title= 10/8: Depeche Mode interview: 'Delta Machine' |newspaper= [[The Arizona Republic]] |date= 4 October 2013 |access-date= 11 March 2021 |url= http://archive.azcentral.com/thingstodo/music/articles/20131006depeche-mode-interview-delta-machine-fletcher.html |url-status= dead |archive-date= 28 July 2020 |archive-url= https://archive.today/20200728000215/http://archive.azcentral.com/thingstodo/music/articles/20131006depeche-mode-interview-delta-machine-fletcher.html}}</ref> The first live concert of Composition of Sound as a four-piece was on 14 June 1980 at Nicholas School, Basildon, England, UK.<ref>{{cite web|title= 1980-06-14 Nicholas School, Basildon, England, UK |access-date= 10 October 2022 |url= https://dmlive.wiki/wiki/1980-06-14_Nicholas_School,_Basildon,_England,_UK}}</ref> There is a plaque commemorating the gig at the [[James Hornsby School]] in Basildon, where Gore and Fletcher were pupils. Gahan's and Gore's favourite artists included [[Siouxsie and the Banshees]], [[Sparks (band)|Sparks]],<ref>{{cite magazine|title= Collect-a-Page (Dave Gahan's questionnaire) |magazine= Look In |date= 5 December 1981 |url= http://www.sacreddm.net/1980s/lkn051281/page1.htm |archive-date= 27 November 2008 |archive-url= https://web.archive.org/web/20081127211058/http://www.sacreddm.net/1980s/lkn051281/page1.htm}}</ref> [[Cabaret Voltaire (band)|Cabaret Voltaire]], [[Talking Heads]] and [[Iggy Pop]].<ref>{{cite magazine|title= Collect-a-Page (Martin Gore's questionnaire) |magazine= Look In |date= 12 December 1981 |url= http://www.sacreddm.net/1980s/lkn121281/page1.htm |archive-date= 27 November 2008 |archive-url= https://web.archive.org/web/20081127211401/http://www.sacreddm.net/1980s/lkn121281/page1.htm}}</ref> Gahan's onstage persona was influenced by [[Dave Vanian]], frontman of [[The Damned (band)|the Damned]].<ref>{{cite web|first= Ryan |last= Painter |title= 'The Damned: Don't You Wish We Were Dead' |publisher= [[KUTV]] |date= 28 May 2016 |access-date= 29 July 2019 |url= https://kutv.com/news/entertainment/the-damned-dont-you-wish-we-were-dead}}</ref> Gahan has also later credited David Bowie, [[James Brown]], [[Elvis Presley]] and [[Prince (musician)|Prince]] as influences on his performance style.<ref>{{cite news|title= Dave Gahan of Depeche Mode: 'Regret is a weird word. I don't look back on my life like that' |newspaper= The Guardian |date= 21 October 2021 |access-date= 27 February 2022 |url= https://www.theguardian.com/music/2021/oct/21/dave-gahan-regret-is-a-weird-word-i-dont-look-back-on-my-life-like-that}}</ref>


Composition of Sound would become embarrassed about their band name and started thinking of changing it. There were several potential variants, including the name "Musical Moments" that was suggested by Vince Clarke as both a band name and the name of their first album. Starting at their concert on 24 September 1980 at Bridge House, the band changed their name to Depeche Mode, chosen by Dave Gahan.<ref>{{cite web|title= 1980-09-24 Bridge House, London, England, UK |access-date= 10 October 2022 |url= https://dmlive.wiki/wiki/1980-09-24_Bridge_House,_London,_England,_UK}}</ref><ref>{{Cite web |last=Desborough |first=Jenny |date=2021-03-26 |title=Depeche Mode name: What does Depeche Mode mean? |url=https://www.express.co.uk/entertainment/music/1414172/Depeche-Mode-name-what-does-Depeche-Mode-mean-how-evg |access-date=2023-02-27 |website=Express.co.uk |language=en}}</ref> When explaining the choice for the new name, which was taken from a mistranslation of the name of French fashion magazine ''Dépêche Mode'',<ref>{{cite magazine |title= Excelsior Publications suspend Dépêche mode |magazine= Stratégies |date= 8 November 2001 |access-date= 1 May 2017 |url= http://www.strategies.fr/actualites/medias/r67272W/excelsior-suspend-la-parution-de-depeche-mode.html |archive-url= https://web.archive.org/web/20081210205852/http://www.strategies.fr/actualites/medias/r67272W/excelsior-suspend-la-parution-de-depeche-mode.html |url-status= dead |archive-date= 10 December 2008 |language= fr }}</ref> Gore said, "It means 'hurried fashion' or 'fashion dispatch'. I like the sound of that."<ref>{{cite magazine|first= Max |last= Bell |title= Part 2 : Martin Gore – The Decadent Boy |magazine= No1 Magazine |date= 11 May 1985 |access-date= 29 October 2007 |url= http://www.tuug.org/~jaakko/dm/dmtekstit/privatemg.html |url-status= dead |archive-url= https://web.archive.org/web/20070313232933/http://www.tuug.org/~jaakko/dm/dmtekstit/privatemg.html |archive-date= 13 March 2007}}</ref> However, the more accurate translation of the magazine's name (and therefore the band's name) is "Fashion News" or "Fashion Update".{{efn|''Dépêche'' meaning "dispatch" or "news report" from [[Old French]] ''despesche/despeche'', and ''mode'' meaning "fashion".<ref name="nametranslate"/>}}
Composition of Sound would become embarrassed about their band name and started thinking of changing it. There were several potential variants, including the name "Musical Moments" that was suggested by Vince Clarke as both a band name and the name of their first album. Starting at their concert on 24 September 1980 at Bridge House, the band changed their name to Depeche Mode, chosen by Dave Gahan.<ref>{{cite web|title= 1980-09-24 Bridge House, London, England, UK |access-date= 10 October 2022 |url= https://dmlive.wiki/wiki/1980-09-24_Bridge_House,_London,_England,_UK}}</ref><ref>{{Cite web |last=Desborough |first=Jenny |date=2021-03-26 |title=Depeche Mode name: What does Depeche Mode mean? |url=https://www.express.co.uk/entertainment/music/1414172/Depeche-Mode-name-what-does-Depeche-Mode-mean-how-evg |access-date=2023-02-27 |website=Express.co.uk |language=en}}</ref> When explaining the choice for the new name, which was taken from a mistranslation of the name of French fashion magazine ''Dépêche Mode'',<ref>{{cite magazine |title= Excelsior Publications suspend Dépêche mode |magazine= Stratégies |date= 8 November 2001 |access-date= 1 May 2017 |url= http://www.strategies.fr/actualites/medias/r67272W/excelsior-suspend-la-parution-de-depeche-mode.html |archive-url= https://web.archive.org/web/20081210205852/http://www.strategies.fr/actualites/medias/r67272W/excelsior-suspend-la-parution-de-depeche-mode.html |url-status= dead |archive-date= 10 December 2008 |language= fr }}</ref> Gore said, "It means 'hurried fashion' or 'fashion dispatch'. I like the sound of that."<ref>{{cite magazine|first= Max |last= Bell |title= Part 2 : Martin Gore – The Decadent Boy |magazine= No1 Magazine |date= 11 May 1985 |access-date= 29 October 2007 |url= http://www.tuug.org/~jaakko/dm/dmtekstit/privatemg.html |url-status= dead |archive-url= https://web.archive.org/web/20070313232933/http://www.tuug.org/~jaakko/dm/dmtekstit/privatemg.html |archive-date= 13 March 2007}}</ref> The more accurate translation of the magazine's name (and therefore the band's name) is "Fashion News" or "Fashion Update".{{efn|''Dépêche'' meaning "dispatch" or "news report" from [[Old French]] ''despesche/despeche'', and ''mode'' meaning "fashion".<ref name="nametranslate"/>}}


===''Speak & Spell'' and Clarke's departure (1980–1981)===
===''Speak & Spell'' and Clarke's departure (1980–1981)===
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Clarke began to voice his discomfort at the direction the band was taking, saying "there was never enough time to do anything. Not with all the interviews and photo sessions".<ref>{{cite magazine|first= Mark |last= Ellen |title= A Clean Break |date= February 1982 |magazine= [[Smash Hits]] |url= http://www.tuug.utu.fi/~jaakko/dm/smash4.txt |archive-url= https://web.archive.org/web/20140204023346/http://www.tuug.utu.fi/~jaakko/dm/smash4.txt |archive-date= 4 February 2014}}</ref> Clarke also said he was sick of touring, which Gahan said years later was "bullshit to be quite honest".<ref name="Giles"/> Gahan went on to say he "suddenly lost interest in it and he started getting letters from fans asking what kind of socks he wore."<ref name="Giles"/> In November 1981, Clarke publicly announced that he was leaving Depeche Mode.{{sfn|Miller|2004|p=103}}
Clarke began to voice his discomfort at the direction the band was taking, saying "there was never enough time to do anything. Not with all the interviews and photo sessions".<ref>{{cite magazine|first= Mark |last= Ellen |title= A Clean Break |date= February 1982 |magazine= [[Smash Hits]] |url= http://www.tuug.utu.fi/~jaakko/dm/smash4.txt |archive-url= https://web.archive.org/web/20140204023346/http://www.tuug.utu.fi/~jaakko/dm/smash4.txt |archive-date= 4 February 2014}}</ref> Clarke also said he was sick of touring, which Gahan said years later was "bullshit to be quite honest".<ref name="Giles"/> Gahan went on to say he "suddenly lost interest in it and he started getting letters from fans asking what kind of socks he wore."<ref name="Giles"/> In November 1981, Clarke publicly announced that he was leaving Depeche Mode.{{sfn|Miller|2004|p=103}}


Soon afterwards, Clarke joined up with blues singer [[Alison Moyet]] to form [[Yazoo (band)|Yazoo]] (or Yaz in the United States). Initial talk of Clarke's continuing to write material for Depeche Mode ultimately amounted to nothing. According to third-party sources, Clarke offered the remaining members of Depeche Mode the track "[[Only You (Yazoo song)|Only You]]", but they declined.{{sfn|Miller|2004|p=107}} Clarke, however, denied in an interview that such an offer ever took place saying, "I don't know where that came from. That's not true."<ref>{{cite magazine |first1= Stefan |last1= Reinke |first2= Kerstin |last2= Goh |title= Erasure im Soundcheck |newspaper= [[Westdeutsche Allgemeine Zeitung]] |date= 16 November 2011 |access-date= 19 October 2013 |url= https://www.derwesten.de/kultur/musik/erasure-im-soundcheck-id6079325.html?doply=true |language= de |archive-date= 29 July 2020 |archive-url= https://web.archive.org/web/20200729230124/https://www.derwesten.de/kultur/musik/erasure-im-soundcheck-id6079325.html?doply=true |url-status= dead }}</ref> The song went on to become a UK Top 3 hit for Yazoo. Gore, who had written "Tora! Tora! Tora!" and the instrumental "Big Muff" for ''Speak & Spell'', became the band's main composer and lyricist.{{sfn|Miller|2004|p=125}}
Soon afterwards, Clarke joined up with blues singer [[Alison Moyet]] to form [[Yazoo (band)|Yazoo]] (or Yaz in the United States). Initial talk of Clarke's continuing to write material for Depeche Mode ultimately amounted to nothing. According to third-party sources, Clarke offered the remaining members of Depeche Mode the track "[[Only You (Yazoo song)|Only You]]", but they declined.{{sfn|Miller|2004|p=107}} Clarke denied in an interview that such an offer ever took place, saying "I don't know where that came from. That's not true."<ref>{{cite magazine |first1= Stefan |last1= Reinke |first2= Kerstin |last2= Goh |title= Erasure im Soundcheck |newspaper= [[Westdeutsche Allgemeine Zeitung]] |date= 16 November 2011 |access-date= 19 October 2013 |url= https://www.derwesten.de/kultur/musik/erasure-im-soundcheck-id6079325.html?doply=true |language= de |archive-date= 29 July 2020 |archive-url= https://web.archive.org/web/20200729230124/https://www.derwesten.de/kultur/musik/erasure-im-soundcheck-id6079325.html?doply=true |url-status= dead }}</ref> The song went on to become a UK top three hit for Yazoo. Gore, who had written "Tora! Tora! Tora!" and the instrumental "Big Muff" for ''Speak & Spell'', became the band's main composer and lyricist.{{sfn|Miller|2004|p=125}}


===''A Broken Frame'' and Wilder joining (1981–1982)===
===''A Broken Frame'' and Wilder joining (1981–1982)===
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===''Music for the Masses'' (1987–1989)===
===''Music for the Masses'' (1987–1989)===
{{See also|Music for the Masses|101 (album)}}
{{See also|Music for the Masses|101 (album and film)}}
 
For 1987's ''[[Music for the Masses]]'', the band's sound and working methods continued to develop. It was the first time they worked with a producer not related to Mute Records. Dave Bascombe was called to assist with the recording sessions; although, according to Alan Wilder, Bascombe's role ended up being more that of engineer.<ref name="Shunt">{{cite web |title= Music for the Masses – Depeche Mode |website= Recoil.co.uk |access-date= 16 October 2010 |url= http://oldsite.recoil.co.uk/report/edit/dm8698/mftm1.htm |archive-date= 11 August 2022 |archive-url= https://web.archive.org/web/20220811203305/http://oldsite.recoil.co.uk/report/edit/dm8698/mftm1.htm |url-status= dead }}</ref> In making the album, the band largely eschewed [[Sampling (music)|sampling]] in favour of [[synthesiser]] experimentation.<ref>{{cite web |title= Music for the Masses – Depeche Mode |website= Recoil.co.uk |access-date= 16 October 2010 |url= http://oldsite.recoil.co.uk/report/edit/dm8698/mftm2.htm |archive-date= 24 September 2021 |archive-url= https://web.archive.org/web/20210924165134/http://oldsite.recoil.co.uk/report/edit/dm8698/mftm2.htm |url-status= dead }}</ref> While chart performance of the singles "[[Strangelove (song)|Strangelove]]", "[[Never Let Me Down Again]]" and "[[Behind the Wheel]]" proved to be disappointing in the UK, they performed well in countries such as Canada, Brazil, West Germany, South Africa, Sweden and Switzerland, often reaching the top 10. ''[[Record Mirror]]'' described ''Music for the Masses'' as "the most accomplished and sexy Mode album to date".<ref>{{cite news|first= Eleanor |last= Levy |title= Depeche Mode 'Music for the Masses' (Mute STUMM 47) |newspaper= [[Record Mirror]] |date= 3 October 1987 |url= http://www.sacreddm.net/1980s/rmi031087/rmi031087main.htm |archive-date= 26 August 2011 |archive-url= https://web.archive.org/web/20110826141031/http://www.sacreddm.net/1980s/rmi031087/rmi031087main.htm}}</ref> The album also reached No. 35 on the US [[Billboard 200|''Billboard'' 200]] chart.<ref>{{cite magazine|title= Billboard 200 |magazine= Billboard |date= 21 November 1987 |access-date= 28 August 2020 |url= https://www.billboard.com/charts/billboard-200/1987-11-21}}</ref>
For 1987's ''[[Music for the Masses]]'', the band's sound and working methods continued to develop. It was the first time they worked with a producer not related to Mute Records. Dave Bascombe was called to assist with the recording sessions; although, according to Alan Wilder, Bascombe's role ended up being more that of engineer.<ref name="Shunt">{{cite web |title= Music for the Masses – Depeche Mode |website= Recoil.co.uk |access-date= 16 October 2010 |url= http://oldsite.recoil.co.uk/report/edit/dm8698/mftm1.htm |archive-date= 11 August 2022 |archive-url= https://web.archive.org/web/20220811203305/http://oldsite.recoil.co.uk/report/edit/dm8698/mftm1.htm |url-status= dead }}</ref> In making the album, the band largely eschewed [[Sampling (music)|sampling]] in favour of [[synthesiser]] experimentation.<ref>{{cite web |title= Music for the Masses – Depeche Mode |website= Recoil.co.uk |access-date= 16 October 2010 |url= http://oldsite.recoil.co.uk/report/edit/dm8698/mftm2.htm |archive-date= 24 September 2021 |archive-url= https://web.archive.org/web/20210924165134/http://oldsite.recoil.co.uk/report/edit/dm8698/mftm2.htm |url-status= dead }}</ref> While chart performance of the singles "[[Strangelove (song)|Strangelove]]", "[[Never Let Me Down Again]]" and "[[Behind the Wheel]]" proved to be disappointing in the UK, they performed well in countries such as Canada, Brazil, West Germany, South Africa, Sweden and Switzerland, often reaching the top 10. ''[[Record Mirror]]'' described ''Music for the Masses'' as "the most accomplished and sexy Mode album to date".<ref>{{cite news|first= Eleanor |last= Levy |title= Depeche Mode 'Music for the Masses' (Mute STUMM 47) |newspaper= [[Record Mirror]] |date= 3 October 1987 |url= http://www.sacreddm.net/1980s/rmi031087/rmi031087main.htm |archive-date= 26 August 2011 |archive-url= https://web.archive.org/web/20110826141031/http://www.sacreddm.net/1980s/rmi031087/rmi031087main.htm}}</ref> The album also reached No. 35 on the US [[Billboard 200|''Billboard'' 200]] chart.<ref>{{cite magazine|title= Billboard 200 |magazine= Billboard |date= 21 November 1987 |access-date= 28 August 2020 |url= https://www.billboard.com/charts/billboard-200/1987-11-21}}</ref>


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{{Quote box
{{Quote box
|quote  = "I remember going to see them in Giants Stadium, and they broke the merchandising record; of [[Bon Jovi]], [[U2]]—all these bands—Depeche Mode were the biggest!"
|quote  = "I remember going to see them in Giants Stadium, and they broke the merchandising record; of [[Bon Jovi]], [[U2]]—all these bands—Depeche Mode were the biggest!"
|source = [[Flood (music producer)|Flood]], on [[Giants Stadium]] concert.{{sfn|Miller|2004|p=299}}
|source = [[Flood (music producer)|Flood]], on the Giants Stadium concert.{{sfn|Miller|2004|p=299}}
|width  = 25%
|width  = 25%
|align  = right
|align  = right
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}}
}}


The [[World Violation Tour]] saw the band play several stadium shows in the US. 42,000 tickets were sold within four hours for a show at Giants Stadium, and 48,000 tickets were sold within half-an-hour of going on sale for a show at [[Dodger Stadium]].{{sfn|Miller|2004|pp=299–300}} An estimated 1.2 million fans saw this tour worldwide.<ref name="P93"/>
The [[World Violation Tour]] saw the band play several stadium shows in the US. 42,000 tickets were sold within four hours for a show at [[Giants Stadium]], and 48,000 tickets were sold within half-an-hour of going on sale for a show at [[Dodger Stadium]].{{sfn|Miller|2004|pp=299–300}} An estimated 1.2 million fans saw this tour worldwide.<ref name="P93"/>


===''Songs of Faith and Devotion'' and Wilder's departure (1991–1995)===
===''Songs of Faith and Devotion'' and Wilder's departure (1991–1995)===
{{See also|Songs of Faith and Devotion|Songs of Faith and Devotion Live}}
{{See also|Songs of Faith and Devotion|Songs of Faith and Devotion Live|Devotional (video)}}
[[File:Alan Wilder at Szikra 2010 048.jpg|alt=Alan Wilder|thumb|Alan Wilder in 2010]]
[[File:Alan Wilder at Szikra 2010 048.jpg|alt=Alan Wilder|thumb|Alan Wilder in 2010]]
In 1991, Depeche Mode contribution "Death's Door" was released on [[Until the End of the World (soundtrack)|the soundtrack album]] for the film ''[[Until the End of the World]]''. Film director Wim Wenders had challenged musical artists to write music the way they imagined they would in the year 2000, the setting of the movie.
In 1991, Depeche Mode contribution "Death's Door" was released on [[Until the End of the World (soundtrack)|the soundtrack album]] for the film ''[[Until the End of the World]]''. Film director Wim Wenders had challenged musical artists to write music the way they imagined they would in the year 2000, the setting of the movie.
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{{blockquote|Since joining in 1982, I have continually striven to give total energy, enthusiasm and commitment to the furthering of the group's success, and in spite of a consistent imbalance in the distribution of the workload, willingly offered this. Unfortunately, within the group, this level of input never received the respect and acknowledgement that it warrants.<ref>{{cite web|title= Sad Announcement: Alan Wilder left DM |date= 2 June 1995 |url= http://www.tuug.utu.fi/~jaakko/dm/alan.html |archive-url= https://web.archive.org/web/20140204023346/http://www.tuug.utu.fi/~jaakko/dm/alan.html |archive-date= 4 February 2014}}</ref>|author=Alan Wilder}}
{{blockquote|Since joining in 1982, I have continually striven to give total energy, enthusiasm and commitment to the furthering of the group's success, and in spite of a consistent imbalance in the distribution of the workload, willingly offered this. Unfortunately, within the group, this level of input never received the respect and acknowledgement that it warrants.<ref>{{cite web|title= Sad Announcement: Alan Wilder left DM |date= 2 June 1995 |url= http://www.tuug.utu.fi/~jaakko/dm/alan.html |archive-url= https://web.archive.org/web/20140204023346/http://www.tuug.utu.fi/~jaakko/dm/alan.html |archive-date= 4 February 2014}}</ref>|author=Alan Wilder}}


He continued to work on his personal project [[Recoil (band)|Recoil]], releasing a fourth album (''[[Unsound Methods]]'') in 1997.
Wilder continued to work on his personal project [[Recoil (band)|Recoil]], releasing a fourth album (''[[Unsound Methods]]'') in 1997.


===''Ultra'' (1996–1998)===
===''Ultra'' (1995–1998)===
{{See also|Ultra (Depeche Mode album)|The Singles 86–98}}
{{See also|Ultra (Depeche Mode album)|The Singles 86–98}}
Despite Gahan's increasingly severe personal problems, Gore tried repeatedly during 1995 and 1996 to get the band recording again. However, Gahan would rarely turn up to scheduled sessions, and when he did, it would take weeks to get any vocals recorded; one six-week session at [[Electric Lady Studios|Electric Lady]] in New York produced just one usable vocal (for "Sister of Night"), and even that was pieced together from multiple takes.{{sfn|Miller|2004|p=413}} Gore was forced to contemplate breaking the band up and considered releasing the songs he had written as a solo album.<ref>{{cite news|first= Mark |last= Brown |title= Depeche vs. Drugs |newspaper= [[Winnipeg Free Press]] |date= 1 May 1997 |access-date= 5 November 2014 |url= http://www.tuug.org/~jaakko/dm/dmtekstit/drugs.txt |url-status= dead |archive-date= 26 January 2017 |archive-url= https://web.archive.org/web/20170126080710/http://www.tuug.org/~jaakko/dm/dmtekstit/drugs.txt}}</ref> In mid-1996, after his near-fatal overdose in which his heart stopped beating for two minutes,<ref>{{Cite web |date=24 July 2011 |title=Sacred DM – NME 18 01 97 |url=http://www.sacreddm.net/1990s/nme180197/nme180197main.htm |access-date=13 October 2022 |archive-date=24 July 2011 |archive-url=https://web.archive.org/web/20110724052835/http://www.sacreddm.net/1990s/nme180197/nme180197main.htm |url-status=dead }}</ref> Gahan entered a court-ordered [[drug rehabilitation]] program to battle his addiction to cocaine and heroin.<ref>{{cite magazine|first= Keith |last= Cameron |title= Dead Man Talking |date= 18 January 1997 |magazine= NME |url= http://www.sacreddm.net/1990s/nme180197/nme180197main.htm |archive-date= 24 July 2011 |archive-url= https://web.archive.org/web/20110724052835/http://www.sacreddm.net/1990s/nme180197/nme180197main.htm}}</ref> With Gahan out of rehab in 1996, Depeche Mode held recording sessions with producer [[Tim Simenon]].
Despite Gahan's increasingly severe personal problems, Gore tried repeatedly during 1995 and 1996 to get the band recording again. However, Gahan would rarely turn up to scheduled sessions, and when he did, it would take weeks to get any vocals recorded; one six-week session at [[Electric Lady Studios|Electric Lady]] in New York produced just one usable vocal (for "Sister of Night"), and even that was pieced together from multiple takes.{{sfn|Miller|2004|p=413}} Gore was forced to contemplate breaking the band up and considered releasing the songs he had written as a solo album.<ref>{{cite news|first= Mark |last= Brown |title= Depeche vs. Drugs |newspaper= [[Winnipeg Free Press]] |date= 1 May 1997 |access-date= 5 November 2014 |url= http://www.tuug.org/~jaakko/dm/dmtekstit/drugs.txt |url-status= dead |archive-date= 26 January 2017 |archive-url= https://web.archive.org/web/20170126080710/http://www.tuug.org/~jaakko/dm/dmtekstit/drugs.txt}}</ref> In mid-1996, after his near-fatal overdose in which his heart stopped beating for two minutes,<ref>{{Cite web |date=24 July 2011 |title=Sacred DM – NME 18 01 97 |url=http://www.sacreddm.net/1990s/nme180197/nme180197main.htm |access-date=13 October 2022 |archive-date=24 July 2011 |archive-url=https://web.archive.org/web/20110724052835/http://www.sacreddm.net/1990s/nme180197/nme180197main.htm |url-status=dead }}</ref> Gahan entered a court-ordered [[drug rehabilitation]] program to battle his addiction to cocaine and heroin.<ref>{{cite magazine|first= Keith |last= Cameron |title= Dead Man Talking |date= 18 January 1997 |magazine= NME |url= http://www.sacreddm.net/1990s/nme180197/nme180197main.htm |archive-date= 24 July 2011 |archive-url= https://web.archive.org/web/20110724052835/http://www.sacreddm.net/1990s/nme180197/nme180197main.htm}}</ref> With Gahan out of rehab in 1996, Depeche Mode held recording sessions with producer [[Tim Simenon]].
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===''Exciter'' (1999–2004)===
===''Exciter'' (1999–2004)===
{{See also|Exciter (Depeche Mode album)|Remixes 81–04}}
{{See also|Exciter (Depeche Mode album)|One Night in Paris|Remixes 81–04}}
In 2001, Depeche Mode released ''[[Exciter (Depeche Mode album)|Exciter]]'', produced by [[Mark Bell (British musician)|Mark Bell]] (of [[techno]] group [[LFO (British band)|LFO]]). Bell introduced a minimalist, digital sound to much of the album, influenced by [[Intelligent dance music|IDM]] and [[Glitch (music)|glitch]]. "[[Dream On (Depeche Mode song)|Dream On]]", "[[I Feel Loved]]", "[[Freelove]]" and "[[Goodnight Lovers]]" were released as singles in 2001 and 2002. Critical response to the album was mixed, with reasonably positive reviews from some magazines (''[[NME]]'', ''[[Rolling Stone]]'' and ''[[LA Weekly]]''), while others (including ''Q'' magazine, ''[[PopMatters]]'' and ''[[Pitchfork (website)|Pitchfork]]'') derided it as sounding underproduced, dull and lacking in luster.<ref>{{cite web|title= Exciter – Depeche Mode |website= [[Metacritic]] |access-date= 10 February 2007 |url= https://www.metacritic.com/music/exciter/depeche-mode}}</ref>
In 2001, Depeche Mode released ''[[Exciter (Depeche Mode album)|Exciter]]'', produced by [[Mark Bell (British musician)|Mark Bell]] (of [[techno]] group [[LFO (British band)|LFO]]). Bell introduced a minimalist, digital sound to much of the album, influenced by [[Intelligent dance music|IDM]] and [[Glitch (music)|glitch]]. "[[Dream On (Depeche Mode song)|Dream On]]", "[[I Feel Loved]]", "[[Freelove]]" and "[[Goodnight Lovers]]" were released as singles in 2001 and 2002. Critical response to the album was mixed, with reasonably positive reviews from some magazines (''[[NME]]'', ''[[Rolling Stone]]'' and ''[[LA Weekly]]''), while others (including ''Q'' magazine, ''[[PopMatters]]'' and ''[[Pitchfork (website)|Pitchfork]]'') derided it as sounding underproduced, dull and lacking in luster.<ref>{{cite web|title= Exciter – Depeche Mode |website= [[Metacritic]] |access-date= 10 February 2007 |url= https://www.metacritic.com/music/exciter/depeche-mode}}</ref>


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===''Playing the Angel'' (2005–2007)===
===''Playing the Angel'' (2005–2007)===
[[File:Bremen 2006 Depeche Mode by-RaBoe.jpg|thumb|[[Touring the Angel]] concert in [[Bremen]], June 2006]]{{See also|Playing the Angel|Touring the Angel: Live in Milan|The Best of Depeche Mode Volume 1}}
[[File:Bremen 2006 Depeche Mode by-RaBoe.jpg|thumb|[[Touring the Angel]] concert in [[Bremen]], June 2006]]{{See also|Playing the Angel|Touring the Angel: Live in Milan|The Best of Depeche Mode Volume 1}}
In October 2005, the band released their 11th studio album ''[[Playing the Angel]]''. Produced by [[Ben Hillier]], the album peaked at No. 1 in 18 countries and featured the hit single "[[Precious (Depeche Mode song)|Precious]]". This is the first Depeche Mode album to feature lyrics written by Gahan and, consequently, the first album since 1984's ''[[Some Great Reward]]'' featuring songs not written by Gore. "[[Suffer Well]]" was the first ever post-Clarke Depeche Mode single not to be written by Gore (lyrics by Gahan, music by Philpott/Eigner). The final single from the album was "[[John the Revelator / Lilian|John the Revelator]]", an up-tempo electronic track with a running religious theme, accompanied by "Lilian", a lush track that was a hit in many clubs all over the world.{{citation needed|date=October 2017}}
In October 2005, Depeche Mode released their 11th studio album ''[[Playing the Angel]]''. Produced by [[Ben Hillier]], the album peaked at No. 1 in 18 countries and featured the hit single "[[Precious (Depeche Mode song)|Precious]]". This is their first album to feature lyrics written by Gahan and, consequently, the first album since 1984's ''[[Some Great Reward]]'' featuring songs not written by Gore. "[[Suffer Well]]" was the first ever post-Clarke Depeche Mode single not to be written by Gore (lyrics by Gahan, music by Philpott/Eigner). The final single from the album was "[[John the Revelator / Lilian|John the Revelator]]", an up-tempo electronic track with a running religious theme, accompanied by "Lilian", a lush track that was a hit in many clubs all over the world.{{citation needed|date=October 2017}}


To promote ''Playing the Angel'', the band launched [[Touring the Angel]], a concert tour of Europe and North America that began in November 2005 and ran for nine months. During the last two legs of the tour Depeche Mode headlined a number of festivals including the [[Coachella|Coachella Valley Music and Arts Festival]] and the [[Wireless Festival|O<sub>2</sub> Wireless Festival]]. In total, the band played to more than 2.8 million people across 31 countries and the tour was one of the highest grossing and critically acclaimed tours of 2005/2006.<ref name="Mason"/> Speaking about the tour, Gahan praised it as "probably the most enjoyable, rewarding live shows we've ever done. The new material was just waiting to be played live. It took on a life of its own. With the energy of the crowds, it just came to life."<ref>{{cite press release|title= "Depeche Mode: Touring the Angel, Live in Milan", to Premiere Nationwide in a One-Night Big Screen Concerts(SM) Event |agency= [[Business Wire]] |date= 11 September 2006 |url= http://www.businesswire.com/portal/site/home/permalink/?ndmViewId=news_view&newsId=20060911005891&newsLang=en |archive-date= 16 March 2012 |archive-url= https://web.archive.org/web/20120316084326/http://www.businesswire.com/portal/site/home/permalink/?ndmViewId=news_view&newsId=20060911005891&newsLang=en}}</ref> Two shows at [[Milan]]'s [[Forum di Milano|Fila Forum]] were filmed and edited into a concert film, released on DVD as ''[[Touring the Angel: Live in Milan]]''.<ref>{{cite web|title= Depeche Mode – Touring The Angel: Live in Milan |website= Liveinmilan.depechemode.com |url= http://liveinmilan.depechemode.com/ |archive-date= 4 March 2016 |archive-url= https://web.archive.org/web/20160304131231/http://liveinmilan.depechemode.com/}}</ref>
To promote ''Playing the Angel'', the band launched [[Touring the Angel]], a concert tour of Europe and North America that began in November 2005 and ran for nine months. During the last two legs of the tour Depeche Mode headlined a number of festivals including the [[Coachella|Coachella Valley Music and Arts Festival]] and the [[Wireless Festival|O<sub>2</sub> Wireless Festival]]. In total, the band played to more than 2.8 million people across 31 countries and the tour was one of the highest grossing and critically acclaimed tours of 2005/2006.<ref name="Mason"/> Speaking about the tour, Gahan praised it as "probably the most enjoyable, rewarding live shows we've ever done. The new material was just waiting to be played live. It took on a life of its own. With the energy of the crowds, it just came to life."<ref>{{cite press release|title= "Depeche Mode: Touring the Angel, Live in Milan", to Premiere Nationwide in a One-Night Big Screen Concerts(SM) Event |agency= [[Business Wire]] |date= 11 September 2006 |url= http://www.businesswire.com/portal/site/home/permalink/?ndmViewId=news_view&newsId=20060911005891&newsLang=en |archive-date= 16 March 2012 |archive-url= https://web.archive.org/web/20120316084326/http://www.businesswire.com/portal/site/home/permalink/?ndmViewId=news_view&newsId=20060911005891&newsLang=en}}</ref> Two shows at [[Milan]]'s [[Forum di Milano|Fila Forum]] were filmed and edited into a concert film, released on DVD as ''[[Touring the Angel: Live in Milan]]''.<ref>{{cite web|title= Depeche Mode – Touring The Angel: Live in Milan |website= Liveinmilan.depechemode.com |url= http://liveinmilan.depechemode.com/ |archive-date= 4 March 2016 |archive-url= https://web.archive.org/web/20160304131231/http://liveinmilan.depechemode.com/}}</ref>
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{{See also|Sounds of the Universe|Tour of the Universe: Barcelona 20/21.11.09|Remixes 2: 81–11}}
{{See also|Sounds of the Universe|Tour of the Universe: Barcelona 20/21.11.09|Remixes 2: 81–11}}
[[File:Depeche Mode Milano 18 06 2009 (3641921971).jpg|thumb|Depeche Mode in 2009]]
[[File:Depeche Mode Milano 18 06 2009 (3641921971).jpg|thumb|Depeche Mode in 2009]]
In May 2008, the band returned to the studio with producer [[Ben Hillier]] to work on some songs that Martin Gore had demoed at his home studio in [[Santa Barbara, California]]. Later that year it was announced that Depeche Mode were splitting from their long-term US label, Warner Music, and signing with [[EMI]] Music worldwide.<ref>{{cite web|title= Depeche Mode sign worldwide exclusive deal with EMI Music – to include the US for the first time |publisher= [[EMI]] Music |date= 7 October 2008 |url= http://www.emimusic.com/news/2008/depeche-mode-sign-worldwide-exclusive-deal-with-emi-music-to-include-the-us-for-the-first-time/ |archive-url= https://web.archive.org/web/20130623164214/http://www.emimusic.com/news/2008/depeche-mode-sign-worldwide-exclusive-deal-with-emi-music-to-include-the-us-for-the-first-time/ |archive-date= 23 June 2013}}</ref> The album was created in four sessions, two in New York and two in Santa Barbara. A total of 22 songs were recorded, with the standard album being 13 songs in length while many of the others were released in subsequent deluxe editions.<ref>{{cite magazine|first= Peter |last= Kirn |title= Depeche Mode: Exploring Deeper Space on Sounds of the Universe |date= May 2009 |magazine= [[Keyboard (magazine)|Keyboard]] |url= http://www.keyboardmag.com/article/depeche-mode-exploring/may-09/95777 |archive-date= 5 May 2009 |archive-url= https://web.archive.org/web/20090505172209/http://www.keyboardmag.com/article/depeche-mode-exploring/may-09/95777}}</ref>
In May 2008, Depeche Mode returned to the studio with producer [[Ben Hillier]] to work on some songs that Martin Gore had demoed at his home studio in [[Santa Barbara, California]]. Later that year it was announced that they were splitting from their long-term US label, Warner Music, and signing with [[EMI]] Music worldwide.<ref>{{cite web|title= Depeche Mode sign worldwide exclusive deal with EMI Music – to include the US for the first time |publisher= [[EMI]] Music |date= 7 October 2008 |url= http://www.emimusic.com/news/2008/depeche-mode-sign-worldwide-exclusive-deal-with-emi-music-to-include-the-us-for-the-first-time/ |archive-url= https://web.archive.org/web/20130623164214/http://www.emimusic.com/news/2008/depeche-mode-sign-worldwide-exclusive-deal-with-emi-music-to-include-the-us-for-the-first-time/ |archive-date= 23 June 2013}}</ref> The album was created in four sessions, two in New York and two in Santa Barbara. A total of 22 songs were recorded, with the standard album being 13 songs in length while many of the others were released in subsequent deluxe editions.<ref>{{cite magazine|first= Peter |last= Kirn |title= Depeche Mode: Exploring Deeper Space on Sounds of the Universe |date= May 2009 |magazine= [[Keyboard (magazine)|Keyboard]] |url= http://www.keyboardmag.com/article/depeche-mode-exploring/may-09/95777 |archive-date= 5 May 2009 |archive-url= https://web.archive.org/web/20090505172209/http://www.keyboardmag.com/article/depeche-mode-exploring/may-09/95777}}</ref>


In 2009, Depeche Mode allowed their likeness to be used in [[Valve Corporation|Valve]]'s ''[[Left 4 Dead 2]]''.<ref>{{cite web|first= Richard |last= Mitchell |title= Depeche Mode is all over ''Left 4 Dead 2'' |website= [[Engadget]] |date= 29 July 2009 |access-date= 5 July 2020 |url= https://www.engadget.com/2009-07-29-depeche-mode-is-all-over-left-4-dead-2.html}}</ref>
In 2009, Depeche Mode allowed their likeness to be used in [[Valve Corporation|Valve]]'s ''[[Left 4 Dead 2]]''. The character Rochelle wears a pink T-shirt with an image from the "Touring the Angels" tour on the front.<ref>{{cite web|first= Richard |last= Mitchell |title= Depeche Mode is all over ''Left 4 Dead 2'' |website= [[Engadget]] |date= 29 July 2009 |access-date= 5 July 2020 |url= https://www.engadget.com/2009-07-29-depeche-mode-is-all-over-left-4-dead-2.html}}</ref>


[[File:Depeche Mode O2 15 12 09.JPG|right|thumb|[[Tour of the Universe (tour)|Tour of the Universe]] concert at London's O<sub>2</sub> Arena, December 2009]]
[[File:Depeche Mode O2 15 12 09.JPG|right|thumb|[[Tour of the Universe (tour)|Tour of the Universe]] concert at London's O<sub>2</sub> Arena, December 2009]]
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On 6 June 2011, as the final commitment to their contract with EMI,<ref>{{cite magazine|first= Marc |last= Spitz |title= Q&A: Martin Gore of Depeche Mode |magazine= [[Vanity Fair (magazine)|Vanity Fair]] |date= 7 June 2011 |access-date= 11 June 2011 |url= https://www.vanityfair.com/online/daily/2011/06/depeche-mode-qa}}</ref> the band released a [[Remix album|remix]] [[compilation album]], entitled ''[[Remixes 2: 81–11]]'' that features remixes by former members [[Vince Clarke]] and [[Alan Wilder]].<ref name="CoS">{{cite web |first= Alex |last= Young |title= Depeche Mode members to reunite for new remix album |website= [[Consequence of Sound]] |date= 18 November 2010 |access-date= 7 December 2010 |url=https://consequence.net/2010/11/depeche-mode-members-to-reunite-for-new-remix-album/}}</ref><ref>{{cite web|title= Vince Clarke, Alan Wilder remixing Depeche Mode tracks for CD expected next year |website= [[Slicing Up Eyeballs]] |date= 16 November 2010 |access-date= 7 December 2010 |url= http://www.slicingupeyeballs.com/2010/11/16/depeche-mode-remix-album-vince-clarke-alan-wilder/}}</ref> Other remixers involved with the project were [[Nick Rhodes]] of [[Duran Duran]],<ref>{{cite web|first= B. |last= Van Isacker |title= Duran Duran remix 'Personal Jesus' for upcoming Depeche Mode remix album |website= Side-Line |date= 28 November 2010 |url= http://www.side-line.com/news_comments.php?id=45484_0_2_0_C |archive-date= 6 September 2013 |archive-url= https://web.archive.org/web/20130906062409/http://www.side-line.com/news_comments.php?id=45484_0_2_0_C}}</ref> [[Röyksopp]], Karlsson & Winnberg of [[Miike Snow]], [[Eric Prydz]], [[Clark (musician)|Clark]] and more.<ref>{{cite web|title= Depeche Mode "Remixes 2: 81–11" Coming 6 June |website= DepecheMode.com |url= http://www.depechemode.com/news.html#news_133 |url-status= dead |archive-date= 7 September 2009 |archive-url= https://web.archive.org/web/20090907005656/http://www.depechemode.com/news.html#news_133}}</ref> A new remix of "Personal Jesus" by [[Stargate (record producers)|Stargate]], entitled "[[Personal Jesus 2011]]", was released as a single on 30 May 2011, in support of the compilation.
On 6 June 2011, as the final commitment to their contract with EMI,<ref>{{cite magazine|first= Marc |last= Spitz |title= Q&A: Martin Gore of Depeche Mode |magazine= [[Vanity Fair (magazine)|Vanity Fair]] |date= 7 June 2011 |access-date= 11 June 2011 |url= https://www.vanityfair.com/online/daily/2011/06/depeche-mode-qa}}</ref> the band released a [[Remix album|remix]] [[compilation album]], entitled ''[[Remixes 2: 81–11]]'' that features remixes by former members [[Vince Clarke]] and [[Alan Wilder]].<ref name="CoS">{{cite web |first= Alex |last= Young |title= Depeche Mode members to reunite for new remix album |website= [[Consequence of Sound]] |date= 18 November 2010 |access-date= 7 December 2010 |url=https://consequence.net/2010/11/depeche-mode-members-to-reunite-for-new-remix-album/}}</ref><ref>{{cite web|title= Vince Clarke, Alan Wilder remixing Depeche Mode tracks for CD expected next year |website= [[Slicing Up Eyeballs]] |date= 16 November 2010 |access-date= 7 December 2010 |url= http://www.slicingupeyeballs.com/2010/11/16/depeche-mode-remix-album-vince-clarke-alan-wilder/}}</ref> Other remixers involved with the project were [[Nick Rhodes]] of [[Duran Duran]],<ref>{{cite web|first= B. |last= Van Isacker |title= Duran Duran remix 'Personal Jesus' for upcoming Depeche Mode remix album |website= Side-Line |date= 28 November 2010 |url= http://www.side-line.com/news_comments.php?id=45484_0_2_0_C |archive-date= 6 September 2013 |archive-url= https://web.archive.org/web/20130906062409/http://www.side-line.com/news_comments.php?id=45484_0_2_0_C}}</ref> [[Röyksopp]], Karlsson & Winnberg of [[Miike Snow]], [[Eric Prydz]], [[Clark (musician)|Clark]] and more.<ref>{{cite web|title= Depeche Mode "Remixes 2: 81–11" Coming 6 June |website= DepecheMode.com |url= http://www.depechemode.com/news.html#news_133 |url-status= dead |archive-date= 7 September 2009 |archive-url= https://web.archive.org/web/20090907005656/http://www.depechemode.com/news.html#news_133}}</ref> A new remix of "Personal Jesus" by [[Stargate (record producers)|Stargate]], entitled "[[Personal Jesus 2011]]", was released as a single on 30 May 2011, in support of the compilation.


Depeche Mode contributed their cover of the U2 song "[[So Cruel]]" to the tribute album ''[[AHK-toong BAY-bi Covered]]'' honouring the 20th anniversary of ''[[Achtung Baby]]'', a 1991 album by [[U2]]. The compilation CD was released with the December 2011 issue of ''[[Q (magazine)|Q]]''.<ref>{{cite web|title= Depeche Mode, Jack White, Patti Smith, Glasvegas help cover U2's 'Achtung Baby' |website= [[Slicing Up Eyeballs]] |date= 4 September 2011 |access-date= 15 September 2011 |url= http://www.slicingupeyeballs.com/2011/09/04/depeche-mode-glasvegas-u2-covers-achtung-baby/}}</ref><ref>{{cite magazine|first= Karen |last= Bliss |title= Bono Announces 'Achtung Baby' Covers Album |magazine= Rolling Stone |date= 9 September 2011 |access-date= 5 November 2014 |url= https://www.rollingstone.com/music/news/bono-announces-achtung-baby-covers-album-20110909}}</ref>
Also in 2011, Depeche Mode contributed their cover of the [[U2]] song "[[So Cruel]]" to the tribute album ''[[AHK-toong BAY-bi Covered]]'', honouring the 20th anniversary of the album ''[[Achtung Baby]]''. The compilation CD was released with the December 2011 issue of ''[[Q (magazine)|Q]]''.<ref>{{cite web|title= Depeche Mode, Jack White, Patti Smith, Glasvegas help cover U2's 'Achtung Baby' |website= [[Slicing Up Eyeballs]] |date= 4 September 2011 |access-date= 15 September 2011 |url= http://www.slicingupeyeballs.com/2011/09/04/depeche-mode-glasvegas-u2-covers-achtung-baby/}}</ref><ref>{{cite magazine|first= Karen |last= Bliss |title= Bono Announces 'Achtung Baby' Covers Album |magazine= Rolling Stone |date= 9 September 2011 |access-date= 5 November 2014 |url= https://www.rollingstone.com/music/news/bono-announces-achtung-baby-covers-album-20110909}}</ref>


===''Delta Machine'' (2012–2014)===
===''Delta Machine'' (2012–2014)===
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In a ''2015 Rolling Stone'' interview celebrating the 25th anniversary of ''[[Violator (album)|Violator]]'', Gore stated that [[Johnny Cash]]'s cover of "[[Personal Jesus]]" is his favorite cover version of a Depeche Mode song.<ref>{{cite magazine|first= Kory |last= Grow |title= Black Celebration: Depeche Mode Look Back on 'Violator' 25 Years Later |magazine= Rolling Stone |date= 19 March 2015 |access-date= 20 June 2018 |url= https://www.rollingstone.com/music/features/black-celebration-depeche-mode-look-back-on-violator-25-years-later-20150319}}</ref>
In a ''2015 Rolling Stone'' interview celebrating the 25th anniversary of ''[[Violator (album)|Violator]]'', Gore stated that [[Johnny Cash]]'s cover of "[[Personal Jesus]]" is his favorite cover version of a Depeche Mode song.<ref>{{cite magazine|first= Kory |last= Grow |title= Black Celebration: Depeche Mode Look Back on 'Violator' 25 Years Later |magazine= Rolling Stone |date= 19 March 2015 |access-date= 20 June 2018 |url= https://www.rollingstone.com/music/features/black-celebration-depeche-mode-look-back-on-violator-25-years-later-20150319}}</ref>


On 25 January 2016, Gore announced a projected return to the recording studio in April, with both Gore and Gahan having already written and demoed new songs.<ref>{{cite web|title= Episode 68 – Martin Gore from Depeche Mode |website= The RobCast |date= 25 January 2016 |access-date= 6 April 2017 |url= https://robbell.podbean.com/e/episode-68-martin-gore-from-depeche-mode/}}</ref> In September, the official Depeche Mode [[Facebook]] page hinted at a new release, later confirmed by the band to be a music video compilation, ''Video Singles Collection'', scheduled for release in November by [[Sony]].<ref>{{cite magazine|first= Kory |last= Grow |title= Depeche Mode Detail Massive Video Box Set |date= 13 September 2016 |magazine= Rolling Stone |access-date= 4 October 2016 |url= https://www.rollingstone.com/music/news/depeche-mode-detail-massive-video-box-set-w439355}}</ref> In October 2016, the band announced that their fourteenth album titled ''[[Spirit (Depeche Mode album)|Spirit]].'' It was produced by [[James Ford (musician)|James Ford]], and was released on 17 March 2017.<ref>{{cite web|first= Sheldon |last= Pearce |title= Depeche Mode Announce New Album Spirit, Upcoming Tour |website= [[Pitchfork (website)|Pitchfork]] |date= 11 October 2016 |access-date= 11 October 2016 |url= https://pitchfork.com/news/68361-depeche-mode-announce-new-album-spirit-upcoming-tour/}}</ref>
On 25 January 2016, Gore announced a projected return to the recording studio in April, with both Gore and Gahan having already written and demoed new songs.<ref>{{cite web|title= Episode 68 – Martin Gore from Depeche Mode |website= The RobCast |date= 25 January 2016 |access-date= 6 April 2017 |url= https://robbell.podbean.com/e/episode-68-martin-gore-from-depeche-mode/}}</ref> In September, the official Depeche Mode [[Facebook]] page hinted at a new release, later confirmed by the band to be a music video compilation, ''Video Singles Collection'', scheduled for release in November by [[Sony]].<ref>{{cite magazine|first= Kory |last= Grow |title= Depeche Mode Detail Massive Video Box Set |date= 13 September 2016 |magazine= Rolling Stone |access-date= 4 October 2016 |url= https://www.rollingstone.com/music/news/depeche-mode-detail-massive-video-box-set-w439355}}</ref> In October 2016, the band announced their fourteenth album titled ''[[Spirit (Depeche Mode album)|Spirit]]''. It was produced by [[James Ford (musician)|James Ford]], and was released on 17 March 2017.<ref>{{cite web|first= Sheldon |last= Pearce |title= Depeche Mode Announce New Album Spirit, Upcoming Tour |website= [[Pitchfork (website)|Pitchfork]] |date= 11 October 2016 |access-date= 11 October 2016 |url= https://pitchfork.com/news/68361-depeche-mode-announce-new-album-spirit-upcoming-tour/}}</ref>


"[[Where's the Revolution]]", the lead single from ''Spirit'', was released 3 February 2017, along with its lyric video. The official video was published a week later, on 9 February.<ref>{{cite news|first= Roisin |last= O'Connor |title= Where's the Revolution? Depeche Mode release blistering new track |newspaper= [[The Independent]] |date= 3 February 2017 |access-date= 19 February 2017 |url= https://www.independent.co.uk/arts-entertainment/music/news/depeche-mode-wheres-the-revolution-new-music-album-release-date-donald-trump-a7562471.html/}}</ref> The [[Global Spirit Tour]] officially kicked off on 5 May 2017 with a performance in Stockholm, Sweden, at the Friends Arena. The first leg of the tour covered European countries only, ending with a final stadium show in Cluj-Napoca, Romania, at the Cluj Arena. The second leg of the tour covered North America and returned to Europe. The North America leg of the tour kicked off in Salt Lake City, Utah, on 23 August, at the USANA Amphitheatre. Depeche Mode broke a record when the band became the first to play four nights at the [[Hollywood Bowl]].<ref name="variety2017">{{cite web | last=Trakin | first=Roy | title=Depeche Mode's Love Affair With Los Angeles Explained, on Heels of Historic Hollywood Bowl Run | publisher=Variety | date=2017-04-21 | url=https://variety.com/2017/music/news/depeche-modes-hollywood-bowl-1202391792/ | access-date=2023-03-29}}</ref> The band remained in North America until 15 November when they left for Dublin to resume the European leg. The band ended the tour in Europe with two sold-out shows on 23 and 25 July 2018 in Berlin, Germany, at the Waldbühne.<ref>{{cite web |title= The Global Spirit Tour |website= Depechemode.com |date= 12 October 2016 |access-date= 12 September 2017 |url= http://www.depechemode.com/article/the-global-spirit-tour |archive-date= 11 October 2016 |archive-url= https://web.archive.org/web/20161011224914/http://www.depechemode.com/article/the-global-spirit-tour |url-status= dead }}</ref><ref>{{cite web |title= Global Spirit Tour |website= Depechemode.com |access-date= 12 September 2017 |url= http://www.depechemode.com/tour |archive-date= 27 October 2016 |archive-url= https://web.archive.org/web/20161027073958/http://www.depechemode.com/tour |url-status= dead }}</ref><ref>{{cite magazine|first= Bob |last= Allen |title= Just Can't Get Enough: Depeche Mode's World Tour Tops $202 Million |magazine= [[Pollstar]] |date= 4 September 2018 |access-date= 14 October 2019 |url= https://www.pollstar.com/article/just-cant-get-enough-depeche-modes-world-tour-tops-202-million-136227}}</ref>
"[[Where's the Revolution]]", the lead single from ''Spirit'', was released 3 February 2017, along with its lyric video. The official video was published a week later, on 9 February.<ref>{{cite news|first= Roisin |last= O'Connor |title= Where's the Revolution? Depeche Mode release blistering new track |newspaper= [[The Independent]] |date= 3 February 2017 |access-date= 19 February 2017 |url= https://www.independent.co.uk/arts-entertainment/music/news/depeche-mode-wheres-the-revolution-new-music-album-release-date-donald-trump-a7562471.html/}}</ref> The [[Global Spirit Tour]] officially kicked off on 5 May 2017 with a performance in Stockholm, Sweden, at the Friends Arena. The first leg of the tour covered European countries only, ending with a final stadium show in Cluj-Napoca, Romania, at the Cluj Arena. The second leg of the tour covered North America and returned to Europe. The North America leg of the tour kicked off in Salt Lake City, Utah, on 23 August, at the USANA Amphitheatre. Depeche Mode broke a record when the band became the first to play four nights at the [[Hollywood Bowl]].<ref name="variety2017">{{cite web | last=Trakin | first=Roy | title=Depeche Mode's Love Affair With Los Angeles Explained, on Heels of Historic Hollywood Bowl Run | publisher=Variety | date=2017-04-21 | url=https://variety.com/2017/music/news/depeche-modes-hollywood-bowl-1202391792/ | access-date=2023-03-29}}</ref> The band remained in North America until 15 November when they left for Dublin to resume the European leg. The band ended the tour in Europe with two sold-out shows on 23 and 25 July 2018 in Berlin, Germany, at the Waldbühne.<ref>{{cite web |title= The Global Spirit Tour |website= Depechemode.com |date= 12 October 2016 |access-date= 12 September 2017 |url= http://www.depechemode.com/article/the-global-spirit-tour |archive-date= 11 October 2016 |archive-url= https://web.archive.org/web/20161011224914/http://www.depechemode.com/article/the-global-spirit-tour |url-status= dead }}</ref><ref>{{cite web |title= Global Spirit Tour |website= Depechemode.com |access-date= 12 September 2017 |url= http://www.depechemode.com/tour |archive-date= 27 October 2016 |archive-url= https://web.archive.org/web/20161027073958/http://www.depechemode.com/tour |url-status= dead }}</ref><ref>{{cite magazine|first= Bob |last= Allen |title= Just Can't Get Enough: Depeche Mode's World Tour Tops $202 Million |magazine= [[Pollstar]] |date= 4 September 2018 |access-date= 14 October 2019 |url= https://www.pollstar.com/article/just-cant-get-enough-depeche-modes-world-tour-tops-202-million-136227}}</ref>
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On 15 August 2022, the social media accounts for Depeche Mode posted a photo of Gahan and Gore in a recording studio, with them tweeting, "finding stability in what we know and love, and focusing on what gives life meaning and purpose", which magazines like ''[[NME]]'' suggested was a hint at work on a new studio album.<ref>{{Cite web |last=Jones |first=Damian |date=15 August 2022 |title=Surviving members of Depeche Mode share new photo from the studio |url=https://www.nme.com/news/music/surviving-members-of-depeche-mode-share-new-photo-from-the-studio-3290364 |access-date=18 August 2022 |website=NME |language=en-GB}}</ref><ref>{{Cite web |title=Depeche Mode on Instagram: "Finding stability in what we know and love, and focusing on what gives life meaning and purpose." |url=https://www.instagram.com/p/ChSYaU-Jbhh/ |access-date=16 August 2022 |website=Instagram |language=en}}</ref>
On 15 August 2022, the social media accounts for Depeche Mode posted a photo of Gahan and Gore in a recording studio, with them tweeting, "finding stability in what we know and love, and focusing on what gives life meaning and purpose", which magazines like ''[[NME]]'' suggested was a hint at work on a new studio album.<ref>{{Cite web |last=Jones |first=Damian |date=15 August 2022 |title=Surviving members of Depeche Mode share new photo from the studio |url=https://www.nme.com/news/music/surviving-members-of-depeche-mode-share-new-photo-from-the-studio-3290364 |access-date=18 August 2022 |website=NME |language=en-GB}}</ref><ref>{{Cite web |title=Depeche Mode on Instagram: "Finding stability in what we know and love, and focusing on what gives life meaning and purpose." |url=https://www.instagram.com/p/ChSYaU-Jbhh/ |access-date=16 August 2022 |website=Instagram |language=en}}</ref>


On 4 October 2022, Depeche Mode announced their fifteenth studio album ''[[Memento Mori (Depeche Mode album)|Memento Mori]]'' and a tour to support the album which started on 23 March 2023.<ref name=":0">{{Cite magazine|last=Levine|first=Robert|title=Depeche Mode Returns With 'Memento More' Album, World Tour|url=https://www.billboard.com/pro/depeche-mode-album-tour-dates-memento-more/|date=4 October 2022|access-date=4 October 2022|magazine=Billboard}}</ref>
On 4 October 2022, Depeche Mode announced their fifteenth studio album ''[[Memento Mori (Depeche Mode album)|Memento Mori]]'' and a [[Memento Mori World Tour|tour]] to support the album which started on 23 March 2023;<ref name=":0">{{Cite magazine|last=Levine|first=Robert|title=Depeche Mode Returns With 'Memento More' Album, World Tour|url=https://www.billboard.com/pro/depeche-mode-album-tour-dates-memento-more/|date=4 October 2022|access-date=4 October 2022|magazine=Billboard}}</ref> the 23 March 2023 concert, which was held in the [[Golden 1 Center]] in [[Sacramento, California]], would also mark Depeche Mode first performance in the United States in five years.<ref>{{cite news|url=https://ultimateclassicrock.com/depeche-mode-2023-tour-launch/|title=Depeche Mode Plays First US Concert In Five Years: Video, Set List|first=Corey|last=Irwin|publisher=Ultimate Rock Classic|date=March 24, 2025|accessdate=October 28, 2025}}</ref> The tour, which consisted of 112 shows, concluded on April 8, 2024.<ref>{{cite news|url=https://www.nme.com/news/music/watch-depeche-mode-play-final-show-of-memento-mori-world-tour-3615551|title=Watch Depeche Mode play final show of ‘Memento Mori’ world tour|first=Anagrical|last=Duran|publisher=NME|date=April 9, 2024|accessdate=October 28, 2025}}</ref>


The first single, "[[Ghosts Again]]", released on 9 February 2023, was co-written by [[Richard Butler (singer)|Richard Butler]] of [[the Psychedelic Furs]].<ref>{{Cite web |last=Trendell |first=Andrew |date=9 February 2023 |title=Depeche Mode share new single 'Ghosts Again' and details of new album 'Memento Mori' |url=https://www.nme.com/news/music/depeche-mode-ghosts-again-listen-new-album-memento-mori-tracklist-release-date-3395588 |access-date=10 February 2023 |website=NME |language=en-GB}}</ref><ref>{{Cite web |last=Trendell |first=Andrew |date=21 March 2023 |title=Depeche Mode on what The Psychedelic Furs' Richard Butler brought to 'Memento Mori' |url=https://www.nme.com/news/music/depeche-mode-on-what-the-psychedelic-furs-richard-butler-brought-to-memento-mori-3417557 |access-date=10 February 2024 |website=NME |language=en-GB}}</ref> It received relative success in the UK, charting at No. 14. "Ghosts Again" had widespread success in the US, charting in the top 10 of 3 ''Billboard'' charts. Reaching number 2 on the Adult Alternative Songs chart, Gahan said it "captures this perfect balance of melancholy and joy", while Gore said it has "such an upbeat feel to it" and how rare it is for the band to record a song that "I just don't get sick of listening to."
The first single, "[[Ghosts Again]]", released on 9 February 2023, was co-written by [[Richard Butler (singer)|Richard Butler]] of [[the Psychedelic Furs]].<ref>{{Cite web |last=Trendell |first=Andrew |date=9 February 2023 |title=Depeche Mode share new single 'Ghosts Again' and details of new album 'Memento Mori' |url=https://www.nme.com/news/music/depeche-mode-ghosts-again-listen-new-album-memento-mori-tracklist-release-date-3395588 |access-date=10 February 2023 |website=NME |language=en-GB}}</ref><ref>{{Cite web |last=Trendell |first=Andrew |date=21 March 2023 |title=Depeche Mode on what The Psychedelic Furs' Richard Butler brought to 'Memento Mori' |url=https://www.nme.com/news/music/depeche-mode-on-what-the-psychedelic-furs-richard-butler-brought-to-memento-mori-3417557 |access-date=10 February 2024 |website=NME |language=en-GB}}</ref> It received relative success in the UK, charting at No. 14. "Ghosts Again" had widespread success in the US, charting in the top 10 of 3 ''Billboard'' charts. Reaching number 2 on the Adult Alternative Songs chart, Gahan said it "captures this perfect balance of melancholy and joy", while Gore said it has "such an upbeat feel to it" and how rare it is for the band to record a song that "I just don't get sick of listening to."


The band stated that work on the album began during the [[COVID-19 pandemic]] in 2020.<ref>{{Cite web |title=Depeche Mode announce first album in five years Memento Mori |url=https://www.thelineofbestfit.com/news/depeche-mode-announce-first-album-in-five-years-memento-mori |access-date=4 October 2022 |website=The Line of Best Fit |language=en-US}}</ref><ref>{{Cite web |title=Depeche Mode Reveal New Album 'Memento Mori' and World Tour, Coming in 2023 |url=https://www.msn.com/en-us/music/news/depeche-mode-reveal-new-album-e2-80-98memento-mori-e2-80-99-and-world-tour-coming-in-2023/ar-AA12AMM4 |access-date=4 October 2022 |website=MSN |language=en-US}}</ref> Gahan and Gore said they would send each other ideas for songs, for example Gahan said, "I played guitar and sort of sang on my iPhone", while Gore "sent it back with his angelic voice."<ref name=":0" /> They also stated that they would be working with [[James Ford (musician)|James Ford]] once again as producer along with [[Marta Salogni]] mixing for the album.<ref>{{Cite web |title=Depeche Mode, Still Mourning, Return With Tour and New Album 'Memento Mori' |url=https://www.msn.com/en-us/music/news/depeche-mode-still-mourning-return-with-tour-and-new-album-e2-80-98memento-mori-e2-80-99/ar-AA12zVDr |access-date=4 October 2022 |website=MSN |language=en-US}}</ref><ref>{{Cite web |title=Depeche Mode Announce New Album Memento Mori and World Tour |url=https://www.yahoo.com/entertainment/depeche-mode-announce-album-memento-125622860.html |access-date=4 October 2022 |website=www.yahoo.com |date=4 October 2022 |language=en-US}}</ref>
The band stated that work on the album began during the [[COVID-19 pandemic]] in 2020.<ref>{{Cite web |title=Depeche Mode announce first album in five years Memento Mori |url=https://www.thelineofbestfit.com/news/depeche-mode-announce-first-album-in-five-years-memento-mori |access-date=4 October 2022 |website=The Line of Best Fit |language=en-US}}</ref><ref>{{Cite web |title=Depeche Mode Reveal New Album 'Memento Mori' and World Tour, Coming in 2023 |url=https://www.msn.com/en-us/music/news/depeche-mode-reveal-new-album-e2-80-98memento-mori-e2-80-99-and-world-tour-coming-in-2023/ar-AA12AMM4 |access-date=4 October 2022 |website=MSN |language=en-US}}</ref> Gahan and Gore said they would send each other ideas for songs, for example Gahan said, "I played guitar and sort of sang on my iPhone", while Gore "sent it back with his angelic voice."<ref name=":0" /> They also stated that they would be working with [[James Ford (musician)|James Ford]] once again as producer along with [[Marta Salogni]] mixing for the album.<ref>{{Cite web |title=Depeche Mode, Still Mourning, Return With Tour and New Album 'Memento Mori' |url=https://www.msn.com/en-us/music/news/depeche-mode-still-mourning-return-with-tour-and-new-album-e2-80-98memento-mori-e2-80-99/ar-AA12zVDr |access-date=4 October 2022 |website=MSN |language=en-US}}</ref><ref>{{Cite web |title=Depeche Mode Announce New Album Memento Mori and World Tour |url=https://www.yahoo.com/entertainment/depeche-mode-announce-album-memento-125622860.html |access-date=4 October 2022 |website=www.yahoo.com |date=4 October 2022 |language=en-US}}</ref>
''[[Depeche Mode: M]]'', a documentary film chronicling the band's three concerts in [[Mexico City]] which were held in September 2023 during the [[Memento Mori World Tour]], would be theatrically released on October 28, 2025.<ref>{{cite news|url=https://www.buzzmag.co.uk/depeche-mode-m-film-review/|title=DEPECHE MODE’s latest film release M is a concert movie and much more|publisher=Buzz Magazine|date=28 October 2025|accessdate=28 October 2025}}</ref><ref>{{cite web|url=https://www.boxofficemojo.com/release/rl1155891201/?ref_=bo_rs_table_2|title=Depeche Mode: M|publisher=Box Office Mojo|date=28 October 2025|accessdate=28 October 2025}}</ref>


==Musical style and influences==
==Musical style and influences==
Clarke was turned onto electronic music by the band [[Orchestral Manoeuvres in the Dark]] (OMD), without whom, he said, Depeche Mode would never have existed.<ref>{{cite web|url=https://www.electronicsound.co.uk/features/long-reads/vince-clarke-game-of-drones/|title=Vince Clarke: Game of Drones|last=Ilic|first=Vel|date=14 September 2023|website=Electronic Sound|access-date=20 April 2025}}</ref><ref>{{cite magazine|url=https://www.rollingstone.de/omd-im-portraet-zurueck-nach-orleans-1782723/|title=OMD im Porträt: Zurück nach Orléans|last=Niasseri|first=Sassan|date=2 November 2019|language=De|magazine=[[Rolling Stone]]|access-date=28 March 2023}}</ref> Gore affirmed OMD's influence while they served as [[Opening act|support]] on the Music for the Masses Tour in 1988.<ref>{{cite web|url=https://www.youtube.com/watch?v=yVs4zDA68Gk|title=Depeche Mode Talk Influences (1988)|date=2 August 2023|publisher=[[MTV News]]|access-date=2 August 2023|url-status=unfit|archive-url=https://ghostarchive.org/varchive/youtube/20230802122740/yVs4zDA68Gk|archive-date=2 August 2023|via=[[Ghost Archive]]}} {{webarchive|url=https://web.archive.org/web/20230802135607/https://ghostarchive.org/varchive/yVs4zDA68Gk|date=2 August 2023}}.{{cbignore}}</ref> In a later interview, Gore explained his early objectives for Depeche Mode, saying, "My dream was to combine the emotion of [[Neil Young]] or [[John Lennon]] transmitted by [[Kraftwerk]]'s synthesisers. Soul music played by electronic instruments."<ref>{{cite magazine|first= Emmanuel |last= Tellier |title= Depeche Mode – Pierres qui roulent |magazine= [[Les Inrockuptibles]] |date= 23 September 1998 |access-date= 27 December 2013 |url= http://www.lesinrocks.com/1998/09/23/musique/depeche-mode-pierres-qui-roulent-11230677/ |archive-date= 16 October 2012 |archive-url= https://web.archive.org/web/20121016040919/http://www.lesinrocks.com/1998/09/23/musique/depeche-mode-pierres-qui-roulent-11230677/ |language= fr}}</ref> Fletcher mentioned influences including the late 1970s [[punk rock]] scene, the [[post-punk]] bands [[Siouxsie and the Banshees]] and [[the Cure]], and electronic group [[the Human League]].<ref>Fletcher cites a number of artists as influential on the early musical endeavours of himself, Clarke and Gore, subsequently noting that this confluence of sounds would "translate" into Depeche Mode:
Clarke was turned onto electronic music by the band [[Orchestral Manoeuvres in the Dark]] (OMD), without whom, he said, Depeche Mode would never have existed.<ref>{{cite web|url=https://www.electronicsound.co.uk/features/long-reads/vince-clarke-game-of-drones/|title=Vince Clarke: Game of Drones|last=Ilic|first=Vel|date=14 September 2023|website=Electronic Sound|access-date=20 April 2025}}</ref><ref>{{cite magazine|url=https://www.rollingstone.de/omd-im-portraet-zurueck-nach-orleans-1782723/|title=OMD im Porträt: Zurück nach Orléans|last=Niasseri|first=Sassan|date=2 November 2019|language=De|magazine=[[Rolling Stone]]|access-date=28 March 2023}}</ref> Gore affirmed OMD's influence while they served as [[Opening act|support]] on the Music for the Masses Tour in 1988.<ref>{{cite web|url=https://www.youtube.com/watch?v=yVs4zDA68Gk|title=Depeche Mode Talk Influences (1988)|date=2 August 2023|publisher=[[MTV News]]|access-date=2 August 2023|url-status=unfit|archive-url=https://ghostarchive.org/varchive/youtube/20230802122740/yVs4zDA68Gk|archive-date=2 August 2023|via=[[Ghost Archive]]}}{{cbignore}} {{webarchive|url=https://web.archive.org/web/20230802135607/https://ghostarchive.org/varchive/yVs4zDA68Gk|date=2 August 2023}}{{cbignore}}.</ref> In a later interview, Gore explained his early objectives for Depeche Mode, saying, "My dream was to combine the emotion of [[Neil Young]] or [[John Lennon]] transmitted by [[Kraftwerk]]'s synthesisers. Soul music played by electronic instruments."<ref>{{cite magazine|first= Emmanuel |last= Tellier |title= Depeche Mode – Pierres qui roulent |magazine= [[Les Inrockuptibles]] |date= 23 September 1998 |access-date= 27 December 2013 |url= http://www.lesinrocks.com/1998/09/23/musique/depeche-mode-pierres-qui-roulent-11230677/ |archive-date= 16 October 2012 |archive-url= https://web.archive.org/web/20121016040919/http://www.lesinrocks.com/1998/09/23/musique/depeche-mode-pierres-qui-roulent-11230677/ |language= fr}}</ref> Fletcher mentioned influences including the late 1970s [[punk rock]] scene, the [[post-punk]] bands [[Siouxsie and the Banshees]] and [[the Cure]], and electronic group [[the Human League]].<ref>Fletcher cites a number of artists as influential on the early musical endeavours of himself, Clarke and Gore, subsequently noting that this confluence of sounds would "translate" into Depeche Mode:
*{{cite interview|first=Andrew|last=Fletcher|interviewer=Tomas|title=Interview: Andrew Fletcher|website=Modefan.com|date=1 February 2011|access-date=3 March 2021|url=https://modefan.com/interview-andrew-fletcher/}}</ref> Band members have also cited [[David Bowie]], [[the Clash]],<ref>{{cite press release|title= Depeche Mode frontman Dave Gahan gets spiritual |agency= [[CNN]] |date= 8 June 2012 |access-date= 27 December 2013 |url= https://edition.cnn.com/2012/06/07/showbiz/music/dave-gahan-depeche-mode}}</ref> [[Roxy Music]] and [[Brian Eno]],<ref>{{cite magazine|first= Andrew |last= Unterberger |title= Martin Gore on His New Solo Album and No Longer Making Music for the Masses |magazine= Spin |date= 28 April 2015 |access-date= 9 January 2016 |url= http://www.spin.com/2015/04/martin-gore-mg-album-interview/ |quote= I remember buying [Brian Eno's] Music for Airports when it came out, and I think I was so young that it was the Roxy Music connection that made me go and buy it. But I used to listen to that over and over and over again. I know every single note on it.}}</ref> [[Elvis Presley]], [[the Velvet Underground]],<ref>{{cite magazine|first= Mike |last= Whyte |title= Martin L Gore on his own track |magazine= [[Release Magazine]] |date= 28 April 2003 |access-date= 27 December 2013 |url= http://www.releasemagazine.net/Spotlight/spotlightgore.htm}}</ref> [[Fad Gadget]],<ref>{{cite book|first= Jonathan |last= Miller |date= 2009 |title= Stripped: Depeche Mode |publisher= [[Omnibus Press]] |isbn= 9780857120267 |chapter= 32: Exciting Times Ahead |chapter-url= https://books.google.com/books?id=8dlapcBLwu0C&pg=PT718 |quote= Alan Wilder – "As an artist, [Fad Gadget] was hugely underrated, and, without doubt, his influence on – not least – DM will always be fondly remembered by me in the form of regular impersonations – notably 'Ricky's Hand' – as performed with convincing swagger by a certain David Gahan."}}</ref> [[Suicide (band)|Suicide]],<ref>{{cite book|first= David |last= Nobahkt |date= 2004 |title= Suicide: No Compromise |publisher= SAF Publishing Ltd |page= 166 |isbn= 9780946719716 |quote= Amongst the synth bands that emerged at the start of the eighties was Depeche Mode. Suicide's influence on their sound is indisputable. Martin L Gore of Depeche Mode told The Times newspaper, "The synthesiser before Suicide was always a clean-cut instrument, whereas they brought in a punk element." He went on to say, "That was a very important step in the history of electronic music, they were way before The Prodigy and the whole industrial scene." Alan Wilder, Depeche Mode's music director and keyboard player from '82 to '95, had taken notice of Suicide's sampled and manipulated guitar sounds whilst recording the 1990 album Violator. Wilder later commented on his Shunt Website. "When we recorded the track "Blue Dress" it was based around using washy sounding, drone guitars (a la Suicide) which formed the backbone of the track."}}</ref> and the [[blues]].<ref>{{cite magazine|title= Depeche Mode talk blues influence and unveil 'Heaven' video – watch |magazine= NME |date= 1 February 2013 |access-date= 27 December 2013 |url= https://www.nme.com/news/depeche-mode/68491}}</ref>
*{{cite interview|first=Andrew|last=Fletcher|interviewer=Tomas|title=Interview: Andrew Fletcher|website=Modefan.com|date=1 February 2011|access-date=3 March 2021|url=https://modefan.com/interview-andrew-fletcher/}}</ref> Band members have also cited [[David Bowie]], [[the Clash]],<ref>{{cite press release|title= Depeche Mode frontman Dave Gahan gets spiritual |agency= [[CNN]] |date= 8 June 2012 |access-date= 27 December 2013 |url= https://edition.cnn.com/2012/06/07/showbiz/music/dave-gahan-depeche-mode}}</ref> [[Roxy Music]] and [[Brian Eno]],<ref>{{cite magazine|first= Andrew |last= Unterberger |title= Martin Gore on His New Solo Album and No Longer Making Music for the Masses |magazine= Spin |date= 28 April 2015 |access-date= 9 January 2016 |url= http://www.spin.com/2015/04/martin-gore-mg-album-interview/ |quote= I remember buying [Brian Eno's] Music for Airports when it came out, and I think I was so young that it was the Roxy Music connection that made me go and buy it. But I used to listen to that over and over and over again. I know every single note on it.}}</ref> [[Elvis Presley]], [[the Velvet Underground]],<ref>{{cite magazine|first= Mike |last= Whyte |title= Martin L Gore on his own track |magazine= [[Release Magazine]] |date= 28 April 2003 |access-date= 27 December 2013 |url= http://www.releasemagazine.net/Spotlight/spotlightgore.htm}}</ref> [[Fad Gadget]],<ref>{{cite book|first= Jonathan |last= Miller |date= 2009 |title= Stripped: Depeche Mode |publisher= [[Omnibus Press]] |isbn= 9780857120267 |chapter= 32: Exciting Times Ahead |chapter-url= https://books.google.com/books?id=8dlapcBLwu0C&pg=PT718 |quote= Alan Wilder – "As an artist, [Fad Gadget] was hugely underrated, and, without doubt, his influence on – not least – DM will always be fondly remembered by me in the form of regular impersonations – notably 'Ricky's Hand' – as performed with convincing swagger by a certain David Gahan."}}</ref> [[Suicide (band)|Suicide]],<ref>{{cite book|first= David |last= Nobahkt |date= 2004 |title= Suicide: No Compromise |publisher= SAF Publishing Ltd |page= 166 |isbn= 9780946719716 |quote= Amongst the synth bands that emerged at the start of the eighties was Depeche Mode. Suicide's influence on their sound is indisputable. Martin L Gore of Depeche Mode told The Times newspaper, "The synthesiser before Suicide was always a clean-cut instrument, whereas they brought in a punk element." He went on to say, "That was a very important step in the history of electronic music, they were way before The Prodigy and the whole industrial scene." Alan Wilder, Depeche Mode's music director and keyboard player from '82 to '95, had taken notice of Suicide's sampled and manipulated guitar sounds whilst recording the 1990 album Violator. Wilder later commented on his Shunt Website. "When we recorded the track "Blue Dress" it was based around using washy sounding, drone guitars (a la Suicide) which formed the backbone of the track."}}</ref> and the [[blues]].<ref>{{cite magazine|title= Depeche Mode talk blues influence and unveil 'Heaven' video – watch |magazine= NME |date= 1 February 2013 |access-date= 27 December 2013 |url= https://www.nme.com/news/depeche-mode/68491}}</ref>


Depeche Mode were considered a teen pop group during their early period in the UK, and interviewed in teen pop magazines such as ''[[Smash Hits]]''.<ref>{{cite book|first= Trevor |last= Baker |date= 2013 |title= Depeche Mode – The Early Years 1981–1993 |publisher= John Blake Publishing Ltd |page= 74 |isbn= 9781786061560 |url= https://books.google.com/books?id=S4i3DQAAQBAJ&pg=PT74}}</ref><ref>{{cite web|title= Depeche Mode |website= [[Rock's Backpages]] |access-date= 26 March 2018 |url= https://www.rocksbackpages.com/Library/Artist/depeche-mode}}</ref> Following the departure of Clarke, their music began to take on a darker tone, establishing a darker sound in the band's music, as Gore assumed lead songwriting duties.<ref name="Stylus"/> Gore's lyrics include themes such as sex, religion, and politics.<ref>{{cite news|first= Jennifer |last= Vineyard |title= Catching up with Depeche Mode |publisher= CNN |date= 24 April 2013 |access-date= 27 December 2013 |url= https://edition.cnn.com/2013/04/23/showbiz/music/martin-gore-depeche-mode/}}</ref> Gore has stated he feels lyrical themes which tackle issues related to solitude and loneliness are a better representation of reality, whereas he finds "happy songs" fake and unrealistic.<ref>{{cite web|title= Martin Gore (Depeche Mode) interview |via= [[YouTube]] |date= 22 February 2013 |access-date= 27 December 2013 |url= https://www.youtube.com/watch?v=I27PyhhqGV4 |archive-url= https://ghostarchive.org/varchive/youtube/20211211/I27PyhhqGV4 |archive-date= 11 December 2021 |url-status= live}} {{cbignore}}</ref> At the same time, he asserts that the group's music contains "an element of hope".<ref>{{cite news|first= Ed |last= Condran |date= 25 May 2006 |title= On That Note: Comeback Mode |newspaper= [[South Philly Review]] |url= http://www.southphillyreview.com/arts-and-entertainment/music/on_that_note-73703507.html |archive-date= 22 July 2015 |archive-url= https://web.archive.org/web/20150722094324/http://www.southphillyreview.com/arts-and-entertainment/music/on_that_note-73703507.html}}</ref>
Depeche Mode were considered a teen pop group during their early period in the UK, and interviewed in teen pop magazines such as ''[[Smash Hits]]''.<ref>{{cite book|first= Trevor |last= Baker |date= 2013 |title= Depeche Mode – The Early Years 1981–1993 |publisher= John Blake Publishing Ltd |page= 74 |isbn= 9781786061560 |url= https://books.google.com/books?id=S4i3DQAAQBAJ&pg=PT74}}</ref><ref>{{cite web|title= Depeche Mode |website= [[Rock's Backpages]] |access-date= 26 March 2018 |url= https://www.rocksbackpages.com/Library/Artist/depeche-mode}}</ref> Following the departure of Clarke, their music began to take on a darker tone, establishing a darker sound in the band's music, as Gore assumed lead songwriting duties.<ref name="Stylus"/> Gore's lyrics include themes such as sex, religion, and politics.<ref>{{cite news|first= Jennifer |last= Vineyard |title= Catching up with Depeche Mode |publisher= CNN |date= 24 April 2013 |access-date= 27 December 2013 |url= https://edition.cnn.com/2013/04/23/showbiz/music/martin-gore-depeche-mode/}}</ref> Gore has stated he feels lyrical themes which tackle issues related to solitude and loneliness are a better representation of reality, whereas he finds "happy songs" fake and unrealistic.<ref>{{cite web|title= Martin Gore (Depeche Mode) interview |via= [[YouTube]] |date= 22 February 2013 |access-date= 27 December 2013 |url= https://www.youtube.com/watch?v=I27PyhhqGV4 |archive-url= https://ghostarchive.org/varchive/youtube/20211211/I27PyhhqGV4 |archive-date= 11 December 2021 |url-status= live}} {{cbignore}}</ref> At the same time, he asserts that the group's music contains "an element of hope".<ref>{{cite news|first= Ed |last= Condran |date= 25 May 2006 |title= On That Note: Comeback Mode |newspaper= [[South Philly Review]] |url= http://www.southphillyreview.com/arts-and-entertainment/music/on_that_note-73703507.html |archive-date= 22 July 2015 |archive-url= https://web.archive.org/web/20150722094324/http://www.southphillyreview.com/arts-and-entertainment/music/on_that_note-73703507.html}}</ref>


Depeche Mode's music has been variously described as [[synth-pop]],<ref name="Bio">{{cite web|first= Jason |last= Ankeny |title= Depeche Mode – Artist Biography |publisher= AllMusic |access-date= 8 April 2014 |url= https://www.allmusic.com/artist/depeche-mode-mn0000239921/biography}}</ref><ref name="Chart Attack" /><ref name="Stylus">{{cite web|first= Andrew |last= Unterberger |title= Depeche Mode vs. The Cure |work= [[Stylus Magazine]] |date= 21 March 2007 |access-date= 26 July 2018 |url= http://stylusmagazine.com/articles/vs/depeche-mode-vs-the-cure.htm |archive-date= 11 March 2015 |archive-url= https://web.archive.org/web/20150311025436/http://stylusmagazine.com/articles/vs/depeche-mode-vs-the-cure.htm}}</ref><ref name="Serpick">{{cite book|first= Evan |last= Serpick |title= The Rolling Stone Encyclopedia of Rock & Roll |date= 2001 |publisher= [[Simon & Schuster]] |chapter= Depeche Mode |access-date= 31 March 2012 |url= https://www.rollingstone.com/music/artists/depeche-mode/biography}}</ref> [[alternative dance]],<ref>{{Cite web |last=Fan |first=Ruan |date=May 8, 2015 |title=Once is a mistake, twice is jazz with the Jukebox |url=https://covid-19.chinadaily.com.cn/culture/2015-05/08/content_20661442.htm |access-date=June 26, 2025 |website=[[China Daily]]}}</ref> [[alternative rock]],<ref name="Stylus" /> [[dance-rock]],<ref>{{cite magazine |last=Greenblatt |first=Leah |date=15 April 2009 |title=Sounds of the Universe (2009) |url=https://ew.com/article/2009/04/15/sounds-universe/ |url-status=live |archive-url=https://web.archive.org/web/20141106020944/http://www.ew.com/ew/article/0,,20272271,00.html |archive-date=6 November 2014 |access-date=5 November 2014 |magazine=[[Entertainment Weekly]]}}</ref><ref>{{cite web |last=Wood |first=Mikael |date=17 April 2009 |title=Depeche Mode, 'Sounds of the Universe' (Mute/Capitol/Virgin) |url=http://www.spin.com/reviews/depeche-mode-sounds-universe-mutecapitolvirgin/ |access-date=5 November 2014 |magazine=[[Spin (magazine)|Spin]]}}</ref> [[dark wave]],<ref name="Elferen">Isabella van Elferen, Jeffrey Andrew Weinstock: ''Goth Music: From Sound to Subculture''. Routledge Studies in Popular Music, 2015, p. 25. {{ISBN|0-415-72004-4}}</ref><ref>{{Cite web |last=Hochgesand |first=Stefan |date=2023-03-24 |title=Im Nachtclub der Todesengel: Depeche Mode und ihr neues Album 'Memento Mori' |url=https://www.berliner-zeitung.de/kultur-vergnuegen/musik/berlin-dark-wave-im-nachtclub-der-todesengel-depeche-mode-und-ihr-neues-album-memento-mori-li.331232 |access-date=2023-12-30 |website=[[Berliner Zeitung]] |language=de}}</ref> [[Electronic dance music|EDM]],<ref name=":1">{{Cite web |last=Vowell |first=Lee |date=October 21, 2023 |title=Depeche Mode live in Nashville review: Industrial gods bring the noise |url=https://audiophix.com/posts/depeche-mode-live-nashville-review |access-date=June 26, 2025 |website=AudioPhix |language=en-us}}</ref> [[electronic rock]],<ref>{{cite news|title= Quick Spins: Reviews of CDs by Depeche Mode, Allen Toussaint and Wussy |first= David |last= Malitz |date= 21 April 2009 |newspaper= [[The Washington Post]] |access-date= 5 November 2014 |url= https://www.washingtonpost.com/wp-dyn/content/article/2009/04/20/AR2009042003506.html}}</ref><ref>{{cite magazine|title= New Music Report: Asher Roth and Depeche Mode's Albums |magazine= [[Rolling Stone]] |url= https://www.rollingstone.com/rockdaily/index.php/2009/04/22/new-music-report-asher-roth-and-depeche-modes-albums |url-status= dead |archive-url= https://web.archive.org/web/20090426074015/http://www.rollingstone.com/rockdaily/index.php/2009/04/22/new-music-report-asher-roth-and-depeche-modes-albums |archive-date= 26 April 2009}}</ref><ref>{{cite news|first= Karen |last= Bliss |title= Electro-rockers Depeche Mode touring the Universe |newspaper= [[Toronto Star]] |date= 19 July 2009 |access-date= 5 November 2014 |url= https://www.thestar.com/entertainment/2009/07/19/electrorockers_depeche_mode_touring_the_universe.html}}</ref><ref>{{cite magazine|first= Phil |last= Sutcliffe |title= Depeche Mode |magazine= [[Mojo (magazine)|Mojo]] |publisher= [[Rock's Backpages]] |date= June 2009 |access-date= 5 November 2014 |url= http://www.rocksbackpages.com/Library/Article/depeche-mode-3}}</ref> [[Industrial music|industrial]],<ref name=":1" /> [[New wave music|new wave]],<ref name="CoS"/><ref>{{cite web|first= Tom |last= Breihan |title= Watch Depeche Mode Play "Heaven" Live |website= [[Stereogum]] |date= 14 February 2013 |access-date= 5 November 2014 |url= https://www.stereogum.com/1261132/watch-depeche-mode-play-heaven-live/video/}}</ref> [[pop rock]]<ref>{{cite book |last=Allan |first=Richard |url=https://books.google.com/books?id=Fie47qSuTsoC&pg=RA1-PA1819 |title=The Rough Guide to Rock |date=2003 |publisher=[[Rough Guides]] |isbn=1-85828-457-0 |editor-last=Buckley |editor-first=Peter |edition=3rd |quote=1992 saw the release of an EP, Broken, produced by Flood, better known for his work with British pop-rock band Depeche Mode.}}</ref> and [[post-punk]].<ref>{{cite web |url=https://www.seattletimes.com/entertainment/at-29-depeche-mode-is-now-post-post-punk/ |title=At 29, Depeche Mode is now post-post-punk |last=Horowitz |first=Joanna |date=August 7, 2009 |publisher=Seattle Times |access-date= |quote=One of the most influential post-punk outfits, Depeche Mode has endured long after many of their electro-synth compatriots have faded into oblivion.}}</ref>  The band have also experimented with other genres throughout their career, including [[Avant-garde music|avant-garde]], [[electronica]], [[Pop music|pop]], [[Soul music|soul]], [[techno]], [[industrial rock]] and [[Heavy metal music|heavy metal]].<ref>{{cite web |first= Dom |last= Gourlay |title= Depeche Mode – Delta Machine Album Review |website= [[Contactmusic.com]] |date= 4 April 2013 |access-date= 8 April 2014 |url= http://www.contactmusic.com/album-review/depeche-mode-delta-machine |quote= Over the course of their previous twelve albums, they've embraced any number of genres from avant-garde electronica, pop, soul, techno, industrial rock and even metal. |archive-date= 8 April 2014 |archive-url= https://web.archive.org/web/20140408214132/http://www.contactmusic.com/album-review/depeche-mode-delta-machine |url-status= dead }}</ref>
The band had several rules that they stuck with over the course of many of their albums, including "no [[Hammond organ#Presets|presets]]", "no [[Chord (music)|chords]]", and "no [[hi-hat]]s".<ref name="sde">{{cite web | url=https://superdeluxeedition.com/interview/producer-dave-bascombe-on-depeche-modes-music-for-the-masses/ | title=Producer Dave Bascombe on Depeche Mode's 'Music For The Masses' | date=4 July 2019 | access-date=2 October 2025 | last=Sinclair | first=Paul | journal=superdeluxeedition.com}}</ref> For example, they had to assemble chords out of separate monophonic parts.<ref name="sde" /> Once they started adding samples to their music in 1982, they had rules regarding the use of samples: all samples must be original, and no sample could be used twice.{{sfn|Gittins|2018|p=126}} Generally, they stuck to these rules, although almost every rule was broken at least once.<ref name="sde" /> An example of a exceptions were their re-use of a [[tom drum]] sample on both "[[Stripped (song)|Stripped]]" (1986) and "[[Never Let Me Down Again]]" (1987), and the hi-hat sound on the song "Nothing", although it was actually an (original) sample of the sound of a pneumatic bus door closing.<ref name="sde" /> Producer David Bascombe, who worked with the band on ''Music for the Masses'', explained that these rules helped shape the band's unique sound.<ref name="sde" />
 
Depeche Mode's music has been variously described as [[synth-pop]],<ref name="Bio">{{cite web|first= Jason |last= Ankeny |title= Depeche Mode – Artist Biography |publisher= AllMusic |access-date= 8 April 2014 |url= https://www.allmusic.com/artist/depeche-mode-mn0000239921/biography}}</ref><ref name="Chart Attack" /><ref name="Stylus">{{cite web|first= Andrew |last= Unterberger |title= Depeche Mode vs. The Cure |work= [[Stylus Magazine]] |date= 21 March 2007 |access-date= 26 July 2018 |url= http://stylusmagazine.com/articles/vs/depeche-mode-vs-the-cure.htm |archive-date= 11 March 2015 |archive-url= https://web.archive.org/web/20150311025436/http://stylusmagazine.com/articles/vs/depeche-mode-vs-the-cure.htm}}</ref><ref name="Serpick">{{cite book|first= Evan |last= Serpick |title= The Rolling Stone Encyclopedia of Rock & Roll |date= 2001 |publisher= [[Simon & Schuster]] |chapter= Depeche Mode |access-date= 31 March 2012 |url= https://www.rollingstone.com/music/artists/depeche-mode/biography}}</ref> [[alternative dance]],<ref>{{Cite web |last=Fan |first=Ruan |date=May 8, 2015 |title=Once is a mistake, twice is jazz with the Jukebox |url=https://covid-19.chinadaily.com.cn/culture/2015-05/08/content_20661442.htm |access-date=June 26, 2025 |website=[[China Daily]]}}</ref> [[alternative rock]],<ref name="Stylus" /> [[dance-rock]],<ref>{{cite magazine |last=Greenblatt |first=Leah |date=15 April 2009 |title=Sounds of the Universe (2009) |url=https://ew.com/article/2009/04/15/sounds-universe/ |url-status=live |archive-url=https://web.archive.org/web/20141106020944/http://www.ew.com/ew/article/0,,20272271,00.html |archive-date=6 November 2014 |access-date=5 November 2014 |magazine=[[Entertainment Weekly]]}}</ref><ref>{{cite web |last=Wood |first=Mikael |date=17 April 2009 |title=Depeche Mode, 'Sounds of the Universe' (Mute/Capitol/Virgin) |url=http://www.spin.com/reviews/depeche-mode-sounds-universe-mutecapitolvirgin/ |access-date=5 November 2014 |magazine=[[Spin (magazine)|Spin]]}}</ref> [[dark wave]],<ref name="Elferen">Isabella van Elferen, Jeffrey Andrew Weinstock: ''Goth Music: From Sound to Subculture''. Routledge Studies in Popular Music, 2015, p. 25. {{ISBN|0-415-72004-4}}</ref><ref>{{Cite web |last=Hochgesand |first=Stefan |date=2023-03-24 |title=Im Nachtclub der Todesengel: Depeche Mode und ihr neues Album 'Memento Mori' |url=https://www.berliner-zeitung.de/kultur-vergnuegen/musik/berlin-dark-wave-im-nachtclub-der-todesengel-depeche-mode-und-ihr-neues-album-memento-mori-li.331232 |access-date=2023-12-30 |website=[[Berliner Zeitung]] |language=de}}</ref> [[Electronic dance music|EDM]],<ref name=":1">{{Cite web |last=Vowell |first=Lee |date=October 21, 2023 |title=Depeche Mode live in Nashville review: Industrial gods bring the noise |url=https://audiophix.com/posts/depeche-mode-live-nashville-review |access-date=June 26, 2025 |website=AudioPhix |language=en-us}}</ref> [[electronic rock]],<ref>{{cite news|title= Quick Spins: Reviews of CDs by Depeche Mode, Allen Toussaint and Wussy |first= David |last= Malitz |date= 21 April 2009 |newspaper= [[The Washington Post]] |access-date= 5 November 2014 |url= https://www.washingtonpost.com/wp-dyn/content/article/2009/04/20/AR2009042003506.html}}</ref><ref>{{cite magazine|title= New Music Report: Asher Roth and Depeche Mode's Albums |magazine= [[Rolling Stone]] |url= https://www.rollingstone.com/rockdaily/index.php/2009/04/22/new-music-report-asher-roth-and-depeche-modes-albums |url-status= dead |archive-url= https://web.archive.org/web/20090426074015/http://www.rollingstone.com/rockdaily/index.php/2009/04/22/new-music-report-asher-roth-and-depeche-modes-albums |archive-date= 26 April 2009}}</ref><ref>{{cite news|first= Karen |last= Bliss |title= Electro-rockers Depeche Mode touring the Universe |newspaper= [[Toronto Star]] |date= 19 July 2009 |access-date= 5 November 2014 |url= https://www.thestar.com/entertainment/2009/07/19/electrorockers_depeche_mode_touring_the_universe.html}}</ref><ref>{{cite magazine|first= Phil |last= Sutcliffe |title= Depeche Mode |magazine= [[Mojo (magazine)|Mojo]] |publisher= [[Rock's Backpages]] |date= June 2009 |access-date= 5 November 2014 |url= http://www.rocksbackpages.com/Library/Article/depeche-mode-3}}</ref> [[Industrial music|industrial]],<ref name=":1" /> [[New wave music|new wave]],<ref name="CoS"/><ref>{{cite web|first= Tom |last= Breihan |title= Watch Depeche Mode Play "Heaven" Live |website= [[Stereogum]] |date= 14 February 2013 |access-date= 5 November 2014 |url= https://www.stereogum.com/1261132/watch-depeche-mode-play-heaven-live/video/}}</ref> [[pop rock]]<ref>{{cite book |last=Allan |first=Richard |url=https://books.google.com/books?id=Fie47qSuTsoC&pg=RA1-PA1819 |title=The Rough Guide to Rock |date=2003 |publisher=[[Rough Guides]] |isbn=1-85828-457-0 |editor-last=Buckley |editor-first=Peter |edition=3rd |quote=1992 saw the release of an EP, Broken, produced by Flood, better known for his work with British pop-rock band Depeche Mode.}}</ref> and [[post-punk]].<ref>{{cite web |url=https://www.seattletimes.com/entertainment/at-29-depeche-mode-is-now-post-post-punk/ |title=At 29, Depeche Mode is now post-post-punk |last=Horowitz |first=Joanna |date=August 7, 2009 |publisher=Seattle Times |access-date= |quote=One of the most influential post-punk outfits, Depeche Mode has endured long after many of their electro-synth compatriots have faded into oblivion.}}</ref>  The band have also experimented with other genres throughout their career, including [[Avant-garde music|avant-garde]], [[electronica]], [[Pop music|pop]], [[Soul music|soul]], [[techno]], [[industrial rock]], [[Heavy metal music|heavy metal]]<ref>{{cite web |first= Dom |last= Gourlay |title= Depeche Mode – Delta Machine Album Review |website= [[Contactmusic.com]] |date= 4 April 2013 |access-date= 8 April 2014 |url= http://www.contactmusic.com/album-review/depeche-mode-delta-machine |quote= Over the course of their previous twelve albums, they've embraced any number of genres from avant-garde electronica, pop, soul, techno, industrial rock and even metal. |archive-date= 8 April 2014 |archive-url= https://web.archive.org/web/20140408214132/http://www.contactmusic.com/album-review/depeche-mode-delta-machine |url-status= dead }}</ref> and [[bossa nova]].{{sfn|Burmeister|Lange|2017|pp=82–85}}


==Legacy==
==Legacy==
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===Influence===
===Influence===
Many major artists have cited the band as an influence, including: [[Arcade Fire]],<ref>{{citation|title= Win & Régine from Arcade Fire interviewed (July 2010) |via= YouTube |date= 13 July 2010 |access-date= 6 February 2013 |url= https://www.youtube.com/watch?v=TOQv4Fo4Kkw |archive-url= https://ghostarchive.org/varchive/youtube/20211211/TOQv4Fo4Kkw |archive-date= 11 December 2021 |url-status= live}} {{cbignore}}</ref> [[the Killers]],<ref name="Gigwise">{{cite web|first= Andrew |last= Trendell |title= From Crosses to Muse and The Killers: 10 bands inspired by Depeche Mode |website= [[Gigwise]] |date= 11 February 2014 |access-date= 31 August 2016 |url= http://www.gigwise.com/photos/88451/depeche-mode-the-bands-they-inspired---muse-the-killers-crosses}}</ref><ref>{{cite magazine|first= Ken |last= Scrudato |title= Dave Gahan and Brandon Flowers |magazine= Working Class Magazine |issue= 7 |access-date= 16 March 2011 |url= http://www.workingclassmag.com/007/daveGahan.html |url-status= dead |archive-date= 18 July 2011 |archive-url= https://web.archive.org/web/20110718113225/http://www.workingclassmag.com/007/daveGahan.html}}</ref> [[Nine Inch Nails]],<ref name="Stylus"/> [[Chvrches]],<ref>{{cite news|first= Mark |last= Savage |title= BBC Sound of 2013: Chvrches |work= [[BBC News Online]] |date= 31 December 2012 |access-date= 2 September 2014 |url= https://www.bbc.com/news/entertainment-arts-20780332}}</ref> [[the Smashing Pumpkins]],<ref>{{cite magazine|first= Damian |last= Jones |title= The Smashing Pumpkins' Billy Corgan on being a reformed control freak: "I drove myself with my insecurities" |magazine= NME |date= 1 December 2020 |access-date= 20 September 2021 |url= https://www.nme.com/features/music-interviews/billy-corgan-the-smashing-pumpkins-cyr-glastonbury-mellon-collie-2825845}}</ref> [[Coldplay]],<ref name="Gigwise"/> [[Muse (band)|Muse]],<ref name="Gigwise"/> [[Metric (band)|Metric]],<ref>{{Cite web |last=Turnerpublished |first=Danny |date=2015-09-16 |title=Interview: Metric's sideways step into electronic pop |url=https://www.musicradar.com/news/tech/interview-metrics-sideways-step-into-electronic-pop-627850 |access-date=2023-01-29 |website=MusicRadar |language=en}}</ref> [[No Doubt]],<ref>{{cite magazine|first= Holly |last= Frith |title= Gwen Stefani: No Doubt Recording Depeche Mode Inspired Album |magazine= [[Gigwise]] |date= 12 April 2011 |access-date= 26 October 2016 |url= http://www.gigwise.com/news/62467/gwen-stefani-no-doubt-recording-depeche-mode-inspired-album}}</ref> [[A Perfect Circle]],<ref>{{cite web|author= jomatami |title= Howerdel: New APC Album Will Be 'Dancey' & Depeche Mode Influenced, Very Different from Our Debut |website= [[Ultimate Guitar]] |date= 4 May 2017 |access-date= 4 July 2020 |url= https://www.ultimate-guitar.com/news/upcoming_releases/howerdel_new_apc_album_will_be_dancey__depeche_mode_influenced_very_different_from_our_debut.html}}</ref> [[Marilyn Manson]],<ref name="Grow"/> [[Linkin Park]],<ref>{{cite web|first= Corey |last= Apar |title= Chester Bennington – Artist Biography |publisher= AllMusic |access-date= 9 September 2007 |url= https://www.allmusic.com/artist/chester-bennington-mn0000111882}}</ref><ref>{{cite web|title= Depeche Mode "Remixes 81-04" |publisher= [[Mute Records|Mute]] |url= http://www.mutelibtech.com/depechemode/remixes8104.html |archive-date= 11 October 2007 |url-status= usurped |archive-url= https://web.archive.org/web/20071011070105/http://www.mutelibtech.com/depechemode/remixes8104.html}}</ref> [[the Crystal Method]],<ref>{{cite web|title= The Crystal Method |website= [[Answers.com]] |access-date= 22 July 2010 |url= http://www.answers.com/topic/the-crystal-method}}</ref> [[Fear Factory]],<ref>{{cite web|title= An exclusive interview with Fear Factory's Raymond Herrera |website= Prog4you.com |url= http://www.prog4you.com/Band_Interviews/Raymond_Herrera.htm |archive-date= 5 January 2012 |archive-url= https://web.archive.org/web/20120105174414/http://www.prog4you.com/Band_Interviews/Raymond_Herrera.htm}}</ref> [[La Roux]],<ref>{{cite web|first= Kim |last= Wøien |title= Et intervju med La Roux |website= Musikknyheter.no |date= 4 September 2009 |access-date= 5 April 2015 |url= http://www.musikknyheter.no/interview/5782 |language= no}}</ref> [[Gotye]],<ref>{{cite web|first= Jeff |last= Giles |title= Gotye's Biggest Influences: Depeche Mode, Ween + More |date= 20 June 2012 |website= Diffuser.fm |access-date= 11 June 2015 |url= http://diffuser.fm/gotye-depeche-mode-ween/}}</ref> [[Amanda Palmer]],<ref>{{cite web|title=Music From The Dolls House: Amanda Palmer's Favourite Albums
Many major artists have cited the band as an influence, including: [[Arcade Fire]],<ref>{{citation|title= Win & Régine from Arcade Fire interviewed (July 2010) |via= YouTube |date= 13 July 2010 |access-date= 6 February 2013 |url= https://www.youtube.com/watch?v=TOQv4Fo4Kkw |archive-url= https://ghostarchive.org/varchive/youtube/20211211/TOQv4Fo4Kkw |archive-date= 11 December 2021 |url-status= live}} {{cbignore}}</ref> [[the Killers]],<ref name="Gigwise">{{cite web|first= Andrew |last= Trendell |title= From Crosses to Muse and The Killers: 10 bands inspired by Depeche Mode |website= [[Gigwise]] |date= 11 February 2014 |access-date= 31 August 2016 |url= http://www.gigwise.com/photos/88451/depeche-mode-the-bands-they-inspired---muse-the-killers-crosses}}</ref><ref>{{cite magazine|first= Ken |last= Scrudato |title= Dave Gahan and Brandon Flowers |magazine= Working Class Magazine |issue= 7 |access-date= 16 March 2011 |url= http://www.workingclassmag.com/007/daveGahan.html |url-status= dead |archive-date= 18 July 2011 |archive-url= https://web.archive.org/web/20110718113225/http://www.workingclassmag.com/007/daveGahan.html}}</ref> [[Nine Inch Nails]],<ref name="Stylus"/> [[Chvrches]],<ref>{{cite news|first= Mark |last= Savage |title= BBC Sound of 2013: Chvrches |work= [[BBC News Online]] |date= 31 December 2012 |access-date= 2 September 2014 |url= https://www.bbc.com/news/entertainment-arts-20780332}}</ref> [[the Smashing Pumpkins]],<ref>{{cite magazine|first= Damian |last= Jones |title= The Smashing Pumpkins' Billy Corgan on being a reformed control freak: "I drove myself with my insecurities" |magazine= NME |date= 1 December 2020 |access-date= 20 September 2021 |url= https://www.nme.com/features/music-interviews/billy-corgan-the-smashing-pumpkins-cyr-glastonbury-mellon-collie-2825845}}</ref> [[Coldplay]],<ref name="Gigwise"/> [[Muse (band)|Muse]],<ref name="Gigwise"/> [[Metric (band)|Metric]],<ref>{{Cite web |last=Turnerpublished |first=Danny |date=2015-09-16 |title=Interview: Metric's sideways step into electronic pop |url=https://www.musicradar.com/news/tech/interview-metrics-sideways-step-into-electronic-pop-627850 |access-date=2023-01-29 |website=MusicRadar |language=en}}</ref> [[No Doubt]],<ref>{{cite magazine|first= Holly |last= Frith |title= Gwen Stefani: No Doubt Recording Depeche Mode Inspired Album |magazine= [[Gigwise]] |date= 12 April 2011 |access-date= 26 October 2016 |url= http://www.gigwise.com/news/62467/gwen-stefani-no-doubt-recording-depeche-mode-inspired-album}}</ref> [[A Perfect Circle]],<ref>{{cite web|author= jomatami |title= Howerdel: New APC Album Will Be 'Dancey' & Depeche Mode Influenced, Very Different from Our Debut |website= [[Ultimate Guitar]] |date= 4 May 2017 |access-date= 4 July 2020 |url= https://www.ultimate-guitar.com/news/upcoming_releases/howerdel_new_apc_album_will_be_dancey__depeche_mode_influenced_very_different_from_our_debut.html}}</ref> [[Marilyn Manson]],<ref name="Grow"/> [[Linkin Park]],<ref>{{cite web|first= Corey |last= Apar |title= Chester Bennington – Artist Biography |publisher= AllMusic |access-date= 9 September 2007 |url= https://www.allmusic.com/artist/chester-bennington-mn0000111882}}</ref><ref>{{cite web|title= Depeche Mode "Remixes 81-04" |publisher= [[Mute Records|Mute]] |url= http://www.mutelibtech.com/depechemode/remixes8104.html |archive-date= 11 October 2007 |url-status= usurped |archive-url= https://web.archive.org/web/20071011070105/http://www.mutelibtech.com/depechemode/remixes8104.html}}</ref> [[the Crystal Method]],<ref>{{cite web|title= The Crystal Method |website= [[Answers.com]] |access-date= 22 July 2010 |url= http://www.answers.com/topic/the-crystal-method}}</ref> [[Fear Factory]],<ref>{{cite web|title= An exclusive interview with Fear Factory's Raymond Herrera |website= Prog4you.com |url= http://www.prog4you.com/Band_Interviews/Raymond_Herrera.htm |archive-date= 5 January 2012 |archive-url= https://web.archive.org/web/20120105174414/http://www.prog4you.com/Band_Interviews/Raymond_Herrera.htm}}</ref> [[La Roux]],<ref>{{cite web|first= Kim |last= Wøien |title= Et intervju med La Roux |website= Musikknyheter.no |date= 4 September 2009 |access-date= 5 April 2015 |url= http://www.musikknyheter.no/interview/5782 |language= no}}</ref> [[Gotye]],<ref>{{cite web|first= Jeff |last= Giles |title= Gotye's Biggest Influences: Depeche Mode, Ween + More |date= 20 June 2012 |website= Diffuser.fm |access-date= 11 June 2015 |url= http://diffuser.fm/gotye-depeche-mode-ween/}}</ref> [[Rammstein]],<ref name="Grow"/><ref>{{cite web|first= Richard |last= Kruspe |title= Rammstein Pounding the European Metal Hammer |website= Jam Magazine Online |date= 20 May 2011 |url= http://jammagazineblog2010.wordpress.com/2011/05/20/rammstein-pounding-the-european-metal-hammer-jam-magazine-speaks-with-guitarist-richard-kruspe-interview/ |archive-url= https://web.archive.org/web/20110626041335/http://jammagazineblog2010.wordpress.com/2011/05/20/rammstein-pounding-the-european-metal-hammer-jam-magazine-speaks-with-guitarist-richard-kruspe-interview/ |archive-date= 26 June 2011}}</ref> [[a-ha]],<ref>{{cite web|first= B. |last= Van Isacker |title= A-ha cover Depeche Mode's 'A question of lust' |date= 28 July 2009 |website= Side-Line |url= http://www.side-line.com/news_comments.php?id=43321_0_2_0_c |archive-url= https://web.archive.org/web/20110914103317/http://www.side-line.com/news_comments.php?id=43321_0_2_0_c |archive-date= 14 September 2011}}</ref> [[Tegan and Sara]]<ref>{{cite web|first= Rachel |last= Fox |title= VIA's Polaris Music Project! The Fan on @TeganandSara's "Sainthood" |website= Vancouver Is Awesome |date= 22 September 2010 |access-date= 30 July 2020 |url= https://www.vancouverisawesome.com/events-and-entertainment/vias-polaris-music-project-the-fan-on-tegan-and-saras-sainthood-1921313}}</ref> and [[Paul van Dyk]].<ref>{{cite web |first= Miguel |last= Ramirez |title= Paul van Dyk: "Atlantis is driven by the pure sense of what electronic music is" |website= The Trance Project |date= 2015 |access-date= 9 October 2020 |url= https://www.thetranceproject.com.au/paul-van-dyk-atlantis-interview/ |archive-date= 20 April 2021 |archive-url= https://web.archive.org/web/20210420034342/https://www.thetranceproject.com.au/paul-van-dyk-atlantis-interview/ |url-status= dead }}</ref> Depeche Mode contemporaries [[Pet Shop Boys]],<ref>{{cite web|title= Absolutely Pet Shop Boys |url= http://www.petshopboys.net/html/interviews/behaviuor009.shtml |archive-date= 5 March 2012 |archive-url= https://web.archive.org/web/20120305143134/http://www.petshopboys.net/html/interviews/behaviuor009.shtml}}</ref> [[Tears for Fears]]<ref>{{Cite news |date=2022-03-03 |title=Why Tears For Fears' new album took seven years to make |language=en-GB |work=BBC News |url=https://www.bbc.com/news/entertainment-arts-60601910 |access-date=2023-09-16}}</ref> and [[Gary Numan]]<ref>{{cite magazine|first= David |last= Buckley |title= Last night a record saved my life: Gary Numan |magazine= [[Mojo (magazine)|Mojo]] |date= March 2012 |issue= 220 |page= 29}}</ref> have also cited the band as an influence. Colombian singer [[Shakira]] described "[[Enjoy the Silence]]" as the song that first sparked her passion for pop music.<ref>{{cite news|first= Will |last= Hodgkinson |title= Soundtrack of my life: Shakira |newspaper= [[The Guardian]] |date= 19 February 2006 |access-date= 20 September 2021 |url= https://www.theguardian.com/music/2006/feb/19/24}}</ref>
|first=Matt |last=Evans |url=https://thequietus.com/interviews/bakers-dozen/amanda-palmer-interview-favourite-albums/ |work=[[The Quietus]] |date=23 August 2012 |access-date=20 January 2025}}</ref> [[Rammstein]],<ref name="Grow"/><ref>{{cite web|first= Richard |last= Kruspe |title= Rammstein Pounding the European Metal Hammer |website= Jam Magazine Online |date= 20 May 2011 |url= http://jammagazineblog2010.wordpress.com/2011/05/20/rammstein-pounding-the-european-metal-hammer-jam-magazine-speaks-with-guitarist-richard-kruspe-interview/ |archive-url= https://web.archive.org/web/20110626041335/http://jammagazineblog2010.wordpress.com/2011/05/20/rammstein-pounding-the-european-metal-hammer-jam-magazine-speaks-with-guitarist-richard-kruspe-interview/ |archive-date= 26 June 2011}}</ref> [[a-ha]],<ref>{{cite web|first= B. |last= Van Isacker |title= A-ha cover Depeche Mode's 'A question of lust' |date= 28 July 2009 |website= Side-Line |url= http://www.side-line.com/news_comments.php?id=43321_0_2_0_c |archive-url= https://web.archive.org/web/20110914103317/http://www.side-line.com/news_comments.php?id=43321_0_2_0_c |archive-date= 14 September 2011}}</ref> [[Tegan and Sara]] (on ''[[Sainthood (album)|Sainthood]]'')<ref>{{cite web|first= Rachel |last= Fox |title= VIA's Polaris Music Project! The Fan on @TeganandSara's "Sainthood" |website= Vancouver Is Awesome |date= 22 September 2010 |access-date= 30 July 2020 |url= https://www.vancouverisawesome.com/events-and-entertainment/vias-polaris-music-project-the-fan-on-tegan-and-saras-sainthood-1921313}}</ref> and [[Paul van Dyk]].<ref>{{cite web |first= Miguel |last= Ramirez |title= Paul van Dyk: "Atlantis is driven by the pure sense of what electronic music is" |website= The Trance Project |date= 2015 |access-date= 9 October 2020 |url= https://www.thetranceproject.com.au/paul-van-dyk-atlantis-interview/ |archive-date= 20 April 2021 |archive-url= https://web.archive.org/web/20210420034342/https://www.thetranceproject.com.au/paul-van-dyk-atlantis-interview/ |url-status= dead }}</ref> Depeche Mode contemporaries [[Pet Shop Boys]],<ref>{{cite web|title= Absolutely Pet Shop Boys |url= http://www.petshopboys.net/html/interviews/behaviuor009.shtml |archive-date= 5 March 2012 |archive-url= https://web.archive.org/web/20120305143134/http://www.petshopboys.net/html/interviews/behaviuor009.shtml}}</ref> [[Tears for Fears]]<ref>{{Cite news |date=2022-03-03 |title=Why Tears For Fears' new album took seven years to make |language=en-GB |work=BBC News |url=https://www.bbc.com/news/entertainment-arts-60601910 |access-date=2023-09-16}}</ref> and [[Gary Numan]]<ref>{{cite magazine|first= David |last= Buckley |title= Last night a record saved my life: Gary Numan |magazine= [[Mojo (magazine)|Mojo]] |date= March 2012 |issue= 220 |page= 29}}</ref> have also cited the band as an influence. Colombian singer [[Shakira]] described "[[Enjoy the Silence]]" as the song that first sparked her passion for pop music.<ref>{{cite news|first= Will |last= Hodgkinson |title= Soundtrack of my life: Shakira |newspaper= [[The Guardian]] |date= 19 February 2006 |access-date= 20 September 2021 |url= https://www.theguardian.com/music/2006/feb/19/24}}</ref>


The dark themes and moods of Depeche Mode's lyrics and music have been enjoyed by several [[heavy metal music|heavy metal]] artists, and the band influenced acts such as [[Marilyn Manson (band)|Marilyn Manson]] and [[Deftones]].<ref name="Grow">{{cite magazine|first= Kory |last= Grow |title= Are Depeche Mode Metal's Biggest Secret Influence? |date= 11 August 2015 |magazine= Rolling Stone |access-date= 28 August 2016 |url= https://www.rollingstone.com/music/news/are-depeche-mode-metals-biggest-secret-influence-20150811}}</ref> [[Trent Reznor]] of [[Nine Inch Nails]] also cited Depeche Mode, in particular their 1986 album ''[[Black Celebration]]'', as a major influence on his beginnings.<ref name="Stylus" /> They have also been named as an influence on [[Detroit techno]]<ref name="Stylus"/> and [[indie rock]].<ref>{{cite news|first= J. |last= Freedom du Lac |title= Depeche Mode |newspaper= [[The Washington Post]] |date= 11 September 2005 |access-date= 5 November 2014 |url= https://www.washingtonpost.com/wp-dyn/content/article/2005/09/09/AR2005090900464.html}}</ref>
The dark themes and moods of Depeche Mode's lyrics and music have been enjoyed by several [[heavy metal music|heavy metal]] artists, and the band influenced acts such as [[Marilyn Manson (band)|Marilyn Manson]] and [[Deftones]].<ref name="Grow">{{cite magazine|first= Kory |last= Grow |title= Are Depeche Mode Metal's Biggest Secret Influence? |date= 11 August 2015 |magazine= Rolling Stone |access-date= 28 August 2016 |url= https://www.rollingstone.com/music/news/are-depeche-mode-metals-biggest-secret-influence-20150811}}</ref> [[Trent Reznor]] of [[Nine Inch Nails]] also cited Depeche Mode, in particular their 1986 album ''[[Black Celebration]]'', as a major influence on his beginnings.<ref name="Stylus" /> They have also been named as an influence on [[Detroit techno]]<ref name="Stylus"/> and [[indie rock]].<ref>{{cite news|first= J. |last= Freedom du Lac |title= Depeche Mode |newspaper= [[The Washington Post]] |date= 11 September 2005 |access-date= 5 November 2014 |url= https://www.washingtonpost.com/wp-dyn/content/article/2005/09/09/AR2005090900464.html}}</ref>


==Philanthropy==
==Philanthropy==
Early in their career, Depeche Mode was dismissive of benefit concerts such as [[Live Aid]]. Gore himself stated, "If these bands really care so much, they should just donate the money and let that be it. Why can't they do it without all the surrounding hype?".{{sfn|Malins|2001|p=95}}
Early in their career, Depeche Mode were dismissive of benefit concerts such as [[Live Aid]]. Gore stated, "If these bands really care so much, they should just donate the money and let that be it. Why can't they do it without all the surrounding hype?".{{sfn|Malins|2001|p=95}}


Since 2010, the band has applied their celebrity and cultural longevity to help promote and raise funds for several notable charity endeavours. They lent their support to high-profile charities such as [[MusiCares]], [[Cancer Research UK]] and the [[Teenage Cancer Trust]]. The band has also supported the Small Steps Project, a humanitarian organization based in the UK, aiming to assist economically disadvantaged children into education.<ref>{{cite web|title= Depeche Mode: Charity Work, Events and Causes |website= Look to the Stars |access-date= 25 March 2017 |url= https://www.looktothestars.org/celebrity/depeche-mode}}</ref> They have partnered with Swiss watchmaker [[Hublot]] to support [[Charity: Water]], aimed at the provision of clean drinking water in developing countries.<ref>{{cite web|first= Joelle |last= Diderich |title= Hublot and Depeche Mode Link Up to Benefit Charity: Water |website= WWD |date= 30 January 2014 |access-date= 25 March 2017 |url= http://wwd.com/fashion-news/fashion-scoops/hublot-and-depeche-mode-link-up-to-benefit-charity-water-7402778/}}</ref> Such collaboration led to the release of two different limited edition watches, the Hublot Big Bang Depeche Mode in 2017 and The Singles Limited Edition series based from the Big Bang model in 2018. The proceeds helped raise $1.7 million for Charity: Water.<ref>{{cite news|first= Laurie |last= Kahle |title= Hublot and Depeche Mode Expand Fundraising for Clean Water with Collector Watches |newspaper= [[Barron's (newspaper)|Barron's]] |date= 7 June 2018 |access-date= 22 February 2020 |url= https://www.barrons.com/articles/hublot-and-depeche-mode-expand-fundraising-for-charity-water-with-collector-watches-1528404224}}</ref> In 2014, the partnership hosted a gala and fundraiser at the [[TsUM (Moscow)|TsUM]] building in Moscow, raising $1.4 million for the charity.<ref>{{cite web |title= Depeche Mode and Hublot Raise 1.4 Million Dollars for Charity: Water |work= Geneva Seal |date= 5 August 2014 |access-date= 25 March 2017 |url= http://www.genevaseal.com/journal/2014/8/5/depeche-mode-and-hublot-raise-14-million-dollars-for-charity-water |archive-date= 29 July 2020 |archive-url= https://web.archive.org/web/20200729234213/http://www.genevaseal.com/journal/2014/8/5/depeche-mode-and-hublot-raise-14-million-dollars-for-charity-water |url-status= dead }}</ref>
Since 2010, the band have applied their celebrity and cultural longevity to help promote and raise funds for several notable charity endeavours. They lent their support to high-profile charities such as [[MusiCares]], [[Cancer Research UK]] and the [[Teenage Cancer Trust]]. The band has also supported the Small Steps Project, a humanitarian organization based in the UK, aiming to assist economically disadvantaged children into education.<ref>{{cite web|title= Depeche Mode: Charity Work, Events and Causes |website= Look to the Stars |access-date= 25 March 2017 |url= https://www.looktothestars.org/celebrity/depeche-mode}}</ref> They have partnered with Swiss watchmaker [[Hublot]] to support [[Charity: Water]], aimed at the provision of clean drinking water in developing countries.<ref>{{cite web|first= Joelle |last= Diderich |title= Hublot and Depeche Mode Link Up to Benefit Charity: Water |website= WWD |date= 30 January 2014 |access-date= 25 March 2017 |url= http://wwd.com/fashion-news/fashion-scoops/hublot-and-depeche-mode-link-up-to-benefit-charity-water-7402778/}}</ref> Such collaboration led to the release of two different limited edition watches, the Hublot Big Bang Depeche Mode in 2017 and The Singles Limited Edition series based from the Big Bang model in 2018. The proceeds helped raise $1.7 million for Charity: Water.<ref>{{cite news|first= Laurie |last= Kahle |title= Hublot and Depeche Mode Expand Fundraising for Clean Water with Collector Watches |newspaper= [[Barron's (newspaper)|Barron's]] |date= 7 June 2018 |access-date= 22 February 2020 |url= https://www.barrons.com/articles/hublot-and-depeche-mode-expand-fundraising-for-charity-water-with-collector-watches-1528404224}}</ref> In 2014, the partnership hosted a gala and fundraiser at the [[TsUM (Moscow)|TsUM]] building in Moscow, raising $1.4 million for the charity.<ref>{{cite web |title= Depeche Mode and Hublot Raise 1.4 Million Dollars for Charity: Water |work= Geneva Seal |date= 5 August 2014 |access-date= 25 March 2017 |url= http://www.genevaseal.com/journal/2014/8/5/depeche-mode-and-hublot-raise-14-million-dollars-for-charity-water |archive-date= 29 July 2020 |archive-url= https://web.archive.org/web/20200729234213/http://www.genevaseal.com/journal/2014/8/5/depeche-mode-and-hublot-raise-14-million-dollars-for-charity-water |url-status= dead }}</ref>


==Band members==
==Band members==
Line 283: Line 288:
* [[Andy Fletcher (musician)|Andy Fletcher]]{{nbsp}}– keyboards, bass guitar, occasional backing vocals (1980–2022; his death)  
* [[Andy Fletcher (musician)|Andy Fletcher]]{{nbsp}}– keyboards, bass guitar, occasional backing vocals (1980–2022; his death)  
* [[Vince Clarke]]{{nbsp}}– keyboards, lead and backing vocals, guitars (1980–1981)
* [[Vince Clarke]]{{nbsp}}– keyboards, lead and backing vocals, guitars (1980–1981)
* [[Alan Wilder]]{{nbsp}}– keyboards, piano, drums, backing vocals (1982–1995; touring member in 1982; guest in 2010)
* [[Alan Wilder]]{{nbsp}}– keyboards, piano, drums, backing vocals (1982–1995; touring musician earlier in 1982; guest in 2010)


====Former touring musicians====
====Former touring musicians====
Line 512: Line 517:


===Bibliography===
===Bibliography===
* {{cite book |last1=Burmeister | first1=Dennis | last2=Lange | first2=Sascha | title=Depeche Mode: Monument | location=New York | publisher=[[Akashic Books]] | year=2017 | isbn=978-1-61775-593-4}}
* {{cite book |last=Gittins | first=Ian | title=Depeche Mode: Faith and Devotion | location=London | publisher=[[Palazzo Editions]] | year=2018 | isbn=978-1-78675-064-8}}
* {{cite book|first=Steve|last=Malins|date=2001|title=Depeche Mode: A Biography|publisher=[[André Deutsch]]|isbn=978-0-233-99430-7}}
* {{cite book|first=Steve|last=Malins|date=2001|title=Depeche Mode: A Biography|publisher=[[André Deutsch]]|isbn=978-0-233-99430-7}}
* {{cite book|first=Jonathan|last=Miller|date=2004|title=Stripped: The True Story of Depeche Mode|publisher=[[Music Sales Group|Omnibus Press]]|isbn=1-84449-415-2}}
* {{cite book|first=Jonathan|last=Miller|date=2004|title=Stripped: The True Story of Depeche Mode|publisher=[[Music Sales Group|Omnibus Press]]|isbn=1-84449-415-2}}
* {{cite book|first=John|last=Tobler|author-link=John Tobler|date=1992|title=NME Rock 'n' Roll Years|edition=1st|location=London|publisher=[[Reed Elsevier|Reed International Books Ltd]]|isbn=0-600-57602-7|url-access=registration|url=https://archive.org/details/nmerocknrollyear0000unse}}
* {{cite book|first=John|last=Tobler|author-link=John Tobler|date=1992|title=NME Rock 'n' Roll Years|edition=1st|location=London|publisher=[[Reed Elsevier|Reed International Books Ltd]]|isbn=0-600-57602-7|url-access=registration|url=https://archive.org/details/nmerocknrollyear0000unse}}
* {{cite book |first=Mary |last=Valle |title=Depeche Mode's 101 |series=33 1/3 |publisher=[[Bloomsbury Publishing]] |edition=1st |date=30 May 2024 |isbn=978-1-5013-9032-6}}


===Further reading===
===Further reading===
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Latest revision as of 14:11, 17 November 2025

Template:Short description Template:Use British English Template:Use dmy dates Script error: No such module "Infobox".Template:Template otherTemplate:Main otherScript error: No such module "Check for unknown parameters".Template:Main other

Depeche ModeTemplate:Efn (Template:IPAc-en)[1] are an English electronic band formed in Basildon, Essex in 1980.[2] Originally formed with the line-up of Dave Gahan, Martin Gore, Andy Fletcher and Vince Clarke, the band has consisted of Gahan and Gore since 2022.

With Clarke as their primary songwriter, Depeche Mode released their debut album Speak & Spell in 1981 amid the British new wave scene. Clarke left the band at the end of 1981, going on to form the groups Yazoo and later Erasure. The remaining trio recorded their second album, A Broken Frame (1982), with Martin Gore as chief songwriter. The band then recruited Alan Wilder, establishing a line-up that continued until 1995, beginning with the albums Construction Time Again (1983) and Some Great Reward (1984). The albums Black Celebration (1986) and Music for the Masses (1987) cemented them as a dominant force within the electronic and alternative music scenes, and their June 1988 concert at the Pasadena Rose Bowl drew a crowd of over 60,000 people.

In 1990, Depeche Mode released their seventh album, Violator, which reached number seven on the Billboard 200 and was certified triple platinum by the RIAA. The following album Songs of Faith and Devotion (1993) was also a success, though the band's internal struggles during recording and touring resulted in Wilder's departure in 1995. The band returned to the line-up of Gahan, Gore, and Fletcher, and released the album Ultra in 1997. The band continued touring and recorded five more albums as a trio—Exciter (2001), Playing the Angel (2005), Sounds of the Universe (2009), Delta Machine (2013) and Spirit (2017)—until Fletcher's death in 2022. Gahan and Gore have since continued as a duo. Their latest album, Memento Mori, was released in 2023.

Depeche Mode have had 54 songs in the UK singles chart, 17 Top 10 albums in the UK chart, and have sold more than 100 million records worldwide.[3][4] Q included the band in its list of the "50 Bands That Changed the World!"[5] Depeche Mode also rank No. 98 on VH1's "100 Greatest Artists of All Time."[6] In 2016, Billboard named Depeche Mode the 10th Greatest of All Time Top Dance Club Artists.[7] They were inducted into the Rock and Roll Hall of Fame in 2020.[8]

History

Formation (1977–1980)

Martin Gore in 1986
Martin Gore in 1986

Depeche Mode's origins date to 1977, when schoolmates Vince Clarke and Andy Fletcher formed a band called No Romance in China with Clarke on vocals and guitar and Fletcher on bass. Fletcher would later recall, "Why am I in the band? It was accidental right from the beginning. I was actually forced to be in the band. I played the guitar and I had a bass; it was a question of them roping me in."[9] In 1979, Clarke played guitar in an Ultravox-influenced band, the Plan, with friends Robert Marlow and Paul Langwith.[10] In 1978–1979, Martin Gore played guitar in an acoustic duo, Norman and the Worms, with school friend Phil Burdett on vocals.[11]Template:Better source needed In 1980, Clarke and Fletcher formed a band called Composition of Sound, with Clarke on vocals/guitar and Fletcher on bass; the pair were soon joined by Gore as a third instrumentalist.[12] Dave Gahan joined the ensemble later in 1980 after Clarke heard him perform at a local Scout hut jam session, singing a rendition of David Bowie's "[["Heroes" (David Bowie song)|Template:-'HeroesTemplate:'-]]".[13]

With the advent of affordable synthesisers and the increasing popularity of electronic music, the group began pursuing a synth-pop direction.[14] The first live concert of Composition of Sound as a four-piece was on 14 June 1980 at Nicholas School, Basildon, England, UK.[15] There is a plaque commemorating the gig at the James Hornsby School in Basildon, where Gore and Fletcher were pupils. Gahan's and Gore's favourite artists included Siouxsie and the Banshees, Sparks,[16] Cabaret Voltaire, Talking Heads and Iggy Pop.[17] Gahan's onstage persona was influenced by Dave Vanian, frontman of the Damned.[18] Gahan has also later credited David Bowie, James Brown, Elvis Presley and Prince as influences on his performance style.[19]

Composition of Sound would become embarrassed about their band name and started thinking of changing it. There were several potential variants, including the name "Musical Moments" that was suggested by Vince Clarke as both a band name and the name of their first album. Starting at their concert on 24 September 1980 at Bridge House, the band changed their name to Depeche Mode, chosen by Dave Gahan.[20][21] When explaining the choice for the new name, which was taken from a mistranslation of the name of French fashion magazine Dépêche Mode,[22] Gore said, "It means 'hurried fashion' or 'fashion dispatch'. I like the sound of that."[23] The more accurate translation of the magazine's name (and therefore the band's name) is "Fashion News" or "Fashion Update".Template:Efn

Speak & Spell and Clarke's departure (1980–1981)

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File:Depeche Mode 1981.jpg
Depeche Mode in 1981

The band made their recording debut in late 1980 for the Some Bizzare Album (released in 1981) with the song "Photographic", later re-recorded for their debut album Speak & Spell.

The band made a demo tape but, instead of mailing the tape to record labels, they would go in and personally deliver it. They would demand the labels play it; according to Dave Gahan, "most of them would tell us to fuck off. They'd say 'leave the tape with us' and we'd say 'it's our only one'. Then we'd say goodbye and go somewhere else."[24]

According to Gahan, prior to securing their record contract, they were receiving offers from all the major labels. Phonogram offered them "money you could never have imagined and all sorts of crazy things like clothes allowances".[24]

While playing a live gig at the Bridge House in Canning Town,[25] the band was approached by Daniel Miller, an electronic producer and founder of Mute Records, who was interested in their recording a single for his burgeoning label.[26] The result of this verbal contract was their first single, "Dreaming of Me", recorded in December 1980 and released in February 1981. It reached number 57 in the UK charts. Encouraged by this, the band recorded their second single, "New Life", which climbed to number 11 in the UK charts and got them an appearance on Top of the Pops. The band went to London by train, carrying their synthesisers all the way to the BBC studios.

The band's next single was "Just Can't Get Enough". The synth-pop single became the band's first UK top ten hit. The video is the only one to feature Vince Clarke. Depeche Mode's debut album, Speak & Spell, was released in October 1981 and peaked at number ten on the UK album charts.[27] Critical reviews were mixed; Melody Maker described it as a "great album … one they had to make to conquer fresh audiences and please the fans who just can't get enough",[28] while Rolling Stone was more critical, calling the album "PG-rated fluff".[29]

Clarke began to voice his discomfort at the direction the band was taking, saying "there was never enough time to do anything. Not with all the interviews and photo sessions".[30] Clarke also said he was sick of touring, which Gahan said years later was "bullshit to be quite honest".[24] Gahan went on to say he "suddenly lost interest in it and he started getting letters from fans asking what kind of socks he wore."[24] In November 1981, Clarke publicly announced that he was leaving Depeche Mode.Template:Sfn

Soon afterwards, Clarke joined up with blues singer Alison Moyet to form Yazoo (or Yaz in the United States). Initial talk of Clarke's continuing to write material for Depeche Mode ultimately amounted to nothing. According to third-party sources, Clarke offered the remaining members of Depeche Mode the track "Only You", but they declined.Template:Sfn Clarke denied in an interview that such an offer ever took place, saying "I don't know where that came from. That's not true."[31] The song went on to become a UK top three hit for Yazoo. Gore, who had written "Tora! Tora! Tora!" and the instrumental "Big Muff" for Speak & Spell, became the band's main composer and lyricist.Template:Sfn

A Broken Frame and Wilder joining (1981–1982)

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File:Depeche Mode 1982.jpg
Depeche Mode in 1982

In late 1981, the band placed an anonymous ad in Melody Maker looking for another musician: "Name band, synthesise, must be under twenty-one."[13] Alan Wilder, a classically trained keyboardist from West London, responded and, after two auditions and despite being 22 years old, was hired in early 1982, initially on a trial basis as a touring member.Template:Sfn Wilder would later be called the "Musical Director" of the band, responsible for the band's sound until his departure in 1995.[9] As producer Flood would say, "[Alan] is sort of the craftsman, Martin's the idea man and [Dave] is the attitude."[9]

In January 1982, the band released "See You", their first single without Clarke, which managed to beat all three Clarke-penned singles in the UK charts, reaching number six.Template:Sfn The following tour saw the band playing their first shows in North America. Two more singles, "The Meaning of Love" and "Leave in Silence", were released ahead of the band's second studio album. Daniel Miller informed Wilder that he wasn't needed for the recording of the album, as the core trio wanted to prove they could succeed without Vince Clarke.Template:Sfn A Broken Frame was released that September, and the following month the band began their 1982 tour.

Construction Time Again (1983)

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File:Depeche Mode 1983.jpg
Depeche Mode in 1983

A non-album single, "Get the Balance Right!", was released in January 1983, the first Depeche Mode track to be recorded with Wilder, now an official member of the band.Template:Sfn For their third album, Construction Time Again, Depeche Mode worked with producer Gareth Jones, at John Foxx's Garden Studios and at Hansa Studios in West Berlin (where much of David Bowie's seminal Berlin Trilogy featuring Brian Eno had been produced). The album saw a dramatic shift in the group's sound, due in part to Wilder's introduction of the Synclavier and E-mu Emulator samplers.[32] By sampling the noises of everyday objects, the band created an eclectic, industrial-influenced sound, with similarities to groups such as the Art of Noise and Einstürzende Neubauten (the latter becoming Mute labelmates in 1983).[33]

"Everything Counts" rose to number six in the UK, also reaching the top 30 in Ireland, South Africa, Switzerland, Sweden and West Germany.[27] Wilder contributed two songs to the album, "The Landscape Is Changing" and "Two Minute Warning". In September 1983, to promote Construction Time Again, the band launched a European concert tour.

Some Great Reward (1984)

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File:Depeche Mode 1984.jpg
Depeche Mode in 1984

In their early years, Depeche Mode had really attained success only in Europe and Australia. This changed in March 1984, when they released the single "People Are People".[34] The song became a hit, reaching No. 2 in Ireland and Poland, No. 4 in the UK and Switzerland, and No. 1 in West Germany – the first time a DM single topped a country's singles chart – where it was used as the theme to West German TV's coverage of the 1984 Olympics.Template:Sfn Beyond this European success, the song also reached No. 13 on the US charts in mid-1985, the first appearance of a DM single on the Billboard Hot 100, and was a Top 20 hit in Canada. "People Are People" became an anthem for the LGBT community,[35] regularly played at gay establishments and gay pride festivals in the late 1980s. Sire, the band's North American record label, released a compilation of the same name which included tracks from A Broken Frame and Construction Time Again as well as several B-sides.

On the American tour, the band was, according to Gore, "shocked by the way the fans were turning up in droves at the concerts".[24] He said that although the concerts were selling well, Depeche Mode struggled to sell records.[24]

In September 1984, Some Great Reward was released. Melody Maker claimed that the album made one "sit up and take notice of what is happening here, right under your nose."[36] In contrast to the political and environmental subjects addressed on the previous album, the songs on Some Great Reward were mostly concerned with more personal themes such as sexual politics ("Master and Servant"), adulterous relationships ("Lie to Me"), and arbitrary divine justice ("Blasphemous Rumours"). Also included was the first Martin Gore ballad, "Somebody"—such songs would become a feature of all following albums.Script error: No such module "Unsubst". "Somebody" was released as a double A-side with "Blasphemous Rumours", and was the first single with Gore on lead vocal. Some Great Reward became the first Depeche Mode album to enter the US album charts, and made the Top 10 in several European countries.Script error: No such module "Unsubst".

The World We Live In and Live in Hamburg was the band's first video release, almost an entire concert from their 1984 Some Great Reward Tour.

Black Celebration (1985–1986)

File:Depeche Mode 1985.jpg
Depeche Mode in 1985

Script error: No such module "Labelled list hatnote". In July 1985, the band played their first-ever concerts behind the Iron Curtain, in Budapest and Warsaw.Template:Sfn In October 1985, Mute released a compilation, The Singles 81→85 (Catching Up with Depeche Mode in the US), which included the two new non-album hit singles "Shake the Disease" and "It's Called a Heart", with the US version also including their B-sides ("Fly on the Windscreen", the B-side of "It's Called a Heart", would also be included on the next studio album Black Celebration).

In the United States, the band's music appealed primarily to an alternative audience who were disenchanted with the predominance of "soft rock and 'disco hell'"[37] on the radio. This view of the band was in sharp contrast to how the band was perceived in Europe, despite the increasingly dark and serious tone in their songs.[38] In Germany, France, and other European countries, Depeche Mode were considered teen idols and regularly featured in European teen magazines, becoming one of the most famous synth-pop bands in the mid-'80s.Script error: No such module "Unsubst". Depeche Mode's musical style shifted slightly again in 1986 with the release of their fifteenth single, "Stripped", and its accompanying album Black Celebration. Retaining their often imaginative sampling and beginning to move away from the "industrial pop" sound that had characterised their previous two LPs, the band introduced an ominous, highly atmospheric and textured sound. Gore's lyrics also took on a darker tone and became more pessimistic.

The music video for "A Question of Time" was the first to be directed by Anton Corbijn, beginning a working relationship that continues to the present. Corbijn has directed 22 of the band's videos. He has also filmed some of their live performances and designed stage sets, as well as most covers for albums and singles starting from Violator.Script error: No such module "Unsubst".

Music for the Masses (1987–1989)

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For 1987's Music for the Masses, the band's sound and working methods continued to develop. It was the first time they worked with a producer not related to Mute Records. Dave Bascombe was called to assist with the recording sessions; although, according to Alan Wilder, Bascombe's role ended up being more that of engineer.[39] In making the album, the band largely eschewed sampling in favour of synthesiser experimentation.[40] While chart performance of the singles "Strangelove", "Never Let Me Down Again" and "Behind the Wheel" proved to be disappointing in the UK, they performed well in countries such as Canada, Brazil, West Germany, South Africa, Sweden and Switzerland, often reaching the top 10. Record Mirror described Music for the Masses as "the most accomplished and sexy Mode album to date".[41] The album also reached No. 35 on the US Billboard 200 chart.[42]

The Music for the Masses Tour began 22 October 1987. On 7 March 1988, with no previous announcement that they would be the headlining act, Depeche Mode played in the Werner-Seelenbinder-Halle, East Berlin,[43] becoming one of the few Western groups to perform in East Germany. They also performed concerts in Budapest and Prague in 1988.[44]

The world tour ended on 18 June 1988 with a concert at the Pasadena Rose Bowl. Paid attendance of 60,453Template:Sfn was the highest in eight years for the venue.Script error: No such module "Unsubst". Its massive successScript error: No such module "Unsubst". marked a breakthrough for the band in the United States.Script error: No such module "Unsubst".. The event was documented in 101, a concert film by D. A. Pennebaker and its accompanying soundtrack album. The film is notable for its portrayal of fan interaction.[45][46] Alan Wilder came up with the title, noting that it was the 101st and final performance of the tour.Script error: No such module "Unsubst". On 7 September 1988, Depeche Mode performed "Strangelove" at the 1988 MTV Video Music Awards at the Universal Amphitheatre in Los Angeles.[47]

Violator (1989–1990)

Script error: No such module "Labelled list hatnote". In mid-1989, the band began recording in Milan with producer Flood and engineer François Kevorkian. The initial result of this session was the single "Personal Jesus". Prior to its release, a marketing campaign was launched with advertisements placed in the personals columns of UK regional newspapers with the words "Your own personal Jesus." Later, the ads included a phone number one could dial to hear the song. The resulting furore helped propel the single to number 13 on the UK charts, becoming one of their biggest sellers to date. In the United States, it was their first gold single and their first Top 40 hit since "People Are People", eventually becoming the biggest-selling 12-inch single in Warner Records' history up to that point.Template:Sfn

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"I think in a way we've been at the forefront of new music; sort of chipping away at the standard rock format stations."

Martin Gore, stated to NME – July 1990.Template:Sfn

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Released in February 1990, "Enjoy the Silence" reached number six in the UK (the first Top 10 hit in that country since "Master And Servant"). A few months later it reached number eight in the US and earned the band a second gold record, and it won Best British Single at the 1991 Brit Awards.[48] To promote their new album, Violator, the band held an in-store autograph signing at Wherehouse Entertainment in Los Angeles. The event attracted approximately 20,000 fans and turned into a near riot. Some attendees were injured while being pressed against the store's glass by the crowd.[49] As an apology to those injured, the band released a limited edition cassette tape to fans in Los Angeles, distributed through radio station KROQ (the sponsor of the Wherehouse event).

Violator was the first Depeche Mode album to enter the Top 10 of the Billboard 200, reaching Number 7 and staying 74 weeks in the chart. It was certified triple platinum in America.[50] Two more singles from the album—"Policy of Truth" and "World in My Eyes"—were hits in the UK, with the former also charting in the US.

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"I remember going to see them in Giants Stadium, and they broke the merchandising record; of Bon Jovi, U2—all these bands—Depeche Mode were the biggest!"

Flood, on the Giants Stadium concert.Template:Sfn

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The World Violation Tour saw the band play several stadium shows in the US. 42,000 tickets were sold within four hours for a show at Giants Stadium, and 48,000 tickets were sold within half-an-hour of going on sale for a show at Dodger Stadium.Template:Sfn An estimated 1.2 million fans saw this tour worldwide.[9]

Songs of Faith and Devotion and Wilder's departure (1991–1995)

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Alan Wilder
Alan Wilder in 2010

In 1991, Depeche Mode contribution "Death's Door" was released on the soundtrack album for the film Until the End of the World. Film director Wim Wenders had challenged musical artists to write music the way they imagined they would in the year 2000, the setting of the movie.

The members of Depeche Mode regrouped in Madrid in February 1992. Gahan had become interested in the new grunge scene sweeping the US and was influenced by the likes of Jane's Addiction, Soundgarden, Alice in Chains and Nirvana.[51]

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"There's so many sounds that are created from the voice that you wouldn't know were taken from the voice, like rhythm sounds. The number of times I've been sitting in the studio and said, 'I wish I could get a bass that would just go [mimics wet, thick hip-hop bass-drum sound].' Then I think, 'Why can't I just go [repeats noise] into a mic and sample it?' It's obvious; you spend all day trying to get a synthesiser to try and create this sound but you can just go [repeats noise] and you've got it. Then you can send it through some other device after that, and you've got something that sounds absolutely nothing like a voice, but the source was a voice. ... It is a very interesting process."

Alan Wilder on the genesis of some of the sounds on Songs of Faith and Devotion, stated to Pulse! magazine – May 1993.[9]

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In 1993, Songs of Faith and Devotion, again with Flood producing, saw them experimenting with arrangements based as much on heavily distorted electric guitars and live drums (played by Alan Wilder, whose debut as a studio drummer had come on the Violator track "Clean") as on synthesisers.[52] Live strings, uilleann pipes and female gospel vocals were other new additions to the band's sound. The album debuted at number one in both the UK and the US, only the sixth British act to achieve such a distinction to date.Template:Sfn The first single from the album was the grunge-influenced "I Feel You". The gospel influences are most noticeable on the album's third single, "Condemnation". Interviews given by the band during this period tended to be conducted separately, unlike earlier albums, where the band was interviewed as a group.[9]

The Devotional Tour followed, documented by a concert film of the same name. The film was directed by Anton Corbijn, and in 1995 earned the band their first Grammy nomination.[53] The band's second live album, Songs of Faith and Devotion Live, was released in December 1993. The tour continued into 1994 with the Exotic Tour, which began in February 1994 in South Africa, and ended in April in Mexico. The final leg of the tour, consisting of more North American dates, followed shortly thereafter and ran until July. As a whole, the Devotional Tour is to date the longest and most geographically diverse Depeche Mode tour, spanning fourteen months and 159 individual performances.

Q magazine described the 1993 Devotional Tour as "The Most Debauched Rock 'n' Roll Tour Ever".[54] According to The Independent, the "smack-blasted" Gahan "required cortisone shots just to perform, borderline alcoholic Gore suffered two stress-induced seizures, and Andrew Fletcher's deepening depression resulted, in the summer of 1994, in a full nervous breakdown."[55] During the performance in New Orleans, Louisiana, Gahan suffered a heart attack brought on by drug use and had to be ushered out of the Lakefront Arena in an ambulance.[56] In Denver, Colorado, local police arrested Gore and fined him $50 for disturbing the peace when he held a loud party in his hotel room.[57] Fletcher declined to participate in the second half of the Exotic Tour due to mental instability;Script error: No such module "Unsubst". he was replaced on stage by Daryl Bamonte, who had worked with the band as a personal assistant since the beginning of their career in 1980.[58][59]

In June 1995, Alan Wilder announced that he was leaving Depeche Mode, explaining:

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Since joining in 1982, I have continually striven to give total energy, enthusiasm and commitment to the furthering of the group's success, and in spite of a consistent imbalance in the distribution of the workload, willingly offered this. Unfortunately, within the group, this level of input never received the respect and acknowledgement that it warrants.[60]

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Wilder continued to work on his personal project Recoil, releasing a fourth album (Unsound Methods) in 1997.

Ultra (1995–1998)

Script error: No such module "Labelled list hatnote". Despite Gahan's increasingly severe personal problems, Gore tried repeatedly during 1995 and 1996 to get the band recording again. However, Gahan would rarely turn up to scheduled sessions, and when he did, it would take weeks to get any vocals recorded; one six-week session at Electric Lady in New York produced just one usable vocal (for "Sister of Night"), and even that was pieced together from multiple takes.Template:Sfn Gore was forced to contemplate breaking the band up and considered releasing the songs he had written as a solo album.[61] In mid-1996, after his near-fatal overdose in which his heart stopped beating for two minutes,[62] Gahan entered a court-ordered drug rehabilitation program to battle his addiction to cocaine and heroin.[63] With Gahan out of rehab in 1996, Depeche Mode held recording sessions with producer Tim Simenon.

Preceded by two singles, "Barrel of a Gun" and "It's No Good", the album Ultra was released in April 1997. The album debuted at No. 1 in the UK as well as Germany, and No. 5 in the US. The band did not tour in support of the album, with Fletcher quoted as saying: "We're not fit enough. Dave's only eight months into his sobriety, and our bodies are telling us to spend time with our families."[64] As part of the promotion for the release of the album, they did perform two short concerts in London and Los Angeles, promoted as "Ultra Parties".Template:Sfn Ultra spawned two further singles, "Home" and "Useless".

A second singles compilation, The Singles 86>98, was released in 1998, preceded by the new single "Only When I Lose Myself". In April 1998, Depeche Mode held a press conference at the Hyatt Hotel in Cologne to announce the Singles Tour.[65] The tour was the first to feature two backing musicians in place of Wilder—Austrian drummer Christian Eigner and British keyboardist Peter Gordeno.

Exciter (1999–2004)

Script error: No such module "Labelled list hatnote". In 2001, Depeche Mode released Exciter, produced by Mark Bell (of techno group LFO). Bell introduced a minimalist, digital sound to much of the album, influenced by IDM and glitch. "Dream On", "I Feel Loved", "Freelove" and "Goodnight Lovers" were released as singles in 2001 and 2002. Critical response to the album was mixed, with reasonably positive reviews from some magazines (NME, Rolling Stone and LA Weekly), while others (including Q magazine, PopMatters and Pitchfork) derided it as sounding underproduced, dull and lacking in luster.[66]

In March 2001, Depeche Mode held a press conference at the Valentino Hotel in Hamburg to announce the Exciter Tour.[67] The tour featured 84 performances for over 1.5 million fans in 24 countries.[68] The concerts held in Paris at the Palais Omnisports de Paris-Bercy were filmed and later released in May 2002 as a live DVD entitled One Night in Paris.

In October 2002 the band won the first-ever Q magazine "Innovation Award".[69]

In 2003, Gahan released his first solo album, Paper Monsters, and toured to promote the record. Also released in 2003 was Gore's second solo album Counterfeit².[70] Fletcher founded his own record label, Toast Hawaii, specialising in promoting electronic music.

A new remix compilation album, Remixes 81–04, was released in 2004, featuring new and unreleased promo mixes of the band's singles from 1981 to 2004. A new version of "Enjoy the Silence", remixed by Mike Shinoda of Linkin Park, "Enjoy the Silence 04", was released as a single and reached No. 7 on the UK charts.

Playing the Angel (2005–2007)

File:Bremen 2006 Depeche Mode by-RaBoe.jpg
Touring the Angel concert in Bremen, June 2006

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In October 2005, Depeche Mode released their 11th studio album Playing the Angel. Produced by Ben Hillier, the album peaked at No. 1 in 18 countries and featured the hit single "Precious". This is their first album to feature lyrics written by Gahan and, consequently, the first album since 1984's Some Great Reward featuring songs not written by Gore. "Suffer Well" was the first ever post-Clarke Depeche Mode single not to be written by Gore (lyrics by Gahan, music by Philpott/Eigner). The final single from the album was "John the Revelator", an up-tempo electronic track with a running religious theme, accompanied by "Lilian", a lush track that was a hit in many clubs all over the world.Script error: No such module "Unsubst".

To promote Playing the Angel, the band launched Touring the Angel, a concert tour of Europe and North America that began in November 2005 and ran for nine months. During the last two legs of the tour Depeche Mode headlined a number of festivals including the Coachella Valley Music and Arts Festival and the O2 Wireless Festival. In total, the band played to more than 2.8 million people across 31 countries and the tour was one of the highest grossing and critically acclaimed tours of 2005/2006.[4] Speaking about the tour, Gahan praised it as "probably the most enjoyable, rewarding live shows we've ever done. The new material was just waiting to be played live. It took on a life of its own. With the energy of the crowds, it just came to life."[71] Two shows at Milan's Fila Forum were filmed and edited into a concert film, released on DVD as Touring the Angel: Live in Milan.[72]

A "best-of" compilation was released in November 2006, entitled The Best of Depeche Mode Volume 1 featuring a new single "Martyr", an outtake from the Playing the Angel sessions. Later that month Depeche Mode received the MTV Europe Music Award in the Best Group category.[73]

In December 2006, iTunes released The Complete Depeche Mode as its fourth ever digital box-set.[74]

In August 2007, during promotion for Gahan's second solo album, Hourglass, it was announced that Depeche Mode were heading back in studio in early 2008 to work on a new album.[75]

Sounds of the Universe (2008–2011)

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File:Depeche Mode Milano 18 06 2009 (3641921971).jpg
Depeche Mode in 2009

In May 2008, Depeche Mode returned to the studio with producer Ben Hillier to work on some songs that Martin Gore had demoed at his home studio in Santa Barbara, California. Later that year it was announced that they were splitting from their long-term US label, Warner Music, and signing with EMI Music worldwide.[76] The album was created in four sessions, two in New York and two in Santa Barbara. A total of 22 songs were recorded, with the standard album being 13 songs in length while many of the others were released in subsequent deluxe editions.[77]

In 2009, Depeche Mode allowed their likeness to be used in Valve's Left 4 Dead 2. The character Rochelle wears a pink T-shirt with an image from the "Touring the Angels" tour on the front.[78]

File:Depeche Mode O2 15 12 09.JPG
Tour of the Universe concert at London's O2 Arena, December 2009

On 15 January 2009, the official Depeche Mode website announced that the band's twelfth studio album would be called Sounds of the Universe.[79] The album was released on 14 April 2009, also made available through an iTunes Pass, where the buyer received individual tracks in the weeks leading up to the official release date. Fletcher said the idea for their iTunes Pass was a combination of the band's and iTunes': "I think the digital and record companies are starting to get their act together. They were very lazy in the first 10 years when downloads came in. Now they're collaborating more and coming up with interesting ideas for fans to buy products."[80] The album went to number one in 21 countries. Critical response was generally positive and it was nominated for a Grammy in the Best Alternative Album category.[81] "Wrong" was the first single from the album, released digitally in February 2009. Subsequent singles were "Peace" and the double A-side "Fragile Tension / Hole to Feed". In addition, "Perfect" was released as a promotional-only (non-commercial) single in the United States.

On 23 April 2009, Depeche Mode performed for the television program Jimmy Kimmel Live! at the famed corner of Hollywood Boulevard and Vine Street, drawing more than 12,000 fans, which was the largest audience the program had seen since its 2003 premiere, with a performance by Coldplay.[82]

In May 2009, the band embarked on a concert tour in support of the album, called Tour of the Universe; it had been announced at a press conference in October 2008 at the Olympiastadion in Berlin.[83] There was a warm up show in Luxembourg and it officially started on 10 May 2009 in Tel Aviv. The first leg of the tour was disrupted when Dave Gahan was struck down with gastroenteritis. During treatment, doctors found and removed a low-grade tumour from the singer's bladder. Gahan's illness caused 16 concerts to be cancelled, but several of the shows were rescheduled for 2010.[84] The band headlined the Lollapalooza festival during the North American leg of the tour. The tour also took the band back to South America for the first time since 1994's Exotic Tour. During the final European leg, the band played a show at London's Royal Albert Hall in aid of the Teenage Cancer Trust, where former member Alan Wilder joined Martin Gore on stage for a performance of "Somebody".[85][86] In total the band played to more than 2.7 million people across 32 countries and the tour was one of the most profitable in America in 2009.[87][88] The concerts held at Palau Sant Jordi, Barcelona, Spain were filmed and later released on DVD and Blu-ray release entitled Tour of the Universe: Barcelona 20/21.11.09.[89] In March 2010, Depeche Mode won the award for "Best International Group – Rock / Pop" at the Echo Awards in Germany.[90]

On 6 June 2011, as the final commitment to their contract with EMI,[91] the band released a remix compilation album, entitled Remixes 2: 81–11 that features remixes by former members Vince Clarke and Alan Wilder.[92][93] Other remixers involved with the project were Nick Rhodes of Duran Duran,[94] Röyksopp, Karlsson & Winnberg of Miike Snow, Eric Prydz, Clark and more.[95] A new remix of "Personal Jesus" by Stargate, entitled "Personal Jesus 2011", was released as a single on 30 May 2011, in support of the compilation.

Also in 2011, Depeche Mode contributed their cover of the U2 song "So Cruel" to the tribute album AHK-toong BAY-bi Covered, honouring the 20th anniversary of the album Achtung Baby. The compilation CD was released with the December 2011 issue of Q.[96][97]

Delta Machine (2012–2014)

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File:Wetten dass 20130323 6662.jpg
Depeche Mode in 2013, performing at Wetten, dass..?

In October 2012 during a press conference in Paris, Dave Gahan, Martin Gore and Andy Fletcher announced plans for a new album and a 2013 worldwide tour starting from Tel Aviv and continuing in Europe and North America.[98] Martin Gore revealed that Flood mixed the album, marking the producer's first studio collaboration with the band since 1993's Songs of Faith and Devotion.

In December 2012, the band officially announced signing a worldwide deal with Columbia Records and releasing a new album in March 2013.[99] On 24 January 2013, it was confirmed that the album was titled Delta Machine.[100] "Heaven", the debut single from Delta Machine was released commercially on Friday 1 February 2013 (although not in the UK). The release date in the UK was pushed back to 18 March 2013 (17 March 2013 on iTunes). The physical release still bore the Mute Records logo, even though the band have now severed ties with their long-standing label. Fletcher mentioned in an interview this was due to their "devotion" to the label and with the band's insistence.Script error: No such module "Unsubst".Delta Machine spawned two further singles, "Soothe My Soul" on 6 May and "Should Be Higher" on 11 October. Though neither performed well in the UK charts they did perform moderately in other European charts.

In March, the band announced North American dates to their Delta Machine Tour, starting 22 August from Detroit and ending 8 October in Phoenix.[101] In June, other European dates[102] were confirmed for early 2014. The final gig of the tour took place in Moscow, Russia on 7 March 2014, at Olimpiski venue.

That month, Depeche Mode won the award for "Best International Group – Rock / Pop" at the Echo Awards in Germany. Also, they were nominated at the category "Album des Jahres (national oder international)" for Delta Machine but lost against Helene Fischer's Farbenspiel.[103][104]

On 8 October 2014, the band announced Live in Berlin, the new video and audio release filmed and recorded at the O2 World in Berlin, Germany in November 2013 during the Delta Machine Tour. It was released on 17 November 2014 worldwide.[105]

Spirit (2015–2021)

Script error: No such module "Labelled list hatnote". In a 2015 Rolling Stone interview celebrating the 25th anniversary of Violator, Gore stated that Johnny Cash's cover of "Personal Jesus" is his favorite cover version of a Depeche Mode song.[106]

On 25 January 2016, Gore announced a projected return to the recording studio in April, with both Gore and Gahan having already written and demoed new songs.[107] In September, the official Depeche Mode Facebook page hinted at a new release, later confirmed by the band to be a music video compilation, Video Singles Collection, scheduled for release in November by Sony.[108] In October 2016, the band announced their fourteenth album titled Spirit. It was produced by James Ford, and was released on 17 March 2017.[109]

"Where's the Revolution", the lead single from Spirit, was released 3 February 2017, along with its lyric video. The official video was published a week later, on 9 February.[110] The Global Spirit Tour officially kicked off on 5 May 2017 with a performance in Stockholm, Sweden, at the Friends Arena. The first leg of the tour covered European countries only, ending with a final stadium show in Cluj-Napoca, Romania, at the Cluj Arena. The second leg of the tour covered North America and returned to Europe. The North America leg of the tour kicked off in Salt Lake City, Utah, on 23 August, at the USANA Amphitheatre. Depeche Mode broke a record when the band became the first to play four nights at the Hollywood Bowl.[111] The band remained in North America until 15 November when they left for Dublin to resume the European leg. The band ended the tour in Europe with two sold-out shows on 23 and 25 July 2018 in Berlin, Germany, at the Waldbühne.[112][113][114]

In September 2019, the band announced that Spirits in the Forest, a documentary that was partially filmed during these shows by long-time collaborator Anton Corbijn, would be released in theatres for one night only, 21 November 2019.[115] It was released on CD, DVD and Blu-ray under the title LiVE SPiRiTS on 26 June 2020.

On 7 November 2020, the band were inducted into the Rock and Roll Hall of Fame.[116]

Fletcher's death and Memento Mori (2022–present)

Script error: No such module "Labelled list hatnote". On 26 May 2022, Andy Fletcher died, aged 60, after suffering an aortic dissection while at home. His bandmates Gahan and Gore stated, "we are shocked and filled with overwhelming sadness with the untimely passing of our dear friend, family member and bandmate Andy 'Fletch' Fletcher." Former Depeche Mode member Alan Wilder stated that learning of Fletcher's death was "a real bolt from the blue."[117][118]

Prior to Fletcher's death, Gahan said: "There's a ton of stuff that we've done with Depeche Mode that I'm really proud of. I think that's come with time and age. Martin put out a record last year which I really liked. I actually bought a copy because it wouldn't feel right otherwise. I know he's been pottering away in his studio as well, so I guess at some point next year we'll get together. Hopefully at least to just have a chat about what we both feel like we could move forward with."[119]

File:Depeche Mode Oct 4 2022 (2).jpg
Gore (left) and Gahan (centre) announcing their upcoming album, at a press conference in Berlin

On 15 August 2022, the social media accounts for Depeche Mode posted a photo of Gahan and Gore in a recording studio, with them tweeting, "finding stability in what we know and love, and focusing on what gives life meaning and purpose", which magazines like NME suggested was a hint at work on a new studio album.[120][121]

On 4 October 2022, Depeche Mode announced their fifteenth studio album Memento Mori and a tour to support the album which started on 23 March 2023;[122] the 23 March 2023 concert, which was held in the Golden 1 Center in Sacramento, California, would also mark Depeche Mode first performance in the United States in five years.[123] The tour, which consisted of 112 shows, concluded on April 8, 2024.[124]

The first single, "Ghosts Again", released on 9 February 2023, was co-written by Richard Butler of the Psychedelic Furs.[125][126] It received relative success in the UK, charting at No. 14. "Ghosts Again" had widespread success in the US, charting in the top 10 of 3 Billboard charts. Reaching number 2 on the Adult Alternative Songs chart, Gahan said it "captures this perfect balance of melancholy and joy", while Gore said it has "such an upbeat feel to it" and how rare it is for the band to record a song that "I just don't get sick of listening to."

The band stated that work on the album began during the COVID-19 pandemic in 2020.[127][128] Gahan and Gore said they would send each other ideas for songs, for example Gahan said, "I played guitar and sort of sang on my iPhone", while Gore "sent it back with his angelic voice."[122] They also stated that they would be working with James Ford once again as producer along with Marta Salogni mixing for the album.[129][130]

Depeche Mode: M, a documentary film chronicling the band's three concerts in Mexico City which were held in September 2023 during the Memento Mori World Tour, would be theatrically released on October 28, 2025.[131][132]

Musical style and influences

Clarke was turned onto electronic music by the band Orchestral Manoeuvres in the Dark (OMD), without whom, he said, Depeche Mode would never have existed.[133][134] Gore affirmed OMD's influence while they served as support on the Music for the Masses Tour in 1988.[135] In a later interview, Gore explained his early objectives for Depeche Mode, saying, "My dream was to combine the emotion of Neil Young or John Lennon transmitted by Kraftwerk's synthesisers. Soul music played by electronic instruments."[136] Fletcher mentioned influences including the late 1970s punk rock scene, the post-punk bands Siouxsie and the Banshees and the Cure, and electronic group the Human League.[137] Band members have also cited David Bowie, the Clash,[138] Roxy Music and Brian Eno,[139] Elvis Presley, the Velvet Underground,[140] Fad Gadget,[141] Suicide,[142] and the blues.[143]

Depeche Mode were considered a teen pop group during their early period in the UK, and interviewed in teen pop magazines such as Smash Hits.[144][145] Following the departure of Clarke, their music began to take on a darker tone, establishing a darker sound in the band's music, as Gore assumed lead songwriting duties.[146] Gore's lyrics include themes such as sex, religion, and politics.[147] Gore has stated he feels lyrical themes which tackle issues related to solitude and loneliness are a better representation of reality, whereas he finds "happy songs" fake and unrealistic.[148] At the same time, he asserts that the group's music contains "an element of hope".[149]

The band had several rules that they stuck with over the course of many of their albums, including "no presets", "no chords", and "no hi-hats".[150] For example, they had to assemble chords out of separate monophonic parts.[150] Once they started adding samples to their music in 1982, they had rules regarding the use of samples: all samples must be original, and no sample could be used twice.Template:Sfn Generally, they stuck to these rules, although almost every rule was broken at least once.[150] An example of a exceptions were their re-use of a tom drum sample on both "Stripped" (1986) and "Never Let Me Down Again" (1987), and the hi-hat sound on the song "Nothing", although it was actually an (original) sample of the sound of a pneumatic bus door closing.[150] Producer David Bascombe, who worked with the band on Music for the Masses, explained that these rules helped shape the band's unique sound.[150]

Depeche Mode's music has been variously described as synth-pop,[2][86][146][151] alternative dance,[152] alternative rock,[146] dance-rock,[153][154] dark wave,[155][156] EDM,[157] electronic rock,[158][159][160][161] industrial,[157] new wave,[92][162] pop rock[163] and post-punk.[164] The band have also experimented with other genres throughout their career, including avant-garde, electronica, pop, soul, techno, industrial rock, heavy metal[165] and bossa nova.Template:Sfn

Legacy

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File:Depeche Mode (8589071357).jpg
Depeche Mode in 2013

Depeche Mode have released a total of 15 studio albums, 10 compilation albums, six live albums, eight box sets, 13 video albums, 71 music videos, and 54 singles. They have sold over 100 million records and played live to more than 35 million fans worldwide. The band has had 50 songs in the UK singles chart, and one US and two UK number-one albums.[166] In addition, all of their studio albums have reached the UK Top 10 and their albums have spent over 210 weeks on the UK Charts.[27] Along with the Red Hot Chili Peppers and U2, Depeche Mode are one of three acts that have charted at least once on the Billboard Alternative Airplay chart in every decade since its debut in 1988.[167][168]

In 2006, American music critic Sasha Frere-Jones stated that "the last serious English influence was Depeche Mode, who seem more and more significant as time passes."[169] Depeche Mode's releases have been nominated for five Grammy Awards: Devotional for Best Long Form Music Video; "I Feel Loved" and "Suffer Well", both for Best Dance Recording; Sounds of the Universe for Best Alternative Album; and "Wrong" for Best Short Form Music Video. In addition, Depeche Mode have been honoured with a Brit Award for "Enjoy the Silence" in the Best British Single category, the first-ever Q Innovation Award, and an Ivor Novello Award for Martin Gore in the category of International Achievement.

Depeche Mode were called "the most popular electronic band the world has ever known" by Q,[170] "one of the greatest British pop groups of all time" by The Sunday Telegraph,[171] and "the quintessential eighties techno-pop band" by Rolling Stone and AllMusic.[151][2] They were ranked No. 2 on Electronic Music Realm's list of The 100 Greatest Artists of Electronic Music,[172]Template:Importance inline and Q included them on their list of "50 bands that changed the world".[5]

Other musicians have stated their admiration for Depeche Mode. In an interview in 2009, Simple Minds lead singer Jim Kerr argued that Depeche Mode and U2 were the only contemporaries of his band which could be said to have "stayed constantly relevant".[173] Muse's Matt Bellamy said, "They had their own thing, their own style, own sound. I respect them very much."[174] During Depeche Mode's induction into the Rock and Roll Hall of Fame, Coldplay's Chris Martin remarked, "sonically, they were and are about throwing away all the rulebooks." Arcade Fire's Win Butler added, "I feel like their music still sounds like it could come out 20 years from now. Depeche were able to take that spirit and spread it, which is really kind of a sacred responsibility."[116][175]

On December 13, 2023, Los Angeles city council member Monica Rodriguez, officially declared December 13th as "Depeche Mode Day" in the city of Los Angeles. Dave Gahan and Martin Gore were present as they were honored in a public ceremony held at Los Angeles City Hall.[176]

Influence

Many major artists have cited the band as an influence, including: Arcade Fire,[177] the Killers,[178][179] Nine Inch Nails,[146] Chvrches,[180] the Smashing Pumpkins,[181] Coldplay,[178] Muse,[178] Metric,[182] No Doubt,[183] A Perfect Circle,[184] Marilyn Manson,[185] Linkin Park,[186][187] the Crystal Method,[188] Fear Factory,[189] La Roux,[190] Gotye,[191] Rammstein,[185][192] a-ha,[193] Tegan and Sara[194] and Paul van Dyk.[195] Depeche Mode contemporaries Pet Shop Boys,[196] Tears for Fears[197] and Gary Numan[198] have also cited the band as an influence. Colombian singer Shakira described "Enjoy the Silence" as the song that first sparked her passion for pop music.[199]

The dark themes and moods of Depeche Mode's lyrics and music have been enjoyed by several heavy metal artists, and the band influenced acts such as Marilyn Manson and Deftones.[185] Trent Reznor of Nine Inch Nails also cited Depeche Mode, in particular their 1986 album Black Celebration, as a major influence on his beginnings.[146] They have also been named as an influence on Detroit techno[146] and indie rock.[200]

Philanthropy

Early in their career, Depeche Mode were dismissive of benefit concerts such as Live Aid. Gore stated, "If these bands really care so much, they should just donate the money and let that be it. Why can't they do it without all the surrounding hype?".Template:Sfn

Since 2010, the band have applied their celebrity and cultural longevity to help promote and raise funds for several notable charity endeavours. They lent their support to high-profile charities such as MusiCares, Cancer Research UK and the Teenage Cancer Trust. The band has also supported the Small Steps Project, a humanitarian organization based in the UK, aiming to assist economically disadvantaged children into education.[201] They have partnered with Swiss watchmaker Hublot to support Charity: Water, aimed at the provision of clean drinking water in developing countries.[202] Such collaboration led to the release of two different limited edition watches, the Hublot Big Bang Depeche Mode in 2017 and The Singles Limited Edition series based from the Big Bang model in 2018. The proceeds helped raise $1.7 million for Charity: Water.[203] In 2014, the partnership hosted a gala and fundraiser at the TsUM building in Moscow, raising $1.4 million for the charity.[204]

Band members

Current members

Touring musicians

Former members

Former touring musicians

Timeline

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Touring members timeline

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Discography

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Studio albums

Awards and nominations

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Tours

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Template:Div col end

See also

Notes

Template:Notelist

References

Template:Reflist

Bibliography

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Further reading

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External links

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  137. Fletcher cites a number of artists as influential on the early musical endeavours of himself, Clarke and Gore, subsequently noting that this confluence of sounds would "translate" into Depeche Mode:
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