Vilma Bánky

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Vilma Bánky (born Vilma Koncsics;[1] 9 January 1901 – 18 March 1991) was a Hungarian-American silent film actress. Although her acting career began in Budapest, and she later worked in France, Austria, and Germany, Bánky was best known for her roles in the American films The Eagle and The Son of the Sheik with Rudolph Valentino, and for several romantic teamings with Ronald Colman.

Early life

Bánky was born on 9 January 1901 (although some sources inaccurately cite her birth year as 1898 or 1903)[1] to János Bánky Koncsics and Katalin Ulbert, in Nagydorog, Austria-Hungary. Her father was a bureau chief in Franz Joseph's Austro-Hungarian Empire. Shortly after her birth, her father, a police sergeant,Script error: No such module "Unsubst". was transferred to Budapest, and the family relocated. She had two siblings – an older brother, Gyula (AKA Viktor Bánky), and a younger sister, Gizella (Gizi). After graduation from secondary school, Bánky (as she would later be known) took courses to work as a stenographer, but was offered a role in a film.[2]

Career

File:The Dark Angel (SAYRE 14173).jpg
Photo from The Dark Angel, 1925

She was hailed as "The Hungarian Rhapsody" and was an immediate hit with American audiences. The New York Times remarked in its review of her first American film, The Dark Angel (1925), that she "is a young person of rare beauty ... so exquisite that one is not in the least surprised that she is never forgotten by Hillary Trent"[3] (the movie's leading male character who decides to allow his family and fiancée to believe him dead rather than place what he perceives as the burden on them of a life caring for a blinded war veteran).

File:Vilmabanky33276u 3.jpg
Vilma Bánky, 1920s

She appeared opposite silent film star Rudolph Valentino in The Eagle (1925) and The Son of the Sheik (1926). Valentino reportedly was fascinated by Vilma, and chose her as the leading lady in the films. She also appeared opposite Ronald Colman in a series of love stories, including The Dark Angel and The Winning of Barbara Worth. It is commonly believed that her thick Hungarian accent led, with the advent of sound, to her career being cut short; however, she began losing interest in films and wanted to settle down with Rod La Rocque and simply be his wife. In 1930, she announced her retirement.[4] She came out of retirement briefly in 1933 to star in The Rebel with Luis Trenker.

Of her 24 films, eight exist in their entirety (Hotel Potemkin, Der Zirkuskönig (The King of the Circus) with Max Linder, The Son of the Sheik, The Eagle, The Winning of Barbara Worth, The Night of Love, A Lady to Love, and The Rebel), and three exist in fragments (Tavaszi szerelem in scattered bits, the first five reels of The Magic Flame, and an incomplete copy of Two Lovers).Script error: No such module "Unsubst".

Personal life and death

File:Vilma Bánky, Rod La Rocque-no watermark.jpg
Bánky and husband Rod La Rocque in 1927

She married actor Rod La Rocque in 1927; they remained married until his death in 1969. She became an accomplished golfer, while La Rocque devoted his time to real estate. The couple had no children, but established the Banky-La Rocque Foundation to fund various educational and artistic endeavors, which donated millions well after Bánky died.[5]

Bánky died on 18 March 1991, from cardiopulmonary failure, aged 90, but notice of her death was not made public until the following year. She was reportedly upset that no one had come to visit her in her last years, and directed her lawyer to make no mention of her death.[5][6] While this is what was reported in the newspapers, she did in fact have many visitors. Her ashes were scattered at sea where her husband's had been consigned.Script error: No such module "Unsubst".

For her contributions to the film industry, Bánky received a motion picture star on the Hollywood Walk of Fame in 1960. Her star is located at 7021 Hollywood Boulevard.[7]

In popular culture

Filmography

Films
Year Title Role Notes
1919 Im letzten Augenblick
1921 Veszélyben a pokol Aurora
Tavaszi szerelem Vivian Alternative title: Spring Love; According to Hangosfilm.hu, a short fragment exists (Vándory) and in Pictures from the History of Hungarian Silent Film (1964)
Galatea Galathea Alternative title: Vita Nova
1922 Schattenkinder des Glücks Helen Blaas
Kauft Mariett-Aktien
Script error: No such module "Sort". Alternative title: Das Auge des Toten
1923 The Portrait Alternative title: L'image and Das Bildnis
1924 Script error: No such module "Sort". Mabel Alternative title: Hotel Potemkin
Script error: No such module "Sort". Alternative title: Das Leben des Dalai Lama
Script error: No such module "Sort". Ketty Alternative title: King of the Circus
The Wonderful Adventure Bessy Ferguson Alternative title: Das schöne Abenteuer
1925 Script error: No such module "Sort". Kitty Vane
Soll man heiraten? Alternative title: Intermezzo einer Ehe in sieben Tagen or Should One Marry?
Script error: No such module "Sort". Miss Mascha Troekouroff Credited as Vilma Banky
1926 Son of the Sheik Yasmin, André's Daughter Credited as Vilma Banky
Script error: No such module "Sort". Barbara Worth
1927 Script error: No such module "Sort". Princess Marie
The Magic Flame Bianca, the Aerial Artist Lost film, although the first five reels are rumored to exist
Script error: No such module "Sort". Alternative title: The Lady from Paris
1928 Two Lovers Donna Leonora de Vargas Incomplete film
Script error: No such module "Sort". Marie Ducrot Lost film
1929 This Is Heaven Eva Petrie
1930 A Lady to Love Lena Shultz
Script error: No such module "Sort". Mizzi
1933 Script error: No such module "Sort". Erika Leroy

Bibliography

  • Schildgen, Rachel A. More Than a Dream: Rediscovering the Life & Films of Vilma Banky; Template:ISBN.

References

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  1. a b Hungarian civil registration document from Nagydorog, available through LDS records; film number 1793002 Items 4–5
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  3. The New York Times Directory of Film, 'The Dark Angel' film review by Mordaunt Hall, 12 October 1925, p. 17, Arno Press and Random House, USA, 1971
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External links

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