Talk:Babur

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Latest comment: 20 June 2025 by Alaexis in topic Request for comment on lead image for Babur
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Most Powerful.

@Noorullah21 The second source does say that he was the most powerful king in the region. I'll wait for the answer. 𝐀𝐃𝐈𝐈𝐈𝐓𝐘𝐀 ♘♞ 13:17, 29 January 2025 (UTC)Reply

I think that source should be removed, it's from the 1910's. See WP:RAJ and/or WP:AGEMATTERS. Otherwise, do the other sources corroborate it? Noorullah (talk) 15:45, 29 January 2025 (UTC)Reply
Alright 👍 𝐀𝐃𝐈𝐈𝐈𝐓𝐘𝐀 ♘♞ 06:22, 30 January 2025 (UTC)Reply

Request for comment on lead image for Babur

User:ClueBot III/DoNotArchiveUntil Script error: No such module "Unsubst". Which of these two paintings (1:British Museum, 2:Smithsonian) would be more appropriate as the lead image for the article on Babur (1483–1530), the Turco-Mongol founder of the Mughal Empire? पाटलिपुत्र (Pataliputra) (talk) 13:17, 12 June 2025 (UTC) Script error: No such module "Multiple image". पाटलिपुत्र (Pataliputra) (talk) 13:17, 12 June 2025 (UTC)Reply

Discussion

  • The Second painting (Smithsonian) is more appropriate in my opinion (as the nominator). Rationale:
1) The first painting (British Museum) (c.1605-10) is often presented as a depiction of Babur ("Portrait of the Mughal emperor Babur" British Museum), but often with many caveats:
a) It is considered as an "idealized portrait" (British Museum), and is an orphaned miniature from an unknown work, an "album leaf" (Mughal Miniatures, p.56, image 31).
b) Attribution is disputed: the identification with Babur is sometimes considered as "speculative", through an undated inscription in the margin, and the person in the painting is sometimes only identified as a "seated Prince in Persian costume": "Seated Prince in Persian costume, reading. Speculatively identified in the margin as Bābur" (Mughal Miniatures, p.56, image 31) "Marginal inscription identifies figure as 'Shah Babur'" (British Museum)
c) The pose (man on a chair, cross-legged, reading a book), the costume and throne are Persian, rather than Mughal: "Seated prince in Persian costume, reading." (Mughal Miniatures, p.56), "The Emperor's pose, costume and throne follows a Persian model" (The Indian heritage, Item 38), "The style of costume and the turban are Persian" (Paintings from the Muslim courts of India, p.66 item 102) "An Iranian-inspired Indian picture from the seventeenth century, of the first Mughal Emperor Babur, dressed in seventeeth century Iranian clothing and sitting in a chair reading a book with visible text, one foot free of its slipper and resting on the other knee" p.333, note 153
d) The style of the painting itself is Persian: "If the painting is not by Aqā Rizā himself, it is characteristic of the contemporary Persian style which he introduced." (Paintings from the Muslim courts of India, p.66 item 102)
e) The scene (cross-legged, reading a book in slippers) might not be the best to convey the regalian attributes of an emperor...
2) On the contrary, the second painting (Smithsonian) (c.1640), belongs to a well-known Mughal album (Late Shah Jahan Album), commissioned by a descendant of Babur (Shah Jahan).[1] It is characteristically Mughal in style (clothing, posture) and quite consistent with other known Mughal depictions of Babur:
a) It is a standard painting of Babur by the Mughal court, from the Late Shah Jahan Album, painted c. 1640 by commission of Babur’s great-great-grandson, Shah Jahan. (Smithsonian, "Babur and Humayun with Courtiers, from the Late Shah Jahan Album"[2]). It is often referenced ([3][4][5][6]...). Also in the same style: Louvre Museum [1]↗
b) The painting is consistent in iconography and style with other known Mughal depictions of Babur (see Paintings of Babur), particularly the numerous depictions of Babur from the Baburnama (1589-1595), commissioned by his grandson Akbar: [1]↗ [2]↗ [3]↗ [4]↗
c) It is one of the finest depictions of Babur from a secure Mughal work, in which he appears in a regalian posture.
3) For reference, no contemporary portraits of Babur have reached us [7], but several contemporary (life-time) portraits of his sons are known: Humayun: [1]↗[2]↗, Hindal: [3]↗
So, I would argue that the second painting is likely more authentic (commissioned by his own family) and more representative of typical Mughal depictions of Babur. This documented Mughal-style painting is arguably preferable to the "seated prince in Persian costume" with disputed attribution, as a representative image of Babur. पाटलिपुत्र (Pataliputra) (talk) 13:18, 12 June 2025 (UTC)Reply

Semi-protected edit request on 15 June 2025

Script error: No such module "protected edit request". The translation from Turkic is partially incorrect. I therefore request correcting the translation of this verse in the section ‘Poetry’:


Change the following: I am become a desert wanderer for Islam, Having joined battle with infidels and Hindus I readied myself to become a martyr, God be thanked I am become a ghazi.

I am become a desert wanderer for Islam, Having joined battle with infidels and Hindus I readied myself to become a martyr, God be thanked I am become a ghazi.

to this:

Islam ichin avara-i yazi buldim, Kuffar u hind harbsazi buldim Jazm aylab idim uzni shahid olmaqqa, Amminna' lillahi ki gazi buldim

For Islam’s sake I wandered barren wastes; Against unbelievers and the land of Hind I mustered force. Having vowed to make myself a martyr, By God’s leave I took up the sword as a ghazi. 81.102.51.203 (talk) 08:32, 15 June 2025 (UTC)Reply