Potpourri (P-Model album)
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Potpourri is the third album of Japanese band P-Model.
Overview
On the year of Landsale's release, the synthpop boom was reaching critical mass. Bandleader Susumu Hirasawa, feeling the group was in a state of crisis, distanced P-Model from the genre, trying to drive trend followers through rebellious episodes, and replacing their colorful clothing and equipment for a muted getup (black, white, gray and blue). At one concert, a leaflet titled "The Point of Coming to a Concert" was distributed while Landsale was looped endlessly through the PA system; the band did not play until the concertgoers started an uproar which led to a backlash against the band.[1]
Bassist Katsuhiko Akiyama's creative position was in an opposite direction to where Hirasawa wanted to take P-Model, so he was fired from the band, and his songs were not played anymore. He was replaced by high school sophomore Tatsuya Kikuchi, a student of Hirasawa's at the Yamaha Synthesizer School. Kikuchi did not formally join the band while Potpourri was being recorded, leading Hirasawa and keyboardist Yasumi Tanaka to play bass parts on the album, each doing the songs they wrote.[2]
Potpourri has a harsher and more off-putting sound than previous albums, with P-Model employing different instruments and experimental recording techniques. Guitar is more prominent than the keyboard-centric albums from before, leaving synthesizers to go almost unused. Hirasawa incorporates greater antagonism into his vocals, sometimes to the point of screaming them.
The album alienated P-Model's fanbase, leaving only a core audience that would persist with Hirasawa throughout his career.
Track listing
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In all releases of the album, the titles with Japanese characters listed are rendered only in them, except for the title track which is rendered as "potpourri (ポプリ)".
Personnel
- P-Model – production, arrangements
- Susumu Hirasawa – vocals, guitar, bass (1–3, 6, 8, 10, 12–13)
- Yasumi Tanaka – Combo organ, synthesizer, bass (4–5, 9, 11), echo machine,[3] backing vocals
- Sadatoshi Tainaka – drums, cowbell, percussion, backing vocals
- Visual staff
- Yūichi Hirasawa (credited as "you. hirasawa") – art director
- Hōseki Hirasawa – calligraphy
- Api Yomiya – photography
- Hiroshi Akasaka – art coordinator
- Staff
- Makoto Furukawa – engineering, mixing
- Yukio Seto – A&R
- Kazuhiro Suzuki – production coordinator
- Model House – productive management
- special thanks to: Tatsuya Kikuchi, Masami Orimo
Release history
| Date | Label(s) | Format | Catalog | Notes |
|---|---|---|---|---|
| Script error: No such module "Date time".Script error: No such module "Check for unknown parameters". | Warner-Pioneer | LP | K-12005W | |
| CS | LKF-7025 | |||
| Script error: No such module "Date time".Script error: No such module "Check for unknown parameters". | Warner Music Japan | CD | WPCL-605 | Released (alongside In a Model Room and Landsale) a month before the release of P-Model. |
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Chaos Union, Teslakite | CHTE-0006 | Remastered by Hirasawa. Part of Disc 2 of the Ashu-on [Sound Subspecies] in the solar system box set, alongside parts of the "Dual Perspective" & "Exercises for the Heavenizer" series of songs from 1981 & 1982. Re-released with new packaging by Kiyoshi Inagaki. | |
| Script error: No such module "Date time".Script error: No such module "Check for unknown parameters". | Warner Music Japan, sky station, SS RECORDINGS | SS-103 | Packaged in a paper sleeve to replicate the original LP packaging. Includes new liner notes by music industry writer Dai Onojima. |
- The album's single was reissued on CD on a paper sleeve to replicate its original packaging with the band's other Warner-Pioneer released singles as part of the Tower Records exclusive Warner Years Singles Box box set in 2012.
See also
References
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