Partita
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Partita (also partie, partia, parthia, or parthie[1]) closely resemble the dance suites of the Baroque Period (and are often used synonymously with suites) with the addition of a prelude movement at the beginning of each partita.[2] It was originally the name for a single-instrumental piece of music (16th and 17th centuries), but Johann Kuhnau (Thomaskantor at Leipzig until 1722), his student Christoph Graupner, and Johann Sebastian Bach (1685–1750) used it for collections of musical pieces, as a synonym for suite. In the early Baroque period, a partita referred to a string of variations or a piece in parts that reflected different dances.[3]
Keyboard partitas
Girolamo Frescobaldi (1583–1643) wrote keyboard partitas as variations that were based on popular dance melodies of the early Baroque period such the Romannesca, La Monachina, Ruggiero, and La Follio.[3] Dietrich Buxtehude (1637–1707) and Johann Froberger (1616–1667) wrote dance suites (nineteen and thirty suites respectively). Buxtehude also wrote six sets of variations, later influencing Bach and his partitas.[4] Johann Kuhnau (1660–1722) wrote 14 suites that were called Partien (French partie, meaning 'part'). His ClavierÜbung I contained seven suites in the major keys C, D, E, F, G, A, and B-flat. His ClavierÜbung II contained seven suites in the minor keys C, D, E, F, G, A, and B. Each suite (partita) had an opening prelude. Kuhnau also wrote the partita (Italian) Sechs musicalische Partien in 1697.[2] Bach wrote six partitas for the keyboard, his first published work, in 1731, under the same title ClavierÜbung I, following Kuhnau, his predecessor as cantor at the Church of St. Thomas in Leipzig, Germany.[5]
The most prolific composer of partitas for harpsichord was Christoph Graupner (1683-1760), whose works in the form number 57. The first set was published in 1718 and dedicated to his patron Ernest Louis, Landgrave of Hesse-Darmstadt. The last of his partitas exist in manuscripts dated 1750. They are difficult and virtuosic pieces which exhibit an astonishing variety of musical styles.[6] Finished in 2016, Shoah for Solo Violin and Sacred Temple by Jorge Grundman (b. 1961) is the longest partita composed, lasting an hour and a half.
Johann Sebastian Bach
Bach's six keyboard partitas were described as having "greater freedom and expansion of form than in the suites."[7] One additional suite in B minor, the Overture in the French Style (often simply called French Overture) is sometimes also considered a partita.[8] As typical of keyboard partitas and dance suites, they were written in binary form with both A and B sections repeated. The A section modulates from the tonic to the dominant key, and the B section moves from the dominant back to the tonic. There are four main movements in a dance suite. The Allemande typically comes first and features running sixteenth notes. The Corrente (Corrante) is fast, beginning with the upbeat of a single note. The Sarabande follows, also beginning with an upbeat, and is set in triple meter. It is slow and emphasizes the second beat of each measure. The final movement, the Gigue, is very fast and often in fugal form.[7]
Bach's first partita (BWV 825) was written in the key of B-flat major and published in 1726. Its introductory movement was a Praeludium, and the partita contained an optional minuet. Partita No. 2 in C Minor, BWV 826 was published the following year along with Bach's third partita, beginning with a Sinfonia and including an optional rondeau. A fantasia begins Partita No. 3 in A Minor, BWV 827 and includes a burlesca and scherzo. Partita No. 4 in D Major, BWV 828 was published in 1728 included an optional minuet and aria (air) and began with an overture. Partita No. 5 in G Major, BWV 829 is introduced by a Preambulum and optionally includes a minuet and passapied. It was published in 1730 along with Bach's final keyboard partita, Partita No. 6 in E Minor, BWV 830, which begins with a Toccata and included a gavotte and aria (air).[3][7]
Additionally, Johann Sebastian Bach wrote the "Partita" in A minor for solo flute (BWV 1013) which takes the form of a suite of four dances, has been given the title "partita" by its modern editors; it is sometimes transposed for oboe. Bach also wrote three partitas for solo violin in 1720 which he paired with sonatas. (He titled each of them the German Partia, but they came to be called the Italian partita, which was introduced in the Bach Gesellschaft edition in 1879, being the more common term at the time.[9]) See also: Bach's chorale partitas for organ.
Examples
Listed by composer:
- Johann Paul von Westhoff: Partitas for solo violin
- Johann Sebastian Bach:
- Partita for Violin No. 1
- Partita for Violin No. 2 (1720)
- Partita for Violin No. 3
- Partita in A minor for solo flute
- Partita No. 1 in B-flat Major, BWV 825
- Partita No. 2 in C minor, BWV 826
- Partita No. 3 in A minor, BWV 827
- Partita No. 4 in D Major, BWV 828
- Partita No. 5 in G Major, BWV 829
- Partita No. 6 in E minor, BWV 830
- Christoph Graupner:
- Monatliche Clavier Früchte, GWV 109–120. 12 Partitas for Harpsichord (1722)
- 45 Partitas for Harpsichord (1718–1750)
- Franz Krommer:
- Luigi Dallapiccola: Partita for orchestra (1932)
- William Walton: Partita for Orchestra (1957)
- Krzysztof Penderecki: Partita for Harpsichord and Orchestra (1972)
- Caroline Shaw: Partita for 8 Voices (2012)
- Philip Glass:
- Partita for Double Bass (2015)
- kPartita No. 1 for Solo Cello, "Songs and Poems"
- Partita No. 2 for Solo Cello
- Jorge Grundman:
- Shoah for Solo Violin and Sacred Temple (2016)
- Stephen Hough: Partita for piano (2019)
Audio files
References
External links
- https://web.archive.org/web/20060716075418/http://www.jsbach.org/bwvs800.html contains the BWV listing including the Partitas (with their tonalities).
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- ↑ Oswald Bill And Christoph (editors), Christoph Graupner : Thematisches Verzeichnis der musikalischen Werke (1683–1760), Stuttgart: Carus-Verlag, 2005. Template:ISBN
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- ↑ Philipp Spitta, Johann Sebastian Bach: his work and influence on the music of Germany, 1685–1750, Volume 3 (Novello and company, limited, 1899) p. 156.
- ↑ Ledbetter, David. Unaccompanied Bach, Performing the Solo Works. New Haven and London: Yale University Press, 2009.