María Teresa Vera
Template:Short description Template:Use mdy dates Script error: No such module "Infobox".Template:Template otherScript error: No such module "Check for unknown parameters". María Teresa Vera (FebruaryScript error: No such module "String".6, 1895Template:SndDecemberScript error: No such module "String".17, 1965) was a Cuban singer, guitarist and composer. She was an outstanding example of the Cuban trova movement.[1]
Career
She started her career as a singer in 1911 in a theater where she sang the criolla Mercedes of Manuel Corona. Her first guitar teacher was the cigar-roller José Díaz. Manuel Corona continued her musical education by explaining such things as the different methods for first and second guitar, and eventually taught her his compositions.
She formed a duo with Rafael Zequeira from 1916 until 1924 when he fell ill and died. They made over a hundred recordings together in New York, most of which have not survived. Then she met Carlos Godinez, a composer, who taught her more about the guitar; the friendship lasted until his death in 1950.
She then formed the Sexteto Occidente in 1925 with Miguel García as first voice, clavé and Director (because he knew most about music), Ignacio Piñeiro on double bass, Julio Torres Biart on tres, Manuel Reinoso on bongo and Francisco Sánchez on maracas. They were a group of talented musicians who would have sparkling careers.[2]
She joined Lorenzo Hierrezuelo as a duo in 1935, and this duo lasted for 27 years. For much of this time Hierrezuelo ran his duo with Vera alongside his partnership with Company Segundo (Francisco Repilado), as the duo Los Compadres.
One of her best compositions, the habanera Veinte años,[3] has been performed by a number of Cuban artists; Sólo pienso en ti, a bolero–son, is also well-known. In 1945 she was contracted to Circuito CMQ for the radio program Cosas de Ayer. In the 1950s, she appeared in the TV program El Casino de la Alegría and in the 1960s she received public tributes on her retirement in 1962.
Opinions of her
In his biography Jorge Calderón gives the opinions of 32 Cuban composers and musicians on her career. Silvio Rodríguez said of her:
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Her voice was without vibrato, dry; hitting the notes, only prolonging a note so as to slide from one tone to another, which gave [her voice] a grace, or, much better, a singular character. Her production seemed nonchalant, natural, colloquialScript error: No such module "String".... Always there were variations on the original melody, [since] she was always interpreting [the piece] creatively.
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Pablo Milanés contented himself with saying "María Teresa is for me the embodiment of Cuban song."[4]
María Teresa Linares, the musicologist, said of her and Hierrezuelo:[5]
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I believe the most important period [for them] was their 27 years as a duet, Lorenzo on first guitar, Vera on second. Hierrezuelo's voice was at its bestScript error: No such module "String".... [and] María Teresa's voice was unrivaled at the time. The quality of their appoggiaturas, adornments, refinements, and their interpretationScript error: No such module "String".... reached its highest point. All in all, it was the most sublime expression of the Cuban song.
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back: María Teresa Vera (guitar), Ignacio Piñeiro (double bass), Julio Torres Biart (tres); front: Miguelito Garcia (clavé), Manuel Reinoso (bongó) and Francisco Sánchez (maracas)
Tribute
On February 6, 2020, Google celebrated her 125th birthday with a Google Doodle.[6]
References
- ↑ Calderon, Jorge 1983. Maria Teresa Vera. La Habana.
- ↑ Tumbao TCD-087 Sexteto Occidente: Yo no tumbo caña liner notes
- ↑ a bolero–son in the arrangement by Antonio María Romeu
- ↑ Calderon, Jorge 1983. Maria Teresa Vera. Opinions on pages 110–143; Rodrigues on p137. La Habana.
- ↑ Ma. Teresa Linares in liner notes to CD NubeNegra INT 3193 2 A María Teresa Vera.
- ↑ Script error: No such module "citation/CS1".
External links
- Pages with script errors
- Pages using infobox musical artist with associated acts
- Pages with broken file links
- 1895 births
- 1965 deaths
- Cuban guitarists
- Cuban women guitarists
- Cuban songwriters
- Cuban women songwriters
- Cuban Santeríans
- Musicians from Havana
- 20th-century Cuban guitarists
- 20th-century Cuban women singers
- 20th-century women composers
- Women in Latin music
- 20th-century women guitarists