List of musical works in unusual time signatures

Template:Short description Template:Use dmy dates Template:Multiple issues This is a list of musical compositions or pieces of music that have unusual time signatures. "Unusual" is here defined to be any time signature other than simple time signatures with top numerals of 2, 3, or 4 and bottom numerals of 2, 4, or 8, and compound time signatures with top numerals of 6, 9, or 12 and bottom numerals 4, 8, or 16.

The conventions of musical notation typically allow for more than one written representation of a particular piece. The chosen time signature largely depends upon musical context, personal taste of the composer or transcriber, and the graphic layout on the written page. Frequently, published editions were written in a specific time signature to visually signify the tempo for slow movements in symphonies, sonatas, and concerti.

A perfectly consistent unusual metrical pattern may be notated in a more familiar time signature that does not correspond to it. For example, the Passacaglia from Britten's opera Peter Grimes consists of variations over a recurring bass line eleven beats in length but is notated in ordinary Template:Time signature time, with each variation lasting 2+3⁄4 bars, and therefore commencing each time one crotchet earlier in the bar than the preceding one.Template:Sfn Template:TOC limit

Upper number of 1

Template:Time signature

• Enigma Variations by Edward Elgar, in Variation VII.
• Entr'actes and Sappho Fragments by Harrison Birtwistle.
• Leopardi Fragments by Peter Maxwell Davies.
• Mixtur by Karlheinz Stockhausen.
• Pli selon pli by Pierre Boulez, in the third movement.
• Rhythmicana by Henry Cowell, for the entire first two movements.
• String Quartet No. 2 by Easley Blackwood Jr.
• Symphony No. 2 by Alexander Borodin. Movement II is in Prestissimo Template:Time signature, except for the trio section, which is in Allegretto Template:Time signature.

Template:Time signature

• Air - Homage to Sibelius by Thomas Adès.
• Appalachian Spring, by Aaron Copland, at the third bar of rehearsal 46 and the third bar of rehearsal 48.
• Apaisement, Op. 13 No. 1, by Ernest Chausson.
• Canon with Sustained Notes, No. 60 from Mikrokosmos by Béla Bartók, in one measure.
• Carmina Burana by Carl Orff, in some bars of some movements.
• Decet for wind instruments, Op. 14, by George Enescu, at bar 240 of the third movement (fifth bar before rehearsal number 42).
• Fünf Klavierstücke, Op. 23 by Arnold Schoenberg, at bar 9 of the second piece.
• 3 Gesänge aus 'Viae Inviae', Op. 23, by Anton Webern, in some parts of the second song.
• Káťa Kabanová, by Leoš Janáček, for some measures in Act III between rehearsal numbers 5 and 8.
• La Langeur, from Le follie francaise ou les dominos from Pièces de Clavecin by François Couperin.
• Mladi by Leoš Janáček, at measure 68 of the second movement.
• 8 Nocturnes, FP 56 by Francis Poulenc, at bar 27 of No. 1.
• Piano Sonata, Op. 43, by Harry Farjeon for a few bars in the first movement.
• Piano Sonata No. 3, Op. 105, by Sigfrid Karg-Elert.
• Piano Sonata No. 5, Op. 53, by Alexander Scriabin, at bars 251 to 262 (Presto giocoso).
• Pli selon pli by Pierre Boulez, in the fifth movement.
• Quartet, Op. 22, by Anton Webern, in many bars of the second movement.
• Rapsodie nègre by Francis Poulenc, for some bars in the third movement, "Honoloulou".
• String Quartet No. 1, by Béla Bartók, in bars 3, 10, and 22 of the third movement.
• Symphony No. 1, by Edward Elgar, in the second movement.
• Symphony No. 17 in GTemplate:Music minor by Nikolay Myaskovsky, in many parts of the first movement.

Template:Time signature

• Adagio 1972 by Kyle Gann, in measure 66.
• Alcancías by Silvestre Revueltas, in the second movement, for some bars between rehearsal marks 24 and 32.
• Carmina Burana by Carl Orff, in the movement Swaz hie gat umbe.
• Clarinet Sonata by Andrew Violette, at measure 97 of the first movement.
• Concerto for Piano and Wind Instruments by Igor Stravinsky, just before rehearsal mark 83.
• The Death of the Hired Man by Andrew Violette.
• Divided Arpeggios, No. 143 from Mikrokosmos by Béla Bartók, for one bar, but incorrectly written as Template:Time signature.
• "Etincelles," the first movement of Suite Bizarre by Joseph Achron.
• "The Eynsham Poacher", a traditional song; in the arrangement by Dave Pegg, most of the tune is in Template:Time signature, but the finale includes one bar of Template:Time signature.
• Fantasy on Themes from Mozart's Figaro and Don Giovanni, S. 697, by Franz Liszt and completed by Leslie Howard. Bar 431/427 is in Template:Time signature time.
• Fleurs mélodiques des Alpes, the second part of Franz Liszt's Album d'un voyageur, S. 156, in one section of the sixth piece (S. 156/13).
• Valse à capriccio sur deux motifs de Lucia et Parisina, S. 401, written by Franz Liszt, contains a section in Template:Time signature time in the right hand.
• Hovenweep by Kyle Gann, in bar 116.
• How Miraculous Things Happen by Kyle Gann, in bar 109.
• Hyperchromatica by Kyle Gann, in the movements Futility Row, Delta Oracle, and Galactic Jamboree.
• Iberia by Isaac Albéniz, in the movement Jerez.
• Lonely Child (1980) by Claude Vivier, at bar 56.
• Mädchentotenlieder, by Bo Nilsson, in many bars.
• Metastaseis, by Iannis Xenakis, in the first 103 bars.
• Metropolis Part 1: The Miracle and the Sleeper, by Dream Theater, at the third bar of rehearsal R.
• On an Overgrown Path, by Leoš Janáček, for some bars in the sixth, tenth, and eleventh movements.
• Petrushka by Igor Stravinsky, for the bar before rehearsal 17.
• Piano Concerto No. 2 by Sergei Prokofiev, in two measures in the second movement.
• Piano Sonata by Béla Bartók, in the third movement.
• Piano Sonata no. 2 by Roger Sessions, at measure 178.
• Piano Sonata No. 3 by Carlos Chávez, in six bars of the first movement.
• The first version of Piano Sonata No. 5 by Sergei Prokofiev, for one measure in the third movement.
• Pli selon pli by Pierre Boulez, in all movements except the fourth.
• Tzigane by Maurice Ravel, in four measures, the first of which is right before rehearsal 27.
• Zipangu (1980) by Claude Vivier in several measures.

Template:Time signature

• Alchymia by Thomas Adès has a measure of Template:Time signature+Template:Time signature.
• Amor dammi quel fazzolettino by Andrew Violette, for one measure in the left hand of the second piano part.
• Black Tea by Andrew Violette.
• 20 Caprices and Rhythmic Studies, by Émile Jaques-Dalcroze, in No. 9.
• Caprice Variations by George Rochberg, in variation 19.
• Carmina Burana by Carl Orff, in the movement Fortune plango vulnera.
• Charon by Richard Barrett, in bars 51 and 68.
• The Death of the Hired Man by Andrew Violette.
• Fantasy by Andrew Violette.
• Last Dance by Andrew Violette.
• Lincolnshire Posy by Percy Grainger, in the fifth movement, "Lord Melbourne".
• Lonely Child (1980) by Claude Vivier, in several measures.
• Mädchentotenlieder, by Bo Nilsson, at bar 53.
• A Nightmare to Remember, by Dream Theater, in bar 31.
• On an Overgrown Path, by Leoš Janáček, for two bars in the third movement.
• Piano Sonata No. 1 by Charles Wuorinen, at bar 84 of part 1.
• Piano Sonata no. 2 by Roger Sessions, at bar 223.
• Piano Sonata No. 3 by Carlos Chávez, at bar 165 of the second movement.
• Pli selon pli by Pierre Boulez, in the first and fourth movements.
• A próle do bébé, Book 2 by Heitor Villa-Lobos. The fifth piece, "O Cavalinho de páu" (The Little Wooden Horse), bar 68 is in Template:Time signatureTemplate:Time signature time.
• String Trio, Op. 20 by Anton Webern.
• Symphony No. 3 by Arnold Bax.

Template:Time signature

• Bicinium by Charles Wuorinen, at bars 49 and 82.
• Mädchentotenlieder, by Bo Nilsson, at bar 11.
• Piano Sonata no. 2 by Roger Sessions, at measure 257.

Template:Time signature

• Bicinium by Charles Wuorinen, at bars 9, 27, 56, and 69.
• Contrapunctus by Mark Andre.
• Mädchentotenlieder, by Bo Nilsson, in bar 9.
• Piano Sonata No. 1 by Charles Wuorinen, in bar 43 of part 1.

Template:Time signature

• "A Headache And A Sixty-Fourth", from Ron Jarzombek's album Solitarily Speaking of Theoretical Confinement, has a constant time signature pattern of Template:Time signature and Template:Time signature.

Upper number of 2

Template:Time signature

• Káťa Kabanová, by Leoš Janáček. Act II is in Template:Time signature from rehearsal number 20 to just before rehearsal number 24; act III is in Template:Time signature for four bars before rehearsal number 27 and six bars before rehearsal number 28, followed by a mixture of Template:Time signature and Template:Music between rehearsal numbers 28 and 29, and one bar before rehearsal number 36.
• 5 Motets by Peter Maxwell Davies.
• Partita No. 6 in E minor, BWV 830, by Johann Sebastian Bach. The last movement, a gigue, is in Template:Time signature in the Bischoff edition; however, the symbol File:Tempus perf prol min dim.svg (the mensuration sign for "tempus perfectum, prolatio minor, diminutum") appears in the first edition of 1731, and Template:Music = Template:Time signature in the autograph manuscript. This time signature is unusual for gigues, which are usually in Template:Time signature or Template:Time signature.
• Piano Sonata No. 3 by Sigfrid Karg-Elert, in one measure.
• Pli selon pli by Pierre Boulez, in the first and third movements.

Template:Time signature

• Bicinium by Charles Wuorinen, at bar 75.
• Comme le vent, first of the Douze études dans toutes les tons mineurs, Op. 39, by Charles-Valentin Alkan.
• Douze études pour Caisse-Claire by Jacques Delécluse, in some measures of the last piece.
• Pli selon pli by Pierre Boulez, in the first movement.
• Requiem Canticles by Igor Stravinsky, for the last measure of the Prelude.
• The Rite of Spring by Igor Stravinsky. Template:Time signature is used in the concluding "Sacrificial Dance".

<score sound="1"> { \new PianoStaff << \new Staff \relative c { \set Staff.midiInstrument = #"violin" \clef treble \tempo 8 = 126 \time 3/16 r16 <d c a fis d>\f-! r16\fermata | \time 2/16 r <d c a fis d>-! \time 3/16 r <d c a fis d>8-! | r16 <d c a fis d>8-! | \time 2/8 <d c a fis>16-! <e c bes g>->-![ <cis b aes f>-! <c a fis ees>-!] } \new Staff \relative c { \set Staff.midiInstrument = #"violin" \clef bass \time 3/16 d,16-! <bes ees,>-! r\fermata | \time 2/16 <d,, d,>-! <bes ees,>-! | \time 3/16 d16-! <ees cis>8-! | r16 <ees cis>8-! | \time 2/8 d16\sf-! <ees cis>-!->[ <d c>-! <d c>-!] } >> } </score>

• Sketch, Op. 1 No. 10, by Alexei Stanchinsky.

Template:Time signature

• Bicinium by Charles Wuorinen, at bar 47.

Upper number of 3

Template:Time signature

• Chaconne in D major by Samuel Capricornus.
• 5 Motets by Peter Maxwell Davies.
• "O Fortuna" from Carl Orff's Carmina Burana (first four bars).
• Passacaglia in D minor by Johann Philipp Krieger.
• Piano Sonata No. 3 by Sigfrid Karg-Elert, in one measure.
• Poème des Montagnes, Op. 15 by Vincent d'Indy, in the first and last movements.
• Rosary Sonatas, by Heinrich Ignaz Franz Biber, for part of No. 11.
• Symphony No. 3 by Camille Saint-Saëns, in two sections (a total of 22 bars) at the end of the finale.
• Symphony No. 4 by Charles Ives.
• "Um Mitternacht" by Gustav Mahler (Rückert-Lieder No. 5). Bar 27 is marked "Template:Time signature (Template:Time signature)".

Template:Time signature

• Abraham and Isaac by Igor Stravinsky.
• Apollo by Igor Stravinsky, near rehearsal mark 23.
• Bicinium by Charles Wuorinen, at bars 1, 6, 11, 18, 23, 40, 50, 54, 58, 74, and 83.

• Cantata No. 1 by Anton Webern, in the second movement.
• 20 Caprices and Rhythmic Studies, by Émile Jaques-Dalcroze, in No. 10.
• Concerto for Piano and Wind Instruments by Igor Stravinsky, after rehearsal mark 39.
• Concerto for Two Pianos by Igor Stravinsky, in the second movement.
• Concerto in E-flat by Igor Stravinsky has a measure of Template:Time signature+Template:Time signature a few measures after rehearsal mark 4.
• Donna Diana Overture, by Emil von Reznicek.
• Douze études pour Caisse-Claire by Jacques Delécluse, in some measures of the last piece.
• Hyperchromatica by Kyle Gann, in the movements Ride the Cosmos and Galactic Jamboree.
• Mädchentotenlieder, by Bo Nilsson, at bar 114.
• Piano Sonata No. 1 in C major, Op. 1, by Johannes Brahms. Movement II, bars 47–49 and 51–53.
• Piano Sonata No. 1 by Charles Wuorinen, at measure 29 of part 1.
• Pli selon pli by Pierre Boulez, in the first, second, and fourth movements.
• Requiem Canticles by Igor Stravinsky.
• The Rite of Spring by Igor Stravinsky, in the concluding "Sacrificial Dance".
• String Quartet, Op. 28, by Anton Webern in bars 40-41 and 44-51 of the third movement.
• String Trio, Op. 20 by Anton Webern.
• Symphonic Studies, Étude IX (first version) by Robert Schumann.
• Toccata, Op. 10, by Niels Viggo Bentzon, in a single measure.
• Variations for piano, Op. 27, by Anton Webern, movement I.

Template:Time signature

• Bicinium by Charles Wuorinen, at bars 5, 36–37, 39, 52, 65, 77, and 80.
• Contrapunctus by Mark Andre.
• Intrada, nebst burlesquer Suite, for two violins (the so-called "Gulliver Suite") by Georg Philipp Telemann. Movement II, "Lilliputsche Chaconne".
• Mädchentotenlieder, by Bo Nilsson, at bar 3.
• Piano Sonata No. 1 by Charles Wuorinen, at measure 13 of part 1.
• Pribaoutki by Igor Stravinsky, for bar 15 of the fourth piece, "Starets i zayats".
• String Quartet, Op. 28, by Anton Webern in bars 28-37 of the third movement.

Upper number of 4

Template:Time signature

• Carmina Burana by Carl Orff has a measure of Template:Time signature at the start of the movement Ecce gratum.

Template:Time signature

• 5 Motets by Peter Maxwell Davies.
• Pli selon pli by Pierre Boulez, in the third movement.
• Poème des Montagnes, Op. 15 by Vincent d'Indy, in the first and last movements.

Template:Time signature

• Abraham and Isaac by Igor Stravinsky.
• Bicinium by Charles Wuorinen, at bars 8 and 29.
• 20 Caprices and Rhythmic Studies, by Émile Jaques-Dalcroze, in No. 10.
• Le chant du rossignol by Igor Stravinsky, at the measure before rehearsal mark 37.
• Homenaje a Federico García Lorca by Silvestre Revueltas, for the entire first movement, "Baile" (Dance), except for one free-rhythm bar at the beginning and two at the end.
• Piano Sonata No. 1 in C major, Op. 1, by Johannes Brahms. Movement II, bars 46 and 50.
• Piano Sonata No. 3 in F minor, Op. 5, by Johannes Brahms. Movement II, bars 37–66 and 77–90.
• Pli selon pli by Pierre Boulez, in the first movement.
• Pribaoutki by Igor Stravinsky, for bar 16 of the fourth piece, "Starets i zayats".
• Requiem Canticles by Igor Stravinsky, for two measures near the end of the Prelude movement.
• The Rite of Spring by Igor Stravinsky, in the concluding "Sacrificial Dance".
• String Quartet, Op. 28, by Anton Webern, in bars 52 and 53 of the third movement.
• Variations on a Theme by Robert Schumann, Op. 9, by Johannes Brahms. Variation XI.

Template:Time signature

• Bicinium by Charles Wuorinen, at bars 38 and 42.

Upper number of 6

Template:Time signature

• Cantata No. 1 by Anton Webern, in the first movement.

• Carmina Burana by Carl Orff, in the movement Ave formossisima.
• Hyperchromatica by Kyle Gann, in the movement Liquid Mechanisms.
• Piano Sonata No. 1 by Charles Wuorinen, in its last two measures.
• Salvation is Created by Pavel Chesnokov is written without time signatures in the original Jurgenson edition, but the Choral Public Domain Library's edition adds more barlines as well as time signatures, and has two bars of Template:Time signature.
• Symphony No. 4 by Charles Ives, for bar 102 of the third movement.
• "Um Mitternacht" by Gustav Mahler (Rückert-Lieder No. 5). Bar 27 is marked "Template:Time signature (Template:Time signature)".

Template:Time signature

• Bicinium by Charles Wuorinen, at bar 45.
• Piano Sonata No. 1 by Charles Wuorinen, at measure 162 in part 1 (written Template:Time signature).

Upper number of 8

Note: Template:Time signature or Template:Time signature may refer to an evenly divided compound duple or quadruple meter. While this is arguably extremely common in music, the notations Template:Time signature and Template:Time signature themselves are not, so all divisions of this time signature are listed here

Template:Time signature

• Pli selon pli by Pierre Boulez, in the third movement.

Template:Time signature

• Carmina Burana by Carl Orff, in the movement Reie.

Template:Time signature

• A Choral Fantasia, Op. 51, by Gustav Holst, for bars 36–69, 142–148, 173–178, and 191–198.
• Agon by Igor Stravinsky, at measure 164.
• "All You Need Is Love" by the Beatles. The main verse pattern contains a total of 29 beats, split into two Template:Time signature measures, a single bar of Template:Time signature, followed by a one bar return of Template:Time signature before repeating the pattern.
• Chaconne by Andrew Violette, at measures 55 and 109.
• Custer and Sitting Bull by Kyle Gann, in measure 166 of part 3.
• "Damage Control" by John Petrucci has several bars in Template:Time signature.
• Happy Ending (for David Garland) by Kyle Gann, in several sections.
• Hyperchromatica by Kyle Gann, in the movements Delta Oracle, 2.7 Kelvin, and Liquid Mechanisms.
• "I Ejaculate Fire" by Dethklok. Bars 81, 83, 85, and 88 are in Template:Time signature.
• Lamentations and Consolations by Sergei Bortkiewicz, in some bars of Lamentation No. 1 and Consolation No. 4 (Sorrento).
• Lincoln, The Great Commoner by Charles Ives.
• Lonely Child (1980) by Claude Vivier has several measures of Template:Time signature (m. 143, 182 etc.).
• Mädchentotenlieder, by Bo Nilsson, at bar 73.
• Musica ricercata for piano, by György Ligeti, movement 2 (Mesto, rigido e cerimoniale) includes a single bar of Template:Time signature.
• L'Oeuvre d'orgue by Jehan Alain, in the first movement of the Suite and in the third of the Trois Danses.
• Piano Sonata by Béla Bartók, in three measures of the second movement.
• A próle do bébé No. 2ba, by Heitor Villa-Lobos, for one measure in the fourth movement.
• The Rite of Spring by Igor Stravinsky, in the tableau "Mysterious Games of the Maidens", the bar before rehearsal 99 is in Template:Time signature.
• De Staat by Louis Andriessen. Bars 686–87 are in Template:Time signature.
• String Quartet No. 2, Op. 36 (1945), by Benjamin Britten. Movement I, bars 3 and 12 after rehearsal K are in Template:Time signature.Template:Sfn
• Study No. 22 by Charles Ives, in measures 3-4 and 18–19.
• Symphony No. 3 by Peter Maxwell Davies. Movement I has two bars of Template:Time signature (divided Template:Serif) at rehearsal N.

Template:Time signature

• Bicinium by Charles Wuorinen, at bar 90.
• Cantata No. 1 by Anton Webern, at measure 51 in the third movement.
• 20 Caprices and Rhythmic Studies, by Émile Jaques-Dalcroze, in Nos. 3, 6, 8, 9, 11, 15, 19, and 20.
• Charon by Richard Barrett, in bars 8-14 and 67.
• Concertino by Igor Stravinsky, at rehearsal mark 14.
• Concerto for Orchestra by Béla Bartók. Movement IV has three bars of Template:Time signature in the strings at rehearsal 75.
• Diversions for Piano Left Hand and Orchestra by Benjamin Britten.
• Fancy Free by Leonard Bernstein. In the fourth number, "Pas de deux", bars 324–325, 355–357, 359–361 are in Template:Time signature.
• 36 Fugues, Op. 36 by Anton Reicha. No. 28 is in Template:Time signature.
• Hesapa ki Lakhota ki Thawapi by Kyle Gann, in several measures.
• Hovenweep by Kyle Gann, in bars 35, 37, and 42.
• Mikrokosmos by Béla Bartók.
  • No. 103, "Minor and Major," has two measures, the first grouped Template:Serif and the second as Template:Serif.
  • No. 140, "Free Variations," in some places.
  • No. 151, "Six Dances in Bulgarian Rhythm" 4, is in Template:Time signature.
  • No. 153, "Six Dances in Bulgarian Rhythm" 6, is in Template:Time signature.
• Music for Strings, Percussion, and Celesta by Béla Bartók.
  • Movement I, bars 1, 3, 5, 7, 9, 11, 13, 15, 19, 22, 26–27, 29, 38–40, 46, 53, 69, 71, 73, 75, 83, and 85 are in Template:Time signature
  • Movement IV, bars 204, 207, 210, 213 are in Template:Time signature.
• Petrushka by Igor Stravinsky. One bar before and five bars after rehearsal 4 superimposes a bar of Template:Time signature in piccolo 1 & 2, ob. 1 & 2, and trumpet 1, and piccolo 1 & 2, ob. 1–3, cornet 1 & trumpet 1, respectively against Template:Time signature in the rest of the orchestra.
• Piano Sonata No. 2 ("The Airplane"), by George Antheil. One of the bars is in Template:Time signature.
• Pli selon pli by Pierre Boulez, in the first movement.
• De Staat by Louis Andriessen. Bars 5, 8, 10, 12–16, 54–57, 83–84, 87–88, 582, 590, 602, 610, 612, 625, 630, 644, 647–48, 650, 663, 695, 707, 851, and 853 are in Template:Time signature.
• Symphony No. 1 by Gustav Mahler. In Movement IV, the bar before rehearsal number 40 is in Template:Time signature.
• Symphony No. 3 by Peter Maxwell Davies. Third movement has one bar of Template:Time signature before rehearsal X.
• Threni by Igor Stravinsky. Bars 83–84, 91, and 165 are in Template:Time signature.

Template:Time signature

• Abraham and Isaac by Igor Stravinsky, at measure 159.
• Agon by Igor Stravinsky. Measure 423 is in parenthesized Template:Time signature.
• Canticum Sacrum by Igor Stravinsky, at measures 71–72.
• 20 Caprices and Rhythmic Studies, by Émile Jaques-Dalcroze, in Nos. 3, 5, 10, and 16.
• The Cry of Anubis, for tuba and orchestra by Harrison Birtwistle. Bars 33, 36, and 45–46 are in Template:Time signature.
• The Flood by Igor Stravinsky. Bars 406, 414, 422, 427, 432, 440, and 448 are in Template:Time signature time, all divided Template:Serif.
• Histoire du soldat by Igor Stravinsky has one bar in Template:Time signature time, at the fourth bar following rehearsal 35, in the movement "Ragtime".
• Pli selon pli by Pierre Boulez, in the second movement.
• Poème des Montagnes, Op. 15 by Vincent d'Indy, in the movement "Danses Rhythmiques".
• Requiem Canticles by Igor Stravinsky. The interlude has bar 156 in Template:Time signature time.

Upper number of 9

Time signatures that group nine beats into Template:Serif are very common in music. This section only lists other groupings, such as Template:Serif.

Template:Time signature

• Agon by Igor Stravinsky, at measure 167. Although other measures of Template:Time signature in the same section are subdivided Template:Serif, this measure is Template:Serif.
• Concertino by Igor Stravinsky, one measure after rehearsal mark 14 (subdivided Template:Serif).
• "The Count of Tuscany" by Dream Theater. The verse riff is in Template:Time signature, with a rhythm of Template:Time signature.
• "I Wanna Be a Movie Star" by Bill Wurtz. The main groove is in Template:Time signature, but also includes measures in Template:Time signature,Template:Time signature,Template:Time signature,Template:Time signature, and Template:Time signature.
• "Kissing the Beehive" by Wolf Parade has its verses in Template:Time signature.Template:Clarify
• Lonely Child (1980) by Claude Vivier has Template:Time signature in measure 142.
• "The Start of Somethin Beautiful" by Porcupine Tree. The verses are in Template:Time signature.
• Requiem Canticles by Igor Stravinsky has a measure of Template:Time signature, grouped as Template:Serif, in the movement Libera Me.

Template:Time signature

• "Apocalypse in Template:Time signature" by Genesis. Penultimate movement of the "Supper's Ready" suite, rhythm section plays a Template:Time signature riff as Template:Serif, organ solo plays polymetrically over this (sometimes Template:Time signature, sometimes Template:Time signature.)
• "Big Lie Small World", by Sting is in Template:Time signature with varying division.
• 20 Caprices and Rhythmic Studies, by Émile Jaques-Dalcroze, in Nos. 15 and 19 (both beamed as Template:Serif).
• "The Crunge" by Led Zeppelin. The main groove is in Template:Time signature, grouped Template:Time signature + Template:Time signature.
• Estancia by Alberto Ginastera. The refrain of "Los peones de hacienda", at rehearsal numbers 62, 65, 67, 68, 69+3, and 70 is marked "Template:Time signature (Template:Time signature – Template:Time signature)"; the remainder is variously in Template:Time signature, Template:Time signature, Template:Time signature, and Template:Time signature.
• "I Hung My Head", by Sting is in Template:Time signature.
• Mikrokosmos by Béla Bartók
  • No. 148, "Six Dances in Bulgarian Rhythm" 1, is in Template:Time signature.
  • No. 152, "Six Dances in Bulgarian Rhythm" 5, is in Template:Time signature.
• "Niška Banja", SATB choral arrangement by Nick Page of a Serbian Gypsy dance, is in Template:Time signature.
• "Scatterbrain" by Jeff Beck, from the album Blow by Blow, contains multiple sections in Template:Time signature.
• "VROOOM VROOOM" by King Crimson contains a few measures in Template:Time signature during the bridge.
• "The Cool, Cool River" by Paul Simon is mainly in Template:Music.
• "Blue Rondo à la Turk" by Dave Brubeck is mainly in Template:Time signature, grouped as both Template:Time signature and Template:Time signature.

Template:Time signature

• 20 Caprices and Rhythmic Studies, by Émile Jaques-Dalcroze, in No. 3 (grouped Template:Serif).
• How Miraculous Things Happen by Kyle Gann, in bars 127 and 134 (grouped Template:Serif).
• Hyperchromatica by Kyle Gann, in bars 6, 21, 173, and 188 of the movement Ride the Cosmos (all grouped Template:Serif).
• Piano Sonata No. 2 by Roger Sessions, at measure 337 (grouped Template:Serif).
• Requiem Canticles by Igor Stravinsky has a measure of Template:Time signature grouped as Template:Serif.

Template:Time signature

• Hyperchromatica by Kyle Gann, in bar 39 of the movement Ride the Cosmos.
• Un Vitrail et des Oiseaux by Olivier Messiaen uses Template:Time signature.

Upper number of 10

Template:Time signature

• Hyperchromatica by Kyle Gann, in bar 12 of the movement Liquid Mechanisms.

Template:Time signature

• Adagio 1972 by Kyle Gann, in measure 34.
• Apparition by Kyle Gann, in measures 6, 54, and 58.
• "Asphalt Meadows" by Death Cab for Cutie. Alternates Template:Music with Template:Music.
• 20 Caprices and Rhythmic Studies, by Émile Jaques-Dalcroze, in No. 4.
• Concertino by Igor Stravinsky, two measures after rehearsal mark 14.
• The vocal coda section of "The ConstruKction of Light" by King Crimson has verses in Template:Time signature.
• "Just Like You Imagined" by Nine Inch Nails.
• Lonely Child (1980) by Claude Vivier has Template:Time signature in measure 141.
• "Playing in the Band" by the Grateful Dead (notated as Template:Time signature).
• "Rabbit" by This Town Needs Guns has parts in Template:Time signature.
• "Retreat! Retreat!", by 65daysofstatic is partially in Template:Time signature.
• String Quartet No. 2, Op. 36 (1945), by Benjamin Britten. Movement I, fourth bar after rehearsal K ("tranquillo, lusingando") is in Template:Time signature.Template:Sfn
• "Testostyrannosaurus" by Hail the Sun, in some parts.
• "Unisphere" (1964) by The Dave Brubeck Quartet.
• "Wanderlove" by Mason Williams.
• "Diagonals" and "Parsec" by Stereolab are both in Template:Time signature.

Template:Time signature

• 20 Caprices and Rhythmic Studies, by Émile Jaques-Dalcroze, in Nos. 1, 4, 8, 9, 11, and 19.
• Charon by Richard Barrett, in bars 36–42.
• 3 Danses from L'Oeuvre d'orgue by Jehan Alain, in the second dance.
• Hesapa ki Lakhota ki Thawapi by Kyle Gann, in several measures.
• Hovenweep by Kyle Gann, in bars 28 and 44–45.
• Hyperchromatica by Kyle Gann, in bar 200 of the movement Ride the Cosmos.
• "Nostalgia" by Yanni.
• Piano Sonata No. 1 by Charles Wuorinen, at measure 170 of part 2.
• Piano Sonata No. 2 ("The Airplane"), by George Antheil. One of the bars is in Template:Time signature.
• Piano Sonata no. 2 by Roger Sessions, at measure 230.
• Poème des Montagnes, Op. 15 by Vincent d'Indy, in the movement "Danses Rhythmiques".
• Sketch, Op. 1 No. 7, by Alexei Stanchinsky.
• Threni, id est Lamentationes Jeremiae Prophetae, by Igor Stravinsky. "Solacium", part 3 of "De Elegia Tertia".
• Village Idiot and its revisions as Fast Blue Village by Elena Kats-Chernin

Template:Time signature

• 20 Caprices and Rhythmic Studies, by Émile Jaques-Dalcroze, in Nos. 3 and 16.
• Concerto for Piano, Clarinet, and String Quartet by Roy Harris.
• The Death of the Hired Man by Andrew Violette.
• Étude, Op. 35, no. 12 in E major, for piano, by Charles-Valentin Alkan. (grouped as Template:Serif)
• Etude No. 1 by Tigran Hamasyan.
• How Miraculous Things Happen by Kyle Gann, in bar 97.
• Poème des Montagnes, Op. 15 by Vincent d'Indy, in the movement "Danses Rhythmiques".
• String Quartet No. 2 by Heitor Villa-Lobos, in a section of the last movement (incorrectly printed as Template:Time signature)

Template:Time signature

• Hyperchromatica by Kyle Gann, in bars 50 and 158 of the movement Ride the Cosmos.

Upper number of 11

Template:Time signature

• Adagio 1972 by Kyle Gann, in measures 11, 36, and 46.
• Apparition by Kyle Gann, in measure 3, 56, and 60.
• "Awaken" by Yes (first section).
• Concertino by Igor Stravinsky, just before rehearsal mark 15.
• Concerto in E-flat by Igor Stravinsky, just before rehearsal mark 25.
• "Crowned & Kissed" by Esperanza Spalding. The two-bar chorus groove is in Template:Time signature time.
• Custer and Sitting Bull by Kyle Gann, in some measures (70, 72, 75, etc.) of part 3 and the beginning of part 4.
• "Eight Ball, Coroner's Pocket" by Hail the Sun, intro is composed in Template:Time signature, and Template:Time signature.
• "Eleven Four", by Paul Desmond and recorded by the Dave Brubeck Quartet.
• How Miraculous Things Happen by Kyle Gann, in many measures.
• In Nomine IX, for harpsichord, by John Bull. Template:Time signature, though it is not notated as such, either in the original manuscript or the new edition.
• Mädchentotenlieder, by Bo Nilsson, in bar 74.
• Requiem Canticles by Igor Stravinsky, in the first bar of the Libera Me.
• The Rite of Spring by Igor Stravinsky. The bar immediately before the section "The Chosen One" is in Template:Time signature.
• "Testostyrannosaurus" by Hail the Sun, in some parts.
• "Whipping Post", by the Allman Brothers Band, begins with a two-bar Template:Time signature riff.

Template:Time signature

• Adagio 1972 by Kyle Gann, in measures 13 and 28.
• Bachianas Brasileiras No. 9, by Heitor Villa-Lobos. Movement II is in Template:Time signature, grouped as Template:Time signature + Template:Time signature.
• "Blockhead", by Devo. The verses are in Template:Time signature time.
• 2 Canzonas with Dances, Op. 43, by Nikolai Medtner, in Canzona No. 1.
• 20 Caprices and Rhythmic Studies, by Émile Jaques-Dalcroze, in No. 4.
• Composure by Kyle Gann, in measures 180 and 196.
• Custer and Sitting Bull by Kyle Gann, in measure 162 of part 1 and some measures (m. 19, 61, etc.) of parts 3 and 4.
• Cyclic Aphorism No. 2 by Kyle Gann, in bars 1-17 and 31–37.
• 3 Danses from L'Oeuvre d'orgue by Jehan Alain, in the second dance.
• "The Eleven" (1969) by the Grateful Dead.
• "Eleven" by Primus. The song is mainly in Template:Time signature, the chorus has one bar in Template:Time signature, and after two bars of Template:Time signature a bar in Template:Time signature.
• Happy Ending (for David Garland) by Kyle Gann, in bars 52, 54, and 61.
• "Happy With What You Have To Be Happy With" by King Crimson contains sections in Template:Time signature.
• "Here Comes the Sun" (1969), written by the Beatles' George Harrison. The song features Template:Time signature in the verses and a compound sequence of Template:Time signature Template:Serif Template:Time signature Template:Serif Template:Time signature in the bridge, phrasing interludes that Harrison drew from Indian music influences.Template:SfnTemplate:Sfn
• Hesapa ki Lakhota ki Thawapi by Kyle Gann, in several measures.
• Hovenweep by Kyle Gann, in several measures.
• How Miraculous Things Happen by Kyle Gann, in bars 115, 120, 135, and 137.
• Hyperchromatica by Kyle Gann, in the movements Andromeda Memories, Busted Grooves, and 2.7 Kelvin.
• "In Re Con Moto Et Al" by Charles Ives uses Template:Time signature.
• "Larks' Tongues in Aspic, Pt. 1", by King Crimson. The song is in Template:Time signature when the violin enters, then switches to Template:Time signature. The song shifts between these metres for the remainder of the song.
• "Losing It" by Rush. Intro and verses are composed out of ten bars in Template:Time signature, other parts are in Template:Time signature.
• The race results screen from Mario Kart 64, composed by Template:Interlanguage link.
• "Man-Erg" (1971), by Van der Graaf Generator.
• Piano Sonata No. 2 in G major by Alexei Stanchinsky. Movement II is in Template:Time signature.
• A próle do bébé No. 2, by Heitor Villa-Lobos. The first and last measures of the fourth movement are in Template:Time signature, divided into Template:Time signature or Template:Time signature, and Template:Time signature.
• The chorus of "ProzaKc Blues" by King Crimson includes measures of Template:Time signature and Template:Time signature.
• "Puedo Escribir" by Sixpence None The Richer.
• Sagat's theme from Street Fighter II (video game), composed by Isao Abe is entirely in Template:Time signature.
• "Serenade", a wedding recessional by Derek Bourgeois. The beginning and ending sections are in Template:Time signature.
• Sketch, Op. 1 No. 5, by Alexei Stanchinsky.
• "Skrting on the Surface" by the Smile.
• "7empest" by Tool mostly alternates between Template:Time signature and Template:Time signature time.
• "Trapped in the Wake of a Dream" by Mudvayne (chorus in Template:Time signature)
• "Upstart" written by Don Ellis and performed by the Don Ellis Orchestra
• "Where but for Caravan Would I?" by Caravan.
• "Herd Culling" by Porcupine Tree.
• "War of Kalinga" by Suraj Synthesist is majorly in a Template:Time signature . The 11 here works with inverted polyrhythm of 2 over 3 for first 8 beats & 3 over 2 for the last 3 beats. Some section also incorporates a 11 played like 5 1⁄2 (five and a half). The change of moods, breakdown and conclusion are suggested with 4 beat or un-timed parts too.

Template:Time signature

• 20 Caprices and Rhythmic Studies, by Émile Jaques-Dalcroze, in Nos. 3 and 16.
• Charon by Richard Barrett, in bar 65.
• Concerto for Piano, Clarinet, and String Quartet by Roy Harris.
• Custer and Sitting Bull by Kyle Gann, in some measures (m. 13, 15, 28, etc.) of parts 3 and 4.
• Earth-Preserving Chant by Kyle Gann, in measures 17, 300, and 314–315.
• How Miraculous Things Happen by Kyle Gann, in bar 136.
• Hyperchromatica by Kyle Gann, in the movements Ride the Cosmos and Spacecat.

• Lonely Child (1980) by Claude Vivier, in several measures (m. 95, 105, etc.).
• Piano Sonata no. 2 by Roger Sessions, for some measures in the first movement.

Template:Time signature

• Bicinium by Charles Wuorinen, at bars 46 and 78.

Template:Time signature

• Bicinium by Charles Wuorinen, at bar 31.

Upper number of 12

Template:Time signature

• Concerto for Piano, Clarinet, and String Quartet by Roy Harris, in one measure of the second movement.

Template:Time signature

• Bicinium by Charles Wuorinen, at bar 28.
• Piano Sonata No. 1 by Charles Wuorinen, at measure 161 of part 1 (written Template:Time signature).
• Piano Sonata No. 32 in C minor, Op. 111, by Ludwig van Beethoven. Movement II from bars 48 to 64.

Upper number of 13

Template:Time signature

• Adagio 1972 by Kyle Gann, in measure 20.
• Custer and Sitting Bull by Kyle Gann, in measures 147 and 151 of part 3.
• "The Great Divide" by Don Ellis.
• How Miraculous Things Happen by Kyle Gann, in several measures.
• Hyperchromatica by Kyle Gann, for most of the movement Delta Oracle.
• Lonely Child (1980) by Claude Vivier, measure 1.
• "Rabbit" by This Town Needs Guns, in some sections.
• Requiem Canticles by Igor Stravinsky, in measure 276 (grouped Template:Serif)
• De Staat by Louis Andriessen. Bars 356 and 517.
• "Starless" (1974), by King Crimson.
• "World's Fair" (1964) by The Dave Brubeck Quartet.

Template:Time signature

• Adagio 1972 by Kyle Gann, in measure 45.
• "The Becoming" by Nine Inch Nails begins in this time signature.
• Custer and Sitting Bull by Kyle Gann, in measures 194-204 of part 4.
• Desert Sonata by Kyle Gann, in the first movement.
• "Electric Sunrise" by Plini
• Hovenweep by Kyle Gann, in several measures.
• Hyperchromatica by Kyle Gann, in the movements Andromeda Memories, Ride the Cosmos, and Spacecat.
• "I Will Be Absorbed", by Egg.
• "Lauft... Heisst Das Es Lauft Oder Es Kommt Bald..Lauft" by Faust.
• "Odd Boy" by Mutant-Thoughts, in the verses.
• A próle do bébé No. 2, by Heitor Villa-Lobos. A measure in the fourth movement, "O cachorrinho de borracha". It is divided into Template:Time signature or Template:Time signature, and Template:Time signature.
• The chorus of "ProzaKc Blues" by King Crimson in some measures.
• "Serenade", a wedding recessional by Derek Bourgeois, the middle section.
• "Skimbleshanks, The Railway Cat" from Andrew Lloyd Webber's musical Cats. Introduction and chorus as (Template:Serif). Verses in Template:Time signature.
• De Staat by Louis Andriessen. Bar 724.
• "13th August" by FromUz.
• "To Negate" by Tigran Hamasyan.
• "Turn It on Again" by Genesis. The verses and choruses.
• "Jóga" (1997) by Björk (chorus only).
• "Mission" by Suraj Synthesist is completely in a Template:Time signature.

Template:Time signature

• 20 Caprices and Rhythmic Studies, by Émile Jaques-Dalcroze, in No. 16.
• Charon by Richard Barrett, in bar 57.
• Custer and Sitting Bull by Kyle Gann, in some measures (m. 48, 64, etc.) of parts 3 and 4.
• Earth-Preserving Chant by Kyle Gann, in measure 209.
• Hyperchromatica by Kyle Gann, in the movements Ride the Cosmos and Spacecat.
• Piano Sonata no. 2 by Roger Sessions, at measure 154 of the first movement.
• A próle do bébé No. 2, by Heitor Villa-Lobos, for two measures in the ninth movement.
• The Terminator main theme, by Brad Fiedel.Template:Sfn

Template:Time signature

• Hyperchromatica by Kyle Gann, in several bars of the movement Ride the Cosmos.

Upper number of 14

Template:Time signature

• Polychromatics by Louis Gruenberg. No. 7, "Invocation," in one measure.

Template:Time signature

• Adagio 1972 by Kyle Gann, in measure 30.
• Chicago Spiral by Kyle Gann.

Template:Time signature

• American Song Set by Andrew Violette, for two measures in one of the songs.
• 20 Caprices and Rhythmic Studies, by Émile Jaques-Dalcroze, in Nos. 3 and 16.
• Concerto for Piano, Clarinet, and String Quartet by Roy Harris.
• Hyperchromatica by Kyle Gann, in bars 4-5 and 171-172 of the movement Ride the Cosmos.
• Poème des Montagnes, Op. 15 by Vincent d'Indy, in the movement "Danses Rhythmiques".

Upper number of 15

Template:Time signature

• Hyperchromatica by Kyle Gann, in bar 41 of the movement Delta Oracle.

Template:Time signature

• Adagio 1972 by Kyle Gann, in measure 39.
• 20 Caprices and Rhythmic Studies, by Émile Jaques-Dalcroze, in Nos. 3, 6, and 9.
• Charon by Richard Barrett, in bar 69.
• "Chionoblepharou pater Aous" [Father of the bright-eyed Dawn], Hymn to the Sun, by Mesomedes of Crete (grouped Template:Serif)
• Concerto for Piano, Clarinet, and String Quartet by Roy Harris.
• Could Ye Loan Me Ten Pence? by Kyle Gann, in measures 22 and 57.
• Sections of "Endless Dream" by Yes.
• Happy Ending (for David Garland) by Kyle Gann, in bars 65 and 126.
• Hyperchromatica by Kyle Gann, in the movements Ride the Cosmos and 2.7 Kelvin.
• Passage of "Karn Evil 9", 1st Impression, Part 1 (1973), by Emerson, Lake and Palmer.
• "Limo Wreck" by Soundgarden.
• "Perpetuum Mobile" by the Penguin Cafe Orchestra.
• Piano Sonata Op. 25 No. 2, "Night Wind", by Nikolai Medtner.
• "Tubular Bells" by Mike Oldfield. The first riff in Template:Time signature is made of two bars. The first bar is in Template:Time signature, the second bar is in Template:Time signature.
• "The Eight Miracle" by Bob Curnow, in measures 1-81, 129–161, 249–281, and 393–422.

Template:Time signature

• 20 Caprices and Rhythmic Studies, by Émile Jaques-Dalcroze, in Nos. 3, 16, and 20.
• Concerto for Piano, Clarinet, and String Quartet by Roy Harris.
• Concerto rotondo per violoncello solo (2000) by Giovanni Sollima, movement 4, bars 1–17, divided Template:Serif.
• Custer and Sitting Bull by Kyle Gann, in measure 131 of part 3 and some measures (m. 38, 58, 79, etc.) of part 4.
• Earth-Preserving Chant by Kyle Gann, in measure 215.
• Hovenweep by Kyle Gann, in bars 133 and 141.
• How Miraculous Things Happen by Kyle Gann, in several measures.
• Hyperchromatica by Kyle Gann, in the movements Ride the Cosmos and Busted Grooves.
• Lonely Child (1980) by Claude Vivier, in measure 104.
• The Phantom of the Opera (1986) by Andrew Lloyd Webber: "Notes" and "Notes II" each contain multiple sections, divided Template:Serif
• Piano Sonata no. 2 by Roger Sessions, at measure 100 of the first movement.
• Robert Browning Overture, by Charles Ives, in measure 330.
• De Staat by Louis Andriessen. Bars 501 and 535–36, divided Template:Serif (in b. 501 some layers are in Template:Serif and Template:Serif).
• String Quartet No. 1 (1949), by Leon Kirchner.

Template:Time signature

• Custer and Sitting Bull by Kyle Gann, in measure 76 of part 3.
• Hyperchromatica by Kyle Gann, in five bars of the movement Ride the Cosmos.
• Piano Sonata No. 1 by Charles Wuorinen, at measure 163 of part 1 (written Template:Time signature).

Upper number of 16

Template:Time signature

• Custer and Sitting Bull by Kyle Gann, in measures 153, 157, and 162 of part 3.

Template:Time signature

• 20 Caprices and Rhythmic Studies, by Émile Jaques-Dalcroze, in No. 4.
• Desert Sonata by Kyle Gann, in the second movement.

Template:Time signature

• 20 Caprices and Rhythmic Studies, by Émile Jaques-Dalcroze, in No. 5.
• Concerto for Piano, Clarinet, and String Quartet by Roy Harris.
• Earth-Preserving Chant by Kyle Gann, in measure 210.
• Hyperchromatica by Kyle Gann, in bar 27 of the movement Ride the Cosmos.

Upper number of 17

Template:Time signature

• Adagio 1972 by Kyle Gann, in measure 12.
• Desert Sonata by Kyle Gann, in the first movement.
• "Panda" by This Town Needs Guns, in some verse section (subdivided 4+4+4+5=17). It also includes other meters like Template:Time signature.
• "Seven Teens", by Lionel Loueke.

Template:Time signature

• Adagio 1972 by Kyle Gann, in measure 52.
• "The Alien" by Dream Theater.
• The intro of "Changes" by Yes.
• "The Hole Pt. 1" by Noisia is described by the band as being "more or less" in this time signature.
• "Hollow" by Björk.
• "Moon" by Björk.
• Sketch, Op. 1, No. 6, by Alexei Stanchinsky (written as Template:Time signature Template:Serif Template:Time signature Template:Serif Template:Time signature Template:Serif Template:Time signature, but with the Template:Time signature time signature written as well).
• "Trapped in the Wake of a Dream" by Mudvayne, verses

Template:Time signature

• Concerto for Piano, Clarinet, and String Quartet by Roy Harris.
• Desert Sonata by Kyle Gann, in the first movement.
• Earth-Preserving Chant by Kyle Gann, in measures 30, 34, 51, 71, 75, 90, 115, 143, 147, 161, 201, 207, 242, 281, 285, and 309.
• Hovenweep by Kyle Gann, in bars 29 and 33.
• Hyperchromatica by Kyle Gann, in bars 2, 8, and 175 of the movement Ride the Cosmos.
• Sections of the instrumental Discipline by King Crimson, among other signatures.
• Mladi by Leoš Janáček, in the second movement.
• Piano Sonata No. 2 by Andrew Violette.

Template:Time signature

• Hyperchromatica by Kyle Gann, in bars 99, 101, and 102 of the movement Ride the Cosmos.

Upper number of 18

Template:Time signature

• "Birds of Fire" by Mahavishnu Orchestra. The guitar plays Template:Serif while the drums play Template:Serif. The violin from time to time plays Template:Serif.
• 20 Caprices and Rhythmic Studies, by Émile Jaques-Dalcroze, in No. 6.
• 3 Danses from L'Oeuvre d'orgue by Jehan Alain, in the first and third dances.
• 49 Esquisses by Charles-Valentin Alkan. No. 12, Barcarollette, as compound sextuple meter.
• The first 38 bars of Nocturne No. 7, Op. 74 by Gabriel Fauré.

Template:Time signature

• American Song Set by Andrew Violette. One of the songs ends in Template:Time signature(Template:Time signature) and another song has Template:Time signature in the piano's right hand against Template:Time signature in the piano's left hand and voice.
• 20 Caprices and Rhythmic Studies, by Émile Jaques-Dalcroze, in Nos. 3 and 20.
• The Death of the Hired Man by Andrew Violette.
• Desert Sonata by Kyle Gann, in the second movement.
• Diversions for Piano Left Hand and Orchestra by Benjamin Britten.
• Don Rodrigo by Alberto Ginastera. "Interludium III", except the last three bars, which are in Template:Time signature.
• 4 Etudes, Op. 2, by Sergei Prokofiev. The second étude uses Template:Time signature in one hand against Template:Time signature in the other.
• Goldberg Variations, by Johann Sebastian Bach. Variation 26 uses Template:Time signature in one hand against Template:Time signature in the other, exchanging hands at intervals until the last five bars where both hands are in Template:Time signature.
• 5 Klavierstücke, Op. 23 by Arnold Schoenberg, third piece, measures 26 to 30.

Template:Time signature

• Hyperchromatica by Kyle Gann, in five bars of the movement Ride the Cosmos.

Upper number of 19

Template:Time signature

• "33 222 1 222" by Don Ellis. Its title represents the subdivision: Template:Time signature

Template:Time signature

• "Hell's Bells" by Bruford, variously subdivided as Template:Time signature and Template:Time signature throughout the song.Template:Unreliable source
• Piano Sonata No. 2 ("The Airplane"), by George Antheil, for one bar.
• "Rusty Cage" by Soundgarden, third section.Template:Unreliable source

Template:Time signature

• "Celestial Terrestrial Commuters" by Mahavishnu Orchestra.
• "Home" by Dream Theater, ending.
• "Keep It Greasy" by Frank Zappa on Joe's Garage (the first verse, some bridges and the guitar solo are counted in Template:Time signature and the second verse is in Template:Time signature).

Template:Time signature

• Hyperchromatica by Kyle Gann, in bars 28, 29, and 111 of the movement Ride the Cosmos.

Upper number between 20 and 29

20

• 20 Caprices and Rhythmic Studies, by Émile Jaques-Dalcroze, has Template:Time signature in Nos. 11 and 20.
• Emily Dickinson's Book of the Dead by Andrew Violette (Template:Time signature).
• Hyperchromatica by Kyle Gann. Four bars in the movement Ride the Cosmos are in Template:Time signature.
• Piano Sonata No. 1 by Charles Wuorinen. Measure 155 of part 2 is in Template:Time signature.
• Threni, id est Lamentationes Jeremiae Prophetae, by Igor Stravinsky In "Sensus spei", part 2 of "De Elegia Tertia", bar 4 is in Template:Time signature time.

21

• "The Art Of Dying" by Gojira (2008) cycles from Template:Time signature to Template:Time signature to Template:Time signature (grouped Template:Serif) and repeats this pattern during the intro and beginning of the song.
• 3 Danses from L'Oeuvre d'orgue by Jehan Alain, for one measure in the first dance.
• Desert Sonata by Kyle Gann has Template:Time signature in the second movement.
• Happy Ending (for David Garland) by Kyle Gann. Bars 63 and 124 are in Template:Time signature, and bar 129 is in Template:Time signature.
• Hyperchromatica by Kyle Gann. The movements Ride the Cosmos and Busted Grooves have Template:Time signature, and Ride the Cosmos also has Template:Time signature.
• "In Re Con Moto Et Al" by Charles Ives uses Template:Time signature.
• In the Dead of the Night suite by U.K., "contains an instrumental refrain in Template:Time signature".
• "Keep It Greasy" by Frank Zappa on Joe's Garage (the second verse is in Template:Time signature).
• Master of Puppets by Metallica features measures that can be interpreted as Template:Time signature.

22

• "The First Circle" from the album First Circle by the Pat Metheny Group. Composed by Pat Metheny and Lyle Mays (Template:Time signature).
• Hyperchromatica by Kyle Gann. The movement Ride the Cosmos has Template:Time signature and Template:Time signature.

23

• Desert Sonata by Kyle Gann has Template:Time signature in the first movement.
• Hyperchromatica by Kyle Gann has Template:Time signature in the movement Ride the Cosmos.

24

• American Song Set by Andrew Violette. One of the songs is in Template:Time signature(Template:Time signature) and two other songs have some measures in Template:Time signature in the piano's right hand against Template:Time signature in the piano's left hand and voice.
• Amor dammi quel fazzolettino by Andrew Violette has a passage of Template:Time signature in the first piano against Template:Time signature in the second piano.
• "Brobdingnagische Gigue", from Intrada, nebst burlesquer Suite, for two violins (the so-called "Gulliver Suite") by Georg Philipp Telemann is in Template:Time signature.
• 20 Caprices and Rhythmic Studies, by Émile Jaques-Dalcroze has Template:Time signature in Nos. 3 (as Template:Time signature(Template:Time signature)) and 11 (as Template:Time signature).
• Carmina Burana by Carl Orff has Template:Time signature (written as Template:Time signature) in the movement Veris leta facies.
• The Death of the Hired Man by Andrew Violette has Template:Time signature.
• Hyperchromatica by Kyle Gann has Template:Time signature in the movement Ride the Cosmos.
• Suite in E Minor, HWV 438 by George Frideric Handel uses Template:Time signature for the Gigue.
• The Well-Tempered Clavier, Book 1 by Johann Sebastian Bach. The upper stave of Prelude No. 15 is in Template:Time signature (The bottom stave is in Template:Music).

25

• Happy Ending (for David Garland) by Kyle Gann, in bars 46, 51, 55, and 60 (Template:Time signature).
• How Miraculous Things Happen by Kyle Gann, in bar 152 (Template:Time signature).
• Hyperchromatica by Kyle Gann has Template:Time signature in the movement Busted Grooves and Template:Time signature in the movement Ride the Cosmos.
• "How's This for Openers?" by Don Ellis (Template:Time signature).
• "Memory Daydreams Lapses" by OSI (Template:Time signature).
• "Tenemos Roads", by National Health includes "some extremely intricate passages in Template:Time signature".

26

• Hyperchromatica by Kyle Gann has Template:Time signature in the movement Ride the Cosmos.

27

• The Death of the Hired Man by Andrew Violette has Template:Time signature(Template:Time signature) in measures 373 and 381.
• Desert Sonata by Kyle Gann has Template:Time signature in the first movement.
• "Goliath" by Karnivool (Template:Time signature).
• Hyperchromatica by Kyle Gann has Template:Time signature and Template:Time signature in the movement Ride the Cosmos.
• Happy Ending (for David Garland) by Kyle Gann, in bars 45, 47, 50, 56, and 59 (Template:Time signature).

28

• Hyperchromatica by Kyle Gann has Template:Time signature in the movement Ride the Cosmos.

29

• Hyperchromatica by Kyle Gann has Template:Time signature in the movement Ride the Cosmos.
• "March of the Pigs" by Nine Inch Nails is partially in Template:Time signature.
• Reverie in Prime Time Signatures by Robert Schneider has a measure of Template:Time signature.
• "The Undertow", by 65daysofstatic is in Template:Time signature.Template:Sfn

Upper number between 30 and 39

30

• American Song Set by Andrew Violette. One of the songs has Template:Time signature in the piano's right hand against Template:Time signature in the piano's left hand and voice.
• Bicinium by Charles Wuorinen, at bar 89 (Template:Time signature, written as Template:Time signature).
• Hyperchromatica by Kyle Gann has Template:Time signature in bar 149 of the movement Ride the Cosmos.

31

• Athesie, by The Hirsch Effekt. The song is in Template:Time signature, grouped as Template:Serif.
• "Fishing Frenzy" from Splatoon 2 and Splatoon 3 is in Template:Time signature.
• Hyperchromatica by Kyle Gann has Template:Time signature in the movement Ride the Cosmos.

32

• The main section of "Vardavar" by Tigran Hamasyan is in Template:Time signature, grouped as Template:Serif.
• "Variations for Trumpet" by Don Ellis has one section in Template:Time signature.

33

• "Blues in Template:Time signature" by Matt Savage (Template:Time signature).
• "Bulgarian Bulge" by Don Ellis (Template:Time signature).
• Charon by Richard Barrett has Template:Time signature in bar 60.
• Desert Sonata by Kyle Gann has Template:Time signature in the first movement.
• Hyperchromatica by Kyle Gann has Template:Time signature in the movement Ride the Cosmos.
• "In Re Con Moto Et Al" by Charles Ives (Template:Time signature).
• "Split Open and Melt" by Phish has a jam section in Template:Time signature.

35

• "Entertain Me" by Tigran Hamasyan contains a repeating melody in Template:Time signature, overlayed on top of the main Template:Time signature meter.
• "Nairian Odyssey" by Tigran Hamasyan contains a solo section in Template:Time signature, divided variously as Template:Time signature + Template:Time signature + Template:Time signature and Template:Time signature.

36

• American Song Set by Andrew Violette. One of the songs has a measure in Template:Time signature in the piano's right hand against Template:Time signature in the piano's left hand and voice and another has the same, but with Template:Time signature instead of Template:Time signature.
• Charon by Richard Barrett has Template:Time signature in bar 58.
• The Death of the Hired Man by Andrew Violette has Template:Time signature(Template:Time signature) in bar 372.
• Organbook by Andrew Violette has Template:Time signature.

37

• Hyperchromatica by Kyle Gann has Template:Time signature in the movement Spacecat.

Upper number between 40 and 49

40

• Charon by Richard Barrett has Template:Time signature in bar 54.

41

• Desert Sonata by Kyle Gann has Template:Time signature in the first movement.

42

• "Song for Melan and Rafik" by Tigran Hamasyan uses Template:Time signature.

43

• Study No. 3a for Player Piano by Conlon Nancarrow uses Template:Time signature.

44

• Charon by Richard Barrett has Template:Time signature in bar 50.

47

• Study No. 3a for Player Piano by Conlon Nancarrow uses Template:Time signature.

48

• American Song Set by Andrew Violette. One song has a measure of Template:Time signature in the piano's right hand against Template:Time signature in the piano's left hand and Template:Time signature in the voice.

Upper number between 50 and 59

51

• Desert Sonata by Kyle Gann has Template:Time signature in the first movement.
• Hyperchromatica by Kyle Gann has Template:Time signature in the movement 2.7 Kelvin.

53

• "Interlude V" by Mannheim Steamroller from the album Fresh Aire II contains one measure of Template:Time signature.

Upper number more than 59

77

• Charon by Richard Barrett has Template:Time signature in bar 56.

86

• Charon by Richard Barrett has Template:Time signature in bar 52.

101

• Hyperchromatica by Kyle Gann has Template:Time signature in the movement Spacecat.

256

• "Entertain Me" by Tigran Hamasyan is in Template:Time signature, with a repeating motif in Template:Time signature laid over it.

Fractional time signatures

• Bicinium by Charles Wuorinen has Template:Time signature at bar 93.

• Driftwood Suite, for piano, by Gardner Read uses Template:Time signature, Template:Time signature, and Template:Time signature.
• Hill-Song I and II by Percy Grainger contain measures of Template:Time signature and Template:Time signature.
• Intrada, nebst burlesquer Suite, for two violins (the so-called "Gulliver Suite") by Georg Philipp Telemann. "Reverie der Laputier, nebst ihren Aufweckern" is in Template:Time signature.
• Lincolnshire Posy by Percy Grainger. Movement V, "Lord Melbourne", uses Template:Time signature and Template:Time signature.
• Mädchentotenlieder, by Bo Nilsson.
  • Bar 83 is in Template:Time signature time.
  • Bar 97 is in Template:Time signature time.
  • Bar 123 is in Template:Time signature time.
  • Bar 112 is in Template:Time signature time.
• Le marteau sans maître, by Pierre Boulez. Movement III "L'Artisanat furieux".
  • Bar 3 is in Template:Time signature time.
  • Bars 24, 35, and 43 are in Template:Time signature time.
• O: Eleven Songs by Dennis Báthory-Kitsz has a section in Template:Time signature in the second movement.
• Piano Piece 2 by Andrew Violette has a measure of Template:Time signature.
• Piano Sonata, Op. 43, by Harry Farjeon has three measures of Template:Time signature in the first movement.
• Piano Sonata No. 2, Concord, Mass., 1840–1860, by Charles Ives. In movement III "The Alcotts", bar 20 is in Template:Time signature time.
• Piano Sonata No. 3 by Carlos Chávez. Movement IV has measures in Template:Time signature, Template:Time signature, and Template:Time signature.
• Piano Sonata No. 3 by Andrew Violette has Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, and Template:Time signature.
• "Schism" by Tool is described by the band as largely in Template:Time signature and includes numerous other times.
• Sensemayá by Silvestre Revueltas includes three bars in Template:Time signature.
• Study in Sonority by Wallingford Riegger contains several Template:Time signature bars.
• Study No. 23 by Charles Ives has Template:Time signature.
• Touch Piece, for piano, by Gardner Read uses Template:Time signature, Template:Time signature, and Template:Time signature.
• "Upstart" by Don Ellis is in Template:Time signature (originally written in Template:Time signature).

Irrational time signatures

• Bicinium by Charles Wuorinen has Template:Time signature in bar 62.
• Berceuse from The Exterminating Angel by Thomas Adès has Template:Time signature and Template:Time signature.
• Contrapunctus by Mark Andre has Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, and Template:Time signature.
• The Exterminating Angel Symphony by Thomas Adès has Template:Time signature, Template:Time signature, Template:Time signature, and Template:Time signature in the first and third movements.
• The Four Quarters by Thomas Adès has Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, and Template:Time signature.
• Glaubst du an die Unsterblichkeit der Seele? (1983) by Claude Vivier has Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature and Template:Time signature.
• I'Itoi Variations by Kyle Gann. Bar 275 is in Template:Time signature time, bar 277 is in Template:Time signature time, and bar 299 is in Template:Time signature time.
• In Seven Days by Thomas Adès has a measure of Template:Time signature.
• I Open and Close, the sixth part of Fictions by Richard Barrett, has Template:Time signature and Template:Time signature.
• Lemma-Icon-Epigram by Brian Ferneyhough has Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, and Template:Time signature.
• Luxury Suite from Powder Her Face by Thomas Adès has Template:Time signature and Template:Time signature.
• Piano Concerto by Thomas Adès has Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, and Template:Time signature.
• Piano Quintet by Thomas Adès has Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature(Template:Time signature), Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, 3×Template:Time signature, 4×Template:Time signature, and 5×Template:Time signature.
• Piano Sonata No. 1 by Charles Wuorinen has Template:Time signature at measure 83 and Template:Time signature at measure 101 in part 1.
• In the fourth movement of Piano Sonata No. 3 by Carlos Chávez, bars 47, 49, 107, and 109 are written in Template:Time signature.
• Superscriptio by Brian Ferneyhough has Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, and Template:Time signature.
• Traced Overhead by Thomas Adès has Template:Time signature, Template:Time signature(Template:Time signature), Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, and Template:Time signature.

Combined unusual signatures

• "Anyone Who Had a Heart", by Burt Bacharach uses Template:Time signature, Template:Time signature, and Template:Time signature.
• "Butterflies, Hummingbirds", No. 5 from Twelve New Etudes by William Bolcom, has parenthesized time signatures of Template:Time signature, Template:Time signature, and Template:Time signature.
• Chichester Psalms by Leonard Bernstein uses irregular Template:Time signature and Template:Time signature, Template:Time signature notated as Template:Time signature, and Template:Time signature.
• Earth, the fifth part of Fictions by Richard Barrett, has Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, and Template:Time signature.
• The Exterminating Angel Symphony by Thomas Adès has Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, and Template:Time signature.
• "Firth of Fifth": Introduction, by Tony Banks of Genesis, mixes duple and quadruple meters with Template:Time signature and Template:Time signature signatures.
• Intermezzo by Andrew Violette has Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, and Template:Time signature.
• I Open and Close, the sixth part of Fictions by Richard Barrett, has Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, and Template:Time signature.
• "I Say a Little Prayer" by Dionne Warwick uses two measures of Template:Time signature, one measure of Template:Time signature and two measures of Template:Time signature for verses and Template:Time signature for its chorus.
• Klavierstück IX (1954–55/61) by Karlheinz Stockhausen uses Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, and Template:Time signature.
• Lemma-Icon-Epigram by Brian Ferneyhough has Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature (in an additive time signature), Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature (in various groupings such as Template:Serif), and Template:Time signature.
• Lieder vom Wasser, the tenth part of Fictions by Richard Barrett, has Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, and Template:Time signature.
• The Long and the Short by Charles Wuorinen has Template:Time signature, Template:Time signature, Template:Time signature (in additive time signatures such as Template:Time signature+Template:Time signature), Template:Time signature, Template:Time signature (subdivided as Template:Time signature+Template:Time signature+Template:Time signature+Template:Time signature), Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, and Template:Time signature.
• Love Duet by Andrew Violette has Template:Time signature, Template:Time signature, Template:Time signature (grouped Template:Serif), Template:Time signature, Template:Time signature, and Template:Time signature.
• Organ Sonata by Andrew Violette has Template:Time signature, Template:Time signature, Template:Time signature, and Template:Time signature.
• Pastorale by Andrew Violette has Template:Time signature and Template:Time signature.
• Piano Concerto No. 5 by Kaikhosru Shapurji Sorabji has Template:Time signature, Template:Time signature, Template:Time signature (six dotted quarter notes), Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, and Template:Time signature.
• Piano Sonata No. 1 by Kaikhosru Shapurji Sorabji has Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, and Template:Time signature.
• Piano Sonata No. 1 by Andrew Violette has Template:Time signature, Template:Time signature, Template:Time signature, and Template:Time signature.
• Piano Sonata No. 2 by Charles Wuorinen has Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature (grouped Template:Serif), Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, and Template:Time signature (written as Template:Time signature).
• Piano Sonata No. 3 by Andrew Violette has Template:Time signature (in additive time signatures such as Template:Time signature+Template:Time signature), Template:Time signature, Template:Time signature (in additive time signatures such as Template:Time signature+Template:Time signature), Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature (grouped Template:Serif), Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature (written as Template:Time signature), Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, and Template:Time signature.
• Piano Sonata No. 3 by Charles Wuorinen has Template:Time signature+Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature (grouped Template:Serif), Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, and Template:Time signature.
• Piano Sonata No. 4 by Charles Wuorinen has Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature (both Template:Serif and Template:Serif), Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, and Template:Time signature.
• Quirl by Brian Ferneyhough has Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, and Template:Time signature.
• Quintet No. 1 by Kaikhosru Shapurji Sorabji has Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature (five dotted quarter notes), Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, and Template:Time signature.
• Salve Regina, the second of 4 Madrigals by Andrew Violette, has Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature (Template:Time signature+Template:Time signature), Template:Time signature, and Template:Time signature (Template:Time signature).
• Sonata for Cello and Piano by Elliott Carter has Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, and Template:Time signature.
• Storm Suite from The Tempest (also known as The Tempest Symphony) has Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, and Template:Time signature.
• String Quartet No. 1 by Elliott Carter has Template:Time signature (as part of an additive time signature), Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature (written as Template:Time signature), Template:Time signature, Template:Time signature, Template:Time signature (written as Template:Time signature), Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, and Template:Time signature.
• String Quartet No. 2 by Elliott Carter has Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, and Template:Time signature.
• String Quartet No. 3 by Elliott Carter has Template:Time signature, Template:Time signature (in an additive time signature), Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature (in an additive time signature), Template:Time signature, Template:Time signature, and Template:Time signature.
• Structures by Pierre Boulez.
  • Ia: Template:Time signature, Template:Time signature, Template:Time signature
  • Ib: Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature
  • Ic: Template:Time signature, Template:Time signature, Template:Time signature
  • II, Chapter 1: Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature
  • II, Chapter 2: Template:Time signature, Template:Time signature, Template:Time signature
• Superscriptio by Brian Ferneyhough has Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, and Template:Time signature.
• Suite from The Tempest for violin and piano has Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, and Template:Time signature.
• Thrak by King Crimson switches between Template:Time signature, and Template:Time signature throughout the head section.
• Traced Overhead by Thomas Adès has Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, and Template:Time signature.
• Tract, the eighth part of Fictions by Richard Barrett, has Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, and Template:Time signature.
• Zeitmaße by Karlheinz Stockhausen uses Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, Template:Time signature, and Template:Time signature.

See also

• Bulgarian folk dance
• Free time (music)
• Mathcore
• Math rock
• Metre (music)
• Progressive rock

Greek dances

• Ai Georgis
• Kalamatianos
• Karsilamas
• Tsakonikos
• Zeibekiko

References

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