Junzō Yoshimura

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Early career

File:The Hall of Chamber Music Yatsugatake.jpg
The Hall of Chamber Music, Yatsugatake, at Minamimaki, Nagano, 1988

Yoshimura dated his desire to become an architect to the day he first entered Frank Lloyd Wright's Imperial Hotel in Tokyo, shortly after the Kanto earthquake of 1923. "“It was the first time that I felt emotional when faced with architecture. I said to my myself, this really shows the power of space. I felt that architecture was something extraordinary. It’s certainly the main reason I became an architect.”[1]

In December 1928, while a student at Tokyo's Fine Arts College, Yoshimura began part-time work at the architectural office of Antonin Raymond. After his graduation in 1931 he became a full-time member of the staff.[2] Among other work, he performed on-site supervision for the Akaboshi Cottage (1931) for Japanese golfer Shiro Akaboshi, a house for Kisuke Akaboshi (1932), and the Kawasaki House (1934).[3]

In May 1940, he travelled to Antonin's home in New Hope, Pennsylvania, spending fourteen months living and working in the studio there. He oversaw the installation of a small tea house at the Japan Institute in Manhattan.[4]

Solo career

File:International House of Japan.jpg
International House of Japan, Tokyo, 1955
File:Nara national museum02st3200.jpg
Nara National Museum, 1972

On his return to Tokyo in 1941, he set up his own practice.[5] In 1953, because of his connections with Raymond, Yoshimura secured the project to design a traditional Japanese Tea House in the garden of the Museum of Modern Art in Manhattan.[6] This house, named Shofuso (Pine Breeze Villa), was moved to Philadelphia, Pennsylvania, in 1957, where it remains as a historical site open to the public as Shofuso Japanese House and Garden.

In 1955, he collaborated with Kunio Maekawa and Junzo Sakakura to design the International House of Japan in Roppongi, Tokyo. This cultural exchange complex is located within estates owned during the Edo period by samurai lords. The building is constructed in-situ of thin-set reinforced concrete walls, pre-cast concrete columns and beams, and Oya Stone.[7] With his two colleagues collaborating on this design, Yoshimura won the Architectural Institute of Japan Prize for Specific Contribution.[8]

Yoshimura's later works include the Tikotin Museum of Japanese Art (1959) in Haifa, Tokyo Imperial Palace (1968), Japan House (with George G. Shimamoto of Kelly & Gruzen, 1969–71) in Manhattan, the East and West Wings of the Nara National Museum (1972), and the Royal Norwegian Embassy (1977) in Tokyo.[9]

In its March 1, 2025 edition, the Sunday Magazine of the New York Times featured an article noting that the restoration of a coastal home in Japan by him had revived interest in the designs of Yoshimura.[10]

Footnotes

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  1. Gloaguen (2016) p190, note 317
  2. Helfrich & Whitaker (2006) p269
  3. Stewart (2002) p134-142
  4. Helfrich & Whitaker (2006) p272
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  6. Helfrich & Whitaker (2006) p59
  7. Japan Architect p72
  8. 日本建築学会各賞受賞者・受賞業績検索 (姓:吉村;名:吉村) Retrieved April 24, 2008
  9. Tokyo Imperial Palace, Works by Major Architects: Japanese Architects Template:Webarchive (accessed April 24, 2008); Norwegian Embassy, Exhibition of Junzo Yoshimura - the architect for the Norwegian Embassy, TokyoScript error: No such module "Unsubst". (Norway's official site in Japan, accessed April 24, 2008); Tikotin Museum of Japanese Art, The Tikotin Museum of Japanese Art (retrieved April 24, 2008); Japan Society, Japan Society, New York - Circle of Friends Template:Webarchive (retrieved April 24, 2008); International House of Japan, About IHJ Template:Webarchive (retrieved April 24, 2008; Nara National Museum, East Wing Template:Webarchive and West Wing Template:Webarchive (both accessed April 24, 2008).
  10. New York Times, [1], Sunday Magazine], March 1, 2025

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References

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  • Spring 2005, "Do_co,mo.mo Japan: the 100 selection", The Japan Architect, No57
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