Gudi (instrument)

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File:Bone Flute.jpg
One of the gudi flutes discovered at Jiahu, on display at the Henan Museum

The Jiahu gǔdí (Template:Zh) are the oldest known musical instruments from China, dating back to around 6000 BCE. Gudi means "bone flute" in Chinese.

History

Since 1984, six complete bone flutes, as well as the fragments of at least thirty more,[1] have been excavated from several early Neolithic Jiahu culture tombs in Jiahu, Wuyan County, Henan Province, in Central China.[2] They have been dated to 6000 BCE.[3]

Description

The bone flutes have average dimensions of approximately Script error: No such module "convert"., and are made from the legs of the red-crowned crane.[4][5] They are open-ended and vary in the number of their finger holes, from one to eight; the 4 holed version has 3 holes in front and one thumb hole in back.Script error: No such module "Unsubst". The Jiahu bone whistles are much shorter than the flutes, with lengths of Script error: No such module "convert"., and generally having a smaller amount of holes. The number of holes and the spacing between the holes determined the musical range and scale or mode in which the flute was intended to function. Lee and Shen believed that the Jiahu culture understood the "resonance of an air column" (see open tube and closed tube) and were able to create an instrument that contained their "complete interval preference of Chinese music". Blowing across the open end of an end-blown bone flute to produce a musical sound, is accomplished in the same way, and produces a similar effect, as blowing across the open top of a bottle. The eight-holed flute can play "all harmonic intervals and two registers." These harmonic intervals are said to be a "function of culture" and were of a larger set compared to that now familiar in the West. Bone flutes were apparently also played as part of sacrificial rites, and employed in bird hunting. Gudi are not very common now, but there are some musicians today who play them. Musician Tang Junqiao organized a team in 2016 to replicate the bone flute, and played music composed for the instrument at the Shanghai International Spring Music Festival.[6]

Gallery

See also

References

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Sources

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  1. Chang, Lulu Huang. From Confucius to Kublai Khan. Canada: The Institute of Mediaeval Music, 1993. (2-7)
  2. Lee, Yuan-Yuan and Sin-Yan Shen. Chinese Musical Instruments. Chicago: Chinese Music Society of North America, 1999. (63-66)
  3. Shen, Sin-Yan. China: A Journey into Its Musical Art. Chicago: Chinese Music Society of North America, 2000. (107-108)
  4. So, Jenny F. ed. Music in the Age of Confucius. Washington, D.C.: Freer Gallery of Art and Arthur M Sackler Gallery, 2000. (88-90)
  5. Wu, Ben. "Archaeology and History of Musical Instruments in China". The Garland Encyclopedia of World Music East Asia: China, Japan, and Korea. Vol. 7. Ed Robert C. Provine, Yosihiko Tokumaru, and J Laurence Witzleban. New York: Routledge, 2002. (105-6)
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Further reading

  • <templatestyles src="Citation/styles.css"/>Huang, Xiang-peng (黄翔鹏) (1989). "Wuyang Jiahu gudi de ceyin yanjiu (舞阳贾湖骨笛的测音研究) " [Pitch Measurement Studies of Bone Flutes from Jiahu of Wuyang County]. Wenwu (文物) [Cultural Relics], no. 1:15–17. Reprinted in 黄翔鹏文存 [Collected Essays of Huang Xiang-Peng], 2 vols, edited by Zhongguo Yishu Yanjiuyuan Yinyue Yanjiusuo (中国艺术研究院音乐研究所), 557–60. Ji'nan, China: Shandong Wenyi Chubanshe, 2007. Template:ISBN.
  • <templatestyles src="Citation/styles.css"/>Wu, Zhao (吴钊) (1991). "Jiahu guiling gudi yu Zhongguo yinyue wenming zhi yuan (贾湖龟铃骨笛与中国音乐文明之源)" [The relation of Jiahu bone flutes and turtle shell shakers to the origin of Chinese music]. Wenwu (文物) [Cultural Relics], no. 3: 50–55.

External links

Sample music

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