Enrique Alférez
Template:Short descriptionScript error: No such module "infobox".Script error: No such module "Check for unknown parameters".Script error: No such module "Check for clobbered parameters".Template:Wikidata image Enrique Alférez (1901–1999) was a Mexican artist who specialized in sculpting architectural reliefs and the human form.
Early life and education
Born in a rural village in northern Mexico, Alférez was introduced to sculpture by his father, a European-trained woodworker. He ran away at age 12, and was conscripted into the Constitutional Army during the Mexican Revolution. In 1920, he fled his home country and made his way to El Paso, Texas, where he found work as a photographer's assistant. It was here he attended a lecture presented by art teacher Lorado Taft, who was visiting El Paso on an Art Institute of Chicago tour. Seeing potential in the young man, Taft encouraged Alferez to come study under him in Chicago, which he did from 1927 through 1929.[1]
Career
After completing his education in 1929, he planned to travel back to Mexico, but ran out of money along the way and settled in New Orleans, Louisiana, where he spent much of the rest of his life. He later married an American woman named Margaret, with whom he had a daughter.[2][3]
His sculptures and reliefs adorn many parks, buildings, and landmarks in the New Orleans Metropolitan Area, many of them commissioned by the Works Progress Administration. Some of the most notable include those in City Park, as well as the "Molly Marine" statue, the first American sculpture to depict a woman in military uniform.[4][5] His Fountain of the Four Winds at New Orleans Lakefront Airport is a well known local landmark, controversial in the time of its construction due to Alférez's depiction of male nudity.[3] He made reliefs for a number of buildings, including the Charity Hospital Building[6][7] in New Orleans and the Palmolive Building in Chicago.
Alférez was not only a sculptor, and actively produced work in other artistic disciplines. Notably, he painted an official portrait of Senator Huey P. Long (who he personally loathed, as he revealed decades later).
Alférez remained active into his later years, both as a working artist and an art teacher. In 1993, he appeared in a PBS American Experience documentary entitled "The Hunt for Pancho Villa".
In the years after Alférez's passing, author Katie Bowler Young began researching his work and went on to publish an extensive biography on his life titled "Enrique Alférez: Sculptor" in 2020 through the Historic New Orleans Collection.
Alférez’s influence and work is present throughout New Orleans. The Helis Foundation Enrique Alférez Sculpture Garden is named in his honor and located inside the New Orleans Botanical Garden. The garden is 8,000 sq. ft. and features over 20 of Alférez’s sculptures, most of which are owned by The Helis Foundation. [8]
External links
References
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- 1901 births
- 1999 deaths
- Artists from New Orleans
- School of the Art Institute of Chicago alumni
- Mexican sculptors
- Male sculptors
- Works Progress Administration workers
- 20th-century American sculptors
- 20th-century Mexican male artists
- Mexican-American culture
- American male sculptors
- Artists from Zacatecas
- Art Deco artists
- 20th-century American male artists
- 20th-century Mexican sculptors