Swordfishtrombones: Difference between revisions
imported>MONTENSEM →Background: +wlink |
imported>Dobbyelf62 →Reception: Billboard and Cashbox reviews. |
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| venue = | | venue = | ||
| studio = [[Sunset Sound]], Hollywood, California | | studio = [[Sunset Sound]], Hollywood, California | ||
| genre = [[Experimental rock]]<ref>{{cite book|author=((Editors of Rolling Stone))|chapter=Tom Waits|url=https://books.google.com/books?id=uU9AAQA6kAMC&q=post+punk+%22experimental+rock%22|title=Rolling Stone Encyclopedia of Rock & Roll|date=November 8, 2001|publisher=Touchstone |isbn=9780743201209| | | genre = [[Experimental rock]]<ref>{{cite book|author=((Editors of Rolling Stone))|chapter=Tom Waits|url=https://books.google.com/books?id=uU9AAQA6kAMC&q=post+punk+%22experimental+rock%22|title=Rolling Stone Encyclopedia of Rock & Roll|date=November 8, 2001|publisher=Touchstone |isbn=9780743201209|access-date=April 6, 2017}}</ref> | ||
| length = 41:41 | | length = 41:41 | ||
| label = [[Island Records|Island]] | | label = [[Island Records|Island]] | ||
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}} | }} | ||
'''''Swordfishtrombones''''' is the eighth studio album by American singer-songwriter [[Tom Waits]], released in 1983 on [[Island Records]]. It was the first | '''''Swordfishtrombones''''' is the eighth studio album by American singer-songwriter [[Tom Waits]], released in 1983 on [[Island Records]]. It was the first of his albums that Waits produced on his own. Stylistically different from his previous albums, ''Swordfishtrombones'' moves away from conventional piano-based songwriting towards unusual instrumentation and a somewhat more [[abstraction|abstract]] and [[experimental rock]] approach.<ref name="Ruhlmann"/> The album peaked at No. 167 on the ''[[Billboard (magazine)|Billboard]]'' Pop Albums and 200 albums charts. | ||
It is often considered the first in a loose trilogy that includes ''[[Rain Dogs]]'' and ''[[Franks Wild Years]]''. | It is often considered the first in a loose trilogy that includes ''[[Rain Dogs]]'' and ''[[Franks Wild Years]]''. According to ''[[The Guardian]]'', "These are records of startling originality and playfulness, of cacophonous discord and sudden heartbreaking melody, in which it seemed the artist was trying to incorporate the whole history of American song into his loose-limbed poetic storytelling."<ref name="auto">{{cite news| last=Adams| first=Tim| title='All these bulletproof songs, one after another': remembering Tom Waits' extraordinary mid-career trilogy| work=The Guardian| url=https://www.theguardian.com/music/2023/aug/20/tom-waits-frank-trilogy-reissues-swordfishtrombones-rain-dogs-franks-wild-years}}</ref> | ||
==Background== | ==Background== | ||
The album marks the beginning of Waits's eclectic use of instruments. As he put it in a contemporary interview: "Some of the stuff I think is a bit of a departure for me. The instrumentation is all different, and no saxophones. I used the [[banjo]], [[accordion]], [[marimba|bass-marimba]], metal [[Angklung|aunglong]]s, you know, African squeeze drum, a [[calliope (music)| calliope]], a [[harmonium]]. So some of the stuff is a little more exotic."<ref>{{cite web| title=Tom Waits - Instruments| url=http://tomwaitslibrary.info/biography/quotes/instruments/|website=Tomwaitslibrary.info}}</ref> | The album marks the beginning of Waits's eclectic use of instruments. As he put it in a contemporary interview: "Some of the stuff I think is a bit of a departure for me. The instrumentation is all different, and no saxophones. I used the [[banjo]], [[accordion]], [[marimba|bass-marimba]], metal [[Angklung|aunglong]]s, you know, African squeeze drum, a [[calliope (music)|calliope]], a [[harmonium]]. So some of the stuff is a little more exotic."<ref>{{cite web| title=Tom Waits - Instruments| url=http://tomwaitslibrary.info/biography/quotes/instruments/|website=Tomwaitslibrary.info}}</ref> | ||
''Swordfishtrombones'' also represented a lyrical departure. | ''Swordfishtrombones'' also represented a lyrical departure. According to [[AllMusic]], <blockquote> Lyrically, Waits' tales of the drunken and the lovelorn have been replaced by surreal accounts of people who burned down their homes and of Australian towns bypassed by the railroad -- a world (not just a neighborhood) of misfits now have his attention. The music can be primitive, moving to odd time signatures, while Waits alternately howls and wheezes in his gravelly bass voice. He seems to have moved on from [[Hoagy Carmichael]] and [[Louis Armstrong]] to [[Kurt Weill]] and [[Howlin' Wolf]] (as impersonated by [[Captain Beefheart]]).<ref>{{cite web| title=Tom Waits - Swordfishtrombones Album Reviews, Songs & More| website=[[AllMusic]]| url=https://www.allmusic.com/album/swordfishtrombones-mw0000192781}}</ref></blockquote> | ||
==Artwork== | ==Artwork== | ||
The cover art is a TinTone photograph by [[Michael A. Russ]]<ref>{{cite web | title=Michael A. Russ' TinTone homepage | url=http://www.tintones.com/about.html|website=Tintones.com | | The cover art is a TinTone photograph by [[Michael A. Russ]]<ref>{{cite web | title=Michael A. Russ' TinTone homepage | url=http://www.tintones.com/about.html|website=Tintones.com | access-date=February 29, 2016}}</ref><ref>{{cite web | title='TinTones – Rough Print' exhibition by Michael A. Russ | url=http://www.art-place-berlin.com/english/02pastprojects/past7.html | access-date=November 14, 2012}}</ref> showing Waits with the actors [[Angelo Rossitto]] and [[Lee Kolima]].<ref>{{Cite book|title=Tom Waits' Swordfishtrombones|last=Smay|first=David|publisher=Continuum|year=2008|isbn=978-1-4411-7459-8|location=New York|pages=11–12}}</ref> | ||
==Reception== | ==Reception== | ||
{{ | {{Music ratings | ||
| rev1 = [[AllMusic]] | | rev1 = [[AllMusic]] | ||
| rev1score = {{Rating|5|5}}<ref name="Ruhlmann">{{cite web |url=https://www.allmusic.com/album/swordfishtrombones-mw0000192781 |title=Swordfishtrombones – Tom Waits |website=[[AllMusic]] |access-date=November 17, 2015 |last=Ruhlmann |first=William}}</ref> | | rev1score = {{Rating|5|5}}<ref name="Ruhlmann">{{cite web |url=https://www.allmusic.com/album/swordfishtrombones-mw0000192781 |title=Swordfishtrombones – Tom Waits |website=[[AllMusic]] |access-date=November 17, 2015 |last=Ruhlmann |first=William}}</ref> | ||
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}} | }} | ||
''Swordfishtrombones'' | ''Swordfishtrombones'' has received widespread acclaim from music critics. ''[[Billboard (magazine)|Billboard]]'' called ''Swordfishtrombones'' Waits' "most varied, eclectic album yet" and that its "15 tracks may find a hard sell at radio, but aficionados will rejoice."<ref>{{Cite magazine |date=October 15, 1983 |title=Top Album Picks |url=https://www.worldradiohistory.com/Archive-All-Music/Billboard/80s/1983/BB-1983-10-15.pdf |access-date=October 29, 2025 |magazine=[[Billboard (magazine)|Billboard]] |page=89 |via=World Radio History}}</ref> ''[[Cashbox (magazine)|Cashbox]]'' believed that the album could "undoubtedly be considered his best and most accessible album since the landmark ''[[Small Change (Tom Waits album)|Small Change]]'' from the late 1970s."<ref>{{Cite magazine |date=October 1, 1983 |title=Reviews {{!}} Out of the Box |url=https://www.worldradiohistory.com/Archive-All-Music/Cash-Box/80s/1983/CB-1983-10-01.pdf |access-date=October 29, 2025 |magazine=[[Cashbox (magazine)|Cashbox]] |page=6 |via=World Radio History}}</ref> ''[[NME]]'' ranked ''Swordfishtrombones'' the second best album of 1983.<ref>{{cite web |url=https://www.nme.com/features/1983-2-1045394 |title=NME's best albums and tracks of 1983 |website=[[NME]] |date=October 10, 2016 |access-date=March 13, 2018}}</ref> In 1989, ''[[Spin (magazine)|Spin]]'' named ''Swordfishtrombones'' the second greatest album of all time.<ref>{{cite magazine |url=https://books.google.com/books?id=h-bxxO5B-xsC&pg=PA46 |title=The 25 Greatest Albums of All Time |magazine=[[Spin (magazine)|Spin]] |volume=5 |issue=1 |date=April 1989 |access-date=August 14, 2007 |pages=46–48, 50–51}}</ref> | ||
''[[Pitchfork (website)|Pitchfork]]'' ranked the album at number 11 in its 2002 list of the best albums of the 1980s.<ref>{{cite web |url=https://pitchfork.com/features/lists-and-guides/the-top-100-albums-of-the-1980s/?page=9 |title=The Top 100 Albums of the 1980s |website=[[Pitchfork (website)|Pitchfork]] |date=November 21, 2002 |access-date=January 28, 2020 |page=9}}</ref> In 2006, ''[[Q (magazine)|Q]]'' listed it as the 36th best album of the 1980s,<ref>{{cite magazine |title=40 Best Albums of the '80s |magazine=[[Q (magazine)|Q]] |issue=241 |date=August 2006 |pages=84–89}}</ref> while in 2012, ''[[Slant Magazine]]'' listed it as the decade's 26th best album.<ref>{{cite web |url=https://www.slantmagazine.com/music/best-albums-of-the-1980s/ |title=The 100 Best Albums of the 1980s |website=[[Slant Magazine]] |date=March 5, 2012 |access-date=July 9, 2012}}</ref> In 2000, it was voted number 374 in [[Colin Larkin]]'s ''[[All Time Top 1000 Albums]]''.<ref>{{cite book |title=All Time Top 1000 Albums |title-link=All Time Top 1000 Albums |last=Larkin |first=Colin |author-link=Colin Larkin |publisher=[[Virgin Books]] |edition=3rd |year=2000 |isbn=0-7535-0493-6 |page=144}}</ref> [[Elvis Costello]] included ''Swordfishtrombones'' on his list of essential albums, highlighting "[[16 Shells From a Thirty-Ought-Six]]" and "[[In the Neighborhood]]".<ref>{{cite magazine| last=Costello| first=Elvis| title=Elvis Costello's 500 Must-Have Albums, from Rap to Classical| magazine=Vanity Fair| url=https://www.vanityfair.com/culture/2000/11/elvis-costello-500-favorite-albums}}</ref> | |||
[[Jim Sclavunos]] recalls <blockquote> ''Swordfishtrombones'' was a bombshell to say the least. That an artist with a gift for writing tunes so evocative of memories real and imagined would decisively rend the fabric of his well-established image, and trade in coolly louche atmospherics for neon-lit junkyard sonic grotesquery was a perverse strategy that I couldn’t help admiring. These no-holds-barred albums set the stage for the years of innovation upon innovation that followed.<ref name="auto"/></blockquote> | [[Jim Sclavunos]] recalls <blockquote> ''Swordfishtrombones'' was a bombshell to say the least. That an artist with a gift for writing tunes so evocative of memories real and imagined would decisively rend the fabric of his well-established image, and trade in coolly louche atmospherics for neon-lit junkyard sonic grotesquery was a perverse strategy that I couldn’t help admiring. These no-holds-barred albums set the stage for the years of innovation upon innovation that followed.<ref name="auto"/></blockquote> | ||
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*[[Carlos Guitarlos]] – electric guitar (2:4) | *[[Carlos Guitarlos]] – electric guitar (2:4) | ||
*[[Richard Gibbs]] – glass harmonica (2:8) | *[[Richard Gibbs]] – glass harmonica (2:8) | ||
*Recorded by Tim Boyle and Biff Dawes. | *Recorded by Tim Boyle and Biff Dawes. | ||
*Mixed by Dawes at Sunset Sound Studios, Hollywood, CA. | *Mixed by Dawes at Sunset Sound Studios, Hollywood, CA. | ||
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! Peak<br />position | ! Peak<br />position | ||
|- | |- | ||
| [[MegaCharts|Dutch Top 100]]<ref>{{cite web|title=Tom Waits – Swordfishtrombones|url=http://dutchcharts.nl/showitem.asp?interpret=Tom+Waits&titel=Swordfishtrombones&cat=a|website=Dutchcharts.nl|publisher=Hung Medien| | | [[MegaCharts|Dutch Top 100]]<ref>{{cite web|title=Tom Waits – Swordfishtrombones|url=http://dutchcharts.nl/showitem.asp?interpret=Tom+Waits&titel=Swordfishtrombones&cat=a|website=Dutchcharts.nl|publisher=Hung Medien|access-date=May 2, 2012}}</ref> | ||
| style="text-align:center;"| 48 | | style="text-align:center;"| 48 | ||
|- | |- | ||
| [[UK Albums Chart]]<ref>{{cite web|title=TOM WAITS | Artist | Official Charts|url=http://www.officialcharts.com/artist/_/tom%20waits/|work=[[UK Albums Chart]]|publisher=[[Official Charts Company]]| | | [[UK Albums Chart]]<ref>{{cite web|title=TOM WAITS | Artist | Official Charts|url=http://www.officialcharts.com/artist/_/tom%20waits/|work=[[UK Albums Chart]]|publisher=[[Official Charts Company]]|access-date=May 2, 2012}}</ref> | ||
| style="text-align:center;"| 62 | | style="text-align:center;"| 62 | ||
|- | |- | ||
| [[Billboard 200|US ''Billboard'' 200]]<ref>{{AllMusic|class=album|id=r21378|tab=charts-awards|label=Swordfishtrombones – Tom Waits|pure_url=no| | | [[Billboard 200|US ''Billboard'' 200]]<ref>{{AllMusic|class=album|id=r21378|tab=charts-awards|label=Swordfishtrombones – Tom Waits|pure_url=no|access-date=May 2, 2012}}</ref> | ||
| style="text-align:center;"| 167 | | style="text-align:center;"| 167 | ||
|- | |- | ||
| Line 129: | Line 130: | ||
! Peak<br />position | ! Peak<br />position | ||
|- | |- | ||
| [[Recording Industry Association of New Zealand|New Zealand RIANZ Albums Chart]]<ref>{{cite web|title=charts.nz – Tom Waits – Swordfishtrombones|url=https://charts.nz/showitem.asp?interpret=Tom+Waits&titel=Swordfishtrombones&cat=a|work=charts.nz|publisher=Hung Medien| | | [[Recording Industry Association of New Zealand|New Zealand RIANZ Albums Chart]]<ref>{{cite web|title=charts.nz – Tom Waits – Swordfishtrombones|url=https://charts.nz/showitem.asp?interpret=Tom+Waits&titel=Swordfishtrombones&cat=a|work=charts.nz|publisher=Hung Medien|access-date=May 2, 2012}}</ref> | ||
| style="text-align:center;"| 45 | | style="text-align:center;"| 45 | ||
|- | |- | ||
| [[VG-lista|Norwegian Albums Chart]]<ref>{{cite web|title=norwegiancharts.com – Tom Waits – Swordfishtrombones|url=http://norwegiancharts.com/showitem.asp?interpret=Tom+Waits&titel=Swordfishtrombones&cat=a|work=norwegiancharts.com|publisher=Hung Medien| | | [[VG-lista|Norwegian Albums Chart]]<ref>{{cite web|title=norwegiancharts.com – Tom Waits – Swordfishtrombones|url=http://norwegiancharts.com/showitem.asp?interpret=Tom+Waits&titel=Swordfishtrombones&cat=a|work=norwegiancharts.com|publisher=Hung Medien|access-date=May 2, 2012}}</ref> | ||
| style="text-align:center;"| 18 | | style="text-align:center;"| 18 | ||
|} | |} | ||
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==Usage in media== | ==Usage in media== | ||
Mike, Tom, and Crow sing "Underground" on Wanda's arrival in Atlantis in the 1993 ''[[Mystery Science Theater 3000]]'' episode "[[Alien from L.A.]]". The song was used for the Chop Shop theme in the 2005 movie ''[[Robots (2005 film)|Robots]]''. | Mike, Tom, and Crow sing "Underground" on Wanda's arrival in Atlantis in the 1993 ''[[Mystery Science Theater 3000]]'' episode "[[Alien from L.A.]]". The song was used for the Chop Shop theme in the 2005 movie ''[[Robots (2005 film)|Robots]]''. | ||
"Soldier's Things" was covered by [[Paul Young]] on his 1985 album ''[[The Secret of Association]]'', and is used in the 2005 movie ''[[Jarhead (film)|Jarhead]]''. | "Soldier's Things" was covered by [[Paul Young]] on his 1985 album ''[[The Secret of Association]]'', and is used in the 2005 movie ''[[Jarhead (film)|Jarhead]]''. | ||
Latest revision as of 00:16, 30 October 2025
Template:Use mdy dates Script error: No such module "Unsubst-infobox".
Swordfishtrombones is the eighth studio album by American singer-songwriter Tom Waits, released in 1983 on Island Records. It was the first of his albums that Waits produced on his own. Stylistically different from his previous albums, Swordfishtrombones moves away from conventional piano-based songwriting towards unusual instrumentation and a somewhat more abstract and experimental rock approach.[1] The album peaked at No. 167 on the Billboard Pop Albums and 200 albums charts.
It is often considered the first in a loose trilogy that includes Rain Dogs and Franks Wild Years. According to The Guardian, "These are records of startling originality and playfulness, of cacophonous discord and sudden heartbreaking melody, in which it seemed the artist was trying to incorporate the whole history of American song into his loose-limbed poetic storytelling."[2]
Background
The album marks the beginning of Waits's eclectic use of instruments. As he put it in a contemporary interview: "Some of the stuff I think is a bit of a departure for me. The instrumentation is all different, and no saxophones. I used the banjo, accordion, bass-marimba, metal aunglongs, you know, African squeeze drum, a calliope, a harmonium. So some of the stuff is a little more exotic."[3]
Swordfishtrombones also represented a lyrical departure. According to AllMusic,
Lyrically, Waits' tales of the drunken and the lovelorn have been replaced by surreal accounts of people who burned down their homes and of Australian towns bypassed by the railroad -- a world (not just a neighborhood) of misfits now have his attention. The music can be primitive, moving to odd time signatures, while Waits alternately howls and wheezes in his gravelly bass voice. He seems to have moved on from Hoagy Carmichael and Louis Armstrong to Kurt Weill and Howlin' Wolf (as impersonated by Captain Beefheart).[4]
Artwork
The cover art is a TinTone photograph by Michael A. Russ[5][6] showing Waits with the actors Angelo Rossitto and Lee Kolima.[7]
Reception
Swordfishtrombones has received widespread acclaim from music critics. Billboard called Swordfishtrombones Waits' "most varied, eclectic album yet" and that its "15 tracks may find a hard sell at radio, but aficionados will rejoice."[8] Cashbox believed that the album could "undoubtedly be considered his best and most accessible album since the landmark Small Change from the late 1970s."[9] NME ranked Swordfishtrombones the second best album of 1983.[10] In 1989, Spin named Swordfishtrombones the second greatest album of all time.[11]
Pitchfork ranked the album at number 11 in its 2002 list of the best albums of the 1980s.[12] In 2006, Q listed it as the 36th best album of the 1980s,[13] while in 2012, Slant Magazine listed it as the decade's 26th best album.[14] In 2000, it was voted number 374 in Colin Larkin's All Time Top 1000 Albums.[15] Elvis Costello included Swordfishtrombones on his list of essential albums, highlighting "16 Shells From a Thirty-Ought-Six" and "In the Neighborhood".[16]
Jim Sclavunos recalls
Swordfishtrombones was a bombshell to say the least. That an artist with a gift for writing tunes so evocative of memories real and imagined would decisively rend the fabric of his well-established image, and trade in coolly louche atmospherics for neon-lit junkyard sonic grotesquery was a perverse strategy that I couldn’t help admiring. These no-holds-barred albums set the stage for the years of innovation upon innovation that followed.[2]
Track listing
All tracks written by Tom Waits.
Side one
- "Underground" – 1:58
- "Shore Leave" – 4:12
- "Dave the Butcher" (instrumental) – 2:15
- "Johnsburg, Illinois" – 1:30
- "16 Shells From a Thirty-Ought-Six" – 4:30
- "Town with No Cheer" – 4:22
- "In the Neighborhood" – 3:04
Side two
- "Just Another Sucker on the Vine" (instrumental) – 1:42
- "Frank's Wild Years" – 1:50
- "Swordfishtrombone" – 3:00
- "Down, Down, Down" – 2:10
- "Soldier's Things" – 3:15
- "Gin Soaked Boy" – 2:20
- "Trouble's Braids" – 1:18
- "Rainbirds" (instrumental) – 3:05
Personnel
- Tom Waits – vocals (1:1–2, 1:4–7, 2:2–7), chair (1:2), Hammond B-3 organ (1:3), piano (1:4, 2:5, 2:8), harmonium (1:6, 2:1), synthesizer (1:6), freedom bell (1:6)
- Victor Feldman – bass marimba (1:1–2), marimba (1:2, 2:3), shaker (1:2), bass drum with rice (1:2), bass boo bams (1:3), Brake drum (1:5), bell plate (1:5), snare (1:5, 2:4), Hammond B-3 organ (1:7), snare drum (1:7), bells (1:7), conga (2:3), bass drum (2:3), Dabuki drum (2:3), tambourine (2:4), African talking drum (2:7)
- Larry Taylor – acoustic bass (1:1–2, 1:5, 1:7, 2:2, 2:4, 2:6–7), electric bass (2:3)
- Randy Aldcroft – baritone horn (1:1, 1:7), trombone (1:2)
- Stephen Taylor Arvizu Hodges – drums (1:1–2, 1:5, 2:4, 2:6), parade drum (1:7), cymbals (1:7), parade bass drum (2:7), glass harmonica (2:8)
- Fred Tackett – electric guitar (1:1, 1:2, 1:5, 2:6), banjo (1:2)
- Francis Thumm – metal aunglongs (1:2), glass harmonica (2:8)
- Greg Cohen – bass (1:4), acoustic bass (2:3, 2:5, 2:8)
- Joe Romano – trombone (1:5), trumpet (2:1)
- Anthony Clark Stewart – bagpipes (1:6)
- Clark Spangler – synthesizer program (1:6)
- Bill Reichenbach Jr. – trombone (1:7)
- Dick Hyde – trombone (1:7)
- Ronnie Barron – Hammond organ (2:2)
- Eric Bikales – organ (2:4)
- Carlos Guitarlos – electric guitar (2:4)
- Richard Gibbs – glass harmonica (2:8)
- Recorded by Tim Boyle and Biff Dawes.
- Mixed by Dawes at Sunset Sound Studios, Hollywood, CA.
Charts
| Chart (1983) | Peak position |
|---|---|
| Dutch Top 100[17] | 48 |
| UK Albums Chart[18] | 62 |
| US Billboard 200[19] | 167 |
| Chart (1984) | Peak position |
| New Zealand RIANZ Albums Chart[20] | 45 |
| Norwegian Albums Chart[21] | 18 |
Certifications
Template:Certification Table Top Template:Certification Table Entry Template:Certification Table Bottom
Usage in media
Mike, Tom, and Crow sing "Underground" on Wanda's arrival in Atlantis in the 1993 Mystery Science Theater 3000 episode "Alien from L.A.". The song was used for the Chop Shop theme in the 2005 movie Robots.
"Soldier's Things" was covered by Paul Young on his 1985 album The Secret of Association, and is used in the 2005 movie Jarhead.
References
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- ↑ Swordfishtrombones – Tom Waits at AllMusic. Retrieved May 2, 2012.
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