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{{Use mdy dates|date=June 2025}}
{{Use mdy dates|date=June 2025}}
{{Infobox album
{{Infobox album
| name       = Odelay
| name         = Odelay
| type       = studio
| type         = studio
| artist     = [[Beck]]
| artist       = [[Beck]]
| cover     = Odelay.jpg
| cover       = Odelay.jpg
| alt       =
| alt         =  
| released   = {{Start date|1996|06|18}}
| released     = {{Start date|1996|06|18}}
| recorded   = 1994–95
| recorded     = 1994–95
| studio     = *PCP Labs (Los Angeles)
| studio       = *PCP Labs (Los Angeles)
*G-Son (Los Angeles)
*[[G-Son Studios|G-Son]] (Los Angeles)
*The Shop ([[Arcata]])
*The Shop ([[Arcata]])
*[[Sunset Sound Factory|Sunset Sound]] (Los Angeles)
*[[Sunset Sound Factory|Sunset Sound]] (Los Angeles)
*[[Conway Recording Studios|Conway]] (Hollywood)
*[[Conway Recording Studios|Conway]] (Hollywood)
| genre     =  
| genre       = * [[Alternative rock]]
* [[Alternative rock]]
* [[sampledelia]]
* [[sampledelia]]
* [[alternative hip hop]]
* [[alternative hip hop]]
Line 20: Line 19:
* [[folk rock]]
* [[folk rock]]
* [[neo-psychedelia]]
* [[neo-psychedelia]]
| length     = 54:06
| length       = 54:06
| label     =
| label       = * [[DGC Records|DGC]]
* [[DGC Records|DGC]]
* [[Bong Load Records|Bong Load]]
* [[Bong Load Records|Bong Load]]
| producer   = {{flatlist|
| producer     = {{flatlist|
* Beck Hansen
* Beck Hansen
* [[Dust Brothers|The Dust Brothers]]
* [[Dust Brothers|The Dust Brothers]]
Line 32: Line 30:
* [[Rob Schnapf]]
* [[Rob Schnapf]]
}}
}}
| prev_title = [[One Foot in the Grave (Beck album)|One Foot in the Grave]]
| prev_title   = [[One Foot in the Grave (Beck album)|One Foot in the Grave]]
| prev_year = 1994
| prev_year   = 1994
| next_title = [[Mutations (Beck album)|Mutations]]
| next_title   = [[Mutations (Beck album)|Mutations]]
| next_year = 1998
| next_year   = 1998
| misc       = {{Singles
| misc         = {{Singles
  | name        = Odelay
  | name        = Odelay
  | type        = studio
  | type        = studio
Line 63: Line 61:


==Recording==
==Recording==
{{Unreferenced section|date=July 2024}}
 
The sessions for what would become ''Odelay'' originally began as a subdued, [[Acoustic music|acoustic]] affair. In 1994, Beck started to record tracks for his follow-up to ''[[Mellow Gold]]'' with [[Bong Load]] producers [[Tom Rothrock]] and [[Rob Schnapf]]. Only the tracks "Ramshackle", "Feather in Your Cap", and "Brother" from these sessions have been released, all of which are acoustic, sparse, and melancholic. He would eventually abandon work with Rothrock and Schnapf, opting to work with the [[Dust Brothers]] instead. The Dust Brothers' production style was [[hip-hop]]-focused yet more layered; their résumé included notable work with [[Beastie Boys]], [[Tone Lōc]] and [[Young MC]].
Beck approached ''Odelay'' with trepidation. "I thought ''Odelay'' might be the last time I got a chance to make a record,” he told ''[[Rolling Stone]]'' in 2008.<ref name=":0">{{Cite web |last=Edwards |first=Gavin |date=2008-02-21 |title=Beck's 'Odelay': The Secret History |url=https://www.rollingstone.com/music/music-news/becks-odelay-the-secret-history-238957/ |access-date=2025-07-12 |website=Rolling Stone |language=en-US}}</ref>
 
The sessions for what would become ''Odelay'' originally began as a subdued, [[Acoustic music|acoustic]] affair. In 1994, Beck started to record tracks for his follow-up to ''[[Mellow Gold]]'' with [[Bong Load]] producers [[Tom Rothrock]] and [[Rob Schnapf]]. Together, they recorded the melancholy album-closer "Ramshackle."<ref>{{Cite web |date=2021-06-17 |title=Inventing the Post-Genre World: Beck’s ‘Odelay’ at 25 |url=https://tidal.com/magazine/article/beck-odelay-at-25/1-79409 |access-date=2025-07-12 |website=TIDAL Magazine |language=en-US}}</ref> He would eventually abandon work with Rothrock and Schnapf, opting to work with the [[Dust Brothers]] instead. Most of the album was recorded in 1995 at the Dust Brothers' home recording studio in [[Silver Lake, Los Angeles]].<ref name=":0" /> The Dust Brothers' production style was [[hip-hop]]-focused but layered; their résumé included work with [[Beastie Boys]], [[Tone Lōc]] and [[Young MC]]. Their small recording room was filled with records, many of which provided samples for the album.<ref name=":0" />


==Title and artwork==
==Title and artwork==
Line 86: Line 86:
| rev2score  = {{Rating|4|4}}<ref>{{cite news |url=https://www.chicagotribune.com/1996/06/27/becks-whimsical-odelay-a-musical-smorgasbord/ |title=Beck's Whimsical 'Odelay' A Musical Smorgasbord |newspaper=[[Chicago Tribune]] |date=June 27, 1996 |access-date=October 24, 2015 |last=Kot |first=Greg |author-link=Greg Kot}}</ref>
| rev2score  = {{Rating|4|4}}<ref>{{cite news |url=https://www.chicagotribune.com/1996/06/27/becks-whimsical-odelay-a-musical-smorgasbord/ |title=Beck's Whimsical 'Odelay' A Musical Smorgasbord |newspaper=[[Chicago Tribune]] |date=June 27, 1996 |access-date=October 24, 2015 |last=Kot |first=Greg |author-link=Greg Kot}}</ref>
| rev3      = ''[[Entertainment Weekly]]''
| rev3      = ''[[Entertainment Weekly]]''
| rev3score  = A−<ref>{{cite magazine |url=https://ew.com/article/1996/06/21/odelay/ |title=''Odelay'' |magazine=[[Entertainment Weekly]] |date=June 21, 1996 |access-date=January 29, 2015 |last=Smith |first=Ethan}}</ref>
| rev3score  = A−<ref>{{cite magazine |url=https://ew.com/article/1996/06/21/odelay/ |title=''Odelay'' |magazine=[[Entertainment Weekly]] |issue=332 |date=June 21, 1996 |access-date=January 29, 2015 |last=Smith |first=Ethan |page=65 |archive-url=https://web.archive.org/web/20230926163740/https://ew.com/article/1996/06/21/odelay/ |archive-date=September 26, 2023 |url-status=dead}}</ref>
| rev4      = ''[[The Guardian]]''
| rev4      = ''[[The Guardian]]''
| rev4score  = {{Rating|4|5}}<ref>{{cite news |title=Beck: ''Odelay'' (Epic) |newspaper=[[The Guardian]] |date=June 21, 1996 |last=Romney |first=Jonathan}}</ref>
| rev4score  = {{Rating|4|5}}<ref>{{cite news |title=Beck: ''Odelay'' (Epic) |newspaper=[[The Guardian]] |date=June 21, 1996 |last=Romney |first=Jonathan}}</ref>
| rev5      = ''[[Los Angeles Times]]''
| rev5      = ''[[Los Angeles Times]]''
| rev5score  = {{Rating|4|4}}<ref>{{cite news |url=https://www.latimes.com/archives/la-xpm-1996-06-16-ca-15488-story.html |title=Beck Takes Quirkiness to New, High-Tech Level |newspaper=[[Los Angeles Times]] |date=June 16, 1996 |access-date=October 24, 2015 |last=Scribner |first=Sara |archive-url=https://web.archive.org/web/20160917221516/http://articles.latimes.com/1996-06-16/entertainment/ca-15488_1_beck-hansen |archive-date=September 17, 2016 |url-status=live}}</ref>
| rev5score  = {{Rating|4|4}}<ref>{{cite news |url=http://articles.latimes.com/1996-06-16/entertainment/ca-15488_1_beck-hansen |title=Beck Takes Quirkiness to New, High-Tech Level |newspaper=[[Los Angeles Times]] |date=June 16, 1996 |access-date=October 24, 2015 |last=Scribner |first=Sara |archive-url=https://web.archive.org/web/20160917221516/http://articles.latimes.com/1996-06-16/entertainment/ca-15488_1_beck-hansen |archive-date=September 17, 2016 |url-status=deviated}}</ref>
| rev6      = ''[[NME]]''
| rev6      = ''[[NME]]''
| rev6score  = 8/10<ref>{{cite magazine |url=http://www.nme.com/reviews/reviews/19980101000088reviews.html |title=Mr Boho Rising |magazine=[[NME]] |date=June 22, 1996 |access-date=August 27, 2015 |last=Cameron |first=Keith |archive-url=https://web.archive.org/web/20001016061425/http://www.nme.com/reviews/reviews/19980101000088reviews.html |archive-date=October 16, 2000 |url-status=dead}}</ref>
| rev6score  = 8/10<ref>{{cite magazine |url=http://www.nme.com/reviews/reviews/19980101000088reviews.html |title=Mr Boho Rising |magazine=[[NME]] |date=June 22, 1996 |access-date=August 27, 2015 |last=Cameron |first=Keith |page=54 |archive-url=https://web.archive.org/web/20001016061425/http://www.nme.com/reviews/reviews/19980101000088reviews.html |archive-date=October 16, 2000 |url-status=dead}}</ref>
| rev7      = ''[[Pitchfork (website)|Pitchfork]]''
| rev7      = ''[[Pitchfork (website)|Pitchfork]]''
| rev7score  = 9.8/10<ref>{{cite web |url=http://www.pitchforkmedia.com/record-reviews/b/beck/odelay.shtml |title=Beck: ''Odelay'' |website=[[Pitchfork (website)|Pitchfork]] |date=June 1996 |access-date=January 29, 2015 |last=Schreiber |first=Ryan |archive-url=https://web.archive.org/web/20021003143657/http://www.pitchforkmedia.com/record-reviews/b/beck/odelay.shtml |archive-date=October 3, 2002 |url-status=dead}}</ref>
| rev7score  = 9.8/10<ref>{{cite web |url=http://www.pitchforkmedia.com/record-reviews/b/beck/odelay.shtml |title=Beck: ''Odelay'' |website=[[Pitchfork (website)|Pitchfork]] |date=June 1996 |access-date=January 29, 2015 |last=Schreiber |first=Ryan |archive-url=https://web.archive.org/web/20021003143657/http://www.pitchforkmedia.com/record-reviews/b/beck/odelay.shtml |archive-date=October 3, 2002 |url-status=dead}}</ref>
| rev8      = ''[[Rolling Stone]]''
| rev8      = ''[[Rolling Stone]]''
| rev8score  = {{Rating|4|5}}<ref>{{cite magazine |url=https://www.rollingstone.com/music/music-album-reviews/odelay-204617/ |title=''Odelay'' |magazine=[[Rolling Stone]] |date=June 13, 1996 |access-date=August 27, 2015 |last=Kemp |first=Mark |author-link=Mark Kemp}}</ref>
| rev8score  = {{Rating|4|5}}<ref>{{cite magazine |url=https://www.rollingstone.com/music/music-album-reviews/odelay-204617/ |title=Surrealistic Pillar |magazine=[[Rolling Stone]] |issue=736 |date=June 13, 1996 |access-date=August 27, 2015 |last=Kemp |first=Mark |author-link=Mark Kemp |pages=77–78}}</ref>
| rev9      = ''[[Smash Hits]]''
| rev9      = ''[[Spin (magazine)|Spin]]''
| rev9score  = {{Rating|5|5}}<ref>{{cite magazine|first=Gina|last=Morris|url=https://www.flickr.com/photos/smashhits90s/33978076525/in/album-72157679243006103/|title=Albums|magazine=[[Smash Hits]]|date=July 3, 1996|page=62|access-date=December 1, 2024}}</ref>
| rev9score  = 10/10<ref>{{cite magazine |url=https://books.google.com/books?id=dTM_D4UWqXQC&pg=PA87 |title=Beck: ''Odelay'' |magazine=[[Spin (magazine)|Spin]] |volume=12 |issue=4 |date=July 1996 |access-date=August 27, 2015 |last=Norris |first=Chris |page=87}}</ref>
| rev10      = ''[[Spin (magazine)|Spin]]''
| rev10     = ''[[The Village Voice]]''
| rev10score = 10/10<ref>{{cite magazine |url=https://books.google.com/books?id=dTM_D4UWqXQC&pg=PA87 |title=Beck: ''Odelay'' |magazine=[[Spin (magazine)|Spin]] |volume=12 |issue=4 |date=July 1996 |access-date=August 27, 2015 |last=Norris |first=Chris |page=87}}</ref>
| rev10score = A−<ref>{{cite news |url=https://robertchristgau.com/xg/cg/cgv996-96.php |title=Consumer Guide |newspaper=[[The Village Voice]] |date=September 17, 1996 |access-date=January 29, 2015 |last=Christgau |first=Robert |author-link=Robert Christgau}}</ref>
| rev11     = ''[[The Village Voice]]''
| rev11score = A−<ref>{{cite news |url=https://robertchristgau.com/xg/cg/cgv996-96.php |title=Consumer Guide |newspaper=[[The Village Voice]] |date=September 17, 1996 |access-date=January 29, 2015 |last=Christgau |first=Robert |author-link=Robert Christgau}}</ref>
}}
}}


Upon release, ''Odelay'' received almost unanimous critical acclaim. At the [[39th Annual Grammy Awards]] in 1997, it was nominated for the [[Grammy Award]] for [[Grammy Award for Album of the Year|Album of the Year]] and won for [[Grammy Award for Best Alternative Music Album|Best Alternative Music Album]], as well as [[Grammy Award for Best Male Rock Vocal Performance|Best Male Rock Vocal Performance]] for "Where It's At".<ref>{{cite web |url=https://www.grammy.com/awards/39th-annual-grammy-awards |title=39th Annual GRAMMY Awards |website=[[Grammy Awards]] |access-date=July 10, 2024}}</ref> ''Odelay'' was named Album of the Year in ''[[Rolling Stone]]'',{{citation needed|date=July 2024}} ''[[The Village Voice]]'' [[Pazz & Jop]] critics poll,<ref>{{cite periodical |title=Robert Christgau: Pazz & Jop 1996: Critics Poll |periodical=[[The Village Voice]] |date=February 25, 1997 |url=https://robertchristgau.com/xg/pnj/pjres96.php |access-date=July 10, 2024}}</ref> and ''[[NME]]''{{'}}s annual critics poll.<ref>{{cite news |url=https://www.nme.com/features/1996-2-1045366 |title=NME's best albums and tracks of 1996 |newspaper=[[NME]] |date=October 10, 2016 |access-date=July 10, 2024}}</ref>
Upon release, ''Odelay'' received almost unanimous critical acclaim. At the [[39th Annual Grammy Awards]] in 1997, it was nominated for the [[Grammy Award]] for [[Grammy Award for Album of the Year|Album of the Year]] and won for [[Grammy Award for Best Alternative Music Album|Best Alternative Music Album]], as well as [[Grammy Award for Best Male Rock Vocal Performance|Best Male Rock Vocal Performance]] for "Where It's At".<ref>{{cite web |url=https://www.grammy.com/awards/39th-annual-grammy-awards |title=39th Annual GRAMMY Awards |website=[[Grammy Awards]] |access-date=July 10, 2024}}</ref> ''Odelay'' was named the best album of the year in ''[[Rolling Stone]]'',<ref>{{cite magazine |title=Ten Best Albums |magazine=[[Rolling Stone]] |issue=752 |date=January 23, 1997 |page=44}}</ref> ''[[The Village Voice]]''{{'}}s [[Pazz & Jop]] critics' poll,<ref>{{cite news |url=https://robertchristgau.com/xg/pnj/pjres96.php |title=The 1996 Pazz & Jop Critics Poll |newspaper=[[The Village Voice]] |date=February 25, 1997 |access-date=July 10, 2024}}</ref> and ''[[NME]]''{{'}}s annual critics poll.<ref>{{cite magazine |url=https://www.nme.com/features/1996-2-1045366 |title=NME's best albums and tracks of 1996 |magazine=[[NME]] |date=October 10, 2016 |access-date=July 10, 2024}}</ref>


In a retrospective review for [[AllMusic]], [[Stephen Thomas Erlewine]] observed that, like ''Mellow Gold'', ''Odelay'' incorporated elements from various genres, including "[[Folk music|folk]] and [[Country music|country]], [[grunge|grungy]] [[garage rock]], stiff-boned [[electro (music)|electro]], louche [[exotica]], [[Old-school hip hop|old-school rap]] and [[noise rock]]."<ref name="allmusic"/> ''[[Rolling Stone]]''{{'}}s [[Rob Sheffield]] noted [[punk rock]], [[bossa nova]], [[Latin soul]] and [[Contemporary R&B|mainstream R&B]] as additional influences.<ref>{{cite magazine |url=https://www.rollingstone.com/music/music-album-reviews/odelay-deluxe-edition-181875/ |title=''Odelay'' – Deluxe Edition |magazine=[[Rolling Stone]] |date=February 7, 2008 |access-date=January 29, 2015 |last=Sheffield |first=Rob |author-link=Rob Sheffield}}</ref>
In a retrospective review for [[AllMusic]], [[Stephen Thomas Erlewine]] observed that, like ''Mellow Gold'', ''Odelay'' incorporated elements from various genres, including "[[Folk music|folk]] and [[Country music|country]], [[grunge|grungy]] [[garage rock]], stiff-boned [[electro (music)|electro]], louche [[exotica]], [[Old-school hip hop|old-school rap]] and [[noise rock]]."<ref name="allmusic"/> ''[[Rolling Stone]]''{{'}}s [[Rob Sheffield]] noted [[punk rock]], [[bossa nova]], [[Latin soul]] and [[Contemporary R&B|mainstream R&B]] as additional influences.<ref>{{cite magazine |url=https://www.rollingstone.com/music/music-album-reviews/odelay-deluxe-edition-181875/ |title=''Odelay'' – Deluxe Edition |magazine=[[Rolling Stone]] |date=February 7, 2008 |access-date=January 29, 2015 |last=Sheffield |first=Rob |author-link=Rob Sheffield}}</ref>

Latest revision as of 16:16, 10 September 2025

Template:Use mdy dates Script error: No such module "Unsubst-infobox".

Odelay is the fifth studio album by American musician Beck, released on June 18, 1996, by DGC Records. The album featured several successful singles, including "Where It's At", "Devils Haircut", and "The New Pollution", and peaked at number sixteen on the Billboard 200. As of July 2008, the album had sold 2.3 million copies in the United States, making Odelay Beck's most successful album to date.[1] Since its release, the album has appeared in numerous publications' lists of the greatest of the 1990s and of all time.

Recording

Beck approached Odelay with trepidation. "I thought Odelay might be the last time I got a chance to make a record,” he told Rolling Stone in 2008.[2]

The sessions for what would become Odelay originally began as a subdued, acoustic affair. In 1994, Beck started to record tracks for his follow-up to Mellow Gold with Bong Load producers Tom Rothrock and Rob Schnapf. Together, they recorded the melancholy album-closer "Ramshackle."[3] He would eventually abandon work with Rothrock and Schnapf, opting to work with the Dust Brothers instead. Most of the album was recorded in 1995 at the Dust Brothers' home recording studio in Silver Lake, Los Angeles.[2] The Dust Brothers' production style was hip-hop-focused but layered; their résumé included work with Beastie Boys, Tone Lōc and Young MC. Their small recording room was filled with records, many of which provided samples for the album.[2]

Title and artwork

The title is a phonetic English rendering of the Mexican slang interjection "órale", which translates roughly to "cool" or "ok"Script error: No such module "Unsubst".. The phrase "odelay" is repeated in the lyrics during the outro of the song "Lord Only Knows". According to Stephen Malkmus, the title is a pun on Oh Delay, since the album took very long to record.[4] The album's cover is a photo of a Komondor, a rare Hungarian breed of dog with a heavy, corded coat, jumping over a hurdle. The original photo was shot by canine photographer Joan Ludwig (1914–2004) for the July 1977 issue of the American Kennel Club's Gazette.[5]

Tour

The promotional tour for the album began in May–June 1996, appearing in several record stores and radio stations in the U.S. Throughout the rest of the year followed numerous U.S. tours and European festival dates.

As the tour continued into 1997, Beck began playing larger venues in America. The tour unofficially ended on September 5, 1997, with a taped band performance at "Sessions at West 54th" in New York,[6] after over 150 shows from July '96 until September '97.[7]

It was on the Odelay tour that Beck earned a wide reputation as an energetic and impeccable performer, and his profile rose after multiple appearances on MTV, The Howard Stern Show,[8] the 1997 Grammys,[9] Later... with Jools Holland[10] and more.

Deluxe edition

On January 29, 2008, Odelay – Deluxe Edition was released. The two-disc set contains the original album, plus 19 B-sides, remixes and previously unreleased songs.[11] The liner notes feature complete lyrics and artwork, as well as an essay from Thurston Moore and the transcript of 15 high school students interviewed by Dave Eggers.[12]

Critical reception

Template:Music ratings

Upon release, Odelay received almost unanimous critical acclaim. At the 39th Annual Grammy Awards in 1997, it was nominated for the Grammy Award for Album of the Year and won for Best Alternative Music Album, as well as Best Male Rock Vocal Performance for "Where It's At".[13] Odelay was named the best album of the year in Rolling Stone,[14] The Village VoiceTemplate:'s Pazz & Jop critics' poll,[15] and NMETemplate:'s annual critics poll.[16]

In a retrospective review for AllMusic, Stephen Thomas Erlewine observed that, like Mellow Gold, Odelay incorporated elements from various genres, including "folk and country, grungy garage rock, stiff-boned electro, louche exotica, old-school rap and noise rock."[17] Rolling StoneTemplate:'s Rob Sheffield noted punk rock, bossa nova, Latin soul and mainstream R&B as additional influences.[18]

Legacy

In 1998, Q magazine readers voted Odelay the 51st greatest album of all time.Script error: No such module "Unsubst". It was voted as one of the top 10 pop albums of the 1990s by the music writers of The Associated Press.[19] It was ranked No. 16 in Spin's "100 Greatest Albums, 1985–2005".[20] The music website Pitchfork ranked it at No. 19 on their top 100 albums of the 1990s in 2003[21] and No. 93 in their updated Top 150 list in 2022.[22] Rolling Stone ranked the album No. 306 in their list of the 500 greatest albums of all time in 2009,[23] and later ranked it No. 424 in the 2023 edition,[24] as well as No. 9 on its 2019 list of the 100 best albums of the '90s.[25] Voters in Channel 4's 2005 "100 Greatest Albums" poll placed it at No. 73.[26]

In 2000, Odelay was ranked No. 54 in Colin Larkin's All Time Top 1000 Albums.[27] It was also included in the book 1001 Albums You Must Hear Before You Die in 2010.[28]

Track listing

Template:Track listing

Personnel

Credits adapted from 2008 "Deluxe Edition" CD liner notes.[12]

Additional musicians

Technical

  • Beck Hansen – producer, mixing (1–12); art direction, design
  • Dust Brothers – producers, mixing (1–8, 10–12)
  • Mario Caldato, Jr. – producer, mixing (9)
  • Brian Paulson – producer, mixing (9)
  • Tom Rothrock – producer, mixing (13)
  • Rob Schnapf – producer, mixing (13)
  • Bob Ludwig – mastering
  • Shauna O'Brien – project coordinator
  • Robert Fisher – art direction, design
  • Ludwig – cover photo
  • Nitin Vadukul – Beck photos
  • Charlie Gross – Beck photos, collage images
  • Alison Dyer – Beck photos
  • Manuel Ocampo – inlay paintings, collage images
  • Al Hansen – collage images
  • Zarim Osborn – collage images

Charts

<templatestyles src="Col-begin/styles.css"/>

Certifications

Template:Certification Table Top Template:Certification Table Entry Template:Certification Table Entry Template:Certification Table Entry Template:Certification Table Entry Template:Certification Table Entry Template:Certification Table Entry Template:Certification Table Bottom

References

Template:Reflist

Further reading

  • Script error: No such module "citation/CS1".

External links

Template:Navbox musical artist Template:Grammy Award for Best Alternative Music Album

Template:Authority control

  1. ↑ Template:Cite magazine
  2. ↑ a b c Script error: No such module "citation/CS1".
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  8. ↑ Script error: No such module "citation/CS1".
  9. ↑ Script error: No such module "citation/CS1".
  10. ↑ Script error: No such module "citation/CS1".
  11. ↑ Script error: No such module "citation/CS1".
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  13. ↑ Script error: No such module "citation/CS1".
  14. ↑ Template:Cite magazine
  15. ↑ Script error: No such module "citation/CS1".
  16. ↑ Template:Cite magazine
  17. ↑ Cite error: Invalid <ref> tag; no text was provided for refs named allmusic
  18. ↑ Template:Cite magazine
  19. ↑ Script error: No such module "citation/CS1".
  20. ↑ Template:Cite magazine
  21. ↑ Script error: No such module "citation/CS1".
  22. ↑ Script error: No such module "citation/CS1".
  23. ↑ Template:Cite magazine
  24. ↑ Template:Cite magazine
  25. ↑ Template:Cite magazine
  26. ↑ Script error: No such module "citation/CS1".
  27. ↑ Script error: No such module "citation/CS1".
  28. ↑ Script error: No such module "citation/CS1".
  29. ↑ Script error: No such module "citation/CS1".
  30. ↑ Template:Cite magazine
  31. ↑ Script error: No such module "citation/CS1".
  32. ↑ Template:Cite magazine
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