Ledger line: Difference between revisions

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Link to the different clefs
removed the "woodwind players prefer 8va notation" because woodwind players infact do not prefer this style of notation.
 
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Although ledger lines are found occasionally in manuscripts of [[plainchant]] and early [[polyphony]], it was only in the early 16th century in keyboard music that their use became at all extensive {{harv|Anon.|2001}}. Even then, printers had an aversion to ledger lines which caused difficulties in setting type, wasting space on the page and causing a messy appearance. Vocal music employed a variety of different clefs to keep the range of the part on the staff as much as possible; in keyboard notation a common way of avoiding ledger lines was the use of [[open score]] on four staves with different [[Clef|clefs]] {{harv|Godwin|1974|loc=16–17}}.
Although ledger lines are found occasionally in manuscripts of [[plainchant]] and early [[polyphony]], it was only in the early 16th century in keyboard music that their use became at all extensive {{harv|Anon.|2001}}. Even then, printers had an aversion to ledger lines which caused difficulties in setting type, wasting space on the page and causing a messy appearance. Vocal music employed a variety of different clefs to keep the range of the part on the staff as much as possible; in keyboard notation a common way of avoiding ledger lines was the use of [[open score]] on four staves with different [[Clef|clefs]] {{harv|Godwin|1974|loc=16–17}}.


Except for woodwind players, who prefer ledger lines to ''[[Octave#Notation|8<sup>va</sup>]]'' notation because they associate fingerings with staff positions {{harv|Shatzkin|1993|loc=48}}, notes that use at least four ledger lines make music more difficult to read.<ref>{{Cite book|last=Bauer|first=Helen|title=Young People's Guide to Classical Music|publisher=Hal Leonard|year=2009|isbn=9781574671810|pages=20|language=english}}</ref> For easier readability, the composer would usually switch [[clefs]] or use the ''[[octave|8<sup>va</sup>]]'' notation. Some [[transposing instrument]]s, such as the [[piccolo]], [[double bass]], [[guitar]], and the [[tenor voice]], transpose at the octave to avoid ledger lines.
.<ref>{{Cite book|last=Bauer|first=Helen|title=Young People's Guide to Classical Music|publisher=Hal Leonard|year=2009|isbn=9781574671810|pages=20|language=english}}</ref> For easier readability, the composer would usually switch [[clefs]] or use the ''[[octave|8<sup>va</sup>]]'' notation. Some [[transposing instrument]]s, such as the [[piccolo]], [[double bass]], [[guitar]], and the [[tenor voice]], transpose at the octave to avoid ledger lines.


Notation of [[tuba]], [[trombone]], and [[euphonium]] parts always uses ledger lines below the bass staff, and never the ''[[8vb|8<sup>va</sup> bassa]]'' notation {{harv|Read|1969|loc=354}}.
Notation of [[tuba]], [[trombone]], and [[euphonium]] parts always uses ledger lines below the bass staff, and never the ''[[8vb|8<sup>va</sup> bassa]]'' notation {{harv|Read|1969|loc=354}}.


Music for [[bass clef]] instruments, such as the cello, [[bassoon]] or trombone, use [[tenor clef]] for the high notes rather than the [[treble clef]]. [[Alto clef]] is used for the [[alto trombone]], and for the tenor trombone parts in Russian repertoire. [[Bass trombone]] and tuba use the bass clef only.<ref>{{Cite book|last=Gould|first=Elaine|title=[[Behind Bars: The Definitive Guide to Music Notation]]|publisher=Faber Music Limited|year=2016|isbn=9780571590032|pages=262|language=english}}</ref>
Music for [[bass clef]] instruments, such as the cello, [[bassoon]] or trombone, use [[tenor clef]] for the high notes rather than the [[treble clef]]. [[Alto clef]] is used for the [[viola]], the [[alto trombone]], and for the tenor trombone parts in Russian repertoire. [[Bass trombone]] and tuba use the bass clef only.<ref>{{Cite book|last=Gould|first=Elaine|title=[[Behind Bars: The Definitive Guide to Music Notation]]|publisher=Faber Music Limited|year=2016|isbn=9780571590032|pages=262|language=english}}</ref>


A ledger line is also used to support a [[half note|half rest]] {{music|halfrest}} or [[whole note|whole rest]] {{music|wholerest}} where there are multiple voices on one staff and such a rest is forced above or below the staff. (The rare [[double whole note|double whole rest]] is suspended between two ledger lines in this situation.)
A ledger line is also used to support a [[half note|half rest]] {{music|halfrest}} or [[whole note|whole rest]] {{music|wholerest}} where there are multiple voices on one staff and such a rest is forced above or below the staff. (The rare [[double whole note|double whole rest]] is suspended between two ledger lines in this situation.)
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* {{wikicite|ref={{harvid|Godwin|1974}}|reference=Godwin, Joscelyn. 1974. "Playing from Original Notation". ''Early Music'' 2, no. 1 (January): 15–19.}}
* {{wikicite|ref={{harvid|Godwin|1974}}|reference=Godwin, Joscelyn. 1974. "Playing from Original Notation". ''Early Music'' 2, no. 1 (January): 15–19.}}
* {{wikicite|ref={{harvid|OED|2005}}|reference=Oxford English Dictionary. 2005. {{Cite OED|Ledger, n.B.I.3}}}}
* {{wikicite|ref={{harvid|OED|2005}}|reference=Oxford English Dictionary. 2005. {{Cite OED|Ledger, n.B.I.3}}}}
* {{cite web|author=Oxford Living Dictionary|title=leger line|url=https://en.oxforddictionaries.com/definition/leger_line|archive-url=https://web.archive.org/web/20160927081755/https://en.oxforddictionaries.com/definition/leger_line|url-status=dead|archive-date=September 27, 2016|year=n.d.|website=Oxford Living Dictionaries|publisher=Oxford University Press|access-date=12 March 2017}}
* {{cite web|author=Oxford Living Dictionary|title=leger line|url=https://en.oxforddictionaries.com/definition/leger_line|archive-url=https://web.archive.org/web/20160927081755/https://en.oxforddictionaries.com/definition/leger_line|url-status=dead|archive-date=September 27, 2016|date=n.d.|website=Oxford Living Dictionaries|publisher=Oxford University Press|access-date=12 March 2017}}
* {{wikicite|ref={{harvid|Read|1969}}|reference=[[Gardner Read|Read, Gardner]]. 1969. ''Music Notation: A Manual of Modern Practice'', second edition. Boston: Allyn and Bacon. Reprinted, New York: Taplinger Publishing Company, 1979.}}
* {{wikicite|ref={{harvid|Read|1969}}|reference=[[Gardner Read|Read, Gardner]]. 1969. ''Music Notation: A Manual of Modern Practice'', second edition. Boston: Allyn and Bacon. Reprinted, New York: Taplinger Publishing Company, 1979.}}
* {{wikicite|ref={{harvid|Shatzkin|1993}}|reference=Shatzkin, Merton. 1993. ''Writing for the Orchestra: An Introduction to Orchestration''. Upper Saddle River, NJ: Prentice Hall. {{ISBN|9780139534317}}.}}
* {{wikicite|ref={{harvid|Shatzkin|1993}}|reference=Shatzkin, Merton. 1993. ''Writing for the Orchestra: An Introduction to Orchestration''. Upper Saddle River, NJ: Prentice Hall. {{ISBN|9780139534317}}.}}

Latest revision as of 08:42, 17 November 2025

Template:Short description

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<score> { \override Score.TimeSignature #'stencil = ##f {

   \relative c {
       \time 4/4
       e8 b' e b' e b' e4 
   }

} }

</score>
Ascending Es and Bs. The first two notes and the last two notes require ledger lines.

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A ledger line or leger line is used in Western musical notation to notate pitches above or below the lines and spaces of the regular musical staff. A line slightly longer than the note head is drawn parallel to the staff, above or below, spaced at the same distance as the lines within the staff.

The origin of the word is uncertain, but may have been borrowed attributively from the term for a horizontal timber in a scaffolding, lying parallel to the face of the building and supporting the putlogs. There is no basis to support the often-found claim that the word originates from the French léger, meaning "light" or "slight" Script error: No such module "Footnotes".. The Oxford online dictionary describes the origin of the "leger" spelling as a "variant of ledger" that first appeared in the 19th century Script error: No such module "Footnotes"..

Although ledger lines are found occasionally in manuscripts of plainchant and early polyphony, it was only in the early 16th century in keyboard music that their use became at all extensive Script error: No such module "Footnotes".. Even then, printers had an aversion to ledger lines which caused difficulties in setting type, wasting space on the page and causing a messy appearance. Vocal music employed a variety of different clefs to keep the range of the part on the staff as much as possible; in keyboard notation a common way of avoiding ledger lines was the use of open score on four staves with different clefs Script error: No such module "Footnotes"..

.[1] For easier readability, the composer would usually switch clefs or use the 8va notation. Some transposing instruments, such as the piccolo, double bass, guitar, and the tenor voice, transpose at the octave to avoid ledger lines.

Notation of tuba, trombone, and euphonium parts always uses ledger lines below the bass staff, and never the 8va bassa notation Script error: No such module "Footnotes"..

Music for bass clef instruments, such as the cello, bassoon or trombone, use tenor clef for the high notes rather than the treble clef. Alto clef is used for the viola, the alto trombone, and for the tenor trombone parts in Russian repertoire. Bass trombone and tuba use the bass clef only.[2]

A ledger line is also used to support a half rest Template:Music or whole rest Template:Music where there are multiple voices on one staff and such a rest is forced above or below the staff. (The rare double whole rest is suspended between two ledger lines in this situation.)

File:Ledger line.svg
The two inside ledger lines. From the third ledger line on, the lines and spaces of the regular musical staff are repeated.

References

Template:Reflist

  • <templatestyles src="Citation/styles.css"/>Anon. 2001. "Leger [Ledger] Line". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers.
  • <templatestyles src="Citation/styles.css"/>Godwin, Joscelyn. 1974. "Playing from Original Notation". Early Music 2, no. 1 (January): 15–19.
  • <templatestyles src="Citation/styles.css"/>Oxford English Dictionary. 2005. Script error: No such module "template wrapper". Template:OEDsub
  • Script error: No such module "citation/CS1".
  • <templatestyles src="Citation/styles.css"/>Read, Gardner. 1969. Music Notation: A Manual of Modern Practice, second edition. Boston: Allyn and Bacon. Reprinted, New York: Taplinger Publishing Company, 1979.
  • <templatestyles src="Citation/styles.css"/>Shatzkin, Merton. 1993. Writing for the Orchestra: An Introduction to Orchestration. Upper Saddle River, NJ: Prentice Hall. Template:ISBN.

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  2. Script error: No such module "citation/CS1".