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| website          = {{URL|buzzcocks.com}}
| website          = {{URL|buzzcocks.com}}
| current_members  = [[Steve Diggle]]<br />Chris Remington<br />[[Danny Farrant]]<br />Mani Perazzoli (touring)
| current_members  = [[Steve Diggle]]<br />Chris Remington<br />[[Danny Farrant]]<br />Mani Perazzoli (touring)
| past_members      = [[Pete Shelley]] (deceased)<br />[[Howard Devoto]]<br />[[Garth Smith]]<br />Mick Singleton<br />[[John Maher (Buzzcocks drummer)|John Maher]]<br />[[Barry Adamson]]<br />[[Steve Garvey (musician)|Steve Garvey]]<br />[[Mike Joyce (musician)|Mike Joyce]]<br />[[Tony Barber (bassist)|Tony Barber]]<br />Phil Barker
| past_members      = [[Pete Shelley]]<br />[[Howard Devoto]]<br />[[Garth Smith]]<br />Mick Singleton<br />[[John Maher (Buzzcocks drummer)|John Maher]]<br />[[Barry Adamson]]<br />[[Steve Garvey (musician)|Steve Garvey]]<br />[[Mike Joyce (musician)|Mike Joyce]]<br />[[Tony Barber (bassist)|Tony Barber]]<br />Phil Barker
}}
}}


'''Buzzcocks''' are an English [[punk rock]] band that singer-songwriter-guitarist [[Pete Shelley]] and singer-songwriter [[Howard Devoto]] formed in [[Manchester]] in 1976.<ref>{{Cite book |last=Diggle |first=Steve |title=Autonomy |publisher=Omnibus Press |year=2024 |isbn=978-1-9158-4108-7 |location=London |pages=78-78 |language=English}}</ref> During their career, the band combined elements of punk rock, [[power pop]],<ref>{{cite web |url= http://www.spinner.com/2010/02/08/buzzcocks-reissues/ |author= Laban, Linda |date= 8 February 2010 |title= Buzzcocks Reissue First Three Albums |publisher= [[Spinner (website)|Spinner]] |quote= On top of the social impact, Buzzcocks' wiry pop toned punk influenced new genres like power pop and even emo, which shares similar soaring riffs and emotional lyrics. |access-date= 25 February 2013 |url-status= live |archive-url= https://archive.today/20130411203350/http://www.spinner.com/2010/02/08/buzzcocks-reissues/ |archive-date= 11 April 2013 |df= dmy-all }}</ref> and [[pop punk]].<ref name=":0">{{Cite book |last=Lauk |first=Len |title=Rock - The Rough Guide |publisher=Rough Guides Ltd |year=1996 |editor-last=Buckley |editor-first=Jonathan |edition=1st |location=London |pages=129–130 |chapter=Buzzcocks}}</ref> They achieved commercial success with singles that fuse pop craftsmanship with rapid-fire punk energy; these singles were later collected on ''[[Singles Going Steady]]'', an acclaimed compilation album music journalist and critic Ned Raggett described as a "punk masterpiece".<ref>{{cite web |url=http://www.allmusic.com/album/singles-going-steady-mw0000651822 |title=Singles Going Steady – Buzzcocks : Songs, Reviews, Credits, Awards : AllMusic |last=Raggett |first=Ned |work=[[AllMusic]] |access-date=1 September 2012 |url-status=live |archive-url=https://web.archive.org/web/20120928232109/http://www.allmusic.com/album/singles-going-steady-mw0000651822 |archive-date=28 September 2012  }}</ref>
'''Buzzcocks''' are an English [[punk rock]] band formed by singer-songwriter and guitarist [[Pete Shelley]] and singer-songwriter [[Howard Devoto]] in [[Bolton]] in 1976.<ref>{{Cite book |last=Diggle |first=Steve |title=Autonomy |publisher=Omnibus Press |year=2024 |isbn=978-1-9158-4108-7 |location=London |pages=78-78 |language=English}}</ref> Their songs include punk rock, [[power pop]],<ref>{{cite web |url= http://www.spinner.com/2010/02/08/buzzcocks-reissues/ |author= Laban, Linda |date= 8 February 2010 |title= Buzzcocks Reissue First Three Albums |publisher= [[Spinner (website)|Spinner]] |quote= On top of the social impact, Buzzcocks' wiry pop toned punk influenced new genres like power pop and even emo, which shares similar soaring riffs and emotional lyrics. |access-date= 25 February 2013 |url-status= live |archive-url= https://archive.today/20130411203350/http://www.spinner.com/2010/02/08/buzzcocks-reissues/ |archive-date= 11 April 2013 |df= dmy-all }}</ref> and [[pop punk]].<ref name=":0">{{Cite book |last=Lauk |first=Len |title=Rock - The Rough Guide |publisher=Rough Guides Ltd |year=1996 |editor-last=Buckley |editor-first=Jonathan |edition=1st |location=London |pages=129–130 |chapter=Buzzcocks}}</ref> They achieved commercial success with singles that fuse pop with rapid-fire punk energy; these singles were later collected on ''[[Singles Going Steady]]'', an acclaimed compilation album music journalist and critic Ned Raggett described as a "punk masterpiece".<ref>{{cite web |url=http://www.allmusic.com/album/singles-going-steady-mw0000651822 |title=Singles Going Steady – Buzzcocks : Songs, Reviews, Credits, Awards : AllMusic |last=Raggett |first=Ned |work=[[AllMusic]] |access-date=1 September 2012 |url-status=live |archive-url=https://web.archive.org/web/20120928232109/http://www.allmusic.com/album/singles-going-steady-mw0000651822 |archive-date=28 September 2012  }}</ref>


Devoto left the band in 1977 and formed [[Magazine (band)|Magazine]], after which Pete Shelley became the principal singer-songwriter.<ref>{{cite magazine|url=https://www.rollingstone.com/music/artists/buzzcocks/biography|title=Buzzcocks Biography|magazine=[[Rolling Stone]]|access-date=15 March 2018|url-status=dead|archive-url=https://web.archive.org/web/20180316084836/https://www.rollingstone.com/music/artists/buzzcocks/biography|archive-date=16 March 2018}}</ref> The classic lineup of Shelley, [[Steve Diggle]] (guitar), [[Steve Garvey (musician)|Steve Garvey]] (bass) and [[John Maher (Buzzcocks drummer)|John Maher]] (drums) recorded Buzzcocks' first three albums, after which the band broke up in 1981 following a dispute with their record label. The band reunited in 1989 and released six more albums before Shelley's death in 2018.<ref name=bbc_shelley/> Prolific members during that time included [[Tony Barber (bassist)|Tony Barber]] (bass) and Phil Barker (drums). The band has remained active, being anchored by long-time guitarist Diggle, who has since also assumed lead vocal duties. As of 2019, the band consists of Diggle, [[Danny Farrant]] (drums), Chris Remington (bass) and touring member Mani Perazzoli (guitar, backing vocals). This line-up released the band's tenth album, ''[[Sonics in the Soul]]'' in 2022.<ref>{{cite web |last=Blistein |first=Jon |date=14 February 2020 |title=Buzzcocks Unveil First New Music Since Death Of Pete Shelley |url=https://www.rollingstone.com/music/music-news/buzzcocks-new-single-gotta-get-better-953454/ |access-date=4 May 2023 |publisher=[[Rolling Stone]]}}</ref>
Devoto left the band in 1977 and formed [[Magazine (band)|Magazine]], after which Pete Shelley became the principal singer-songwriter.<ref>{{cite magazine|url=https://www.rollingstone.com/music/artists/buzzcocks/biography|title=Buzzcocks Biography|magazine=[[Rolling Stone]]|access-date=15 March 2018|url-status=dead|archive-url=https://web.archive.org/web/20180316084836/https://www.rollingstone.com/music/artists/buzzcocks/biography|archive-date=16 March 2018}}</ref> The classic lineup of Shelley, [[Steve Diggle]] (guitar), [[Steve Garvey (musician)|Steve Garvey]] (bass) and [[John Maher (Buzzcocks drummer)|John Maher]] (drums) recorded Buzzcocks' first three albums, after which the band broke up in 1981 following a dispute with their record label. The band reunited in 1989 and released six more albums before Shelley's death in 2018.<ref name=bbc_shelley/> Members during that time included [[Tony Barber (bassist)|Tony Barber]] (bass) and Phil Barker (drums). The band has remained active, being anchored by long-time guitarist Diggle, who has since also assumed lead vocal duties. As of 2019, the band consists of Diggle, [[Danny Farrant]] (drums), Chris Remington (bass) and touring member Mani Perazzoli (guitar, backing vocals). This line-up released the band's tenth album, ''[[Sonics in the Soul]]'' in 2022.<ref>{{cite web |last=Blistein |first=Jon |date=14 February 2020 |title=Buzzcocks Unveil First New Music Since Death Of Pete Shelley |url=https://www.rollingstone.com/music/music-news/buzzcocks-new-single-gotta-get-better-953454/ |access-date=4 May 2023 |publisher=[[Rolling Stone]]}}</ref>


== Career ==
== Career ==
=== Early years ===
=== Early years ===
[[Howard Trafford]], a student at [[University of Bolton|Bolton Institute of Technology]] who had been involved in electronic music, placed a notice in the college looking for musicians to play [[The Velvet Underground]]'s song "[[Sister Ray]]".<ref name="urbis" /><ref>{{cite web |url=http://pitchfork.com/features/interviews/7583-buzzcocks/ |title=Pitchfork: Buzzcocks interview |date=29 January 2009 |publisher=Pitchfork Media |access-date=15 April 2009 |url-status=live |archive-url=https://web.archive.org/web/20090313020230/http://pitchfork.com/features/interviews/7583-buzzcocks/ |archive-date=13 March 2009  }}</ref> Fellow student [[Peter McNeish]], who had played in a rock band called Jets of Air, responded to the notice.<ref name="urbis">{{cite web |author=Aidan O'Rourke |url=http://www.aidan.co.uk/article_urbis_buzzcocks.htm |title=Event Review: An Evening with Buzzcocks |date=12 August 2005 |publisher=Urbis Manchester |access-date=22 August 2009 |url-status=live |archive-url=https://web.archive.org/web/20051031010125/http://www.aidan.co.uk/article_urbis_buzzcocks.htm |archive-date=31 October 2005 }}</ref><ref name=":13"/>
[[Howard Trafford]], a student at [[University of Bolton|Bolton Institute of Technology]] who had been involved in electronic music, placed a notice in the college looking for musicians to play [[the Velvet Underground]]'s song "[[Sister Ray]]".<ref name="urbis" /><ref>{{cite web |url=http://pitchfork.com/features/interviews/7583-buzzcocks/ |title=Pitchfork: Buzzcocks interview |date=29 January 2009 |publisher=Pitchfork Media |access-date=15 April 2009 |url-status=live |archive-url=https://web.archive.org/web/20090313020230/http://pitchfork.com/features/interviews/7583-buzzcocks/ |archive-date=13 March 2009  }}</ref> Fellow student [[Peter McNeish]], who had played in a rock band called Jets of Air, responded to the notice.<ref name="urbis">{{cite web |author=Aidan O'Rourke |url=http://www.aidan.co.uk/article_urbis_buzzcocks.htm |title=Event Review: An Evening with Buzzcocks |date=12 August 2005 |publisher=Urbis Manchester |access-date=22 August 2009 |url-status=live |archive-url=https://web.archive.org/web/20051031010125/http://www.aidan.co.uk/article_urbis_buzzcocks.htm |archive-date=31 October 2005 }}</ref><ref name=":13"/>


By late 1975, Trafford and McNeish had recruited a drummer and formed an early version of what would become Buzzcocks. The band formed in February 1976; McNeish assumed the stage name Pete Shelley and Trafford named himself Howard Devoto.<ref>Some sources claim the surname came from a "bus driver in Cambridge" mentioned by a philosophy tutor at Bolton (e.g. Dave Wilson, 2004, ''Rock Formations: Categorical Answers to how Band Names Were Formed'', San Jose:, Cidermill Books, pp. 38–9). Other accounts link it to US novelist [[Bernard DeVoto]]. (See, for example, Adrian Room, 2010, ''Dictionary of Pseudonyms: 13,000 Assumed Names and Their Origins, 5th ed.'', Jefferson, North Carolina/London, McFarland & Company, pp. 38, 144.)</ref>
By late 1975, Trafford and McNeish had recruited a drummer and formed an early version of what would become Buzzcocks. The band formed in February 1976; McNeish assumed the stage name Pete Shelley and Trafford named himself Howard Devoto.<ref>Some sources claim the surname came from a "bus driver in Cambridge" mentioned by a philosophy tutor at Bolton (e.g. Dave Wilson, 2004, ''Rock Formations: Categorical Answers to how Band Names Were Formed'', San Jose:, Cidermill Books, pp. 38–9). Other accounts link it to US novelist [[Bernard DeVoto]]. (See, for example, Adrian Room, 2010, ''Dictionary of Pseudonyms: 13,000 Assumed Names and Their Origins, 5th ed.'', Jefferson, North Carolina/London, McFarland & Company, pp. 38, 144.)</ref>
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Buzzcocks performed live for the first time on 1 April 1976 at their college. [[Garth Davies]] played bass guitar and Mick Singleton, who also played in local band Black Cat Bone, played drums.<ref name="buzzcocksdiscography">{{cite web |title=Discography |url=http://www.buzzcocks.com/buzzcocksdiscography.txt |website=Buzzcocks.com |format=TXT |date=24 February 2004 |access-date=22 August 2009 |url-status=dead |archive-url=https://web.archive.org/web/20090905082535/http://www.buzzcocks.com/buzzcocksdiscography.txt |archive-date=5 September 2009 }}</ref>
Buzzcocks performed live for the first time on 1 April 1976 at their college. [[Garth Davies]] played bass guitar and Mick Singleton, who also played in local band Black Cat Bone, played drums.<ref name="buzzcocksdiscography">{{cite web |title=Discography |url=http://www.buzzcocks.com/buzzcocksdiscography.txt |website=Buzzcocks.com |format=TXT |date=24 February 2004 |access-date=22 August 2009 |url-status=dead |archive-url=https://web.archive.org/web/20090905082535/http://www.buzzcocks.com/buzzcocksdiscography.txt |archive-date=5 September 2009 }}</ref>


After reading an ''[[NME]]'' review of [[The Sex Pistols]]' first performance, in February 1976, Shelley and Devoto travelled to [[High Wycombe]] together to see the band.<ref name=":13">{{cite book |last1=Crampton |first1=Luke |title=The Q Book of Punk Legends |last2=Rees |first2=Dafydd |publisher=Guinness Publishing Ltd |year=1996 |location=Enfield, UK |pages=32–37}}</ref> Shelley and Devoto were impressed by the show and arranged for The Sex Pistols to perform at the [[Free Trade Hall|Lesser Free Trade Hall]] in Manchester in June 1976. Buzzcocks intended to play at this concert but the other musicians dropped out, and Shelley and Devoto were unable to recruit replacements in time for the gig. Once they had recruited bass guitarist [[Steve Diggle]] and drummer [[John Maher (Buzzcocks drummer)|John Maher]], Buzzcocks made their debut opening for The Sex Pistols' second Manchester concert on 20 July 1976 at the same venue.<ref name=":13"/> A brief clip of Devoto-era Buzzcocks performing [[the Troggs]]' "[[I Can't Control Myself]]" appears in the documentary ''Punk: Attitude'', which was directed by [[Don Letts]]. Buzzcocks made their London debut at [[The Screen on the Green]] in support of  The Clash and The Sex Pistols, while the next month they played the two-day [[100 Club Punk Festival]], which was organised by [[Malcolm McLaren]], and would later replace [[The Damned (band)|the Damned]] on the Anarchy in the UK Tour.<ref name=":13"/><ref>{{Cite news |last=Welch |first=Jon |date=2016-12-03 |title=Sex Pistols: Anarchy in the UK and the tour they tried to ban |language=en-GB |work=BBC News |url=https://www.bbc.com/news/uk-england-norfolk-38165091 |access-date=2023-09-17}}</ref>
After reading an ''[[NME]]'' review of [[the Sex Pistols]]' first performance, in February 1976, Shelley and Devoto travelled to [[High Wycombe]] together to see the band.<ref name=":13">{{cite book |last1=Crampton |first1=Luke |title=The Q Book of Punk Legends |last2=Rees |first2=Dafydd |publisher=Guinness Publishing Ltd |year=1996 |location=Enfield, UK |pages=32–37}}</ref> Shelley and Devoto were impressed by the show and arranged for the Sex Pistols to perform at the [[Free Trade Hall|Lesser Free Trade Hall]] in Manchester on [[4 June 1976]]. Buzzcocks intended to play at this concert but the other musicians dropped out, and Shelley and Devoto were unable to recruit replacements in time for the gig. Once they had recruited bass guitarist [[Steve Diggle]] and drummer [[John Maher (Buzzcocks drummer)|John Maher]], Buzzcocks made their debut opening for the Sex Pistols' second Manchester concert on 20 July 1976 at the same venue.<ref name=":13"/> A brief clip of Devoto-era Buzzcocks performing [[the Troggs]]' "[[I Can't Control Myself]]" appears in the documentary ''Punk: Attitude'', which was directed by [[Don Letts]]. Buzzcocks made their London debut at [[The Screen on the Green]] in support of  the Clash and the Sex Pistols, while the next month they played the two-day [[100 Club Punk Festival]], which was organised by [[Malcolm McLaren]], and would later replace [[The Damned (band)|the Damned]] on the Anarchy in the UK Tour.<ref name=":13"/><ref>{{Cite news |last=Welch |first=Jon |date=2016-12-03 |title=Sex Pistols: Anarchy in the UK and the tour they tried to ban |language=en-GB |work=BBC News |url=https://www.bbc.com/news/uk-england-norfolk-38165091 |access-date=2023-09-17}}</ref>


In between these live performances, Buzzcocks began developing their own material and recorded an 11-track demo at Stockport Studios which was eventually released in 1991.<ref name=":13" /> By the end of the year, Buzzcocks had recorded and released a four-track [[Extended play|EP]] called ''[[Spiral Scratch]]'', which they released on their own label New Hormones, making them one of the first punk groups to establish an [[independent record label]].<ref name=":0" /> The EP was produced by [[Martin Hannett]] at Indigo Sound Studios; the music was roughly recorded, insistently repetitive and energetic.<ref>{{Citation |last=Ogg |first=Alex |title=Buzzcocks - Spiral Scratch Album Review |url=https://www.allmusic.com/album/spiral-scratch-mw0000605723 |access-date=2023-09-18 |language=en}}</ref> The EP was re-released in September 1979 and reached number 31 in the charts.<ref name=":13" />
In between these live performances, Buzzcocks began developing their own material and recorded an 11-track demo at Stockport Studios which was eventually released in 1991.<ref name=":13" /> By the end of the year, Buzzcocks had recorded and released a four-track [[Extended play|EP]] called ''[[Spiral Scratch]]'', which they released on their own label New Hormones, making them one of the first punk groups to establish an [[independent record label]].<ref name=":0" /> The EP was produced by [[Martin Hannett]] at Indigo Sound Studios; the music was roughly recorded, insistently repetitive and energetic.<ref>{{Citation |last=Ogg |first=Alex |title=Buzzcocks - Spiral Scratch Album Review |url=https://www.allmusic.com/album/spiral-scratch-mw0000605723 |access-date=2023-09-18 |language=en}}</ref> The EP was re-released in September 1979 and reached number 31 in the charts.<ref name=":13" />


In March 1977, Devoto announced his departure from the band, expressing his dissatisfaction at the direction punk was taking in his statement: "I don't like movements. What was once unhealthily fresh is now a clean old hat".<ref>{{Cite web |date=2008-12-12 |title=Howard Devoto on why it's the right time for a Magazine reunion |url=http://www.theguardian.com/music/2008/dec/12/magazine-howard-devoto |access-date=2022-06-23 |website=the Guardian |language=en}}</ref> He returned to college for a year then formed a band called [[Magazine (band)|Magazine]]. Pete Shelley took on the vocal duties for Buzzcocks and moved away from social commentary to adolescent themes.<ref name=":0" /> Steve Diggle switched from bass to guitar, and Garth Davies—also known as Garth Smith—rejoined Buzzcocks to play bass. The band joined The Clash as support on their White Riot tour.<ref name=":13" />
In March 1977, Devoto announced his departure from the band, expressing his dissatisfaction at the direction punk was taking in his statement: "I don't like movements. What was once unhealthily fresh is now a clean old hat".<ref>{{Cite web |date=2008-12-12 |title=Howard Devoto on why it's the right time for a Magazine reunion |url=http://www.theguardian.com/music/2008/dec/12/magazine-howard-devoto |access-date=2022-06-23 |website=the Guardian |language=en}}</ref> He returned to college for a year then formed a band called [[Magazine (band)|Magazine]]. Pete Shelley took on the vocal duties for Buzzcocks and moved away from social commentary to adolescent themes.<ref name=":0" /> Steve Diggle switched from bass to guitar, and Garth Davies—also known as Garth Smith—rejoined Buzzcocks to play bass. The band joined the Clash as support on their White Riot tour.<ref name=":13" />


=== Mainstream success ===
=== Mainstream success ===
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In 1979, Buzzcocks prepared for their first European tour while working on new material. In March, the band released the single "Everybody's Happy Nowadays", which reached number 29 in the chart. The tour that followed culminated at [[Hammersmith Odeon]]; the concert was recorded and released in 1992 as ''Entertaining Friends''.<ref name=":13" /> in mid 1979, the band completed the recording of their third album while a second single "Harmony in my Head" reached number 32 in August. Prior to their first venture to the US, [[I.R.S. Records]] released the band's singles compilation ''[[Singles Going Steady]]'' there.<ref name=":1">{{Cite book |last=Coleman |first=Mark |title=The Rolling Stone album guide: completely new reviews, every essential album, every essential artist |publisher=Virgin |year=1992 |isbn=978-0-86369-643-5 |editor-last=DeCurtis |editor-first=Anthony |edition=3rd |location=London |pages=100–1001 |editor-last2=Henke |editor-first2=James |editor-last3=George-Warren |editor-first3=Holly}}</ref>
In 1979, Buzzcocks prepared for their first European tour while working on new material. In March, the band released the single "Everybody's Happy Nowadays", which reached number 29 in the chart. The tour that followed culminated at [[Hammersmith Odeon]]; the concert was recorded and released in 1992 as ''Entertaining Friends''.<ref name=":13" /> in mid 1979, the band completed the recording of their third album while a second single "Harmony in my Head" reached number 32 in August. Prior to their first venture to the US, [[I.R.S. Records]] released the band's singles compilation ''[[Singles Going Steady]]'' there.<ref name=":1">{{Cite book |last=Coleman |first=Mark |title=The Rolling Stone album guide: completely new reviews, every essential album, every essential artist |publisher=Virgin |year=1992 |isbn=978-0-86369-643-5 |editor-last=DeCurtis |editor-first=Anthony |edition=3rd |location=London |pages=100–1001 |editor-last2=Henke |editor-first2=James |editor-last3=George-Warren |editor-first3=Holly}}</ref>


The band's third album ''[[A Different Kind of Tension]]'' was released the end of September 1979 and reached number 26 in the chart while the band completed a second UK tour.<ref name=":13" /> The album's single "You Say You Don't Love Me" failed to chart.<ref>{{Cite web |title=Buzzcocks You Say You Don't Love Me. Vintage Advert 1979 (ref AD14086) |url=https://www.thenostalgiashop.co.uk/products/buzzcocks-you-say-you-dont-love-me-vintage-advert-1979-ref-ad14086 |access-date=2023-09-18 |website=The Nostalgia Shop |language=en}}</ref><ref>{{Cite book |last1=Shelley |first1=Pete |url=https://books.google.com/books?id=ozD9DwAAQBAJ&dq=Buzzcocks+you+say+you+don't+love+me+1979&pg=PT228 |title=Ever Fallen in Love: The Lost Buzzcocks Tapes |last2=Shelley |first2=Louie |date=2021-06-10 |publisher=Octopus |isbn=978-1-78840-289-7 |pages=225 |language=en}}</ref> A period of inactivity lasted until September 1980 when the [[double-A side]] "Why She's A Girl From The Chainstore/Are Everything" was released. It reached number 61 and was the band's last charting single.<ref name=":13" /> Two further singles "Strange Thing" and "Running Free" failed to chart while the band embarked on a truncated UK tour.<ref name=":13" /><ref>{{Cite book |last=Savage |first=Jon |url=https://books.google.com/books?id=xNbgOXwwWhQC&dq=buzzcocks+strange+thing+1980&pg=PT435 |title=England's Dreaming |date=2011-02-17 |publisher=Faber & Faber |isbn=978-0-571-26119-2 |pages=435 |language=en}}</ref>
The band's third album ''[[A Different Kind of Tension]]'' was released the end of September 1979 and reached number 26 in the chart while the band completed a second UK tour.<ref name=":13" /> The album's single "You Say You Don't Love Me" failed to chart.<ref>{{Cite web |title=Buzzcocks You Say You Don't Love Me. Vintage Advert 1979 (ref AD14086) |url=https://www.thenostalgiashop.co.uk/products/buzzcocks-you-say-you-dont-love-me-vintage-advert-1979-ref-ad14086 |access-date=2023-09-18 |website=The Nostalgia Shop |language=en}}</ref><ref>{{Cite book |last1=Shelley |first1=Pete |url=https://books.google.com/books?id=ozD9DwAAQBAJ&dq=Buzzcocks+you+say+you+don't+love+me+1979&pg=PT228 |title=Ever Fallen in Love: The Lost Buzzcocks Tapes |last2=Shelley |first2=Louie |date=2021-06-10 |publisher=Octopus |isbn=978-1-78840-289-7 |pages=225 |language=en}}</ref> A period of inactivity lasted until September 1980 when the [[double-A side]] "Why She's A Girl From the Chainstore/Are Everything" was released. It reached number 61 and was the band's last charting single.<ref name=":13" /> Two further singles "Strange Thing" and "Running Free" failed to chart while the band embarked on a truncated UK tour.<ref name=":13" /><ref>{{Cite book |last=Savage |first=Jon |url=https://books.google.com/books?id=xNbgOXwwWhQC&dq=buzzcocks+strange+thing+1980&pg=PT435 |title=England's Dreaming |date=2011-02-17 |publisher=Faber & Faber |isbn=978-0-571-26119-2 |pages=435 |language=en}}</ref>


=== Break-up and reunion ===
=== Break-up and reunion ===
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After recording demos for a fourth album, Buzzcocks disbanded in 1981; Shelley took up a solo career, and Diggle and Maher formed [[Flag of Convenience (band)|Flag of Convenience]] and released several singles between 1982 and 1989.<ref name=":13" /> Garvey formed [[Motivation (band)|Motivation]] and joined [[Blue Orchids]], moving to New York shortly afterwards to continue with Motivation. Maher had joined [[Wah!]] by the time Buzzcocks broke up; as of 2012, he owned John Maher Racing, a vintage Volkswagen performance-tuning workshop on the [[Isle of Harris]], Scotland.<ref>{{cite web |title=John Maher Racing |url=http://www.johnmaherracing.co.uk/ |url-status=live |archive-url=https://web.archive.org/web/20120430102003/http://www.johnmaherracing.co.uk/ |archive-date=30 April 2012 |access-date=12 November 2023}}</ref>
After recording demos for a fourth album, Buzzcocks disbanded in 1981; Shelley took up a solo career, and Diggle and Maher formed [[Flag of Convenience (band)|Flag of Convenience]] and released several singles between 1982 and 1989.<ref name=":13" /> Garvey formed [[Motivation (band)|Motivation]] and joined [[Blue Orchids]], moving to New York shortly afterwards to continue with Motivation. Maher had joined [[Wah!]] by the time Buzzcocks broke up; as of 2012, he owned John Maher Racing, a vintage Volkswagen performance-tuning workshop on the [[Isle of Harris]], Scotland.<ref>{{cite web |title=John Maher Racing |url=http://www.johnmaherracing.co.uk/ |url-status=live |archive-url=https://web.archive.org/web/20120430102003/http://www.johnmaherracing.co.uk/ |archive-date=30 April 2012 |access-date=12 November 2023}}</ref>


Between 1988 and 1989, EMI re-released much of Buzzcocks' back catalogue on Compact Disc (CD), as well as a [[Peel Sessions]] album and a box set called ''Product''.<ref name=":13" /> This prompted the band to reform with the original line-up for a world tour. Maher was briefly replaced with [[The Smiths]] drummer [[Mike Joyce (musician)|Mike Joyce]]. In 1991, Buzzcocks released new material on the four-track EP ''Alive Tonight''.<ref name=":13" /> In the US, interest in the band increased after I.R.S. Records released the compilation album ''[[Operator's Manual: Buzzcocks Best]]''.<ref name=":1" /> It was followed two years later by the fourth studio album ''[[Trade Test Transmissions]]''.<ref>{{cite journal |last=Stegall |first=Tim |date=March 1996 |title=Reviews |url=https://books.google.com/books?id=5ywEAAAAMBAJ&q=buzzcocks+%22trade+test+transmissions%22+review&pg=RA1-PA34 |journal=[[CMJ|CMJ New Music Monthly]] |page=34 |accessdate=1 January 2015}}</ref>
Between 1988 and 1989, EMI re-released much of Buzzcocks' back catalogue on Compact Disc (CD), as well as a [[Peel Sessions]] album and a box set called ''Product''.<ref name=":13" /> This prompted the band to reform with the original line-up for a world tour. Maher was briefly replaced with [[The Smiths|Smiths]] drummer [[Mike Joyce (musician)|Mike Joyce]]. In 1991, Buzzcocks released new material on the four-track EP ''Alive Tonight''.<ref name=":13" /> In the US, interest in the band increased after I.R.S. Records released the compilation album ''[[Operator's Manual: Buzzcocks Best]]''.<ref name=":1" /> It was followed two years later by the fourth studio album ''[[Trade Test Transmissions]]''.<ref>{{cite journal |last=Stegall |first=Tim |date=March 1996 |title=Reviews |url=https://books.google.com/books?id=5ywEAAAAMBAJ&q=buzzcocks+%22trade+test+transmissions%22+review&pg=RA1-PA34 |journal=[[CMJ|CMJ New Music Monthly]] |page=34 |accessdate=1 January 2015}}</ref>


In 1992, bassist [[Tony Barber (bassist)|Tony Barber]] and drummer Phil Barker joined Buzzcocks; this line-up toured with [[Nirvana (band)|Nirvana]] in 1994, one of Nirvana's last tours.<ref name=":2" /> In 1996, Buzzcocks released the live album ''French'', which was recorded in Paris the previous year.<ref name=":0" /> Also in 1996, the band's fifth studio album ''[[All Set]]'' was released. Buzzcocks continued to tour and in September 1999, they released the album ''Modern''.<ref>{{Citation |last=Erlewine |first=Stephen Thomas |title=Buzzcocks - Modern Album Review |url=https://www.allmusic.com/album/modern-mw0000247542 |work=allmusic.com |access-date=2023-09-24 |language=en}}</ref>
In 1992, bassist [[Tony Barber (bassist)|Tony Barber]] and drummer Phil Barker joined Buzzcocks; this line-up toured with [[Nirvana (band)|Nirvana]] in 1994, one of Nirvana's last tours.<ref name=":2" /> In 1996, Buzzcocks released the live album ''French'', which was recorded in Paris the previous year.<ref name=":0" /> Also in 1996, the band's fifth studio album ''[[All Set]]'' was released. Buzzcocks continued to tour and in September 1999, they released the album ''Modern''.<ref>{{Citation |last=Erlewine |first=Stephen Thomas |title=Buzzcocks - Modern Album Review |url=https://www.allmusic.com/album/modern-mw0000247542 |work=allmusic.com |access-date=2023-09-24 |language=en}}</ref>
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In the same year, Buzzcocks played in Serbia for the second time at the EXIT festival in [[Novi Sad]]. Their song "Why Can't I Touch It" was played in the second episode of the sixth season of the television series ''[[Entourage (U.S. TV series)|Entourage]]''. On 9 November 2009, Buzzcocks gave a performance on a small balcony overlooking Dame Street, Dublin, for the viral music show [[BalconyTV]].<ref>{{cite web |url=http://www.balconytv.com/v/buzzcocks--2 |title=BUZZCOCKS – Video Archive – BALCONYTV – Over 20 million video views – Music with a View |website=Balconytv.com |access-date=1 July 2011 |url-status=usurped |archive-url=https://web.archive.org/web/20101028023558/http://www.balconytv.com/v/buzzcocks--2 |archive-date=28 October 2010  }}</ref>
In the same year, Buzzcocks played in Serbia for the second time at the EXIT festival in [[Novi Sad]]. Their song "Why Can't I Touch It" was played in the second episode of the sixth season of the television series ''[[Entourage (U.S. TV series)|Entourage]]''. On 9 November 2009, Buzzcocks gave a performance on a small balcony overlooking Dame Street, Dublin, for the viral music show [[BalconyTV]].<ref>{{cite web |url=http://www.balconytv.com/v/buzzcocks--2 |title=BUZZCOCKS – Video Archive – BALCONYTV – Over 20 million video views – Music with a View |website=Balconytv.com |access-date=1 July 2011 |url-status=usurped |archive-url=https://web.archive.org/web/20101028023558/http://www.balconytv.com/v/buzzcocks--2 |archive-date=28 October 2010  }}</ref>


In December 2009, the band played as the main support act for [[The Courteeners]].<ref>{{Cite web |last=Stokes |first=Paul |date=2009-09-02 |title=The Courteeners announce massive Manchester homecoming gig |url=https://www.nme.com/news/music/the-courteeners-86-1313542 |access-date=2023-09-24 |website=NME |language=en-GB}}</ref> In August 2011, they headlined the first night of The Rhythm Festival in [[Bedfordshire]].<ref>{{Cite web |title=Buzzcocks – The Vogue |url=https://thevogue.com/artists/buzzcocks/ |access-date=2025-02-03 |language=en}}</ref>  
In December 2009, the band played as the main support act for [[the Courteeners]].<ref>{{Cite web |last=Stokes |first=Paul |date=2009-09-02 |title=The Courteeners announce massive Manchester homecoming gig |url=https://www.nme.com/news/music/the-courteeners-86-1313542 |access-date=2023-09-24 |website=NME |language=en-GB}}</ref> In August 2011, they headlined the first night of The Rhythm Festival in [[Bedfordshire]].<ref>{{Cite web |title=Buzzcocks – The Vogue |url=https://thevogue.com/artists/buzzcocks/ |access-date=2025-02-03 |language=en}}</ref>  


On 25 May 2012 in Manchester at the [[O2 Apollo]] and on 26 May in Brixton at the [[O2 Academy]], Buzzcocks performed with the original line-up, including Devoto.<ref name=":2" /> On 26 May 2012, the band announced for the first time they would headline Thursday night at [[Empress Ballroom]] at Rebellion Festival in Blackpool, performing with [[Rancid (band)|Rancid]], [[Public Image Limited]] and [[Social Distortion]].<ref>{{cite web|url=http://www.ents24.com/web/news/Buzzcocks_are_back_00178165.html|title=Announcement of Back To Front tour|website=Ents24.com|access-date=29 November 2011|url-status=dead|archive-url=https://web.archive.org/web/20111203040129/http://www.ents24.com/web/news/Buzzcocks_are_back_00178165.html|archive-date=3 December 2011}}</ref>
On 25 May 2012 in Manchester at the [[O2 Apollo]] and on 26 May in Brixton at the [[O2 Academy]], Buzzcocks performed with the original line-up, including Devoto.<ref name=":2" /> On 26 May 2012, the band announced for the first time they would headline Thursday night at [[Empress Ballroom]] at Rebellion Festival in Blackpool, performing with [[Rancid (band)|Rancid]], [[Public Image Limited]] and [[Social Distortion]].<ref>{{cite web|url=http://www.ents24.com/web/news/Buzzcocks_are_back_00178165.html|title=Announcement of Back To Front tour|website=Ents24.com|access-date=29 November 2011|url-status=dead|archive-url=https://web.archive.org/web/20111203040129/http://www.ents24.com/web/news/Buzzcocks_are_back_00178165.html|archive-date=3 December 2011}}</ref>


On 1 May 2014, Buzzcocks released the album ''[[The Way (Buzzcocks album)|The Way]]'' via [[PledgeMusic]]. On 13 September 2014, they played "a brief but triumphant set" at [[Riot Fest]] in Chicago, Illinois, US.<ref name="McGartland">{{cite book| first=Tony| last= McGartland| title= Buzzcocks: The Complete History| chapter= 1997–2017| chapter-url= https://books.google.com/books?id=LKGpDgAAQBAJ&q=%22Buzzcocks+played+a+brief+but+triumphant+set%22&pg=PT189
On 1 May 2014, Buzzcocks released the album ''[[The Way (Buzzcocks album)|The Way]]'' via [[PledgeMusic]]. On 13 September 2014, they played "a brief but triumphant set" at [[Riot Fest]] in Chicago, Illinois, US.<ref name="McGartland">{{cite book| first=Tony| last= McGartland| title= Buzzcocks: The Complete History| chapter= 1997–2017| chapter-url= https://books.google.com/books?id=LKGpDgAAQBAJ&q=%22Buzzcocks+played+a+brief+but+triumphant+set%22&pg=PT189
| publisher= John Blake Publishing Ltd.| date=25 May 2017| isbn= 978-1-78606-520-9 }}</ref> In October 2014, they toured the UK for three weeks with [[The Dollyrots]] as main support.{{cn|date=November 2023}}  
| publisher= John Blake Publishing Ltd.| date=25 May 2017| isbn= 978-1-78606-520-9 }}</ref> In October 2014, they toured the UK for three weeks with [[the Dollyrots]] as main support.{{cn|date=November 2023}}  


In 2016, the band embarked on their 40th-anniversary tour "Buzzcocks 40".{{cn|date=November 2023}}  In 2017, "Why Can't I Touch It" was featured in the opening segment of the [[Telltale Games|Telltale]] game '''[[Guardians of the Galaxy: The Telltale Series|Guardians of the Galaxy]]''.{{cn|date=November 2023}}
In 2016, the band embarked on their 40th-anniversary tour "Buzzcocks 40".<ref>{{Cite web |last=Curley |first=John |title=Buzzcocks bring their 40th anniversary tour to NYC’s Irving Plaza |url=https://www.goldminemag.com/blogs/buzzcocks-bring-40th-anniversary-tour-nycs-irving-plaza/ |access-date=2025-08-23 |website=Goldmine Magazine: Record Collector & Music Memorabilia |language=en-US}}</ref> In 2017, "Why Can't I Touch It" was featured in the opening segment of the [[Telltale Games|Telltale]] game '''[[Guardians of the Galaxy: The Telltale Series|Guardians of the Galaxy]]''.{{cn|date=November 2023}}


=== Shelley's death and aftermath ===
=== Shelley's death and aftermath ===
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Buzzcocks are a [[punk rock]] band that exhibit "crisp melodies", "driving guitars" and "biting lyrics". According to Mark Deming of [[AllMusic]], that instead of drawing on political lyrical themes, the band "brought an intense, brilliant vigor to the three-minute pop song, powered by Shelley's alternately funny and anguished lyrics about [[adolescence]] and love, backed by melodies and hooks that were concise and memorable."<ref>{{Cite web |title=Buzzcocks Songs, Albums, Reviews, Bio & More {{!}}... |url=https://www.allmusic.com/artist/buzzcocks-mn0000629564#biography |access-date=2024-11-30 |website=AllMusic |language=en}}</ref> Buzzcocks' distinctive sound combines catchy pop melodies with punk guitar energy, backed by an unusually tight and skilled rhythm section. They grew in musical and lyrical sophistication; by the end, they were quoting American writer [[William S. Burroughs]]' "A Different Kind of Tension", declaiming their catechism in the anthem "I Believe", and tuning in to a fantasy radio station on which their songs could be heard ("Radio Nine").{{Cn|date=November 2024}}
Buzzcocks are a [[punk rock]] band that exhibit "crisp melodies", "driving guitars" and "biting lyrics". According to Mark Deming of [[AllMusic]], that instead of drawing on political lyrical themes, the band "brought an intense, brilliant vigor to the three-minute pop song, powered by Shelley's alternately funny and anguished lyrics about [[adolescence]] and love, backed by melodies and hooks that were concise and memorable."<ref>{{Cite web |title=Buzzcocks Songs, Albums, Reviews, Bio & More {{!}}... |url=https://www.allmusic.com/artist/buzzcocks-mn0000629564#biography |access-date=2024-11-30 |website=AllMusic |language=en}}</ref> Buzzcocks' distinctive sound combines catchy pop melodies with punk guitar energy, backed by an unusually tight and skilled rhythm section. They grew in musical and lyrical sophistication; by the end, they were quoting American writer [[William S. Burroughs]]' "A Different Kind of Tension", declaiming their catechism in the anthem "I Believe", and tuning in to a fantasy radio station on which their songs could be heard ("Radio Nine").{{Cn|date=November 2024}}
== Legacy ==
== Legacy ==
Buzzcocks have had a significant impact on American punk, [[Hardcore punk|hardcore]], and [[indie rock]] acts, being cited as an influence by [[Dead Kennedys]] guitarist [[East Bay Ray]],<ref>{{Cite web |last=Tauber |first=Dani |date=June 18, 2014 |title=An Interview with The Dead Kennedys: The Great American Rip-Off |url=https://www.theaquarian.com/2014/06/18/an-interview-with-the-dead-kennedys-the-great-american-rip-off/ |url-status=live |archive-url=https://web.archive.org/web/20230923032319/https://www.theaquarian.com/2014/06/18/an-interview-with-the-dead-kennedys-the-great-american-rip-off/ |archive-date=September 23, 2023 |access-date=August 31, 2024 |website=[[The Aquarian Weekly]] |quote="Everyone’s always surprised by my influences," [Ray] laughs. "I really was into The Buzzcocks and [[Ramones | The Ramones]] and [[The Undertones]]."}}</ref> [[Parquet Courts]],<ref>{{Cite web |last=Noyd |first=John |date=May 2013 |title=An Interview with Parquet Courts Lead Singer Andrew Savage |url=https://www.maximumink.com/index.php/articles/permalink/parquet_courts |url-status=dead |archive-url=https://web.archive.org/web/20240522212222/https://www.maximumink.com/index.php/articles/permalink/parquet_courts |archive-date=May 22, 2024 |access-date=January 12, 2025 |website=Max Ink |quote=I feel like we wear our influences on our sleeve.  In, ''[[Light Up Gold]]'' I hear [[Ramones]], [[Black Flag (band) | Black Flag]], Buzzcocks, [[The Fall (band) | The Fall]], [[Guided By Voices]], [[Tyvek]]… I think a lot of people in the indie world assume we listen to a lot of current [[indie rock]] bands, but we really don’t.}}</ref> [[Hüsker Dü]],<ref>{{Cite web |last=Woods |first=Austin |date=April 2004 |title=GREG NORTON - On Hüsker Dü's Zen Arcade and his new band Ultrabomb |url=https://www.furious.com/perfect/huskerdugregnorton.html |url-status=live |archive-url=https://web.archive.org/web/20240528174615/https://www.furious.com/perfect/huskerdugregnorton.html |archive-date=May 28, 2024 |access-date=June 12, 2024 |website=Perfect Sound Forever |quote=The Buzzcocks were a big influence on us.}}</ref> [[Superchunk]],<ref>{{Cite web |last=Panetta |first=Giovanni |date=January 20, 2022 |title=Mac McCaughan, Superchunk, New Springtime Sounds: "The bands that clearly influenced our early records – Buzzcocks, Hüsker Dü, etc – were also bands that were known for catchy, great pop songs with loud guitars" |url=https://www.iyezine.com/en/mac-mccaughan-superchunk-new-springtime-sounds |url-status=dead |archive-url=https://web.archive.org/web/20230508024334/https://www.iyezine.com/en/mac-mccaughan-superchunk-new-springtime-sounds |archive-date=May 8, 2023 |access-date=May 7, 2023 |website=iye zine}}</ref> and [[Dag Nasty]].<ref>{{Cite web |date=19 February 2023 |title=Dag Nasty |url=http://www.fearandloathingfanzine.com/dag-nasty.html |url-status=live |archive-url=https://web.archive.org/web/20230528220856/http://www.fearandloathingfanzine.com/dag-nasty.html |archive-date=May 28, 2023 |access-date=February 19, 2023 |website=Fear and Loathing Fanzine |quote=The Buzzcocks and [[The Clash]] were also big influences. We loved the bands with high energy.}}</ref> [[The Smiths]]' [[Johnny Marr]] has stated that Buzzcocks influenced them "massively in the way we approached our record sleeves and our choice of independent record company – because of the Buzzcocks we took on a Mancunian DIY ethic."<ref>{{Cite web |last=Freeman |first=John |date=June 16, 2015 |title=Rubber Rings: Johnny Marr's Favourite Albums – 9. Buzzcocks – Another Music In A Different Kitchen |url=https://thequietus.com/interviews/bakers-dozen/johnny-marr-favourite-albums-interview/10/ |url-status=live |archive-url=https://web.archive.org/web/20240910072713/https://thequietus.com/interviews/bakers-dozen/johnny-marr-favourite-albums-interview/10/ |archive-date=September 10, 2024 |access-date=April 11, 2025 |website=[[The Quietus]]}}</ref>
Buzzcocks have influenced American punk, [[Hardcore punk|hardcore]], and [[indie rock]] acts, as well as [[Dead Kennedys]] guitarist [[East Bay Ray]],<ref>{{Cite web |last=Tauber |first=Dani |date=June 18, 2014 |title=An Interview with The Dead Kennedys: The Great American Rip-Off |url=https://www.theaquarian.com/2014/06/18/an-interview-with-the-dead-kennedys-the-great-american-rip-off/ |url-status=live |archive-url=https://web.archive.org/web/20230923032319/https://www.theaquarian.com/2014/06/18/an-interview-with-the-dead-kennedys-the-great-american-rip-off/ |archive-date=September 23, 2023 |access-date=August 31, 2024 |website=[[The Aquarian Weekly]] |quote="Everyone’s always surprised by my influences," [Ray] laughs. "I really was into The Buzzcocks and [[Ramones | The Ramones]] and [[The Undertones]]."}}</ref> [[Parquet Courts]],<ref>{{Cite web |last=Noyd |first=John |date=May 2013 |title=An Interview with Parquet Courts Lead Singer Andrew Savage |url=https://www.maximumink.com/index.php/articles/permalink/parquet_courts |url-status=dead |archive-url=https://web.archive.org/web/20240522212222/https://www.maximumink.com/index.php/articles/permalink/parquet_courts |archive-date=May 22, 2024 |access-date=January 12, 2025 |website=Max Ink |quote=I feel like we wear our influences on our sleeve.  In, ''[[Light Up Gold]]'' I hear [[Ramones]], [[Black Flag (band) | Black Flag]], Buzzcocks, [[The Fall (band) | The Fall]], [[Guided By Voices]], [[Tyvek]]… I think a lot of people in the indie world assume we listen to a lot of current [[indie rock]] bands, but we really don’t.}}</ref> [[Hüsker Dü]],<ref>{{Cite web |last=Woods |first=Austin |date=April 2004 |title=GREG NORTON - On Hüsker Dü's Zen Arcade and his new band Ultrabomb |url=https://www.furious.com/perfect/huskerdugregnorton.html |url-status=live |archive-url=https://web.archive.org/web/20240528174615/https://www.furious.com/perfect/huskerdugregnorton.html |archive-date=May 28, 2024 |access-date=June 12, 2024 |website=Perfect Sound Forever |quote=The Buzzcocks were a big influence on us.}}</ref> [[Superchunk]],<ref>{{Cite web |last=Panetta |first=Giovanni |date=January 20, 2022 |title=Mac McCaughan, Superchunk, New Springtime Sounds: "The bands that clearly influenced our early records – Buzzcocks, Hüsker Dü, etc – were also bands that were known for catchy, great pop songs with loud guitars" |url=https://www.iyezine.com/en/mac-mccaughan-superchunk-new-springtime-sounds |url-status=dead |archive-url=https://web.archive.org/web/20230508024334/https://www.iyezine.com/en/mac-mccaughan-superchunk-new-springtime-sounds |archive-date=May 8, 2023 |access-date=May 7, 2023 |website=iye zine}}</ref> and [[Dag Nasty]].<ref>{{Cite web |date=19 February 2023 |title=Dag Nasty |url=http://www.fearandloathingfanzine.com/dag-nasty.html |url-status=live |archive-url=https://web.archive.org/web/20230528220856/http://www.fearandloathingfanzine.com/dag-nasty.html |archive-date=May 28, 2023 |access-date=February 19, 2023 |website=Fear and Loathing Fanzine |quote=The Buzzcocks and [[The Clash]] were also big influences. We loved the bands with high energy.}}</ref> [[The Smiths]]' [[Johnny Marr]] has stated that Buzzcocks influenced them "massively in the way we approached our record sleeves and our choice of independent record company – because of the Buzzcocks we took on a Mancunian DIY ethic."<ref>{{Cite web |last=Freeman |first=John |date=June 16, 2015 |title=9. Buzzcocks – ''Another Music In A Different Kitchen'' – Rubber Rings: Johnny Marr's Favourite Albums |url=https://thequietus.com/interviews/bakers-dozen/johnny-marr-favourite-albums-interview/10/ |url-status=live |archive-url=https://web.archive.org/web/20240910072713/https://thequietus.com/interviews/bakers-dozen/johnny-marr-favourite-albums-interview/10/ |archive-date=September 10, 2024 |access-date=April 11, 2025 |website=[[The Quietus]]}}</ref>


Buzzcocks' name was combined with the title of Sex Pistols' album ''[[Never Mind the Bollocks, Here's the Sex Pistols]]'' to create the title of the long-running UK comedy television panel game show ''[[Never Mind the Buzzcocks]]''. Diggle said in his autobiography he and Shelley only granted the [[BBC]] use of their name under the impression it would be a one-off, probably unsuccessful, pilot, and that they are now mildly disgruntled the name is more readily associated in Britain with the series than with their band.<ref>{{cite book |last1=Diggle |first1=S. |last2=Rawlings |first2=T. |title=Harmony in My Head |publisher=Helter Skelter |year=2003 |isbn=1-900924-37-4}}</ref> Shelley appeared on the programme in 2000, when host [[Mark Lamarr]] introduced Shelley by saying without Buzzcocks "there'd be no Smiths or Radiohead, and this show would be called ''Never Mind [[Joan Armatrading]]''{{sp}}".<ref>{{Cite web |title=Obituary: Pete Shelley, influential songwriter who brought melody to punk rock |url=https://www.scotsman.com/news/obituary-pete-shelley-influential-songwriter-who-brought-melody-punk-rock-1425523 |access-date=May 3, 2023 |website=The Scotsman}}</ref>
Buzzcocks' name was combined with the title of Sex Pistols' album ''[[Never Mind the Bollocks, Here's the Sex Pistols]]'' to create the title of the long-running UK comedy television panel game show ''[[Never Mind the Buzzcocks]]''. Diggle said in his autobiography he and Shelley only granted the [[BBC]] use of their name under the impression it would be a one-off, probably unsuccessful, pilot, and that they are now mildly disgruntled the name is more readily associated in Britain with the series than with their band.<ref>{{cite book |last1=Diggle |first1=S. |last2=Rawlings |first2=T. |title=Harmony in My Head |publisher=Helter Skelter |year=2003 |isbn=1-900924-37-4}}</ref> Shelley appeared on the programme in 2000, when host [[Mark Lamarr]] introduced Shelley by saying without Buzzcocks "there'd be no Smiths or Radiohead, and this show would be called ''Never Mind [[Joan Armatrading]]''{{sp}}".<ref>{{Cite web |title=Obituary: Pete Shelley, influential songwriter who brought melody to punk rock |url=https://www.scotsman.com/news/obituary-pete-shelley-influential-songwriter-who-brought-melody-punk-rock-1425523 |access-date=May 3, 2023 |website=The Scotsman}}</ref>
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'''Current'''
'''Current'''
* [[Steve Diggle]] – vocals, guitar (1977–1981, 1989–present); bass (1976–1977)
* [[Steve Diggle]] – guitars, lead vocals (1977–1981, 1989–present); bass (1976–1977)
* [[Danny Farrant]] – drums (2006–present)
* [[Danny Farrant]] – drums (2006–present)
* Chris Remington – bass (2008–present)
* Chris Remington – bass (2008–present)


'''Touring'''
'''Touring'''
* Mani Perazzoli – guitar, backing vocals (2019–present)<ref>[https://www.buzzcocks.com/press Press – Buzzcocks]. ''Buzzcocks''. November 2019. Retrieved 26 May 2024.</ref>
* Mani Perazzoli – guitars, backing vocals (2019–present)<ref>[https://www.buzzcocks.com/press Press – Buzzcocks]. ''Buzzcocks''. November 2019. Retrieved 26 May 2024.</ref>


'''Former'''
'''Former'''
* [[Pete Shelley]] – vocals, guitar (1976–1981, 1989–2018; died 2018)
* [[Pete Shelley]] – guitars, vocals (1976–1981, 1989–2018; his death)
* [[Howard Devoto]] – lead vocals (1976–1977, 2012)
* [[Howard Devoto]] – lead vocals (1976–1977, 2012)
* [[Garth Smith]] – bass (1976, 1977)
* [[Garth Smith]] – bass (1976, 1977)
*Mick Singleton – drums (1976)
*Mick Singleton – drums (1976)
* [[John Maher (Buzzcocks drummer)|John Maher]] – drums (1976–1981, 1989, 1992, 2012)
* [[John Maher (Buzzcocks drummer)|John Maher]] – drums (1976–1981, 1989, 1992, 2012), backing vocals (1977–1978)
* [[Barry Adamson]] – bass (1977)
* [[Barry Adamson]] – bass (1977)
* [[Steve Garvey (musician)|Steve Garvey]] – bass (1977–1981, 1989–1992, 2012)
* [[Steve Garvey (musician)|Steve Garvey]] – bass (1977–1981, 1989–1992, 2012)
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Colors =
Colors =
   id:Vocals  value:red      legend:Vocals
   id:Vocals  value:red      legend:Vocals
   id:Guitar  value:green    legend:Guitar
  id:Bvocals value:pink      legend:Backing_vocals
   id:Guitar  value:green    legend:Guitars
   id:Bass    value:blue      legend:Bass
   id:Bass    value:blue      legend:Bass
   id:Drums  value:orange    legend:Drums
   id:Drums  value:orange    legend:Drums
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   bar:Devoto    from:05/25/2012 till:05/26/2012    color:Vocals
   bar:Devoto    from:05/25/2012 till:05/26/2012    color:Vocals
   bar:Shelley  from:01/01/1976 till:02/01/1977    color:Guitar
   bar:Shelley  from:01/01/1976 till:02/01/1977    color:Guitar
   bar:Shelley  from:01/01/1976 till:02/01/1977    color:Vocals width:3
   bar:Shelley  from:01/01/1976 till:02/01/1977    color:Bvocals width:3
   bar:Shelley  from:02/01/1977 till:03/06/1981    color:Vocals
   bar:Shelley  from:02/01/1977 till:03/06/1981    color:Vocals
   bar:Shelley  from:02/01/1977 till:03/06/1981    color:Guitar width:3
   bar:Shelley  from:02/01/1977 till:03/06/1981    color:Guitar width:3
   bar:Shelley  from:01/01/1989 till:05/25/2012     color:Vocals
   bar:Shelley  from:01/01/1989 till:12/06/2018     color:Vocals
   bar:Shelley  from:01/01/1989 till:05/25/2012    color:Guitar width:3
   bar:Shelley  from:01/01/1989 till:12/06/2018    color:Guitar width:3
  bar:Shelley  from:05/25/2012 till:05/26/2012    color:Guitar
  bar:Shelley  from:05/26/2012 till:12/06/2018    color:Vocals
  bar:Shelley  from:05/26/2012 till:12/06/2018    color:Guitar width:3
   bar:Smith    from:04/01/1976 till:04/01/1976    color:Bass
   bar:Smith    from:04/01/1976 till:04/01/1976    color:Bass
   bar:Smith    from:03/11/1977 till:10/07/1977    color:Bass
   bar:Smith    from:03/11/1977 till:10/07/1977    color:Bass
   bar:Diggle    from:07/20/1976 till:03/11/1977    color:Bass
   bar:Diggle    from:07/20/1976 till:03/11/1977    color:Bass
   bar:Diggle    from:03/11/1977 till:03/06/1981    color:Guitar
   bar:Diggle    from:03/11/1977 till:03/06/1981    color:Guitar
   bar:Diggle    from:03/11/1977 till:03/06/1981    color:Vocals width:3
   bar:Diggle    from:03/11/1977 till:07/29/1978    color:Bvocals width:3
  bar:Diggle    from:07/29/1978 till:03/06/1981    color:Vocals width:3
   bar:Diggle    from:01/01/1989 till:12/06/2018    color:Guitar
   bar:Diggle    from:01/01/1989 till:12/06/2018    color:Guitar
   bar:Diggle    from:01/01/1989 till:end            color:Guitar width:3
   bar:Diggle    from:01/01/1989 till:end            color:Guitar width:3
Line 221: Line 220:
   bar:Singleton from:04/01/1976 till:04/01/1976    color:Drums
   bar:Singleton from:04/01/1976 till:04/01/1976    color:Drums
   bar:Maher    from:07/20/1976 till:03/06/1981    color:Drums
   bar:Maher    from:07/20/1976 till:03/06/1981    color:Drums
  bar:Maher    from:03/11/1977 till:01/31/1978    color:Bvocals width:3
   bar:Maher    from:01/01/1989 till:12/31/1989    color:Drums
   bar:Maher    from:01/01/1989 till:12/31/1989    color:Drums
   bar:Maher  from:05/25/2012 till:05/26/2012    color:Drums
   bar:Maher  from:05/25/2012 till:05/26/2012    color:Drums
Line 239: Line 239:
* ''[[Love Bites (album)|Love Bites]]'' (1978)
* ''[[Love Bites (album)|Love Bites]]'' (1978)
* ''[[A Different Kind of Tension]]'' (1979)
* ''[[A Different Kind of Tension]]'' (1979)
* ''Time's Up'' (1991)
* ''[[Trade Test Transmissions]]'' (1993)
* ''[[Trade Test Transmissions]]'' (1993)
* ''[[All Set]]'' (1996)
* ''[[All Set]]'' (1996)
Line 263: Line 262:
[[Category:Buzzcocks| ]]
[[Category:Buzzcocks| ]]
[[Category:1976 establishments in England]]
[[Category:1976 establishments in England]]
[[Category:English punk rock groups]]
[[Category:Domino Recording Company artists]]
[[Category:English musical quartets]]
[[Category:English new wave musical groups]]
[[Category:English new wave musical groups]]
[[Category:English pop punk groups]]
[[Category:English pop punk groups]]
[[Category:English power pop groups]]
[[Category:English power pop groups]]
[[Category:United Artists Records artists]]
[[Category:English punk rock groups]]
[[Category:I.R.S. Records artists]]
[[Category:I.R.S. Records artists]]
[[Category:Parlophone artists]]
[[Category:Merge Records artists]]
[[Category:Musicians from the Metropolitan Borough of Bolton]]
[[Category:Musicians from the Metropolitan Borough of Bolton]]
[[Category:Musical groups established in 1976]]
[[Category:Musical groups established in 1976]]
[[Category:Musical groups disestablished in 1981]]
[[Category:Musical groups disestablished in 1981]]
[[Category:Musical groups reestablished in 1989]]
[[Category:Musical groups reestablished in 1989]]
[[Category:Parlophone artists]]
[[Category:Rock music groups from Greater Manchester]]
[[Category:Rock music groups from Greater Manchester]]
[[Category:ROIR artists]]
[[Category:ROIR artists]]
[[Category:Merge Records artists]]
[[Category:United Artists Records artists]]
[[Category:Domino Recording Company artists]]

Revision as of 19:35, 16 November 2025

Template:Short description Script error: No such module "For". Template:Use British English Template:Use dmy dates Script error: No such module "Infobox".Template:Template otherScript error: No such module "Check for unknown parameters".

Buzzcocks are an English punk rock band formed by singer-songwriter and guitarist Pete Shelley and singer-songwriter Howard Devoto in Bolton in 1976.[1] Their songs include punk rock, power pop,[2] and pop punk.[3] They achieved commercial success with singles that fuse pop with rapid-fire punk energy; these singles were later collected on Singles Going Steady, an acclaimed compilation album music journalist and critic Ned Raggett described as a "punk masterpiece".[4]

Devoto left the band in 1977 and formed Magazine, after which Pete Shelley became the principal singer-songwriter.[5] The classic lineup of Shelley, Steve Diggle (guitar), Steve Garvey (bass) and John Maher (drums) recorded Buzzcocks' first three albums, after which the band broke up in 1981 following a dispute with their record label. The band reunited in 1989 and released six more albums before Shelley's death in 2018.[6] Members during that time included Tony Barber (bass) and Phil Barker (drums). The band has remained active, being anchored by long-time guitarist Diggle, who has since also assumed lead vocal duties. As of 2019, the band consists of Diggle, Danny Farrant (drums), Chris Remington (bass) and touring member Mani Perazzoli (guitar, backing vocals). This line-up released the band's tenth album, Sonics in the Soul in 2022.[7]

Career

Early years

Howard Trafford, a student at Bolton Institute of Technology who had been involved in electronic music, placed a notice in the college looking for musicians to play the Velvet Underground's song "Sister Ray".[8][9] Fellow student Peter McNeish, who had played in a rock band called Jets of Air, responded to the notice.[8][10]

By late 1975, Trafford and McNeish had recruited a drummer and formed an early version of what would become Buzzcocks. The band formed in February 1976; McNeish assumed the stage name Pete Shelley and Trafford named himself Howard Devoto.[11]

Devoto and Shelley chose the name "Buzzcocks" after reading the headline "It's the Buzz, Cock!" in a review of the television series Rock Follies in Time Out magazine.[12] The "buzz" is the excitement of playing on stage and "cock" is northern English slang meaning "friend". They thought the name captured the excitement of the nascent punk scene and had humorous sexual connotations following Pete Shelley's time working in a Bolton adult shop.[13]

Buzzcocks performed live for the first time on 1 April 1976 at their college. Garth Davies played bass guitar and Mick Singleton, who also played in local band Black Cat Bone, played drums.[14]

After reading an NME review of the Sex Pistols' first performance, in February 1976, Shelley and Devoto travelled to High Wycombe together to see the band.[10] Shelley and Devoto were impressed by the show and arranged for the Sex Pistols to perform at the Lesser Free Trade Hall in Manchester on 4 June 1976. Buzzcocks intended to play at this concert but the other musicians dropped out, and Shelley and Devoto were unable to recruit replacements in time for the gig. Once they had recruited bass guitarist Steve Diggle and drummer John Maher, Buzzcocks made their debut opening for the Sex Pistols' second Manchester concert on 20 July 1976 at the same venue.[10] A brief clip of Devoto-era Buzzcocks performing the Troggs' "I Can't Control Myself" appears in the documentary Punk: Attitude, which was directed by Don Letts. Buzzcocks made their London debut at The Screen on the Green in support of the Clash and the Sex Pistols, while the next month they played the two-day 100 Club Punk Festival, which was organised by Malcolm McLaren, and would later replace the Damned on the Anarchy in the UK Tour.[10][15]

In between these live performances, Buzzcocks began developing their own material and recorded an 11-track demo at Stockport Studios which was eventually released in 1991.[10] By the end of the year, Buzzcocks had recorded and released a four-track EP called Spiral Scratch, which they released on their own label New Hormones, making them one of the first punk groups to establish an independent record label.[3] The EP was produced by Martin Hannett at Indigo Sound Studios; the music was roughly recorded, insistently repetitive and energetic.[16] The EP was re-released in September 1979 and reached number 31 in the charts.[10]

In March 1977, Devoto announced his departure from the band, expressing his dissatisfaction at the direction punk was taking in his statement: "I don't like movements. What was once unhealthily fresh is now a clean old hat".[17] He returned to college for a year then formed a band called Magazine. Pete Shelley took on the vocal duties for Buzzcocks and moved away from social commentary to adolescent themes.[3] Steve Diggle switched from bass to guitar, and Garth Davies—also known as Garth Smith—rejoined Buzzcocks to play bass. The band joined the Clash as support on their White Riot tour.[10]

Mainstream success

The new line-up signed with United Artists Records (UA) at Electric Circus, Manchester, on 16 August 1977, the day Elvis Presley died. The first UA Buzzcocks single "Orgasm Addict" was released in October 1977;[10] It was the start of a collaboration with producer Martin Rushent that would last until the end of the decade.[3] The band embarked on a headlining tour, during which Smith was found to be unreliable and was replaced with Steve Garvey.[10]

Buzzcocks' next single "What Do I Get?", which was released in February 1978, reached number 37 in the UK chart.[18] It was followed the next month by their debut album Another Music in a Different Kitchen, which reached number 15 in the chart.[10] In May, the band embarked on the Entertaining Friends tour while a third single "I Don't Mind" reached number 55 in the singles chart. In July, a fourth single "Love You More" reached number 34.[10] The band spent mid 1978 recording their second album Love Bites, which reached number 13 in the chart. After a 26-date UK tour, Buzzcocks gained success as their single "Ever Fallen in Love (With Someone You Shouldn't've)" reached number 12 in the UK chart in October 1978.[10] In December, the band released the single "Promises", which reached number 20 in the UK chart.[10] The single's B-side "Lipstick" shared the same ascending progression of notes in its chorus as Magazine's first single "Shot By Both Sides", which was released earlier that year.[3]

In 1979, Buzzcocks prepared for their first European tour while working on new material. In March, the band released the single "Everybody's Happy Nowadays", which reached number 29 in the chart. The tour that followed culminated at Hammersmith Odeon; the concert was recorded and released in 1992 as Entertaining Friends.[10] in mid 1979, the band completed the recording of their third album while a second single "Harmony in my Head" reached number 32 in August. Prior to their first venture to the US, I.R.S. Records released the band's singles compilation Singles Going Steady there.[19]

The band's third album A Different Kind of Tension was released the end of September 1979 and reached number 26 in the chart while the band completed a second UK tour.[10] The album's single "You Say You Don't Love Me" failed to chart.[20][21] A period of inactivity lasted until September 1980 when the double-A side "Why She's A Girl From the Chainstore/Are Everything" was released. It reached number 61 and was the band's last charting single.[10] Two further singles "Strange Thing" and "Running Free" failed to chart while the band embarked on a truncated UK tour.[10][22]

Break-up and reunion

After recording demos for a fourth album, Buzzcocks disbanded in 1981; Shelley took up a solo career, and Diggle and Maher formed Flag of Convenience and released several singles between 1982 and 1989.[10] Garvey formed Motivation and joined Blue Orchids, moving to New York shortly afterwards to continue with Motivation. Maher had joined Wah! by the time Buzzcocks broke up; as of 2012, he owned John Maher Racing, a vintage Volkswagen performance-tuning workshop on the Isle of Harris, Scotland.[23]

Between 1988 and 1989, EMI re-released much of Buzzcocks' back catalogue on Compact Disc (CD), as well as a Peel Sessions album and a box set called Product.[10] This prompted the band to reform with the original line-up for a world tour. Maher was briefly replaced with Smiths drummer Mike Joyce. In 1991, Buzzcocks released new material on the four-track EP Alive Tonight.[10] In the US, interest in the band increased after I.R.S. Records released the compilation album Operator's Manual: Buzzcocks Best.[19] It was followed two years later by the fourth studio album Trade Test Transmissions.[24]

In 1992, bassist Tony Barber and drummer Phil Barker joined Buzzcocks; this line-up toured with Nirvana in 1994, one of Nirvana's last tours.[25] In 1996, Buzzcocks released the live album French, which was recorded in Paris the previous year.[3] Also in 1996, the band's fifth studio album All Set was released. Buzzcocks continued to tour and in September 1999, they released the album Modern.[26]

In 2000, Mute Records released the 1976 demos that were recorded while Devoto was in the band as Time's Up, which had long been available as a bootleg. This album includes alternative takes of all the tracks from the EP Spiral Scratch and early versions of tracks that later appeared on Another Music in a Different Kitchen.[27]

21st century

File:Buzzcocks in Porto Alegre, Brasil.jpg
Buzzcocks performing in Porto Alegre, Brazil, 2006

in 2002, Shelley and Devoto collaborated for the first time since 1976, producing the album Buzzkunst, Kunst being the German word for 'Art'. The album is a mix of electronic music and punk.[25] Buzzcocks toured as support for Pearl Jam in 2003 and released their seventh, self-titled studio album.[28]

In 2005, as a tribute to BBC Radio 1 disc jockey John Peel, Shelley re-recorded "Ever Fallen in Love (With Someone You Shouldn't've)" with a group including Roger Daltrey, David Gilmour, Peter Hook, Elton John, Robert Plant and several contemporaneous bands. Proceeds from the single were donated to Amnesty International.[29] Shelley also performed the song live with Plant, Daltrey, Gilmour, Hook and Jeff Beck at the 2005 UK Music Hall of Fame.[30]

In April 2006, Barker left Buzzcocks and was replaced with Danny Farrant. In March 2006, the band released their eighth studio album Flat-Pack Philosophy on Cooking Vinyl Records.[31] On the supporting tour, Buzzcocks played on a leg of the mid-2006 Vans Warped Tour and made an appearance at Maxïmo Park's homecoming gig in Newcastle upon Tyne on 15 December 2007. In April 2008, Barber left the band and was replaced with Chris Remington.

File:W0809-Hellfest2013 Buzzcocks 71306.JPG
Left to right: Steve Diggle, Pete Shelley, Danny Farrant and Chris Remington, performing live at Hellfest 2013.

In January 2009, Buzzcocks embarked on a UK and European tour, the "Another Bites Tour", in which they played their first two albums in full, as well as an encore of their other hits.[32]

In the same year, Buzzcocks played in Serbia for the second time at the EXIT festival in Novi Sad. Their song "Why Can't I Touch It" was played in the second episode of the sixth season of the television series Entourage. On 9 November 2009, Buzzcocks gave a performance on a small balcony overlooking Dame Street, Dublin, for the viral music show BalconyTV.[33]

In December 2009, the band played as the main support act for the Courteeners.[34] In August 2011, they headlined the first night of The Rhythm Festival in Bedfordshire.[35]

On 25 May 2012 in Manchester at the O2 Apollo and on 26 May in Brixton at the O2 Academy, Buzzcocks performed with the original line-up, including Devoto.[25] On 26 May 2012, the band announced for the first time they would headline Thursday night at Empress Ballroom at Rebellion Festival in Blackpool, performing with Rancid, Public Image Limited and Social Distortion.[36]

On 1 May 2014, Buzzcocks released the album The Way via PledgeMusic. On 13 September 2014, they played "a brief but triumphant set" at Riot Fest in Chicago, Illinois, US.[37] In October 2014, they toured the UK for three weeks with the Dollyrots as main support.Script error: No such module "Unsubst".

In 2016, the band embarked on their 40th-anniversary tour "Buzzcocks 40".[38] In 2017, "Why Can't I Touch It" was featured in the opening segment of the Telltale game 'Guardians of the Galaxy.Script error: No such module "Unsubst".

Shelley's death and aftermath

Pete Shelley died on 6 December 2018 from a suspected heart attack at his home in Tallinn, Estonia.[6]

In June 2019, Buzzcocks performed with several guest vocalists as a tribute to Shelley. The concert had been planned before his death.[39] Steve Diggle said that Buzzcocks would continue, with the post-Shelley Buzzcocks being a 'new era'.[40] Sonics in the Soul, the band's first album without Shelley, was released in September 2022.[41] It featured Diggle on all vocals, and included a tribute to Shelley in the form of the track "You've Changed Everything Now".

Style

Template:Refimprove section Buzzcocks are a punk rock band that exhibit "crisp melodies", "driving guitars" and "biting lyrics". According to Mark Deming of AllMusic, that instead of drawing on political lyrical themes, the band "brought an intense, brilliant vigor to the three-minute pop song, powered by Shelley's alternately funny and anguished lyrics about adolescence and love, backed by melodies and hooks that were concise and memorable."[42] Buzzcocks' distinctive sound combines catchy pop melodies with punk guitar energy, backed by an unusually tight and skilled rhythm section. They grew in musical and lyrical sophistication; by the end, they were quoting American writer William S. Burroughs' "A Different Kind of Tension", declaiming their catechism in the anthem "I Believe", and tuning in to a fantasy radio station on which their songs could be heard ("Radio Nine").Script error: No such module "Unsubst".

Legacy

Buzzcocks have influenced American punk, hardcore, and indie rock acts, as well as Dead Kennedys guitarist East Bay Ray,[43] Parquet Courts,[44] Hüsker Dü,[45] Superchunk,[46] and Dag Nasty.[47] The Smiths' Johnny Marr has stated that Buzzcocks influenced them "massively in the way we approached our record sleeves and our choice of independent record company – because of the Buzzcocks we took on a Mancunian DIY ethic."[48]

Buzzcocks' name was combined with the title of Sex Pistols' album Never Mind the Bollocks, Here's the Sex Pistols to create the title of the long-running UK comedy television panel game show Never Mind the Buzzcocks. Diggle said in his autobiography he and Shelley only granted the BBC use of their name under the impression it would be a one-off, probably unsuccessful, pilot, and that they are now mildly disgruntled the name is more readily associated in Britain with the series than with their band.[49] Shelley appeared on the programme in 2000, when host Mark Lamarr introduced Shelley by saying without Buzzcocks "there'd be no Smiths or Radiohead, and this show would be called Never Mind Joan ArmatradingTemplate:Sp".[50]

Mark Deming of AllMusic called Buzzcocks "one of the best, most influential punk bands of all time".[51]

Band members

File:The band photo of the Buzzcocks.jpg
Band photo, at the Cropredy Festival, 13 August 2009

Current

  • Steve Diggle – guitars, lead vocals (1977–1981, 1989–present); bass (1976–1977)
  • Danny Farrant – drums (2006–present)
  • Chris Remington – bass (2008–present)

Touring

  • Mani Perazzoli – guitars, backing vocals (2019–present)[52]

Former

  • Pete Shelley – guitars, vocals (1976–1981, 1989–2018; his death)
  • Howard Devoto – lead vocals (1976–1977, 2012)
  • Garth Smith – bass (1976, 1977)
  • Mick Singleton – drums (1976)
  • John Maher – drums (1976–1981, 1989, 1992, 2012), backing vocals (1977–1978)
  • Barry Adamson – bass (1977)
  • Steve Garvey – bass (1977–1981, 1989–1992, 2012)
  • Mike Joyce – drums (1990–1991)
  • Steve Gibson – drums (1992)
  • Tony Barber – bass (1992–2008)
  • Phil Barker – drums (1992–2006)

Timeline <timeline> ImageSize = width:1000 height:auto barincrement:20 PlotArea = left:100 bottom:60 top:5 right:20 Alignbars = justify DateFormat = mm/dd/yyyy Period = from:01/01/1976 till:05/12/2026 TimeAxis = orientation:horizontal format:yyyy

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 id:Bvocals value:pink      legend:Backing_vocals
 id:Guitar  value:green    legend:Guitars
 id:Bass    value:blue      legend:Bass
 id:Drums   value:orange    legend:Drums
 id:album   value:black     legend:Studio_album
 id:bars    value:gray(0.95)

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color:album
 at:03/10/1978
 at:09/22/1978
 at:09/01/1979
 at:06/02/1993
 at:05/14/1996
 at:09/07/1999
 at:02/18/2003
 at:03/07/2006
 at:05/01/2014
 at:09/23/2022

BarData = 

 bar:Devoto  text:"Howard Devoto"
 bar:Shelley text:"Pete Shelley"
 bar:Smith text:"Garth Smith"
 bar:Diggle text:"Steve Diggle"
 bar:Anderson text:"Barry Adamson"
 bar:Garvey text:"Steve Garvey"
 bar:Barber text:"Tony Barber"
 bar:Remmington text:"Chris Remmington"
 bar:Singleton text:"Mick Singleton"
 bar:Maher text:"John Maher"
 bar:Joyce text:"Mike Joyce"
 bar:Gibson text:"Steve Gibson"
 bar:Barker text:"Phil Barker"
 bar:Farrant text:"Danny Farrant"

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 bar:Devoto    from:01/01/1976 till:02/01/1977     color:Vocals
 bar:Devoto    from:05/25/2012 till:05/26/2012     color:Vocals
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 bar:Shelley   from:02/01/1977 till:03/06/1981     color:Vocals
 bar:Shelley   from:02/01/1977 till:03/06/1981     color:Guitar width:3
 bar:Shelley   from:01/01/1989 till:12/06/2018     color:Vocals
 bar:Shelley   from:01/01/1989 till:12/06/2018     color:Guitar width:3
 bar:Smith     from:04/01/1976 till:04/01/1976     color:Bass
 bar:Smith     from:03/11/1977 till:10/07/1977     color:Bass
 bar:Diggle    from:07/20/1976 till:03/11/1977     color:Bass
 bar:Diggle    from:03/11/1977 till:03/06/1981     color:Guitar
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 bar:Diggle    from:07/29/1978 till:03/06/1981     color:Vocals width:3
 bar:Diggle    from:01/01/1989 till:12/06/2018     color:Guitar
 bar:Diggle    from:01/01/1989 till:end            color:Guitar width:3
 bar:Diggle    from:01/01/1989 till:end            color:vocals
 bar:Anderson  from:11/01/1977 till:11/15/1977     color:Bass
 bar:Garvey    from:11/15/1977 till:03/06/1981     color:Bass
 bar:Garvey    from:01/01/1989 till:09/01/1992     color:Bass
 bar:Garvey    from:05/25/2012 till:05/26/2012     color:Bass
 bar:Barber    from:09/01/1992 till:04/01/2008     color:Bass
 bar:Remmington from:04/01/2008 till:end           color:Bass
 bar:Singleton from:04/01/1976 till:04/01/1976     color:Drums
 bar:Maher     from:07/20/1976 till:03/06/1981     color:Drums
 bar:Maher    from:03/11/1977 till:01/31/1978     color:Bvocals width:3
 bar:Maher     from:01/01/1989 till:12/31/1989     color:Drums
 bar:Maher   from:05/25/2012 till:05/26/2012     color:Drums
 bar:Joyce     from:01/01/1990 till:12/31/1991     color:Drums
 bar:Maher     from:01/01/1992 till:06/15/1992     color:Drums
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 bar:Barker    from:09/01/1992 till:04/11/2006     color:Drums
 bar:Farrant   from:04/11/2006 till:end            color:Drums

</timeline>

Discography

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Studio albums

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References

<templatestyles src="Reflist/styles.css" />

  1. ↑ Script error: No such module "citation/CS1".
  2. ↑ Script error: No such module "citation/CS1".
  3. ↑ a b c d e f Script error: No such module "citation/CS1".
  4. ↑ Script error: No such module "citation/CS1".
  5. ↑ Script error: No such module "Citation/CS1".
  6. ↑ a b Script error: No such module "citation/CS1".
  7. ↑ Script error: No such module "citation/CS1".
  8. ↑ a b Script error: No such module "citation/CS1".
  9. ↑ Script error: No such module "citation/CS1".
  10. ↑ a b c d e f g h i j k l m n o p q r s t Script error: No such module "citation/CS1".
  11. ↑ Some sources claim the surname came from a "bus driver in Cambridge" mentioned by a philosophy tutor at Bolton (e.g. Dave Wilson, 2004, Rock Formations: Categorical Answers to how Band Names Were Formed, San Jose:, Cidermill Books, pp. 38–9). Other accounts link it to US novelist Bernard DeVoto. (See, for example, Adrian Room, 2010, Dictionary of Pseudonyms: 13,000 Assumed Names and Their Origins, 5th ed., Jefferson, North Carolina/London, McFarland & Company, pp. 38, 144.)
  12. ↑ Script error: No such module "Citation/CS1".
  13. ↑ Script error: No such module "citation/CS1".
  14. ↑ Script error: No such module "citation/CS1".
  15. ↑ Script error: No such module "citation/CS1".
  16. ↑ Script error: No such module "citation/CS1".
  17. ↑ Script error: No such module "citation/CS1".
  18. ↑ Script error: No such module "citation/CS1".
  19. ↑ a b Script error: No such module "citation/CS1".
  20. ↑ Script error: No such module "citation/CS1".
  21. ↑ Script error: No such module "citation/CS1".
  22. ↑ Script error: No such module "citation/CS1".
  23. ↑ Script error: No such module "citation/CS1".
  24. ↑ Script error: No such module "Citation/CS1".
  25. ↑ a b c Script error: No such module "citation/CS1".
  26. ↑ Script error: No such module "citation/CS1".
  27. ↑ Script error: No such module "citation/CS1".
  28. ↑ Script error: No such module "citation/CS1".
  29. ↑ Script error: No such module "citation/CS1".
  30. ↑ Script error: No such module "citation/CS1".
  31. ↑ Script error: No such module "citation/CS1".
  32. ↑ Script error: No such module "citation/CS1".
  33. ↑ Script error: No such module "citation/CS1".
  34. ↑ Script error: No such module "citation/CS1".
  35. ↑ Script error: No such module "citation/CS1".
  36. ↑ Script error: No such module "citation/CS1".
  37. ↑ Script error: No such module "citation/CS1".
  38. ↑ Script error: No such module "citation/CS1".
  39. ↑ Script error: No such module "citation/CS1".
  40. ↑ Script error: No such module "citation/CS1".
  41. ↑ Script error: No such module "citation/CS1".
  42. ↑ Script error: No such module "citation/CS1".
  43. ↑ Script error: No such module "citation/CS1".
  44. ↑ Script error: No such module "citation/CS1".
  45. ↑ Script error: No such module "citation/CS1".
  46. ↑ Script error: No such module "citation/CS1".
  47. ↑ Script error: No such module "citation/CS1".
  48. ↑ Script error: No such module "citation/CS1".
  49. ↑ Script error: No such module "citation/CS1".
  50. ↑ Script error: No such module "citation/CS1".
  51. ↑ Script error: No such module "citation/CS1".
  52. ↑ Press – Buzzcocks. Buzzcocks. November 2019. Retrieved 26 May 2024.

Script error: No such module "Check for unknown parameters".

External links

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  • Script error: No such module "Official website".Script error: No such module "Check for unknown parameters".
  • Template:Trim/p3809 Buzzcocks at AllMusic

Template:Buzzcocks

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