Victory Boogie Woogie: Difference between revisions

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{{Infobox artwork
{{Infobox artwork
| image_file = Piet Mondrian Victory Boogie Woogie.jpg
| image_file = Piet Mondrian Victory Boogie Woogie.jpg
| image_upright = 1.3
| backcolor = #FBF5DF
| backcolor = #FBF5DF
| title = Victory Boogie Woogie
| title = Victory Boogie Woogie
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| museum = [[Kunstmuseum Den Haag|Kunstmuseum]]
| museum = [[Kunstmuseum Den Haag|Kunstmuseum]]
| city = [[The Hague]]
| city = [[The Hague]]
| coordinates = <!-- Only use for the exact coordinates of the artwork itself (and only where known) and not for the coordinates of the museum. Leave blank if coordinates are not known. -->
| owner = State property of the [[Netherlands]] through the Stichting Nationaal Fonds Kunstbezit
| owner = State property of the [[Netherlands]] through the Stichting Nationaal Fonds Kunstbezit
}}
}}
'''''Victory Boogie Woogie''''' is the last, [[unfinished work|unfinished]] work of the Dutch abstract painter [[Piet Mondrian]], left incomplete when Mondrian died in New York in 1944. He was still working on it three days before dying.<ref>{{Cite journal |last=Venema |first=P. |date=1998 |title=Victory Boogie Woogie |url=https://hdl.handle.net/1887/3234193 |journal=Bestuurskundige Berichten |language=Dutch |volume=13 |issue=4|hdl=1887/3234193 }}</ref> Since 1998 it has been in the collection of the [[Gemeentemuseum Den Haag|Kunstmuseum]], in [[The Hague]].<ref>{{Cite web |date=2016-11-15 |title=Piet Mondriaan [1872-1944] Victory Boogie Woogie|url=https://www.kunstmuseum.nl/en/node/7940 |access-date=2022-10-23 |website=Kunstmuseum Den Haag |language=en}}</ref> It has been said that "Mondrian's life and his affection for music are mirrored in the painting [and that it is] a testimony of the influence which New York had on Mondrian."<ref>{{Cite book|last=Stoye |first=Jürgen |title=Landscape Biographies: Geographical, Historical and Archaeological Perspectives on the Production and Transmission of Landscapes |chapter=Piet Mondrian's Victory Boogie Woogie, 1942-44 |date=2015 |chapter-url=https://www.jstor.org/stable/j.ctt15r3x99.13 |pages=235–252 |editor-last=Kolen |editor-first=Jan |publisher=[[Amsterdam University Press]] |jstor=j.ctt15r3x99.13 |jstor-access=free |isbn=978-90-8964-472-5 |access-date=2024-04-11 |editor2-last=Renes |editor2-first=Johannes |editor3-last=Hermans |editor3-first=Rita}}</ref>
'''''Victory Boogie Woogie''''' is the last, [[unfinished work|unfinished]] work of the Dutch abstract painter [[Piet Mondrian]], left incomplete when Mondrian died in New York in 1944. He was still working on it three days before dying.<ref>{{Cite journal |last=Venema |first=P. |date=1998 |title=Victory Boogie Woogie |url=https://hdl.handle.net/1887/3234193 |journal=Bestuurskundige Berichten |language=Dutch |volume=13 |issue=4|hdl=1887/3234193 }}</ref> Since 1998 it has been in the collection of the [[Gemeentemuseum Den Haag|Kunstmuseum]], in [[The Hague]].<ref>{{Cite web |date=2016-11-15 |title=Piet Mondriaan [1872-1944] Victory Boogie Woogie|url=https://www.kunstmuseum.nl/en/node/7940 |access-date=2022-10-23 |website=Kunstmuseum Den Haag |language=en}}</ref> It has been said that "Mondrian's life and his affection for music are mirrored in the painting [and that it is] a testimony of the influence which New York had on Mondrian."<ref>{{Cite book|last=Stoye |first=Jürgen |title=Landscape Biographies: Geographical, Historical and Archaeological Perspectives on the Production and Transmission of Landscapes |chapter=Piet Mondrian's Victory Boogie Woogie, 1942-44 |date=2015 |chapter-url=https://www.jstor.org/stable/j.ctt15r3x99.13 |pages=235–252 |editor-last=Kolen |editor-first=Jan |publisher=[[Amsterdam University Press]] |jstor=j.ctt15r3x99.13 |jstor-access=free |isbn=978-90-8964-472-5 |access-date=2024-04-11 |editor2-last=Renes |editor2-first=Johannes |editor3-last=Hermans |editor3-first=Rita}}</ref>


==Purchase for Kunstmuseum, The Hague==
==Purchase for the Kunstmuseum, The Hague==
It was purchased at a cost of 80 million Dutch guilders (approximately 35 million euros, US$40 million) from the American collector [[Samuel Irving Newhouse Jr.|Samuel Irving Newhouse]], who previously had bought it the from Emily and Burton Tremaine for US$12 million in the mid 1980s. It was bought in 1997 by the Stichting Nationaal Fonds Kunstbezit (National Art Foundation) through a gift from the [[De Nederlandse Bank|Dutch Central Bank]], commemorating the introduction of the [[euro]], at the time the most expensive purchase ever for a Dutch museum. The amount of money raised questions in the Dutch [[House of Representatives of the Netherlands|House of Representatives]], and also from other museums.<ref>Troy, Nancy J. (2013). ''The afterlife of Piet Mondrian'', chapter 1 - Mondrian and Money: ''Victory Boogie Woogie''. University of Chicago Press.</ref><ref>{{Cite web |date=2017-03-25 |title=Mondrian gets his moment |url=https://www.apollo-magazine.com/mondrian-gets-his-moment/ |access-date=2022-05-06 |website=Apollo Magazine |language=en-US}}</ref>
It was purchased at a cost of 80 million Dutch guilders (approximately 35 million euros, US$40 million) from the American collector [[Samuel Irving Newhouse Jr.|Samuel Irving Newhouse]], who previously had bought it the from Emily and Burton Tremaine for US$12 million in the mid 1980s. It was bought in 1997 by the Stichting Nationaal Fonds Kunstbezit (National Art Foundation) through a gift from the [[De Nederlandse Bank|Dutch Central Bank]], commemorating the introduction of the [[euro]], at the time the most expensive purchase ever for a Dutch museum. The amount of money raised questions in the Dutch [[House of Representatives of the Netherlands|House of Representatives]], and also from other museums.<ref>Troy, Nancy J. (2013). ''The afterlife of Piet Mondrian'', chapter 1 - Mondrian and Money: ''Victory Boogie Woogie''. University of Chicago Press.</ref><ref>{{Cite web |date=2017-03-25 |title=Mondrian gets his moment |url=https://www.apollo-magazine.com/mondrian-gets-his-moment/ |access-date=2022-05-06 |website=Apollo Magazine |language=en-US}}</ref>


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{{Piet Mondrian}}
{{Piet Mondrian}}
{{Authority control}}
{{Authority control}}
{{20C-painting-stub}}
 
{{DEFAULTSORT:Victory Boogie Woogie}}
{{DEFAULTSORT:Victory Boogie Woogie}}
[[Category:De Stijl]]
[[Category:1944 paintings]]
[[Category:1944 paintings]]
[[Category:Paintings by Piet Mondrian]]
[[Category:Paintings by Piet Mondrian]]
[[Category:Unfinished paintings]]
[[Category:Unfinished paintings]]
[[Category:Collection of the Kunstmuseum Den Haag]]
[[Category:Collection of the Kunstmuseum Den Haag]]

Latest revision as of 15:52, 26 June 2025

Template:Short description Template:Infobox artwork

Victory Boogie Woogie is the last, unfinished work of the Dutch abstract painter Piet Mondrian, left incomplete when Mondrian died in New York in 1944. He was still working on it three days before dying.[1] Since 1998 it has been in the collection of the Kunstmuseum, in The Hague.[2] It has been said that "Mondrian's life and his affection for music are mirrored in the painting [and that it is] a testimony of the influence which New York had on Mondrian."[3]

Purchase for the Kunstmuseum, The Hague

It was purchased at a cost of 80 million Dutch guilders (approximately 35 million euros, US$40 million) from the American collector Samuel Irving Newhouse, who previously had bought it the from Emily and Burton Tremaine for US$12 million in the mid 1980s. It was bought in 1997 by the Stichting Nationaal Fonds Kunstbezit (National Art Foundation) through a gift from the Dutch Central Bank, commemorating the introduction of the euro, at the time the most expensive purchase ever for a Dutch museum. The amount of money raised questions in the Dutch House of Representatives, and also from other museums.[4][5]

In 2014, U.S. President Barack Obama was photographed with Victory Boogie Woogie, in the company of some Dutch politicians.[6]

References

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External links

Template:Piet Mondrian Template:Authority control

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  4. Troy, Nancy J. (2013). The afterlife of Piet Mondrian, chapter 1 - Mondrian and Money: Victory Boogie Woogie. University of Chicago Press.
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