Saverio Bettinelli: Difference between revisions
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In 1755-1758 he undertook a series of journeys. First travelling to [[Germany]] in 1755, proceeded as far as [[Strasbourg]] and [[Nancy, Meurthe-et-Moselle|Nancy]]. He returned to Italy as a [[Tutoring|tutor]] to the sons of the Prince of [[Hohenlohe]]. The year following, he journeyed again to [[Kingdom of France|France]], along with the eldest of his pupils; and during this excursion he wrote his famous ''Lettere dieci di Virgilio agli Arcadi'', which were published at Venice. Bettinelli was also a poet of [[Pontifical Academy of Arcadia|arcadic]] verse, collected in his ''Versi sciolti'' of 1758 and inspired by [[Carlo Innocenzo Frugoni|Frugoni]] and [[Francesco Algarotti|Algarotti]]. In 1758 he went to [[Lorraine (province)|Lorraine]], to the court of King [[Stanisław Leszczyński|Stanislaus]], who sent him on a matter of business to visit [[Voltaire]]. He would also meet in France with [[Jean-Jacques Rousseau|Rousseau]] and [[Claude Adrien Helvétius|Helvétius]].<ref name=DBI/> | In 1755-1758 he undertook a series of journeys. First travelling to [[Germany]] in 1755, proceeded as far as [[Strasbourg]] and [[Nancy, Meurthe-et-Moselle|Nancy]]. He returned to Italy as a [[Tutoring|tutor]] to the sons of the Prince of [[Hohenlohe]]. The year following, he journeyed again to [[Kingdom of France|France]], along with the eldest of his pupils; and during this excursion he wrote his famous ''Lettere dieci di Virgilio agli Arcadi'', which were published at Venice. Bettinelli was also a poet of [[Pontifical Academy of Arcadia|arcadic]] verse, collected in his ''Versi sciolti'' of 1758 and inspired by [[Carlo Innocenzo Frugoni|Frugoni]] and [[Francesco Algarotti|Algarotti]]. In 1758 he went to [[Lorraine (province)|Lorraine]], to the court of King [[Stanisław Leszczyński|Stanislaus]], who sent him on a matter of business to visit [[Voltaire]]. He would also meet in France with [[Jean-Jacques Rousseau|Rousseau]] and [[Claude Adrien Helvétius|Helvétius]].<ref name=DBI/> | ||
From [[Geneva]] he returned to Parma, where he arrived in 1759. He afterwards lived for some years at [[Verona, Italy|Verona]] and Modena, and he had just been appointed professor of rhetoric there, when, in 1773, the [[Suppression of the Society of Jesus|suppression of the Jesuit Order]] occurred in Italy, he had to abandon his teaching post at Modena, | From [[Geneva]] he returned to Parma, where he arrived in 1759. He afterwards lived for some years at [[Verona, Italy|Verona]] and Modena, and he had just been appointed professor of rhetoric there, when, in 1773, the [[Suppression of the Society of Jesus|suppression of the Jesuit Order]] occurred in Italy, he had to abandon his teaching post at Modena,{{sfn|Galeani Napione|1809|p=91}} Bettinelli returned home, and resumed his literary labours with new ardor. The siege of Mantua by the French compelled him to leave the city, and he retired to Verona, where he formed an intimate friendship with the poet [[Ippolito Pindemonte]].<ref>{{cite book|title=Ippolito Pindemonte e il suo tempo|volume=1|page=43|first=Nicola Francesco|last=Cimmino|publisher=Abete|year=1968|location=Rome}}</ref> | ||
His major works are the literary criticisms and observations of culture. In 1757, he penned a series of letters addressed to [[Virgil]] in which he criticized the [[Divine Comedy]] by [[Dante Alighieri]], and affirmed that ''Among the erudite books, only certain parts from the [[Divine Comedy]] should be included, and these would form no more than five cantos'' <ref>"Sia posto tra i libri di erudizione, e della Commedia si lascino solo taluni pezzi che, raccolti e, come meglio si può, ordinati, formino non più di cinque canti." Saverio Bettinelli - [[:S:Pagina:Dieci lettere di Publio Virgilio Marone.djvu/64#BD9|Lettere di Virgilio agli Arcadi di Rome — Lettera IX.]]</ref> [[Voltaire]] was to praise his idiosyncratic opinions.<ref>{{cite book|title=Romantic Europe and the Ghost of Italy|first=Joseph|last=Luzzi|location=New Haven|publisher=Yale University Press|pages=112–3|isbn=9780300151787}}</ref> | His major works are the literary criticisms and observations of culture. In 1757, he penned a series of letters addressed to [[Virgil]] in which he criticized the [[Divine Comedy]] by [[Dante Alighieri]], and affirmed that ''Among the erudite books, only certain parts from the [[Divine Comedy]] should be included, and these would form no more than five cantos'' <ref>"Sia posto tra i libri di erudizione, e della Commedia si lascino solo taluni pezzi che, raccolti e, come meglio si può, ordinati, formino non più di cinque canti." Saverio Bettinelli - [[:S:Pagina:Dieci lettere di Publio Virgilio Marone.djvu/64#BD9|Lettere di Virgilio agli Arcadi di Rome — Lettera IX.]]</ref> [[Voltaire]] was to praise his idiosyncratic opinions.<ref>{{cite book|title=Romantic Europe and the Ghost of Italy|first=Joseph|last=Luzzi|location=New Haven|publisher=Yale University Press|pages=112–3|isbn=9780300151787}}</ref> | ||
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* {{Cite book |publisher = Presso i Fratelli Pomba |location = Turin |author-link = Francesco Galeani Napione |last=Galeani Napione |first=Francesco |url = https://books.google.com/books?id=ZGwLAAAAQAAJ|title = Vita dell'abate Saverio Bettinelli |date = 1809}} | |||
* {{EB1911|wstitle=Bettinelli, Saverio|volume=3}} | * {{EB1911|wstitle=Bettinelli, Saverio|volume=3}} | ||
* {{Cite journal|first=Alfredo|last=Bonfatti|year=1952|title=Il petrarchismo critico di Saverio Bettinelli|journal=Lettere Italiane|volume=4|issue=3|pages=151–180|jstor=26243867|issn=0024-1334}} | * {{Cite journal|first=Alfredo|last=Bonfatti|year=1952|title=Il petrarchismo critico di Saverio Bettinelli|journal=Lettere Italiane|volume=4|issue=3|pages=151–180|jstor=26243867|issn=0024-1334}} | ||
Latest revision as of 21:39, 20 June 2025
Template:Short description Template:More footnotes needed Template:Infobox scholar Saverio Bettinelli Template:Post-nominals (18 July 1718 – 13 September 1808) was an Italian Jesuit priest and writer. He became known as a polymath, dramatist, polemicist, poet, and literary critic. He was a friend of some of the leading authors of his times: Voltaire, Francesco Algarotti, Vincenzo Monti and Ippolito Pindemonte. Théodore Tronchin, Guillaume du Tillot, Melchiorre Cesarotti, Giacomo Filippo Durazzo, Pietro Verri, Giammaria Mazzucchelli and Francesco Maria Zanotti were among his correspondents.
Life
He was born at Mantua; there and later in Bologna, he studied under the Jesuits, till entering in novitiate in 1736, then formally consecrated as a priest in 1738.
He first taught literature from 1739 to 1744 at Brescia, where Cardinal Quirini, Count Federico Mazzuchelli, Count Duranti and other scholars, formed an illustrious academy. He next went to Bologna, to study divinity. There he was in contact with the circle including the poet Marini, Algarotti, and Zanotti. At the age of thirty he went to Venice, where he became professor of rhetoric. There he wrote the satirical poem Le raccolte (1751), in which he called for a reform of the Italian poetic tradition, aimed at both the literary elite and the public.Template:Sfn The superintendence of the college of nobles at Parma was entrusted to him in 1751; and he had principal charge of the studies of poetry and history, and the entertainments of the theatre. He remained there eight years, visiting, at intervals, other cities of Italy, often on the affairs of his order.
In 1755-1758 he undertook a series of journeys. First travelling to Germany in 1755, proceeded as far as Strasbourg and Nancy. He returned to Italy as a tutor to the sons of the Prince of Hohenlohe. The year following, he journeyed again to France, along with the eldest of his pupils; and during this excursion he wrote his famous Lettere dieci di Virgilio agli Arcadi, which were published at Venice. Bettinelli was also a poet of arcadic verse, collected in his Versi sciolti of 1758 and inspired by Frugoni and Algarotti. In 1758 he went to Lorraine, to the court of King Stanislaus, who sent him on a matter of business to visit Voltaire. He would also meet in France with Rousseau and Helvétius.[1]
From Geneva he returned to Parma, where he arrived in 1759. He afterwards lived for some years at Verona and Modena, and he had just been appointed professor of rhetoric there, when, in 1773, the suppression of the Jesuit Order occurred in Italy, he had to abandon his teaching post at Modena,Template:Sfn Bettinelli returned home, and resumed his literary labours with new ardor. The siege of Mantua by the French compelled him to leave the city, and he retired to Verona, where he formed an intimate friendship with the poet Ippolito Pindemonte.[2]
His major works are the literary criticisms and observations of culture. In 1757, he penned a series of letters addressed to Virgil in which he criticized the Divine Comedy by Dante Alighieri, and affirmed that Among the erudite books, only certain parts from the Divine Comedy should be included, and these would form no more than five cantos [3] Voltaire was to praise his idiosyncratic opinions.[4]
In 1766 he wrote Lettere inglesi where he proposes good taste in modern literature. Bettinelli critiqued the rationalist stile geomètrique associated with Descartes and promoted the importance o energy and personal experience in the creation of enduring artistic works. In Dell'entusiasmo delle belle arti (On Enthusiasm in the Fine Arts, 1769), he exalts enthusiasm as a source of inspiration for fantasy in art according to a tendency that was pre-romantic.[1] Among his main works is an influential sketch of the progress of literature, science, fine arts, industry, and customs in Italy, originally titled Risorgimento negli studi, nelle, Arti e ne' Costumi dopo di Mille (The Revival of Italy in Scholarship, Arts and Customs After 1000, 1773).[5]
Bettinelli was one of the most significant dramatist of the Jesuit theater in Italy. Three tragedies constitute the sum of Bettinelli's dramatic compositions: Gionata, staged in Venice in 1755, Demetrio Poliorcete, in Imola in 1770, and Serse, in Parma in 1787. In addition, he translated into Italian Voltaire's Rome Sauvée, performed in Parma in 1772. Through his plays, with their varied themes, runs an understated spirit of patriotism that echoes Alfieri.
In 1797 Bettinelli returned to Mantua. Though nearly eighty years old, he resumed his labors and his customary manner of life. He undertook in 1799 a complete edition of his works, which was published at Venice in 24 vols. At this death at the age of 90 years, he still retained his gaiety and vivacity of mind.Template:Sfn[6]
Works
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- Opere edite ed inedite in prosa ed in versi. Seconda edizione riveduta, ampliata, e corretta dall'Autore, 24 vols., revised and enlarged edition, Venice: Cesare, 1799-1801.
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References
Bibliography
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External links
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Template:Jesuits Template:Authority control
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- ↑ "Sia posto tra i libri di erudizione, e della Commedia si lascino solo taluni pezzi che, raccolti e, come meglio si può, ordinati, formino non più di cinque canti." Saverio Bettinelli - Lettere di Virgilio agli Arcadi di Rome — Lettera IX.
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- Wikipedia articles incorporating text from the 1911 Encyclopædia Britannica
- 1718 births
- 1808 deaths
- 18th-century Italian Jesuits
- Clergy from Mantua
- Members of the Academy of Arcadians
- Italian dramatists and playwrights
- 18th-century Italian poets
- 19th-century Italian poets
- Italian male poets
- Italian literary critics
- Italian male dramatists and playwrights
- Italian male non-fiction writers
- Writers from Mantua
- Italian satirists
- Italian satirical poets
- Pages with reference errors