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{{Short description|Electronic device for playing guitar}} | {{Short description|Electronic device for playing guitar}} | ||
{{Use dmy dates|date=May 2025}} | |||
[[Image:PlusEBow.png|thumb|An EBow|220x220px]] | [[Image:PlusEBow.png|thumb|An EBow|220x220px]] | ||
[[Image:EBow P1400291.JPG|thumb|Using an EBow with a [[Telecaster]]]] | [[Image:EBow P1400291.JPG|thumb|Using an EBow with a [[Telecaster]]]] | ||
The '''EBow''' is an electronic device used for playing string instruments, most often the [[electric guitar]]. It was invented by the American guitarist Greg Heet in 1969 and introduced in 1976. The EBow uses a [[Pickup (music technology)|pickup]] and a [[Feedback loop|magnetic feedback circuit]] to vibrate strings without touching them, allowing players to [[sustain]] notes indefinitely. | |||
==History== | ==History== | ||
The EBow was invented in 1969 by the American guitarist Greg Heet and introduced in 1976 at the [[NAMM]] trade show.<ref>{{Cite web |last=Mitchell |first=Ed |date=2012-07-18 |title=In praise of: the EBow |url=https://www.musicradar.com/news/guitars/in-praise-of-the-ebow-553486 |access-date=2025-05-13 |website=[[MusicRadar]] |language=en}}</ref> It has remained in continuous production since.<ref name="Gill-2023" /> The first version was activated by plucking the [[guitar string]]. The second, introduced in 1983, added an on/off switch and a more powerful drive. The third, introduced in 1989, had improved sensitivity and faster [[Envelope (music)|attack]]. The EBow Plus, introduced in 1998, adds a blue [[LED]] and a switch to allow users to move between normal and [[harmonic]] modes (which sounds one [[octave]] higher).<ref name="Gill-2023">{{Cite web |last=Gill |first=Chris |date=2023-05-04 |title=In praise of the EBow, one of the most under-appreciated yet influential guitar tools of all time |url=https://www.guitarworld.com/features/in-praise-of-the-ebow |access-date=2024-08-24 |website=[[Guitar World]] |language=en}}</ref> The | The EBow was invented in 1969 by the American guitarist Greg Heet and introduced in 1976 at the [[NAMM]] trade show.<ref>{{Cite web |last=Mitchell |first=Ed |date=2012-07-18 |title=In praise of: the EBow |url=https://www.musicradar.com/news/guitars/in-praise-of-the-ebow-553486 |access-date=2025-05-13 |website=[[MusicRadar]] |language=en}}</ref> It has remained in continuous production since.<ref name="Gill-2023" /> The first version was activated by plucking the [[guitar string]]. The second, introduced in 1983, added an on/off switch and a more powerful drive. The third, introduced in 1989, had improved sensitivity and faster [[Envelope (music)|attack]]. The EBow Plus, introduced in 1998, adds a blue [[LED]] and a switch to allow users to move between normal and [[harmonic]] modes (which sounds one [[octave]] higher).<ref name="Gill-2023">{{Cite web |last=Gill |first=Chris |date=2023-05-04 |title=In praise of the EBow, one of the most under-appreciated yet influential guitar tools of all time |url=https://www.guitarworld.com/features/in-praise-of-the-ebow |access-date=2024-08-24 |website=[[Guitar World]] |language=en}}</ref> The EBow is powered by a [[nine-volt battery]].<ref name="White-2020">{{Cite web |last=White |first=Paul |date=November 2020 |title=Why I love... the Ebow |url=https://www.soundonsound.com/people/why-love-ebow |access-date=2024-08-29 |website=[[Sound on Sound]] |publisher=SOS Publications Group}}</ref> | ||
==Function== | ==Function== | ||
The EBow uses a [[Pickup (music technology)|pickup]] and a [[Feedback loop|magnetic feedback circuit]] to vibrate strings without touching them. Whereas guitars traditionally have [[Envelope (music)|fast attack and slow release]], meaning notes ring immediately and then fade out, the EBow can sustain notes indefinitely and gives greater control over attack and decay.<ref name="Gill-2023" /> The EBow can only play one string at a time, but can be moved across the strings to play [[arpeggio]]s.<ref name=" | The EBow uses a [[Pickup (music technology)|pickup]] and a [[Feedback loop|magnetic feedback circuit]] to vibrate strings without touching them. Whereas guitars traditionally have [[Envelope (music)|fast attack and slow release]], meaning notes ring immediately and then fade out, the EBow can sustain notes indefinitely and gives greater control over attack and decay.<ref name="Gill-2023" /> The EBow can only play one string at a time, but can be moved across the strings to play [[arpeggio]]s.<ref name="White-2020" /> It can produce sounds similar to cello or violin.<ref name="Gill-2023" /> | ||
==Use== | ==Use== | ||
The EBow was particularly popular in 1980s music, used by acts such as [[Big Country]], [[Tones on Tail]], [[Love and Rockets (band)|Love and Rockets]] and [[Bill Nelson (musician)|Bill Nelson]].<ref name="Gill-2023" /> The Love and Rockets guitarist [[Daniel Ash]] said the EBow "changed everything for me ... [It] basically turns the guitar into a keyboard ... It completely opened up the sound of the guitar."<ref>{{cite web |date=16 May 2018 |title=There's Only One: An Interview with Daniel Ash |url=https://www.collideartandculture.com/single-post/2018/05/16/There%E2%80%99s-Only-One-An-Interview-with-Daniel-Ash |access-date=18 February 2023 |website=Collideartandculture.com}}</ref> | The EBow was particularly popular in 1980s music, used by acts such as [[Big Country]], [[Tones on Tail]], [[Love and Rockets (band)|Love and Rockets]] and [[Bill Nelson (musician)|Bill Nelson]].<ref name="Gill-2023" /> The Love and Rockets guitarist [[Daniel Ash]] said the EBow "changed everything for me ... [It] basically turns the guitar into a keyboard ... It completely opened up the sound of the guitar."<ref>{{cite web |date=16 May 2018 |title=There's Only One: An Interview with Daniel Ash |url=https://www.collideartandculture.com/single-post/2018/05/16/There%E2%80%99s-Only-One-An-Interview-with-Daniel-Ash |access-date=18 February 2023 |website=Collideartandculture.com}}</ref> | ||
The EBow has been used to create background textures or sustained notes similar to [[guitar feedback]], as in "[[(Don't Fear) The Reaper]]" (1976) by [[Blue Öyster Cult]] and "[[Heaven Beside You]]" (1996) by [[Alice in Chains]].<ref name="Gill-2023" /> It was used by [[the Edge]] on the 1983 | The EBow has been used to create background textures or sustained notes similar to [[guitar feedback]], as in "[[(Don't Fear) The Reaper]]" (1976) by [[Blue Öyster Cult]] and "[[Heaven Beside You]]" (1996) by [[Alice in Chains]].<ref name="Gill-2023" /> It was used by the [[U2]] guitarist [[the Edge]] on the 1983 album ''[[The Unforgettable Fire]]'' and by [[Noel Gallagher]] on the 1996 [[Oasis (band)|Oasis]] song "[[Don't Look Back in Anger]]".<ref name="Gill-2023" /> Though [[Robert Fripp]] did not use an EBow on the studio version of the 1977 [[David Bowie]] song "[["Heroes" (David Bowie song)|Heroes]]", many guitarists have used one to replicate the sound in live performances.<ref name="Duxson-2024" /> R.E.M. used the EBow extensively on their 1996 single "[[E-Bow the Letter]]".<ref name="Duxson-2024" /> | ||
The EBow was prominently used by the [[Siouxsie and the Banshees]] guitarist [[John McGeoch]] on "Sin in My Heart", from the 1981 album ''[[Juju (Siouxsie and the Banshees album)|Juju]]''.<ref>{{cite book|last=Sullivan-Burke|first=Rory|title=The Light Pours Out of Me: The Authorised Biography of John McGeoch|publisher=[[Omnibus Press]]|date=April 2022|isbn= 978-1913172664|page=108}}</ref> The EBow is used by the [[Radiohead]] guitarist [[Ed O'Brien]] for performances of songs such as "[[My Iron Lung]]", "Talk Show Host", "[[Jigsaw Falling into Place|Jigsaw Falling Into Place]]", "Where I End and You Begin" and "[[Nude (song)|Nude]]".<ref name="Duxson-2024">{{Cite web |last=Duxson |first=Eli |date=2024-02-15 |title=The story of the EBow in seven tracks |url=https://mixdownmag.com.au/features/the-story-of-the-ebow-in-7-tracks/ |access-date=2024-08-24 |website=Mixdown |language=en-AU}}</ref> Other users include [[Duran Duran]], the [[Red Hot Chili Peppers]], [[Van Halen]], [[Metallica]] and the [[Foo Fighters]].<ref name="Gill-2023" /> The Canadian-American [[ambient rock]] band [[Vision Eternel]] uses an EBow on nearly all their songs.<ref name="NewNoiseMagazineInterview2021">{{Cite web |last=Reed |first=Mick |date=January 21, 2021 |title=Interview: Vision Eternel, Moments of Clarity a Mist of Memory |url=https://newnoisemagazine.com/interview-vision-eternel-moments-of-clarity-a-mist-of-memory |url-status=live |archive-url=https://web.archive.org/web/20210126135505/https://newnoisemagazine.com/interview-vision-eternel-moments-of-clarity-a-mist-of-memory |archive-date=January 26, 2021 |access-date=July 12, 2023 |website=[[New Noise Magazine]] |language=en-US}}</ref><ref name="ReGenMagazineInterview2024">{{Cite web |last=Mayo |first=Stitch |date=March 12, 2024 |title=InterView: Vision Eternel – Dark and Depressive Phases |url=https://regenmag.com/interviews/interview-vision-eternel-dark-and-depressive-phases |url-status=live |archive-url=https://web.archive.org/web/20250213024024/https://www.visioneternel.com/vision-eternel-interview-for-regen-magazine |archive-date=February 13, 2025 |access-date=February 13, 2025 |website=ReGen Magazine |language=en-US}}</ref> | The EBow was prominently used by the [[Siouxsie and the Banshees]] guitarist [[John McGeoch]] on "Sin in My Heart", from the 1981 album ''[[Juju (Siouxsie and the Banshees album)|Juju]]''.<ref>{{cite book|last=Sullivan-Burke|first=Rory|title=The Light Pours Out of Me: The Authorised Biography of John McGeoch|publisher=[[Omnibus Press]]|date=April 2022|isbn= 978-1913172664|page=108}}</ref> The EBow is used by the [[Radiohead]] guitarist [[Ed O'Brien]] for performances of songs such as "[[My Iron Lung]]", "Talk Show Host", "[[Jigsaw Falling into Place|Jigsaw Falling Into Place]]", "Where I End and You Begin" and "[[Nude (song)|Nude]]".<ref name="Duxson-2024">{{Cite web |last=Duxson |first=Eli |date=2024-02-15 |title=The story of the EBow in seven tracks |url=https://mixdownmag.com.au/features/the-story-of-the-ebow-in-7-tracks/ |access-date=2024-08-24 |website=Mixdown |language=en-AU}}</ref> Other users include [[Duran Duran]], the [[Red Hot Chili Peppers]], [[Van Halen]], [[Metallica]] and the [[Foo Fighters]].<ref name="Gill-2023" /> The Canadian-American [[ambient rock]] band [[Vision Eternel]] uses an EBow on nearly all their songs.<ref name="NewNoiseMagazineInterview2021">{{Cite web |last=Reed |first=Mick |date=January 21, 2021 |title=Interview: Vision Eternel, Moments of Clarity a Mist of Memory |url=https://newnoisemagazine.com/interview-vision-eternel-moments-of-clarity-a-mist-of-memory |url-status=live |archive-url=https://web.archive.org/web/20210126135505/https://newnoisemagazine.com/interview-vision-eternel-moments-of-clarity-a-mist-of-memory |archive-date=January 26, 2021 |access-date=July 12, 2023 |website=[[New Noise Magazine]] |language=en-US}}</ref><ref name="ReGenMagazineInterview2024">{{Cite web |last=Mayo |first=Stitch |date=March 12, 2024 |title=InterView: Vision Eternel – Dark and Depressive Phases |url=https://regenmag.com/interviews/interview-vision-eternel-dark-and-depressive-phases |url-status=live |archive-url=https://web.archive.org/web/20250213024024/https://www.visioneternel.com/vision-eternel-interview-for-regen-magazine |archive-date=February 13, 2025 |access-date=February 13, 2025 |website=ReGen Magazine |language=en-US}}</ref> [[Phil Keaggy]] was also an early adopter of the EBow, using it throughout several songs on his 1978 album, ''[[The Master and the Musician]]''. | ||
==References== | ==References== | ||
Latest revision as of 06:21, 30 November 2025
Template:Short description Template:Use dmy dates
The EBow is an electronic device used for playing string instruments, most often the electric guitar. It was invented by the American guitarist Greg Heet in 1969 and introduced in 1976. The EBow uses a pickup and a magnetic feedback circuit to vibrate strings without touching them, allowing players to sustain notes indefinitely.
History
The EBow was invented in 1969 by the American guitarist Greg Heet and introduced in 1976 at the NAMM trade show.[1] It has remained in continuous production since.[2] The first version was activated by plucking the guitar string. The second, introduced in 1983, added an on/off switch and a more powerful drive. The third, introduced in 1989, had improved sensitivity and faster attack. The EBow Plus, introduced in 1998, adds a blue LED and a switch to allow users to move between normal and harmonic modes (which sounds one octave higher).[2] The EBow is powered by a nine-volt battery.[3]
Function
The EBow uses a pickup and a magnetic feedback circuit to vibrate strings without touching them. Whereas guitars traditionally have fast attack and slow release, meaning notes ring immediately and then fade out, the EBow can sustain notes indefinitely and gives greater control over attack and decay.[2] The EBow can only play one string at a time, but can be moved across the strings to play arpeggios.[3] It can produce sounds similar to cello or violin.[2]
Use
The EBow was particularly popular in 1980s music, used by acts such as Big Country, Tones on Tail, Love and Rockets and Bill Nelson.[2] The Love and Rockets guitarist Daniel Ash said the EBow "changed everything for me ... [It] basically turns the guitar into a keyboard ... It completely opened up the sound of the guitar."[4]
The EBow has been used to create background textures or sustained notes similar to guitar feedback, as in "(Don't Fear) The Reaper" (1976) by Blue Öyster Cult and "Heaven Beside You" (1996) by Alice in Chains.[2] It was used by the U2 guitarist the Edge on the 1983 album The Unforgettable Fire and by Noel Gallagher on the 1996 Oasis song "Don't Look Back in Anger".[2] Though Robert Fripp did not use an EBow on the studio version of the 1977 David Bowie song "Heroes", many guitarists have used one to replicate the sound in live performances.[5] R.E.M. used the EBow extensively on their 1996 single "E-Bow the Letter".[5]
The EBow was prominently used by the Siouxsie and the Banshees guitarist John McGeoch on "Sin in My Heart", from the 1981 album Juju.[6] The EBow is used by the Radiohead guitarist Ed O'Brien for performances of songs such as "My Iron Lung", "Talk Show Host", "Jigsaw Falling Into Place", "Where I End and You Begin" and "Nude".[5] Other users include Duran Duran, the Red Hot Chili Peppers, Van Halen, Metallica and the Foo Fighters.[2] The Canadian-American ambient rock band Vision Eternel uses an EBow on nearly all their songs.[7][8] Phil Keaggy was also an early adopter of the EBow, using it throughout several songs on his 1978 album, The Master and the Musician.
References
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External links
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