Demon Days: Difference between revisions
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'''''Demon Days''''' is the second studio album by the British [[virtual band]] [[Gorillaz]]. It was released on 11 May 2005 in Japan,<ref>{{cite web |date=12 April 2005 |title=Gorillaz、新作『Demon Days』世界同時発売へ |url=https://www.barks.jp/news/?id=1000007426 |access-date=2 April 2025 |publisher=BARKS}}</ref> 23 May 2005 in the United Kingdom by [[Parlophone]], and 24 May 2005 in the United States by [[Virgin Records]]. | '''''Demon Days''''' is the second studio album by the British [[virtual band]] [[Gorillaz]]. It was released on 11 May 2005 in Japan,<ref>{{cite web |date=12 April 2005 |title=Gorillaz、新作『Demon Days』世界同時発売へ |url=https://www.barks.jp/news/?id=1000007426 |access-date=2 April 2025 |publisher=BARKS}}</ref> 23 May 2005 in the United Kingdom by [[Parlophone]], and 24 May 2005 in the United States by [[Virgin Records]]. The album was recorded at [[Studio 13]], based in [[London, United Kingdom]], and was primarily produced by [[Danger Mouse (musician)|Danger Mouse]], alongside the band themselves, Jason Cox, and James Dring. The album features [[Guest appearance|guest appearances]] from [[De La Soul]], [[Neneh Cherry]], [[Martina Topley-Bird]], [[Roots Manuva]], [[MF DOOM]], [[Ike Turner]], Bootie Brown of [[The Pharcyde]], [[Shaun Ryder]], and [[Dennis Hopper]].<ref>{{cite web |date=8 March 2005 |title=All-star line-up for new Gorillaz album |url=https://www.nme.com/news/music/gorillaz-135-1355558 |access-date=10 November 2023 |publisher=NME}}</ref> | ||
The album continues the band's musical approach of incorporating a wide variety of genres and styles, including [[alternative rock]], [[trip hop]], [[alternative hip-hop]] and [[art pop]]. Its lyrics and tone are darker than those of the band's [[Gorillaz (album)|eponymous debut album]] (2001),<ref name="Vice Media">{{cite web|url=https://www.vice.com/en/article/gorillaz-demon-days-retrospective/|title=Reflections on 'Demon Days': How Gorillaz Turned Global Turmoil into a British Pop Masterpiece|first=Angus|last=Harrison|publisher=[[Vice Media]]|date=26 August 2016|access-date=10 November 2023}}</ref> addressing [[Apocalyptic and post-apocalyptic fiction|apocalyptic]] and [[post-9/11]] political themes. Gorillaz frontman and co-creator [[Damon Albarn]] has described it as a loose [[concept album]] exploring "the world in a state of night",<ref>{{cite book |last=Hewlett |first=Jamie |title=Gorillaz: Rise of the Ogre |author2=Damon Albarn |publisher=Penguin Books |year=2006 |isbn=978-0-1410-2620-1}}</ref> citing as inspiration a trip he took through impoverished areas of rural [[China]]. | The album continues the band's musical approach of incorporating a wide variety of genres and styles, including [[alternative rock]], [[trip hop]], [[alternative hip-hop]] and [[art pop]]. Its lyrics and tone are darker than those of the band's [[Gorillaz (album)|eponymous debut album]] (2001),<ref name="Vice Media">{{cite web|url=https://www.vice.com/en/article/gorillaz-demon-days-retrospective/|title=Reflections on 'Demon Days': How Gorillaz Turned Global Turmoil into a British Pop Masterpiece|first=Angus|last=Harrison|publisher=[[Vice Media]]|date=26 August 2016|access-date=10 November 2023}}</ref> addressing [[Apocalyptic and post-apocalyptic fiction|apocalyptic]] and [[post-9/11]] political themes. Gorillaz frontman and co-creator [[Damon Albarn]] has described it as a loose [[concept album]] exploring "the world in a state of night",<ref>{{cite book |last=Hewlett |first=Jamie |title=Gorillaz: Rise of the Ogre |author2=Damon Albarn |publisher=Penguin Books |year=2006 |isbn=978-0-1410-2620-1}}</ref> citing as inspiration a trip he took through impoverished areas of rural [[China]]. As with the band's previous album, the release of ''Demon Days'' was promoted across various multimedia, including interactive websites, animated music videos, and [[animatics]] created by Gorillaz co-creator [[Jamie Hewlett]] and his production company Zombie Flesh Eaters. The album produced four singles: "[[Feel Good Inc.]]", "[[Dare (song)|Dare]]", "[[Dirty Harry (song)|Dirty Harry]]", and the [[A-side and B-side#Double A-side|double A-side]] "[[El Mañana (song)|El Mañana]]" / "[[Kids with Guns]]". | ||
''Demon Days'' was a major commercial success, debuting at number one on the [[UK Albums Chart]] and number six on the [[Billboard 200|US ''Billboard'' 200]].<ref name="charts.us">{{cite web |title=Gorillaz – Demon Days – Music Charts |url=http://acharts.us/album/13902 |access-date=7 December 2008 |publisher=αCharts.us}}</ref><ref>{{cite magazine |url = https://ew.com/article/2005/06/13/gorillaz-are-nonchalant-about-their-success/ |title = Gorillaz in Our Midst |access-date = 7 December 2008 |author = Raftery, Brian M. |date = 13 June 2005 |magazine = [[Entertainment Weekly]] |archive-date = 6 March 2014 |archive-url = https://web.archive.org/web/20140306144858/http://www.ew.com/ew/article/0,,1070631,00.html |url-status = live }}</ref> The album has sold eight million copies worldwide,<ref name="Vice Media" /><ref>{{Cite magazine|url=https://www.billboard.com/articles/news/958929/gorillaz-scores-third-euro-chart-no-1|title=Gorillaz Scores Third Euro Chart No. 1|magazine=Billboard|access-date=20 May 2018}}</ref> surpassing sales of the band's debut album. It was later certified six times platinum in the UK and double platinum in the US.<ref name="Vice Media" /> Lead single "Feel Good Inc." topped the US ''[[Billboard (magazine)|Billboard]]'' [[Hot Modern Rock Tracks|Modern Rock Tracks]] chart for eight consecutive weeks and won the band its sole [[Grammy Award]] in [[48th Annual Grammy Awards|2006]] for [[Grammy Award for Best Pop Collaboration with Vocals|Best Pop Collaboration with Vocals]]. Forgoing a traditional tour, the band promoted the album with concert residencies in [[Manchester]] and [[New York City]] in 2005 and 2006 billed as [[Demon Days Live]], performing the album in full across five shows in each city. During these performances, which featured almost all of the guest artists on the album, Albarn and the band performed on stage in [[silhouette]] alongside a screen displaying Hewlett's visuals.<ref>{{cite web |date=5 October 2005 |title=Gorillaz 'Demon Days' to be played live |url=https://www.nme.com/news/music/gorillaz-114-1364598 |access-date=2 April 2025 |publisher=NME}}</ref> As with the band's first album, [[B-sides]] and outtakes from the album's sessions were later released as a compilation album, ''[[D-Sides]]'' (2007), while the album's music videos and assorted multimedia were compiled into the video album ''[[Phase Two: Slowboat to Hades]]'' (2006). | ''Demon Days'' was a major commercial success, debuting at number one on the [[UK Albums Chart]] and number six on the [[Billboard 200|US ''Billboard'' 200]].<ref name="charts.us">{{cite web |title=Gorillaz – Demon Days – Music Charts |url=http://acharts.us/album/13902 |access-date=7 December 2008 |publisher=αCharts.us}}</ref><ref>{{cite magazine |url = https://ew.com/article/2005/06/13/gorillaz-are-nonchalant-about-their-success/ |title = Gorillaz in Our Midst |access-date = 7 December 2008 |author = Raftery, Brian M. |date = 13 June 2005 |magazine = [[Entertainment Weekly]] |archive-date = 6 March 2014 |archive-url = https://web.archive.org/web/20140306144858/http://www.ew.com/ew/article/0,,1070631,00.html |url-status = live }}</ref> The album has sold eight million copies worldwide,<ref name="Vice Media" /><ref>{{Cite magazine|url=https://www.billboard.com/articles/news/958929/gorillaz-scores-third-euro-chart-no-1|title=Gorillaz Scores Third Euro Chart No. 1|magazine=Billboard|access-date=20 May 2018}}</ref> surpassing sales of the band's debut album. It was later certified six times platinum in the UK and double platinum in the US.<ref name="Vice Media" /> Lead single "Feel Good Inc." topped the US ''[[Billboard (magazine)|Billboard]]'' [[Hot Modern Rock Tracks|Modern Rock Tracks]] chart for eight consecutive weeks and won the band its sole [[Grammy Award]] in [[48th Annual Grammy Awards|2006]] for [[Grammy Award for Best Pop Collaboration with Vocals|Best Pop Collaboration with Vocals]]. Forgoing a traditional tour, the band promoted the album with concert residencies in [[Manchester]] and [[New York City]] in 2005 and 2006 billed as [[Demon Days Live]], performing the album in full across five shows in each city. During these performances, which featured almost all of the guest artists on the album, Albarn and the band performed on stage in [[silhouette]] alongside a screen displaying Hewlett's visuals.<ref>{{cite web |date=5 October 2005 |title=Gorillaz 'Demon Days' to be played live |url=https://www.nme.com/news/music/gorillaz-114-1364598 |access-date=2 April 2025 |publisher=NME}}</ref> As with the band's first album, [[B-sides]] and outtakes from the album's sessions were later released as a compilation album, ''[[D-Sides]]'' (2007), while the album's music videos and assorted multimedia were compiled into the video album ''[[Phase Two: Slowboat to Hades]]'' (2006). | ||
''Demon Days'' received positive reviews upon release, with reviewers noting that the album established Gorillaz as a serious musical project as opposed to a one-off side effort for Albarn. It has since garnered further acclaim as one of the best Gorillaz albums and one of the greatest albums of the 21st century, with particular praise for its eclectic genre-bending musical style, prescient [[postmodern]] themes and dark, haunting atmosphere.<ref name="NME.com">{{cite journal|title= The 100 greatest albums of the decade |journal= NME|url= https://www.nme.com/list/albums-of-the-decade/158049 |date= 18 November 2009 |access-date= 9 August 2015}}</ref><ref name="uncut.co.uk">{{cite journal|title= Uncut's 150 albums of the decade: part two! |journal= Uncut|url= http://www.uncut.co.uk/features/uncut-s-150-albums-of-the-decade-part-two-37249 |date= 30 November 2009 |access-date= 9 August 2015}}</ref><ref name="complex.com">{{cite journal|title= The 100 best albums of the complex decade |journal= Complex |url= http://www.complex.com/music/2012/04/the-100-best-albums-of-the-complex-era/gorillaz-demon-days#! |date= 2 April 2012 |access-date= 9 August 2015}}</ref><ref name="spin.com">{{cite journal|title= The 300 best albums of the past 30 years (1985-2014) |journal= Spin |url= http://www.spin.com/2015/05/the-300-best-albums-of-the-past-30-years-1985-2014/ |date= 11 May 2015 |access-date= 9 August 2015}}</ref><ref>{{cite web|url=https://stacker.com/stories/4750/100-best-albums-21st-century|title=100 Best Albums of the 21st Century|website=Stacker|date=23 October 2020|access-date=21 June 2021}}</ref> In 2023, ''[[Rolling Stone]]'' ranked ''Demon Days'' number 437 on its list of the [[Rolling Stone's 500 Greatest Albums of All Time|500 Greatest Albums of All Time]].<ref>{{Cite magazine |date=31 December 2023 |title=The 500 Greatest Albums of All Time|url=https://www.rollingstone.com/music/music-lists/best-albums-of-all-time-1062063/ |magazine=[[Rolling Stone]] |access-date=6 January 2024}}</ref> | ''Demon Days'' received positive reviews upon release, with reviewers noting that the album established Gorillaz as a serious musical project as opposed to a one-off side effort for Albarn. It has since garnered further acclaim as one of the best Gorillaz albums and one of the greatest albums of the 21st century, with particular praise for its eclectic genre-bending musical style, prescient [[postmodern]] themes and dark, haunting atmosphere.<ref name="NME.com">{{cite journal|title= The 100 greatest albums of the decade |journal= NME|url= https://www.nme.com/list/albums-of-the-decade/158049 |date= 18 November 2009 |access-date= 9 August 2015}}</ref><ref name="uncut.co.uk">{{cite journal|author1= Uncut|title= Uncut's 150 albums of the decade: part two! |journal= Uncut|url= http://www.uncut.co.uk/features/uncut-s-150-albums-of-the-decade-part-two-37249 |date= 30 November 2009 |access-date= 9 August 2015}}</ref><ref name="complex.com">{{cite journal|title= The 100 best albums of the complex decade |journal= Complex |url= http://www.complex.com/music/2012/04/the-100-best-albums-of-the-complex-era/gorillaz-demon-days#! |date= 2 April 2012 |access-date= 9 August 2015}}</ref><ref name="spin.com">{{cite journal|title= The 300 best albums of the past 30 years (1985-2014) |journal= Spin |url= http://www.spin.com/2015/05/the-300-best-albums-of-the-past-30-years-1985-2014/ |date= 11 May 2015 |access-date= 9 August 2015}}</ref><ref>{{cite web|url=https://stacker.com/stories/4750/100-best-albums-21st-century|title=100 Best Albums of the 21st Century|website=Stacker|date=23 October 2020|access-date=21 June 2021}}</ref> In 2023, ''[[Rolling Stone]]'' ranked ''Demon Days'' number 437 on its list of the [[Rolling Stone's 500 Greatest Albums of All Time|500 Greatest Albums of All Time]].<ref>{{Cite magazine |date=31 December 2023 |title=The 500 Greatest Albums of All Time|url=https://www.rollingstone.com/music/music-lists/best-albums-of-all-time-1062063/ |magazine=[[Rolling Stone]] |access-date=6 January 2024}}</ref> | ||
==Background== | ==Background== | ||
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{{quote|Dust bowls, loose earth rapidly turning into desert. There are little satellite towns in the middle of these semi deserts that are absolutely on their knees. And it's the size of Europe this area. And then you wake up in the morning with this nightmare in your head and it's blue sky and beautiful sand, which looks fantastic now but was probably something else millions of years ago. And that will happen to us in our lifetime.<ref name="gorillaz-news.livejournal.com">{{cite web|url=http://gorillaz-news.livejournal.com/96999.html |archive-url=https://archive.today/20120709034459/http://gorillaz-news.livejournal.com/96999.html |url-status=dead |archive-date=9 July 2012 |title=gorillaz_news: New Damon interview in Notion magazine - talks Gorillaz |publisher=Gorillaz-news.livejournal.com |access-date=19 August 2014 }}</ref><ref name="Making a Gorillaz movie">{{cite web |url=http://www.gorillaz-unofficial.com/article/both.html |title=Website Suspended - Pickaweb |publisher=Gorillaz-unofficial.com |access-date=19 August 2014 |url-status=dead |archive-url=https://web.archive.org/web/20120318041813/http://www.gorillaz-unofficial.com/article/both.html |archive-date=18 March 2012 }}</ref><ref>{{cite web|url=https://www.rhino.com/article/once-upon-a-time-in-the-top-spot-gorillaz-demon-days|title=Once Upon a Time in the Top Spot: Gorillaz, Demon Days|publisher=[[Rhino Entertainment]]|date=29 May 2015}}</ref>}} | {{quote|Dust bowls, loose earth rapidly turning into desert. There are little satellite towns in the middle of these semi deserts that are absolutely on their knees. And it's the size of Europe this area. And then you wake up in the morning with this nightmare in your head and it's blue sky and beautiful sand, which looks fantastic now but was probably something else millions of years ago. And that will happen to us in our lifetime.<ref name="gorillaz-news.livejournal.com">{{cite web|url=http://gorillaz-news.livejournal.com/96999.html |archive-url=https://archive.today/20120709034459/http://gorillaz-news.livejournal.com/96999.html |url-status=dead |archive-date=9 July 2012 |title=gorillaz_news: New Damon interview in Notion magazine - talks Gorillaz |publisher=Gorillaz-news.livejournal.com |access-date=19 August 2014 }}</ref><ref name="Making a Gorillaz movie">{{cite web |url=http://www.gorillaz-unofficial.com/article/both.html |title=Website Suspended - Pickaweb |publisher=Gorillaz-unofficial.com |access-date=19 August 2014 |url-status=dead |archive-url=https://web.archive.org/web/20120318041813/http://www.gorillaz-unofficial.com/article/both.html |archive-date=18 March 2012 }}</ref><ref>{{cite web|url=https://www.rhino.com/article/once-upon-a-time-in-the-top-spot-gorillaz-demon-days|title=Once Upon a Time in the Top Spot: Gorillaz, Demon Days|publisher=[[Rhino Entertainment]]|date=29 May 2015}}</ref>}} | ||
Albarn stated in an interview with [[MTV News]] that "Gorillaz make dark [[Pop music|pop]]; that's what they always set out to achieve. The whole album kind of tells the story of the night | Albarn stated in an interview with [[MTV News]] that "Gorillaz make dark [[Pop music|pop]]; that's what they always set out to achieve. The whole album kind of tells the story of the night – staying up during the night – but it's also an allegory. It's what we're living in basically, the world in a state of night."<ref name=":0">{{Cite web|last=Perez|first=Rodrigo|date=5 April 2005|title=Cartoon Gorillaz put a muzzle on Danger Mouse, Damon Albarn|url=http://www.mtv.com/news/1499626/cartoon-gorillaz-put-a-muzzle-on-danger-mouse-damon-albarn/|archive-url=https://web.archive.org/web/20160214101011/http://www.mtv.com/news/1499626/cartoon-gorillaz-put-a-muzzle-on-danger-mouse-damon-albarn/|url-status=dead|archive-date=14 February 2016|publisher=[[MTV News]]}}</ref> | ||
Hewlett was excited by the prospect of a second Gorillaz album, saying, "Let's repeat the same process, but do it better. Because everyone thought it was a gimmick. If you do it again, it's no longer a gimmick, and if it works then we've proved a point. And instantly, all of us got excited".<ref name="Making a Gorillaz movie"/> | Hewlett was excited by the prospect of a second Gorillaz album, saying, "Let's repeat the same process, but do it better. Because everyone thought it was a gimmick. If you do it again, it's no longer a gimmick, and if it works then we've proved a point. And instantly, all of us got excited".<ref name="Making a Gorillaz movie"/> | ||
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The most obvious difference on the band's second offering is the absence of [[Dan the Automator|Dan "the Automator" Nakamura]] as the acting musical producer. Instead, Albarn reached out to [[Danger Mouse (musician)|Danger Mouse]] based on the strength of ''[[The Grey Album]]'', which brought Danger Mouse to prominence for mixing [[Jay-Z]]'s ''[[The Black Album (Jay-Z album)|The Black Album]]''. "Dan [the Automator] wasn't busy, the project just needed a slightly different approach," Albarn explained. "Danger Mouse, in my opinion, is one of the best young producers in the world. I think the last record was a lot more simplistic. It was virgin territory | The most obvious difference on the band's second offering is the absence of [[Dan the Automator|Dan "the Automator" Nakamura]] as the acting musical producer. Instead, Albarn reached out to [[Danger Mouse (musician)|Danger Mouse]] based on the strength of ''[[The Grey Album]]'', which brought Danger Mouse to prominence for mixing [[Jay-Z]]'s ''[[The Black Album (Jay-Z album)|The Black Album]]''. "Dan [the Automator] wasn't busy, the project just needed a slightly different approach," Albarn explained. "Danger Mouse, in my opinion, is one of the best young producers in the world. I think the last record was a lot more simplistic. It was virgin territory – animated [[hip-hop]], [[reggae]], stroke-[[Rock music|rock]], [[Latin rock]] – there's a lot more intricacy with this record." Danger Mouse joined the project on 7 April 2004. Danger Mouse was a longtime fan of Albarn's other band [[Blur (band)|Blur]], the feelings of admiration and respect were mutual. "It was a no-brainer when there was interest there from Damon," Burton said. "I heard demos of the new record, but the biggest part was getting the chance to be a part of something that's so strong – you just gotta jump on it. I had a very up-and-down year [in 2004], but it was definitely a big up when I got a chance to [work with Gorillaz]."<ref name=":0" /> | ||
"I learned so much working on the record with Damon", claimed Danger Mouse. "...and it was sink or swim. You just pick it up. At the end of the day, the people you're working with – whether it's the choir or string section or guitarist – are specialized in what they do. All you have to do is figure out the best thing they're doing and how it's going to fit within the context of the whole project. That goes back to putting together a song on a computer-based program. You're looking for all the parts that are going to make something sound right. It's also being able to communicate. I had done stuff before Gorillaz – like the [[Danger Mouse discography#Studio albums|Pelican City]] stuff – where I worked with musicians, so it wasn't completely foreign to me."<ref name=Kitchen>{{cite journal|title=KITCHEN CONFIDENTIAL|journal=Future Music|date=August 2005|url=http://www.livejournal.com/users/gorillaz_news/75777.html|access-date=30 December 2012}}</ref> | "I learned so much working on the record with Damon", claimed Danger Mouse. "...and it was sink or swim. You just pick it up. At the end of the day, the people you're working with – whether it's the choir or string section or guitarist – are specialized in what they do. All you have to do is figure out the best thing they're doing and how it's going to fit within the context of the whole project. That goes back to putting together a song on a computer-based program. You're looking for all the parts that are going to make something sound right. It's also being able to communicate. I had done stuff before Gorillaz – like the [[Danger Mouse discography#Studio albums|Pelican City]] stuff – where I worked with musicians, so it wasn't completely foreign to me."<ref name=Kitchen>{{cite journal|title=KITCHEN CONFIDENTIAL|journal=Future Music|date=August 2005|url=http://www.livejournal.com/users/gorillaz_news/75777.html|access-date=30 December 2012}}</ref> | ||
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"[[Kids with Guns]]" was inspired by a boy in Albarn's daughter's class who turned up to school with a knife. "A nice boy", said Albarn, "just decided to pick up a knife and show it to his friends at lunchtime. It's a very real problem, but I'm not treating it as a problem. It's part of the brutalisation of a generation that's going on at the moment". "Fire Coming Out of the Monkey's Head", meanwhile, is a parable read by Dennis Hopper that seems to have clear parallels with the [[Oil war|war for oil]]. | "[[Kids with Guns]]" was inspired by a boy in Albarn's daughter's class who turned up to school with a knife. "A nice boy", said Albarn, "just decided to pick up a knife and show it to his friends at lunchtime. It's a very real problem, but I'm not treating it as a problem. It's part of the brutalisation of a generation that's going on at the moment". "Fire Coming Out of the Monkey's Head", meanwhile, is a parable read by Dennis Hopper that seems to have clear parallels with the [[Oil war|war for oil]]. | ||
[[File:Shaun Ryder. | [[File:Shaun Ryder in 2007.png|thumbnail|left|140px|[[Happy Mondays]] singer [[Shaun Ryder]] is featured on "[[Dare (song)|Dare]]", the only Gorillaz song to peak number one in United Kingdom.]] | ||
Regarding the song "[[Dare (song)|Dare]]" and the collaboration with Shaun Ryder, Albarn also said: "I love Shaun Ryder. During the whole [[Battle of Britpop|Oasis thing]], he and [[Bernard Sumner]] were the only two who cared about what I was going through. Being constantly taken the piss out of by [[Noel Gallagher|Noel]] & [[Liam Gallagher|Liam]] (Gallagher). How can you fight when you've got the tabloids and a working class attitude on your back? You're fucked. But Shaun was really sweet to me and made me feel a whole lot better about it. Because I did get quite upset about it, so was selecting Shaun karma in action, then? Yeah, definitely". The song's title is purported to have come about due to Ryder's thick [[Mancunian accent]]; he was unable to say the phrase "It's There", which was the song's original title, so it was changed simply to "Dare".<ref>{{cite web |last=Gorillaz-Unofficial |title=New Damon interview in Notion magazine - talks Gorillaz |url=http://gorillaz-news.livejournal.com/96999.html |url-status=dead |archive-url=https://archive.today/20120709034459/http://gorillaz-news.livejournal.com/96999.html |archive-date=9 July 2012}}</ref> Roses Gabor takes over the role of [[Noodle (Gorillaz)|Noodle]] from [[Miho Hatori]], who provided the vocals for her on the first album. Albarn provides backing vocals; however, to blend his vocals with Gabor's, his voice was toned down to be slightly covered up. Albarn's full vocalization can be heard on the ''[[D-Sides]]'' [[remix album]]. ''D-Sides'' features a [[Demo (music)|demo]] version of "Dare" entitled "People". This version contains the same background beat while lacking the majority of the [[Keyboard instrument|keyboards]] and effects in the final recording. Unlike the final version, it is completely sung by Albarn and features an [[Omnichord]] breakdown. | Regarding the song "[[Dare (song)|Dare]]" and the collaboration with Shaun Ryder, Albarn also said: "I love Shaun Ryder. During the whole [[Battle of Britpop|Oasis thing]], he and [[Bernard Sumner]] were the only two who cared about what I was going through. Being constantly taken the piss out of by [[Noel Gallagher|Noel]] & [[Liam Gallagher|Liam]] (Gallagher). How can you fight when you've got the tabloids and a working class attitude on your back? You're fucked. But Shaun was really sweet to me and made me feel a whole lot better about it. Because I did get quite upset about it, so was selecting Shaun karma in action, then? Yeah, definitely". The song's title is purported to have come about due to Ryder's thick [[Mancunian accent]]; he was unable to say the phrase "It's There", which was the song's original title, so it was changed simply to "Dare".<ref>{{cite web |last=Gorillaz-Unofficial |title=New Damon interview in Notion magazine - talks Gorillaz |url=http://gorillaz-news.livejournal.com/96999.html |url-status=dead |archive-url=https://archive.today/20120709034459/http://gorillaz-news.livejournal.com/96999.html |archive-date=9 July 2012}}</ref> Roses Gabor takes over the role of [[Noodle (Gorillaz)|Noodle]] from [[Miho Hatori]], who provided the vocals for her on the first album. Albarn provides backing vocals; however, to blend his vocals with Gabor's, his voice was toned down to be slightly covered up. Albarn's full vocalization can be heard on the ''[[D-Sides]]'' [[remix album]]. ''D-Sides'' features a [[Demo (music)|demo]] version of "Dare" entitled "People". This version contains the same background beat while lacking the majority of the [[Keyboard instrument|keyboards]] and effects in the final recording. Unlike the final version, it is completely sung by Albarn and features an [[Omnichord]] breakdown. | ||
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==Release and marketing== | ==Release and marketing== | ||
''Demon Days'' was first mentioned in articles detailing the reopening of Gorillaz' website in early December 2004. Initially, a March or April 2005 release date was announced, but this date was later pushed back. In an article for [[Q (magazine)|''Q'']] in February 2005, it was reported that the album was to be titled ''We Are Happy Landfill''. Another early title was reported to be ''Reject False Icons'', which is also the title of Gorillaz' [[culture jamming]] project. In January 2005, a promo for the song "[[Dirty Harry (song)|Dirty Harry]]" was released as a white label [[vinyl record|12"]], and an exclusive video was released online entitled "[[Rock It (Gorillaz song)|Rockit]]". It was later reported that the track would not appear on the album, although it later appeared on [[D-Sides]], a collection of remixes, rare songs and B-sides released in November 2007. ''Demon Days''' lead single "[[Feel Good Inc.]]" became Gorillaz' biggest hit at the time, while the album's second single, "[[Dare (song)|Dare]]" featuring Shaun Ryder, was a big hit as well and gave the band their first number one single in the UK. Since its release, ''Demon Days'' has been [[RIAA certification|certified]] [[Platinum album|double platinum]] in the US<ref name="UScert"/> and 6× platinum in the UK.<ref name=UKcert/> | ''Demon Days'' was first mentioned in articles detailing the reopening of Gorillaz' website in early December 2004. Initially, a March or April 2005 release date was announced, but this date was later pushed back. In an article for [[Q (magazine)|''Q'']] in February 2005, it was reported that the album was to be titled ''We Are Happy Landfill''. Another early title was reported to be ''Reject False Icons'', which is also the title of Gorillaz' [[culture jamming]] project. In January 2005, a promo for the song "[[Dirty Harry (song)|Dirty Harry]]" was released as a white label [[vinyl record|12"]], and an exclusive video was released online entitled "[[Rock It (Gorillaz song)|Rockit]]". It was later reported that the track would not appear on the album, although it later appeared on ''[[D-Sides]]'', a collection of remixes, rare songs and B-sides released in November 2007. ''Demon Days''' lead single "[[Feel Good Inc.]]" became Gorillaz' biggest hit at the time, while the album's second single, "[[Dare (song)|Dare]]" featuring Shaun Ryder, was a big hit as well and gave the band their first number one single in the UK. Since its release, ''Demon Days'' has been [[RIAA certification|certified]] [[Platinum album|double platinum]] in the US<ref name="UScert"/> and 6× platinum in the UK.<ref name=UKcert/> | ||
The limited edition of the album includes a [[DVD]] containing the video, [[audio commentary]] and an [[animatic]] for the music video "Feel Good Inc.", short animated films featuring the band, an exclusive audio track titled "The Swagga" and online access to exclusive sections of the band's website, with various wallpapers and screensavers,<ref name="Ltd Edition">{{cite web |url=http://gorillaz.com/g-player/audio/demon-days/demon-days-ltd-edition |title=Demon Days Ltd Edition |publisher=Gorillaz.com |access-date=22 May 2021 |url-status=dead |archive-url=https://web.archive.org/web/20140704020000/http://gorillaz.com/g-player/audio/demon-days/demon-days-ltd-edition |archive-date=4 July 2014}}</ref> as well as a crowbar, facilitating the opening of a locked cupboard in the kitchen on Gorillaz.com in order to download the song, "Happy Landfill". This content is no longer available, however, the track appears on ''D-Sides'' (re-titled "We Are Happy Landfill"). | The limited edition of the album includes a [[DVD]] containing the video, [[audio commentary]] and an [[animatic]] for the music video "Feel Good Inc.", short animated films featuring the band, an exclusive audio track titled "The Swagga" and online access to exclusive sections of the band's website, with various wallpapers and screensavers,<ref name="Ltd Edition">{{cite web |url=http://gorillaz.com/g-player/audio/demon-days/demon-days-ltd-edition |title=Demon Days Ltd Edition |publisher=Gorillaz.com |access-date=22 May 2021 |url-status=dead |archive-url=https://web.archive.org/web/20140704020000/http://gorillaz.com/g-player/audio/demon-days/demon-days-ltd-edition |archive-date=4 July 2014}}</ref> as well as a crowbar, facilitating the opening of a locked cupboard in the kitchen on Gorillaz.com in order to download the song, "Happy Landfill". This content is no longer available, however, the track appears on ''D-Sides'' (re-titled "We Are Happy Landfill"). | ||
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All three collaborated on the fourth single release of Phase Two, "Kids with Guns" / "[[El Mañana (song)|El Mañana]]". Sourbee provided his animated incarnation of the "Don't Get Lost in Heaven (Original Demo Version)" B-side, featured on the DVD version of the single. Asidus made a "Dirty Harry" remix called "Uno Quatro" featured on the Gorillaz website. Irina Bolshakova aka Schneeflocke created her own artistic interpretation of "El Mañana", featured on an insert included on the DVD version of the single. The winners were also originally supposed to have their own rooms in Kong Studios, but that never came to pass.{{cn|date=January 2023}} | All three collaborated on the fourth single release of Phase Two, "Kids with Guns" / "[[El Mañana (song)|El Mañana]]". Sourbee provided his animated incarnation of the "Don't Get Lost in Heaven (Original Demo Version)" B-side, featured on the DVD version of the single. Asidus made a "Dirty Harry" remix called "Uno Quatro" featured on the Gorillaz website. Irina Bolshakova aka Schneeflocke created her own artistic interpretation of "El Mañana", featured on an insert included on the DVD version of the single. The winners were also originally supposed to have their own rooms in Kong Studios, but that never came to pass.{{cn|date=January 2023}} | ||
==Singles== | |||
*"[[Feel Good Inc.]]" was the first single released from the album. It was released as a single in the UK and Australia on 9 May 2005, and charted at number two in the UK,<ref name="UK Singles">{{cite web |title=Gorillaz - full Official Charts |url=https://www.officialcharts.com/artist/9975/gorillaz/ |access-date=22 May 2021 |publisher=[[Official Charts Company]]}}</ref> number 14 on the [[Billboard Hot 100|''Billboard'' Hot 100]]<ref name="BBHot100">{{cite magazine |title=Gorillaz Chart History (Hot 100) |url=https://www.billboard.com/artist/gorillaz/chart-history/hsi/ |access-date=22 May 2021 |magazine=[[Billboard (magazine)|Billboard]]}}</ref> and number one on the [[Hot Modern Rock Tracks|''Billboard'' Hot Modern Rock Tracks]].<ref name="BBAirplay">{{cite magazine |title=Gorillaz Chart History (Alternative Airplay) |url=https://www.billboard.com/artist/gorillaz/chart-history/mrt/ |access-date=22 May 2021 |magazine=[[Billboard (magazine)|Billboard]]}}</ref> | |||
*"[[Dare (song)|Dare]]" was the second single released from the album. It was released on 29 August 2005 in the UK. The single charted at number one on the [[UK Singles Chart]],<ref name="UK Singles" /> number eight on the [[Billboard Modern Rock Tracks|''Billboard'' Modern Rock Tracks]]<ref name="BBAirplay" /> and number 87 on the ''Billboard'' Hot 100.<ref name="BBHot100" /> | |||
*"[[Dirty Harry (song)|Dirty Harry]]" was the third single released from the album. It was released on 21 November 2005 in the UK, and charted at number six on the UK Singles Chart.<ref name="UK Singles" /> | |||
*"[[Kids with Guns]]" / "[[El Mañana (song)|El Mañana]]" was the fourth, fifth, and final single released from the album. It was released on 10 April 2006 in the UK. The winners for the [[#Search for a Star|''Search for a Star'']] competition collaborated with Gorillaz in various ways on the single. The single charted at number 27 on the UK Singles Chart.<ref name="UK Singles" /> | |||
==Reception== | ==Reception== | ||
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| rev10Score = B<ref>{{cite journal |url=https://books.google.com/books?id=PDP4_76gznoC&pg=PA105 |title=Gorillaz: Demon Days |journal=[[Spin (magazine)|Spin]] |volume=21 |issue=6 |date=June 2005 |access-date=26 November 2015 |last=Harris |first=Keith |page=105}}</ref> | | rev10Score = B<ref>{{cite journal |url=https://books.google.com/books?id=PDP4_76gznoC&pg=PA105 |title=Gorillaz: Demon Days |journal=[[Spin (magazine)|Spin]] |volume=21 |issue=6 |date=June 2005 |access-date=26 November 2015 |last=Harris |first=Keith |page=105}}</ref> | ||
}} | }} | ||
At [[Metacritic]], which assigns a normalized rating out of 100 to reviews from mainstream critics, ''Demon Days'' received an average score of 82, indicating "universal acclaim".<ref name="metacritic"/> [[AllMusic]] editor [[Stephen Thomas Erlewine]] wrote that ''Demon Days'' "is unified and purposeful in a way Albarn's music hasn't been since ''[[The Great Escape (Blur album)|The Great Escape]]''" and "stands alongside the best Blur albums, providing a tonal touchstone for this decade the way ''[[Parklife]]'' did for the '90s."<ref name="AM"/> Paul Mardles of ''[[The Observer]]'' felt that, compared to ''Gorillaz'', the songs on ''Demon Days'' were more "fully realised and pregnant with ideas", and that the album may prove to be Albarn's "masterwork".<ref name="observer">{{cite news |url= | At [[Metacritic]], which assigns a normalized rating out of 100 to reviews from mainstream critics, ''Demon Days'' received an average score of 82, indicating "universal acclaim".<ref name="metacritic"/> [[AllMusic]] editor [[Stephen Thomas Erlewine]] wrote that ''Demon Days'' "is unified and purposeful in a way Albarn's music hasn't been since ''[[The Great Escape (Blur album)|The Great Escape]]''" and "stands alongside the best Blur albums, providing a tonal touchstone for this decade the way ''[[Parklife]]'' did for the '90s."<ref name="AM"/> Paul Mardles of ''[[The Observer]]'' felt that, compared to ''Gorillaz'', the songs on ''Demon Days'' were more "fully realised and pregnant with ideas", and that the album may prove to be Albarn's "masterwork".<ref name="observer">{{cite news |url=https://www.theguardian.com/observer/omm/10bestcds/story/0,12102,1465865,00.html |title=Gorillaz, Demon Days |work=[[The Observer]] |date=24 April 2005 |access-date=4 April 2012 |last=Mardles |first=Paul}}</ref> Writing in ''[[Entertainment Weekly]]'', [[David Browne (journalist)|David Browne]] called it "spookier, blippier, and more on edge."<ref name="ew"/> ''[[Los Angeles Times]]'' critic [[Robert Hilburn]] stated that Albarn's "evocative words, compelling if understated melodic sense and subdued vocals" are at the emotional center of ''Demon Days'', "transcending the gimmick even more than on the first Gorillaz album."<ref name="latimes"/> | ||
Rob Mitchum of ''[[Pitchfork (website)|Pitchfork]]'' felt that while ''Demon Days'' was uneven, Albarn's experiments "fit together just often enough to again make Gorillaz more than mere [[Adult Swim]] novelty."<ref name="pitchfork"/> In a mixed assessment, Alex Mar of ''[[Rolling Stone]]'' described ''Demon Days'' as "hit-or-miss" and felt that Albarn's "phoned-in and incredibly flat" vocals weighed the record down.<ref name="rs"/> In contrast, ''[[Uncut (magazine)|Uncut]]'' stated that the album featured "great beats, brilliant production, top tunes and some of Albarn's best singing."<ref>{{cite journal |title=Gorillaz: Demon Days |journal=[[Uncut (magazine)|Uncut]] |issue=97 |date=June 2005 |page=104}}</ref> [[Robert Christgau]] of ''[[The Village Voice]]'' gave ''Demon Days'' a three-star honourable mention, indicating "an enjoyable effort consumers attuned to its overriding aesthetic or individual vision may well treasure", and selected "All Alone" and "Dare" as highlights.<ref name="christgau">{{cite web |url=http://www.robertchristgau.com/get_album.php?id=13179 |title=Gorillaz: Demon Days |publisher=RobertChristgau.com |access-date=3 September 2011 |last=Christgau |first=Robert |author-link=Robert Christgau}}</ref><ref>{{cite web |url=http://www.robertchristgau.com/xg/bk-cg90/grades-90s.php |title=Key to Icons |publisher=RobertChristgau.com |access-date=3 September 2011 |last=Christgau |first=Robert |author-link=Robert Christgau}}</ref> | Rob Mitchum of ''[[Pitchfork (website)|Pitchfork]]'' felt that while ''Demon Days'' was uneven, Albarn's experiments "fit together just often enough to again make Gorillaz more than mere [[Adult Swim]] novelty."<ref name="pitchfork"/> In a mixed assessment, Alex Mar of ''[[Rolling Stone]]'' described ''Demon Days'' as "hit-or-miss" and felt that Albarn's "phoned-in and incredibly flat" vocals weighed the record down.<ref name="rs"/> In contrast, ''[[Uncut (magazine)|Uncut]]'' stated that the album featured "great beats, brilliant production, top tunes and some of Albarn's best singing."<ref>{{cite journal |title=Gorillaz: Demon Days |journal=[[Uncut (magazine)|Uncut]] |issue=97 |date=June 2005 |page=104}}</ref> [[Robert Christgau]] of ''[[The Village Voice]]'' gave ''Demon Days'' a three-star honourable mention, indicating "an enjoyable effort consumers attuned to its overriding aesthetic or individual vision may well treasure", and selected "All Alone" and "Dare" as highlights.<ref name="christgau">{{cite web |url=http://www.robertchristgau.com/get_album.php?id=13179 |title=Gorillaz: Demon Days |publisher=RobertChristgau.com |access-date=3 September 2011 |last=Christgau |first=Robert |author-link=Robert Christgau}}</ref><ref>{{cite web |url=http://www.robertchristgau.com/xg/bk-cg90/grades-90s.php |title=Key to Icons |publisher=RobertChristgau.com |access-date=3 September 2011 |last=Christgau |first=Robert |author-link=Robert Christgau}}</ref> | ||
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=== Accolades === | === Accolades === | ||
"Feel Good Inc.", the lead single from ''Demon Days'', won the [[Grammy Award for Best Pop Collaboration with Vocals|Best Pop Collaboration with Vocals]] accolade at the [[48th Annual Grammy Awards|48th Grammy Awards]].<ref>{{cite web|url=https://www.grammy.com/grammys/awards/48th-annual-grammy-awards|title=2005 Grammy Winners|publisher=Recording Academy Grammy Awards}}</ref> The album was nominated for [[Brit Award for British Album of the Year|British Album of the Year]] at the [[2006 Brit Awards]], but lost to [[Coldplay]]'s ''[[X&Y]]''.<ref>{{cite web|url=https://www.grammy.com/grammys/awards/48th-annual-grammy-awards|title=Brit Awards 2006: The winners|publisher=[[BBC News]]}}</ref> ''Demon Days'' won the accolade for Best International Album at 2006 [[Danish Music Awards]]<ref>{{cite magazine|url=https://www.billboard.com/articles/business/1356651/mew-tv-2-big-winners-at-danish-music-awards|title=Mew, TV-2 Big Winners At Danish Music Awards|magazine=Billboard|date=13 March 2006}}</ref> and made the band win the accolade for [[MTV Europe Music Award for Best Group|Best Group]] at [[2005 MTV Europe Music Awards]].<ref>{{cite web|url= | "Feel Good Inc.", the lead single from ''Demon Days'', won the [[Grammy Award for Best Pop Collaboration with Vocals|Best Pop Collaboration with Vocals]] accolade at the [[48th Annual Grammy Awards|48th Grammy Awards]].<ref>{{cite web|url=https://www.grammy.com/grammys/awards/48th-annual-grammy-awards|title=2005 Grammy Winners|date=28 November 2017 |publisher=Recording Academy Grammy Awards}}</ref> The album was nominated for [[Brit Award for British Album of the Year|British Album of the Year]] at the [[2006 Brit Awards]], but lost to [[Coldplay]]'s ''[[X&Y]]''.<ref>{{cite web|url=https://www.grammy.com/grammys/awards/48th-annual-grammy-awards|title=Brit Awards 2006: The winners|date=28 November 2017 |publisher=[[BBC News]]}}</ref> ''Demon Days'' won the accolade for Best International Album at 2006 [[Danish Music Awards]]<ref>{{cite magazine|url=https://www.billboard.com/articles/business/1356651/mew-tv-2-big-winners-at-danish-music-awards|title=Mew, TV-2 Big Winners At Danish Music Awards|magazine=Billboard|date=13 March 2006}}</ref> and made the band win the accolade for [[MTV Europe Music Award for Best Group|Best Group]] at [[2005 MTV Europe Music Awards]].<ref>{{cite web|url=https://news.bbc.co.uk/2/hi/entertainment/4405254.stm|title=MTV Europe awards 2005: The winners|publisher=[[BBC News]]|date=3 November 2005}}</ref> | ||
''Demon Days'' was voted the 21st best album of the year in ''The Village Voice''{{'}}s annual [[Pazz & Jop]] critics poll for 2005.<ref>{{cite news|url=http://www.robertchristgau.com/xg/pnj/pjres05.php|title=The 2005 Pazz & Jop Critics Poll|date=7 February 2006|publisher=The Village Voice|location=New York}}</ref> The album was chosen as the tenth best album of 2005 by ''[[NME]]''<ref name="NME year-end list">{{Cite web|title=NME's best albums and tracks of 2005|url=https://www.nme.com/features/2005-2-1045347|publisher=NME|date=10 October 2016}}</ref> and the 2nd one for ''Q'' magazine.<ref name="Q year-end list">{{Cite web|title=Sensitive souls of rock 'n' roll show their strength with album prize|url=https://www.independent.co.uk/arts-entertainment/music/news/sensitive-souls-of-rock-n-roll-show-their-strength-with-album-prize-517808.html|work=The Independent|date=2 December 2005 }}</ref> ''Glide Magazine'' listed the album on its Best Albums of the Decade, ranking it at 46.<ref>{{cite web|url=https://glidemagazine.com/15034/glides-best-albums-of-the-decade/|title=Glide's Best Albums of the Decade|publisher=Glide|date=14 December 2009|access-date=23 June 2021}}</ref> ''Spin'' ranked ''Demon Days'' as the fourth best album of 2005,<ref name="Spin year-end list">{{cite journal |url=https://books.google.com/books?id=84sBCxdU9RAC&pg=PA64 |title=4. Gorillaz: Demon Days |journal=[[Spin (magazine)|Spin]] |volume=22 |issue=1 |date=January 2006 |access-date=3 June 2016 |last=Ganz |first=Caryn |page=64}}</ref> while ''[[Mojo (magazine)|Mojo]]'' ranked it at number eighteen on their year-end list<ref name="MojoYearEnd">{{cite web|url=http://www.rocklistmusic.co.uk/mojoend.html|archive-url=https://archive.today/20130114040812/http://www.rocklistmusic.co.uk/mojoend.html|url-status=usurped|archive-date=14 January 2013|title=Rocklist.net...Mojo End Of year Lists...|website=www.rocklistmusic.co.uk}}</ref> and hailed the album as a "genre-busting, contemporary pop milestone." ''NME'' placed it 98th on their list of 100 greatest albums of the decade.<ref name="NME.com"/> ''Uncut'' ranked it at 75 on their list of top 150 albums of the decade.<ref name="uncut.co.uk"/> ''[[Complex (magazine)|Complex]]'' included it on their list of 100 Best Albums of the ''Complex'' Decade, placing it at number 43.<ref name="complex.com"/> ''[[The Guardian]]'' listed the album on its Top 50 Albums of the decade, ranking it at 11.<ref>{{cite journal|url=https://www.theguardian.com/music/2009/nov/29/albums-of-the-decade|title=OMM's Top 50 Albums of the Decade|journal=The Guardian|date=21 November 2009|access-date=21 June 2021}}</ref> ''Spin'' later included it in their list of The 300 Best Albums of 1985–2014.<ref name="spin.com"/> In 2016, ''Q'' ranked ''Demon Days'' as one of The Greatest Albums of the Last 30 Years.<ref name="QGreatestAlbums">{{cite web|title=Rocklist.net... The Q Collection..|url=http://www.rocklistmusic.co.uk/qcollection.htm#Q30years|archive-url=https://archive.today/20120629140813/http://www.rocklistmusic.co.uk/qcollection.htm#Q30years|url-status=usurped|archive-date=29 June 2012|access-date=21 April 2021|website=www.rocklistmusic.co.uk}}</ref> In 2020, the album was included at the 100 Best Albums of the 21st Century list of ''Stacker'', being ranked at 27.<ref>{{cite web|url=https://stacker.com/stories/4750/100-best-albums-21st-century|title=100 Best albums of the 21st century|website=Stacker|date=23 October 2020|access-date=21 June 2021}}</ref> | ''Demon Days'' was voted the 21st best album of the year in ''The Village Voice''{{'}}s annual [[Pazz & Jop]] critics poll for 2005.<ref>{{cite news|url=http://www.robertchristgau.com/xg/pnj/pjres05.php|title=The 2005 Pazz & Jop Critics Poll|date=7 February 2006|publisher=The Village Voice|location=New York}}</ref> The album was chosen as the tenth best album of 2005 by ''[[NME]]''<ref name="NME year-end list">{{Cite web|title=NME's best albums and tracks of 2005|url=https://www.nme.com/features/2005-2-1045347|publisher=NME|date=10 October 2016}}</ref> and the 2nd one for ''Q'' magazine.<ref name="Q year-end list">{{Cite web|title=Sensitive souls of rock 'n' roll show their strength with album prize|url=https://www.independent.co.uk/arts-entertainment/music/news/sensitive-souls-of-rock-n-roll-show-their-strength-with-album-prize-517808.html|work=The Independent|date=2 December 2005 }}</ref> ''Glide Magazine'' listed the album on its Best Albums of the Decade, ranking it at 46.<ref>{{cite web|url=https://glidemagazine.com/15034/glides-best-albums-of-the-decade/|title=Glide's Best Albums of the Decade|work=Glide Magazine |publisher=Glide|date=14 December 2009|access-date=23 June 2021}}</ref> ''Spin'' ranked ''Demon Days'' as the fourth best album of 2005,<ref name="Spin year-end list">{{cite journal |url=https://books.google.com/books?id=84sBCxdU9RAC&pg=PA64 |title=4. Gorillaz: Demon Days |journal=[[Spin (magazine)|Spin]] |volume=22 |issue=1 |date=January 2006 |access-date=3 June 2016 |last=Ganz |first=Caryn |page=64}}</ref> while ''[[Mojo (magazine)|Mojo]]'' ranked it at number eighteen on their year-end list<ref name="MojoYearEnd">{{cite web|url=http://www.rocklistmusic.co.uk/mojoend.html|archive-url=https://archive.today/20130114040812/http://www.rocklistmusic.co.uk/mojoend.html|url-status=usurped|archive-date=14 January 2013|title=Rocklist.net...Mojo End Of year Lists...|website=www.rocklistmusic.co.uk}}</ref> and hailed the album as a "genre-busting, contemporary pop milestone." ''NME'' placed it 98th on their list of 100 greatest albums of the decade.<ref name="NME.com"/> ''Uncut'' ranked it at 75 on their list of top 150 albums of the decade.<ref name="uncut.co.uk"/> ''[[Complex (magazine)|Complex]]'' included it on their list of 100 Best Albums of the ''Complex'' Decade, placing it at number 43.<ref name="complex.com"/> ''[[The Guardian]]'' listed the album on its Top 50 Albums of the decade, ranking it at 11.<ref>{{cite journal|url=https://www.theguardian.com/music/2009/nov/29/albums-of-the-decade|title=OMM's Top 50 Albums of the Decade|journal=The Guardian|date=21 November 2009|access-date=21 June 2021}}</ref> ''Spin'' later included it in their list of The 300 Best Albums of 1985–2014.<ref name="spin.com"/> In 2016, ''Q'' ranked ''Demon Days'' as one of The Greatest Albums of the Last 30 Years.<ref name="QGreatestAlbums">{{cite web|title=Rocklist.net... The Q Collection..|url=http://www.rocklistmusic.co.uk/qcollection.htm#Q30years|archive-url=https://archive.today/20120629140813/http://www.rocklistmusic.co.uk/qcollection.htm#Q30years|url-status=usurped|archive-date=29 June 2012|access-date=21 April 2021|website=www.rocklistmusic.co.uk}}</ref> In 2020, the album was included at the 100 Best Albums of the 21st Century list of ''Stacker'', being ranked at 27.<ref>{{cite web|url=https://stacker.com/stories/4750/100-best-albums-21st-century|title=100 Best albums of the 21st century|website=Stacker|date=23 October 2020|access-date=21 June 2021}}</ref> | ||
{{clear}} | {{clear}} | ||
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Despite its only modestly positive reception at release, ''Demon Days'' is now considered to have left an indelible mark on alternative music and has since been variously hailed as "iconic",<ref>{{cite web |last1=Baughan |first1=Craig |title=15 Years of Demons Days |url=https://upsidedownshark.com/features/15-years-of-demon-days/ |website=Upside-down Shark |date=22 May 2020 |access-date=6 December 2020}}</ref> "classic",<ref>{{cite web |last1=Bowe |first1=Miles |title=Gorillaz's Demon Days to receive first vinyl reissue |url=https://www.factmag.com/2017/03/20/gorillazs-demon-days-receive-first-vinyl-reissue/ |website=Fact Magazine |date=20 March 2017 |access-date=6 December 2020}}</ref> "timeless"<ref name="River Beats">{{cite web|url=https://riverbeats.life/demon-days-gorillaz/|title=Why 'Demon Days' by Gorillaz is a Timeless Classic|last=Hafid|first=Hatim|date=22 July 2019|publisher=River Beats Dance}}</ref> and a "modern masterpiece".<ref>{{cite web |last1=Jarroush |first1=Sami |title=Masterpiece Reviews: Gorillaz - "Demon Days" |url=https://consequence.net/video/masterpiece-reviews-gorillaz-demon-days/ |website=Consequence of Sound |date=18 October 2016 |publisher=Consequence Holdings, LLC |access-date=6 December 2020}}</ref> | Despite its only modestly positive reception at release, ''Demon Days'' is now considered to have left an indelible mark on alternative music and has since been variously hailed as "iconic",<ref>{{cite web |last1=Baughan |first1=Craig |title=15 Years of Demons Days |url=https://upsidedownshark.com/features/15-years-of-demon-days/ |website=Upside-down Shark |date=22 May 2020 |access-date=6 December 2020}}</ref> "classic",<ref>{{cite web |last1=Bowe |first1=Miles |title=Gorillaz's Demon Days to receive first vinyl reissue |url=https://www.factmag.com/2017/03/20/gorillazs-demon-days-receive-first-vinyl-reissue/ |website=Fact Magazine |date=20 March 2017 |access-date=6 December 2020}}</ref> "timeless"<ref name="River Beats">{{cite web|url=https://riverbeats.life/demon-days-gorillaz/|title=Why 'Demon Days' by Gorillaz is a Timeless Classic|last=Hafid|first=Hatim|date=22 July 2019|publisher=River Beats Dance}}</ref> and a "modern masterpiece".<ref>{{cite web |last1=Jarroush |first1=Sami |title=Masterpiece Reviews: Gorillaz - "Demon Days" |url=https://consequence.net/video/masterpiece-reviews-gorillaz-demon-days/ |website=Consequence of Sound |date=18 October 2016 |publisher=Consequence Holdings, LLC |access-date=6 December 2020}}</ref> | ||
Multiple writers have noted how ''Demon Days''' commentary was prescient for outlining social and environmental issues in the following years of the 21st century. In an eleventh-anniversary retrospective, Angus Harrison wrote for ''[[Noisey|Noisey UK]]'' that while at the time the record was perceived as "corny, ranty, and hysterical," and even "pretentious twaddle," it is now viewed as "scarily prescient" and "a thrilling allegory set on the precipice of an increasingly dark stretch of modern history."<ref name="Vice Media"/> In Vinyl Me, Please's ''Liner Notes'' series, Kyle Kramer called the "tormented, large-scale questions" of the album "more relevant than ever," whether in "2017 or much further down the line."<ref>{{cite web |last1=Kramer |first1=Kyle |title=Demon Days and the Promise of our Digital Future |url=https://magazine.vinylmeplease.com/magazine/gorillaz-liner-notes/ |website=Vinyl Me, Please |date=9 March 2017 |access-date=6 December 2020}}</ref> John of ''audiosnobbery'' pens that "this doomsday scenario was simply viewed as a self-indulgent and pretentious move from Albarn, but, 14 years later, the messages and problems explored in ''Demon Days'' are more pertinent than ever: overpopulation, false gods, guns, violence, depression, corruption and greed. The world is not better than it was, and this is precisely why listening to ''Demon Days'' today is even more interesting than in 2005 – these are the true Demon Days."<ref>{{cite web |author=John |title=Gorillaz, Demon Days |url=https://audiosnobbery.com/2019/05/18/demon-days-gorillaz/ |website=audiosnobbery |date=18 May 2019 |access-date=6 December 2020}}</ref> Hatim Hafid of ''River Beats Dance'' describes that "''Demon Days'' acts as a direct societal critique on colonialism and invasion. It highlights the negative practices used to exploit countries in the name of democracy and peace", and "...''Demon Days'' remains as one of the most politically charged pieces of the era."<ref name="River Beats"/> Tim Karan of ''Diffuser'' has called ''Demon Days'' | Multiple writers have noted how ''Demon Days''' commentary was prescient for outlining social and environmental issues in the following years of the 21st century. In an eleventh-anniversary retrospective, Angus Harrison wrote for ''[[Noisey|Noisey UK]]'' that while at the time the record was perceived as "corny, ranty, and hysterical," and even "pretentious twaddle," it is now viewed as "scarily prescient" and "a thrilling allegory set on the precipice of an increasingly dark stretch of modern history."<ref name="Vice Media"/> In Vinyl Me, Please's ''Liner Notes'' series, Kyle Kramer called the "tormented, large-scale questions" of the album "more relevant than ever," whether in "2017 or much further down the line."<ref>{{cite web |last1=Kramer |first1=Kyle |title=Demon Days and the Promise of our Digital Future |url=https://magazine.vinylmeplease.com/magazine/gorillaz-liner-notes/ |website=Vinyl Me, Please |date=9 March 2017 |access-date=6 December 2020}}</ref> John of ''audiosnobbery'' pens that "this doomsday scenario was simply viewed as a self-indulgent and pretentious move from Albarn, but, 14 years later, the messages and problems explored in ''Demon Days'' are more pertinent than ever: overpopulation, false gods, guns, violence, depression, corruption and greed. The world is not better than it was, and this is precisely why listening to ''Demon Days'' today is even more interesting than in 2005 – these are the true Demon Days."<ref>{{cite web |author=John |title=Gorillaz, Demon Days |url=https://audiosnobbery.com/2019/05/18/demon-days-gorillaz/ |website=audiosnobbery |date=18 May 2019 |access-date=6 December 2020}}</ref> Hatim Hafid of ''River Beats Dance'' describes that "''Demon Days'' acts as a direct societal critique on colonialism and invasion. It highlights the negative practices used to exploit countries in the name of democracy and peace", and "...''Demon Days'' remains as one of the most politically charged pieces of the era."<ref name="River Beats"/> Tim Karan of ''Diffuser'' has called ''Demon Days'' "one of the most innovative albums of the 21st century". He also classified the album as "dense and atmospheric".<ref>{{Cite web|last=Karan|first=Tim|date=24 May 2016|title=11 Years Ago: Gorillaz Prove They're For Real with 'Demon Days'|url=https://diffuser.fm/gorillaz-release-demon-days-anniversary/|access-date=17 April 2021|website=Diffuser}}</ref> Sean Craig from ''Mixed Frequencies'' said that ''Demon Days'' is "as dense as a 50-minute album can be, packed with hit after hit, feature after feature, and changes in musical style so fast that it can give you whiplash if you're not prepared for it. It's a dark, apocalyptic album that brims with energy and funk, a pop music oxymoron in every fiber of its being. It's an idiosyncrasy made manifest, something that uses sounds from every possible corner of the musical world and blends them together, in turn sounding almost entirely its own."<ref>{{Cite web|last=Craig|first=Sean|date=24 September 2017|title=Gorillaz - Demon Days|url=https://www.mixedfrequencies.org/gorillaz-demon-days|website=Mixed Frequencies|access-date=13 June 2021|archive-date=13 June 2021|archive-url=https://web.archive.org/web/20210613150916/https://www.mixedfrequencies.org/gorillaz-demon-days|url-status=dead}}</ref> | ||
Artists including [[Kali Uchis]],<ref>{{cite web |last1=Lopez |first1=Julyssa |title=Kali Uchis Brings Spine-Tingling Verses to Two Songs on Gorillaz' New Album |url=https://remezcla.com/releases/music/kali-uchis-gorillaz-humanz/ |website=Remezcla |date=28 April 2017 |access-date=6 December 2020}}</ref> [[ASAP Rocky]],<ref>{{cite web |last1=Dunn |first1=Francesca |title=A$AP Rocky opens up on drugs and women in London |url=https://i-d.co/article/aap-rocky-opens-up-on-drugs-and-women-in-london/ |website=Vice |access-date=6 December 2020}}</ref> and [[Trippie Redd]]<ref>{{cite web |last1=Rick |first1=Vince |title=Trippie Redd Only Wants To Create Timeless Music |url=https://www.hotnewhiphop.com/trippie-redd-only-wants-to-create-timeless-music-news.46402.html |website=HotNewHipHop |date=27 March 2018 |access-date=6 December 2020}}</ref> have suggested ''Demon Days'' specifically as an influence on their work (among many others who have cited the project as a whole), with the latter saying it provides him with inspiration to create "timeless" work. [[Mura Masa]] commented how ''Demon Days'' has influenced him to invite Damon Albarn to work in his track "Blu": "...''Demon Days'' was the first album I bought, so getting to meet up and actually work with him was crazy."<ref>{{cite web |last1=Morgan Britton |first1=Luke |title=Listen to Damon Albarn on new Mura Masa track 'Blu' |url=https://www.nme.com/news/music/mura-masa-blu-damon-albarn-2096287 |website=NME |date=29 June 2017 |access-date=6 December 2020}}</ref> | Artists including [[Kali Uchis]],<ref>{{cite web |last1=Lopez |first1=Julyssa |title=Kali Uchis Brings Spine-Tingling Verses to Two Songs on Gorillaz' New Album |url=https://remezcla.com/releases/music/kali-uchis-gorillaz-humanz/ |website=Remezcla |date=28 April 2017 |access-date=6 December 2020}}</ref> [[ASAP Rocky]],<ref>{{cite web |last1=Dunn |first1=Francesca |title=A$AP Rocky opens up on drugs and women in London |url=https://i-d.co/article/aap-rocky-opens-up-on-drugs-and-women-in-london/ |website=Vice |access-date=6 December 2020}}</ref> and [[Trippie Redd]]<ref>{{cite web |last1=Rick |first1=Vince |title=Trippie Redd Only Wants To Create Timeless Music |url=https://www.hotnewhiphop.com/trippie-redd-only-wants-to-create-timeless-music-news.46402.html |website=HotNewHipHop |date=27 March 2018 |access-date=6 December 2020}}</ref> have suggested ''Demon Days'' specifically as an influence on their work (among many others who have cited the project as a whole), with the latter saying it provides him with inspiration to create "timeless" work. [[Mura Masa]] commented how ''Demon Days'' has influenced him to invite Damon Albarn to work in his track "Blu": "...''Demon Days'' was the first album I bought, so getting to meet up and actually work with him was crazy."<ref>{{cite web |last1=Morgan Britton |first1=Luke |title=Listen to Damon Albarn on new Mura Masa track 'Blu' |url=https://www.nme.com/news/music/mura-masa-blu-damon-albarn-2096287 |website=NME |date=29 June 2017 |access-date=6 December 2020}}</ref> | ||
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* [[Jamie Hewlett|J.C. Hewlett]] – artwork, design | * [[Jamie Hewlett|J.C. Hewlett]] – artwork, design | ||
* Zombie Flesh Eaters – artwork, design | * Zombie Flesh Eaters – artwork, design | ||
==Charts== | ==Charts== | ||
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{{album chart|France|1|artist=Gorillaz|album=Demon Days|rowheader=true|access-date=22 November 2013}} | {{album chart|France|1|artist=Gorillaz|album=Demon Days|rowheader=true|access-date=22 November 2013}} | ||
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{{album chart| | {{album chart|Germany|2|id=19640|artist=Gorillaz|album=Demon Days|rowheader=true|access-date=10 October 2020}} | ||
|- | |- | ||
! scope="row"| Greek Albums ([[IFPI Greece|IFPI]])<ref>{{cite web|url=http://www.ifpi.gr/chart01.htm|title=Top 50 Ξένων Άλμπουμ|publisher=[[IFPI Greece]]|language=el|archive-url=https://web.archive.org/web/20050909035749/http://www.ifpi.gr/chart01.htm|archive-date=9 September 2005|access-date=1 November 2020|url-status=dead}}</ref> | ! scope="row"| Greek Albums ([[IFPI Greece|IFPI]])<ref>{{cite web|url=http://www.ifpi.gr/chart01.htm|title=Top 50 Ξένων Άλμπουμ|publisher=[[IFPI Greece]]|language=el|archive-url=https://web.archive.org/web/20050909035749/http://www.ifpi.gr/chart01.htm|archive-date=9 September 2005|access-date=1 November 2020|url-status=dead}}</ref> | ||
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! scope="row"| Croatian Albums ([[Top of the Shops|HDU]])<ref>{{cite web|url=http://www.top-lista.hr/www/lista-prodaje-strano-23-tjedan-2021/|title=Lista prodaje 23. tjedan 2021. (31.05.2021. - 06.06.2021.)|date=14 June 2021 |publisher=Top Lista HR|language=hr|access-date=27 June 2021}}</ref> | ! scope="row"| Croatian Albums ([[Top of the Shops|HDU]])<ref>{{cite web|url=http://www.top-lista.hr/www/lista-prodaje-strano-23-tjedan-2021/|title=Lista prodaje 23. tjedan 2021. (31.05.2021. - 06.06.2021.)|date=14 June 2021 |publisher=Top Lista HR|language=hr|access-date=27 June 2021}}</ref> | ||
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!Chart (2025) | |||
!Peak<br/>position | |||
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! scope="row"| Argentine Albums ([[Argentine Chamber of Phonograms and Videograms Producers|CAPIF]])<ref>{{Cite web|url=https://www.diariodecultura.com.ar/rankings/los-discos-mas-vendidos-21/|title=Los discos más vendidos|accessdate=25 August 2025|publisher=[[Argentine Chamber of Phonograms and Videograms Producers]]|website=Diario de Cultura|archivedate=25 August 2025|archiveurl=https://web.archive.org/web/20250825171341/https://www.diariodecultura.com.ar/rankings/los-discos-mas-vendidos-21/}}</ref> | |||
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!scope="row"|Italian Albums (FIMI)<ref>{{cite web|url=https://www.fimi.it/top-of-the-music/classifiche | !scope="row"|Italian Albums (FIMI)<ref>{{cite web|url=https://www.fimi.it/top-of-the-music/archivio-classifiche-annuali/archivio-classifiche-per-anno/?tipo=11&anno=2005|title=Classifica annuale 2005 (dal 03.01.2005 al 01.01.2006) – Album & Compilation|publisher=Federazione Industria Musicale Italiana|language=it}}</ref> | ||
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! scope="row"|US Dance/Electronic Albums (''Billboard'')<ref>{{cite magazine|url=https://www.billboard.com/charts/year-end/2024/dance-electronic-albums |title=Dance/Electronic Albums – Year-End 2024|magazine=Billboard}}</ref> | ! scope="row"|US Dance/Electronic Albums (''Billboard'')<ref>{{cite magazine|url=https://www.billboard.com/charts/year-end/2024/dance-electronic-albums |title=Dance/Electronic Albums – Year-End 2024|magazine=Billboard}}</ref> | ||
| style="text-align:center;"|7 | | style="text-align:center;"|7 | ||
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! scope="row"| US Dance/Electronic Albums (''Billboard'')<ref>{{cite magazine|url=https://www.billboard.com/charts/year-end/2025/dance-electronic-albums/|title=Top Dance Albums – Year-End 2025|magazine=[[Billboard (magazine)|Billboard]]}}</ref> | |||
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Latest revision as of 17:23, 18 December 2025
Template:Short description Template:Use British English Template:Use dmy dates Template:Redirect-multi Script error: No such module "Unsubst-infobox".Script error: No such module "Check for conflicting parameters". Demon Days is the second studio album by the British virtual band Gorillaz. It was released on 11 May 2005 in Japan,[1] 23 May 2005 in the United Kingdom by Parlophone, and 24 May 2005 in the United States by Virgin Records. The album was recorded at Studio 13, based in London, United Kingdom, and was primarily produced by Danger Mouse, alongside the band themselves, Jason Cox, and James Dring. The album features guest appearances from De La Soul, Neneh Cherry, Martina Topley-Bird, Roots Manuva, MF DOOM, Ike Turner, Bootie Brown of The Pharcyde, Shaun Ryder, and Dennis Hopper.[2]
The album continues the band's musical approach of incorporating a wide variety of genres and styles, including alternative rock, trip hop, alternative hip-hop and art pop. Its lyrics and tone are darker than those of the band's eponymous debut album (2001),[3] addressing apocalyptic and post-9/11 political themes. Gorillaz frontman and co-creator Damon Albarn has described it as a loose concept album exploring "the world in a state of night",[4] citing as inspiration a trip he took through impoverished areas of rural China. As with the band's previous album, the release of Demon Days was promoted across various multimedia, including interactive websites, animated music videos, and animatics created by Gorillaz co-creator Jamie Hewlett and his production company Zombie Flesh Eaters. The album produced four singles: "Feel Good Inc.", "Dare", "Dirty Harry", and the double A-side "El Mañana" / "Kids with Guns".
Demon Days was a major commercial success, debuting at number one on the UK Albums Chart and number six on the US Billboard 200.[5][6] The album has sold eight million copies worldwide,[3][7] surpassing sales of the band's debut album. It was later certified six times platinum in the UK and double platinum in the US.[3] Lead single "Feel Good Inc." topped the US Billboard Modern Rock Tracks chart for eight consecutive weeks and won the band its sole Grammy Award in 2006 for Best Pop Collaboration with Vocals. Forgoing a traditional tour, the band promoted the album with concert residencies in Manchester and New York City in 2005 and 2006 billed as Demon Days Live, performing the album in full across five shows in each city. During these performances, which featured almost all of the guest artists on the album, Albarn and the band performed on stage in silhouette alongside a screen displaying Hewlett's visuals.[8] As with the band's first album, B-sides and outtakes from the album's sessions were later released as a compilation album, D-Sides (2007), while the album's music videos and assorted multimedia were compiled into the video album Phase Two: Slowboat to Hades (2006).
Demon Days received positive reviews upon release, with reviewers noting that the album established Gorillaz as a serious musical project as opposed to a one-off side effort for Albarn. It has since garnered further acclaim as one of the best Gorillaz albums and one of the greatest albums of the 21st century, with particular praise for its eclectic genre-bending musical style, prescient postmodern themes and dark, haunting atmosphere.[9][10][11][12][13] In 2023, Rolling Stone ranked Demon Days number 437 on its list of the 500 Greatest Albums of All Time.[14]
Background
While Jamie Hewlett was working with his team on a script for a possible Gorillaz movie, Damon Albarn was still recording Think Tank with Blur. By the time Albarn was ready to start writing and recording material for the Gorillaz movie, the whole idea had already been scrapped, although ideas from the movie's script were still used, including the themes of being driven by ego and the world being trapped in an endless night. Despite this, the album's main source of inspiration actually came about as a result of Albarn's train journey from Beijing to Mongolia where he, his partner and six-year-old daughter spent a day travelling through what Albarn describes as a "weird, unspoken, forgotten part of China. It was basically dead trees as far as the eye can see." Albarn recalls: Template:Quote
Albarn stated in an interview with MTV News that "Gorillaz make dark pop; that's what they always set out to achieve. The whole album kind of tells the story of the night – staying up during the night – but it's also an allegory. It's what we're living in basically, the world in a state of night."[15]
Hewlett was excited by the prospect of a second Gorillaz album, saying, "Let's repeat the same process, but do it better. Because everyone thought it was a gimmick. If you do it again, it's no longer a gimmick, and if it works then we've proved a point. And instantly, all of us got excited".[16]
Recording
Script error: No such module "Multiple image". The most obvious difference on the band's second offering is the absence of Dan "the Automator" Nakamura as the acting musical producer. Instead, Albarn reached out to Danger Mouse based on the strength of The Grey Album, which brought Danger Mouse to prominence for mixing Jay-Z's The Black Album. "Dan [the Automator] wasn't busy, the project just needed a slightly different approach," Albarn explained. "Danger Mouse, in my opinion, is one of the best young producers in the world. I think the last record was a lot more simplistic. It was virgin territory – animated hip-hop, reggae, stroke-rock, Latin rock – there's a lot more intricacy with this record." Danger Mouse joined the project on 7 April 2004. Danger Mouse was a longtime fan of Albarn's other band Blur, the feelings of admiration and respect were mutual. "It was a no-brainer when there was interest there from Damon," Burton said. "I heard demos of the new record, but the biggest part was getting the chance to be a part of something that's so strong – you just gotta jump on it. I had a very up-and-down year [in 2004], but it was definitely a big up when I got a chance to [work with Gorillaz]."[15]
"I learned so much working on the record with Damon", claimed Danger Mouse. "...and it was sink or swim. You just pick it up. At the end of the day, the people you're working with – whether it's the choir or string section or guitarist – are specialized in what they do. All you have to do is figure out the best thing they're doing and how it's going to fit within the context of the whole project. That goes back to putting together a song on a computer-based program. You're looking for all the parts that are going to make something sound right. It's also being able to communicate. I had done stuff before Gorillaz – like the Pelican City stuff – where I worked with musicians, so it wasn't completely foreign to me."[17]
As on Gorillaz, there are plenty of guest collaborators, including rappers De La Soul, Bootie Brown from the Pharcyde, and MF Doom along with Ike Turner on keyboards, the singer Shaun Ryder from Happy Mondays and the actor and director Dennis Hopper, who narrates a parable ("Fire Coming Out of the Monkey's Head") about innocence, greed and retribution set to a droll reggae bounce. That song leads into a stretch of ethereal vocal harmonies, in a clear homage to the Beach Boys. Albarn said he couldn't make the vocal parts sound right until he had a minor revelation. "If you've ever seen the Beach Boys in footage, they're all smiling, desperately keeping the upbeat Beach Boy thing alive, while Brian Wilson is just absolutely glum as hell. So I did three harmonies smiling with my face. And then one just being really miserable, which was Brian. Now it's got that vibe."[18]
"Kids with Guns" was inspired by a boy in Albarn's daughter's class who turned up to school with a knife. "A nice boy", said Albarn, "just decided to pick up a knife and show it to his friends at lunchtime. It's a very real problem, but I'm not treating it as a problem. It's part of the brutalisation of a generation that's going on at the moment". "Fire Coming Out of the Monkey's Head", meanwhile, is a parable read by Dennis Hopper that seems to have clear parallels with the war for oil.
Regarding the song "Dare" and the collaboration with Shaun Ryder, Albarn also said: "I love Shaun Ryder. During the whole Oasis thing, he and Bernard Sumner were the only two who cared about what I was going through. Being constantly taken the piss out of by Noel & Liam (Gallagher). How can you fight when you've got the tabloids and a working class attitude on your back? You're fucked. But Shaun was really sweet to me and made me feel a whole lot better about it. Because I did get quite upset about it, so was selecting Shaun karma in action, then? Yeah, definitely". The song's title is purported to have come about due to Ryder's thick Mancunian accent; he was unable to say the phrase "It's There", which was the song's original title, so it was changed simply to "Dare".[19] Roses Gabor takes over the role of Noodle from Miho Hatori, who provided the vocals for her on the first album. Albarn provides backing vocals; however, to blend his vocals with Gabor's, his voice was toned down to be slightly covered up. Albarn's full vocalization can be heard on the D-Sides remix album. D-Sides features a demo version of "Dare" entitled "People". This version contains the same background beat while lacking the majority of the keyboards and effects in the final recording. Unlike the final version, it is completely sung by Albarn and features an Omnichord breakdown.
Rapper Roots Manuva and Martina Topley-Bird appear on the track "All Alone" (the instrumental of which was partially recorded in Africa) and also recorded another track entitled "Snakes and Ladders". The track does not appear on the album or D-Sides, however, the track was sampled by Topley-Bird for her song "Soldier Boy", which appears as a B-side for her song "Poison" which features Roots Manuva and features a production credit for Gorillaz. The track can be heard partially on the Gorillaz documentary-film Bananaz,[20] and is also sampled on the track "Intro".Script error: No such module "Unsubst".
Musical style and themes
Sputnikmusic wrote that the album's style "is a strong foray into the melding of hip hop into pop and rock music."[21] Vice called the album a "British pop masterpiece", and wrote that its music "flits between UK rap, alternative rock, piano-pop, trip-hop, reggae, and Beach Boys psychedelia".[22] The Unapologists called the album "both a typical post-9/11 political statement and mid-2000s alt-rock masterpiece".[23] Spin described the album as a "slinky folk-disco-hip-hop-Afro-pop-punk expedition".[24] Robert Christgau labelled the album "pop trip-hop",[25] while Happy Mag listed it as a key work in the art rock style.[26]
Demon Days prominently makes use of string sections, which were organized under the lead of Isabelle Dunn, who formed Demon Strings for the album and its later live performances. Choirs are also incorporated, including the San Fernandez Youth Chorus on "Dirty Harry", and the London Community Gospel Choir on the album's final two tracks, "Don't Get Lost in Heaven" and "Demon Days".
Albarn has said that the album is meant to be a depiction of a journey through the night in which each track represents a confrontation with a personal "demon". The album also has many lyrical themes centered on the destruction humans are causing worldwide; speaking about the track "Fire Coming Out of the Monkey's Head", Albarn explained, "That came from a very naive idea, which is: what is going to happen when they've taken all of the oil out of the earth? Aren't there going to be these vast holes? Surely those holes shouldn't be empty. Surely there is a reason why they had all of this in. It's like bad plastic surgery, eventually it collapses."[27] Mike Schiller of PopMatters wrote that Demon Days "[provides] its listeners not with a story arc, but a "music arc" [which] starts off slow, and honestly, not all that strange", describing the first few tracks as "[sounding] a bit like the Casioed version of a mid-'90s trip-hop album."[28] The album's opener, "Intro" contains a sample from "Dark Earth", from the soundtrack to the 1978 film Dawn of the Dead.
Release and marketing
Demon Days was first mentioned in articles detailing the reopening of Gorillaz' website in early December 2004. Initially, a March or April 2005 release date was announced, but this date was later pushed back. In an article for Q in February 2005, it was reported that the album was to be titled We Are Happy Landfill. Another early title was reported to be Reject False Icons, which is also the title of Gorillaz' culture jamming project. In January 2005, a promo for the song "Dirty Harry" was released as a white label 12", and an exclusive video was released online entitled "Rockit". It was later reported that the track would not appear on the album, although it later appeared on D-Sides, a collection of remixes, rare songs and B-sides released in November 2007. Demon Days' lead single "Feel Good Inc." became Gorillaz' biggest hit at the time, while the album's second single, "Dare" featuring Shaun Ryder, was a big hit as well and gave the band their first number one single in the UK. Since its release, Demon Days has been certified double platinum in the US[29] and 6× platinum in the UK.[30]
The limited edition of the album includes a DVD containing the video, audio commentary and an animatic for the music video "Feel Good Inc.", short animated films featuring the band, an exclusive audio track titled "The Swagga" and online access to exclusive sections of the band's website, with various wallpapers and screensavers,[31] as well as a crowbar, facilitating the opening of a locked cupboard in the kitchen on Gorillaz.com in order to download the song, "Happy Landfill". This content is no longer available, however, the track appears on D-Sides (re-titled "We Are Happy Landfill").
Reject False Icons
The phrase "Reject False Icons" was first mentioned on 24 November 2004 on a Gorillaz mail out to fans.[32] On 8 December, the Gorillaz website was re-opened with a brand new music video, "Rockit", which has the saying "Reject False Icons" at the end.[33] On 19 December, the "Reject False Icons" campaign kicked off with the launch of rejectfalseicons.com. Fans could submit their photos of ways to spread the message by using graffiti or by sticking "Reject False Icons" stickers that were available for a limited period from the site and from selected record shops in the UK.
Search for a Star
In December 2004, Gorillaz launched their own talent contest, Search for a Star, to find an artist to collaborate with.[34] There were on average over 100 entries per week whittled down to around 10 to be put forward for the public vote. The 200+ entries were viewed over a million times. A gallery room was added to Kong Studios which displayed all of the entries. Gorillaz' competition was initially run to pick just one winner from entries submitted to Gorillaz.com. However, at the end of the competition, it was announced that two further entries – one from the submitted images, and one from the submitted audio files – would be chosen by online vote.
All three collaborated on the fourth single release of Phase Two, "Kids with Guns" / "El Mañana". Sourbee provided his animated incarnation of the "Don't Get Lost in Heaven (Original Demo Version)" B-side, featured on the DVD version of the single. Asidus made a "Dirty Harry" remix called "Uno Quatro" featured on the Gorillaz website. Irina Bolshakova aka Schneeflocke created her own artistic interpretation of "El Mañana", featured on an insert included on the DVD version of the single. The winners were also originally supposed to have their own rooms in Kong Studios, but that never came to pass.Script error: No such module "Unsubst".
Singles
- "Feel Good Inc." was the first single released from the album. It was released as a single in the UK and Australia on 9 May 2005, and charted at number two in the UK,[35] number 14 on the Billboard Hot 100[36] and number one on the Billboard Hot Modern Rock Tracks.[37]
- "Dare" was the second single released from the album. It was released on 29 August 2005 in the UK. The single charted at number one on the UK Singles Chart,[35] number eight on the Billboard Modern Rock Tracks[37] and number 87 on the Billboard Hot 100.[36]
- "Dirty Harry" was the third single released from the album. It was released on 21 November 2005 in the UK, and charted at number six on the UK Singles Chart.[35]
- "Kids with Guns" / "El Mañana" was the fourth, fifth, and final single released from the album. It was released on 10 April 2006 in the UK. The winners for the Search for a Star competition collaborated with Gorillaz in various ways on the single. The single charted at number 27 on the UK Singles Chart.[35]
Reception
Template:Album ratings At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, Demon Days received an average score of 82, indicating "universal acclaim".[38] AllMusic editor Stephen Thomas Erlewine wrote that Demon Days "is unified and purposeful in a way Albarn's music hasn't been since The Great Escape" and "stands alongside the best Blur albums, providing a tonal touchstone for this decade the way Parklife did for the '90s."[39] Paul Mardles of The Observer felt that, compared to Gorillaz, the songs on Demon Days were more "fully realised and pregnant with ideas", and that the album may prove to be Albarn's "masterwork".[40] Writing in Entertainment Weekly, David Browne called it "spookier, blippier, and more on edge."[41] Los Angeles Times critic Robert Hilburn stated that Albarn's "evocative words, compelling if understated melodic sense and subdued vocals" are at the emotional center of Demon Days, "transcending the gimmick even more than on the first Gorillaz album."[42]
Rob Mitchum of Pitchfork felt that while Demon Days was uneven, Albarn's experiments "fit together just often enough to again make Gorillaz more than mere Adult Swim novelty."[43] In a mixed assessment, Alex Mar of Rolling Stone described Demon Days as "hit-or-miss" and felt that Albarn's "phoned-in and incredibly flat" vocals weighed the record down.[44] In contrast, Uncut stated that the album featured "great beats, brilliant production, top tunes and some of Albarn's best singing."[45] Robert Christgau of The Village Voice gave Demon Days a three-star honourable mention, indicating "an enjoyable effort consumers attuned to its overriding aesthetic or individual vision may well treasure", and selected "All Alone" and "Dare" as highlights.[25][46]
Accolades
"Feel Good Inc.", the lead single from Demon Days, won the Best Pop Collaboration with Vocals accolade at the 48th Grammy Awards.[47] The album was nominated for British Album of the Year at the 2006 Brit Awards, but lost to Coldplay's X&Y.[48] Demon Days won the accolade for Best International Album at 2006 Danish Music Awards[49] and made the band win the accolade for Best Group at 2005 MTV Europe Music Awards.[50]
Demon Days was voted the 21st best album of the year in The Village VoiceTemplate:'s annual Pazz & Jop critics poll for 2005.[51] The album was chosen as the tenth best album of 2005 by NME[52] and the 2nd one for Q magazine.[53] Glide Magazine listed the album on its Best Albums of the Decade, ranking it at 46.[54] Spin ranked Demon Days as the fourth best album of 2005,[55] while Mojo ranked it at number eighteen on their year-end list[56] and hailed the album as a "genre-busting, contemporary pop milestone." NME placed it 98th on their list of 100 greatest albums of the decade.[9] Uncut ranked it at 75 on their list of top 150 albums of the decade.[10] Complex included it on their list of 100 Best Albums of the Complex Decade, placing it at number 43.[11] The Guardian listed the album on its Top 50 Albums of the decade, ranking it at 11.[57] Spin later included it in their list of The 300 Best Albums of 1985–2014.[12] In 2016, Q ranked Demon Days as one of The Greatest Albums of the Last 30 Years.[58] In 2020, the album was included at the 100 Best Albums of the 21st Century list of Stacker, being ranked at 27.[59]
Legacy
Despite its only modestly positive reception at release, Demon Days is now considered to have left an indelible mark on alternative music and has since been variously hailed as "iconic",[60] "classic",[61] "timeless"[62] and a "modern masterpiece".[63]
Multiple writers have noted how Demon Days' commentary was prescient for outlining social and environmental issues in the following years of the 21st century. In an eleventh-anniversary retrospective, Angus Harrison wrote for Noisey UK that while at the time the record was perceived as "corny, ranty, and hysterical," and even "pretentious twaddle," it is now viewed as "scarily prescient" and "a thrilling allegory set on the precipice of an increasingly dark stretch of modern history."[3] In Vinyl Me, Please's Liner Notes series, Kyle Kramer called the "tormented, large-scale questions" of the album "more relevant than ever," whether in "2017 or much further down the line."[64] John of audiosnobbery pens that "this doomsday scenario was simply viewed as a self-indulgent and pretentious move from Albarn, but, 14 years later, the messages and problems explored in Demon Days are more pertinent than ever: overpopulation, false gods, guns, violence, depression, corruption and greed. The world is not better than it was, and this is precisely why listening to Demon Days today is even more interesting than in 2005 – these are the true Demon Days."[65] Hatim Hafid of River Beats Dance describes that "Demon Days acts as a direct societal critique on colonialism and invasion. It highlights the negative practices used to exploit countries in the name of democracy and peace", and "...Demon Days remains as one of the most politically charged pieces of the era."[62] Tim Karan of Diffuser has called Demon Days "one of the most innovative albums of the 21st century". He also classified the album as "dense and atmospheric".[66] Sean Craig from Mixed Frequencies said that Demon Days is "as dense as a 50-minute album can be, packed with hit after hit, feature after feature, and changes in musical style so fast that it can give you whiplash if you're not prepared for it. It's a dark, apocalyptic album that brims with energy and funk, a pop music oxymoron in every fiber of its being. It's an idiosyncrasy made manifest, something that uses sounds from every possible corner of the musical world and blends them together, in turn sounding almost entirely its own."[67]
Artists including Kali Uchis,[68] ASAP Rocky,[69] and Trippie Redd[70] have suggested Demon Days specifically as an influence on their work (among many others who have cited the project as a whole), with the latter saying it provides him with inspiration to create "timeless" work. Mura Masa commented how Demon Days has influenced him to invite Damon Albarn to work in his track "Blu": "...Demon Days was the first album I bought, so getting to meet up and actually work with him was crazy."[71]
The music videos for singles from Demon Days, "Feel Good Inc.", "Dare", and "El Mañana" have amassed millions of views on YouTube; in 2011, Rolling Stone clocked "Feel Good Inc." as the 99th best song of the 2000s.[72] In 2020, the song "Dirty Harry" trended on video-sharing platform TikTok, featured by users conceptualizing themselves as cartoon characters (referencing Gorillaz' virtual nature).[73]
Track listing
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Personnel
Credits adapted from the liner notes of Demon Days.[74]
Musicians
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- Damon Albarn – lead vocals, keyboards, acoustic guitar, synthesizers, melodica
- Danger Mouse – percussion, drum programming, sampled loops
- Jason Cox – drums, drum programming
- James Dring – drums, drum programming
- Cass Browne – drums
- Simon Tong – guitars (tracks 2, 4, 6–7, 10)Script error: No such module "Check for unknown parameters".
- Sally Jackson – violin (tracks 2, 5, 7–8, 10, 15)Script error: No such module "Check for unknown parameters".
- Stella Page – viola (tracks 2, 5, 7–8, 10, 15)Script error: No such module "Check for unknown parameters".
- Amanda Drummond – viola (tracks 2, 5, 7–8, 10, 15)Script error: No such module "Check for unknown parameters".
- Isabelle Dunn – cello (tracks 2, 5, 7–8, 10, 15)Script error: No such module "Check for unknown parameters".
- Al Mobbs – double bass (tracks 2, 5, 7–8, 10, 15)Script error: No such module "Check for unknown parameters".
- Emma Smith – double bass (tracks 2, 5, 7–8, 10, 15)Script error: No such module "Check for unknown parameters".
- Prabjote Osahn – violin (tracks 2, 5, 8, 10, 15)Script error: No such module "Check for unknown parameters".
- Neneh Cherry – additional vocals (track 3)Script error: No such module "Check for unknown parameters".
- Bootie Brown – vocals (track 5)Script error: No such module "Check for unknown parameters".
- The San Fernandez Youth Chorus – choir (track 5)Script error: No such module "Check for unknown parameters".
- De La Soul – vocals (track 6)Script error: No such module "Check for unknown parameters".
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- Ike Turner – piano (track 8)Script error: No such module "Check for unknown parameters".
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- London Community Gospel Choir – choir (tracks 14–15)Script error: No such module "Check for unknown parameters".
Technical
- Damon Albarn – production
- Brian Burton – mixing, production
- Jason Cox – engineering, mixing, production
- James Dring – production
- Steve Sedgwick – mixing assistance
- Howie Weinberg – mastering
Artwork
- J.C. Hewlett – artwork, design
- Zombie Flesh Eaters – artwork, design
Charts
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Weekly chartsTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chart
|
Year-end charts
|
Decade-end charts
| Chart (2000–09) | Position |
|---|---|
| Australian Albums (ARIA)[131] | 90 |
| UK Albums (OCC)[132] | 45 |
| US Dance/Electronic Albums (Billboard)[133] | 1 |
| Chart (2010–19) | Position |
|---|---|
| US Dance/Electronic Albums (Billboard)[134] | 37 |
Certifications and sales
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References
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External links
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