Apala: Difference between revisions
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{{Short description|Music genre}} | {{Short description|Music genre in Nigeria}} | ||
{{other uses|APALA (disambiguation){{!}}APALA}} | {{other uses|APALA (disambiguation){{!}}APALA}} | ||
{{Infobox music genre | {{Infobox music genre | ||
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Instruments include a rattle ([[sekere]]), thumb piano ([[agidigbo]]) and a [[bell (instrument)|bell]] ([[agogô]]), as well as two or three [[talking drum]]s.<ref>{{Cite journal |last1=Babátúndé Yussuf |first1=N. |last2=Oladipo Olúbòmęhìn |first2=O. |date=2018-07-03 |title=Traditional Music and the Expression of Yoruba Socio-cultural Values: A Historical Analysis |url=https://www.tandfonline.com/doi/full/10.1080/18125980.2018.1554980 |journal=Muziki |language=en |volume=15 |issue=2 |pages=61–74 |doi=10.1080/18125980.2018.1554980 |s2cid=218637202 |issn=1812-5980|url-access=subscription }}</ref> | Instruments include a rattle ([[sekere]]), thumb piano ([[agidigbo]]) and a [[bell (instrument)|bell]] ([[agogô]]), as well as two or three [[talking drum]]s.<ref>{{Cite journal |last1=Babátúndé Yussuf |first1=N. |last2=Oladipo Olúbòmęhìn |first2=O. |date=2018-07-03 |title=Traditional Music and the Expression of Yoruba Socio-cultural Values: A Historical Analysis |url=https://www.tandfonline.com/doi/full/10.1080/18125980.2018.1554980 |journal=Muziki |language=en |volume=15 |issue=2 |pages=61–74 |doi=10.1080/18125980.2018.1554980 |s2cid=218637202 |issn=1812-5980|url-access=subscription }}</ref> | ||
[[Ayinla Omowura]] [[Yekinni (Y.K.) Ajadi]] and [[Haruna Ishola]] - amongst others - were notable performers of apala music, these two icons played a major role in popularising the genre. It is distinct from, older than, and more difficult to master than [[fuji music]].<ref>{{Cite web |date=2022-03-20 |title=INTERVIEW: Why young Nigerian musicians are avoiding Fuji music - KWAM 1 {{!}} Premium Times Nigeria |url=https://www.premiumtimesng.com/entertainment/music/music-interviews/518411-interview-why-young-nigerian-musicians-are-avoiding-fuji-music-kwam-1.html |access-date=2022-06-09 |language=en-GB |archive-date=2022-06-09 |archive-url=https://web.archive.org/web/20220609182504/https://www.premiumtimesng.com/entertainment/music/music-interviews/518411-interview-why-young-nigerian-musicians-are-avoiding-fuji-music-kwam-1.html |url-status=live }}</ref> Although fuji music remains one of the popular form of traditional music amongst Yorubas in Nigeria, apala is still very popular amongst [[Muslims]] of the Yoruba tribe.<ref>{{Cite web |last=Music |first=FujiNaija |date=2021-01-12 |title=Origin of Apala Music (Part 2: Conclusion) |url=https://fujinaija.com/origin-of-apala-music-part-2-conclusion/ |access-date=2022-06-09 |website=FujiNaija |language=en-US |archive-date=2022-05-18 |archive-url=https://web.archive.org/web/20220518194753/https://fujinaija.com/origin-of-apala-music-part-2-conclusion/ |url-status=live }}</ref> | [[Ayinla Omowura]] [[Yekinni (Y.K.) Ajadi]] and [[Haruna Ishola]] - amongst others - were notable performers of apala music, these two icons played a major role in popularising the genre. It is distinct from, older than, and more difficult to master than [[fuji music]].<ref>{{Cite web |last1=Onu |first1=Stephen |date=2022-03-20 |title=INTERVIEW: Why young Nigerian musicians are avoiding Fuji music - KWAM 1 {{!}} Premium Times Nigeria |work=Premium Times |url=https://www.premiumtimesng.com/entertainment/music/music-interviews/518411-interview-why-young-nigerian-musicians-are-avoiding-fuji-music-kwam-1.html |access-date=2022-06-09 |language=en-GB |archive-date=2022-06-09 |archive-url=https://web.archive.org/web/20220609182504/https://www.premiumtimesng.com/entertainment/music/music-interviews/518411-interview-why-young-nigerian-musicians-are-avoiding-fuji-music-kwam-1.html |url-status=live }}</ref> Although fuji music remains one of the popular form of traditional music amongst Yorubas in Nigeria, apala is still very popular amongst [[Muslims]] of the Yoruba tribe.<ref>{{Cite web |last=Music |first=FujiNaija |date=2021-01-12 |title=Origin of Apala Music (Part 2: Conclusion) |url=https://fujinaija.com/origin-of-apala-music-part-2-conclusion/ |access-date=2022-06-09 |website=FujiNaija |language=en-US |archive-date=2022-05-18 |archive-url=https://web.archive.org/web/20220518194753/https://fujinaija.com/origin-of-apala-music-part-2-conclusion/ |url-status=live }}</ref> | ||
== Styles == | == Styles == | ||
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[[Category:20th-century music genres]] | [[Category:20th-century music genres]] | ||
[[Category:African popular music]] | [[Category:African popular music]] | ||
[[Category:Nigerian styles of music]] | [[Category:Nigerian styles of music]] | ||
[[Category:Yoruba music]] | [[Category:Yoruba music]] | ||
Latest revision as of 11:22, 12 October 2025
Template:Short description Script error: No such module "other uses". Script error: No such module "Infobox".Template:Template otherScript error: No such module "Check for unknown parameters". Apala (or akpala) is a music genre originally developed by the Yoruba people of Nigeria,[1] during the country's history as a colony of the British Empire. It is a percussion-based style that originated in the late 1930s. The rhythms of apala grew more complex over time, and have influenced the likes of Cuban music, whilst gaining popularity in Nigeria. It has grown less religious centered over time.
Apala music is an offshoot of Wéré music.
Instruments include a rattle (sekere), thumb piano (agidigbo) and a bell (agogô), as well as two or three talking drums.[2]
Ayinla Omowura Yekinni (Y.K.) Ajadi and Haruna Ishola - amongst others - were notable performers of apala music, these two icons played a major role in popularising the genre. It is distinct from, older than, and more difficult to master than fuji music.[3] Although fuji music remains one of the popular form of traditional music amongst Yorubas in Nigeria, apala is still very popular amongst Muslims of the Yoruba tribe.[4]
Styles
Apala fusion, apala pop, apala trap and street pop
Variant styles of apala include apala pop, apala trap, and apala-fusion, with musical artists such as Terry Apala, Olamide, DJ Tunez and Seyi Vibez being prominent figures associated with apala-centered musical styles. Street pop, also known as street hop, is a genre that emerged in Nigeria in the 21st century. It blends experimental rap with vocal performance, integrating elements of Nigerian hip hop, Nigerian street music, and contemporary African genres. Street pop incorporates aspects of Western music, and its sound is notably influenced by apala music.[5][6][7][8][9][10][11]
References
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