Bone Machine: Difference between revisions

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*[[avant-garde music|avant-garde]]<ref name="Waterman">{{cite magazine|url=https://www.popmatters.com/tom-waits-bone-machine-btg-2648942066.html|title=Between the Grooves: Tom Waits - Bone Machine|first=Cole|last=Waterman|date=November 17, 2020|magazine=[[PopMatters]]|access-date=January 16, 2025}}</ref>
*[[avant-garde music|avant-garde]]<ref name="Waterman">{{cite magazine|url=https://www.popmatters.com/tom-waits-bone-machine-btg-2648942066.html|title=Between the Grooves: Tom Waits - Bone Machine|first=Cole|last=Waterman|date=November 17, 2020|magazine=[[PopMatters]]|access-date=January 16, 2025}}</ref>
*[[blues music|blues]]<ref name="Waterman"/><ref>{{cite web|url=https://www.stereogum.com/1464032/tom-waits-albums-from-worst-to-best/photo/|title=Tom Waits Albums From Worst To Best|first=James|last=Jackson Toth|date=September 9, 2013|website=[[Stereogum]]|access-date=May 16, 2025|quote= The percussion-heavy, bluesy Bone Machine indeed foreshadows future albums like Mule Variations, but remains singular in its tenacious devotion to scabrous, almost uniformly ugly sounds.}}</ref><ref>{{cite web|url= https://www.treblezine.com/24302-top-100-90s-alternative-underground-tracks/|title=True Alternative: The Top 100 Songs of the ’90s Underground|date=July 27, 2015|website=Treble|access-date=May 16, 2025|quote=Bone Machine is the realest of the real when it comes to stripped-down blues...}}</ref>
*[[blues music|blues]]<ref name="Waterman"/><ref>{{cite web|url=https://www.stereogum.com/1464032/tom-waits-albums-from-worst-to-best/photo/|title=Tom Waits Albums From Worst To Best|first=James|last=Jackson Toth|date=September 9, 2013|website=[[Stereogum]]|access-date=May 16, 2025|quote= The percussion-heavy, bluesy Bone Machine indeed foreshadows future albums like Mule Variations, but remains singular in its tenacious devotion to scabrous, almost uniformly ugly sounds.}}</ref><ref>{{cite web|url= https://www.treblezine.com/24302-top-100-90s-alternative-underground-tracks/|title=True Alternative: The Top 100 Songs of the ’90s Underground|date=July 27, 2015|website=Treble|access-date=May 16, 2025|quote=Bone Machine is the realest of the real when it comes to stripped-down blues...}}</ref>
*[[blues rock]]<ref>{{cite magazine|url=https://consequence.net/2017/07/top-50-albums-of-1987/4/|title=The 50 Albums of 1987|first=Matt|last=Melis|date=July 20, 2017|magazine=[[Consequence (publication)|Consequence]]|access-date=June 26, 2025|quote=More than anything, it’s a last chance (apart from concert film Big Time) to hear this incarnation of Waits the rain dog before he shifted gears to the stripped-down blues rock of 1992’s Bone Machine.}}</ref>
| length    = 53:30
| length    = 53:30
| label      = [[Island Records|Island]]
| label      = [[Island Records|Island]]
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| rev5score = {{Rating|5|5}}<ref>{{cite magazine |title=Tom Waits: Bone Machine |magazine=[[Mojo (magazine)|Mojo]] |issue=200 |date=July 2010 |last=Male |first=Andrew |page=77}}</ref>
| rev5score = {{Rating|5|5}}<ref>{{cite magazine |title=Tom Waits: Bone Machine |magazine=[[Mojo (magazine)|Mojo]] |issue=200 |date=July 2010 |last=Male |first=Andrew |page=77}}</ref>
| rev6 = ''[[NME]]''
| rev6 = ''[[NME]]''
| rev6score = 8/10<ref name="Staunton">{{cite magazine |title=Humerus Anecdotes |magazine=[[NME]] |date=September 5, 1992 |last=Staunton |first=Terry |page=34}}</ref>
| rev6score = 8/10<ref name="Staunton">{{cite magazine |url=https://www.flickr.com/photos/nothingelseon/52691034736/in/album-72177720305887281|title=Humerus Anecdotes |magazine=[[NME]] |date=September 5, 1992 |last=Staunton |first=Terry |page=34}}</ref>
| rev7 = ''[[Q (magazine)|Q]]''
| rev7 = ''[[Q (magazine)|Q]]''
| rev7score = {{Rating|4|5}}<ref>{{cite magazine |title=Formidable |magazine=[[Q (magazine)|Q]] |issue=73 |date=October 1992 |last=Gill |first=Andy |page=100}}</ref>
| rev7score = {{Rating|4|5}}<ref>{{cite magazine |title=Formidable |magazine=[[Q (magazine)|Q]] |issue=73 |date=October 1992 |last=Gill |first=Andy |page=100}}</ref>
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{{album chart|Netherlands|31|artist=Tom Waits|album=Bone Machine|rowheader=true|access-date=October 27, 2022}}
{{album chart|Netherlands|31|artist=Tom Waits|album=Bone Machine|rowheader=true|access-date=October 27, 2022}}
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{{album chart|Germany4|42|id=1496|artist=Tom Waits|album=Bone Machine|rowheader=true|access-date=October 27, 2022}}
{{album chart|Germany|42|id=1496|artist=Tom Waits|album=Bone Machine|rowheader=true|access-date=October 27, 2022}}
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{{album chart|New Zealand|36|artist=Tom Waits|album=Bone Machine|rowheader=true|access-date=October 27, 2022}}
{{album chart|New Zealand|36|artist=Tom Waits|album=Bone Machine|rowheader=true|access-date=October 27, 2022}}

Latest revision as of 18:53, 29 August 2025

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Bone Machine is the eleventh studio album by American singer and musician Tom Waits, released by Island Records on September 8, 1992. It won a Grammy Award for Best Alternative Music Album and features guest appearances by David Hidalgo, Les Claypool, Brain, and Keith Richards. The album marked Waits' return to studio albums, coming five years after Franks Wild Years (1987).

Recorded in a room in the cellar area of Prairie Sun Recording studios, described by Waits as "just a cement floor and a hot water heater", the album is often noted for its rough, stripped-down, percussion-heavy style, as well as its dark lyrical themes revolving around death and decay. The album cover—a blurry, black-and-white, close-up image of Waits screaming while wearing a horned skullcap and protective goggles—was taken by filmmaker Jesse Dylan, son of Bob Dylan.[1] The photo is taken from a freeze frame of the Dylan and Jim Jarmusch directed video for "Goin' Out West". They also directed a video for "I Don't Wanna Grow Up". Bone Machine won the Grammy for Best Alternative Music Album.[2]

Recording and production

Bone Machine was recorded and produced entirely at the Prairie Sun Recording studios in Cotati, California, in a room of Studio C known as "the Waits Room", located in the old cement hatchery rooms of the cellar of the buildings. Prairie Sun's studio head Mark "Mooka" Rennick said, "[Waits] gravitated toward these 'echo' rooms and created the Bone Machine aural landscape. [...] What we like about Tom is that he is a musicologist. And he has a tremendous ear. His talent is a national treasure."[3]

Waits said of the bare-bones studio, "I found a great room to work in, it's just a cement floor and a hot water heater. Okay, we'll do it here. It's got some good echo."[4] References to the recording environment and process were made in the field-recorded interview segments made for the promotional CD release, Bone Machine: The Operator's Manual, which threaded together full studio tracks and conversation for a pre-recorded radio show format.

Bone Machine was the first Waits album on which he played drums and percussion extensively. In 1992, Waits stated: "I like to play drums when I'm angry. At home I have a metal instrument called a conundrum with a lot of things hanging off it that I've found - metal objects - and I like playing it with a hammer. I love it. Drumming is therapeutic. I wish I'd found it when I was younger."[5]

Critical reception

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In a rave review for the Los Angeles Times, Chris Willman wrote that "Waits waxes equally fatalistic on morality and mortality" on Bone Machine, and that even "amid all this casual morbidity", the album's "low-fi, home-studio" sounds make the album "so much—in a manner of speaking—fun."[6] "Rhythmically," said Greg Kot of the Chicago Tribune, "it's the most varied and impressive group of songs Waits has written, and damaged voice and all, the tunes are unshakable."[7] Entertainment WeeklyTemplate:'s Billy Altman noted that although listeners may find themselves "shocked, thrilled, or just plain unnerved by some startling image or sound" while listening to Bone Machine, "beneath his hellacious bellowsScript error: No such module "String".... and grotesque arrangementsScript error: No such module "String".... lurks a caring, humanist heart."[8] NME writer Terry Staunton summarized the album as "scary, mournful, morbid and easily one of Tom's best."[9]

Retrospectively, AllMusic reviewer Steve Huey deemed Bone Machine "Waits' most affecting and powerful recording, even if it isn't his most accessible", noting the album's "chilling, primal sound" and fixation with "decay and mortality, the ease with which earthly existence can be destroyed."[10]

Bone Machine was included on several "Best Albums of the 1990s" lists, being ranked at No. 49 by Pitchfork[11] and No. 53 by Rolling Stone.[12] The album was also included in the book 1001 Albums You Must Hear Before You Die.[13] Elvis Costello included it on his list of essential albums, highlighting "A Little Rain" and "I Don't Wanna Grow Up".[14]

Track listing

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Personnel

Performance

Production

Charts

Template:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chart
Chart performance for Bone Machine
Chart (1992) Peak
position
US Billboard 200[15] 176

References

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  1. ↑ Script error: No such module "citation/CS1".
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  4. ↑ Interview with Brian Bannon for Thrasher magazine, February 1993; collected in Innocent When You Dream p.146
  5. ↑ Peter Orr. "Tom Waits at work in the fields of the song" Reflex, issue 28, October 6, 1992; as quoted on Percussion Instruments on TomWaitsFan.com, accessed 13 November 2020
  6. ↑ Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
  7. ↑ Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
  8. ↑ Cite error: Script error: No such module "Namespace detect".Script error: No such module "Namespace detect".
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  14. ↑ Script error: No such module "Citation/CS1".
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Sources
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Template:Navbox Musical artist Template:Grammy Award for Best Alternative Music Album

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