Martin Brest: Difference between revisions

From Wikipedia, the free encyclopedia
Jump to navigation Jump to search
imported>Scholar88888
m Undid revision 1292284221 by 14.202.141.155 (talk)
 
imported>Paper Luigi
m External links: simplified imdb
 
Line 2: Line 2:
{{Use mdy dates|date=July 2023}}
{{Use mdy dates|date=July 2023}}
{{Infobox person
{{Infobox person
| name              = Martin Brest
| image              =  
| image              =  
| caption            =  
| caption            =  
Line 8: Line 7:
| birth_place        = [[The Bronx]], [[New York state|New York]], U.S.
| birth_place        = [[The Bronx]], [[New York state|New York]], U.S.
| occupation        = {{Hlist|Film director|producer|screenwriter}}
| occupation        = {{Hlist|Film director|producer|screenwriter}}
| notable_works      = ''[[Beverly Hills Cop]]''<br />''[[Midnight Run]]''<br />''[[Scent of a Woman (1992 film)|Scent of a Woman]]''<br />''[[Meet Joe Black]]''<br />''[[Going in Style]]''<br /> ''[[Hot Dogs for Gauguin]]''<br /> ''[[Gigli]]''
| notable_works      = {{Plainlist|
| education          = [[New York University]] ([[Bachelor of Fine Arts|BFA]])<br />[[AFI Conservatory|American Film Institute]] ([[Master of Fine Arts|MFA]])
* ''[[Beverly Hills Cop]]''
* ''[[Midnight Run]]''
* ''[[Scent of a Woman (1992 film)|Scent of a Woman]]''
* ''[[Meet Joe Black]]''
* ''[[Going in Style]]''
* ''[[Hot Dogs for Gauguin]]''
* ''[[Gigli]]''
}}
| education          = {{Plainlist|
* [[New York University]] ([[Bachelor of Fine Arts|BFA]])
* [[AFI Conservatory|American Film Institute]] ([[Master of Fine Arts|MFA]])
}}
| years_active      = 1972–2003
| years_active      = 1972–2003
| children          =  
| children          =  
Line 16: Line 26:
'''Martin Brest''' (born August 8, 1951) is an American film director, screenwriter, and producer. After his feature debut, ''[[Going in Style]]'' (1979), he directed the action comedies ''[[Beverly Hills Cop]]'' (1984) and ''[[Midnight Run]]'' (1988), which were critical and commercial hits. He then directed ''[[Scent of a Woman (1992 film)|Scent of a Woman]]'' (1992), starring [[Al Pacino]], who won the [[Academy Award for Best Actor]] for his performance, and earned Brest nominations for [[Academy Award for Best Director|Best Director]] and [[Academy Award for Best Picture|Best Picture]].
'''Martin Brest''' (born August 8, 1951) is an American film director, screenwriter, and producer. After his feature debut, ''[[Going in Style]]'' (1979), he directed the action comedies ''[[Beverly Hills Cop]]'' (1984) and ''[[Midnight Run]]'' (1988), which were critical and commercial hits. He then directed ''[[Scent of a Woman (1992 film)|Scent of a Woman]]'' (1992), starring [[Al Pacino]], who won the [[Academy Award for Best Actor]] for his performance, and earned Brest nominations for [[Academy Award for Best Director|Best Director]] and [[Academy Award for Best Picture|Best Picture]].


He followed it with ''[[Meet Joe Black]]'' (1998), which received mixed reviews. Brest's next film was ''[[Gigli]]'' (2003). After disagreements between Brest and [[Revolution Studios]],<ref>{{Cite web |last=Gilchrist |first=Todd |date=2023-07-18 |title=Director Martin Brest Revisits the Triumphs of 'Beverly Hills Cop' and 'Midnight Run,' and Reflects On His Post-'Gigli' Hollywood Exile (EXCLUSIVE) |url=https://variety.com/2023/film/features/martin-brest-director-beverly-hills-cop-gigli-1235672428/ |access-date=2024-02-09 |website=Variety |language=en-US}}</ref> creative control was taken from him, resulting in a radically re-written and re-shot version of the original film being released,<ref>{{Cite web |date=2014-12-22 |title=Martin Brest Directed Beverly Hills Cop, Midnight Run and, Yes, Gigli. Then He Vanished. Why? {{!}} Playboy |url=http://www.playboy.com/articles/what-happened-to-director-martin-brest |access-date=2024-02-09 |archive-url=https://web.archive.org/web/20141222232939/http://www.playboy.com/articles/what-happened-to-director-martin-brest |archive-date=December 22, 2014 }}</ref> which became his first and only unprofitable film<ref>{{Cite web |title=Martin Brest - All His Movies Ranked |url=https://www.deathbyfilms.com/film_directors/martin-brest-all-his-movies-ranked/ |access-date=2024-02-09 |website=Death By Films |language=en-GB}}</ref> and, in fact, a [[List of biggest box-office bombs|major box-office bomb]] and was widely panned. It remains his last film to date.
He followed it with ''[[Meet Joe Black]]'' (1998), which received mixed reviews. Brest's next film was ''[[Gigli]]'' (2003). After disagreements between Brest and [[Revolution Studios]],<ref name="Gilchrist">{{cite news|url = https://variety.com/2023/film/features/martin-brest-director-beverly-hills-cop-gigli-1235672428/|title = Director Martin Brest Revisits the Triumphs of 'Beverly Hills Cop' and 'Midnight Run,' and Reflects On His Post-'Gigli' Hollywood Exile|work = [[Variety (magazine)|Variety]]|last = Gilchrist|first = Todd|date = July 18, 2023|access-date = July 18, 2023}}</ref> creative control was taken from him, resulting in a radically re-written and re-shot version of the original film being released,<ref name=PB>{{cite web|work=[[Playboy]]|url=http://www.playboy.com/articles/what-happened-to-director-martin-brest|title=Martin Brest Directed Beverly Hills Cop, Midnight Run and, Yes, Gigli. Then He Vanished. Why?|last=Patches|first=Matt|date=December 19, 2014|archive-date=December 22, 2014|archive-url=https://web.archive.org/web/20141222232939/http://www.playboy.com/articles/what-happened-to-director-martin-brest}}</ref> which became his first and only unprofitable film<ref>{{Cite web |title=Martin Brest - All His Movies Ranked |url=https://www.deathbyfilms.com/film_directors/martin-brest-all-his-movies-ranked/ |access-date=2024-02-09 |website=Death By Films |language=en-GB}}</ref> and, in fact, a [[List of biggest box-office bombs|major box-office bomb]] and was widely panned. It remains his last film to date.


==Early life and education==
==Early life and education==
Brest was born to Eastern European Jewish immigrant parents in a working-class neighborhood in [[the Bronx]] in 1951.<ref>{{cite web|url = https://www.rottentomatoes.com/celebrity/martin_brest|title = Martin Brest|website = [[Rotten Tomatoes]]|accessdate = April 5, 2023|publisher = [[Fandango Media]]}}</ref><ref name = Coleman>{{cite web|url = https://www.tcm.com/tcmdb/person/21952%7C0/Martin-Brest/#biography|title = Martin Brest|work = [[Turner Classic Movies]]|last = Coleman|first = Bryce|accessdate = April 5, 2023}}</ref><ref>{{Cite news |date=December 5, 1984 |title=Marty Brest, Clicking |url=https://www.washingtonpost.com/archive/lifestyle/1984/12/06/marty-brest-clicking/41aa6805-a13e-445f-b72e-5974dc41e5cc/ |access-date=2024-06-10 |work=Washington Post |language=en-US |issn=0190-8286}}</ref> He was influenced by watching ''[[The Honeymooners]]'' as a child, saying in a 2023 interview, "I was a kid watching it in a household that was economically not that different than in the show. I felt like it was a show made for my neighborhood. And that character of [[Ralph Kramden]] really touched me, that angry soul whose spirit blossoms".<ref name = Gilchrist>{{cite news|url = https://variety.com/2023/film/features/martin-brest-director-beverly-hills-cop-gigli-1235672428/|title = Director Martin Brest Revisits the Triumphs of 'Beverly Hills Cop' and 'Midnight Run,' and Reflects On His Post-'Gigli' Hollywood Exile|work = [[Variety (magazine)|Variety]]|last = Gilchrist|first = Todd|date = July 18, 2023|accessdate = July 18, 2023}}</ref>  
Brest was born to Eastern European Jewish immigrant parents in a working-class neighborhood in [[the Bronx]] in 1951.<ref>{{cite web|url = https://www.rottentomatoes.com/celebrity/martin_brest|title = Martin Brest|website = [[Rotten Tomatoes]]|access-date = April 5, 2023|publisher = [[Fandango Media]]}}</ref><ref name = Coleman>{{cite web|url = https://www.tcm.com/tcmdb/person/21952%7C0/Martin-Brest/#biography|title = Martin Brest|work = [[Turner Classic Movies]]|last = Coleman|first = Bryce|access-date = April 5, 2023}}</ref><ref>{{Cite news |date=December 5, 1984 |title=Marty Brest, Clicking |url=https://www.washingtonpost.com/archive/lifestyle/1984/12/06/marty-brest-clicking/41aa6805-a13e-445f-b72e-5974dc41e5cc/ |access-date=2024-06-10 |work=Washington Post |language=en-US |issn=0190-8286}}</ref> He was influenced by watching ''[[The Honeymooners]]'' as a child, saying in a 2023 interview, "I was a kid watching it in a household that was economically not that different than in the show. I felt like it was a show made for my neighborhood. And that character of [[Ralph Kramden]] really touched me, that angry soul whose spirit blossoms".<ref name = Gilchrist />


Brest graduated from [[Stuyvesant High School]] in 1969 and from New York University's [[New York University School of the Arts|School of the Arts]] in 1973.<ref name="Coleman" /> His New York University undergraduate student film,  ''[[Hot Dogs for Gauguin]]'' (1972), starring a then unknown [[Danny DeVito]] and with a small part by then unknown [[Rhea Perlman]], was one of 25 films chosen in 2009 by the [[National Film Registry]] of the Library of Congress to "be preserved as cultural, artistic and/or historical treasures"<ref name=":0">{{cite web|url=https://www.loc.gov/today/pr/2009/09-250.html|title=Michael Jackson, the Muppets and Early Cinema Tapped for Preservation in 2009 Library of Congress National Film Registry|publisher=[[Library of Congress]]|date=December 30, 2009}}</ref> and is in the permanent collection of the Museum of Modern Art. Brest attended the [[AFI Conservatory]], where he graduated with a Master of Fine Arts in 1977.<ref name="Coleman" />
Brest graduated from [[Stuyvesant High School]] in 1969 and from New York University's [[New York University School of the Arts|School of the Arts]] in 1973.<ref name="Coleman" /> His New York University undergraduate student film,  ''[[Hot Dogs for Gauguin]]'' (1972), starring a then unknown [[Danny DeVito]] and with a small part by then unknown [[Rhea Perlman]], was one of 25 films chosen in 2009 by the [[National Film Registry]] of the Library of Congress to "be preserved as cultural, artistic and/or historical treasures"<ref name=":0">{{cite web|url=https://www.loc.gov/today/pr/2009/09-250.html|title=Michael Jackson, the Muppets and Early Cinema Tapped for Preservation in 2009 Library of Congress National Film Registry|publisher=[[Library of Congress]]|date=December 30, 2009}}</ref> and is in the permanent collection of the Museum of Modern Art. Brest attended the [[AFI Conservatory]], where he graduated with a Master of Fine Arts in 1977.<ref name="Coleman" />
Line 28: Line 38:
The dismissal from ''WarGames'' left Brest highly pessimistic about his career, until he was recruited by [[Don Simpson]] and [[Jerry Bruckheimer]] to direct ''[[Beverly Hills Cop]]'' (1984), starring [[Eddie Murphy]].<ref name = Gilchrist/><ref>{{cite web|work=[[The Hollywood Reporter]]|url=https://www.hollywoodreporter.com/review/beverly-hills-cop-1984-review-952752|title='Beverly Hills Cop': THR's 1984 Review|date=December 5, 2016|author=THR Staff}}</ref> The film grossed over $300 million worldwide<ref>{{cite web|publisher=[[Box Office Mojo]]|title=Beverly Hills Cop|url=https://www.boxofficemojo.com/movies/?id=beverlyhillscop.htm}}</ref> and received Golden Globe nominations for Best Motion Picture (Musical or Comedy) and for Best Actor (Motion Picture Musical or Comedy, Eddie Murphy), as well as an [[Academy Awards|Academy Award]] nomination for [[Academy Award for Best Original Screenplay|Best Original Screenplay]]. In 2024 it became the second of Brest's films to be chosen by the [[National Film Registry]] of the Library of Congress to "be preserved as cultural, artistic and/or historical treasures."<ref name=":1">{{Cite web |title=The Washington Post - Breaking news and latest headlines, U.S. news, world news, and video |url=https://www.washingtonpost.com/ |access-date=2025-05-17 |website=The Washington Post |language=en}}</ref>
The dismissal from ''WarGames'' left Brest highly pessimistic about his career, until he was recruited by [[Don Simpson]] and [[Jerry Bruckheimer]] to direct ''[[Beverly Hills Cop]]'' (1984), starring [[Eddie Murphy]].<ref name = Gilchrist/><ref>{{cite web|work=[[The Hollywood Reporter]]|url=https://www.hollywoodreporter.com/review/beverly-hills-cop-1984-review-952752|title='Beverly Hills Cop': THR's 1984 Review|date=December 5, 2016|author=THR Staff}}</ref> The film grossed over $300 million worldwide<ref>{{cite web|publisher=[[Box Office Mojo]]|title=Beverly Hills Cop|url=https://www.boxofficemojo.com/movies/?id=beverlyhillscop.htm}}</ref> and received Golden Globe nominations for Best Motion Picture (Musical or Comedy) and for Best Actor (Motion Picture Musical or Comedy, Eddie Murphy), as well as an [[Academy Awards|Academy Award]] nomination for [[Academy Award for Best Original Screenplay|Best Original Screenplay]]. In 2024 it became the second of Brest's films to be chosen by the [[National Film Registry]] of the Library of Congress to "be preserved as cultural, artistic and/or historical treasures."<ref name=":1">{{Cite web |title=The Washington Post - Breaking news and latest headlines, U.S. news, world news, and video |url=https://www.washingtonpost.com/ |access-date=2025-05-17 |website=The Washington Post |language=en}}</ref>


Brest was then in pre-production for ''[[Rain Man]]'' (1988), when he cast [[Tom Cruise]] for the role opposite [[Dustin Hoffman]], before [[Barry Levinson]] eventually directed the film.<ref>{{cite web|last=Breihan|first=Tom|title=Rain Man's movie-star chemistry holds up better than its depiction of autism|website=[[The A.V. Club]] |date=June 12, 2020|url=https://www.avclub.com/rain-man-s-movie-star-chemistry-holds-up-better-than-it-1843905089/amp|accessdate=June 19, 2022}}</ref>
Brest was then in pre-production for ''[[Rain Man]]'' (1988), when he cast [[Tom Cruise]] for the role opposite [[Dustin Hoffman]], before [[Barry Levinson]] eventually directed the film.<ref>{{cite web|last=Breihan|first=Tom|title=Rain Man's movie-star chemistry holds up better than its depiction of autism|website=[[The A.V. Club]] |date=June 12, 2020|url=https://www.avclub.com/rain-man-s-movie-star-chemistry-holds-up-better-than-it-1843905089/amp|access-date=June 19, 2022}}</ref>


Brest's next film was the action-comedy ''[[Midnight Run]]'' (1988), starring [[Robert De Niro]] and [[Charles Grodin]].<ref>{{cite web|work=[[The New York Times]]|title=REVIEW/FILM; DE NIRO AND GRODIN IN CROSS-COUNTRY CHASE|author-link=Vincent Canby|author=Canby, Vincent|date=July 20, 1988|url=https://www.nytimes.com/1988/07/20/movies/review-film-de-niro-and-grodin-in-cross-country-chase.html}}</ref> The film was another critical and commercial success, earning Brest another [[Golden Globe Award]] nomination for [[Golden Globe Award for Best Motion Picture – Musical or Comedy|Best Motion Picture, Musical or Comedy]] as well as a Best Actor Motion Picture – Musical or Comedy nomination for De Niro.
Brest's next film was the action-comedy ''[[Midnight Run]]'' (1988), starring [[Robert De Niro]] and [[Charles Grodin]].<ref>{{cite web|work=[[The New York Times]]|title=REVIEW/FILM; DE NIRO AND GRODIN IN CROSS-COUNTRY CHASE|author-link=Vincent Canby|author=Canby, Vincent|date=July 20, 1988|url=https://www.nytimes.com/1988/07/20/movies/review-film-de-niro-and-grodin-in-cross-country-chase.html}}</ref> The film was another critical and commercial success, earning Brest another [[Golden Globe Award]] nomination for [[Golden Globe Award for Best Motion Picture – Musical or Comedy|Best Motion Picture, Musical or Comedy]] as well as a Best Actor Motion Picture – Musical or Comedy nomination for De Niro.
Line 36: Line 46:
Brest's next film, ''[[Meet Joe Black]]'' (1998), starring [[Brad Pitt]] and [[Anthony Hopkins]], was a loose remake of 1934's ''[[Death Takes a Holiday]]''.<ref name=NYT>{{cite web|work=The New York Times|url=https://www.nytimes.com/1998/11/13/movies/film-review-when-death-comes-to-call-serve-peanut-butter.html|title=FILM REVIEW; When Death Comes to Call, Serve Peanut Butter|author-link=Janet Maslin|last=Maslin|first=Janet|date=November 13, 1998}}</ref> The film had an American box-office return of $44.6 million, taking in an additional $98.3 million overseas for a worldwide total of $142.9 million.<ref name=B>{{cite web|publisher=Box Office Mojo|title=Meet Joe Black|url=https://www.boxofficemojo.com/movies/?id=meetjoeblack.htm}}</ref>
Brest's next film, ''[[Meet Joe Black]]'' (1998), starring [[Brad Pitt]] and [[Anthony Hopkins]], was a loose remake of 1934's ''[[Death Takes a Holiday]]''.<ref name=NYT>{{cite web|work=The New York Times|url=https://www.nytimes.com/1998/11/13/movies/film-review-when-death-comes-to-call-serve-peanut-butter.html|title=FILM REVIEW; When Death Comes to Call, Serve Peanut Butter|author-link=Janet Maslin|last=Maslin|first=Janet|date=November 13, 1998}}</ref> The film had an American box-office return of $44.6 million, taking in an additional $98.3 million overseas for a worldwide total of $142.9 million.<ref name=B>{{cite web|publisher=Box Office Mojo|title=Meet Joe Black|url=https://www.boxofficemojo.com/movies/?id=meetjoeblack.htm}}</ref>


Brest wrote and directed ''[[Gigli]]'' (2003), starring [[Ben Affleck]] and [[Jennifer Lopez]].<ref name=PB>{{cite web|work=[[Playboy]]|url=http://www.playboy.com/articles/what-happened-to-director-martin-brest|title=MARTIN BREST DIRECTED BEVERLY HILLS COP, MIDNIGHT RUN AND, YES, GIGLI. THEN HE VANISHED. WHY?|last=Patches|first=Matt|date=December 19, 2014|archive-date=December 22, 2014|archive-url=https://web.archive.org/web/20141222232939/http://www.playboy.com/articles/what-happened-to-director-martin-brest}}</ref> During filming, production company [[Revolution Studios]] took creative control from him, resulting in a radically re-written and re-shot version of the original film being released.<ref name = PB/> That version became one of the more notorious films of its time, being widely panned by critics. A 2014 article in ''Playboy'' observed that in the then-eleven years since ''Gigli''{{'}}s release, Brest "went Full [[J. D. Salinger|Salinger]]", appearing to have left the entertainment industry completely, without any further credits or major public appearances to his name.<ref name = PB/> However, in 2021, he appeared as a featured guest at a screening of ''Beverly Hills Cop'' and ''Midnight Run'' in Los Angeles, where he was interviewed by fellow filmmaker [[Paul Thomas Anderson]].<ref>{{cite news|url = https://moveablefest.com/martin-brest-paul-thomas-anderson-midnight-run/|title = "Every Day Was Like, 'How Do We Pull This Off?'" Martin Brest on "Midnight Run"|date = July 26, 2021|accessdate = September 15, 2021|last = Saito|first = Stephen|work = Moveable Feast}}</ref> Two years later, he gave an interview to ''[[Variety (magazine)|Variety]]'' in which he reflected:
Brest wrote and directed ''[[Gigli]]'' (2003), starring [[Ben Affleck]] and [[Jennifer Lopez]].<ref name=PB /> During filming, production company [[Revolution Studios]] took creative control from him, resulting in a radically re-written and re-shot version of the original film being released.<ref name = PB/> That version became one of the more notorious films of its time, being widely panned by critics. A 2014 article in ''Playboy'' observed that in the then-eleven years since ''Gigli''{{'}}s release, Brest "went Full [[J. D. Salinger|Salinger]]", appearing to have left the entertainment industry completely, without any further credits or major public appearances to his name.<ref name = PB/> However, in 2021, he appeared as a featured guest at a screening of ''Beverly Hills Cop'' and ''Midnight Run'' in Los Angeles, where he was interviewed by fellow filmmaker [[Paul Thomas Anderson]].<ref>{{cite news|url = https://moveablefest.com/martin-brest-paul-thomas-anderson-midnight-run/|title = "Every Day Was Like, 'How Do We Pull This Off?'" Martin Brest on "Midnight Run"|date = July 26, 2021|access-date = September 15, 2021|last = Saito|first = Stephen|work = Moveable Feast}}</ref> Two years later, he gave an interview to ''[[Variety (magazine)|Variety]]'' in which he reflected:
{{blockquote|Once [''Gigli''] happened, I thought I'll never be invited back [to make more films]. Second, I would never be able to operate with the kind of control that a director, I feel, needs and deserves. So that felt like a clear signal it was time for me to back away.
{{blockquote|Once [''Gigli''] happened, I thought I'll never be invited back [to make more films]. Second, I would never be able to operate with the kind of control that a director, I feel, needs and deserves. So that felt like a clear signal it was time for me to back away.


Line 43: Line 53:
Brest has received the American Film Institute's [[Franklin J. Schaffner Achievement Award]], which "celebrates the recipient's extraordinary creative talents and artistic achievements."<ref>{{cite web | url=https://conservatory.afi.com/franklin-j-schaffner-award/ | title=Franklin J. Schaffner Award }}</ref>
Brest has received the American Film Institute's [[Franklin J. Schaffner Achievement Award]], which "celebrates the recipient's extraordinary creative talents and artistic achievements."<ref>{{cite web | url=https://conservatory.afi.com/franklin-j-schaffner-award/ | title=Franklin J. Schaffner Award }}</ref>


His essays about art and artists have appeared in various books.<ref>{{Cite book |last=Wendy M. ; Siedell Daniel A. Brest |first=Martin; Blazier |title=An Unfinished Conversation: Collecting Entique Martinez Celaya |date=2009-01-01 |publisher=Boca Raton Museum of Art |isbn=978-0-936859-80-4 |language=English}}</ref><ref>{{Cite web |title=Tom Chamberlain: Regardless |url=https://drawingroom.org.uk/product/tom-chamberlain-regardless/ |access-date=2024-02-09 |website=Drawing Room |language=en-GB}}</ref><ref>{{Cite web |title=Text Book Tamy BenTor Miki Carmi |url=https://www.spdbooks.org/Products/9781735230924/text-book-tamy-bentor--miki-carmi.aspx |access-date=2024-02-09 |website=www.spdbooks.org}}</ref>
His essays about art and artists have appeared in various books.<ref>{{Cite book |last=Wendy M. ; Siedell Daniel A. Brest |first=Martin; Blazier |title=An Unfinished Conversation: Collecting Entique Martinez Celaya |date=2009-01-01 |publisher=Boca Raton Museum of Art |isbn=978-0-936859-80-4 |language=English}}</ref><ref>{{Cite web |title=Tom Chamberlain: Regardless |url=https://drawingroom.org.uk/product/tom-chamberlain-regardless/ |access-date=2024-02-09 |website=Drawing Room |language=en-GB}}</ref><ref>{{Cite web |title=Text Book Tamy BenTor Miki Carmi |url=https://www.spdbooks.org/Products/9781735230924/text-book-tamy-bentor--miki-carmi.aspx |access-date=2024-02-09 |website=SPDBooks.org}}</ref>


==Filmography==
==Filmography==
Line 225: Line 235:


==External links==
==External links==
* {{IMDb name|0000976}}
* {{IMDb name}}


{{DEFAULTSORT:Brest, Martin}}
{{DEFAULTSORT:Brest, Martin}}

Latest revision as of 06:00, 13 June 2025

Template:Short description Template:Use mdy dates Script error: No such module "infobox".Script error: No such module "Check for unknown parameters".Template:Main otherScript error: No such module "Check for clobbered parameters".Template:Wikidata image

Martin Brest (born August 8, 1951) is an American film director, screenwriter, and producer. After his feature debut, Going in Style (1979), he directed the action comedies Beverly Hills Cop (1984) and Midnight Run (1988), which were critical and commercial hits. He then directed Scent of a Woman (1992), starring Al Pacino, who won the Academy Award for Best Actor for his performance, and earned Brest nominations for Best Director and Best Picture.

He followed it with Meet Joe Black (1998), which received mixed reviews. Brest's next film was Gigli (2003). After disagreements between Brest and Revolution Studios,[1] creative control was taken from him, resulting in a radically re-written and re-shot version of the original film being released,[2] which became his first and only unprofitable film[3] and, in fact, a major box-office bomb and was widely panned. It remains his last film to date.

Early life and education

Brest was born to Eastern European Jewish immigrant parents in a working-class neighborhood in the Bronx in 1951.[4][5][6] He was influenced by watching The Honeymooners as a child, saying in a 2023 interview, "I was a kid watching it in a household that was economically not that different than in the show. I felt like it was a show made for my neighborhood. And that character of Ralph Kramden really touched me, that angry soul whose spirit blossoms".[1]

Brest graduated from Stuyvesant High School in 1969 and from New York University's School of the Arts in 1973.[5] His New York University undergraduate student film, Hot Dogs for Gauguin (1972), starring a then unknown Danny DeVito and with a small part by then unknown Rhea Perlman, was one of 25 films chosen in 2009 by the National Film Registry of the Library of Congress to "be preserved as cultural, artistic and/or historical treasures"[7] and is in the permanent collection of the Museum of Modern Art. Brest attended the AFI Conservatory, where he graduated with a Master of Fine Arts in 1977.[5]

Career

Brest's major studio debut was Going in Style (1979), which starred George Burns, Art Carney, and Lee Strasberg.[8] Brest was then hired to direct WarGames (1983), which starred Matthew Broderick, but he was fired three weeks into production amid conflicts with the film's executive producer, and replaced with John Badham.[1][9]

The dismissal from WarGames left Brest highly pessimistic about his career, until he was recruited by Don Simpson and Jerry Bruckheimer to direct Beverly Hills Cop (1984), starring Eddie Murphy.[1][10] The film grossed over $300 million worldwide[11] and received Golden Globe nominations for Best Motion Picture (Musical or Comedy) and for Best Actor (Motion Picture Musical or Comedy, Eddie Murphy), as well as an Academy Award nomination for Best Original Screenplay. In 2024 it became the second of Brest's films to be chosen by the National Film Registry of the Library of Congress to "be preserved as cultural, artistic and/or historical treasures."[12]

Brest was then in pre-production for Rain Man (1988), when he cast Tom Cruise for the role opposite Dustin Hoffman, before Barry Levinson eventually directed the film.[13]

Brest's next film was the action-comedy Midnight Run (1988), starring Robert De Niro and Charles Grodin.[14] The film was another critical and commercial success, earning Brest another Golden Globe Award nomination for Best Motion Picture, Musical or Comedy as well as a Best Actor Motion Picture – Musical or Comedy nomination for De Niro.

His work on Scent of a Woman (1992) earned him a Golden Globe Award for Best Motion Picture – Drama. The film also won Golden Globes for Al Pacino and screenwriter Bo Goldman, as well as a Best Supporting Actor nomination for Chris O'Donnell. In addition, the film received four Academy Award nominations: Best Picture, Best Director, Best Screenplay (Adapted), with Al Pacino winning Best Actor.[15]

Brest's next film, Meet Joe Black (1998), starring Brad Pitt and Anthony Hopkins, was a loose remake of 1934's Death Takes a Holiday.[16] The film had an American box-office return of $44.6 million, taking in an additional $98.3 million overseas for a worldwide total of $142.9 million.[17]

Brest wrote and directed Gigli (2003), starring Ben Affleck and Jennifer Lopez.[2] During filming, production company Revolution Studios took creative control from him, resulting in a radically re-written and re-shot version of the original film being released.[2] That version became one of the more notorious films of its time, being widely panned by critics. A 2014 article in Playboy observed that in the then-eleven years since GigliTemplate:'s release, Brest "went Full Salinger", appearing to have left the entertainment industry completely, without any further credits or major public appearances to his name.[2] However, in 2021, he appeared as a featured guest at a screening of Beverly Hills Cop and Midnight Run in Los Angeles, where he was interviewed by fellow filmmaker Paul Thomas Anderson.[18] Two years later, he gave an interview to Variety in which he reflected:

<templatestyles src="Template:Blockquote/styles.css" />

Once [Gigli] happened, I thought I'll never be invited back [to make more films]. Second, I would never be able to operate with the kind of control that a director, I feel, needs and deserves. So that felt like a clear signal it was time for me to back away. I had a good run, and I enjoyed success and freedom, and that was fantastic. I would've liked it to go on longer, but everybody likes everything to go on longer.[1]

Script error: No such module "Check for unknown parameters".

Brest has received the American Film Institute's Franklin J. Schaffner Achievement Award, which "celebrates the recipient's extraordinary creative talents and artistic achievements."[19]

His essays about art and artists have appeared in various books.[20][21][22]

Filmography

Year Title Director Producer Writer Editor Notes
1972 Hot Dogs for Gauguin Yes Yes Yes Yes NYU student film
1977 Hot Tomorrows Yes Yes Yes Yes AFI student film
1979 Going in Style Yes No Yes No
1983 WarGames Uncredited No No No Replaced by John Badham[1]
1984 Beverly Hills Cop Yes No No No
1988 Midnight Run Yes Yes No No
1992 Scent of a Woman Yes Yes No No
1993 Josh and S.A.M. No Yes No No
1998 Meet Joe Black Yes Yes No No
2003 Gigli Yes Yes Yes No

Acting roles

Year Title Role Notes
1972 Hot Dogs for Gauguin Man on Ferry
1982 Fast Times at Ridgemont High Dr. Miller
1984 Beverly Hills Cop "bathrobe" Hotel Clerk Uncredited
1985 Spies Like Us Drive-In Security Guard
1988 Midnight Run Airline Ticket Clerk Uncredited

Awards and nominations

Institution Year Category Work Result
Academy Awards 1993 Best Picture Scent of a Woman Template:Nom
Best Director Template:Nom
American Film Institute 1994 Franklin J. Schaffner Achievement Award Template:N/A Template:Won
Jupiter Awards 1986 Best International Film Beverly Hills Cop Template:Nom
Producers Guild Film Awards 1993 Best Theatrical Motion Picture Scent of a Woman Template:Nom
Valladolid International Film Festival 1988 Golden Spike Midnight Run Template:Nom
Venice Film Festival 1980 Golden Lion Going in Style Template:Nom

Two of Brest's films, Hot Dogs for Gauguin and Beverly Hills Cop, have been entered into the National Film Registry of the U.S. Library of Congress.[7][12]

References

Template:Reflist

External links

  1. a b c d e f Script error: No such module "citation/CS1".
  2. a b c d Script error: No such module "citation/CS1".
  3. Script error: No such module "citation/CS1".
  4. Script error: No such module "citation/CS1".
  5. a b c Script error: No such module "citation/CS1".
  6. Script error: No such module "citation/CS1".
  7. a b Script error: No such module "citation/CS1".
  8. Script error: No such module "citation/CS1".
  9. Template:Cite magazine
  10. Script error: No such module "citation/CS1".
  11. Script error: No such module "citation/CS1".
  12. a b Script error: No such module "citation/CS1".
  13. Script error: No such module "citation/CS1".
  14. Script error: No such module "citation/CS1".
  15. Script error: No such module "citation/CS1".
  16. Script error: No such module "citation/CS1".
  17. Script error: No such module "citation/CS1".
  18. Script error: No such module "citation/CS1".
  19. Script error: No such module "citation/CS1".
  20. Script error: No such module "citation/CS1".
  21. Script error: No such module "citation/CS1".
  22. Script error: No such module "citation/CS1".