Snuff the Punk: Difference between revisions
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{{Infobox album | {{Infobox album | ||
| name | | name = Snuff the Punk | ||
| type | | type = studio | ||
| artist | | artist = [[P.O.D.]] | ||
| cover | | cover = Snuffthepunkoriginal.jpg | ||
| alt | | alt = | ||
| released | | released = {{start date|1994|1|25}} | ||
| recorded | | recorded = 1993 | ||
| studio = The Studio ([[San Diego|San Diego, California]]) | |||
| studio | | genre = <!--Genres are sourced in the "Musical style" section.-->{{flatlist| | ||
| genre | * [[Nu metal]] | ||
*[[ | * [[rap metal]] | ||
*[[ | * [[hardcore punk]] | ||
*[[ | }} | ||
| length | | length = 44:33 | ||
| label | | label = [[Rescue Records|Rescue]] | ||
| producer | | producer = Noah Bernardo, Sr. | ||
| prev_title | | prev_title = | ||
| prev_year | | prev_year = | ||
| next_title | | next_title = [[Brown (P.O.D. album)|Brown]] | ||
| next_year | | next_year = 1996 | ||
| misc | | misc = {{Extra album cover | ||
| header = Alternate cover | | header = Alternate cover | ||
| type = studio | | type = studio | ||
| Line 30: | Line 30: | ||
}} | }} | ||
}} | }} | ||
It was | '''''Snuff the Punk''''' is the debut studio album by American [[Christian music|Christian]] [[nu metal]] band [[P.O.D.]] It was released on January 25, 1994 by [[Rescue Records]], owned by Noah Bernardo, Sr (lead vocalist [[Sonny Sandoval]]'s uncle and drummer [[Wuv Bernardo]]'s father). Described as an early example of nu metal,<ref name="Cleveland">{{Cite web |last=Niesel |first=Jeff |date=Jul 9, 2015 |title=Rap-Rock Pioneers P.O.D. Emphasize the Live Performance |url=http://www.clevescene.com/scene-and-heard/archives/2015/07/09/rap-rock-pioneers-pod-put-an-emphasis-on-performing-live |url-status=dead |archive-url=https://web.archive.org/web/20190419093936/https://www.clevescene.com/scene-and-heard/archives/2015/07/09/rap-rock-pioneers-pod-put-an-emphasis-on-performing-live |archive-date=April 19, 2019 |access-date=March 26, 2016 |website=[[Cleveland Scene]]}}</ref> the album has a more [[Punk rock|punk]]-influenced sound with overtly Christian lyrics. A remaster with new artwork was released by independent label Diamante in 1999. | ||
Despite the band's popularity, ''Snuff the Punk'' continues to fly under the radar. Reviews of the album are scarce, but the existing ones have been mixed, praising its early version of the band's mix of [[hardcore punk]], [[Heavy metal music|heavy metal]] and [[hip-hop]], but criticizing its raw production, lack of cohesion and preachy lyrics. | |||
== | ==Background and recording== | ||
P.O.D. (also known as Eschatos and Enoch) started as a punk and metal band in the San Diego neighborhood of San Ysidro or "Southtown." With guitarist Marcos Curiel and drummer Wuv Bernardo, the band covered songs by their favorites bands, such as [[Bad Brains]], [[the Vandals]], [[Slayer]], and [[Metallica]]. They began incorporating [[jazz]], [[reggae]] and [[Latin music]] when writing their own music, while the hiring of Wuv's cousin and then rapper, Sonny Sandoval, brought in [[hip-hop]] influences.<ref>{{Cite web |last=Collar |first=Matt |title=P.O.D. Biography |url=https://www.allmusic.com/artist/pod-mn0000000441 |access-date=July 28, 2025 |website=[[AllMusic]] |language=en}}</ref> | |||
== | "Three In the Power of One", the band's first song, was recorded in 1992 and later included on ''Snuff the Punk''.<ref name=":2">{{Cite book |last=Sandoval |first=Sonny |title=Son of Southtown |date=2025-02-25 |publisher=[[Baker Books]] |isbn=9781540904423 |pages=69 |language=English}}</ref> After recording a demo tape, [[Traa Daniels]] joined the band in 1994 when they needed a bassist for some shows, replacing the founding member Gabe Portillo. P.O.D. signed with [[Rescue Records]], a label created by Bernardo's father, Noah Bernardo Sr., who was also the band's first manager.<ref name="hitquarters2004">{{cite web |date=May 3, 2004 |title=Interview with Tim Cook |url=http://www.hitquarters.com/index.php3?page=intrview/opar/intrview_TimCook_int.html |access-date=October 11, 2011 |publisher=[[HitQuarters]]}}</ref> who released the album on January 25, 1994, along with their second studio album [[Brown (P.O.D. album)|''Brown'']] (1996) and live album ''[[Payable on Death Live]]'' (1997). | ||
''Snuff the Punk'' was reissued three times after its original release in 1994. The first reissue has the same cover art, and was released in 1996. The second reissue, also a remix and remaster, has censored cover art. The | |||
==Composition and lyrics== | |||
Rooted in the [[San Francisco Bay Area#Music|San Francisco Bay Area punk scene]], ''Snuff the Punk''{{'}}s music has been inspired by genres such as [[hip hop]] and [[reggae]] in a [[hardcore punk]] tune. This unique sound crossed cultural boundaries, both racial and religious. As such, Rescue advertised the album in press as "hardcore with a hip-hop appeal to it."<ref name=":0">{{Cite web |last=Fuentes |first=Francisco Javier |date=2016 |title=Bordering Faith: spiritual transformation, cultural change, and Chicana/o youth |url=https://escholarship.org/uc/item/8528v75h |access-date=July 28, 2025 |website=[[UC Santa Barbara]]}}</ref> Another major influence was [[Heavy metal music|heavy metal]], especially [[rap metal]], a genre the band is generally associated with.<ref name="AM"/> Despite this, the album is more [[Punk rock|punk]]-influenced and overtly Christian than the band's releases with [[Atlantic Records]].<ref name="Indie">{{Cite web |last=Brown |first=Lee |date=2012-07-09 |title=P.O.D. - Murdered Love |url=https://www.indievisionmusic.com/reviews/p-o-d-murdered-love-3/ |access-date=2025-05-21 |website=Indie Vision Music |language=en-US}}</ref><ref>{{Cite web |author=John Anthony Dunne |date=2012-07-17 |title=On F Bombs and Christian Music: A Reflection on P.O.D.'s Newest Album, Murdered Love |url=https://www.thetwocities.com/culture/christian-culture/on-f-bombs-and-christian-music-a-reflection-on-p-o-d-s-newest-album-murdered-love/ |access-date=2025-05-21 |website=The Two Cities}}</ref> | |||
''Snuff the Punk'' has been described as an early [[nu metal]] album.<ref name="Cleveland" /><ref name="Readly">{{Cite web |date= |title=Nu metal's greatest deep cuts |url=https://gb.readly.com/magazines/metal-hammer/2024-11-07/67256f88aa859c38be2cfec9?srsltid=AfmBOopPGUovIKY4Lvt0k_a5C7Tt6H4hvRpXRgh5ifR-80oKMrHRpZl3 |url-access=subscription |url-status=live |archive-url=https://web.archive.org/web/20250729021759/https://gb.readly.com/magazines/metal-hammer/2024-11-07/67256f654666306e53742bb5 |archive-date=July 29, 2025 |access-date=May 21, 2025 |website=[[Readly]] |language=en}}</ref> While P.O.D. rose to popularity as a nu metal band, [[Korn]]'s [[Korn (album)|self-titled debut album]], released a few months later, has been seen as the genre's "first shot".<ref name="revolvermag">{{Cite web |last=Chapstick |first=Kelsey |title=Korn's Self-Titled Album: 10 Things You Didn't Know Nu-Metal's First Shot |url=https://www.revolvermag.com/music/korns-self-titled-album-10-things-you-didnt-know-nu-metals-first-shot/ |access-date=2025-04-30 |website=Revolver}}</ref> It has also been described as a hardcore punk album.<ref>{{Cite web |last=Bonham |first=Chad |date=September 14, 2011 |title=A conversation with P.O.D. front man Sonny Sandoval (Part 1) |url=https://www.beliefnet.com/columnists/wholenotes/2011/09/a-conversation-with-p-o-d-front-man-sonny-sandoval-part-1.html |access-date=July 29, 2025 |website=[[Beliefnet]] |language=en-US}}</ref> Lyrically, the album is centered on faith, conflict, and growing up in a multicultural, working-class area. The opening track, "Coming Down" shows the band's [[Pentecostalism]] beliefs, with the title referring to [[Jesus]], while "Who Is Right?" is a punk rock song with anti-racist lyrics promoting multi-racial friendships, a response to the [[1992 Los Angeles riots]].<ref name=":0" /> | |||
==Release== | |||
''Snuff the Punk'' was released on January 25, 1994 with a cover art showing a cartoon character with a gun aimed at the Devil. It established P.O.D. as a popular band in the hardcore punk and Christian underground subcultures. They began to tour the U.S. promoting their album. They played in small venues, churches and bars, and slowly developed a following of "warriors" nationwide. 25,000 copies of the album were sold in the first few years, mostly at shows. The band tried to take advantage of their growing fanbase to secure a major record deal, but were unable to.<ref name=":0" /> | |||
''Snuff the Punk'' was reissued three times after its original release in 1994. The first reissue has the same cover art, and was released in 1996. The second reissue, also a remix and remaster, has censored cover art. The rerelease shows a character with wings punching the [[Devil]]. It also has an alternate P.O.D. logo, without the band's full name, Payable on Death, and was released in 1999 by independent label Diamante. The third reissue, a special edition, is based on the remaster, but combines "Who's in This House?" and the anti-abortion song "Murder" into one track. It also includes live video of "Selah" and "Full Color" from the band's second album, ''Brown'', and was released in 2000. | |||
==Critical reception== | ==Critical reception== | ||
| Line 47: | Line 54: | ||
| rev1 = [[AllMusic]] | | rev1 = [[AllMusic]] | ||
| rev1score = {{Rating|3.5|5}}<ref name="AM">{{cite web|url=http://www.allmusic.com/album/snuff-the-punk-mw0000067397|title=Snuff the Punk - P.O.D.|last=Huey|first=Steve|publisher=[[AllMusic]]|accessdate=June 23, 2012}}</ref> | | rev1score = {{Rating|3.5|5}}<ref name="AM">{{cite web|url=http://www.allmusic.com/album/snuff-the-punk-mw0000067397|title=Snuff the Punk - P.O.D.|last=Huey|first=Steve|publisher=[[AllMusic]]|accessdate=June 23, 2012}}</ref> | ||
| rev2 = ''Jesus Freak Hideout'' | |||
| rev2score = {{Rating|4.5|5}}<ref name="JFH"/> | |||
}} | }} | ||
[[AllMusic]] | |||
Steve Huey of [[AllMusic]] felt the album captures the band in their formative stage, with a less coherent rap metal sound, but still "providing enough moments of raw power to satisfy fans."<ref name="AM" /> Allan Price of ''Jesus Freak Hideout'' declared that ''Snuff the Punk'' offers "bold, Bride-like lyrics," while the heaviness of the music is not compromised. He prefers this to the more watered down lyrics on [[Satellite (P.O.D. album)|''Satellite'']] (2001). Price concluded the only downside is the band repeating their name too often, and recommends you buy the 2000 reissue.<ref name="JFH">{{Cite web |last=Price |first=Allan |date=April 5, 2003 |title=P.O.D., "Snuff the Punk" Review |url=https://www.jesusfreakhideout.com/cdreviews/SnuffthePunk.asp |access-date=July 28, 2025 |website=Jesusfreakhideout.com}}</ref> | |||
''The Hard Times'' reviewer Anthony Vito, who included the album on his "30 Alt Metal Records Turning 30" list, said its "what you expect from a band of this ilk just finding their bearings," with bouncy metallic riffs and hip-hop flavored vocals. Additionally, he says there's "enough slap bass to send [[Flea (musician)|Flea]] to the nearest restroom."<ref name=":1">{{Cite web |last=Vito |first=Anthony |date=2024-03-19 |title=30 Alt Metal Records Turning 30 to Remind You That You Still Owe Columbia House a Crapload of Money |url=https://thehardtimes.net/lists/30-alt-metal-records-turning-30-to-remind-you-that-you-still-owe-columbia-house-a-crapload-of-money/ |access-date=2025-05-21 |website=The Hard Times}}</ref> ''[[Guitar World]]'' ranked ''Snuff the Punk'' at number 22 on their "Superunknown: 50 Iconic Albums That Defined 1994" list.<ref>{{cite web |date=July 14, 2014 |title=Superunknown: 50 Iconic Albums That Defined 1994 |url=http://www.guitarworld.com/superunknown-50-iconic-albums-defined-1994 |accessdate=July 14, 2014 |work=[[Guitar World]]}}</ref> | |||
==Track listing== | ==Track listing== | ||
{{ | {{Track listing | ||
| all_lyrics = P.O.D. except "Draw the Line" by House of Suffering | | all_lyrics = P.O.D. except "Draw the Line" by House of Suffering | ||
| all_music = P.O.D | | all_music = P.O.D | ||
| Line 88: | Line 100: | ||
}} | }} | ||
'''Notes''' | |||
* Track 12 is also known as simply "Murder" | * Track 12 is also known as simply "Murder" | ||
* Tracks 11 and 12 are combined on the remaster and ''Special Edition'' | * Tracks 11 and 12 are combined on the remaster and ''Special Edition'' | ||
==Personnel== | ==Personnel== | ||
All band members are credited by their first name only, bar Noah Bernardo, who is credited as “Wuvy” in the liner notes. | All band members are credited by their first name only, bar Noah Bernardo, who is credited as “Wuvy” in the liner notes. | ||
*[[Sonny Sandoval]] – vocals | * [[Sonny Sandoval]] – vocals | ||
*[[Marcos Curiel]] – guitar | * [[Marcos Curiel]] – guitar | ||
*[[Traa Daniels]] – bass guitar | * [[Traa Daniels]] – bass guitar | ||
*[[Noah Bernardo|Noah "Wuvy" Bernardo]] – drums | * [[Noah Bernardo|Noah "Wuvy" Bernardo]] – drums | ||
==References== | ==References== | ||
{{ | {{Reflist}} | ||
{{P.O.D.}} | {{P.O.D.}} | ||
| Line 110: | Line 121: | ||
[[Category:P.O.D. albums]] | [[Category:P.O.D. albums]] | ||
[[Category:1994 debut albums]] | [[Category:1994 debut albums]] | ||
[[Category:Hardcore punk albums by American artists]] | |||
[[Category: | |||
Latest revision as of 14:40, 6 October 2025
Template:Use mdy dates Script error: No such module "Unsubst-infobox".Script error: No such module "Check for conflicting parameters".
Snuff the Punk is the debut studio album by American Christian nu metal band P.O.D. It was released on January 25, 1994 by Rescue Records, owned by Noah Bernardo, Sr (lead vocalist Sonny Sandoval's uncle and drummer Wuv Bernardo's father). Described as an early example of nu metal,[1] the album has a more punk-influenced sound with overtly Christian lyrics. A remaster with new artwork was released by independent label Diamante in 1999.
Despite the band's popularity, Snuff the Punk continues to fly under the radar. Reviews of the album are scarce, but the existing ones have been mixed, praising its early version of the band's mix of hardcore punk, heavy metal and hip-hop, but criticizing its raw production, lack of cohesion and preachy lyrics.
Background and recording
P.O.D. (also known as Eschatos and Enoch) started as a punk and metal band in the San Diego neighborhood of San Ysidro or "Southtown." With guitarist Marcos Curiel and drummer Wuv Bernardo, the band covered songs by their favorites bands, such as Bad Brains, the Vandals, Slayer, and Metallica. They began incorporating jazz, reggae and Latin music when writing their own music, while the hiring of Wuv's cousin and then rapper, Sonny Sandoval, brought in hip-hop influences.[2]
"Three In the Power of One", the band's first song, was recorded in 1992 and later included on Snuff the Punk.[3] After recording a demo tape, Traa Daniels joined the band in 1994 when they needed a bassist for some shows, replacing the founding member Gabe Portillo. P.O.D. signed with Rescue Records, a label created by Bernardo's father, Noah Bernardo Sr., who was also the band's first manager.[4] who released the album on January 25, 1994, along with their second studio album Brown (1996) and live album Payable on Death Live (1997).
Composition and lyrics
Rooted in the San Francisco Bay Area punk scene, Snuff the PunkTemplate:'s music has been inspired by genres such as hip hop and reggae in a hardcore punk tune. This unique sound crossed cultural boundaries, both racial and religious. As such, Rescue advertised the album in press as "hardcore with a hip-hop appeal to it."[5] Another major influence was heavy metal, especially rap metal, a genre the band is generally associated with.[6] Despite this, the album is more punk-influenced and overtly Christian than the band's releases with Atlantic Records.[7][8]
Snuff the Punk has been described as an early nu metal album.[1][9] While P.O.D. rose to popularity as a nu metal band, Korn's self-titled debut album, released a few months later, has been seen as the genre's "first shot".[10] It has also been described as a hardcore punk album.[11] Lyrically, the album is centered on faith, conflict, and growing up in a multicultural, working-class area. The opening track, "Coming Down" shows the band's Pentecostalism beliefs, with the title referring to Jesus, while "Who Is Right?" is a punk rock song with anti-racist lyrics promoting multi-racial friendships, a response to the 1992 Los Angeles riots.[5]
Release
Snuff the Punk was released on January 25, 1994 with a cover art showing a cartoon character with a gun aimed at the Devil. It established P.O.D. as a popular band in the hardcore punk and Christian underground subcultures. They began to tour the U.S. promoting their album. They played in small venues, churches and bars, and slowly developed a following of "warriors" nationwide. 25,000 copies of the album were sold in the first few years, mostly at shows. The band tried to take advantage of their growing fanbase to secure a major record deal, but were unable to.[5]
Snuff the Punk was reissued three times after its original release in 1994. The first reissue has the same cover art, and was released in 1996. The second reissue, also a remix and remaster, has censored cover art. The rerelease shows a character with wings punching the Devil. It also has an alternate P.O.D. logo, without the band's full name, Payable on Death, and was released in 1999 by independent label Diamante. The third reissue, a special edition, is based on the remaster, but combines "Who's in This House?" and the anti-abortion song "Murder" into one track. It also includes live video of "Selah" and "Full Color" from the band's second album, Brown, and was released in 2000.
Critical reception
Steve Huey of AllMusic felt the album captures the band in their formative stage, with a less coherent rap metal sound, but still "providing enough moments of raw power to satisfy fans."[6] Allan Price of Jesus Freak Hideout declared that Snuff the Punk offers "bold, Bride-like lyrics," while the heaviness of the music is not compromised. He prefers this to the more watered down lyrics on Satellite (2001). Price concluded the only downside is the band repeating their name too often, and recommends you buy the 2000 reissue.[12]
The Hard Times reviewer Anthony Vito, who included the album on his "30 Alt Metal Records Turning 30" list, said its "what you expect from a band of this ilk just finding their bearings," with bouncy metallic riffs and hip-hop flavored vocals. Additionally, he says there's "enough slap bass to send Flea to the nearest restroom."[13] Guitar World ranked Snuff the Punk at number 22 on their "Superunknown: 50 Iconic Albums That Defined 1994" list.[14]
Track listing
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Notes
- Track 12 is also known as simply "Murder"
- Tracks 11 and 12 are combined on the remaster and Special Edition
Personnel
All band members are credited by their first name only, bar Noah Bernardo, who is credited as “Wuvy” in the liner notes.
- Sonny Sandoval – vocals
- Marcos Curiel – guitar
- Traa Daniels – bass guitar
- Noah "Wuvy" Bernardo – drums
References
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