Larry Austin: Difference between revisions
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==Early life== | ==Early life== | ||
Austin was born in [[Duncan, Oklahoma]]. He received a bachelor's (Music Education, 1951) and master's degree (Music, 1952) from [[University of North Texas College of Music]]. | Austin was born in [[Duncan, Oklahoma]]. He received a bachelor's (Music Education, 1951) and master's degree (Music, 1952) from [[University of North Texas College of Music]]. In 1955 he studied at [[Mills College]], and from 1955 to 1958 he engaged in graduate study at the [[University of California, Berkeley]], leaving to accept a faculty position at the [[University of California, Davis]]. Austin studied with Canadian composer [[Violet Archer]] at the [[University of North Texas]],<ref>{{cite journal|jstor=832907|title=Duality of Process and Drama in Larry Austin's Sonata Concertante|first=Thomas|last=Clark|date=1 January 1984|journal=[[Perspectives of New Music]]|volume=23|issue=1|pages=112–125|doi=10.2307/832907}}</ref> French composer [[Darius Milhaud]] at [[Mills College]],<ref>{{cite web|url=http://www.time.com/time/magazine/article/0,9171,875397-2,00.html|archive-url=https://web.archive.org/web/20121106032927/http://www.time.com/time/magazine/article/0,9171,875397-2,00.html|url-status=dead|archive-date=November 6, 2012|title=Universities: Cow College Conversion|date=29 November 1963|via=www.time.com}}</ref> and with American composer [[Andrew Imbrie]] at the [[University of California, Berkeley]].<ref>{{cite web|url=http://www.albanyrecords.com/Merchant2/merchant.mvc?Screen=PROD&Store_Code=AR&Product_Code=TROY538 |title=Miva Merchant: Fatal Error |url-status=dead |archive-url=https://web.archive.org/web/20110716231759/http://www.albanyrecords.com/Merchant2/merchant.mvc?Screen=PROD&Store_Code=AR&Product_Code=TROY538 |archive-date=2011-07-16 }}</ref> | ||
==Teaching career== | ==Teaching career== | ||
Austin taught at the University of California, Davis from 1958 till 1972 rising from assistant professor to full professor. While at the University of California, Davis, he founded the improvisational New Music Ensemble. In 1972 he accepted a position at the University of South Florida, where he taught until 1978. In that year he returned to Texas, teaching at his alma mater, the University of North Texas, from 1978 until 1996 when he was named [[professor emeritus]].<ref name="cdemusic.org">{{cite web|url=http://www.cdemusic.org/Larry-Austin-c31.html |title=cdemusic.org |url-status=dead |archive-url=https://web.archive.org/web/20110614050052/http://www.cdemusic.org/Larry-Austin-c31.html |archive-date=2011-06-14 }}</ref> His notable students include [[William Basinski]], [[Dary John Mizelle]] and [[Rodney Waschka II]]. | Austin taught at the University of California, Davis from 1958 till 1972 rising from assistant professor to full professor. While at the University of California, Davis, he founded the improvisational New Music Ensemble. In 1972 he accepted a position at the University of South Florida, where he taught until 1978. In that year he returned to Texas, teaching at his alma mater, the University of North Texas, from 1978 until 1996 when he was named [[professor emeritus]].<ref name="cdemusic.org">{{cite web|url=http://www.cdemusic.org/Larry-Austin-c31.html |title=cdemusic.org |url-status=dead |archive-url=https://web.archive.org/web/20110614050052/http://www.cdemusic.org/Larry-Austin-c31.html |archive-date=2011-06-14 }}</ref> His notable students include [[William Basinski]], [[Dary John Mizelle]] and [[Rodney Waschka II]]. | ||
==Compositions== | ==Compositions== | ||
Austin received early recognition for his instrumental and orchestral works and of those pieces, ''Improvisations for Orchestra and Jazz Soloists'', was performed and recorded by the [[New York Philharmonic]] under [[Leonard Bernstein]], and televised on a [[Young People's Concerts|Young People's Concert]] on March 11, 1964.<ref>[https://www.nytimes.com/books/99/03/14/specials/copland-philh.html Music: Copland Plays at Philharmonic<!-- Bot generated title -->]</ref><ref>https://www.youtube.com/watch?v=DNWl96e9jH4&t=38m43s</ref> Other orchestral works of special note include Charles Ives's ''Universe'' Symphony, "as realized and completed by Larry Austin" (1974–93) for large orchestra,<ref>[http://www.musicweb-international.com/classrev/2001/Apr01/Ives_Universe.htm IVES ''Universe'' Symphony etc [RB]: Classical CD Reviews- April 2001 MusicWeb(UK)<!-- Bot generated title -->]</ref> and ''Sinfonia Concertante: A Mozartean Episode'' {{cn|date=September 2024}} (1986) for chamber orchestra and tape. Chamber works with particularly significant computer music/electro-acoustic music aspects include ''Accidents'' <ref>{{cite web|url=http://www.ubu.com/sound/source.html|title=UbuWeb Sound – Source – Music of the Avant-Garde}}</ref> for electronically prepared piano (1967), written for [[David Tudor]], ''Canadian Coastlines: Canonic Fractals for Musicians and Computer Band'' <ref>{{cite journal|jstor=3679852|title=Coasts: On the Creative Edge with Composer Larry Austin|first1=Thomas|last1=Clark|first2=Larry|last2=Austin|date=1 January 1989|journal=[[Computer Music Journal]]|volume=13|issue=1|pages=21–35|doi=10.2307/3679852}}</ref> for eight musicians and tape from 1981, and ''BluesAx'' for saxophonist and tape (1995), which won the Magisterium Prize, at Bourges in 1996.<ref>[http://www.imeb.net/MFLi/index.php?option=com_content&task=view&id=492&Itemid=179 Institut International de Musique Electroacoustique – Collection "Cultures électroniques"] {{webarchive|url=https://web.archive.org/web/20070916012713/http://www.imeb.net/MFLi/index.php?option=com_content&task=view&id=492&Itemid=179 |date=2007-09-16 }}</ref> ''BluesAx'' has been recorded by [[Steve Duke]].<ref>[http://www.niu.edu/music/about/bios/sduke.shtml Steve Duke – NIU – School of Music<!-- Bot generated title -->] {{webarchive |url=https://web.archive.org/web/20080216032742/http://www.niu.edu/music/about/bios/sduke.shtml |date=February 16, 2008 }}</ref> | Austin received early recognition for his instrumental and orchestral works and of those pieces, ''Improvisations for Orchestra and Jazz Soloists'', was performed and recorded by the [[New York Philharmonic]] under [[Leonard Bernstein]], and televised on a [[Young People's Concerts|Young People's Concert]] on March 11, 1964.<ref>[https://www.nytimes.com/books/99/03/14/specials/copland-philh.html Music: Copland Plays at Philharmonic<!-- Bot generated title -->]</ref><ref>{{cite web | title=Leonard Bernstein Meets Eric Dolphy | website=[[YouTube]] | date=7 June 2025 | url=https://www.youtube.com/watch?v=DNWl96e9jH4&t=38m43s }}</ref> Other orchestral works of special note include Charles Ives's ''Universe'' Symphony, "as realized and completed by Larry Austin" (1974–93) for large orchestra,<ref>[http://www.musicweb-international.com/classrev/2001/Apr01/Ives_Universe.htm IVES ''Universe'' Symphony etc [RB]: Classical CD Reviews- April 2001 MusicWeb(UK)<!-- Bot generated title -->]</ref> and ''Sinfonia Concertante: A Mozartean Episode'' {{cn|date=September 2024}} (1986) for chamber orchestra and tape. Chamber works with particularly significant computer music/electro-acoustic music aspects include ''Accidents'' <ref>{{cite web|url=http://www.ubu.com/sound/source.html|title=UbuWeb Sound – Source – Music of the Avant-Garde}}</ref> for electronically prepared piano (1967), written for [[David Tudor]], ''Canadian Coastlines: Canonic Fractals for Musicians and Computer Band'' <ref>{{cite journal|jstor=3679852|title=Coasts: On the Creative Edge with Composer Larry Austin|first1=Thomas|last1=Clark|first2=Larry|last2=Austin|date=1 January 1989|journal=[[Computer Music Journal]]|volume=13|issue=1|pages=21–35|doi=10.2307/3679852}}</ref> for eight musicians and tape from 1981, and ''BluesAx'' for saxophonist and tape (1995), which won the Magisterium Prize, at Bourges in 1996.<ref>[http://www.imeb.net/MFLi/index.php?option=com_content&task=view&id=492&Itemid=179 Institut International de Musique Electroacoustique – Collection "Cultures électroniques"] {{webarchive|url=https://web.archive.org/web/20070916012713/http://www.imeb.net/MFLi/index.php?option=com_content&task=view&id=492&Itemid=179 |date=2007-09-16 }}</ref> ''BluesAx'' has been recorded by [[Steve Duke]].<ref>[http://www.niu.edu/music/about/bios/sduke.shtml Steve Duke – NIU – School of Music<!-- Bot generated title -->] {{webarchive |url=https://web.archive.org/web/20080216032742/http://www.niu.edu/music/about/bios/sduke.shtml |date=February 16, 2008 }}</ref> | ||
Later work included ''John Explains...'' (2007) for [[octophonic sound]],<ref>Clark, Thomas: ''Larry Austin: Life and Times of an Experimental Composer''. Raleigh: Borik Press, 2012. p. 85.</ref> based on a recording of an interview with [[John Cage]]. ''John Explains...'' was premiered at the 2008 North Carolina Computer Music Festival.<ref>{{cite web|url=http://www.cvnc.org/reviews/2008/022008/Computer.html|title=Classical Voice of North Carolina}}</ref> At the CEMI Circles festival, Austin's 2013 piece, ''Suoni della Bellagio—Sounds and sights of Bellagio, July–August, 1998'' for video and two-channel tape was premiered.<ref>{{cite web|url=http://cemi.music.unt.edu/cemicircles/schedule|title=schedule – Center for Experimental Music & Intermedia, UNT|url-status=dead|archive-url=https://web.archive.org/web/20141025014157/http://cemi.music.unt.edu/cemicircles/schedule|archive-date=2014-10-25}}</ref> | Later work included ''John Explains...'' (2007) for [[octophonic sound]],<ref>Clark, Thomas: ''Larry Austin: Life and Times of an Experimental Composer''. Raleigh: Borik Press, 2012. p. 85.</ref> based on a recording of an interview with [[John Cage]]. ''John Explains...'' was premiered at the 2008 North Carolina Computer Music Festival.<ref>{{cite web|url=http://www.cvnc.org/reviews/2008/022008/Computer.html|title=Classical Voice of North Carolina|access-date=2008-03-07|archive-date=2009-07-27|archive-url=https://web.archive.org/web/20090727195528/http://www.cvnc.org/reviews/2008/022008/Computer.html|url-status=dead}}</ref> At the CEMI Circles festival, Austin's 2013 piece, ''Suoni della Bellagio—Sounds and sights of Bellagio, July–August, 1998'' for video and two-channel tape was premiered.<ref>{{cite web|url=http://cemi.music.unt.edu/cemicircles/schedule|title=schedule – Center for Experimental Music & Intermedia, UNT|url-status=dead|archive-url=https://web.archive.org/web/20141025014157/http://cemi.music.unt.edu/cemicircles/schedule|archive-date=2014-10-25}}</ref> | ||
The noted critic [[Tom Johnson (composer)|Tom Johnson]] has written of Austin's music, "His style is neither uptown nor downtown, nor is it minimal, eclectic, hypnotic, or European. But it works, it is strongly personal, and it has something to say in all these directions.... The real source of Austin's music, however, is clearly Charles Ives, who also liked musical symbols, enjoyed collaging them together as densely as he could, and never had much of a knack for prettiness."<ref>"[http://www.music.unt.edu/cemi/larry_austin/LARevs.htm Larry Austin – Performances and Activities<!-- Bot generated title -->] {{Webarchive|url=https://web.archive.org/web/20071122133017/http://www.music.unt.edu/cemi/larry_austin/LARevs.htm |date=2007-11-22 }}"</ref> | The noted critic [[Tom Johnson (composer)|Tom Johnson]] has written of Austin's music, "His style is neither uptown nor downtown, nor is it minimal, eclectic, hypnotic, or European. But it works, it is strongly personal, and it has something to say in all these directions.... The real source of Austin's music, however, is clearly Charles Ives, who also liked musical symbols, enjoyed collaging them together as densely as he could, and never had much of a knack for prettiness."<ref>"[http://www.music.unt.edu/cemi/larry_austin/LARevs.htm Larry Austin – Performances and Activities<!-- Bot generated title -->] {{Webarchive|url=https://web.archive.org/web/20071122133017/http://www.music.unt.edu/cemi/larry_austin/LARevs.htm |date=2007-11-22 }}"</ref> | ||
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*''The Virtuoso in the Computer Age—III'', Vol. 11, CDCM Computer Music Series, Baton Rouge: Centaur Records, 1993 | *''The Virtuoso in the Computer Age—III'', Vol. 11, CDCM Computer Music Series, Baton Rouge: Centaur Records, 1993 | ||
** ''La Barbara: The Name/The Sounds/The Music'' | ** ''La Barbara: The Name/The Sounds/The Music'' | ||
*''A Chance Operation: The John Cage Tribute''. New York: Koch International Classics (KIC-CD-7238) 1993.<ref> | *''A Chance Operation: The John Cage Tribute''. New York: Koch International Classics (KIC-CD-7238) 1993.<ref>{{usurped|1=[https://web.archive.org/web/20110713164135/http://www.kochdistribution.com/catalog/AudioInfo.aspx?number=KIC-CD-7238 Welcome To KOCH Entertainment<!-- Bot generated title -->]}}</ref> | ||
**''art is self-alteration is Cage is...'' (1983/93), performed by Robert Black | **''art is self-alteration is Cage is...'' (1983/93), performed by Robert Black | ||
*''Charles Ives's Universe Symphony, as realized and completed by Larry Austin (1974–93)''. Baton Rouge: Centaur Records, CRC 2205, 1994. | *''Charles Ives's Universe Symphony, as realized and completed by Larry Austin (1974–93)''. Baton Rouge: Centaur Records, CRC 2205, 1994. | ||
Latest revision as of 02:24, 29 December 2025
Template:Short description Larry Don Austin (September 12, 1930 – December 30, 2018) was an American composer noted for his electronic and computer music works. He was a co-founder and editor of the avant-garde music periodical Source: Music of the Avant Garde.[1] Austin gained additional international recognition when he realized a completion of Charles Ives's Universe Symphony.[2] Austin served as the president of the International Computer Music Association (ICMA) from 1990 to 1994 and served on the board of directors of the ICMA from 1984 to 1988 and from 1990 to 1998.[3]
Early life
Austin was born in Duncan, Oklahoma. He received a bachelor's (Music Education, 1951) and master's degree (Music, 1952) from University of North Texas College of Music. In 1955 he studied at Mills College, and from 1955 to 1958 he engaged in graduate study at the University of California, Berkeley, leaving to accept a faculty position at the University of California, Davis. Austin studied with Canadian composer Violet Archer at the University of North Texas,[4] French composer Darius Milhaud at Mills College,[5] and with American composer Andrew Imbrie at the University of California, Berkeley.[6]
Teaching career
Austin taught at the University of California, Davis from 1958 till 1972 rising from assistant professor to full professor. While at the University of California, Davis, he founded the improvisational New Music Ensemble. In 1972 he accepted a position at the University of South Florida, where he taught until 1978. In that year he returned to Texas, teaching at his alma mater, the University of North Texas, from 1978 until 1996 when he was named professor emeritus.[7] His notable students include William Basinski, Dary John Mizelle and Rodney Waschka II.
Compositions
Austin received early recognition for his instrumental and orchestral works and of those pieces, Improvisations for Orchestra and Jazz Soloists, was performed and recorded by the New York Philharmonic under Leonard Bernstein, and televised on a Young People's Concert on March 11, 1964.[8][9] Other orchestral works of special note include Charles Ives's Universe Symphony, "as realized and completed by Larry Austin" (1974–93) for large orchestra,[10] and Sinfonia Concertante: A Mozartean Episode Script error: No such module "Unsubst". (1986) for chamber orchestra and tape. Chamber works with particularly significant computer music/electro-acoustic music aspects include Accidents [11] for electronically prepared piano (1967), written for David Tudor, Canadian Coastlines: Canonic Fractals for Musicians and Computer Band [12] for eight musicians and tape from 1981, and BluesAx for saxophonist and tape (1995), which won the Magisterium Prize, at Bourges in 1996.[13] BluesAx has been recorded by Steve Duke.[14] Later work included John Explains... (2007) for octophonic sound,[15] based on a recording of an interview with John Cage. John Explains... was premiered at the 2008 North Carolina Computer Music Festival.[16] At the CEMI Circles festival, Austin's 2013 piece, Suoni della Bellagio—Sounds and sights of Bellagio, July–August, 1998 for video and two-channel tape was premiered.[17]
The noted critic Tom Johnson has written of Austin's music, "His style is neither uptown nor downtown, nor is it minimal, eclectic, hypnotic, or European. But it works, it is strongly personal, and it has something to say in all these directions.... The real source of Austin's music, however, is clearly Charles Ives, who also liked musical symbols, enjoyed collaging them together as densely as he could, and never had much of a knack for prettiness."[18]
Austin said that "Exploring new concepts, new materials and their interaction is essential to my work as a composer."[7]Script error: No such module "Unsubst".
Partial discography
- Leonard Bernstein Conducts Music of Our Time. New York Philharmonic, Columbia Masterworks, MS6733, 1965.[19]
- Improvisations for Orchestra and Jazz Soloists
- Robert Floyd Plays New Piano Music by Hans Werner Henze and Larry Austin, Advance Records, FGR10S, 1970.[20]
- Piano Set in Open Style
- Piano Variations
- New Music for Woodwinds, Advance Records, FGR9S, 1974 (performed by Phil Rehfeldt, clarinet and Thomas Warburton, piano).[21]
- Current
- Larry Austin Hybrid Musics: Four Compositions, Canton, Texas: IRIDA Records 0022, 1980.
- Maroon Bells
- Catalogo Voce
- Quadrants: Event/Complex No. 1
- Second Fantasy on Ives' Universe Symphony
- Volume 1, CDCM Computer Music Series. Baton Rouge: Centaur Records, Inc., (CRC 2029) 1988.[22]
- Sinfonia Concertante (chamber orchestra conducted by Thomas Clark)
- Sonata Concertante (performed by pianist Adam Wodicki)
- The Virtuoso in the Computer Age—I, Volume 10, CDCM Computer Music Series. Centaur Records, Inc., (CRC 2110) 1991.[23]
- Montage:Themes and Variations for Violin and Computer Music on Tape (1985)
- The Virtuoso in the Computer Age—III, Vol. 11, CDCM Computer Music Series, Baton Rouge: Centaur Records, 1993
- La Barbara: The Name/The Sounds/The Music
- A Chance Operation: The John Cage Tribute. New York: Koch International Classics (KIC-CD-7238) 1993.[24]
- art is self-alteration is Cage is... (1983/93), performed by Robert Black
- Charles Ives's Universe Symphony, as realized and completed by Larry Austin (1974–93). Baton Rouge: Centaur Records, CRC 2205, 1994.
- Charles Ives's Universe Symphony, as realized and completed by Larry Austin (1974–93)
- Composers in the Computer Age II. Baton Rouge: Centaur Records, CRC 2193, 1994.
- SoundPoemSet (1990–91), computer music on tape.
- Tárogató, New York: Romeo Records (7212), 2001. Esther Lamneck, performer.[25]
- Tárogató
- UNconventional Trumpet, Camas, Washington: Crystal Records, CD763, 2004.[26]
- Charley's Cornet
References
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- ↑ Music: Copland Plays at Philharmonic
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- ↑ IVES Universe Symphony etc [RB]: Classical CD Reviews- April 2001 MusicWeb(UK)
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- ↑ Institut International de Musique Electroacoustique – Collection "Cultures électroniques" Template:Webarchive
- ↑ Steve Duke – NIU – School of Music Template:Webarchive
- ↑ Clark, Thomas: Larry Austin: Life and Times of an Experimental Composer. Raleigh: Borik Press, 2012. p. 85.
- ↑ Script error: No such module "citation/CS1".
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- ↑ "Larry Austin – Performances and Activities Template:Webarchive"
- ↑ Kollecta – Item (Vinyl Record (music)) Script error: No such module "Unsubst".
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- ↑ Amazon.com: UNconventional Trumpet: Larry Austin, Rule Beasley, Merrill Ellis, William P. Latham, Martin Mailman, Cindy McTee, Fisher Tull, Jason Baker, Mark Ford, Natalia Bolshakova, John Holt, Keith Johnson: Music
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Further reading
- Zimmerman, Walter, Desert Plants – Conversations with 23 American Musicians, Berlin: Beginner Press in cooperation with Mode Records, 2020 (originally published in 1976 by A.R.C., Vancouver). The 2020 edition includes a CD featuring the original interview recordings with Larry Austin, Robert Ashley, Jim Burton, John Cage, Philip Corner, Morton Feldman, Philip Glass, Joan La Barbara, Garrett List, Alvin Lucier, John McGuire, Charles Morrow, J. B. Floyd (on Conlon Nancarrow), Pauline Oliveros, Charlemagne Palestine, Ben Johnston (on Harry Partch), Steve Reich, David Rosenboom, Frederic Rzewski, Richard Teitelbaum, James Tenney, Christian Wolff, and La Monte Young.
External links
- EMF Media: Larry Austin
- David Tudor and Larry Austin: A Conversation April 3, 1989, Denton, Texas
- Art of the States: Larry AustinTemplate:Category handler[<span title="Script error: No such module "string".">usurped]Script error: No such module "Check for unknown parameters".
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Template:SEAMUS Lifetime Achievement Award Template:Portal bar Template:Authority control
Categories:
- Pages with script errors
- 1930 births
- 2018 deaths
- 20th-century American classical composers
- 21st-century American classical composers
- American male classical composers
- Electroacoustic music composers
- American experimental composers
- Jazz-influenced classical composers
- People from Duncan, Oklahoma
- Pupils of Darius Milhaud
- Texas classical music
- University of North Texas College of Music faculty
- University of North Texas College of Music alumni
- Centaur Records artists