Tobe Hooper: Difference between revisions

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{{Short description|American filmmaker (1943–2017)}}
{{Short description|American filmmaker (1943–2017)}}
{{Refimprove|date=September 2018}}
{{More citations needed|date=September 2018}}
{{Infobox person
{{Infobox person
| name              = Tobe Hooper
| name              = Tobe Hooper
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==Early life==
==Early life==
Hooper was born January 25, 1943, in [[Austin, Texas]],<ref>{{cite book|title=501 Movie Directors|editor-first=Steven Jay|editor-last=Schneider|publisher=Cassell Illustrated|location=London|year=2007|page=466|isbn=9781844035731|oclc=1347156402}}</ref> to Lois Belle (''née'' Crosby) and Norman William Ray Hooper, who owned a theater in [[San Angelo, Texas|San Angelo]]. The film ''[[The Texas Chain Saw Massacre]]'' explores [[Stereotypes of white Americans|hicksploitation]] themes related to his childhood.<ref name=guardianobit>{{Cite news|url=https://www.theguardian.com/film/2017/aug/28/tobe-hooper-obituary|title=Tobe Hooper obituary|last=Gilbey|first=Ryan|date=August 28, 2017|work=[[The Guardian]]|language=en-GB|issn=0261-3077|archive-url=https://web.archive.org/web/20190418145029/https://www.theguardian.com/film/2017/aug/28/tobe-hooper-obituary|archive-date=April 18, 2019|url-status=live}}</ref> He first became interested in filmmaking when he used his father's [[8 mm film|8&nbsp;mm]] camera at the age of nine. He went to college at the University of Texas, Austin. He was present at the college on August 1, 1966, when [[Charles Whitman]] opened fire on random people from the University's clock tower, fatally shooting a police officer that was close by Hooper.<ref>{{cite news |last1=Zwilling |first1=Marcia |title=Tobe Hooper's Austin youth shaped 'Texas Chain Saw Massacre' |url=https://www.statesman.com/story/news/2017/08/29/commentary-tobe-hooper-s-austin/6720832007/ |work=Austin-American Statesman |date=August 29, 2017 |archive-url=https://web.archive.org/web/20221205084030/https://www.statesman.com/story/news/2017/08/29/commentary-tobe-hooper-s-austin/6720832007/ |archive-date=December 5, 2022}}</ref>
Hooper was born January 25, 1943, in [[Austin, Texas]],<ref>{{cite book|title=501 Movie Directors|editor-first=Steven Jay|editor-last=Schneider|publisher=Cassell Illustrated|location=London|year=2007|page=466|isbn=9781844035731|oclc=1347156402}}</ref> to Lois Belle (''née'' Crosby) and Norman William Ray Hooper, who owned a theater in [[San Angelo, Texas|San Angelo]]. The film ''[[The Texas Chain Saw Massacre]]'' explores [[Stereotypes of white Americans|hicksploitation]] themes related to his childhood.<ref name=guardianobit>{{Cite news|url=https://www.theguardian.com/film/2017/aug/28/tobe-hooper-obituary|title=Tobe Hooper obituary|last=Gilbey|first=Ryan|date=August 28, 2017|work=[[The Guardian]]|language=en-GB|issn=0261-3077|archive-url=https://web.archive.org/web/20190418145029/https://www.theguardian.com/film/2017/aug/28/tobe-hooper-obituary|archive-date=April 18, 2019|url-status=live}}</ref> He first became interested in filmmaking when he used his father's [[8 mm film|8&nbsp;mm]] camera at the age of nine.
 
He went to college at the [[University of Texas at Austin]]. He was present on campus during the [[University of Texas tower shooting|mass shooting incident]] of August 1, 1966, when [[Charles Whitman]] opened fire on random people from the university's clock tower, fatally shooting a police officer who was close by Hooper.<ref>{{cite news |last1=Zwilling |first1=Marcia |title=Tobe Hooper's Austin youth shaped 'Texas Chain Saw Massacre' |url=https://www.statesman.com/story/news/2017/08/29/commentary-tobe-hooper-s-austin/6720832007/ |work=Austin-American Statesman |date=August 29, 2017 |archive-url=https://web.archive.org/web/20221205084030/https://www.statesman.com/story/news/2017/08/29/commentary-tobe-hooper-s-austin/6720832007/ |archive-date=December 5, 2022}}</ref>


==Career==
==Career==
Hooper spent the 1960s as a college professor{{Dubious|date=June 2024}} and documentary cameraman.<ref>{{cite news|url=https://www.theguardian.com/film/2017/aug/27/tobe-hooper-texas-chainsaw-massacre-poltergeist-director-dies-aged-74|title=Tobe Hooper, Texas Chainsaw Massacre director, dies at 74|first=Gwilym|last=Mumford|date=27 August 2017|access-date=28 August 2017|newspaper=The Guardian}}</ref> His 1965 short film ''The Heisters'' was invited to be entered in the [[Academy Award for Best Live Action Short Film|short subject category]] for an [[Academy Awards|Academy Award]], but was not finished in time for the competition that year.<ref>{{cite news |last1=Bordelon |first1=Ann |title=Tobe Hooper Riding High With The Heisters |url=https://www.newspapers.com/article/the-austin-american-tobe-hooper/148586335/ |work=The Austin American |date=April 13, 1965 |page=21}}</ref> His first feature film, ''[[Eggshells (film)|Eggshells]]'' (1969), was made for $40,000.
Hooper spent the 1960s as a college professor and documentary cameraman.<ref>{{cite news|url=https://www.theguardian.com/film/2017/aug/27/tobe-hooper-texas-chainsaw-massacre-poltergeist-director-dies-aged-74|title=Tobe Hooper, Texas Chainsaw Massacre director, dies at 74|first=Gwilym|last=Mumford|date=27 August 2017|access-date=28 August 2017|newspaper=The Guardian}}</ref> His 1965 short film ''The Heisters'' was invited to be entered in the [[Academy Award for Best Live Action Short Film|short subject category]] for an [[Academy Awards|Academy Award]], but was not finished in time for the competition that year.<ref>{{cite news |last1=Bordelon |first1=Ann |title=Tobe Hooper Riding High With The Heisters |url=https://www.newspapers.com/article/the-austin-american-tobe-hooper/148586335/ |work=The Austin American |date=April 13, 1965 |page=21}}</ref> His first feature film, ''[[Eggshells (film)|Eggshells]]'' (1969), was made for $40,000.


Soon after, Hooper leapt to fame with ''[[The Texas Chain Saw Massacre]]'' (1974). He combined elements from a story he wrote about isolation and darkness with the inspiration of graphic news coverage of violence, with his belief that people were the true monsters being a key element for the film. Along with [[Kim Henkel]], they co-wrote a screenplay that had elements based on the murders of [[Ed Gein]] and [[Elmer Wayne Henley]] while forming a company named Vortex, Inc. They produced the film alongside Jay Parsley and Richard Saenz. The low budget (roughly less than $140,000) meant that the film was shot seven days a week, having shooting times up to 16 hours a day, dealing with brutally hot temperatures, high humidity and limited special effects.<ref>{{cite web|url=https://nypost.com/2019/06/13/the-intolerably-putrid-making-of-the-texas-chain-saw-massacre/|work=[[New York Post]]|title=The 'intolerably putrid' making of 'The Texas Chain Saw Massacre'|date=June 13, 2019|archive-url=https://web.archive.org/web/20190618041026/https://nypost.com/2019/06/13/the-intolerably-putrid-making-of-the-texas-chain-saw-massacre/|archive-date=June 18, 2019|url-status=live|author=Getlen, Larry}}</ref> Hooper had to deal with the [[Motion Picture Association of America]] (MPAA) with the rating; he had hoped the limited amount of gore seen in the film would give it a PG, but the original print was given an X rating. After some cuts, it was given an R rating. The film was cited as one of the scariest films of all time, with film critic [[Roger Ebert]], despite awarding it only two out of four stars, describing it as a "weird, off-the-wall achievement."<ref>{{cite web|url=https://www.rogerebert.com/reviews/the-texas-chain-saw-massacre-1974|title=The Texas Chainsaw Massacre Movie Review (1974) - Roger Ebert|first=Roger|last=Ebert|website=Rogerebert.com|access-date=20 April 2019}}</ref> It was also a huge commercial success, making $30 million in the United States and Canada, while being one of the highest grossing independent films of the 1970s.
Soon after, Hooper leapt to fame with ''[[The Texas Chain Saw Massacre]]'' (1974). He combined elements from a story he wrote about isolation and darkness with the inspiration of graphic news coverage of violence, with his belief that people were the true monsters being a key element for the film. Along with [[Kim Henkel]], they co-wrote a screenplay that had elements based on the murders of [[Ed Gein]] and [[Elmer Wayne Henley]] while forming a company named Vortex, Inc. They produced the film alongside Jay Parsley and Richard Saenz. The low budget (roughly less than $140,000) meant that the film was shot seven days a week, having shooting times up to 16 hours a day, dealing with brutally hot temperatures, high humidity and limited special effects.<ref>{{cite web|url=https://nypost.com/2019/06/13/the-intolerably-putrid-making-of-the-texas-chain-saw-massacre/|work=[[New York Post]]|title=The 'intolerably putrid' making of 'The Texas Chain Saw Massacre'|date=June 13, 2019|archive-url=https://web.archive.org/web/20190618041026/https://nypost.com/2019/06/13/the-intolerably-putrid-making-of-the-texas-chain-saw-massacre/|archive-date=June 18, 2019|url-status=live|author=Getlen, Larry}}</ref> Hooper had to deal with the [[Motion Picture Association of America]] (MPAA) with the rating; he had hoped the limited amount of gore seen in the film would give it a PG, but the original print was given an X rating. After some cuts, it was given an R rating. The film was cited as one of the scariest films of all time, with film critic [[Roger Ebert]], despite awarding it only two out of four stars, describing it as a "weird, off-the-wall achievement."<ref>{{cite web|url=https://www.rogerebert.com/reviews/the-texas-chain-saw-massacre-1974|title=The Texas Chainsaw Massacre Movie Review (1974) - Roger Ebert|first=Roger|last=Ebert|website=Rogerebert.com|access-date=20 April 2019}}</ref> It was also a huge commercial success, making $30 million in the United States and Canada, while being one of the highest grossing independent films of the 1970s.
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Hooper's next film was ''[[Eaten Alive]]'' (1976), co-written by Henkel and producers Alvin L. Fast and [[Mardi Rustam]]. As with ''Massacre'', the film was inspired by serial killings, this time the murderer [[Joe Ball]], who killed at least two people in the 1930s and whose crimes led to his nicknames of 'The Alligator Man' and 'The Butcher of Elmendorf'. The movie was filmed on sound-stages in [[California]]. Hooper provided the music alongside Wayne Bell - but walked off the production before shooting completed.<ref name="muir">{{cite book|last1=Muir|first1=John Kenneth|title=Eaten Alive at a Chainsaw Massacre: The Films of Tobe Hooper|date=2002|publisher=McFarland|isbn=9781476613352|page=68|url=https://books.google.com/books?id=DngwCgAAQBAJ&pg=PA68|access-date=21 May 2017|language=en}}</ref>
Hooper's next film was ''[[Eaten Alive]]'' (1976), co-written by Henkel and producers Alvin L. Fast and [[Mardi Rustam]]. As with ''Massacre'', the film was inspired by serial killings, this time the murderer [[Joe Ball]], who killed at least two people in the 1930s and whose crimes led to his nicknames of 'The Alligator Man' and 'The Butcher of Elmendorf'. The movie was filmed on sound-stages in [[California]]. Hooper provided the music alongside Wayne Bell - but walked off the production before shooting completed.<ref name="muir">{{cite book|last1=Muir|first1=John Kenneth|title=Eaten Alive at a Chainsaw Massacre: The Films of Tobe Hooper|date=2002|publisher=McFarland|isbn=9781476613352|page=68|url=https://books.google.com/books?id=DngwCgAAQBAJ&pg=PA68|access-date=21 May 2017|language=en}}</ref>


Hooper had his biggest budget yet with the television mini-series of ''[[Salem's Lot (1979 miniseries)|Salem's Lot]]'' (1979), filmed on a budget of $4 million for [[CBS]] while being released theatrically in some countries. It was a screening of ''Massacre'' that led producer Richard Kobritz to hire Hooper as director. He shot the film from July to August 1979, although the film differed from the source material (particularly with the violence and graphic scenes) in order to meet broadcast standards. He described it as 'very spooky - it suggests things and always has the overtone of the grave. It affects you differently than my other horror films. It's more soft-shelled...it has atmosphere which creates something you cannot escape - the reminder that our time is limited and all the accoutrements that go with it, such as the visuals.' Hooper then went on to make ''[[The Funhouse]]'' (1981) about teenagers who  are stalked by a killer in a carnival fun-house.  
Hooper had his biggest budget yet with the television mini-series of ''[[Salem's Lot (1979 miniseries)|Salem's Lot]]'' (1979), filmed on a budget of $4 million for [[CBS]] while being released theatrically in some countries. It was a screening of ''Massacre'' that led producer Richard Kobritz to hire Hooper as director. He shot the film from July to August 1979, although the film differed from the source material (particularly with the violence and graphic scenes) in order to meet broadcast standards. He described it as 'very spooky - it suggests things and always has the overtone of the grave. It affects you differently than my other horror films. It's more soft-shelled...it has atmosphere which creates something you cannot escape - the reminder that our time is limited and all the accoutrements that go with it, such as the visuals.' Hooper then went on to make ''[[The Funhouse]]'' (1981) about teenagers who  are stalked by a killer in a carnival fun-house.


In 1982, Hooper made ''[[Poltergeist (1982 film)|Poltergeist]]'', based on a story by [[Steven Spielberg]].<ref>{{cite web|url=https://www.nytimes.com/movie/review?res=EE05E7DF173BE573BC4C53DFB0668389699EDE|title=Movie Review – Poltergeist (1982)|work=[[The New York Times]]|first=Vincent|last=Canby|date=June 4, 1982}}</ref> Hooper was selected by Spielberg to direct based on his prior work, Spielberg having co-written the screenplay and co-produced the film. It was Hooper who collaborated with Spielberg to make it more of a ghost story than the original science-fiction-based treatment had been, as it had originally been conceived as a sequel to ''[[Close Encounters of the Third Kind]]''.
In 1982, Hooper made ''[[Poltergeist (1982 film)|Poltergeist]]'', based on a story by [[Steven Spielberg]].<ref>{{cite web|url=https://www.nytimes.com/movie/review?res=EE05E7DF173BE573BC4C53DFB0668389699EDE|title=Movie Review – Poltergeist (1982)|work=[[The New York Times]]|first=Vincent|last=Canby|date=June 4, 1982}}</ref> Hooper was selected by Spielberg to direct based on his prior work, Spielberg having co-written the screenplay and co-produced the film. It was Hooper who collaborated with Spielberg to make it more of a ghost story than the original science-fiction-based treatment had been, as it had originally been conceived as a sequel to ''[[Close Encounters of the Third Kind]]''.
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Hooper's later works included ''[[Spontaneous Combustion (film)|Spontaneous Combustion]]'' (1990); the television movie ''[[I'm Dangerous Tonight]]'' (1990); and ''[[Night Terrors (film)|Night Terrors]]'' (1993). He directed an installment of the made-for-television feature ''[[Body Bags (film)|Body Bags]]'' (1993). His works also include ''[[The Mangler (film)|The Mangler]]'' (1995), ''[[The Apartment Complex]]'' (1999), ''[[Crocodile (2000 film)|Crocodile]]'' (2000), ''[[Toolbox Murders]]'' (2004), and ''[[Mortuary (2005 film)|Mortuary]]'' (2005).
Hooper's later works included ''[[Spontaneous Combustion (film)|Spontaneous Combustion]]'' (1990); the television movie ''[[I'm Dangerous Tonight]]'' (1990); and ''[[Night Terrors (film)|Night Terrors]]'' (1993). He directed an installment of the made-for-television feature ''[[Body Bags (film)|Body Bags]]'' (1993). His works also include ''[[The Mangler (film)|The Mangler]]'' (1995), ''[[The Apartment Complex]]'' (1999), ''[[Crocodile (2000 film)|Crocodile]]'' (2000), ''[[Toolbox Murders]]'' (2004), and ''[[Mortuary (2005 film)|Mortuary]]'' (2005).


Hooper was asked to contribute to the series ''[[Masters of Horror]]''; he responded by directing "[[Dance of the Dead (Masters of Horror)|Dance of the Dead]]" (2005)<ref>{{cite web|url=http://www.imdb.com/title/tt0643102/|title=Dance of the Dead|access-date=20 April 2019|website=IMDb.com|date=11 November 2005}}</ref> with [[Robert Englund]] in the first season, and "The Damned Thing"<ref>{{cite web|url=http://www.imdb.com/title/tt0805419/|title=The Damned Thing|access-date=20 April 2019|website=IMDb.com|date=27 October 2006}}</ref> in the second season.<ref>{{cite web|url=http://www.imdb.com/title/tt0448190/|title=Masters of Horror|access-date=20 April 2019|website=IMDb.com|date=28 October 2005}}</ref>
Hooper was asked to contribute to the series ''[[Masters of Horror]]''; he responded by directing "[[Dance of the Dead (Masters of Horror)|Dance of the Dead]]" (2005)<ref>{{Cite web |last=Bromley |first=Patrick |date=2018-04-24 |title=MASTERS OF HORROR Rewatch: Tobe Hooper's "Dance of the Dead" |url=https://dailydead.com/masters-of-horror-rewatch-dance-of-the-dead/ |access-date=2025-10-10 |website=Daily Dead |language=en-US}}</ref> with [[Robert Englund]] in the first season, and "The Damned Thing" in the second season.<ref>{{Cite web |last=McCabe |first=Samantha Françoise |date=2017-11-12 |title=‘The Damned Thing’ – A Masters of Horror Episode Retro Review |url=https://pophorror.com/the-damned-thing-masters-horror-episode-review/ |access-date=2025-10-10 |website=PopHorror |language=en-US}}</ref>


In 2010, writer and actor [[Mark Gatiss]] interviewed Hooper for the third episode of his BBC documentary series ''[[A History of Horror]]''.<ref name=horrorqa>{{cite web|url=http://www.bbc.co.uk/programmes/b00vcwm7|title=A History of Horror with Mark Gatiss – Q&A with Mark Gatiss|access-date=November 12, 2010|publisher=[[BBC]]}}</ref>
In 2010, writer and actor [[Mark Gatiss]] interviewed Hooper for the third episode of his BBC documentary series ''[[A History of Horror]]''.<ref name=horrorqa>{{cite web|url=https://www.bbc.co.uk/programmes/b00vcwm7|title=A History of Horror with Mark Gatiss – Q&A with Mark Gatiss|access-date=November 12, 2010|publisher=[[BBC]]}}</ref>


Hooper's first novel, ''Midnight Movie'', was published on [[Three Rivers Press]] in 2011.<ref>{{cite web|url=http://www.slantmagazine.com/house/2011/04/the-formulaic-shock-and-awe-of-tobe-hoopers-midnight-movie|title=The Formulaic Shock and Awe of Tobe Hooper's Midnight Movie|work=[[Slant Magazine]]|first=Chuck|last=Bowen|date=August 4, 2011}}</ref>
Hooper's first novel, ''Midnight Movie'', was published on [[Three Rivers Press]] in 2011.<ref>{{cite web|url=http://www.slantmagazine.com/house/2011/04/the-formulaic-shock-and-awe-of-tobe-hoopers-midnight-movie|title=The Formulaic Shock and Awe of Tobe Hooper's Midnight Movie|work=[[Slant Magazine]]|first=Chuck|last=Bowen|date=August 4, 2011}}</ref>
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Hooper married again in 1983 to Carin Berger (daughter of actor [[William Berger (actor)|William Berger]]), but they divorced in 1990. He later married Rita Marie Bartlett in 2008, but they divorced in 2010.
Hooper married again in 1983 to Carin Berger (daughter of actor [[William Berger (actor)|William Berger]]), but they divorced in 1990. He later married Rita Marie Bartlett in 2008, but they divorced in 2010.
A few months prior to his death, Hooper publicized images of his bruised face after he said that his girlfriend, who was thirty-eight years his junior, had beaten him.<ref name="TMZarticle">{{cite news |url=https://www.tmz.com/2017/06/01/texas-chain-saw-massacre-director-tobe-hooper-ex-attack-restraining-order/ |title= 'The Texas Chain Saw Massacre' Director's Face Allegedly Bashed By Ex-GF 38 Years Younger |newspaper=[[TMZ]] |date=June 1, 2017}}</ref>


==Death==
==Death==
Hooper died of natural causes in [[Sherman Oaks, Los Angeles|Sherman Oaks]] neighborhood of [[Los Angeles|Los Angeles, California]], on August 26, 2017, at the age of 74.<ref name="nytobit">{{cite news |url=https://www.nytimes.com/2017/08/27/movies/tobe-hooper-texas-chainsaw-massacre.html?mcubz=3 |title=Tobe Hooper, Director of 'The Texas Chain Saw Massacre,' Dies at 74 |first=Neil |last=Genzlinger |author-link=Neil Genzlinger |newspaper=[[The New York Times]] |date=August 27, 2017}}</ref><ref name="varietyobit">{{Cite news|url=https://variety.com/2017/film/news/tobe-hooper-dead-dies-texas-chain-saw-massacre-poltergeist-director-dies-1202539868/|title=Tobe Hooper, 'Texas Chain Saw Massacre' and 'Poltergeist' Director, Dies at 74|last=Saperstein|first=Pat|date=2017-08-27|work=Variety|access-date=2017-08-30|language=en-US}}</ref> A few months prior to his death, Hooper claimed his much younger girlfriend beat him and provided images of injuries to his face. <ref name="TMZarticle">{{cite news |url=https://www.tmz.com/2017/06/01/texas-chain-saw-massacre-director-tobe-hooper-ex-attack-restraining-order/ |title= 'The Texas Chain Saw Massacre' Director's Face Allegedly Bashed By Ex-GF 38 Years Younger |newspaper=[[TMZ]] |date=June 1, 2017}}</ref>
Hooper died of natural causes in the [[Sherman Oaks, Los Angeles|Sherman Oaks]] neighborhood of [[Los Angeles|Los Angeles, California]], on August 26, 2017, at the age of 74.<ref name="nytobit">{{cite news |url=https://www.nytimes.com/2017/08/27/movies/tobe-hooper-texas-chainsaw-massacre.html?mcubz=3 |title=Tobe Hooper, Director of 'The Texas Chain Saw Massacre,' Dies at 74 |first=Neil |last=Genzlinger |author-link=Neil Genzlinger |newspaper=[[The New York Times]] |date=August 27, 2017}}</ref><ref name="varietyobit">{{Cite news|url=https://variety.com/2017/film/news/tobe-hooper-dead-dies-texas-chain-saw-massacre-poltergeist-director-dies-1202539868/|title=Tobe Hooper, 'Texas Chain Saw Massacre' and 'Poltergeist' Director, Dies at 74|last=Saperstein|first=Pat|date=2017-08-27|work=Variety|access-date=2017-08-30|language=en-US}}</ref>


==Legacy==
==Legacy==
Filmmakers who have been influenced by Hooper include [[Hideo Nakata]],<ref>[[Peter Bradshaw|Bradshaw, Peter]] (October 30, 2008). [https://www.theguardian.com/film/2008/oct/31/ring "Ring"]. ''[[The Guardian]]''.</ref> [[Wes Craven]],<ref>Burton, Felicity (August 7, 2015 ). [http://www.screamhorrormag.com/the-hills-have-eyes-1977-film-review/ "THE HILLS HAVE EYES (1977): Film Review"]. ''Scream''.</ref> [[Rob Zombie]],<ref>Eggstern, Chris (October 30, 2015). [http://www.hitfix.com/the-dartboard/rob-zombie-gave-us-his-top-10-horror-movies-and-theres-one-surprising-omission "Rob Zombie gave us his Top 10 horror movies – and there's one surprising omission"] {{Webarchive|url=https://web.archive.org/web/20161109134819/http://www.hitfix.com/the-dartboard/rob-zombie-gave-us-his-top-10-horror-movies-and-theres-one-surprising-omission |date=2016-11-09 }}. [[HitFix]].</ref> [[Alexandre Aja]],<ref>Sélavy, Virginie (May 1, 2008). [http://www.electricsheepmagazine.co.uk/features/2008/05/01/interview-with-xavier-mendik/ "INTERVIEW WITH XAVIER MENDIK"]. Electric Sheep.</ref> [[Jack Thomas Smith]],<ref>Wien, Gary (October 19, 2014). [http://www.newjerseystage.com/articles/getarticle.php?ID=4077 "Infliction: An Interview With Jack Thomas Smith"]. Jason L Koerner, "100 Acres of Hell". ''New Jersey Stage''.</ref> [[Kiyoshi Kurosawa]]<ref>{{Cite web |last=Mahmoudian |first=Eléonore |date=October 9, 2014 |title=IFF Entrevues Belfort 2014 - A certain genre: Double Feature Kiyoshi Kurosawa |url=https://www.festival-entrevues.com/sites/default/files/images/archives/interview_kurosawa_hd.pdf }}</ref> and [[Nicolas Winding Refn]].<ref name="Foundas">{{cite web |last=Foundas |first=Scott |title=Anger Management |url=http://www.dga.org/Craft/DGAQ/All-Articles/1203-Summer-2012/Independent-Voice-Nicolas-Winding-Refn.aspx |work=DGA Quarterly |access-date=August 22, 2012 |date=Summer 2012}}</ref> [[Ridley Scott]] said that his work on ''[[Alien (film)|Alien]]'' was influenced more by Hooper's ''The Texas Chain Saw Massacre'' than any other genre film.<ref>Anderson, Martin (March 30, 2012). [http://www.shadowlocked.com/201203302484/opinion-features/the-russian-heritage-for-ridley-scotts-prometheus.html "The Russian heritage for Ridley Scott's Prometheus?"] {{Webarchive|url=https://web.archive.org/web/20160305212045/http://www.shadowlocked.com/201203302484/opinion-features/the-russian-heritage-for-ridley-scotts-prometheus.html |date=2016-03-05 }}. Shadowlocked.</ref>
Filmmakers who have been influenced by Hooper include [[Hideo Nakata]],<ref>[[Peter Bradshaw|Bradshaw, Peter]] (October 30, 2008). [https://www.theguardian.com/film/2008/oct/31/ring "Ring"]. ''[[The Guardian]]''.</ref> [[Wes Craven]],<ref>Burton, Felicity (August 7, 2015 ). [http://www.screamhorrormag.com/the-hills-have-eyes-1977-film-review/ "THE HILLS HAVE EYES (1977): Film Review"]. ''Scream''.</ref> [[Rob Zombie]],<ref>Eggstern, Chris (October 30, 2015). [http://www.hitfix.com/the-dartboard/rob-zombie-gave-us-his-top-10-horror-movies-and-theres-one-surprising-omission "Rob Zombie gave us his Top 10 horror movies – and there's one surprising omission"] {{Webarchive|url=https://web.archive.org/web/20161109134819/http://www.hitfix.com/the-dartboard/rob-zombie-gave-us-his-top-10-horror-movies-and-theres-one-surprising-omission |date=2016-11-09 }}. [[HitFix]].</ref> [[Alexandre Aja]],<ref>Sélavy, Virginie (May 1, 2008). [http://www.electricsheepmagazine.co.uk/features/2008/05/01/interview-with-xavier-mendik/ "INTERVIEW WITH XAVIER MENDIK"]. Electric Sheep.</ref> [[Jack Thomas Smith]],<ref>Wien, Gary (October 19, 2014). [http://www.newjerseystage.com/articles/getarticle.php?ID=4077 "Infliction: An Interview With Jack Thomas Smith"]. Jason L Koerner, "100 Acres of Hell". ''New Jersey Stage''.</ref> [[Kiyoshi Kurosawa]],<ref>{{Cite web |last=Mahmoudian |first=Eléonore |date=October 9, 2014 |title=IFF Entrevues Belfort 2014 - A certain genre: Double Feature Kiyoshi Kurosawa |url=https://www.festival-entrevues.com/sites/default/files/images/archives/interview_kurosawa_hd.pdf }}</ref> [[Takashi Miike]]<ref>{{cite web |last1=Felperin |first1=Leslie |title=Chain Reactions review – famous fans of Texas Chain Saw Massacre go deep into the legendary slasher |url=https://www.theguardian.com/film/2025/oct/22/chain-reactions-review-stephen-king-takashi-miike-patton-oswalt-texas-chain-saw-massacre |website=The Guardian |publisher=The Guardian |access-date=27 October 2025}}</ref> and [[Nicolas Winding Refn]].<ref name="Foundas">{{cite web |last=Foundas |first=Scott |title=Anger Management |url=http://www.dga.org/Craft/DGAQ/All-Articles/1203-Summer-2012/Independent-Voice-Nicolas-Winding-Refn.aspx |work=DGA Quarterly |access-date=August 22, 2012 |date=Summer 2012}}</ref> [[Ridley Scott]] said that his work on ''[[Alien (film)|Alien]]'' was influenced more by Hooper's ''The Texas Chain Saw Massacre'' than any other genre film.<ref>Anderson, Martin (March 30, 2012). [http://www.shadowlocked.com/201203302484/opinion-features/the-russian-heritage-for-ridley-scotts-prometheus.html "The Russian heritage for Ridley Scott's Prometheus?"] {{Webarchive|url=https://web.archive.org/web/20160305212045/http://www.shadowlocked.com/201203302484/opinion-features/the-russian-heritage-for-ridley-scotts-prometheus.html |date=2016-03-05 }}. Shadowlocked.</ref>


==Filmography==
==Filmography==
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===Television===
===Television===
'''TV series'''
'''Television series'''
{| class="wikitable plainrowheaders" style="margin-right: 0;"
{| class="wikitable plainrowheaders" style="margin-right: 0;"
|-
|-
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! scope="row" rowspan=2| 1987
! scope="row" rowspan=2| 1987
| ''[[Amazing Stories (1985 TV series)|Amazing Stories]]''  
| ''[[Amazing Stories (1985 TV series)|Amazing Stories]]''  
| Episode: "Miss Stardust"
| Episode: "Miss Stardust" (series finale)
| style="text-align:center;"|<ref>{{cite web|url=https://www.nbc.com/amazing-stories|title=Amazing Stories|website=[[NBC]]|archive-url=https://web.archive.org/web/20150929024106/http://www.nbc.com/amazing-stories|archive-date=September 29, 2015|url-status=live}}</ref>
| style="text-align:center;"|<ref>{{cite web|url=https://www.nbc.com/amazing-stories|title=Amazing Stories|website=[[NBC]]|archive-url=https://web.archive.org/web/20150929024106/http://www.nbc.com/amazing-stories|archive-date=September 29, 2015|url-status=live}}</ref>
|-
|-
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! scope="row"| 1988
! scope="row"| 1988
| ''[[Freddy's Nightmares]]''
| ''[[Freddy's Nightmares]]''
| Episode: "No More Mr. Nice Guy"  
| Episode: "No More Mr. Nice Guy" (series pilot)
| style="text-align:center;"|<ref name="Hollywood">{{cite web|url=http://www.hollywood.com/celebrities/tobe-hooper-57289662/ |title=Tobe Hooper Filmography|website=[[Hollywood.com]]|url-status=dead|archive-url=https://web.archive.org/web/20151231023016/http://www.hollywood.com/celebrities/tobe-hooper-57289662/|archive-date=December 31, 2015}}</ref>
| style="text-align:center;"|<ref name="Hollywood">{{cite web|url=http://www.hollywood.com/celebrities/tobe-hooper-57289662/ |title=Tobe Hooper Filmography|website=[[Hollywood.com]]|url-status=dead|archive-url=https://web.archive.org/web/20151231023016/http://www.hollywood.com/celebrities/tobe-hooper-57289662/|archive-date=December 31, 2015}}</ref>
|-
|-
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! scope="row"| 1995
! scope="row"| 1995
| ''[[Nowhere Man (American TV series)|Nowhere Man]]''  
| ''[[Nowhere Man (American TV series)|Nowhere Man]]''  
| Episode: "Turnabout"&nbsp;/ "Absolute Zero"'
| Episode: "Turnabout" and "Absolute Zero"'
| style="text-align:center;"|<ref name="Hollywood"/>
| style="text-align:center;"|<ref name="Hollywood"/>
|-
|-
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! scope="row" rowspan=2| 2002
! scope="row" rowspan=2| 2002
| ''[[Night Visions (TV series)|Night Visions]]''
| ''[[Night Visions (TV series)|Night Visions]]''
| Episode: "Cargo"&nbsp;/ "The Maze"
| Episode: "Cargo" and "The Maze"
| style="text-align:center;"|<ref name="Hollywood"/>
| style="text-align:center;"|<ref name="Hollywood"/>
|-
|-
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|}
|}


'''TV movies'''
'''Television films'''
{| class="wikitable plainrowheaders" style="margin-right: 0;"
{| class="wikitable plainrowheaders" style="margin-right: 0;"
|-
|-
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{{Tobe Hooper}}
{{Tobe Hooper}}
{{The Texas Chainsaw Massacre}}
{{Authority control}}
{{Authority control}}
{{DEFAULTSORT:Hooper, Tobe}}
{{DEFAULTSORT:Hooper, Tobe}}
[[Category:1943 births]]
[[Category:1943 births]]

Latest revision as of 03:07, 26 November 2025

Template:Short description Script error: No such module "Unsubst". Script error: No such module "infobox".Script error: No such module "Check for unknown parameters".Script error: No such module "Check for clobbered parameters".Template:Wikidata image

Willard Tobe Hooper[1] (Template:IPAc-en;[2] January 25, 1943 – August 26, 2017) was an American filmmaker, best known for his work in the horror genre. The British Film Institute cited Hooper as one of the most influential horror filmmakers of all time.[3]

Born in Austin, Texas, Hooper's feature film debut was the independent Eggshells (1969), which he co-wrote with Kim Henkel. The two reunited to co-write The Texas Chain Saw Massacre (1974), which Hooper also directed. The film went on to become a classic of the genre, and was described in 2010 by The Guardian as "one of the most influential films ever made."[4] Hooper subsequently directed the horror film Eaten Alive (1976), followed by the 1979 miniseries Salem's Lot, an adaptation of the novel by Stephen King. Following this, Hooper signed on to direct The Funhouse (1981), a major studio slasher film distributed by Universal Pictures. The following year, he directed the supernatural horror Poltergeist, produced by Steven Spielberg.

In the mid-1980s, Hooper directed two science fiction horror films: Lifeforce (1985) and Invaders from Mars (1986), followed by The Texas Chainsaw Massacre 2 (1986), a big-budget sequel to his original film. The 1990s saw Hooper directing various horror and sci-fi projects, including Spontaneous Combustion (1990), which he also co-wrote; the television anthology film Body Bags (1993); and The Mangler (1995), another adaptation of a Stephen King story.

Hooper directed several projects throughout the 2000s, including the monster film Crocodile (2000), an episode of the sci-fi miniseries Taken (2002), and two episodes of Masters of Horror (2005–2006).

Early life

Hooper was born January 25, 1943, in Austin, Texas,[5] to Lois Belle (née Crosby) and Norman William Ray Hooper, who owned a theater in San Angelo. The film The Texas Chain Saw Massacre explores hicksploitation themes related to his childhood.[6] He first became interested in filmmaking when he used his father's 8 mm camera at the age of nine.

He went to college at the University of Texas at Austin. He was present on campus during the mass shooting incident of August 1, 1966, when Charles Whitman opened fire on random people from the university's clock tower, fatally shooting a police officer who was close by Hooper.[7]

Career

Hooper spent the 1960s as a college professor and documentary cameraman.[8] His 1965 short film The Heisters was invited to be entered in the short subject category for an Academy Award, but was not finished in time for the competition that year.[9] His first feature film, Eggshells (1969), was made for $40,000.

Soon after, Hooper leapt to fame with The Texas Chain Saw Massacre (1974). He combined elements from a story he wrote about isolation and darkness with the inspiration of graphic news coverage of violence, with his belief that people were the true monsters being a key element for the film. Along with Kim Henkel, they co-wrote a screenplay that had elements based on the murders of Ed Gein and Elmer Wayne Henley while forming a company named Vortex, Inc. They produced the film alongside Jay Parsley and Richard Saenz. The low budget (roughly less than $140,000) meant that the film was shot seven days a week, having shooting times up to 16 hours a day, dealing with brutally hot temperatures, high humidity and limited special effects.[10] Hooper had to deal with the Motion Picture Association of America (MPAA) with the rating; he had hoped the limited amount of gore seen in the film would give it a PG, but the original print was given an X rating. After some cuts, it was given an R rating. The film was cited as one of the scariest films of all time, with film critic Roger Ebert, despite awarding it only two out of four stars, describing it as a "weird, off-the-wall achievement."[11] It was also a huge commercial success, making $30 million in the United States and Canada, while being one of the highest grossing independent films of the 1970s.

Hooper's next film was Eaten Alive (1976), co-written by Henkel and producers Alvin L. Fast and Mardi Rustam. As with Massacre, the film was inspired by serial killings, this time the murderer Joe Ball, who killed at least two people in the 1930s and whose crimes led to his nicknames of 'The Alligator Man' and 'The Butcher of Elmendorf'. The movie was filmed on sound-stages in California. Hooper provided the music alongside Wayne Bell - but walked off the production before shooting completed.[12]

Hooper had his biggest budget yet with the television mini-series of Salem's Lot (1979), filmed on a budget of $4 million for CBS while being released theatrically in some countries. It was a screening of Massacre that led producer Richard Kobritz to hire Hooper as director. He shot the film from July to August 1979, although the film differed from the source material (particularly with the violence and graphic scenes) in order to meet broadcast standards. He described it as 'very spooky - it suggests things and always has the overtone of the grave. It affects you differently than my other horror films. It's more soft-shelled...it has atmosphere which creates something you cannot escape - the reminder that our time is limited and all the accoutrements that go with it, such as the visuals.' Hooper then went on to make The Funhouse (1981) about teenagers who are stalked by a killer in a carnival fun-house.

In 1982, Hooper made Poltergeist, based on a story by Steven Spielberg.[13] Hooper was selected by Spielberg to direct based on his prior work, Spielberg having co-written the screenplay and co-produced the film. It was Hooper who collaborated with Spielberg to make it more of a ghost story than the original science-fiction-based treatment had been, as it had originally been conceived as a sequel to Close Encounters of the Third Kind.

Cannon Films approached Hooper with the offer of a three-picture deal. He made Lifeforce (1985), Invaders from Mars (1986) and The Texas Chainsaw Massacre 2 (1986).[14] Hooper also began working steadily in television.

Hooper's later works included Spontaneous Combustion (1990); the television movie I'm Dangerous Tonight (1990); and Night Terrors (1993). He directed an installment of the made-for-television feature Body Bags (1993). His works also include The Mangler (1995), The Apartment Complex (1999), Crocodile (2000), Toolbox Murders (2004), and Mortuary (2005).

Hooper was asked to contribute to the series Masters of Horror; he responded by directing "Dance of the Dead" (2005)[15] with Robert Englund in the first season, and "The Damned Thing" in the second season.[16]

In 2010, writer and actor Mark Gatiss interviewed Hooper for the third episode of his BBC documentary series A History of Horror.[17]

Hooper's first novel, Midnight Movie, was published on Three Rivers Press in 2011.[18]

His supernatural thriller film Djinn premiered at the 2013 Abu Dhabi Film Festival.[19]

Personal life

Hooper was married three times. He married his first wife, Maev Margaret Noonan, in 1961. They divorced in 1969,[20] producing one son, William Tony Hooper, who was born in 1964. In the Fall of 1979 issue of Cinefantastique magazine, Hooper declared "I'm divorced. I was married very young and been divorced about eight years." At the time of the interview, his son lived with him in Los Angeles.[21][1][6]

Hooper married again in 1983 to Carin Berger (daughter of actor William Berger), but they divorced in 1990. He later married Rita Marie Bartlett in 2008, but they divorced in 2010.

A few months prior to his death, Hooper publicized images of his bruised face after he said that his girlfriend, who was thirty-eight years his junior, had beaten him.[22]

Death

Hooper died of natural causes in the Sherman Oaks neighborhood of Los Angeles, California, on August 26, 2017, at the age of 74.[23][1]

Legacy

Filmmakers who have been influenced by Hooper include Hideo Nakata,[24] Wes Craven,[25] Rob Zombie,[26] Alexandre Aja,[27] Jack Thomas Smith,[28] Kiyoshi Kurosawa,[29] Takashi Miike[30] and Nicolas Winding Refn.[31] Ridley Scott said that his work on Alien was influenced more by Hooper's The Texas Chain Saw Massacre than any other genre film.[32]

Filmography

Film

Year Title Director Writer Composer Notes <templatestyles src="Template:Tooltip/styles.css" />Ref.Script error: No such module "Check for unknown parameters".
1969 Eggshells Yes Yes Yes Also editor and cinematographer [33]
1970 Peter Paul and Mary: The Song Is Love Yes No No Documentary film, also editor and cinematographer [34]
1974 The Texas Chain Saw Massacre Yes Yes Yes Also producer [33]
1976 Eaten Alive Yes No Yes [35]
1981 The Funhouse Yes No No [36]
1982 Poltergeist Yes No No [33]
1985 Lifeforce Yes No No [35]
1986 Invaders from Mars Yes No No [35]
The Texas Chainsaw Massacre 2 Yes No Yes Also actor [35]
1990 Spontaneous Combustion Yes Yes No [37]
1993 Night Terrors Yes No No [35]
1995 The Mangler Yes Yes No [37]
2000 Crocodile Yes No No [33]
2004 Toolbox Murders Yes No No [33]
2005 Mortuary Yes No No [33]
2013 Djinn Yes No No [33]

Producer

Executive producer

Television

Television series

Year Title Notes <templatestyles src="Template:Tooltip/styles.css" />Ref.Script error: No such module "Check for unknown parameters".
1979 Salem's Lot Miniseries [33]
1987 Amazing Stories Episode: "Miss Stardust" (series finale) [38]
The Equalizer Episode: "No Place Like Home" [39]
1988 Freddy's Nightmares Episode: "No More Mr. Nice Guy" (series pilot) [40]
1991 Haunted Lives: True Ghost Stories Episode: "Ghosts R Us/Legend of Kate Morgan/School Spirit" [40]
Tales from the Crypt Episode: "Dead Wait" [40]
1995 Nowhere Man Episode: "Turnabout" and "Absolute Zero"' [40]
1997 Dark Skies Episode: "The Awakening" [40]
Perversions of Science Episode: "Panic" [40]
2000 The Others Episode: "Souls on Board" [40]
2002 Night Visions Episode: "Cargo" and "The Maze" [40]
Taken Episode: "Beyond the Sky" [40]
2005–2006 Masters of Horror Episodes: "Dance of the Dead" and "The Damned Thing" [40]

Television films

Year Title Notes <templatestyles src="Template:Tooltip/styles.css" />Ref.Script error: No such module "Check for unknown parameters".
1990 I'm Dangerous Tonight [40]
1993 Body Bags Co-directed with John Carpenter, and Tom Arnold, also actor [37]
1999 The Apartment Complex [41]

Music videos

Year Track Artist <templatestyles src="Template:Tooltip/styles.css" />Ref.Script error: No such module "Check for unknown parameters".
1983 "Dancing with Myself" Billy Idol [35]

See also

References

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  24. Bradshaw, Peter (October 30, 2008). "Ring". The Guardian.
  25. Burton, Felicity (August 7, 2015 ). "THE HILLS HAVE EYES (1977): Film Review". Scream.
  26. Eggstern, Chris (October 30, 2015). "Rob Zombie gave us his Top 10 horror movies – and there's one surprising omission" Template:Webarchive. HitFix.
  27. Sélavy, Virginie (May 1, 2008). "INTERVIEW WITH XAVIER MENDIK". Electric Sheep.
  28. Wien, Gary (October 19, 2014). "Infliction: An Interview With Jack Thomas Smith". Jason L Koerner, "100 Acres of Hell". New Jersey Stage.
  29. Script error: No such module "citation/CS1".
  30. Script error: No such module "citation/CS1".
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  32. Anderson, Martin (March 30, 2012). "The Russian heritage for Ridley Scott's Prometheus?" Template:Webarchive. Shadowlocked.
  33. a b c d e f g h Script error: No such module "citation/CS1".
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Bibliography

  • Script error: No such module "citation/CS1".

External links

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