Sharp (music): Difference between revisions
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{{About||the use of the sharp sign in mathematics|Musical isomorphism|the use of the sharp sign in computational complexity theory|♯P}} | {{About||the use of the sharp sign in mathematics|Musical isomorphism|the use of the sharp sign in computational complexity theory|♯P}} | ||
{{redirect-distinguish-text|♯|the [[number sign]] (#)}} | {{redirect-distinguish-text|♯|the [[number sign]] (#)}} | ||
{{Infobox symbol | {{Infobox symbol | ||
|mark=♯ | |mark=♯ | ||
|name=Sharp | |name=Sharp | ||
|unicode={{unichar |266F |html=}} | |unicode={{unichar |266F |html=}} | ||
|different from={{unichar |0023 |nlink=}}<br/>{{unichar |2317 |nlink=}}<br/>{{unichar |22D5 |nlink=}}<br/>{{unichar |4E95 |nlink=}} | |different from={{unichar |0023 |nlink=}}<br/>{{unichar |2317 |nlink=}}<br/>{{unichar |22D5 |nlink=}}<br/>{{unichar |4E95 |nlink=井 (disambiguation)}} | ||
|see also={{unichar|266D |nlink=}} | |see also={{unichar|266D |nlink=}} | ||
}} | }} | ||
| Line 15: | Line 14: | ||
== Examples == | == Examples == | ||
The sharp symbol is used in [[key signature]]s or as an [[accidental (music)|accidental]] applied to a single note. Below is a staff with a key signature containing three sharps ([[A major]] or [[F-sharp minor|F♯ minor]]) and a sharp symbol placed on the note, indicating that it is an | The sharp symbol is used in [[key signature]]s or as an [[accidental (music)|accidental]] applied to a single note. Below is a staff with a key signature containing three sharps ([[A major]] or [[F-sharp minor|F♯ minor]]) and a sharp symbol placed on the note, indicating that it is an A{{music|#}} instead of an A{{music|N}}. | ||
:<score> { | :<score> { | ||
\omit Score.TimeSignature \relative c'' { \key a \major ais1 } } | \omit Score.TimeSignature \relative c'' { \key a \major ais1 } } | ||
</score> | </score> | ||
In [[twelve-tone equal temperament]] tuning (the predominant system of tuning in Western music), raising a note's pitch by a semitone results in a note that is [[Enharmonic|enharmonically equivalent]] to another named note. For example, | In [[twelve-tone equal temperament]] tuning (the predominant system of tuning in Western music), raising a note's pitch by a semitone results in a note that is [[Enharmonic|enharmonically equivalent]] to another named note. For example, E{{music|#}} and F would be equivalent. This is not the case in most non-standard [[Musical tuning#Tuning systems|tuning system]]s. | ||
== Variants == | == Variants == | ||
| Line 33: | Line 32: | ||
\omit Score.TimeSignature \relative c'' { dih1 eisih } }</score> | \omit Score.TimeSignature \relative c'' { dih1 eisih } }</score> | ||
A '''triple sharp''' ( | A '''triple sharp''' ({{music|#x}} or {{music|x}}{{music|#}}) is extremely rare. It would raise a note by three semitones (a whole tone plus a semitone).<ref name=":0"> | ||
{{cite book |last=Ayrton |first=William |url=https://books.google.com/books?id=88IJAQAAMAAJ&q=%22double+sharp+major%22+scale&pg=PA47 |title=The Harmonicon |publisher=Samuel Leigh |year=1827 |isbn=1276309457 |volume=V |page=47}} | {{cite book |last=Ayrton |first=William |url=https://books.google.com/books?id=88IJAQAAMAAJ&q=%22double+sharp+major%22+scale&pg=PA47 |title=The Harmonicon |publisher=Samuel Leigh |year=1827 |isbn=1276309457 |volume=V |page=47}} | ||
</ref><ref name=":1"> | </ref><ref name=":1"> | ||
{{cite web |last=Byrd |first=Donald |year=2018 |title=Extremes of conventional music notation |url=https://homes.luddy.indiana.edu/donbyrd/CMNExtremes.htm |publisher=[[University of Indiana]] |place=Bloomington, IN |type=academic pers. page}} | {{cite web |last=Byrd |first=Donald |year=2018 |title=Extremes of conventional music notation |url=https://homes.luddy.indiana.edu/donbyrd/CMNExtremes.htm |publisher=[[University of Indiana]] |place=Bloomington, IN |type=academic pers. page}} | ||
</ref> The | </ref> The B{{music|#x}} below would be [[enharmonic]] with D natural. | ||
:<score> { \omit Score.TimeSignature \relative c'' { | :<score> { \omit Score.TimeSignature \relative c'' { | ||
\tweak Accidental.stencil #ly:text-interface::print \tweak Accidental.text \markup { \concat { \sharp \doublesharp}} bis1 | \tweak Accidental.stencil #ly:text-interface::print \tweak Accidental.text \markup { \concat { \sharp \doublesharp}} bis1 | ||
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* {{unichar|1d132|MUSICAL SYMBOL QUARTER TONE SHARP|html=}} | * {{unichar|1d132|MUSICAL SYMBOL QUARTER TONE SHARP|html=}} | ||
== Other notation and usage == | == Other notation and usage == | ||
* The sharp symbol (♯) resembles the [[number sign|number (hash) sign]] (#), with two intersecting sets of parallel double lines. While the number sign may have a pair of horizontal lines, the sharp sign has a pair of slanted lines that rise from left to right to avoid obscuring the staff lines. The other set of parallel lines are vertical in the sharp sign, while the number sign (#) may have slanted lines instead.{{citation needed|date=September 2012}} It is also etymologically independent from the number sign.<!-- This section should have info about distinguishing the double sharp from the letter x. Please discuss this HTML comment on the talk page if there are any objections. --> Likewise, while the double-sharp sign | * The sharp symbol (♯) resembles the [[number sign|number (hash) sign]] (#), with two intersecting sets of parallel double lines. While the number sign may have a pair of horizontal lines, the sharp sign has a pair of slanted lines that rise from left to right to avoid obscuring the staff lines. The other set of parallel lines are vertical in the sharp sign, while the number sign (#) may have slanted lines instead.{{citation needed|date=September 2012}} It is also etymologically independent from the number sign.<!-- This section should have info about distinguishing the double sharp from the letter x. Please discuss this HTML comment on the talk page if there are any objections. --> Likewise, while the double-sharp sign ({{music|x}}) resembles a lower-case x it needs to be typographically distinct. | ||
* Historically, lowering a double sharp to a single sharp could be notated using a natural and sharp sign ([[♮♯]]) or vice-versa ([[♯♮]]) instead of using the sharp sign alone (♯), but the natural sign is often omitted in modern notation. The same principle applies when canceling a [[Sharp (music)#Variants|triple sharp]] or beyond.<ref>{{IMSLP|work=2 Clarinet Sonatas, Op.49 (Reger, Max)|cname=Max Reger: Clarinet Sonata No.2 (Complete Score), pp. 33.}}</ref> The combination ♮♯ can be also written when changing a [[flat (music)|flat]] to a sharp.<ref>{{IMSLP|work=Études, Op.10 (Chopin, Frédéric)|cname=Chopin: Études No. 9, Op.10 (C.F. Peters), pp. 429.}}</ref> | * Historically, lowering a double sharp to a single sharp could be notated using a natural and sharp sign ([[♮♯]]) or vice-versa ([[♯♮]]) instead of using the sharp sign alone (♯), but the natural sign is often omitted in modern notation. The same principle applies when canceling a [[Sharp (music)#Variants|triple sharp]] or beyond.<ref>{{IMSLP|work=2 Clarinet Sonatas, Op.49 (Reger, Max)|cname=Max Reger: Clarinet Sonata No.2 (Complete Score), pp. 33.}}</ref> The combination ♮♯ can be also written when changing a [[flat (music)|flat]] to a sharp.<ref>{{IMSLP|work=Études, Op.10 (Chopin, Frédéric)|cname=Chopin: Études No. 9, Op.10 (C.F. Peters), pp. 429.}}</ref> | ||
:<score> { \omit Score.TimeSignature \relative c'' { | :<score> { \omit Score.TimeSignature \relative c'' { | ||
Latest revision as of 13:31, 20 November 2025
Template:Short description Script error: No such module "about". Template:Redirect-distinguish-text Template:Infobox symbol In music, sharp – eqv. Script error: No such module "Lang". (from French) or Script error: No such module "Lang". (from Greek Template:Math)Template:Efn – means higher in pitch. The sharp symbol, ♯, indicates that the note to which the symbol is applied is played one semitone higher. The opposite of sharp is flat, indicating a lowering of pitch. The symbol derives from a square form of the letter b.
Examples
The sharp symbol is used in key signatures or as an accidental applied to a single note. Below is a staff with a key signature containing three sharps (A major or F♯ minor) and a sharp symbol placed on the note, indicating that it is an ATemplate:Music instead of an ATemplate:Music.
- <score> {
\omit Score.TimeSignature \relative c { \key a \major ais1 } } </score> In twelve-tone equal temperament tuning (the predominant system of tuning in Western music), raising a note's pitch by a semitone results in a note that is enharmonically equivalent to another named note. For example, ETemplate:Music and F would be equivalent. This is not the case in most non-standard tuning systems.
Variants
A double sharp is indicated by the symbol Template:Music and raises a note by two semitones (a whole tone). Double sharps were sometimes written File:EB1911 - Musical Notation - double sharp 1.png, File:EB1911 - Musical Notation - double sharp 2.png or File:EB1911 - Musical Notation - double sharp 3.png.[1]
- <score> { \omit Score.TimeSignature \relative c { bisis1 } }</score>
A half sharp or demisharp (Template:Music) raises a note by approximately a quarter tone. A sharp-and-a-half, three-quarter-tone sharp or sesquisharp (Template:Music) raises a note by three quarter tones.
- <score>{
\omit Score.TimeSignature \relative c { dih1 eisih } }</score>
A triple sharp (Template:Music or Template:MusicTemplate:Music) is extremely rare. It would raise a note by three semitones (a whole tone plus a semitone).[2][3] The BTemplate:Music below would be enharmonic with D natural.
- <score> { \omit Score.TimeSignature \relative c {
\tweak Accidental.stencil #ly:text-interface::print \tweak Accidental.text \markup { \concat { \sharp \doublesharp}} bis1
While this system allows for higher multiples of sharps, triple sharps are the practical limit, and there are only a few examples in the literature. In other tuning systems, such as 53 equal temperament, quadruple sharps or beyond may be required. A quadruple sharp would be indicated by the symbol Template:MusicTemplate:Music.Script error: No such module "Unsubst".
- <score>{
\omit Score.TimeSignature \relative c {
\tweak Accidental.stencil #ly:text-interface::print \tweak Accidental.text \markup { \concat { \doublesharp \doublesharp }}beses1
} }</score>Script error: No such module "Unsubst".
Key signature
Script error: No such module "Check for unknown parameters".In a key signature, sharps or flats are placed to the right of the clef. The pitches indicated apply in every measure and octave.
| Number
of sharps |
Major key | Sharp notes | Minor key |
|---|---|---|---|
| 0 | C major | – | A minor |
| 1 | G major | F♯ | E minor |
| 2 | D major | F♯, C♯ | B minor |
| 3 | A major | F♯, C♯, G♯ | [[F-sharp minor|FTemplate:Music minor]] |
| 4 | E major | F♯, C♯, G♯, D♯ | [[C-sharp minor|CTemplate:Music minor]] |
| 5 | B major | F♯, C♯, G♯, D♯, A♯ | [[G-sharp minor|GTemplate:Music minor]] |
| 6 | F♯ major | F♯, C♯, G♯, D♯, A♯, E♯ | [[D-sharp minor|DTemplate:Music minor]] |
| 7 | C♯ major | F♯, C♯, G♯, D♯, A♯, E♯, B♯ | [[A-sharp minor|ATemplate:Music minor]] |
The order of sharps in key signatures is F♯, C♯, G♯, D♯, A♯, E♯, B♯. Starting with no sharps or flats (C major), adding the first sharp (FTemplate:Music) indicates G major, adding the next (CTemplate:Music) indicates D major, and so on through the circle of fifths.
Some keys may be written as an enharmonically equivalent key. In the standard tuning system of 12-tone equal temperament, the key of CTemplate:Music major, with seven sharps, may be written as DTemplate:Music major, with five flats. In rare cases the sharp keys may be extended further, into key signatures requiring a double sharp (for example, G♯ major, which requires an F double-sharp).
Accidental
When used as an accidental, the sharp sign applies to the note on which it is placed, and to subsequent similar notes in the same measure and octave. In modern notation accidentals do not apply to notes in other octaves, but this was not always the convention.
- <score> { \omit Score.TimeSignature \relative c { bis1 } }</score>
As with all accidentals, a sharp can be cancelled on a subsequent similar note in the same measure by using a flat (Template:Music) or a natural(Template:Music).
- <score>{ \omit Score.TimeSignature \key c \major \time 4/4 bis'2 bes' bis' b'}</score>
Unicode
In Unicode, assigned sharp signs are as follows:
Other notation and usage
- The sharp symbol (♯) resembles the number (hash) sign (#), with two intersecting sets of parallel double lines. While the number sign may have a pair of horizontal lines, the sharp sign has a pair of slanted lines that rise from left to right to avoid obscuring the staff lines. The other set of parallel lines are vertical in the sharp sign, while the number sign (#) may have slanted lines instead.Script error: No such module "Unsubst". It is also etymologically independent from the number sign. Likewise, while the double-sharp sign (Template:Music) resembles a lower-case x it needs to be typographically distinct.
- Historically, lowering a double sharp to a single sharp could be notated using a natural and sharp sign (♮♯) or vice-versa (♯♮) instead of using the sharp sign alone (♯), but the natural sign is often omitted in modern notation. The same principle applies when canceling a triple sharp or beyond.[4] The combination ♮♯ can be also written when changing a flat to a sharp.[5]
- <score> { \omit Score.TimeSignature \relative c {
bisis2 bis \accidentalStyle modern bisis2 bis } }
</score>
- In environments where the Template:Music symbol is not supported a double sharp can be written using two single sharp signs (♯♯), hash signs (##) or a lower-case letter x. Likewise, a triple sharp can be written as ♯♯♯.Script error: No such module "Unsubst".
- To allow extended just intonation, composer Ben Johnston uses a sharp to indicate a note is raised 70.6 cents (ratio 25:24).[6]
See also
Script error: No such module "Portal".
Notes
References
Script error: No such module "Navbox".
fi:Etumerkki (musiikki)#Tavalliset
- ↑ Template:Cite EB1911
- ↑ a b Script error: No such module "citation/CS1".
- ↑ a b Script error: No such module "citation/CS1".
- ↑ Max Reger: Clarinet Sonata No.2 (Complete Score), pp. 33.: Scores at the International Music Score Library Project
- ↑ Chopin: Études No. 9, Op.10 (C.F. Peters), pp. 429.: Scores at the International Music Score Library Project
- ↑ Script error: No such module "Citation/CS1".