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==Origins==
==Origins==
[[File:Keeping up with the Joneses panel.png|thumb|''Keeping Up with the Joneses'' comic strip by Pop Momand, 1920.]]
[[File:Keeping up with the Joneses panel.png|thumb|''Keeping Up with the Joneses'' comic strip by Pop Momand, 1920.]]
The phrase originates with the [[comic strip]] ''[[Keeping Up with the Joneses (comics)|Keeping Up with the Joneses]]'', created by [[Arthur R. "Pop" Momand]] in 1913. The strip ran until 1940 in ''[[The New York World]]'' and various other newspapers. The strip depicts the [[social climber|social climbing]] McGinis family, who struggle to "keep up" with their neighbors, the Joneses of the title. The Joneses were [[unseen character]]s throughout the strip's run, often spoken of but never shown. The idiom ''keeping up with the Joneses'' has remained popular long after the strip's end.<ref name="Safire"/><ref name="toonopedia"/><ref>{{cite web|url=http://strippersguide.blogspot.com/2011/02/pop-momand-profiled-by-alex-jay.html|title=Stripper's Guide|access-date=12 September 2015}}</ref><ref>Robert Hendrickson, ''The Encyclopedia of Word and Phrase Origins''.</ref><ref>{{cite web|url=https://manof300.com/why-are-we-keeping-up-with-the-joneses/|title=Why are We Keeping Up with the Joneses?|publisher=Man of 300|access-date=20 May 2018|archive-date=22 May 2018|archive-url=https://web.archive.org/web/20180522111736/https://manof300.com/why-are-we-keeping-up-with-the-joneses/|url-status=dead}}</ref>
The phrase originates with the [[comic strip]] ''[[Keeping Up with the Joneses (comics)|Keeping Up with the Joneses]]'', created by [[Arthur R. "Pop" Momand]] in 1913. The strip ran until 1940 in ''[[The New York World]]'' and various other newspapers. The strip depicts the [[social climber|social climbing]] McGinis family, who struggle to "keep up" with their neighbors, the Joneses of the title. The Joneses were [[unseen character]]s throughout the strip's run, often spoken of but never shown. The idiom ''keeping up with the Joneses'' has remained popular long after the strip's end.<ref name="Safire"/><ref name="toonopedia"/><ref>Robert Hendrickson, ''The Encyclopedia of Word and Phrase Origins''.</ref><ref>{{cite web|url=https://manof300.com/why-are-we-keeping-up-with-the-joneses/|title=Why are We Keeping Up with the Joneses?|publisher=Man of 300|access-date=20 May 2018|archive-date=22 May 2018|archive-url=https://web.archive.org/web/20180522111736/https://manof300.com/why-are-we-keeping-up-with-the-joneses/|url-status=dead}}</ref>


The use of the name ''[[Jones (surname)|Jones]]'' to refer to metaphorical neighbors or friends in discussions of social comparison predates Momand's comic strip. In 1879, English writer E. J. Simmons wrote in ''Memoirs of a Station Master'' of the [[Train station|railroad station]] as a place for social exchange: "The Joneses, who don't associate with the Robinsons, meet there."<ref name=Safire/> American humorist [[Mark Twain]] made an allusion to Smith and Jones families with regard to social custom in the essay "Corn Pone Opinions", written in 1901 but first published in 1923: "The outside influences are always pouring in upon us, and we are always obeying their orders and accepting their verdicts. The Smiths like the new play; the Joneses go to see it, and they copy the Smith verdict."<ref>Mark Twain, [http://grammar.about.com/od/classicessays/a/cornponetwain.htm "Corn Pone Opinions"] {{Webarchive|url=https://web.archive.org/web/20130116044006/http://grammar.about.com/od/classicessays/a/cornponetwain.htm |date=2013-01-16 }}</ref> Starting in 1908, [[D. W. Griffith|D.W. Griffith]] directed a series of comedy shorts starring The [[Biograph Girl]], [[Florence Lawrence]], featuring the people next door, The Joneses.
The use of the name ''[[Jones (surname)|Jones]]'' to refer to metaphorical neighbors or friends in discussions of social comparison predates Momand's comic strip. In 1879, English writer E. J. Simmons wrote in ''Memoirs of a Station Master'' of the [[Train station|railroad station]] as a place for social exchange: "The Joneses, who don't associate with the Robinsons, meet there."<ref name=Safire/> American humorist [[Mark Twain]] made an allusion to Smith and Jones families with regard to social custom in the essay "Corn Pone Opinions", written in 1901 but first published in 1923: "The outside influences are always pouring in upon us, and we are always obeying their orders and accepting their verdicts. The Smiths like the new play; the Joneses go to see it, and they copy the Smith verdict."<ref>Mark Twain, [http://grammar.about.com/od/classicessays/a/cornponetwain.htm "Corn Pone Opinions"] {{Webarchive|url=https://web.archive.org/web/20130116044006/http://grammar.about.com/od/classicessays/a/cornponetwain.htm |date=2013-01-16 }}</ref> Starting in 1908, [[D. W. Griffith|D.W. Griffith]] directed a series of comedy shorts starring the [[Biograph Girl]], [[Florence Lawrence]], featuring the people next door, The Joneses.


An alternative theory is that the Joneses of the saying refer to the wealthy family of [[Edith Wharton]]'s father, the Joneses.<ref name=Lee2013>{{cite book|author=Lee, Hermione |title=Edith Wharton|url=https://books.google.com/books?id=xEgqbyOkK28C&pg=PA22 |year=2013 |publisher=Random House |isbn=978-1-84595-201-3 |page=22}}</ref> The Joneses were a prominent New York family with substantial interests in [[Chemical Bank]] as a result of marrying the daughters of the bank's founder, [[John Mason (businessman)|John Mason]].<ref>{{cite book|last=de Troubiand Post|first=Marie Caroline|title=The descendants of John Jones and John Mason|url=https://archive.org/details/descendantsofjoh00post|year=1913}}</ref> The Joneses and other rich New Yorkers began to build country villas in the [[Hudson Valley]] around [[Rhinecliff, New York|Rhinecliff]] and [[Rhinebeck (village), New York|Rhinebeck]], which had belonged to the [[Livingston family|Livingstons]], another prominent New York family to whom the Joneses were related. The houses became grander and grander. In 1853, Elizabeth Schermerhorn Jones built a 24-room [[Gothic architecture|gothic]] villa called [[Wyndcliffe]] described by [[Henry Winthrop Sargent]] in 1859 as being very fine in the style of a Scottish castle, but by Edith Wharton, Elizabeth's niece, as a gloomy monstrosity.<ref>{{cite book|last=Wharton|first=Edith|title=A Backward Glance|url=https://archive.org/details/in.ernet.dli.2015.215864|year=1934|publisher=D. Appleton-Century Company Incorporated}}</ref> The villa reportedly spurred more building, including a house by William B. Astor (married to a Jones cousin), a phenomenon later described as "keeping up with the Joneses". The phrase is also associated with another of Edith Wharton's aunts, Mary Mason Jones, who built a large mansion at [[Fifth Avenue]] and 57th Street, then undeveloped. Wharton portrays her affectionately in ''[[The Age of Innocence]]'' as Mrs. Manson Mingott, "calmly waiting for fashion to flow north".
An alternative theory is that the Joneses of the saying refer to the wealthy family of [[Edith Wharton]]'s father, the Joneses.<ref name=Lee2013>{{cite book|author=Lee, Hermione |title=Edith Wharton|url=https://books.google.com/books?id=xEgqbyOkK28C&pg=PA22 |year=2013 |publisher=Random House |isbn=978-1-84595-201-3 |page=22}}</ref> The Joneses were a prominent New York family with substantial interests in [[Chemical Bank]] as a result of marrying the daughters of the bank's founder, [[John Mason (businessman)|John Mason]].<ref>{{cite book|last=de Troubiand Post|first=Marie Caroline|title=The descendants of John Jones and John Mason|url=https://archive.org/details/descendantsofjoh00post|year=1913}}</ref> The Joneses and other rich New Yorkers began to build country villas in the [[Hudson Valley]] around [[Rhinecliff, New York|Rhinecliff]] and [[Rhinebeck (village), New York|Rhinebeck]], which had belonged to the [[Livingston family|Livingstons]], another prominent New York family to whom the Joneses were related. The houses became grander and grander. In 1853, Elizabeth Schermerhorn Jones built a 24-room [[Gothic architecture|gothic]] villa called [[Wyndcliffe]] described by [[Henry Winthrop Sargent]] in 1859 as being very fine in the style of a Scottish castle, but by Edith Wharton, Elizabeth's niece, as a gloomy monstrosity.<ref>{{cite book|last=Wharton|first=Edith|title=A Backward Glance|url=https://archive.org/details/in.ernet.dli.2015.215864|year=1934|publisher=D. Appleton-Century Company Incorporated}}</ref>  
 
A slightly different version is that the phrase refers to the grand lifestyle of the Joneses who by the mid-century were numerous and wealthy, thanks to the Chemical Bank and Mason connection. It was their relation [[Caroline Webster Schermerhorn Astor|Mrs William Backhouse Astor, Jr]] who began the "patriarchs balls" around the end of the 19th century, the origin of "[[The Four Hundred (Gilded Age)|The Four Hundred]]", the list of the society elite who were invited. By then the Joneses were being eclipsed by the massive wealth of the [[Astor family|Astors]], [[Vanderbilt family|Vanderbilts]] and others but the four hundred list published in 1892 contained many of the Joneses and their relations—old money still mattered.


==Social effects==
==Social effects==
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In the United Kingdom, when [[Princess Margaret]] married photographer [[Anthony Armstrong-Jones]] in 1960, [[Wallis Simpson]] allegedly said: "At least we're keeping up with the Armstrong-Joneses".<ref>{{cite news |last1=Hitchens |first1=Christopher |author1-link=Christopher Hitchens |title=The Trouble with HRH |url=https://www.lrb.co.uk/the-paper/v19/n11/christopher-hitchens/the-trouble-with-hrh |work=London Review of Books |date=5 June 1997}}</ref>
In the United Kingdom, when [[Princess Margaret]] married photographer [[Anthony Armstrong-Jones]] in 1960, [[Wallis Simpson]] allegedly said: "At least we're keeping up with the Armstrong-Joneses".<ref>{{cite news |last1=Hitchens |first1=Christopher |author1-link=Christopher Hitchens |title=The Trouble with HRH |url=https://www.lrb.co.uk/the-paper/v19/n11/christopher-hitchens/the-trouble-with-hrh |work=London Review of Books |date=5 June 1997}}</ref>


[[The Temptations]] recorded the song "Don't Let The Joneses Get You Down" on their 1969 album [[Puzzle People]].<ref>[[Jet (magazine)|Jet]], Vol.34 No.12 (June 1969), p.65 </ref>
[[The Temptations]] recorded the song "Don't Let The Joneses Get You Down" on their 1969 album ''[[Puzzle People]]''.<ref>[[Jet (magazine)|Jet]], Vol.34 No.12 (June 1969), p.65 </ref > [[Nine Days]]' 2002 album ''[[So Happily Unsatisfied]]'' includes the song "The Joneses", with lyrics that reference the idiom.
 
[[Waylon Jennings]] released the song "[[Luckenbach, Texas (Back to the Basics of Love)]]" which included the line "We've been so busy keepin' up with the Jones" in the second verse. It was written by [[Chips Moman]] and [[Bobby Emmons]].
 
[[Nine Days]] released their song "The Joneses" on their 2002 album [[So Happily Unsatisfied]] in which "Keeping up with the Joneses" is the first line of the chorus.


==See also==
==See also==

Latest revision as of 08:14, 26 June 2025

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Template:Rcatsh "Keeping up with the Joneses" is an idiom in many parts of the English-speaking world referring to the comparison of oneself to one's neighbor, where the neighbor serves as a benchmark for social class or the accumulation of material goods. Failure to "keep up with the Joneses" is perceived as a demonstration of socio-economic or cultural inferiority. The phrase was coined by a 1910s comic strip of the same name.[1][2][3]

Origins

File:Keeping up with the Joneses panel.png
Keeping Up with the Joneses comic strip by Pop Momand, 1920.

The phrase originates with the comic strip Keeping Up with the Joneses, created by Arthur R. "Pop" Momand in 1913. The strip ran until 1940 in The New York World and various other newspapers. The strip depicts the social climbing McGinis family, who struggle to "keep up" with their neighbors, the Joneses of the title. The Joneses were unseen characters throughout the strip's run, often spoken of but never shown. The idiom keeping up with the Joneses has remained popular long after the strip's end.[2][3][4][5]

The use of the name Jones to refer to metaphorical neighbors or friends in discussions of social comparison predates Momand's comic strip. In 1879, English writer E. J. Simmons wrote in Memoirs of a Station Master of the railroad station as a place for social exchange: "The Joneses, who don't associate with the Robinsons, meet there."[2] American humorist Mark Twain made an allusion to Smith and Jones families with regard to social custom in the essay "Corn Pone Opinions", written in 1901 but first published in 1923: "The outside influences are always pouring in upon us, and we are always obeying their orders and accepting their verdicts. The Smiths like the new play; the Joneses go to see it, and they copy the Smith verdict."[6] Starting in 1908, D.W. Griffith directed a series of comedy shorts starring the Biograph Girl, Florence Lawrence, featuring the people next door, The Joneses.

An alternative theory is that the Joneses of the saying refer to the wealthy family of Edith Wharton's father, the Joneses.[7] The Joneses were a prominent New York family with substantial interests in Chemical Bank as a result of marrying the daughters of the bank's founder, John Mason.[8] The Joneses and other rich New Yorkers began to build country villas in the Hudson Valley around Rhinecliff and Rhinebeck, which had belonged to the Livingstons, another prominent New York family to whom the Joneses were related. The houses became grander and grander. In 1853, Elizabeth Schermerhorn Jones built a 24-room gothic villa called Wyndcliffe described by Henry Winthrop Sargent in 1859 as being very fine in the style of a Scottish castle, but by Edith Wharton, Elizabeth's niece, as a gloomy monstrosity.[9]

Social effects

The philosophy of "keeping up with the Joneses" has widespread effects on some societies. According to this philosophy, conspicuous consumption occurs when people care about their standard of living and its appearance in relation to their peers.[10]

According to Roger Mason,Template:Non sequitur "the demand for status goods, fueled by conspicuous consumption, has diverted many resources away from investment in the manufacture of more material goods and services in order to satisfy consumer preoccupations with their relative social standing and prestige".[11]

Social status once depended on one's family name; however, social mobility in the United States and the rise of consumerism there both gave rise to change. With the increasing availability of goods, people became more inclined to define themselves by what they possessed and the quest for higher status accelerated. Conspicuous consumption and materialism have been an insatiable juggernaut ever since.[12]

Inability to "keep up with the Joneses" might result in dissatisfaction, even for people whose status is high. This could possibly tie in to a concept/theory called the "hedonic treadmill."[13]

In popular culture

In the 1936 book The Next 100 Years, Clifford C. Furnas writes that the phenomenon of Template:" 'Keeping up with the Joneses' ... is descended from the spreading of the peacock's tail."[14]

In the United Kingdom, when Princess Margaret married photographer Anthony Armstrong-Jones in 1960, Wallis Simpson allegedly said: "At least we're keeping up with the Armstrong-Joneses".[15]

The Temptations recorded the song "Don't Let The Joneses Get You Down" on their 1969 album Puzzle People.[16] Nine Days' 2002 album So Happily Unsatisfied includes the song "The Joneses", with lyrics that reference the idiom.

See also

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References

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  1. Script error: No such module "citation/CS1".
  2. a b c Safire, William (November 15, 1998). "On Language; Up the Down Ladder". The New York Times. Retrieved June 23, 2016.
  3. a b Script error: No such module "citation/CS1".
  4. Robert Hendrickson, The Encyclopedia of Word and Phrase Origins.
  5. Script error: No such module "citation/CS1".
  6. Mark Twain, "Corn Pone Opinions" Template:Webarchive
  7. Script error: No such module "citation/CS1".
  8. Script error: No such module "citation/CS1".
  9. Script error: No such module "citation/CS1".
  10. Script error: No such module "Citation/CS1".
  11. Script error: No such module "Citation/CS1".
  12. "Possessions 2" Template:Webarchive, Notre Dame magazine
  13. "Money Only Makes You Happy If It Makes You Richer Than Your Neighbors", Science Daily, March 2010
  14. Furnas, C. C., The Next 100 Years. Reynal and Hitchcock. Book. 1936
  15. Script error: No such module "citation/CS1".
  16. Jet, Vol.34 No.12 (June 1969), p.65