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	<title>Projected set - Revision history</title>
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	<updated>2026-05-08T20:15:29Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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		<title>imported&gt;HeyElliott: Added missing ,</title>
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		<updated>2023-09-03T17:23:16Z</updated>

		<summary type="html">&lt;p&gt;Added missing ,&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;In [[music]], a &amp;#039;&amp;#039;&amp;#039;projected set&amp;#039;&amp;#039;&amp;#039; is a technique where a collection of [[Pitch (music)|pitches]] or [[pitch class]]es is extended in a [[Texture (music)|texture]] through the emphasized [[simultaneity (music)|simultaneous]] statement of a [[Set theory (music)|set]] followed or preceded by a successive emphasized statement of each of its members.  For example, a set may be stated as a simultaneity and then a series of [[Phrase (music)|phrases]] may end on notes which are the members of the set, as in the [[Beat (music)#Downbeat|downbeat]] of m. 19 through measures 46 of [[Béla Bartók]]&amp;#039;s Second String Quartet. (Wilson 1992, p.&amp;amp;nbsp;23)&lt;br /&gt;
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[[Pattern completion]] is &amp;quot;the use of a projected set to organize a work over a long span of time&amp;quot; (ibid, p.&amp;amp;nbsp;210n5).&lt;br /&gt;
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==Sources==&lt;br /&gt;
*Wilson, Paul (1992). &amp;#039;&amp;#039;The Music of Béla Bartók&amp;#039;&amp;#039;. {{ISBN|0-300-05111-5}}.&lt;br /&gt;
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[[Category:Musical set theory]]&lt;br /&gt;
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{{Music-theory-stub}}&lt;/div&gt;</summary>
		<author><name>imported&gt;HeyElliott</name></author>
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