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	<id>http://debianws.lexgopc.com/wiki143/index.php?action=history&amp;feed=atom&amp;title=Problem_picture</id>
	<title>Problem picture - Revision history</title>
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	<updated>2026-05-13T15:06:14Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>http://debianws.lexgopc.com/wiki143/index.php?title=Problem_picture&amp;diff=1942175&amp;oldid=prev</id>
		<title>imported&gt;Randy Kryn: uppercase per direct link (Impressionism, Post-Impressionism)</title>
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		<updated>2024-09-10T12:47:29Z</updated>

		<summary type="html">&lt;p&gt;uppercase per direct link (Impressionism, Post-Impressionism)&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{Short description|Genre of art popular in late Victorian painting}}&lt;br /&gt;
[[File:Defendant and Counsel by WF Yeames.jpg|thumb|250px|right| &amp;#039;&amp;#039;Defendant and Counsel&amp;#039;&amp;#039; (1895), by [[William Frederick Yeames]], an example of the problem picture, which invites the viewer to speculate on the woman&amp;#039;s alleged crime and on whether or not she may be guilty.]]A &amp;#039;&amp;#039;&amp;#039;problem picture&amp;#039;&amp;#039;&amp;#039; is a [[genre]] of art popular in late [[Victorian painting]], characterised by the deliberately ambiguous depiction of a key moment in a narrative that can be interpreted in several different ways, or which portrays an unresolved dilemma. It has some relation to the [[problem play]]. The viewer of the picture is invited to speculate about several different possible explanations of the scene.  The genre has much in common with that of [[book illustration]], then at its most popular, but with the text belonging to the illustration omitted.&amp;lt;ref&amp;gt;See David Skilton,“The Centrality of Literary Illustration in Victorian Visual Culture: the example of Millais and Trollope from 1860 to 1864.” Journal of Illustration Studies (December 2007). 14 May 2014. &amp;lt;http://jois.uia.no/articles.php?article=30&amp;gt;&amp;lt;/ref&amp;gt;&lt;br /&gt;
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The genre began to emerge in the second half of the nineteenth century, along with the development of book illustrations that depicted &amp;quot;pregnant&amp;quot; moments in a narrative. One of the earliest problem pictures is [[John Everett Millais]]&amp;#039; &amp;#039;&amp;#039;Trust Me&amp;#039;&amp;#039;, which depicts an older man demanding that a young woman hand him a letter she has received. Either character might be uttering the words. The significance and content of the letter is left to the imagination.  Their relationship is also unclear; in view of their ages, they might be a married couple, or a father and daughter.&lt;br /&gt;
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Other artists who worked in the genre included [[William Frederick Yeames]], whose &amp;#039;&amp;#039;&amp;quot;[[And When Did You Last See Your Father? (picture)|And when did you last see your father?]]&amp;quot;&amp;#039;&amp;#039; became the most famous example of the genre. It depicts a young boy of the [[English Civil War]] period being gently interrogated by [[Oliver Cromwell|Cromwellian]] troops who are looking for his Royalist father. It is implied that they are asking a [[trick question]] designed to discover his location. The painting is poised at the moment the child is about to answer. Yeames painted many other works of this type, including &amp;#039;&amp;#039;Amy Robsart&amp;#039;&amp;#039; and &amp;#039;&amp;#039;Defendant and Counsel&amp;#039;&amp;#039;. When the latter was exhibited a newspaper ran a competition for readers to guess what crime the woman was accused of.&amp;lt;ref&amp;gt;[http://www.victorianartinbritain.co.uk/biog/yeames.htm Obituary of Yeames] {{webarchive|url=https://web.archive.org/web/20060822202258/http://www.victorianartinbritain.co.uk/biog/yeames.htm |date=2006-08-22 }}&amp;lt;/ref&amp;gt;&lt;br /&gt;
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[[File:The Camden Town Murder, or, What Shall We Do for the Rent?.jpg|left|thumb|250px|&amp;#039;&amp;#039;[[The Camden Town Murder]]&amp;#039;&amp;#039; by [[Walter Sickert]], 1908, originally titled, &amp;#039;&amp;#039;What Shall We Do for the Rent?&amp;#039;&amp;#039; or &amp;#039;&amp;#039;What Shall We Do to Pay the Rent&amp;#039;&amp;#039;]]&lt;br /&gt;
Some [[avant garde]] artists also experimented with the genre, notably [[Edgar Degas]] and his follower [[Walter Sickert]]. Degas&amp;#039;s [[Interior (Degas)|&amp;#039;&amp;#039;Interior&amp;#039;&amp;#039;]] (1869) depicts an ambiguous scene suggestive of sexual transgression and violence (hence the alternative title of &amp;quot;the Rape&amp;quot;). Similar ambiguity is found in Sickert&amp;#039;s &amp;#039;&amp;#039;[[The Camden Town Murder]]&amp;#039;&amp;#039; (1908), in which the two figures can be interpreted as a couple, or a killer and his victim.&lt;br /&gt;
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The genre continued to be popular into the early twentieth century, but was by this time increasingly seen as old fashioned and as over-literary, against the emphasis on pictorial style and form characteristic of [[Impressionism]] and [[Post-Impressionism]].&lt;br /&gt;
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==References==&lt;br /&gt;
&amp;lt;!--See http://en.wikipedia.org/wiki/Wikipedia:Footnotes for an explanation of how to generate footnotes using the &amp;lt;ref(erences/)&amp;gt; tags--&amp;gt;&lt;br /&gt;
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==Reading==&lt;br /&gt;
Pamela Fletcher, &amp;#039;&amp;#039;Narrating Modernity: The British Problem Picture, 1895-1914&amp;#039;&amp;#039; (Ashgate, 2003).&lt;br /&gt;
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[[Category:Painting]]&lt;br /&gt;
[[Category:Visual arts genres]]&lt;br /&gt;
[[Category:English art]]&lt;br /&gt;
[[Category:Iconography]]&lt;/div&gt;</summary>
		<author><name>imported&gt;Randy Kryn</name></author>
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