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	<title>Modular constructivism - Revision history</title>
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	<subtitle>Revision history for this page on the wiki</subtitle>
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		<id>http://debianws.lexgopc.com/wiki143/index.php?title=Modular_constructivism&amp;diff=3861266&amp;oldid=prev</id>
		<title>imported&gt;BD2412: /* References */Clean up spacing around commas and other punctuation fixes, replaced: ; → ;</title>
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		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;References: &lt;/span&gt;Clean up spacing around commas and other punctuation fixes, replaced: ; → ;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Modular constructivism&amp;#039;&amp;#039;&amp;#039; is a style of [[sculpture]] that emerged in the 1950s and 1960s and was associated especially with [[Erwin Hauer]] and [[Norman Carlberg]]. It is based on carefully structured modules which allow for intricate and in some cases infinite patterns of repetition, sometimes used to create limitless, basically planar, screen-like formations, and sometimes employed to make more multidimensional structures. Designing these structures involves intensive study of the combinatorial possibilities of sometimes quite curvilinear and fluidly shaped modules, creating a seamless, quasi-organic unity that can be either rounded and self-enclosed, or open and potentially infinite. The latter designs have proved useful and attractive for use in eye-catching architectural walls and screens, often featuring complex patterns of undulating, tissue-like webbing, with apertures which transmit and filter light, while generating delicate patterns of shadow.&lt;br /&gt;
&lt;br /&gt;
Writing in &amp;#039;&amp;#039;Architecture Week&amp;#039;&amp;#039; (August 4, 2004), Hauer explains that &amp;quot;Continuity and potential infinity have been at the very center of my sculpture from early on.&amp;quot; [http://www.architectureweek.com/2004/0804/culture_2-2.html] Hauer made an extensive study of [[biomorphism|biomorphic]] form, especially what he calls &amp;quot;saddle surfaces,&amp;quot; which combine convex and concave curvature and thus allow for smooth self-combination, sometimes in multiple dimensions. Another inspiration is the sculpture of [[Henry Moore]], with its fluid curves and porosity.&lt;br /&gt;
&lt;br /&gt;
Hauer&amp;#039;s enthusiasm caught the imagination of his colleague at [[Yale]], [[Norman Carlberg]]. Both were devoted students of the arch-formalist [[Josef Albers]]. Indeed, from the beginning, there was in this modular approach to sculpture an implicit [[formalism (art)|formalism]] and even [[minimalism]] which held itself aloof from some of the other artistic trends of the time, such as the [[pop art]] and [[post-modernism]] that were just beginning to emerge. As Carlberg recalls, within his artistic circle &amp;quot;you analysed, you looked at something, but you looked at it formally just for what it was and the message was almost always out of it.&amp;quot; [https://web.archive.org/web/20061006083202/http://www.marylandartsource.org/artists/detail_000000160.html]&lt;br /&gt;
&lt;br /&gt;
==See also==&lt;br /&gt;
*[[Constructivism (art)]]&lt;br /&gt;
*[[Serial art]]&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
* Galerie Chalette. [http://www.worldcatlibraries.org/oclc/6027697&amp;amp;referer=brief_results &amp;#039;&amp;#039;Structured sculpture : December 1960-January 1961&amp;#039;&amp;#039;] ([[New York City]] : The Gallery, 1960) [exhibition catalogue] [[OCLC]] 6027697&lt;br /&gt;
* Carlberg, Norman. &amp;#039;&amp;#039;Norman Carlberg : an exhibition of sculpture&amp;#039;&amp;#039; [exhibition catalogue] (Exhibition of sculpture : Norman Carlberg : presented by the Pennsylvania State University College of Arts and Architecture, November 5-November 29, 1966) [[OCLC]] 81988058; [[OCLC]] 82275454  (Worldcat links: [http://www.worldcatlibraries.org/oclc/81988058?tab=details]; [http://www.worldcatlibraries.org/oclc/82275454?tab=details]; [http://www.worldcatlibraries.org/oclc/77954741&amp;amp;referer=brief_results]) &lt;br /&gt;
* Hauer, Erwin. [http://www.worldcatlibraries.org/oclc/56436200&amp;amp;referer=brief_results &amp;#039;&amp;#039;Erwin Hauer : Continua - architectural screens and walls by Erwin Hauer&amp;#039;&amp;#039;] (New York : Princeton Architectural; London : Hi Marketing, 2004) {{ISBN|1-56898-455-3}}&lt;br /&gt;
* Montpelier Cultural Arts Center. [http://www.worldcatlibraries.org/oclc/49254937&amp;amp;referer=brief_results  Sculpture 2000 : the twentieth anniversary of the Montpelier invitational sculpture exhibition, Montpelier Cultural Arts Center, June 8 - August 18, 2000] [exhibition catalogue] (Maryland : Montpelier Cultural Arts Center, 2000) [[OCLC]] 49254937&lt;br /&gt;
*[[Museum of Modern Art]] (New York, N.Y.). [http://www.worldcatlibraries.org/oclc/1097018&amp;amp;referer=brief_results &amp;#039;&amp;#039;Recent sculpture U.S.A. Sponsored by the Junior Council of the Museum of Modern Art&amp;#039;&amp;#039;] (New York, 1959) OCLC 1097018&lt;br /&gt;
* Philadelphia Museum College of Art; Paul Darrow;  Ed Rossbach;  Walter Reinsel; [[Antonio Frasconi]]; Herb Lubalin; [[Helen Borten]]; Henry Mitchell;  Erwin Hauer; John Mason; [[Lenore Tawney]]. [http://www.worldcatlibraries.org/oclc/49120005&amp;amp;referer=brief_results &amp;#039;&amp;#039;Directors&amp;#039; choice : an exhibition at the Philadelphia Museum College of Art, Broad and Pine Streets, January 14 through February 7, 1961&amp;#039;&amp;#039;] ([[Philadelphia]], Pa. : [Philadelphia Museum College of Art], 1961) [[OCLC]] 49120005&lt;br /&gt;
&lt;br /&gt;
==External links==&lt;br /&gt;
*[http://www.erwinhauerstudios.com/pages/intro.html Erwin Hauer Studios homepage, with Hauer bio]&lt;br /&gt;
*[http://www.newartsgallery.com/Artist_Ind/erwin/erwin.htm New Arts Gallery information on Erwin Hauer including &amp;#039;&amp;#039;&amp;#039;COLOR IMAGES&amp;#039;&amp;#039;&amp;#039;]&lt;br /&gt;
*[http://www.architonic.com/cat/fam/3101037/1 Information on Erwin Hauer Studios from architonic.com] &lt;br /&gt;
*[http://www.architectureweek.com/2004/0804/culture_2-1.html Article: &amp;quot;Screens to Infinity&amp;quot;, by Erwin Hauer], &amp;#039;&amp;#039;Architecture Week&amp;#039;&amp;#039;, (4 August 2004)&lt;br /&gt;
*[http://www.seidler.net.au/projects/023b.html &amp;#039;&amp;#039;&amp;#039;COLOR IMAGES&amp;#039;&amp;#039;&amp;#039; of large modular sculpture by Carlberg ] at Riverside Centre, built by [[Harry Seidler]] and Associates in [[Brisbane, Australia|Brisbane]], [[Australia]]&lt;br /&gt;
*[https://web.archive.org/web/20061006083202/http://www.marylandartsource.org/artists/detail_000000160.html Marylandartsource.com] page on Norman Carlberg, including some comment by the artist on the modular constructivist style&lt;br /&gt;
&lt;br /&gt;
[[Category:Art movements]]&lt;br /&gt;
[[Category:Constructivism (art)]]&lt;br /&gt;
[[Category:History of sculpture]]&lt;br /&gt;
[[Category:Modernist sculpture]]&lt;br /&gt;
[[Category:Modularity|Constructivism]]&lt;/div&gt;</summary>
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