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&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{Use dmy dates|date=January 2021}}&lt;br /&gt;
{{Use British English|date=December 2012}}&lt;br /&gt;
{{Infobox song&lt;br /&gt;
| name       = Complete Control&lt;br /&gt;
| cover      = Completecontrolcover.jpg&lt;br /&gt;
| alt        =&lt;br /&gt;
| type       = single&lt;br /&gt;
| artist     = [[The Clash]]&lt;br /&gt;
| album      = [[The Clash (album)#1979 US version|The Clash]] {{noitalic|(US version)}}&lt;br /&gt;
| B-side     = City of the Dead&lt;br /&gt;
| released   = {{Start date|1977|9|23|df=y}} (UK)&lt;br /&gt;
| recorded   = July 1977&lt;br /&gt;
| studio     = A: [[Sarm East Studios]]{{sfn|Gilbert|2005|p=159}}&amp;lt;br/&amp;gt;B: CBS Studios, London&amp;lt;ref name=sbmc/&amp;gt;&lt;br /&gt;
| genre      = [[Punk rock]]&amp;lt;ref name=&amp;quot;wyman&amp;quot;&amp;gt;{{cite web |last1=Wyman |first1=Bill |title=All 139 the Clash Songs, Ranked From Worst to Best |url=https://www.vulture.com/2017/10/all-139-the-clash-songs-ranked-from-worst-to-best.html |website=[[Vulture (magazine)|Vulture]] |date=11 October 2017 |publisher=[[New York (magazine)|New York]] |access-date=March 14, 2023}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;Bradley 2014&amp;quot;&amp;gt;{{cite book|title= The Alternative Jukebox|first=Steve|last=Lamaco|date= November 4, 2014|chapter= The 1970s: The Clash - &amp;quot;Complete Control|page= 89|publisher=[[Cassell (publisher)|Cassell]]|isbn=978-1-84403-789-6|url=https://books.google.com/books?id=w_phoAEACAAJ}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
| length     = 3:10&lt;br /&gt;
| label      = [[CBS Records International|CBS]]&lt;br /&gt;
| writer     = [[Joe Strummer]], [[Mick Jones (The Clash)|Mick Jones]]&lt;br /&gt;
| producer   = [[Lee &amp;quot;Scratch&amp;quot; Perry]]&amp;lt;ref name=cos/&amp;gt;&lt;br /&gt;
| prev_title = [[Remote Control (The Clash song)|Remote Control]]&lt;br /&gt;
| prev_year  = 1977&lt;br /&gt;
| next_title = [[Clash City Rockers]]&lt;br /&gt;
| next_year  = 1978&lt;br /&gt;
| misc       = {{External music video|1={{YouTube|JeTw_p_WglY|&amp;quot;Complete Control&amp;quot; (live recording) by the Clash}}}}&lt;br /&gt;
{{External music video|header=Official audio|1={{YouTube|u6ZWV7cCK5A|&amp;quot;Complete Control&amp;quot; (studio recording) by the Clash}}}}&lt;br /&gt;
{{Extra chronology&lt;br /&gt;
 | artist     = [[The Clash]] reissued singles&lt;br /&gt;
 | type       = single&lt;br /&gt;
 | prev_title = [[Train in Vain]]&lt;br /&gt;
 | prev_year  = 1991&lt;br /&gt;
 | title      = Complete Control&lt;br /&gt;
 | year       = 1999&lt;br /&gt;
 | next_title =&lt;br /&gt;
 | next_year  =&lt;br /&gt;
}}&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
&amp;quot;&amp;#039;&amp;#039;&amp;#039;Complete Control&amp;#039;&amp;#039;&amp;#039;&amp;quot; is a song by [[The Clash]], released as a [[Single (music)|7&amp;quot; single]] and featured on [[The Clash (album)#1979 US version|the U.S. release of their debut album]].&amp;lt;ref name=&amp;quot;Westway_to_the_World&amp;quot;/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Background==&lt;br /&gt;
{{Listen&lt;br /&gt;
|type=music&lt;br /&gt;
|filename=Clash-Complete Control.ogg&lt;br /&gt;
|title=The Clash &amp;quot;Complete Control&amp;quot; (1977)&lt;br /&gt;
|description=Sample of &amp;quot;Complete Control&amp;quot; taken from &amp;#039;&amp;#039;[[The Clash Hits Back]]&amp;#039;&amp;#039;&lt;br /&gt;
}}&lt;br /&gt;
The song is often cited as one of punk&amp;#039;s greatest singles and is a fiery [[polemic]] on record companies, managers and the state of punk music itself, the motivation for the song being the band&amp;#039;s label ([[CBS Records International|CBS Records]]) releasing &amp;quot;[[Remote Control (The Clash song)|Remote Control]]&amp;quot; without asking them, which infuriated the group.&amp;lt;ref name=straight/&amp;gt; &amp;#039;&amp;#039;[[Stereogum]]&amp;#039;&amp;#039; described it as &amp;quot;this extraordinary airing of grievances, a desperately catchy cataloguing of the many ills visited upon a young band experiencing its first forays into corporate culture&amp;quot;.&amp;lt;ref name=stereogum/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The song also refers to managers of the time who sought to control their groups–[[Bernie Rhodes]] (of [[The Clash]]) and [[Malcolm McLaren]] (the [[Sex Pistols]])–the song&amp;#039;s title is derived from this theme. Bernie Rhodes had arranged a band meeting at the Ship, a pub in [[Soho]]&amp;#039;s [[Wardour Street]], where he said he wanted &amp;quot;complete control&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
{{quote|He said he wanted complete control. I came out of the pub with [[Paul Simonon|Paul]] collapsing on the pavement in hysterics over those words.|author=[[Joe Strummer]]{{sfn|Salewicz|2006|p=178}}}}&lt;br /&gt;
&lt;br /&gt;
The track also refers to the band&amp;#039;s run-ins with the police, their practice of letting fans into gigs through the back door or window for free and a punk idealism seemingly crushed by the corporate reality they had become part of and the betrayal and anger they felt.&lt;br /&gt;
&lt;br /&gt;
This message was scorned by some critics as naïveté on the part of the band – the DJ [[John Peel]] was one of those, suggesting that the group must have realised CBS were not &amp;#039;a foundation for the arts&amp;#039; – while others were strong in their support of the single.&lt;br /&gt;
&lt;br /&gt;
{{quote|Instead of a piece of cynicism, Complete Control becomes a [[hymn]] to Punk [[autonomy]] at its moment of [[eclipse]].|author=[[Jon Savage]]|source=England&amp;#039;s Dreaming{{sfn|Savage|2002|p=399}}}}&lt;br /&gt;
&lt;br /&gt;
The track was recorded at Sarm East Studios in [[Whitechapel]], engineered by Mickey Foote and produced by [[Lee &amp;quot;Scratch&amp;quot; Perry]]. Perry had heard the band&amp;#039;s cover of his [[Junior Murvin]] hit &amp;quot;[[Police and Thieves]]&amp;quot; and was moved enough to have put a picture of the band (the only white artist accorded such an honor) on the walls of his [[Black Ark Studios]] in [[Jamaica]]. When the Clash learned that Perry was in London producing for [[Bob Marley|Bob Marley &amp;amp; the Wailers]], he was invited to produce the single. &amp;quot;Scratch&amp;quot; readily agreed.&lt;br /&gt;
&lt;br /&gt;
During the tracking session, some Clash and Perry biographies claim, Perry blew out a studio mixing board attempting to get a deep bass sound out of [[Paul Simonon]]&amp;#039;s instrument, while a 1979 &amp;#039;&amp;#039;[[New Musical Express]]&amp;#039;&amp;#039; and &amp;#039;&amp;#039;[[Hit Parader]]&amp;#039;&amp;#039; article penned by Strummer and Jones stated that Perry had complimented Jones&amp;#039; guitar playing, saying he &amp;quot;played with an iron fist&amp;quot;. Perry&amp;#039;s contribution to the track, however, was toned down – the band went back and fiddled with the song themselves to bring the guitars out and played down the echo Perry had dropped on it. The song was also [[Topper Headon]]&amp;#039;s first recording with the band, following the departure of [[Terry Chimes]].&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Complete Control&amp;quot; reached number 28 on the singles chart,&amp;lt;ref name=chart/&amp;gt; making it the Clash&amp;#039;s first Top 30 release. It immediately became one of The Clash’s most popular songs. Listeners to the [[John Peel]] show voted &amp;quot;Complete Control&amp;quot; number 2 in 1978’s [[Festive Fifty]].&amp;lt;ref&amp;gt;{{Cite book|last=Whitby|first=Mark|title=The Festive Fifty|publisher=CreateSpace Independent Publishing Platform|year=2015|isbn=9781511860376}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite web|title=Keeping It Peel - Festive 50s - 1978|url=https://www.bbc.co.uk/radio1/johnpeel/festive50s/1970s/1978/|website=BBC Radio 1}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
In 1999, [[CBS Records International|CBS Records]] reissued the single with a live version of &amp;quot;Complete Control&amp;quot;. In 2004, &amp;#039;&amp;#039;[[Rolling Stone]]&amp;#039;&amp;#039; rated the song as No. 361 on its list of the [[Rolling Stone&amp;#039;s 500 Greatest Songs of All Time|500 Greatest Songs of All Time]].&amp;lt;ref name=&amp;quot;rs&amp;quot; /&amp;gt; The song is featured as a playable track in the video games &amp;#039;&amp;#039;[[Guitar Hero: Aerosmith]]&amp;#039;&amp;#039; and &amp;#039;&amp;#039;[[Rock Band (video game)|Rock Band]]&amp;#039;&amp;#039;.&amp;lt;ref name=&amp;quot;joystiq&amp;quot; /&amp;gt; &amp;#039;&amp;#039;[[The Guardian]]&amp;#039;&amp;#039; described it as &amp;quot;the high [[watermark]] of the Clash’s punk period&amp;quot;.&amp;lt;ref name=&amp;quot;guardian&amp;quot; /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
In 1980, guitarist [[Chuck Berry]] was asked to review some modern records by the [[St. Louis]] &amp;#039;&amp;#039;[[Jet Lag]]&amp;#039;&amp;#039; fanzine. After reviewing the [[Sex Pistols]]&amp;#039; &amp;quot;[[God Save the Queen (Sex Pistols song)|God Save the Queen]]&amp;quot;, the next song to be reviewed was &amp;quot;Complete Control&amp;quot;, his review read: &amp;quot;Sounds like the first one. The rhythm and chording work well together. Did this guy have a sore throat when he sang the vocals?&amp;quot;&amp;lt;ref name=spin/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Track listing==&lt;br /&gt;
All tracks written by [[Joe Strummer]]/[[Mick Jones (The Clash)|Mick Jones]].&lt;br /&gt;
;7&amp;quot; vinyl&lt;br /&gt;
# &amp;quot;Complete Control&amp;quot; – 3:15&lt;br /&gt;
# &amp;quot;City of the Dead&amp;quot; – 2:22&lt;br /&gt;
&lt;br /&gt;
==Personnel==&lt;br /&gt;
===&amp;quot;Complete Control&amp;quot;===&lt;br /&gt;
* [[Joe Strummer]] – lead vocals, rhythm guitar&lt;br /&gt;
* [[Mick Jones (The Clash)|Mick Jones]] – lead and rhythm guitars, backing vocals&lt;br /&gt;
* [[Paul Simonon]] – bass guitar&lt;br /&gt;
* [[Topper Headon]] – drums&lt;br /&gt;
&lt;br /&gt;
===&amp;quot;City of the Dead&amp;quot;===&lt;br /&gt;
* [[Joe Strummer]] – lead vocal, backing vocal, organ, rhythm guitar&lt;br /&gt;
* [[Mick Jones (The Clash)|Mick Jones]] – backing vocal, lead guitar&lt;br /&gt;
* [[Paul Simonon]] – bass guitar&lt;br /&gt;
* [[Topper Headon]] – drums&lt;br /&gt;
* [[Gary Barnacle]] – saxophones&lt;br /&gt;
&lt;br /&gt;
==Charts==&lt;br /&gt;
{| class=&amp;quot;wikitable plainrowheaders&amp;quot;&lt;br /&gt;
|+ Chart performance for &amp;quot;Complete Control&amp;quot;&lt;br /&gt;
! Chart (1977)&lt;br /&gt;
! Peak&amp;lt;br /&amp;gt;position&lt;br /&gt;
|-&lt;br /&gt;
{{single chart|UK|28|date=19771008|rowheader=true|refname=chart}}&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
==Notes==&lt;br /&gt;
&amp;lt;!-- please add dates in the YYYY-MM-DD format, the &amp;quot;Use dmy dates&amp;quot; template at the top will reformat them--&amp;gt;&lt;br /&gt;
{{reflist|refs=&lt;br /&gt;
&amp;lt;ref name=straight&amp;gt;{{cite news&lt;br /&gt;
| first       = John&lt;br /&gt;
| last        = Lucas&lt;br /&gt;
| title       = Five Songs About: the music industry&lt;br /&gt;
| date        = 2019-01-04&lt;br /&gt;
| newspaper   = [[The Georgia Straight]]&lt;br /&gt;
| url         = https://www.straight.com/music/1183246/five-songs-about-music-industry&lt;br /&gt;
| access-date  = 2019-05-07}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;ref name=rs&amp;gt;{{cite magazine&lt;br /&gt;
| title       = The RS 500 Greatest Songs of All Time&lt;br /&gt;
| date        = 2004-12-09&lt;br /&gt;
| magazine   = [[Rolling Stone]]&lt;br /&gt;
| quote       = 361. Complete Control, The Clash&lt;br /&gt;
| url         = https://www.rollingstone.com/news/coverstory/500songs/page/4&lt;br /&gt;
| url-status     = dead&lt;br /&gt;
| archive-url  = https://web.archive.org/web/20071120033613/http://www.rollingstone.com/news/coverstory/500songs/page/4&lt;br /&gt;
| archive-date = 2007-11-20&lt;br /&gt;
| access-date  = 2007-11-22}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;ref name=guardian&amp;gt;{{cite news&lt;br /&gt;
| first       = Dave&lt;br /&gt;
| last        = Simpson&lt;br /&gt;
| title       = The Clash: 10 of the best&lt;br /&gt;
| date        = 2015-09-23&lt;br /&gt;
| work   = [[The Guardian]]&lt;br /&gt;
| url         = https://www.theguardian.com/music/2015/sep/23/the-clash-10-of-the-best&lt;br /&gt;
| access-date  = 2019-05-15}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;ref name=spin&amp;gt;{{cite news&lt;br /&gt;
| first       = Dale&lt;br /&gt;
| last        = Eisinger&lt;br /&gt;
| title       = Chuck Berry&amp;#039;s Reviews of The Clash, The Sex Pistols, The Ramones, and More&lt;br /&gt;
| date        = 2017-03-19&lt;br /&gt;
| publisher   = [[Spin (magazine)|Spin]]&lt;br /&gt;
| url         = https://www.spin.com/2017/03/read-chuck-berrys-reviews-of-the-clash-the-sex-pistols-the-ramones-and-more/&lt;br /&gt;
| access-date  = 2019-05-15}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;ref name=cos&amp;gt;{{cite web&lt;br /&gt;
| first       = Kenneth&lt;br /&gt;
| last        = Partridge&lt;br /&gt;
| title       = How The Clash Can Lead to a Great Record Collection&lt;br /&gt;
| date        = 2017-04-10&lt;br /&gt;
| website     = [[Consequence of Sound]]&lt;br /&gt;
| url         = https://consequenceofsound.net/2017/04/how-the-clash-can-lead-to-a-great-record-collection/&lt;br /&gt;
| access-date  = 2019-05-15}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;ref name=stereogum&amp;gt;{{cite web&lt;br /&gt;
| title       = The 10 Best Clash Songs&lt;br /&gt;
| date        = 2002-12-07&lt;br /&gt;
| quote       = #6&lt;br /&gt;
| website     = [[Stereogum]]&lt;br /&gt;
| url         = https://www.stereogum.com/1216562/the-clashs-10-best-songs/franchises/10-best-songs/&lt;br /&gt;
| access-date  = 2019-05-09}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;ref name=joystiq&amp;gt;{{cite web&lt;br /&gt;
| first       = Alexander&lt;br /&gt;
| last        = Sliwinski&lt;br /&gt;
| title       = The Clash, The Police and The Ramones&lt;br /&gt;
| date        = 2008-02-11&lt;br /&gt;
| website     = [[Joystiq]]&lt;br /&gt;
| url         = http://www.joystiq.com/2008/02/11/rock-band-weekly-the-clash-the-police-and-the-ramones/ &lt;br /&gt;
| access-date  = 2008-02-13}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;ref name=&amp;quot;Westway_to_the_World&amp;quot;&amp;gt;{{cite AV media&lt;br /&gt;
| first       = Don&lt;br /&gt;
| last        = Letts&lt;br /&gt;
| author-link  = Don Letts&lt;br /&gt;
| date        = 2001&lt;br /&gt;
| title       = [[Westway to the World|The Clash: Westway to the World]]&lt;br /&gt;
| publisher   = [[Sony Music Entertainment]]&lt;br /&gt;
| time        = 11:45&lt;br /&gt;
| medium      = Film&lt;br /&gt;
| language    = en&lt;br /&gt;
| isbn        = 0-7389-0082-6&lt;br /&gt;
| oclc        = 49798077&lt;br /&gt;
| asin        = B000063UQN}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;ref name=sbmc&amp;gt;{{cite AV media&lt;br /&gt;
| author      = The Clash&lt;br /&gt;
| date        = October 1980&lt;br /&gt;
| title       = Super Black Market Clash&lt;br /&gt;
| work        = album sleeve notes&lt;br /&gt;
| publisher   = [[Epic Records]]&lt;br /&gt;
| url         = http://urbanaspirines.blogspot.com/2011/08/clash-super-market-clash-collective.html&lt;br /&gt;
| language    = en&lt;br /&gt;
| asin        = B00004C4L1}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
{{Refbegin}}&lt;br /&gt;
* {{cite book |last=Gilbert |first=Pat |title=Passion Is a Fashion: The Real Story of The Clash |orig-year=2004 |edition=4th |year=2005 |publisher=[[Aurum Press]] |location=London |isbn=1-84513-113-4 |oclc=61177239 | url = https://books.google.com/books?id=dz_LAgAAQBAJ }}&lt;br /&gt;
* {{cite book |last=Gray |first=Marcus |title=The Clash: Return of the Last Gang in Town |orig-year=1995 |edition=5th revised |year=2005 |publisher=Helter Skelter |location=London |isbn=1-905139-10-1 |oclc=60668626 }}&lt;br /&gt;
* {{cite book |last=Green |first=Johnny |author2=Garry Barker |title=A Riot of Our Own: Night and Day with The Clash |orig-year=1997 |edition=3rd |year=2003 |publisher=Orion |location=London |isbn=0-7528-5843-2 |oclc=52990890 }}&lt;br /&gt;
* {{cite book |last=Gruen |first=Bob |author-link=Bob Gruen |author2=Chris Salewicz |title=The Clash |orig-year=2001 |edition=3rd |year=2004 |publisher=Omnibus |location=London |isbn=1-903399-34-3 |oclc=69241279 }}&lt;br /&gt;
* {{cite book |last=Needs |first=Kris |author-link=Kris Needs |title=Joe Strummer and the Legend of the Clash |date=2005-01-25 |publisher=Plexus |location=London |isbn=0-85965-348-X |oclc=53155325 |url=https://archive.org/details/joestrummerlegen00need }}&lt;br /&gt;
* {{cite book |last=Salewicz |first=Chris |author-link=Chris Salewicz |title=Redemption Song: The Ballad of Joe Strummer |date=2006-01-31 |publisher=[[Farrar, Straus and Giroux]] |isbn=978-0571211784 |url=https://archive.org/details/redemptionsongba00sale }}&lt;br /&gt;
* {{cite book |last=Savage |first=Jon |author-link=Jon Savage |title=England&amp;#039;s Deaming |date=2002-01-18 |publisher=[[St. Martin&amp;#039;s Press]] |isbn=978-0312288228 |url=https://books.google.com/books?id=hf2DBAAAQBAJ&amp;amp;q=%22Instead+of+a+piece+of+cynicism%2C+Complete+Control+becomes+a+hymn+to+Punk+autonomy+at+its+moment+of+eclipse%22&amp;amp;pg=PA399 }}&lt;br /&gt;
* {{cite book |last=Topping |first=Keith |author-link=Keith Topping |title=The Complete Clash |orig-year=2003 |edition=2nd |year=2004 |publisher=Reynolds &amp;amp; Hearn |location=Richmond |isbn=1-903111-70-6 |oclc=63129186 }}&lt;br /&gt;
{{Refend}}&lt;br /&gt;
&lt;br /&gt;
{{The Clash}}&lt;br /&gt;
&lt;br /&gt;
{{authority control}}&lt;br /&gt;
&lt;br /&gt;
[[Category:1977 singles]]&lt;br /&gt;
[[Category:The Clash songs]]&lt;br /&gt;
[[Category:1977 songs]]&lt;br /&gt;
[[Category:Songs written by Joe Strummer]]&lt;br /&gt;
[[Category:Songs written by Mick Jones (The Clash)]]&lt;br /&gt;
[[Category:CBS Records singles]]&lt;/div&gt;</summary>
		<author><name>imported&gt;Citation bot</name></author>
	</entry>
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