http://debianws.lexgopc.com/wiki143/index.php?action=history&feed=atom&title=Beautiful_GarbageBeautiful Garbage - Revision history2026-05-13T00:18:02ZRevision history for this page on the wikiMediaWiki 1.43.1http://debianws.lexgopc.com/wiki143/index.php?title=Beautiful_Garbage&diff=4863827&oldid=previmported>SnapSnap: Reverted 1 edit by 70.66.151.31 (talk): Nope, the band formed in the United States2025-10-22T07:04:19Z<p>Reverted 1 edit by <a href="/wiki143/index.php?title=Special:Contributions/70.66.151.31" title="Special:Contributions/70.66.151.31">70.66.151.31</a> (<a href="/wiki143/index.php?title=User_talk:70.66.151.31&action=edit&redlink=1" class="new" title="User talk:70.66.151.31 (page does not exist)">talk</a>): Nope, the band formed in the United States</p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Previous revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 07:04, 22 October 2025</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l121">Line 121:</td>
<td colspan="2" class="diff-lineno">Line 121:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Tom Laskin of ''[[Isthmus (newspaper)|Isthmus]]'' wrote that the significant "sonic tweaking and abundant sampling" of ''[[Version 2.0]]'' is discarded as the songs are supported primarily by "bass, drum, and guitar configurations". Observing a musical theme, it is "the band's abandonment of digitally manipulated perfection in favor of rawer guitars and more immediate vocal performances." He added that, overall, the album is "far less commercially accommodating than any of the band's previous work. It embraces no particular sound or style. It comes across with ideas and commentary that challenge rather than coerce, and the playing lacks the burnished, artificial quality that's characteristic of so much youth-oriented music these days."<ref name="Isthmus"/> Peter Robinson of ''[[NME]]'' wrote that the album was a "departure from the sound Garbage had established on their first two records"; It is "marked by expanding on the musical variety, with stronger melodies, more direct lyrics, and sounds that mix rock with [[hip hop music|hip hop]], [[electronica]], [[New wave music|new wave]], and [[girl group]]s."<ref name="cs" /> ''[[Sound on Sound]]'' described the band's approach to recording guitars as "distinctive", observing the "distorted crunches cheek-by-jowl with delicate acoustics and treated sounds which are almost unrecognizable."<ref name="SOS"/> Michael Paoletta of ''[[Billboard (magazine)|Billboard]]'' noted that audiences expecting "more of the same [''Version 2.0''] are in for a wonderful surprise." The band eschews "disco-infused electronica foundations for more straight-up rock'n'pop". "Modern tales for modern times, sung by the vocally versatile Manson, make for one of the year's best."<ref name="BillboardReview">{{cite magazine |last=Paoletta |first=Michael |url=https://books.google.com/books?id=bhEEAAAAMBAJ&q=beautiful+garbage&pg=PA22 |title=Reviews & Previews: Albums |magazine=[[Billboard (magazine)|Billboard]] |volume=113 |issue=41 |date=October 13, 2001 |page=22 |issn=0006-2510 |access-date=January 27, 2019 |via=Google Books}}</ref> ''[[Q (magazine)|Q]]'' described it as "sharp, seductive music from a band at their peak."<ref name="QUncut">{{cite web |url=http://www.booksamillion.com/p/Beautiful-Garbage/Garbage/X606949311520#music_review |title=Beautiful Garbage by Garbage – Music Reviews |publisher=[[Books-A-Million]] |date=October 2001 |access-date=October 22, 2014}}</ref> ''[[Uncut (magazine)|Uncut]]'' called it "their most accomplished and convincing album yet."<ref name="Uncut"/></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Tom Laskin of ''[[Isthmus (newspaper)|Isthmus]]'' wrote that the significant "sonic tweaking and abundant sampling" of ''[[Version 2.0]]'' is discarded as the songs are supported primarily by "bass, drum, and guitar configurations". Observing a musical theme, it is "the band's abandonment of digitally manipulated perfection in favor of rawer guitars and more immediate vocal performances." He added that, overall, the album is "far less commercially accommodating than any of the band's previous work. It embraces no particular sound or style. It comes across with ideas and commentary that challenge rather than coerce, and the playing lacks the burnished, artificial quality that's characteristic of so much youth-oriented music these days."<ref name="Isthmus"/> Peter Robinson of ''[[NME]]'' wrote that the album was a "departure from the sound Garbage had established on their first two records"; It is "marked by expanding on the musical variety, with stronger melodies, more direct lyrics, and sounds that mix rock with [[hip hop music|hip hop]], [[electronica]], [[New wave music|new wave]], and [[girl group]]s."<ref name="cs" /> ''[[Sound on Sound]]'' described the band's approach to recording guitars as "distinctive", observing the "distorted crunches cheek-by-jowl with delicate acoustics and treated sounds which are almost unrecognizable."<ref name="SOS"/> Michael Paoletta of ''[[Billboard (magazine)|Billboard]]'' noted that audiences expecting "more of the same [''Version 2.0''] are in for a wonderful surprise." The band eschews "disco-infused electronica foundations for more straight-up rock'n'pop". "Modern tales for modern times, sung by the vocally versatile Manson, make for one of the year's best."<ref name="BillboardReview">{{cite magazine |last=Paoletta |first=Michael |url=https://books.google.com/books?id=bhEEAAAAMBAJ&q=beautiful+garbage&pg=PA22 |title=Reviews & Previews: Albums |magazine=[[Billboard (magazine)|Billboard]] |volume=113 |issue=41 |date=October 13, 2001 |page=22 |issn=0006-2510 |access-date=January 27, 2019 |via=Google Books}}</ref> ''[[Q (magazine)|Q]]'' described it as "sharp, seductive music from a band at their peak."<ref name="QUncut">{{cite web |url=http://www.booksamillion.com/p/Beautiful-Garbage/Garbage/X606949311520#music_review |title=Beautiful Garbage by Garbage – Music Reviews |publisher=[[Books-A-Million]] |date=October 2001 |access-date=October 22, 2014}}</ref> ''[[Uncut (magazine)|Uncut]]'' called it "their most accomplished and convincing album yet."<ref name="Uncut"/></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[AllMusic]]'s [[Stephen Thomas Erlewine]] commented that Garbage's penchant for absorbing elements from various genres, skillfully crafting them together is more evident in this album, in how they "approximate contemporary R&B with the sultry 'Androgyny', or the Minneapolis new wave bubblegum funk of 'Cherry Lips (Go Baby Go!),' or the bluesy [[PJ Harvey]] strut of 'Silence Is Golden.'" This penchant is enhanced by an "unabashedly pop coating, an element that Garbage clearly revel in, as well as should the listener." He described it "every bit as enticingly postmodern as their other albums, and it sounds distinctly Garbage" and although the [[Music genre#Fusion|fusion]] elements are perceptible, "they seem less like magpies, more themselves, which means Beautiful Garbage is a more consistent record."<ref name="AllMusic">{{cite web |last=Erlewine |first=Stephen Thomas |author-link=Stephen Thomas Erlewine |url=https://www.allmusic.com/album/beautiful-garbage-mw0000014547 |title=Beautiful Garbage – Garbage |website=[[AllMusic]] |access-date=June 11, 2021}}</ref> [[David Browne (journalist)|David Browne]] of ''[[Entertainment Weekly]]'' observed Manson's continued "aggressive bite" complemented by "throbbing tracks like 'Till the Day I Die' and 'Shut Your Mouth'", as well as exposing "tender aspects" in "heartfelt" and "subdued" songs like 'Cup of Coffee' and 'So Like a Rose'. He noted however that the band's "experiments with sonic expansion yield more mixed results"; "They thaw their sound by adding elements of trip-hop, which works for 'Cup of Coffee' and the first single, 'Androgyny'...But on a record that's more self-consciously varied than 1998's ''[[Version 2.0]]'' other attempts are gimmicky and less successful. "Still, there's just enough to salvage from ''beautifulgarbage''."<ref name="EW">{{cite magazine |last=Browne |first=David |author-link=David Browne (journalist) |url=https://ew.com/article/2001/10/05/beautifulgarbage-2/ |title=beautifulgarbage |magazine=[[Entertainment Weekly]] |date=October 5, 2001 |access-date=January 17, 2016}}</ref></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[AllMusic]]'s [[Stephen Thomas Erlewine]] commented that Garbage's penchant for absorbing elements from various genres, skillfully crafting them together is more evident in this album, in how they "approximate contemporary R&B with the sultry 'Androgyny', or the Minneapolis new wave bubblegum funk of 'Cherry Lips (Go Baby Go!),' or the bluesy [[PJ Harvey]] strut of 'Silence Is Golden.'" This penchant is enhanced by an "unabashedly pop coating, an element that Garbage clearly revel in, as well as should the listener." He described it "every bit as enticingly postmodern as their other albums, and it sounds distinctly Garbage" and although the [[Music genre#Fusion|fusion]] elements are perceptible, "they seem less like magpies, more themselves, which means Beautiful Garbage is a more consistent record."<ref name="AllMusic">{{cite web |last=Erlewine |first=Stephen Thomas |author-link=Stephen Thomas Erlewine |url=https://www.allmusic.com/album/beautiful-garbage-mw0000014547 |title=Beautiful Garbage – Garbage |website=[[AllMusic]] |access-date=June 11, 2021}}</ref> [[David Browne (journalist)|David Browne]] of ''[[Entertainment Weekly]]'' observed Manson's continued "aggressive bite" complemented by "throbbing tracks like 'Till the Day I Die' and 'Shut Your Mouth'", as well as exposing "tender aspects" in "heartfelt" and "subdued" songs like 'Cup of Coffee' and 'So Like a Rose'. He noted however that the band's "experiments with sonic expansion yield more mixed results"; "They thaw their sound by adding elements of trip-hop, which works for 'Cup of Coffee' and the first single, 'Androgyny'...But on a record that's more self-consciously varied than 1998's ''[[Version 2.0]]'' other attempts are gimmicky and less successful. "Still, there's just enough to salvage from ''beautifulgarbage''."<ref name="EW">{{cite magazine |last=Browne |first=David |author-link=David Browne (journalist) |url=https://ew.com/article/2001/10/05/beautifulgarbage-2/ |title=beautifulgarbage |magazine=[[Entertainment Weekly]] |date=October 5, 2001 |access-date=January 17, 2016 <ins style="font-weight: bold; text-decoration: none;">|archive-date=September 26, 2021 |archive-url=https://web.archive.org/web/20210926074419/https://ew.com/article/2001/10/05/beautifulgarbage-2/ |url-status=dead </ins>}}</ref></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Commercial performance==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Commercial performance==</div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l429">Line 429:</td>
<td colspan="2" class="diff-lineno">Line 429:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{album chart|France|3|artist=Garbage|album=Beautifulgarbage|rowheader=true|access-date=January 17, 2016}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{album chart|France|3|artist=Garbage|album=Beautifulgarbage|rowheader=true|access-date=January 17, 2016}}</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|-</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|-</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>{{album chart|<del style="font-weight: bold; text-decoration: none;">Germany4</del>|6|id=3828|artist=Garbage|album=Beautifulgarbage|rowheader=true|access-date=January 17, 2016}}</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>{{album chart|<ins style="font-weight: bold; text-decoration: none;">Germany</ins>|6|id=3828|artist=Garbage|album=Beautifulgarbage|rowheader=true|access-date=January 17, 2016}}</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|-</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|-</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>! scope="row"| Greek Albums ([[IFPI Greece|IFPI]])<ref>{{cite magazine |url=https://www.americanradiohistory.com/Archive-Music-and-Media/00s/2001/MM-2001-10-27.pdf |title=Top National Sellers |magazine=[[Music & Media]] |volume=19 |issue=44 |date=October 27, 2001 |page=19<!-- 17 in PDF file --> |oclc=29800226 |access-date=January 27, 2019 |via=American Radio History}}</ref></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>! scope="row"| Greek Albums ([[IFPI Greece|IFPI]])<ref>{{cite magazine |url=https://www.americanradiohistory.com/Archive-Music-and-Media/00s/2001/MM-2001-10-27.pdf |title=Top National Sellers |magazine=[[Music & Media]] |volume=19 |issue=44 |date=October 27, 2001 |page=19<!-- 17 in PDF file --> |oclc=29800226 |access-date=January 27, 2019 |via=American Radio History}}</ref></div></td></tr>
</table>imported>SnapSnaphttp://debianws.lexgopc.com/wiki143/index.php?title=Beautiful_Garbage&diff=280969&oldid=previmported>DepressedPer: /* External links */ Tagged cat.2025-01-18T17:12:05Z<p><span class="autocomment">External links: </span> Tagged cat.</p>
<a href="http://debianws.lexgopc.com/wiki143/index.php?title=Beautiful_Garbage&diff=280969">Show changes</a>imported>DepressedPer