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	<title>Bampton Classical Opera - Revision history</title>
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	<updated>2026-05-04T22:50:35Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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		<id>http://debianws.lexgopc.com/wiki143/index.php?title=Bampton_Classical_Opera&amp;diff=4918845&amp;oldid=prev</id>
		<title>imported&gt;Jim Dixon 55104: Added short description</title>
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		<updated>2025-03-22T01:40:34Z</updated>

		<summary type="html">&lt;p&gt;Added short description&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{Short description|Opera company based in Bampton, Oxfordshire, UK}}&lt;br /&gt;
[[Image:Westonbirt exterior.jpg|thumb|upright=1|Westonbirt House, one of Bampton Classical Opera&amp;#039;s main performing venues]]&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Bampton Classical Opera&amp;#039;&amp;#039;&amp;#039; is an [[opera]] company based in [[Bampton, Oxfordshire|Bampton]], [[Oxfordshire]] and founded in 1993. It specialises in the production of lesser known opera from the [[Classical period (music)|Classical period]]. Performances are always sung in English. &amp;#039;&amp;#039;Opera today&amp;#039;&amp;#039; called the company &amp;#039;ambitious, innovative and imaginative&amp;#039;.&amp;lt;ref&amp;gt;{{cite web |title=Music fit for an Emperor |url=https://operatoday.com/2021/05/music-fit-for-an-emperor-bampton-classical-opera-at-st-johns-smith-square/ |publisher=Opera Today}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
It works with a variety of conductors and ensembles and does not have a permanent music director. It performs with both modern and period instrument orchestras and has often appeared with the [[London Mozart Players]] and Chroma Ensemble. It particularly aims to provide performances for young singers.&lt;br /&gt;
&lt;br /&gt;
==History==&lt;br /&gt;
Bampton Classical Opera was founded in 1993 by its current artistic directors, Gilly French and Jeremy Gray. Following a staging of Mozart’s rare unfinished opera &amp;#039;&amp;#039;[[L&amp;#039;oca del Cairo|L’oca del Cairo]] (The Cairo Goose)&amp;#039;&amp;#039; in 1994, the company specialised increasingly in rare works of the classical period, usually from the second half of the eighteenth-century.&lt;br /&gt;
&lt;br /&gt;
==Venues==&lt;br /&gt;
The company&amp;#039;s staged opera productions are performed in a garden setting in Bampton and at [[Westonbirt House]], the premises of [[Westonbirt School]], as well as at [[St John&amp;#039;s, Smith Square]], London.&lt;br /&gt;
&lt;br /&gt;
From time to time it tours to other UK venues and festivals, which have included the [[Wigmore Hall]] and the [[Purcell Room]] in London, the [[Buxton Festival]], the [[Cheltenham Music Festival]] and others. In addition, occasional concerts are performed including an annual one in [[St Mary’s Church, Bampton]] usually on 21 December, with other concerts in Oxford and London.{{citation needed|date=December 2021}}&lt;br /&gt;
&lt;br /&gt;
==2022 Production==&lt;br /&gt;
[[Image:Marcos Portugal&amp;#039;s Marriage of Figaro, Bampton 2010.jpg|thumb|left|upright=1.3|John-Colyn Gyeantey (the Count) and Emily Rowley Jones (Susanna) in the UK première of Marcos Portugal&amp;#039;s &amp;#039;&amp;#039;Marriage of Figaro&amp;#039;&amp;#039;, Bampton 2010]]&lt;br /&gt;
&lt;br /&gt;
In summer 2022, the company will perform &amp;quot;Fool Moon&amp;quot;, a new English translation of [[Il mondo della luna]] by [[Haydn]]&amp;lt;ref&amp;gt;{{cite web |url=https://www.bamptonopera.org/eventfuturedetail.htm?event=619 |title=Fool Moon |access-date=4 July 2022}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Other productions from 2000==&lt;br /&gt;
In 2021 The company  gave a concert performance of [[La corona (Gluck)|&amp;#039;&amp;#039;The Crown&amp;#039;&amp;#039;]] by [[Christoph Willibald Gluck|C W Gluck]].&amp;lt;ref&amp;gt;{{cite web |title=The Crown |url=https://bamptonopera.org/eventfuturedetail.htm?event=603 |date=May 2021 |accessdate=21 September 2020}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;ref&amp;gt;{{cite journal |last1=Berry |first1=Mark |title=Bampton Classical Opera&amp;#039;s performance of Gluck&amp;#039;s La corona is a joy from beginning to end |journal=Seen and Heard International |date=20 May 2021 |url=https://seenandheard-international.com/2021/05/bampton-classical-operas-performance-of-glucks-la-corona-is-a-joy-from-beginning-to-end/ |access-date=6 July 2022}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
In summer 2021 the company performed &amp;#039;&amp;#039;[[Paride ed Elena|Paris and Helen]]&amp;#039;&amp;#039; by Gluck,&amp;lt;ref&amp;gt;Salazar, David (16 March 2020). [https://operawire.com/bampton-classical-opera-unveils-cast-for-upcoming-gluck-production/ Bampton Classical Opera Unveils Cast for Upcoming Gluck Production, &amp;#039;&amp;#039;OperaWire&amp;#039;&amp;#039;. Retrieved 22 April 2020.]&amp;lt;/ref&amp;gt; the 2020 performances having been postponed. [[Image:Arne Paris Bampton.jpg|right|thumb|upright=1.1|Catherine Backhouse (Pallas Athena), Aoife O&amp;#039;Sullivan (Venus), Barbara Cole Walton (Juno) in the 2016 production of Thomas Arne&amp;#039;s &amp;#039;&amp;#039;Judgement of Paris&amp;#039;&amp;#039;]]&lt;br /&gt;
&lt;br /&gt;
In 2000 Bampton Classical Opera performed [[Stephen Storace]]’s [[Gli equivoci|The Comedy of Errors]], with libretto by [[Lorenzo da Ponte]]. In 2001, it performed the [[United Kingdom]] staged première of &amp;#039;&amp;#039;The Philosopher&amp;#039;s Stone&amp;#039;&amp;#039; (&amp;#039;&amp;#039;[[Der Stein der Weisen]]&amp;#039;&amp;#039;), a [[singspiel]] by [[Emanuel Schikaneder]] composed in collaboration with [[Mozart]], [[Johann Baptist Henneberg|Henneberg]], [[Benedikt Schack|Schack]], and [[Franz Xaver Gerl|Gerl]].&lt;br /&gt;
&lt;br /&gt;
==Productions before 2000==&lt;br /&gt;
In 2003, it gave the first UK performance of [[Antonio Salieri|Salieri]]&amp;#039;s &amp;#039;&amp;#039;[[Falstaff (Salieri)|Falstaff]]&amp;#039;&amp;#039;, and in July 2007 staged the UK première of [[Georg Benda]]&amp;#039;s &amp;#039;&amp;#039;[[Romeo und Julie|Romeo and Juliet]]&amp;#039;&amp;#039;. In 2008 it presented the UK première of &amp;#039;&amp;#039;[[Leonora (opera)|Leonora]]&amp;#039;&amp;#039; by [[Ferdinando Paer]], based on the same story as &amp;#039;&amp;#039;[[Fidelio]]&amp;#039;&amp;#039;, and in 2009 &amp;#039;&amp;#039;[[Le pescatrici|Le Pescatrici]]&amp;#039;&amp;#039; (&amp;#039;&amp;#039;The Fisherwomen&amp;#039;&amp;#039;) by [[Haydn]]. In 2010, it presented [[Marcos Portugal]]&amp;#039;s &amp;#039;&amp;#039;The Marriage of Figaro&amp;#039;&amp;#039; (1799), the first performances anywhere since its première in Venice in 1800, and [[Alfred (Arne opera)|&amp;#039;&amp;#039;The Masque of King Alfred&amp;#039;&amp;#039;]] and [[The Judgement of Paris (opera)|&amp;#039;&amp;#039;The Judgement of Paris&amp;#039;&amp;#039;]] by [[Thomas Arne]]. In 2011, it presented the UK concert première of &amp;#039;&amp;#039;[[Il Parnaso confuso|Il parnaso confuso (Parnassus in Turmoil)]]&amp;#039;&amp;#039; by [[Gluck]]; &amp;#039;&amp;#039;[[The Italian Girl in London]]&amp;#039;&amp;#039; (&amp;#039;&amp;#039;L&amp;#039;italiana in Londra&amp;#039;&amp;#039;) by [[Domenico Cimarosa|Cimarosa]], first performed in 1778; and [[The Choice of Hercules (Handel)|&amp;#039;&amp;#039;The Choice of Hercules&amp;#039;&amp;#039;]] by [[Handel]]. In 2012, it presented productions of &amp;#039;&amp;#039;[[L&amp;#039;amant jaloux]] (The Jealous Lover)&amp;#039;&amp;#039; by [[André Grétry]] (1778) and &amp;#039;&amp;#039;[[Blaise le savetier]] (Blaise the Cobbler)&amp;#039;&amp;#039; (1759) by [[François-André Danican Philidor]]. In 2013, it presented a new production of Mozart’s first comic opera, &amp;#039;&amp;#039;[[La finta semplice]]&amp;#039;&amp;#039; (1769), in a new English translation entitled &amp;#039;&amp;#039;Pride and Pretence&amp;#039;&amp;#039;. In 2014, it revisited &amp;#039;&amp;#039;[[La finta semplice]]&amp;#039;&amp;#039; and Gluck&amp;#039;s &amp;#039;&amp;#039;Il parnaso confuso&amp;#039;&amp;#039;, as well as presenting &amp;#039;&amp;#039;Orfeo&amp;#039;&amp;#039; by [[Ferdinando Bertoni]], a modern times UK première. In 2015, Bampton Classical Opera performed Salieri&amp;#039;s &amp;#039;&amp;#039;[[La grotta di Trofonio|Trofonio&amp;#039;s Cave]]&amp;#039;&amp;#039;. In 2016, it staged a double bill called the &amp;#039;&amp;#039;Divine Comedies&amp;#039;&amp;#039; featuring Arne&amp;#039;s &amp;#039;&amp;#039;[[The Judgement of Paris (opera)|The Judgement of Paris]]&amp;#039;&amp;#039; and, a UK première, Gluck&amp;#039;s &amp;#039;&amp;#039;Philemon and Baucis&amp;#039;&amp;#039; - an English translation of part two of &amp;#039;&amp;#039;[[Le feste d&amp;#039;Apollo]]&amp;#039;&amp;#039;. In 2017, it presented the UK modern times première of &amp;#039;&amp;#039;[[La scuola de&amp;#039; gelosi|The School of Jealousy]]&amp;#039;&amp;#039; by Salieri.&amp;lt;ref&amp;gt;Holloway, Amanda (13 September 2017). [https://www.thestage.co.uk/reviews/salieris-the-school-of-jealousy-review-at-st-johns-smith-square--a-sprightly-performance &amp;quot;Review: &amp;#039;&amp;#039;The School of Jealousy&amp;#039;&amp;#039;&amp;quot;]. &amp;#039;&amp;#039;[[The Stage]]&amp;#039;&amp;#039;. Retrieved 22 April 2020.&amp;lt;/ref&amp;gt; In 2018, it presented another UK première, Isouard&amp;#039;s &amp;#039;&amp;#039;[[Cendrillon (Isouard)|Cinderella]]&amp;#039;&amp;#039;. In 2019, it performed &amp;#039;&amp;#039;[[Gli sposi malcontenti|Bride and Gloom (Gli sposi malcontenti)]]&amp;#039;&amp;#039; by Stephen Storace in an English translation by [[Brian Trowell]].&amp;lt;ref&amp;gt;[https://www.bamptonopera.org/archive.htm  Bampton Classical Opera, Past Productions]&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite web|url= http://www.operatoday.com/content/2019/09/bampton_classic.php|last= Seymour| first= Claire| title= Review - Bampton Classical Opera: Bride &amp;amp; Gloom at St John&amp;#039;s Smith Square|publisher= Opera Today| date= 18 September 2019| accessdate= 3 May 2020}}&amp;lt;/ref&amp;gt; This was the second ever UK production, and it has led to Bampton Classical Opera being selected as a Finalist in the Rediscovered Work category of the [[International Opera Awards]] 2020.&amp;lt;ref&amp;gt;{{cite web |url=http://www.operaawards.org/archive/2020/ |title=International Opera Awards 2020 Nominees|date=5 February 2020|accessdate=23 April 2020}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
[[Image:Stephen Storace&amp;#039;s Gli sposi malcontenti, 2019 performance (as &amp;#039;Bride &amp;amp; Gloom&amp;#039;) by Bampton Classical Opera.png|thumb|upright=1.3|Stephen Storace&amp;#039;s &amp;#039;&amp;#039;Gli sposi malcontenti&amp;#039;&amp;#039;, 2019 performance (as &amp;#039;&amp;#039;Bride &amp;amp; Gloom&amp;#039;&amp;#039;)]]&lt;br /&gt;
&lt;br /&gt;
==Performers==&lt;br /&gt;
Many musicians of national and international significance have performed with Bampton early in their careers.  These include conductors Thomas Blunt, [[Alexander Briger]], [[Christian Curnyn]], [[Edward Gardner (conductor)|Edward Gardner]], Robin Newton and [[Julian Perkins]], directors Harry Fehr, [[Thomas Guthrie (director)|Thomas Guthrie]] and Alessandro Talevi, and singers Rebecca Bottone, Ilona Domnich, Alessandro Fisher, Maire Flavin, Martene Grimson, Benjamin Hulett, [[Gillian Keith]], [[Andrew Kennedy (tenor)|Andrew Kennedy]], [[Christopher Lowrey]], Gavan Ring, Kim Sheehan, Christopher Turner, Mark Wilde and many others.&lt;br /&gt;
&lt;br /&gt;
==Young Singers&amp;#039; Competition==&lt;br /&gt;
To celebrate its 20th anniversary and to give further support to the development of young singers, it launched a biennial Young Singers’ Competition in 2013, with the public final in Oxford’s [[Holywell Music Room]].&amp;lt;ref&amp;gt;{{cite web |title=Young Singers&amp;#039; Competition |url=https://www.bamptonopera.org/singerscompetition.htm |accessdate=23 April 2020}}&amp;lt;/ref&amp;gt; [[file:Holywell_Music_Room_YSC.jpg |right|thumb|upright=1.1|A singer and her accompanist competing in the final round of Bampton Classical Opera&amp;#039;s Young Singers&amp;#039; Competition in December 2021 in the [[Holywell Music Room]]]] First prize winners have been Ukrainian mezzo-soprano Anna Starushkevych (2013), Russian soprano Galina Averina (2015), British mezzo-soprano Emma Stannard (2017) and British soprano Lucy Anderson (2019) and Australian soprano Cassandra Wright (2021). Accompanists’ prizes have been awarded to Keval Shah, Dylan Perez and Ilan Kurtser.&amp;lt;ref&amp;gt;{{cite web|url =  https://operatoday.com/2021/12/bampton-classical-opera-2021-young-singers-competition-winner-announced/ |title=Bampton Classical Opera 2021 Young Singers&amp;#039; Competition – winner announced|date=December 2021|publisher=Opera Today |accessdate = 5 January 2022}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Patrons==&lt;br /&gt;
&lt;br /&gt;
The company&amp;#039;s patrons are [[Bonaventura Bottone]], [[Brian Kay]], Sir [[Roger Norrington]], [[Andrew Parrott]], Sir [[David Pountney]], Sir [[Curtis Price]] and [[Jean Rigby]].&amp;lt;ref&amp;gt;[https://www.bamptonopera.org/index.htm Patrons Bampton Classical Opera]&amp;lt;/ref&amp;gt; Dame [[Felicity Lott]], the late Sir [[Charles Mackerras]] and the late Sir [[Philip Ledger]] were also patrons, as was the Rt Hon [[David Cameron]], in whose former [[Witney (UK Parliament constituency)|Witney]] constituency Bampton lies.&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
{{reflist}}&lt;br /&gt;
&lt;br /&gt;
*Jones, Roger, Review of Thomas Arne&amp;#039;s &amp;#039;&amp;#039;Masque of King Alfred&amp;#039;&amp;#039; and &amp;#039;&amp;#039;The Judgment of Paris&amp;#039;&amp;#039;, [http://www.musicweb-international.com/sandh/2010/Jul-Dec10/arne0711.htm &amp;#039;&amp;#039;MusicWeb International&amp;#039;&amp;#039;] 7 November 2010 (accessed 29 January 2011)&lt;br /&gt;
*Church, Michael, Review of Benda&amp;#039;s &amp;#039;&amp;#039;Romeo and Juliet&amp;#039;&amp;#039; at Bampton Classical Opera, [https://www.independent.co.uk/arts-entertainment/music/reviews/romeo-and-juliet-bampton-classical-opera-bampton-464482.html &amp;#039;&amp;#039;The Independent&amp;#039;&amp;#039;] 20 September 2007 (accessed 22 April 2020)&lt;br /&gt;
*Tanner, Michael, Review of &amp;#039;&amp;#039;Acis and Galatea&amp;#039;&amp;#039;, [https://www.spectator.co.uk/article/laughter-unbecoming &amp;#039;&amp;#039;Spectator&amp;#039;&amp;#039;] 24 May 2007 (accessed 22 April 2020)&lt;br /&gt;
*Porter, Andrew, Review of [[Vicente Martín y Soler|Martín y Soler]]&amp;#039;s &amp;#039;&amp;#039;La scuola dei maritati&amp;#039;&amp;#039; at Bampton Classical Opera, [http://www.timesonline.co.uk/tol/incomingFeeds/article617035.ece &amp;#039;&amp;#039;The Times&amp;#039;&amp;#039;]{{dead link|date=January 2025|bot=medic}}{{cbignore|bot=medic}} 18 August 2006 (accessed 22 June 2007)&lt;br /&gt;
*Thicknesse, Robert, Review of [[Giovanni Paisiello|Paisiello]]&amp;#039;s &amp;#039;&amp;#039;The Barber of Seville&amp;#039;&amp;#039; at Bampton Classical Opera, [https://web.archive.org/web/20110517042010/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/article546151.ece &amp;#039;&amp;#039;The Times&amp;#039;&amp;#039;] 21 July 2005 (accessed 22 June 2007)&lt;br /&gt;
*Thicknesse, Robert, Review of French double bill, Bampton Opera, [http://www.oxfordtimes.co.uk/leisure/music_and_books/music/9838988.French_double_bill__Bampton_Opera__The_Deanery_Gardens__Bampton &amp;#039;&amp;#039;Oxford Times&amp;#039;&amp;#039;] 26 July 2012 (accessed 23 August 2012)&lt;br /&gt;
*Coghlan, Alexandra, Salieri&amp;#039;s Revenge [https://www.spectator.co.uk/article/salieri-s-revenge &amp;#039;&amp;#039;Spectator&amp;#039;&amp;#039;] 25 July 2015 (accessed 17 April 2020)&lt;br /&gt;
&lt;br /&gt;
==External links==&lt;br /&gt;
*[http://www.bamptonopera.org Bampton Classical Opera website]&lt;br /&gt;
{{authority control}}&lt;br /&gt;
&lt;br /&gt;
[[Category:British opera companies]]&lt;br /&gt;
[[Category:Opera in London]]&lt;br /&gt;
[[Category:Opera festivals in England]]&lt;br /&gt;
[[Category:Music festivals in Oxfordshire]]&lt;br /&gt;
[[Category:Musical groups established in 1993]]&lt;br /&gt;
[[Category:1993 establishments in England]]&lt;/div&gt;</summary>
		<author><name>imported&gt;Jim Dixon 55104</name></author>
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