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{{Other people|Antonio Campos|Antonio Campos (disambiguation)}}
{{Multiple issues|
{{More citations needed|date=June 2019}}
{{Original research|date=June 2019}}
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{{Use dmy dates|date=March 2020}}
{{Infobox person
| name = António Campos
| image =
| alt =
| caption =
| birth_name = António Campos
| birth_date = {{Birth date|df=yes|1922|5|29}}
| birth_place = [[Leiria]], [[Portugal]]
| death_date = {{Death date and age|df=yes|1999|3|8|1922|5|29}}
| death_place = [[Figueira da Foz]], [[Portugal]]
| nationality =
| other_names =
| known_for =
| occupation =
| years_active = 1957–1993
}}

'''António Campos''' (29 May 1922 – 8 March 1999) was one of the pioneer filmmakers of [[visual anthropology]] in [[Portugal]]. Mainly using pure documentary techniques, he shot [[ethnographic film]]s and tried [[docufiction]]. As well as in fictional films, he used the methods of [[direct cinema]] to portrait the life of ancient human communities ([[ethnofiction]]) of his country.

He started making films at the beginning of the sixties, at the same time as [[John Marshall (filmmaker)|John Marshall]] (EU) and [[Michel Brault]] (Canada). Without knowing much about [[Jean Rouch]], he followed his steps in an original way.

==Biography==
He integrated a troupe of theatre amateurs and worked at a state department office in [[Leiria]]. He got a subvention from the [[Calouste Gulbenkian Foundation]] in 1961, where he worked between 1970 and 1976, to study cinema in London. He took part in the 20th Century Film Festival, in [[Kracow]], [[Poland]].
He was the delegate in Portugal for the International Federation of Art Film and a member of the International Union of Independent Filmmakers (UNICI).

He started making films as an amateur. He shot ethnographic films with [[16 mm]] light cameras and with no scientific purposes, like some of his Portuguese fellows, such as [[António Reis]], Ricardo Costa or [[Pedro Costa]], this one using small [[mini dv]] cameras, some years later. After the [[Carnation Revolution]], he directed some theatrical fictional features in [[35mm movie film|35 mm]], all with a strong anthropologic content. He was one of the representatives of the Portuguese Cinema Novo (or Novo Cinema), inspired by the [[French New Wave]].

His film Gente da Praia da Vieira (People of Praia da Vieira), 1976, is, together with [[Trás-os-Montes (film)|Trás-os-Montes]], by [[António Reis]] and [[Margarida Cordeiro]], and with Mau Tempo, Marés e Mudança (Changing Tides), by Ricardo Costa, one of the first [[docufiction]]s of Portuguese cinema. Shot on the same year, these films, in the same genre, are preceded by [[Acto da Primavera]] (Act of Spring), 1962, by [[Manoel de Oliveira]], and [[Ala-Arriba! (film)|Ala-Arriba!]], 1948, by [[José Leitão de Barros]], a contemporary to [[Robert Flaherty]]. These films may also be classified as [[ethnofiction]]s.

==Filmography==
'''Feature films'''
* 1971 – ''Vilarinho das Furnas''
* 1974 – ''Falamos de Rio de Onor'' (We talk about Rio de Onor)
* 1975 – ''Gente da Praia da Vieira'' (People of Praia da Vieira)
* 1978 – ''[https://www.imdb.com/title/tt0077685/ Histórias Selvagens]'' (Savage stories)
* 1992 – ''Terra Fria'' (Cold Land)

'''Short and middle-length films'''
* 1957 – ''O rio Liz''
* 1958 – ''Um tesouro''
* 1959 – ''O Senhor''
* 1961 – ''A Almadraba Atuneira''
* 1961 – ''Leiria 61''
* 1962 – ''Debussy''
* 1962 – ''Instrumentos musicais populares''
* 1962 – ''Colóquio do Comité Internacional dos Museus de Instrumentos'' Musicais
* 1963 – ''Arte portuguesa contemporânea em Leiria''
* 1964 – ''Arte portuguesa contemporânea em Évora''
* 1964 – ''La fille mal gardée''
* 1964 – ''Incêndio no auditório antigo da Fundação Caloute Gulbenkian''
* 1964 – ''Instrumentos musicais portugueses II''
* 1965 – ''100 anos de pintura francesa''
* 1965 – ''A invenção do amor''
* 1965 – ''Ouros do Peru''
* 1965 – ''Retratos das margens do rio Liz''
* 1966 – ''Arte do índio brasileiro''
* 1966 – ''Chagall – Breve a lua, lua cheia virá aparecer''
* 1966 – ''Inauguração do hospital S. João de Deus – Montemor-o-Novo''
* 1967 – ''Colagem''
* 1967 – ''Construção do Centro de Biologia de Oeiras da Fundação Calouste Gulbenkian''
* 1967 – ''Iniciação musical pelo método Orff''
* 1968 – ''Art portugais à Paris''
* 1968 – ''Arte portuguesa : do naturalismo aos nossos dias''
* 1968 – ''Festa de Natal dos funcionários da Fundação Calouste Gulbenkian''
* 1968 – ''O Principezinho''
* 1962–1969 – ''Obras de construção da sede, do museu e do grande auditório da Fundação Calouste Gulbenkian''
* 1970 – ''Raul Lino'' (not finished)
* 1971 – ''Arte francesa depois de 1951''
* 1972 – ''Portugal e a Pérsia''
* 1973 – ''Rodin''
* 1974 – ''Museu Calouste Gulbenkian em Lisboa''
* 1975 – ''A Festa''
* 1976 – ''Paredes pintadas da revolução portuguesa''
* 1976 – ''Protecção arquitetónica sob a coordenação do Conselho da Europa'' (inacabado)
* 1976 – ''20º aniversário da morte de Calouste Gulgenkian''
* 1976 – ''Ex-votos portugueses''
* 1979 – ''Ti Miséria''
* 1987 – ''À descoberta de Leiria''
* 1993 – ''A Tremonha de Cristal'' (not finished)

==Bibliography==
* {{in lang|pt}} ''António Campos'' – anthology about the films and life of António Campos (2000 – [https://web.archive.org/web/20090210174128/http://cinemateca.pt/fail.asp Cinemateca Portuguesa])
* {{in lang|pt}} ''O Cais do Olhar'' by [[José de Matos-Cruz]], [[Portuguese Cinematheque]], 1999

==See also==
* [[Cinema of Portugal]]
* [[Cinema Novo]]
* [[Docufiction]]
* [[Visual anthropology]]
* [[Ethnographic film]]
* [[Salvage Ethnography]]
* [[Ethnofiction]]
* [[Direct cinema]]
* [https://web.archive.org/web/20110724094226/http://www.seances.org/html/cycle.asp?id=162&mode=2 '''Cine season'''] in Paris ([[Cinémathèque Française]], 2002 – in French)
* [[List of directors associated with art film]]

==External links==
* {{IMDb name|0133195}}

{{Authority control}}

{{DEFAULTSORT:Campos, Antonio}}
[[Category:Portuguese film directors]]
[[Category:1922 births]]
[[Category:1999 deaths]]
[[Category:People from Leiria]]

António Campos - Revision history

imported>ಮಲ್ನಾಡಾಚ್ ಕೊಂಕ್ಣೊ: Fixed Lint errors