View source for The Tell-Tale Heart

{{Short description|1843 short story by Edgar Allan Poe}}
{{other uses}}
{{Use mdy dates|date=September 2025}}
{{Infobox short story<!-- See [[Wikipedia:WikiProject Novels]] or [[Wikipedia:WikiProject Books]] for guidance -->
| name             = The Tell-Tale Heart 
| image            = The Pioneer Poe 1843 cover 2.jpg
| image_size       = 200px
| caption          = ''The Pioneer'', Vol. I, No. I, Drew and Scammell, Philadelphia, January 1843
| title_orig       =
| translator       =
| author           = [[Edgar Allan Poe]]
| country          = United States
| language         = English
| series           =
| genre            = [[Horror fiction|Horror]], [[Gothic Literature]]
| published_in     = ''The Pioneer''
| publication_type = [[Periodical]]
| publisher        = [[James Russell Lowell]]
| media_type       = Print ([[periodical]])
| pub_date         = January 1843
| english_pub_date =
| preceded_by      =
| followed_by      =
| wikisource       = Mystery Tales of Edgar Allan Poe/The Tell-Tale Heart
}}

"'''The Tell-Tale Heart'''" is a [[short story]] by American writer [[Edgar Allan Poe]], first published in 1843. It is told by an unnamed narrator who endeavors to convince the reader of the narrator's sanity while simultaneously describing a murder the narrator committed. The victim was an old man with a filmy pale blue "vulture-eye", as the narrator calls it. The narrator emphasizes the careful calculation of the murder, attempting the perfect crime, complete with dismembering the body in the bathtub and hiding it under the floorboards. Ultimately, the narrator's actions result in hearing a thumping sound, which the narrator interprets as the dead man's beating heart.

The story was first published in [[James Russell Lowell]]'s ''The Pioneer'' in January 1843. "The Tell-Tale Heart" is often considered a classic of the [[Gothic fiction]] genre and is one of Poe's best known short stories.

The specific motivation for murder, aside from the narrator's hatred of the old man's eye, the relationship between narrator and old man, the gender of the narrator, and other details are left unclear. The narrator denies having any feelings of hatred or resentment for the man who had, as stated, "never wronged" the narrator. The narrator also denies having killed for greed.

Critics have speculated that the old man could be a father figure, the narrator's landlord, or that the narrator works for the old man as a servant, and that perhaps his "vulture-eye" represents a veiled secret or power. The ambiguity and lack of details about the two main characters stand in contrast to the specific plot details leading up to the murder.

==Plot==
[[{{Not a typo|File:Clarke-TellTaleHeart.jpeg}}<!-- Do not change the spelling of the file! -->|thumb|left|Illustration by [[Harry Clarke]], published in 1923<ref>[https://collections.vam.ac.uk/item/O1743926/tales-of-mystery-and-imagination-book-harry-clarke/ "Tales of mystery and imagination"]. [[Victoria and Albert Museum|www.vam.ac.uk]]. Retrieved 21 October 2024.</ref>]]
"The Tell-Tale Heart" is a [[first-person narrative]] told by an unnamed narrator. Despite insisting that they are sane, the narrator suffers from a disease (nervousness) which causes "[[Hyperesthesia|over-acuteness of the senses]]".

The old man, with whom the narrator lives, has a clouded, pale, blue "[[vulture]]-like" eye, which distresses and manipulates the narrator so much that they plot to murder the old man, despite also insisting that the narrator loves the old man and has never felt wronged by him. The narrator is insistent that this careful precision in committing the murder proves that they cannot possibly be insane. For seven nights, the narrator opens the door of the old man's room to shine a sliver of light onto the "evil eye." However, the old man's vulture-eye is always closed, making it impossible to "do the work," thus making the narrator go further into distress.

On the eighth night, the old man awakens after the narrator's hand slips and makes a noise, interrupting the narrator's nightly ritual. The narrator does not draw back and after some time, decides to open the lantern. A single thin ray of light shines out and lands precisely on the "evil eye," revealing that it is wide open. The narrator hears the old man's heart beating, which only gets louder and louder. This increases the narrator's anxiety to the point where they decide to strike. They jump into the room and the old man shrieks once before he is killed. The narrator then dismembers the body and conceals the pieces under the floorboards, ensuring the concealment of all signs of the crime. Even so, the old man's scream during the night causes a neighbor to summon the police, whom the narrator invites in to look around. The narrator claims that the scream heard was their own in a nightmare and that the old man is absent in the country. Confident that they will not find any evidence of the murder, the narrator brings chairs for them and they sit in the old man's room. The narrator's chair is placed on the very spot where the body is concealed; the police suspect nothing, and the narrator has a pleasant and easy manner.

The narrator begins to feel uncomfortable and notices a ringing in their ears. As the ringing grows louder, the narrator concludes that it is the heartbeat of the old man coming from under the floorboards. The sound increases steadily to the narrator, though the officers do not seem to hear it. Terrified by the violent beating of the heart and convinced that the officers are aware of not only the heartbeat but also the narrator's guilt, the narrator breaks down and confesses. The narrator tells them to tear up the floorboards to reveal the remains of the old man's body.

== Publication history ==
[[File:Tell tale heart in pioneer.jpg|thumb|"The Tell-Tale Heart" in ''The Pioneer: A Literary and Critical Magazine'', page 29]]
Poe wrote the short story in [[Philadelphia]], where he resided at various locations from 1838 to 1844.<ref>Oberholtzer, Ellis Paxson. ''The Literary History of Philadelphia''. Philadelphia: George W. Jacobs & Co., 1906: 286. {{ISBN|1-932109-45-5}}</ref><ref>[https://www.theconstitutional.com/blog/2018/08/20/edgar-allan-poe-house-%E2%80%93-national-historic-site# "Edgar Allan Poe House"], The Constitutional Walking Tour, August 22, 2018</ref>

"The Tell-Tale Heart" was first published in January 1843 in the inaugural issue of ''The Pioneer: A Literary and Critical Magazine'', a short-lived [[Boston]] magazine edited by [[James Russell Lowell]] and [[Robert Carter (editor)|Robert Carter]] who were listed as the "proprietors" on the front cover. The magazine was published in Boston by Leland and Whiting and in Philadelphia by Drew and Scammell.

Poe was likely paid $10 ({{Inflation|US|10|1843|fmt=eq}}) for the story.<ref name="Silverman-p201">[[Kenneth Silverman|Silverman, Kenneth]]. ''Edgar A. Poe: Mournful and Never-ending Remembrance''. New York: Harper Perennial, 1991. {{ISBN|0-06-092331-8}}, p. 201.</ref> Its original publication included an epigraph that quoted [[Henry Wadsworth Longfellow]]'s poem "[[A Psalm of Life]]."<ref name=Moss151>Moss, Sidney P. ''Poe's Literary Battles: The Critic in the Context of His Literary Milieu''. Southern Illinois University Press, 1969. p. 151</ref> The story was slightly revised when republished on August 23, 1845, edition of the ''[[Broadway Journal]]''. That edition omitted Longfellow's poem because Poe believed it was plagiarized.<ref name=Moss151/> "The Tell-Tale Heart" was reprinted several more times during Poe's lifetime.<ref name="eapoe">{{cite web |date=September 30, 2007 |url=http://www.eapoe.org/works/tales/index.htm |title="The Tales of Edgar Allan Poe" (index) |work=eapoe.org |publisher=The Edgar Allan Poe Society of Baltimore |access-date=2007-11-05 }}</ref>

== Analysis ==
"The Tell-Tale Heart" uses an [[unreliable narrator]]. The exactness with which the narrator recounts murdering the old man, as if the stealthy way in which they executed the crime were evidence of their sanity, reveals their [[monomania]] and [[paranoia]]. The focus of the story is the perverse scheme to commit the [[perfect crime]].<ref>Kennedy, J. Gerald. ''Poe, Death, and the Life of Writing''. Yale University Press, 1987. p. 132; {{ISBN|0-300-03773-2 }}</ref> One interpretation is that Poe wrote the narrator in a way that "allows the reader to identify with the narrator".<ref>Bynum, P.M. (1989) "Observe How Healthily – How Calmly I Can Tell You the Whole Story": Moral Insanity and Edgar Allan Poe's 'The Tell-Tale Heart'. In: Amrine F. (eds) Literature and Science as Modes of Expression. Boston Studies in the Philosophy of Science, vol 115. Springer, Dordrecht. {{doi|10.1007/978-94-009-2297-6_8}}.</ref>

The narrator of "The Tell-Tale Heart" is generally assumed to be a male. However, some critics have suggested a woman may be narrating; no pronouns are used to clarify one way or the other.<ref name=Sova234>Sova, Dawn B. ''Edgar Allan Poe: A to Z''. New York City: Checkmark Books, 2001: 234. {{ISBN|0-8160-4161-X }}</ref> The story starts ''[[in medias res]]'', opening with a conversation already in progress between the narrator and another person who is not identified in any way. It has been speculated that the narrator is confessing to a prison warden, a judge, a reporter, a doctor, or a psychiatrist.<ref name="Benfey-p30">[[Christopher Benfey|Benfey, Christopher]]. "Poe and the Unreadable: 'The Black Cat' and 'The Tell-Tale Heart'", in ''New Essays on Poe's Major Tales'', Kenneth Silverman, ed. Cambridge University Press, 1993. {{ISBN|978-0-521-42243-7}}, p. 30.</ref> In any case, the narrator tells the story in great detail.<ref name="Cleman-p70">Cleman, John. "Irresistible Impulses: Edgar Allan Poe and the Insanity Defense", in ''Bloom's BioCritiques: Edgar Allan Poe'', edited by Harold Bloom. Philadelphia: Chelsea House Publishers, 2002. {{ISBN|0-7910-6173-6}}, p. 70.</ref> What follows is a study of terror but, more specifically, the memory of terror as the narrator is retelling events from the past.<ref>{{interlanguage link|Arthur Hobson Quinn|de||es}}. ''Edgar Allan Poe: A Critical Biography''. Baltimore: The Johns Hopkins University Press, 1998. {{ISBN|0-8018-5730-9}}. p. 394</ref> The first word of the story, "True!", is an admission of their guilt, as well as an assurance of reliability.<ref name="Benfey-p30"/> This introduction also serves to gain the reader's attention.<ref>[[Jeffrey Meyers|Meyers, Jeffrey]]. ''Edgar Allan Poe: His Life and Legacy''. Cooper Square Press, 1992. p. 101. {{ISBN|0-8154-1038-7 }}</ref> Every word contributes to the purpose of moving the story forward, exemplifying Poe's theories about the writing of short stories.<ref>{{interlanguage link|Arthur Hobson Quinn|de||es}}. ''Edgar Allan Poe: A Critical Biography''. Baltimore: The Johns Hopkins University Press, 1998. p. 394. {{ISBN|0-8018-5730-9 }}</ref>

The story is driven not by the narrator's insistence upon their "innocence," but by their insistence on their sanity. This, however, is self-destructive, because in attempting to prove their sanity, they fully admit that they are guilty of murder.<ref name="Robinson-p94">Robinson, E. Arthur. "Poe's 'The Tell-Tale Heart'" in ''Twentieth Century Interpretations of Poe's Tales'', edited by William L. Howarth. Englewood Cliffs, NJ: Prentice-Hall Inc., 1971, p. 94.</ref> Their denial of insanity is based on their systematic actions and their precision, as they provide a rational explanation for irrational behavior.<ref name="Cleman-p70"/> This rationality, however, is undermined by their lack of motive ("Object there was none. Passion there was none"). Despite this, they say, the idea of murder "haunted me day and night."<ref name="Robinson-p94"/> It is difficult to fully understand the narrator's true emotions about the blue-eyed man because of this contradiction. It is said that "At the same time he disclosed a deep psychological confusion", referring to the narrator and the comment that "Object there was none. Passion there was none" and that the idea of murder "haunted me day and night."<ref name=autogenerated1>{{cite journal |last1=Robinson |first1=E. Arthur |title=Poe's "The Tell-Tale Heart" |journal=University of California Press |year=1965 |volume=19 |issue=4 |pages=369–378 |doi=10.2307/2932876 |jstor=2932876 }}</ref>

The story's final scene shows the result of the narrator's feelings of [[guilt (emotion)|guilt]]. Like many characters in [[Gothic fiction]], they allow their nerves to dictate their nature. Despite their best efforts at defending their actions, their "over-acuteness of the senses"; which helps them hear the heart beating beneath the floorboards, is evidence that they are truly mad.<ref name="Fisher-p87">Fisher, Benjamin Franklin. "Poe and the Gothic Tradition", in ''The Cambridge Companion to Edgar Allan Poe'', edited by Kevin J. Hayes. Cambridge University Press, 2002. {{ISBN|0-521-79727-6}}, p. 87.</ref> The guilt in the narrator can be seen when the narrator confessed to the police that the body of the old man was under the floorboards. Even though the old man was dead, the body and heart of the dead man still seemed to haunt the narrator and convict them of the act. "Since such processes of reasoning tend to convict the speaker of madness, it does not seem out of keeping that he is driven to confession", according to scholar Arthur Robinson.<ref name="autogenerated1"/> Poe's contemporaries may well have been reminded of the controversy over the [[insanity defense]] in the 1840s.<ref name="Cleman-p66">Cleman, ''Bloom's BioCritiques'', p. 66.</ref> The confession can be due to a concept called "[[Illusion of transparency]]". According to the "Encyclopedia of Social Psychology", "Poe's character falsely believes that some police officers can sense his guilt and anxiety over a crime he has committed, a fear that ultimately gets the best of him and causes him to give himself up unnecessarily".<ref>{{cite book |last1=Baumeister |first1=Roy F. |last2=Vohs |first2=Kathleen D. |title=Encyclopedia of Social Psychology |date=2007 |publisher=Sage Publications, Inc. |location=Thousand Oaks, Calif |isbn=9781412916707 |page=458}} {{isbn|9781452265681 }}</ref>

The narrator claims to have a disease that causes [[Sensitivity (human)|hypersensitivity]]. A similar [[motif (narrative)|motif]] is used for Roderick Usher in "[[The Fall of the House of Usher]]" (1839) and in "The Colloquy of Monos and Una" (1841).<ref name="Reilly"/> It is unclear, however, if the narrator actually has very [[:wikt:acute|acute]] senses, or if it is merely imagined. If this condition is believed to be true, what is heard at the end of the story may not be the old man's heart, but [[deathwatch beetle]]s. The narrator first admits to hearing deathwatch beetles in the wall after startling the old man from his sleep. According to superstition, deathwatch beetles are a sign of impending death. One variety of deathwatch beetle raps its head against surfaces, presumably as part of a mating ritual, while others emit ticking sounds.<ref name="Reilly">Reilly, John E. "[http://www.eapoe.org/papers/misc1990/jer19691.htm The Lesser Death-Watch and "'The Tell-Tale Heart'] {{webarchive |url=https://web.archive.org/web/20091218172125/http://www.eapoe.org/papers/misc1990/jer19691.htm |date=December 18, 2009 }}", in ''The American Transcendental Quarterly''. Second Quarter, 1969.</ref> [[Henry David Thoreau]] observed in an 1838 article that deathwatch beetles make sounds similar to a heartbeat.<ref>Robison, E. Arthur. "[http://www.eapoe.org/pstudies/ps1970/p1971105.htm Thoreau and the Deathwatch in Poe's 'The Tell-Tale Heart']", in ''Poe Studies'', vol. IV, no. 1. June 1971. pp. 14–16</ref> The discrepancy with this theory is that the deathwatch beetles make a "uniformly faint" ticking sound that would have kept at a consistent pace but as the narrator drew closer to the old man the sound got more rapid and louder which would not have been a result of the beetles.<ref name="Zimmerman">{{cite journal |last1=Zimmerman |first1=Brett |title="Moral Insanity" or Paranoid Schizophrenia: Poe's "The Tell-Tale Heart" |journal=Mosaic: A Journal for the Interdisciplinary Study of Literature |date=1992 |volume=25 |issue=2 |pages=39–48 |jstor=24780617 }}</ref> The beating could even be the sound of the narrator's own heart. Alternatively, if the beating is a product of the narrator's imagination, it is that uncontrolled imagination that leads to their own destruction.<ref name="Eddings-p213">Eddings, Dennis W. "Theme and Parody in 'The Raven'", in ''Poe and His Times: The Artist and His Milieu'', edited by Benjamin Franklin Fisher IV. Baltimore: The Edgar Allan Poe Society, 1990. {{ISBN|0-9616449-2-3}}, p. 213.</ref>

It is also possible that the narrator has [[paranoid schizophrenia]]. Paranoid schizophrenics very often experience auditory hallucinations. These auditory hallucinations are more often voices, but can also be sounds.<ref name="Zimmerman-p39-48">Zimmerman, Brett. "'Moral Insanity' or Paranoid Schizophrenia: Poe's 'The Tell-Tale Heart.'" Mosaic: A Journal for the Interdisciplinary Study of Literature, vol. 25, no. 2, 1992, pp. 39–48. {{JSTOR|24780617}}.</ref> The hallucinations do not need to derive from a specific source other than one's head, which is another indication that the narrator is suffering from such a psychological disorder.<ref name="Zimmerman" />

The relationship between the old man and the narrator is ambiguous. Their names, occupations, and places of residence are not given, contrasting with the strict attention to detail in the plot.<ref name="Benfey-p32">Benfey, ''New Essays'', p. 32.</ref> The narrator may be a servant of the old man's or, as is more often assumed, his child. In that case, the "vulture-eye" of the old man as a father figure may symbolize parental surveillance or the paternal principles of right and wrong. The murder of the eye, then, is removal of conscience.<ref name="Hoffman-p223">[[Daniel Hoffman|Hoffman, Daniel]]. ''Poe Poe Poe Poe Poe Poe Poe''. Baton Rouge: Louisiana State University Press, 1972. {{ISBN|0-8071-2321-8}}, p. 223.</ref> The eye may also represent secrecy: only when the eye is found open on the final night, penetrating the veil of secrecy, is the murder carried out.<ref name="Benfey-p33">Benfey, ''New Essays'', p. 33.</ref>

[[Richard Wilbur]] suggested that the tale is an allegorical representation of Poe's poem "[[To Science]]", which depicts a struggle between imagination and science. In "The Tell-Tale Heart", the old man may thus represent the scientific and rational mind, while the narrator may stand for the imaginative.<ref name="Benfey-pp31-32">Benfey, ''New Essays'', pp. 31–32.</ref>

==Adaptations==
{{Unreliable sources|section|date=January 2016}}
* The earliest acknowledged adaptation of "The Tell-Tale Heart" was in a 1927 20-minute American silent film of that title<ref name="Tome332">{{cite book |last1=Workman |first1=Christopher |last2=Howarth |first2=Troy |year=2016 |title=Tome of Terror: Horror Films of the Silent Era |publisher=Midnight Marquee Press |page=332 |isbn=978-1936168-68-2 }}</ref> co-directed and co-produced by [[Leon Shamroy]] and Charles Klein, and starring [[Otto Matieson]] as "The Insane", William Herford as "The Old Man" with Charles Darvas and Hans Fuerberg as "Detectives". It was faithful to the original tale,<ref name=Sova234/> unlike future television and film adaptations which often expanded the short story to full-length feature films.<ref name="imdb-search">{{cite web |url=https://www.imdb.com/find?s=tt&q=The+Tell-Tale+Heart |title=IMDb Title Search: The Tell-Tale Heart |publisher=[[Internet Movie Database]] |access-date=2007-09-01 }}</ref>{{unreliable source?|date=January 2016}}<ref>[https://catalog.afi.com/Search?searchField=MovieName&searchText=The+Tell+Tale+Heart&sortType=sortByRelevance "The Tell Tale Heart"] ''[[AFI Catalog]]''</ref>
* The earliest known "talkie" adaptation was a [[The Tell-Tale Heart (1934 film)|1934 version]] filmed at the [[BBC Elstree Centre|Blattner Studios, Elstree]], by Clifton-Hurst Productions, directed by [[Brian Desmond Hurst]] and starring Norman Dryden. This version was 55 minutes in length.
* A [[The Tell-Tale Heart (1941 film)|1941 live-action adaptation]] starred [[Joseph Schildkraut]] and was the directorial debut of [[Jules Dassin]]. This version differs greatly from the original tale, depicting the murderer as driven mad after suffering years of abuse by the hateful older man.
* On August 23, 1946 [[Orson Welles]] hosted and introduced a radio broadcast on ''[[The Mercury Summer Theatre of the Air]]'' show on [[CBS]].<ref>[https://orsonwelles.indiana.edu/items/show/2175#?c=0&m=0&s=0&cv=0&xywh=-1087%2C-1%2C4666%2C3227 "The Tell-Tale Heart." The Sommer Mercury Theatre of the Air. Retrieved 27 April 2025.]</ref>
* A 1947 Polish film, ''[[:pl:Zdradzieckie serce (film 1947)|Zdradzieckie serce]]'' ("Treacherous Heart") by [[Jerzy Zarzycki]], was never released.
* A [[The Tell-Tale Heart (1953 American film)|1953 animated short film]] produced by [[United Productions of America|UPA]] and narrated by [[James Mason]] is included among the [[National Film Registry|list of films preserved in the United States National Film Registry]].
* Also in 1953, an [[EC Comics]] adaptation of "The Tell-Tale Heart" entitled "Sleep No More", written by [[William Gaines]] and [[Al Feldstein]] and illustrated by [[George Evans (cartoonist)]] appeared in ''[[Shock SuspenStories]]''.<ref>"Sleep No More", by Bill Gaines and Ed Feldstein, ''Shock SuspenStories'', April 1953.</ref>
* In 1956, an adaptation of "The Tell-Tale Heart" was written by [[William Templeton (screenwriter)|William Templeton]] for the ''[[NBC Matinee Theater]]'' and aired on November 6, 1956.
* A [[The Tell-Tale Heart (1960 film)|1960 film adaptation]] adds a love triangle to the story.
* Another 1980 adaptation in the anthology movie ''[[:es:Obras maestras del terror|Obras Maestras del Terror]]'' (''Masterworks of Terror'') directed by [[Narciso Ibáñez Menta]], based on an [[homonym|homonymous]] TV series. It adds a backstory to the protagonist, who pretends to be the old man's nephew while living with him before killing him, and to the old man, who is a selfish and greedy [[clockmaker]].
* An [[The Tell-Tale Heart (1961 film)|Australian ballet was based on the story]], and was recorded for television in the early 1960s.<ref>{{Cite web |url=https://news.google.com/newspapers?id=oZ5VAAAAIBAJ&pg=5089%2C2275271 |title=Archived copy |access-date=2015-05-01 |archive-url=https://web.archive.org/web/20160518204856/https://news.google.com/newspapers?id=oZ5VAAAAIBAJ&sjid=gbIDAAAAIBAJ&pg=5089,2275271 |archive-date=2016-05-18 |url-status=dead }}</ref>
* In 1968, [[ITV (TV network)|ITV]] broadcast a television adaptation as part of the horror anthology series ''[[Mystery and Imagination]]''. [[Lost television broadcast#Wiping|No recordings]] of the production are known to exist.
* In 1970, [[Vincent Price]] included a solo recitation of the story in the anthology film ''[[An Evening of Edgar Allan Poe]]''.
* A 1971 film adaptation directed by [[Steve Carver]], and starring [[Sam Jaffe]] as the old man.
* [[CBS Radio Mystery Theater]] performed an adaptation of the story in 1975; the cast included [[Fred Gwynne]].
* In the 1970s, [[Stephen King]] wrote "[[The Old Dude's Ticker]]", a short story variously described by King as "[[satire]]", "affectionate [[Homage (arts)|homage]]", "[[pastiche]]", and "a crazed [[Revisionism (fictional)|revisionist]] telling" of "The Tell-Tale Heart".<ref name="KingOld">{{cite web |url=https://stephenking.com/works/short/old-dudes-ticker.html |title=The Old Dude's Ticker |access-date=October 19, 2022 |work=[[StephenKing.com]] }}</ref>
* The Canadian radio program ''[[Nightfall (CBC)|Nightfall]]'' presented an adaptation on August 1, 1980.
* A musical adaptation performed by [[The Alan Parsons Project]] was released on their 1976 debut album ''[[Tales of Mystery and Imagination (Alan Parsons Project album)|Tales of Mystery and Imagination]]'', and was later covered by [[Slough Feg]] for their 2010 album, ''[[The Animal Spirits (Slough Feg album)|The Animal Spirits]]''.
* [[Steven Berkoff]] adapted the story in 1991, and was broadcast on British television. This adaptation was originally presented on British TV as part of the acclaimed series "Without Walls".
* The song "Ol' Evil Eye" off of the 1995 album ''[[Riddle Box]]'' by the [[Insane Clown Posse]] adapts a version of the story, as well as sampling audio from a reading of the original story.
* The [[Radio Tales]] series produced ''The Tell-Tale Heart'' for [[National Public Radio]] in 1998. The story was performed by [[Winifred Phillips]] along with music composed by her.
*The 1999 episode of ''[[SpongeBob SquarePants]]'' entitled "Squeaky Boots" loosely adapts the short story. In the episode, SpongeBob's new boots that squeak with each step stand in for the old man's beating heart. Mr. Krabs hides the boots under the floorboards of the Krusty Krab.
* The film ''Nightmares from the Mind of Poe'' (2006) adapts "The Tell-Tale Heart" along with "[[The Cask of Amontillado]]", "[[The Premature Burial]]" and "[[The Raven]]".
* In 2008, filmmaker [[Robert Eggers]] adapted the story as a short. This production was notable for using a lifelike, human-sized puppet to portray the old man. Eggers was largely unknown when he made the short, but it garnered attention when he released it online in 2022, after he had achieved some renown as a director of features.<ref>{{cite web |url=https://www.indiewire.com/2022/04/watch-robert-eggers-short-film-the-tell-tale-heart-1234720459/ |title=IndieWire: Watch Robert Eggers Adapt Edgar Allan Poe in Early Short Film 'The Tell-Tale Heart' |date=28 April 2022 |access-date=2022-04-28 }}</ref>
* The 2009 thriller film ''[[Tell-Tale (film)|Tell-Tale]]'', produced by [[Ridley Scott]] and [[Tony Scott]], credits Poe's "The Tell-Tale Heart" as the basis for the story of a man being haunted by his donor's memories, after a heart transplant.<ref>{{cite news |last1=Malvern |first1=Jack |title=Edgar Allen Poe's horror classic The Tell‑Tale Heart back from the dead after attic clear‑out |url=https://www.thetimes.com/uk/article/edgar-allen-poe-s-horror-classic-the-tell-tale-heart-back-from-the-dead-after-attic-clear-out-8bz8jdljs |access-date=30 November 2018 |work=[[The Times]] |date=23 October 2018 }}</ref>{{Unreliable source?|date=January 2016}}
* V. H. Belvadi's 2012 short film, ''Telltale'', credits Poe's "The Tell-tale Heart" as its inspiration and uses some dialog from the original work.
* ''Poe's Tell-Tale Heart: The Game'', is a 2013 mobile game adaptation in which players enact the protagonist's actions to recreate Poe's story on Google Play<ref>{{cite web |url=https://play.google.com/store/apps/details?id=com.learnvideogames.poe&hl=en |title=Poe's Tell-Tale Heart:The Game - Android Apps on Google Play |website=Play.google.com |access-date=2016-01-16 }}</ref> and Apple iOS.
* The 2015 animated anthology ''Extraordinary Tales'' includes "The Tell-Tale Heart", narrated by [[Bela Lugosi]].
* The 2015 [[Lifetime movie]] ''The Murder Pact'', starring [[Alexa Vega]], is based on Poe's work and incorporates allusions to it, such as the "vulture eye" from "The Tell-Tale Heart".<ref>{{cite web |author=Traciy Reyes |url=http://www.inquisitr.com/2411726/the-murder-pact-lifetime-movie-tell-tale-lies-lindsey-stirling-music-trailer-not-true-story/ |title='The Murder Pact': Lifetime Movie, Also Known As 'Tell-Tale Lies', Airs Tonight Featuring Music By Lindsey Stirling |website=Inquisitr.com |date=12 September 2015 |access-date=2016-01-16 }}</ref>
* In April 2016, a [[The Tell-Tale Heart (2014 film)|film adaption directed by John Le Tier]] was released, entitled ''The Tell-Tale Heart''. It starred [[Peter Bogdanovich]], [[Rose McGowan]], and [[Patrick Flueger]] in the lead role. It featured a full narration of Poe's story with added elements imagining the narrator as a former tortured soldier with PTSD.
* ''[[Redrum (2018 film)|Redrum]]'' (2018), an Indian Hindi-language film, adapts the story.<ref name="BS">{{cite news |last1=Ribeiro |first1=Troy |title='Redrum: A Love Story': A rehash of skewed love stories (IANS Review, Rating: *1/2) |url=https://www.business-standard.com/article/news-ians/redrum-a-love-story-a-rehash-of-skewed-love-stories-ians-review-rating-1-2-118080900464_1.html |access-date=13 April 2020 |work=[[Business Standard]] |date=9 August 2018 }}</ref> 
* In December 2018, [[Anthony Neilson]]'s stage adaptation was presented at London's [[Royal National Theatre|National Theatre]].<ref>{{cite news |last1=Malvern |first1=Jack |title=Edgar Allen Poe's horror classic The Tell‑Tale Heart back from the dead after attic clear‑out |url=https://www.thetimes.com/uk/article/edgar-allen-poe-s-horror-classic-the-tell-tale-heart-back-from-the-dead-after-attic-clear-out-8bz8jdljs |work=[[The Times]] |date=23 October 2018 |language=en }}</ref>
* In 2019, a feature film adaptation was released, adapted by and starring [[Steven Berkoff]] as the narrator (here named Edmund), known as ''Steven Berkoff's Tell Tale Heart''. The cast also includes [[Hugh Skinner]], [[Henry Goodman]] and [[Dudley Sutton]] as the old man.<ref>{{cite web |title=Steven Berkoff's Tell Tale Heart|url=https://www.ckfilmsltd.co.uk/tell-tale-heart |access-date=22 September 2025|work=ckfilmslts.co.uk}}</ref>
* In September 2022, DijitMedia released an adaptation entitled ''Edgar Allan Poe's Tell-Tale Heart''.<ref>{{cite news |last1=DeMichiei |first1=Lauren |title=That's a wrap! Post production begins on Poe Movies' Tell-Tale Heart |url=https://www.orionvegamedia.com/blog/thats-a-wrap-post-production-begins-on-poemovies-tell-tale-heart |access-date=17 October 2022 |work=Orionvega Media |date=10 June 2022 }}</ref> It featured the protagonist as a female house-servant to the old man, as was common in the United States during the 19th century.<ref>{{cite news |last1=Axelrod |first1=Joshua |title=Poe comes to life with locally shot version of 'The Tell-Tale Heart' |url=https://www.post-gazette.com/ae/movies/2022/09/26/edgar-allan-poe-tell-tale-heart-the-raven-cask-of-amontillado/stories/202209260015 |access-date=17 October 2022 |work=Pittsburgh Post-Gazette |date=26 September 2022 }}</ref> Elements from "[[The Black Cat (short story)|The Black Cat]]" were included to highlight the similarities between the actions of the protagonists.
* In October 2023, "Tell-Tale Heart" was loosely adapted for the fifth episode of the Netflix series ''[[The Fall of the House of Usher (miniseries)|The Fall of the House of Usher]]''.

==References==
{{Reflist|colwidth=30em}}

==External links==
{{Wikisource|Mystery Tales of Edgar Allan Poe/The Tell-Tale Heart|The Tell-Tale Heart}}
{{Commons category}}
* [https://poemuseum.org/the-tell-tale-heart/ "The Poe Museum"]– Full text of "The Tell-Tale Heart"
* [http://www.eapoe.org/works/tales/thearta.htm "The Tell-Tale Heart"]– Full text of the first printing, from the ''Pioneer'', 1843
* [http://www.escape-suspense.com/2007/10/the-tell-tale-h.html Mid-20th century radio adaptations of "The Tell-Tale Heart"]
* [http://www.shmoop.com/tell-tale-heart/ "The Tell-Tale Heart" study guide and teaching guide]– themes, analysis, quotes, teacher resources
* [http://www.TheTell-TaleHeart.com "The Tell-Tale Heart" animation]– Award-winning 2010 animated movie, teacher resources, student games
* [https://librivox.org/search?q=The%20Tell-Tale%20Heart&search_form=advanced 20 LibriVox audiorecordings, read by various readers]
* [https://archive.org/stream/pioneerliteraryc01lowe#page/n5/mode/2up The Pioneer, January, 1843, Boston edition.]
{{Edgar Allan Poe}}
{{The Tell-Tale Heart}}

{{Authority control}}

{{DEFAULTSORT:Tell-Tale Heart, The}}
[[Category:1843 short stories]]
[[Category:Fiction with unreliable narrators]]
[[Category:Horror short stories]]
[[Category:Short stories adapted into films]]
[[Category:Short stories by Edgar Allan Poe]]