View source for Santa Maria Maggiore

{{Short description|Rome Catholic basilica and landmark in Rome, Italy}}
{{redirect|Saint Mary Major||Santa Maria Maggiore (disambiguation)|and|Saint Mary Major (disambiguation)}}
{{Use dmy dates|date=May 2025}}
{{Infobox church
| name               = Basilica di Santa Maria Maggiore
| fullname           = Papal Basilica of Saint Mary Major
| native_name        = {{unbulleted list|{{native name|it|Basilica Papale di Santa Maria Maggiore}}|{{native name|la|Basilica Sanctae Mariae Maioris}}|{{native name|la|Basilica Sanctae Mariae ad Nives}}}}
| image              = Basilica di Santa Maria Maggiore - Roma.jpg
| caption            = Façade of the Basilica di Santa Maria Maggiore facing the Piazza
| coordinates        = {{coord|41|53|51|N|12|29|55|E|display=it}}
|image_size=270
|mapframe-frame-width=270
|mapframe=yes
|mapframe-caption=Interactive map of Santa Maria Maggiore's location in Rome
|mapframe-zoom=12
|mapframe-marker=religious-christian
|mapframe-wikidata=yes
| location           = [[Rome]]
| country            = Italy
| denomination       = [[Catholic Church]]
| tradition          = [[Latin Church]]
| website            = {{URL|https://www.vatican.va/various/basiliche/sm_maggiore/index_en.html|Santa Maria Maggiore}}
| dedication         = [[Blessed Virgin Mary]]
| cult               =[[Salus Populi Romani]]
| relics             = *[[Relics associated with Jesus#Nativity and childhood|Holy Crib]] 
*[[Jerome]]
| status             = [[Major basilica|Papal major basilica]]
| architect          = [[Ferdinando Fuga]]
| architectural type = [[Basilica]]
| style              = {{ubl|[[Roman architecture]]|[[Romanesque architecture]] (tower)|[[Baroque architecture]]}}
| groundbreaking     = {{start date|432}}
| year completed     = {{end date|1743}}
| length             = {{convert|92|m|ft|sp=us|abbr=on}}
| width              = {{convert|80|m|ft|sp=us|abbr=on}}
| width nave         = {{convert|30|m|ft|sp=us|abbr=on}}
| height max         = {{convert|75|m|ft|sp=us|abbr=on}}
| diocese            = [[Diocese of Rome|Rome]]
| archpriest         = [[Rolandas Makrickas]]
| embedded           = {{Infobox designation list
  | embed                   = yes
  | designation1            = WHS
  | designation1_offname    = Historic Centre of Rome, the [[Properties of the Holy See#Outside Vatican City but inside Rome|Properties of the Holy See in that City Enjoying Extraterritorial Rights]] and San Paolo Fuori le Mura
  | designation1_date       = 1980<ref>{{cite web|url=https://whc.unesco.org/en/list/91/ |title=Historic Centre of Rome, the Properties of the Holy See in that City Enjoying Extraterritorial Rights and San Paolo Fuori le Mura |publisher=Whc.unesco.org |access-date=17 June 2011| archive-url= https://web.archive.org/web/20110629140236/https://whc.unesco.org/en/list/91/| archive-date= 29 June 2011 | url-status= live}}</ref>
  | designation1_criteria   = i, ii, iii, iv, vi
  | designation1_number     = [https://whc.unesco.org/en/list/91/ 91]
  | designation1_type       = Cultural
  | designation1_free1name  = Region
  | designation1_free1value = [[List of World Heritage Sites in Europe|Europe and North America]]
 }}
}}

'''Santa Maria Maggiore''' ({{IPA|it|ˈsanta maˈriːa madˈdʒoːre}}),{{efn|The church is also referred to as {{lang|it|Santa Maria delle Nevi}}, from the Latin {{lang|la|Sancta Maria ad Nives}}, literally 'Saint Mary of the Snows'.}} also known as the '''Basilica of Saint Mary Major''' or the '''Basilica of Saint Mary the Great''',{{efn|{{langx|it|Basilica di Santa Maria Maggiore}}; {{langx|la|Basilica Sanctae Mariae Maioris}} or {{lang|la|Basilica Sanctae Mariae ad Nives}}. The official name seems to vary: the [[Holy See Press Office]] uses "'''Papal Liberian Basilica of Saint Mary Major in Rome'''" in English [https://www.vatican.va/news_services/press/documentazione/documents/cardinali_biografie/cardinali_bio_law_bf_en.html in a 2011 note] {{webarchive|url=https://web.archive.org/web/20130303044547/https://www.vatican.va/news_services/press/documentazione/documents/cardinali_biografie/cardinali_bio_law_bf_en.html |date=3 March 2013 }}, while the [https://www.vatican.va/various/basiliche/sm_maggiore/en/vita_liturgica/informazioni.htm official Vatican site for the Basilica] uses various formulas not including "Liberian" or {{lang|it|Liberiana}}, some under a coat of arms that includes {{lang|it|basilica Liberiana}} in Italian.}} is one of the four [[Basilicas in the Catholic Church#Major and papal basilicas|major papal basilicas]] and one of the [[Seven Pilgrim Churches of Rome]]. The largest [[Catholic Marian church buildings|Marian church]] in Rome, it is regarded as the first [[Marian sanctuary]] in the [[Western world]] and the mother of all sanctuaries.<ref>{{cite web|url=https://www.osservatoreromano.va/it/news/2023-08/quo-180/un-santuario-che-irradia-la-presenza-di-maria.html|title=Un santuario che irradia la presenza di Maria|trans-title=A sanctuary that radiates the presence of Mary|publisher=[[L'Osservatore Romano]]|date=5 August 2023|language=it}}</ref>

Santa Maria Maggiore is located in [[Esquilino (rione of Rome)|Esquilino]], the 15th [[Rioni of Rome|rione]] (administrative district) of Rome, on the [[Piazza dell'Esquilino]]. Pursuant to the [[Lateran Treaty]] of 1929 between the [[Holy See]] and [[Kingdom of Italy|Italy]], the basilica is in Italy and not [[Vatican City]].<ref name="vaticanstate.va">Lateran Treaty of 1929, Article 15 ([http://www.vaticanstate.va/content/dam/vaticanstate/documenti/leggi-e-decreti/Normative-Penali-e-Amministrative/LateranTreaty.pdf])</ref> However, as a property of the Holy See, Italy is obliged to protect its ownership<ref>Lateran Treaty of 1929, Article 13 ([http://www.vaticanstate.va/content/dam/vaticanstate/documenti/leggi-e-decreti/Normative-Penali-e-Amministrative/LateranTreaty.pdf])</ref> and to concede to it "the immunity granted by international law to the headquarters of the diplomatic agents of foreign states".<ref name="vaticanstate.va"/> The complex of buildings therefore has a status somewhat similar to an embassy.

The basilica enshrines the venerated image of {{lang|la|[[Salus Populi Romani]]}}, depicting the [[Blessed Virgin Mary]] as the health and protector of the Roman people, which was granted a [[canonical coronation]] by [[Pope Gregory&nbsp;XVI]] in 1838.<ref>Gregorii XVI, Papam. Litteræ Apostolicæ: ''Cælestis Regina Maxima Virginum Mariæ Sanctissima Dei Genetrix'', CLXXXIII [[Vatican Secret Archives]], Actas Gregorii XVI Papae, p. 271.</ref>

=={{anchor|Name|Other names}}Names==

The Basilica is sometimes referred to as [[Dedication of the Basilica of St Mary Major|Our Lady of the Snows]], a name given to it in the [[Roman Missal]] from 1568 to 1969 in connection with the [[Dedication of the Basilica of St Mary Major|liturgical feast of the anniversary of its dedication]] on 5 August, a feast that was then denominated {{lang|la|Dedicatio Sanctae Mariae ad Nives}} ('Dedication of Saint Mary of the Snows'). This name for the basilica had become popular in the 14th century<ref name=Calendarium>{{harvnb|Calendarium Romanum|1969|p=99}}</ref> in connection with a legend that {{Circa|352|lk=no}}, during "the pontificate of [[Pope Liberius|Liberius]], a Roman patrician John and his wife, who were without heirs, made a vow to donate their possessions to the Virgin Mary."<ref>As reported in the 1911 [[Catholic Encyclopedia]].</ref> The couple prayed that she might make known to them how they were to dispose of their property in her honor. On 5 August, at the height of the Roman summer, snow fell during the night on the summit of the Esquiline Hill. In obedience to a vision of the Virgin Mary which they had the same night, the couple built a basilica in honor of Mary on the very spot which was covered with snow.<ref>As reported in the 1911 [[Catholic Encyclopedia]].</ref>

The legend is first reported only after AD&nbsp;1000.<ref>[https://web.archive.org/web/20020611054253/http://www.americancatholic.org/Features/SaintOfDay/default.asp?id=1098 Dedication of St. Mary Major Basilica]</ref> It may be implied in what the {{lang|la|[[Liber Pontificalis]]}} of the early 13th century says of Pope Liberius: "He built the basilica of his own name near the [[Macellum Liviae|Macellum of Livia]]".<ref>{{harvnb|Loomis|1916|p=77}}</ref> It is shown in the early 15th-century painting of the Miracle of the Snow by [[Masolino da Panicale]].<ref name="Miles 1993157">{{harvnb|Miles|1993|p=157}}</ref>{{efn|This triptych painted around 1423 was commissioned for the basilica by a member of the [[Colonna family]]; it is now in the [[Museo di Capodimonte]], Naples (Paul Joannides, "The Colonna Triptych by Masolino and Masaccio," {{lang|la|Arte Cristiana}} no. 728 (1988:339–)). The miracle is depicted as witnessed by a crowd of men and women, with Jesus and the Virgin Mary observing from above.}}

[[File:Masolino, fondazione di santa maria maggiore.jpg|thumb|upright|The [[Blessed Virgin Mary]] overlooking [[Pope Liberius]] scrapes the outline of the foundation of the basilica into the snow. By Italian artist [[Masolino da Panicale]], circa 15th century, [[Museo di Capodimonte]].]]

The feast was originally called {{lang|la|Dedicatio Sanctae Mariae}} ('Dedication of Saint Mary{{'s}}'),<ref name="cathency">{{harvnb|Ott|1913|loc=Our Lady of the Snow}}</ref> and was celebrated only in Rome until it was inserted into the [[General Roman Calendar]], with {{lang|la|ad Nives}} added to its name, in 1568.<ref name=Calendarium/> A congregation appointed by [[Pope Benedict XIV]] in 1741 proposed that the reading of the legend be struck from the Office and that the feast be given its original name.<ref name="cathency"/> No action was taken on the proposal until 1969, when the reading of the legend was removed and the feast was called {{lang|la|In dedicatione Basilicae S. Mariae}} ('Dedication of the Basilica of Saint Mary').<ref name=Calendarium/> The legend is still commemorated by dropping white [[rose]] petals from the dome during the celebration of the [[Mass in the Catholic Church|Mass]] and during the Second [[Vespers]] on the feast day.

The earliest building on the site was the Liberian Basilica or {{lang|la|Santa Maria Liberiana}}, after [[Pope Liberius]] (352–366). This name may have originated from the same legend, which recounts that, like John and his wife, Pope Liberius was told in a dream of the forthcoming summer snowfall, went in procession to where it occurred and there marked out the area on which the church was to be built.<ref name=Parsch>[http://www.catholicculture.org/culture/liturgicalyear/calendar/day.cfm?id=218 Pius Parsch, ''The Church's Year of Grace'' quoted in Catholic Culture: "Ordinary Time, 5 August"]</ref> {{lang|la|Liberiana}} is still included in some versions of the basilica's name, and "Liberian Basilica" may be used as a contemporary as well as historical name.{{efn|See for example the [[Holy See]]'s press office using "Papal Liberian Basilica of St. Mary Major in Rome" in English [https://www.vatican.va/news_services/press/documentazione/documents/cardinali_biografie/cardinali_bio_law_bf_en.html in a 2011 note] {{webarchive|url=https://web.archive.org/web/20130303044547/https://www.vatican.va/news_services/press/documentazione/documents/cardinali_biografie/cardinali_bio_law_bf_en.html |date=3 March 2013 }}, while the [https://www.vatican.va/various/basiliche/sm_maggiore/en/vita_liturgica/informazioni.htm official Vatican website for the church] uses various formulas, some under a coat of arms that includes "basilica Liberiana" in Italian.}}

On the other hand, the name "Liberian Basilica" may be independent of the legend, since, according to [[Pius Parsch]], Pope Liberius transformed a palace of the Sicinini family into a church, which was for that reason called the "Sicinini Basilica". This building was then replaced under [[Pope Sixtus III]] (432–440) by the present structure dedicated to Mary.<ref name=Parsch/> However, some sources say that the adaptation as a church of a pre-existing building on the site of the present basilica was done in the 420s under [[Pope Celestine I]], the immediate predecessor of Sixtus III.<ref>{{harvnb|Rubin|2009|p=95}}</ref>

Long before the earliest traces of the story of the miraculous snow, the church now known as Santa Maria Maggiore was called "Saint Mary of the Crib" ({{lang|la|Sancta Maria ad Praesepe}}),<ref>[https://www.vatican.va/edocs/ENG0220/__P2.HTM Encyclical ''Slavorum Apostoli''], 5</ref> a name it was given because of its [[relic]] of the crib or manger of the Nativity of Jesus Christ, four boards of sycamore wood believed to have been brought to the church, together with a fifth, in the time of [[Pope Theodore I]] (640–649).<ref>[http://oce.catholic.com/index.php?title=Crib Stephen M. Donovan, "Crib"] in [[Catholic Encyclopedia]] 1908 {{webarchive|url=https://web.archive.org/web/20120117161306/http://oce.catholic.com/index.php?title=Crib |date=17 January 2012 }}</ref><ref>[https://books.google.com/books?id=2NutWXeteNgC&pg=PA22 Joan Carroll Cruz, ''Relics'']{{Dead link|date=September 2023 |bot=InternetArchiveBot |fix-attempted=yes }} (Our Sunday Visitor 1984 {{ISBN|978-0-87973-701-6}}), p. 22</ref> This name appears in the [[Tridentine Mass|Tridentine]] editions of the [[Roman Missal]] as the place for the pope's Mass (the station Mass) on Christmas Night,<ref>[http://www.sanctamissa.org/en/resources/books-1962/missale-romanum-1962.pdf ''Missale Romanum''] {{Webarchive|url=https://web.archive.org/web/20200215054059/https://sanctamissa.org/en/resources/books-1962/missale-romanum-1962.pdf |date=15 February 2020 }}, 1962 edition, p. 17</ref> while the name "Mary Major" appears for the church of the station Mass on Christmas Day.<ref>''Missale Romanum'', 1962 edition, p. 20</ref>

==Status as a papal major basilica==

{{see also|Major basilica}}

[[File:Seven Churches of Rome - Giacomo Lauro - 1599.jpg|thumb|A map by Giacomo Lauro and Antonio Tempesta depicting Santa Maria Maggiore among the [[Seven Pilgrim Churches of Rome]] in 1599, in view of the [[Jubilee (Christian)|Holy Year]] of 1600. Santa Maria is at centre-left.]] 

A [[Catholic Church|Catholic]] church can only be honored with the title of ''basilica'' by [[Holy See|apostolic]] grant or from immemorial custom.<ref>[http://www.catholicculture.org/culture/library/view.cfm?recnum=244 Robert F. McNamara, ''Minor Basilicas in the United States'']</ref> Santa Maria Maggiore is one of four that hold the title of "[[major basilica]]". The other three are the basilicas of [[Basilica di San Giovanni in Laterano|St. John in the Lateran]], [[St. Peter's Basilica|St. Peter]], and [[Basilica of Saint Paul Outside the Walls|St. Paul outside the Walls]].<ref name=Basilicas>[http://www.gcatholic.org/churches/data/basITX.htm#aaa Basilicas]</ref> The title of major basilica was once used more widely, being attached, for instance, to the [[Basilica of Santa Maria degli Angeli|Basilica of St. Mary of the Angels]] in [[Assisi]].<ref>[http://www.catholicculture.org/culture/library/dictionary/index.cfm?id=34705 John Hardon, ''Modern Catholic Dictionary'' 1980]</ref> 

Along with the other major basilicas, Santa Maria Maggiore is also styled a "[[Major basilica#Papal Basilicas|papal basilica]]". Before 2006, the four papal major basilicas, together with the [[Basilica di San Lorenzo fuori le Mura|Basilica of St. Lawrence outside the Walls]] were referred to as the "patriarchal basilicas" of Rome. When [[Pope Benedict XVI]] abandoned the title "[[Patriarch of the West]]", the title of Santa Maria Maggiore changed from patriarchal to papal basilica, as found on its website,<ref>{{cite web |url=https://www.vatican.va/various/basiliche/sm_maggiore/index_en.html | access-date = 14 July 2024| title = Papal Basilica of Saint Mary Major}}</ref> and each was associated with one of the [[Pentarchy|five ancient patriarchates]]. Santa Maria Maggiore was associated with the [[Patriarchate of Antioch]].<ref>{{CathEncy|wstitle=Patriarch and Patriarchate}}</ref> In 2024, [[Pope Francis]] reinstated the title, reversing Pope Benedict XVI's renunciation of it but, so far, the church designation has remained unaltered.<ref>{{Cite web |date=2024-04-10 |title=Why is Pope Francis embracing the patriarchy (of the West)? |url=https://www.pillarcatholic.com/p/why-is-pope-francis-embracing-the |access-date= |website=[[The Pillar]] |language=en}}</ref>

The five papal basilicas along with the [[Basilica of the Holy Cross in Jerusalem]] and [[San Sebastiano fuori le mura]] were the traditional [[Seven Pilgrim Churches of Rome]], which were visited by pilgrims during their pilgrimage to Rome following a {{convert|20|km|adj=on|sp=us}} itinerary established by [[Philip Neri]] on 25 February 1552.<ref>[http://www.oratoriosanfilippo.org/visita-sette-chiese.pdf La Visita alle Sette Chiese]</ref><ref>{{cite book|last=Panvinio|first=Onofrio|title=Le sette chiese romane|year=1570|location=Rome|url=https://books.google.com/books?id=SozbdUVZnycC|access-date=12 August 2011}}</ref><ref>{{cite web|last=Sacchi|first=Guido|title=La visita alle Sette Chiese: cenni storici|url=http://www.gliscritti.it/approf/luogiub/settechiese.htm#appel2|access-date=12 August 2011|language=it}}</ref>

==History==

[[File:Giovanni Paolo Pannini - The Piazza and Church of Santa Maria Maggiore.jpg|thumb|upright=1.35|The Piazza and Church of Santa Maria Maggiore, by [[Giovanni Paolo Panini]]]]

It is now agreed that the present church was built on the Cispian spur of Rome's [[Esquiline Hill]] under [[Pope Celestine I]] (422–432) not under [[Pope Sixtus III]] (432–440), who consecrated the basilica on 5 August 434 to the Virgin Mary.

The dedicatory inscription on the triumphal arch, {{langx|la|Sixtus Episcopus plebi Dei}} (Sixtus the bishop to the people of God), is an indication of that Pope's role in the construction.<ref name="Krautheimer, 1980 p 49" /> As well as this church on the summit of the [[Esquiline Hill]], Pope Sixtus III is said to have commissioned extensive building projects throughout the city, which were continued by his successor [[Pope Leo I]], the Great.<ref>{{harvnb|Krautheimer|1980|p=52}}</ref>

The church retains the core of its original structure, despite several additional construction projects and damage by the [[earthquake of 1348]].

Church building in Rome in this period, as exemplified in Santa Maria Maggiore, was inspired by the idea of Rome being not just the center of the world of the [[Roman Empire]], as it was seen in the classical period, but the center of the Christian world.<ref name="Krautheimer46">{{harvnb|Krautheimer|1980|p=46}}</ref>

Santa Maria Maggiore, one of the first churches built to celebrate the Virgin Mary, was erected immediately after the [[First Council of Ephesus|Council of Ephesus]] of 431, which proclaimed Mary Mother of God. [[Pope Sixtus III]] built it to commemorate this decision.<ref>{{harvnb|Vassilaki|2000|p=10}}</ref><ref>{{harvnb|Pirlo|1997|p=7}}</ref> Certainly, the atmosphere that generated the council gave rise also to the mosaics that adorn the interior of the dedication: "whatever the precise connection was between council and church it is clear that the planners of the decoration belong to a period of concentrated debates on nature and status of the Virgin and incarnate Christ."<ref name="Corm889"/> The magnificent [[mosaics]] of the nave and triumphal arch, seen as "milestones in the depiction" of the Virgin,<ref>{{harvnb|Vassilaki|2000|p=132}}</ref> depict scenes of her life and that of Christ, and scenes from the [[Old Testament]]: Moses striking the [[Red Sea]], and Egyptians drowning in the Red Sea.

[[Richard Krautheimer]] attributes the magnificence of the work also to the abundant revenue accruing to the papacy at the time from land holdings acquired by the Catholic Church during the 4th and 5th centuries on the Italian peninsula: "Some of these holdings were locally controlled; the majority as early as the end of the 5th century were administered directly from Rome with great efficiency: a central accounting system was involved in the papal chancery; and a budget was apparently prepared, one part of the income going to the papal administration, another to the needs of the clergy, a third to the maintenance of church buildings, a fourth to charity. These fines enabled the papacy to carry out through the 5th century an ambitious building program, including Santa Maria Maggiore."<ref>{{harvnb|Krautheimer|1980|pp=69–70}}</ref>

Miri Rubin believes that the building of the basilica was influenced also by seeing Mary as one who could represent the imperial ideals of classical Rome, bringing together the old Rome and the new Christian Rome:  "In Rome, the city of [[martyr]]s, if no longer of emperors, Mary was a figure that could credibly carry imperial memories and representations."<ref>{{harvnb|Rubin|2009|pp=95–96}}</ref>

[[Gregory the Great]] may have been inspired by Byzantine devotions to the ''Theotokos'' (Mother of God) when after becoming Pope during a plague in 590 that had taken the life of his predecessor, he ordered for seven processions to march through the city of Rome chanting Psalms and Kyrie Eleison, in order to appease the wrath of God. The processions began in different parts of the city, but rather than finally converging on St Peter's, who was always the traditional protector of Rome, he instead ordered the processions to converge on Santa Maria Maggiore instead.<ref>Andrew J. Ekonomou. ''Byzantine Rome and Greek Popes''. Lexington Books, 2007 {{page?|date=April 2025}}{{ISBN?}}</ref>

When the popes returned to Rome after the period of the [[Avignon papacy]], the buildings of the basilica became a temporary [[Palace of the Popes (disambiguation)|Palace of the Popes]]{{Citation needed|date=August 2011}} due to the deteriorated state of the [[Lateran Palace]]. The papal residence was later moved to the [[Palace of the Vatican]] in what is now [[Vatican City]].

The basilica was restored, redecorated and extended by various popes, including [[Pope Eugene III|Eugene III]] (1145–1153), [[Pope Nicholas IV|Nicholas IV]] (1288–1292), [[Pope Clement X|Clement X]] (1670–1676), and [[Pope Benedict XIV|Benedict XIV]] (1740–1758), who in the 1740s commissioned [[Ferdinando Fuga]] to build the present façade and to modify the interior. The interior of the Santa Maria Maggiore underwent a broad renovation encompassing all of its altars between the years 1575 and 1630.

In 1966, archaeologists excavating under the basilica found the remains of a Roman building including an [[Roman calendar|imperial calendar]] with [[fasti]] and [[menologium rusticum#Other|agricultural annotations and illustrations]].{{sfnp|Dyson|2010|p=[https://books.google.com/books?id=wfN5dd5wbWgC&pg=PA295 295]}} On the basis of the calendar, the ruins have been dated to {{c.|200}} by [[Michele R. Salzman|Salzman]]{{sfnp|Salzman|1990|p=[https://books.google.com/books?id=xar95I_wpLMC&pg=PA11 11]}} and to the 4th century by Magi.{{sfnp|Magi|1972}}

In 2025, [[Pope Francis]] was buried at the basilica in the side nave between the Sforza Chapel and the Pauline Chapel.<ref>{{cite news|url=https://www.vaticannews.va/en/pope/news/2025-04/pope-francis-is-buried-in-st-mary-major.html|title=Pope Francis' mortal remains buried in St. Mary Major|first=Francesca|last=Merlo|publisher=Vatican News|date=26 April 2025}}</ref>

==Architecture==

[[File:Apse of Santa Maria Maggiore.jpg|thumb|upright=1.25|[[Piazza dell'Esquilino]] with the apse area of Santa Maria Maggiore]]

The original architecture of Santa Maria Maggiore was classical and traditionally [[Roman architecture|Roman]], perhaps to convey the idea that Santa Maria Maggiore represented old imperial Rome as well as its Christian future. As one scholar puts it, "Santa Maria Maggiore so closely resembles a second-century imperial [[basilica]] that it has sometimes been thought to have been adapted from a basilica for use as a Christian church. Its plan was based on [[Hellenistic]] principles stated by [[Vitruvius]] at the time of [[Augustus]]."<ref>{{harvnb|Miles|1993|p=158}}</ref>

Even though Santa Maria Maggiore is immense in its area, it was built to plan. The design of the basilica was a typical one during this time in Rome: "a tall and wide nave; an aisle on either side; and a semicircular apse at the end of the nave."<ref name="Krautheimer46"/> The key aspect that made Santa Maria Maggiore such a significant cornerstone in church building during the early 5th century were the beautiful [[mosaics]] found on the triumphal arch and nave. {{citation needed|date=March 2014}}

[[File:Detail of the Basilica di Santa Maria Maggiore.jpg|thumb|upright=1.25|Detail of the external façade of the apse on the north-west of the church on Piazza dell'Esquilino]]

[[File:Basílica de Santa María la Mayor, Roma, Italia, 2022-09-16, DD 09-11 HDR.jpg|thumb|An interior view of the dome]]

The Athenian marble columns supporting the nave are even older, and either come from the first basilica, or from another antique Roman building. Thirty-six are marble and four granite, pared down, or shortened to make them identical by [[Ferdinando Fuga]], who provided them with identical gilt-bronze capitals.<ref>{{harvnb|Beny|Gunn|1981|p=106}}</ref> 

The 14th-century [[campanile]], or bell tower, is the highest in Rome, at 246 feet, (about 75 m.). The basilica's 16th-century coffered ceiling, to a design by [[Giuliano da Sangallo]], is said to be gilded with gold, initially brought by [[Christopher Columbus]], presented by [[Ferdinand and Isabella]] to the Spanish pope, [[Pope Alexander VI|Alexander VI]].<ref>[[Charles A. Coulombe]], ''Vicars of Christ'', p. 330.</ref> The apse mosaic, the [[Coronation of the Virgin]], is from 1295, signed by the [[Franciscan]] friar, [[Jacopo Torriti]]. The Basilica also contains frescoes by [[Giovanni Baglione]], in the Cappella Borghese.{{citation needed|date=March 2014}}

The 12th-century façade has been masked by a reconstruction, with a screening [[loggia]], that was added by [[Pope Benedict XIV]] in 1743, to designs by [[Ferdinando Fuga]] that did not damage the mosaics of the façade. The wing of the ''canonica'' ([[sacristy]]) to its left and a matching wing to the right (designed by [[Flaminio Ponzio]]) give the basilica's front the aspect of a palace facing the ''Piazza Santa Maria Maggiore''. To the right of the Basilica's façade is a memorial constituting a column in the form of an up-ended cannon barrel topped with a cross: it was erected by [[Pope Clement VIII]] to celebrate the end of the [[French Wars of Religion]].<ref>[http://members.tripod.com/romeartlover/Vasi48.html Basilica memorial to celebrate the end of the French Wars of Religion]; accessed 22 March 2014.</ref>

In the piazza in front of the facade rises a column with a Corinthian capital, topped with a statue of the Virgin and the child Jesus. This [[Marian column]] was erected in 1614 to the designs of [[Carlo Maderno]] during the [[Pope Paul V|papacy of Paul V]]. Maderno's fountain at the base combines the armorial eagles and dragons of Paul V ([[Borghese]]). The column itself was the sole intact remainder from the [[Basilica of Maxentius and Constantine]] in the [[Roman Forum]].{{efn|Prior authors refer to its derivation from the ''[[Tempio della Pace]]'' or ''Temple of Peace'', which was the name attributed to the ''Basilica of Maxentius and Constantine'' before the 18th-century.}} The statue on top of the column was made by the sculptor Guillaume Berthélot and cast by Orazio Censore. In a [[papal bull]] from the year of its installation, the pope decreed three years of [[indulgences]] to those who uttered a prayer to the Virgin while saluting the column.<ref>[https://books.google.com/books?id=CR_nJAAACAAJ ''Il Divoto Pellegrino Guidato, ed Istruito nella Visita delle quattro Basiliche di Roma, per il Giubileo dell'Anno Santo 1750.''], Stamperia del Characas, presso San Marco al Corso, Rome, 1749, pp. 338–339.</ref>

==Interior==

===Fifth-century mosaics===

[[File:Interior of Santa Maria Maggiore (Rome).jpg|thumb|The interior of the basilica. The view down the nave towards the high altar]]

The mosaics found in Santa Maria Maggiore are one of the oldest representations of the Virgin Mary in Christian [[late antiquity]]. As one scholar puts it, "This is well demonstrated by the decoration of Santa Maria Maggiore in Rome,... where the iconographic depiction of the Virgin Mary was chosen at least in part to celebrate the affirmation of Mary as [[Theotokos]] (bearer of God) by the third ecumenical [[First Council of Ephesus|Council of Ephesus]] in 431 CE."<ref>{{harvnb|Gwynn|Bangert|2010|p=235}}</ref> 

The mosaics of the triumphal arch and the nave in Santa Maria Maggiore gave a model for the future representations of the Virgin Mary. The influences of these mosaics are rooted in late antique impressionism that could be seen in [[frescoes]], manuscript paintings and many pavement mosaics across villas in Africa, [[Syria]] and [[Sicily]] during the 5th century.<ref name="Krautheimer, 1980 p 49">{{harvnb|Krautheimer|1980|p=49}}</ref> This being said, the crowning of Mary on the Apse was made much later by Torriti by commission of Pope Nicholas IV. (13th century).{{cn|date=April 2025}}

These mosaics gave historians insight into artistic, religious, and social movements during this time. As [[Margaret R. Miles]] explains the mosaics in Santa Maria Maggiore have two goals: one to glorify the Virgin Mary as Theotokos (God-Bearer); and the other to present "a systematic and comprehensive articulation of the relationship of the Hebrew Bible and the Christian scriptures as one in which the Hebrew Bible foreshadows Christianity."<ref>{{harvnb|Miles|1993|p=160}}</ref> This is explained by the dual images of [[Old Testament]] and [[New Testament]] events depicted in the mosaics of the triumphal arch and the nave.<ref name="Corm889"/>

The mosaics also show the range of artistic expertise and refute the theory that mosaic technique during the time was based on copying from model books. The mosaics found in Santa Maria Maggiore are combinations of different styles of mosaic art during the time, according to art scholar Robin Cormack: "the range of artistic expertise and the actual complexities of production can hardly be reduced to a mentality of copying. A test case is given by the mosaics of S. Maria Maggiore in Rome".<ref name="Corm889">{{harvnb|Cormack|2000|p=889}}</ref>

===Triumphal arch===

[[File:RomaSantaMariaMaggioreArcoTrionfaleDxRegistro4.jpg|thumb|Detail of the mosaic in the triumphal arch, showing Bethlehem]]

The triumphal arch at the head of the nave was at first referred to as the [[apse]] arch, but later became known as the triumphal arch.<ref>{{harvnb|Krautheimer|1980|p=47}}</ref> The triumphal arch is illustrated with magnificent mosaics depicting different scenes of Christ and the Virgin Mary. There was a difference in the styles used in the triumphal arch mosaics compared to those of the nave. The style of the triumphal arch was much more linear and flat as one scholar describes it, not nearly as much action, emotion and movement in them as there were in the Old Testament mosaics of the nave.<ref name="Corm889"/> 

One of the first scenes that were visible on the triumphal arch was a panel of Christ's enthronement with a group of angels as his court. As one historian describes it: "On the apse arch Christ is enthroned, a young emperor attended by four [[Chamberlain (office)|chamberlains]], angels of course".<ref name="Krautheimer46"/> This is a perfect example of mosaic art in the 5th century. Another panel found on the triumphal arch is of the Virgin. She is crowned and dressed in a colorful veil. Her wardrobe subtly brings to mind that of a Roman empress. She has her divine son walking with her and a suite of angels and Joseph ready to greet her. "The Virgin...shows to perfection the impressionistic character of mosaics."<ref name="Krautheimer, 1980 p 48">{{harvnb|Krautheimer|1980|p=48}}</ref> 

Another panel is known as the [[Adoration]] of the [[Magi]]. This mosaic depicts Infant Christ and The Virgin and the arrival of the three wise men, "mosaics illustrating Christ's first coming and his youth covered the triumphal arch."<ref name="Krautheimer, 1980 p 48"/> The other panel depicts the Virgin accompanied by five martyrs.<ref name="Krautheimer, 1980 p 49"/>

===Nave===

[[File:SMM Nave Mosaic.jpg|thumb|A nave mosaic from the story of Moses]]
[[File:Basilica di Santa Maria Maggiore abside a Roma.jpg|thumb|upright|The apse of the basilica]]
The nave of the basilica was covered in mosaics representing Old Testament events of [[Moses]] leading the [[Jews]] out of [[Egypt]] across the Red Sea. "The nave mosaics (which represents stories of Old Testament history and accordingly offered Christians in Rome a new 'past') are illusionistic in a colorful and impressionist manner"<ref name="Corm889"/> as this scholar puts it the scene was filled with movement, emotion, and it was to inspire thinking of Rome's "new" past; the past of the Old Testament. 

As one scholar describes it: "Moses strikes the waters of the Red Sea in a heroic gesture, his toga in light and dark grays and blues, but lined in black, the folds white lines, the tunic underneath light blue; the man next to him wears a deep blue toga over a gray and white tunic."<ref name="Krautheimer, 1980 p 49"/> 

Another panel shows the demise of the [[Egyptians]] in the [[Red Sea]]. An observer describes the mosaic: "The Egyptians, clad in blue armor with gold bands and scarlet cloaks wildly flying, drown in the greenish-blue waters; the horses, white or light brown shaded with darker browns, highlighted in white, the accoutrements a bright red."<ref name="Krautheimer, 1980 p 48"/>

===Cappella Sistina and Crypt of the Nativity===

[[File:Sacra culla.jpg|thumb|Reliquary of the Holy Crib]]

Under the high altar of the basilica is the '''Crypt of the Nativity''' or ''Bethlehem Crypt'', with a crystal reliquary designed by [[Giuseppe Valadier]] said to contain wood from the Holy Crib of the nativity of [[Jesus]] Christ.<ref name=Inside>[https://www.vatican.va/various/basiliche/sm_maggiore/en/storia/interno.htm Inside the Basilica]</ref> Here is the burial place of [[Jerome]], the 4th-century [[Doctor of the Church]] who translated the Bible into the [[Latin|Latin language]] (the [[Vulgate]]).<ref name=Destinations>[http://www.sacred-destinations.com/italy/rome-santa-maria-maggiore Sacred Destinations: SantaMariaMaggiore, Rome]</ref>

[[File:Santa Maria Maggiore (Rome) 06.jpg|thumb|upright|Altar of Sistine Chapel and Oratory of the Nativity]]

Fragments of the sculpture of the Nativity believed to be by 13th-century [[Arnolfo di Cambio]] were transferred to beneath the altar of the large Sistine Chapel<ref name=Inside/> off the right transept of the church. This chapel of the Blessed Sacrament is named after [[Pope Sixtus V]], and is not to be confused with the [[Sistine Chapel]] of the [[Apostolic Palace|Vatican]], named after [[Pope Sixtus IV]]. The architect [[Domenico Fontana]] designed the chapel, which contains the tombs of Sixtus V himself and of his early patron [[Pope Pius V]]. The main altar in the chapel has four gilded bronze angels by Sebastiano Torregiani, holding up the [[Ciborium (architecture)|ciborium]], which is a model of the chapel itself.

Beneath this altar is the Oratory or Chapel of the Nativity, on whose altar, at that time situated in the Crypt of the Nativity below the main altar of the church itself, [[Ignatius of Loyola]] celebrated his first Mass as a priest on 25 December 1538.

Just outside the Sistine Chapel is the tomb of [[Gian Lorenzo Bernini]] and his family.<ref name=Destinations/>

The [[Mannerism|Mannerist]] interior decoration of the Sistine Chapel was completed (1587–1589) by a large team of artists, directed by [[Cesare Nebbia]] and [[Giovanni Guerra]]. While the art biographer, [[Giovanni Baglione]] allocates specific works to individual artists, recent scholarship finds that the hand of Nebbia drew preliminary sketches for many, if not all, of the frescoes. Baglione also concedes the roles of Nebbia and Guerra could be summarized as "Nebbia drew, and Guerra supervised the teams".{{citation needed|date=August 2023}}

{| class=wikitable
!  width="30%" | Painter
!  width="70%" | Work
|- valign="top"
| Giovanni Battista Pozzo
| ''Angelic Glory, Visitation, Annunciation, Joseph's dream, St. Paul & John Evangelist, St. Peter enters Rome,& Massacre of infants''
|- valign="top"
| [[Lattanzio Mainardi]]
| ''Tamar, Fares, Zara, Solomon, & Boaz''
|- valign="top"
| [[Hendrick van den Broeck]] (Arrigo Fiammingo)
| ''Esrom, Aram, Aminabad & Naassom''
|- valign="top"
| [[Paris Nogari]]
| ''Ruth, Jesse, David, Solomon & Roboam; & the Holy Family''
|- valign="top"
| [[Giacomo Stella]]
| ''Jehoshaphat & Jehoram, Jacob, Judah & his brothers, Sacrifice of Isacc''
|- valign="top"
| Angiolo Nebbia
| ''Ozias & Jonathan, Abiud and Eliacim, Manassah and Amon, Josiah and Jechonia, Salatiele & Zorobabel''
|- valign="top"
| Salvatore Fontana
| ''Jacob, Eli, Eliezer and Nathan, Herod orders massacre of the innocents, Annunciation''
|- valign="top"
| [[Cesare Nebbia]]
| ''Chaziel & Ezekias, Sadoch, Achim, Amoz''
|- valign="top"
| Ercole from Bologna
| ''Flight from Egypt'' and ''Mary visits Elisabeth's house''
|- valign="top"
| [[Andrea Lilio]]
| ''Magi before Herod''
|- valign="top"
|}

Others include Ferdinando Sermei, [[Giacomo Stella]], [[Paul Bril]], and [[Ferraù Fenzoni]].<ref>{{harvnb|Eitel-Porter|1997|pp=452–462}}</ref>

===Cappella Paolina (or Borghese Chapel) and Salus Populi Romani===

[[File:Santamariamaggiore2b.jpg|thumb|The Borghese Chapel]]

The column in the Piazza Santa Maria Maggiore celebrates the famous [[icon]] of the Virgin Mary now enshrined in the Borghese Chapel of the basilica. It is known as ''[[Salus Populi Romani]]'' ("Protectress of the Roman People" or "Health of the Roman People") due to a miracle in which the icon reportedly helped keep plague from the city. The icon is at least a thousand years old, and according to a tradition was painted from life by [[Luke the Evangelist|St Luke the Evangelist]] using the wooden table of the [[Holy Family]] in [[Nazareth]].

[[File:Salus Populi Romani after restoration.jpg|thumb|upright|''[[Salus Populi Romani]]'', perhaps the oldest [[Catholic Marian art|Marian image]] in Rome]]
The ''[[Salus Populi Romani]]'' has been praised by several popes and acted as a key [[Catholic Mariology|Mariological]] symbol.

Prior to becoming [[Pope Pius XII]], Cardinal [[Eugenio Pacelli]] celebrated his first [[Mass in the Catholic Church|Catholic Mass]] before the image inside the Borghese Chapel on [[Easter Sunday]], 2 April 1899. In December 1953, the icon was carried through Rome to initiate the first [[Marian year]]. On 1 November 1954, the icon was translated and officially crowned by [[Pope Pius XII]] at [[Basilica of Saint Peter]] as he gave a personal speech and introduced a new Marian feast [[Queenship of Mary]].

Future pontiffs [[Pope Paul VI]], [[Pope John Paul II]], [[Pope Benedict XVI]], and [[Pope Francis]] all visited the ''Salus Populi Romani'' and led liturgical celebrations.

==Papal basilica==

As a papal basilica, Santa Maria Maggiore is often used by the pope. He presides over the rites for the annual [[Feast of the Assumption of Mary]] on 15 August there. Except for a few priests and the basilica's archpriest, the [[baldachin|canopied]] high altar is reserved for use by the pope alone. [[Pope Francis]] visited the basilica on the day after his election.<ref>{{cite news |access-date = 28 December 2016 | title= Pope Francis eschews trappings of papacy on first day in office | url= https://www.theguardian.com/world/2013/mar/14/pope-francis-style-first-day | date= 14 March 2013 | work = The Guardian|location=London | first= Lizzy | last = Davies}}</ref>

The pope gives charge of the basilica to an archpriest, usually a [[Cardinal (Catholic Church)|cardinal]]. Formerly, the archpriest was the titular [[Latin Patriarch of Antioch]], a title abolished in 1964. Since 29 December 2016, the archpriest has been [[Stanisław Ryłko]].

In addition to the archpriest and his assistant priests, a chapter of [[Canon (priest)|canons]] is resident. [[Congregation of the Most Holy Redeemer|Redemptorist]], [[Dominican Order|Dominican]] and [[Franciscan Friars of the Immaculate]] priests serve the church.

The [[King of Spain]], currently [[Felipe VI of Spain|Felipe VI]], is ''ex officio'' [[protopriest|protocanon]] of the basilica's [[Canon (priest)|chapter]].<ref>[https://www.vatican.va/various/basiliche/sm_maggiore/en/capitolo/capitolo.htm Liberian Chapter]</ref>

As pope, Francis visited the basilica often, mainly to visit the ''Salus Populi Romani''. He visited before and after trips outside the Vatican, calling the icon his "great devotion." He had also constructed a [[List of extant papal tombs|tomb]] next to the icon to be his final resting place upon [[Death and funeral of Pope Francis|his death in 2025]]. Francis was laid to rest at Santa Maria Maggiore on the afternoon of Saturday, 26 April 2025, following a funeral procession from [[Vatican City]].<ref>{{cite news |access-date = 26 April 2025 | title= Pope Francis' mortal remains buried in St. Mary Major | url= https://www.vaticannews.va/en/pope/news/2025-04/pope-francis-is-buried-in-st-mary-major.html | date= 26 April 2025 | work = Vatican News | first= Francesca | last = Merlo}}</ref> Francis thereby became the first pope to be interred outside the Vatican since [[Pope Leo XIII|Leo XIII]] in 1903, and the first pope interred in Santa Maria Maggiore since [[Pope Clement IX|Clement IX]] in 1669.<ref>{{Cite web |date=13 December 2023 |title=The pope says he wants to be buried in the Rome basilica, not in the Vatican |url=https://apnews.com/article/vatican-pope-basilica-burial-argentina-ba9dc3ccbf4210df16e64d4032451671 |access-date=13 December 2023 |work=Associated Press News}}</ref>

==Archpriests of the Basilica di Santa Maria Maggiore since 1127==

List of archpriests since 1127.<ref>{{harvnb|Moroni|1840|pp=127–135}}</ref><ref>Respective biographical entries on [https://cardinals.fiu.edu/essay.htm Essay of a General List of Cardinals]  by Salvador Miranda</ref><ref>{{harvnb|Ferri|1904|loc= pp. 147–202 and 441–459}}</ref><ref>{{harvnb|Ferri|1905|pp=23–39}}</ref><ref>{{harvnb|Ferri|1907|pp=119–168}}</ref>{{efn|Note that, initially, not all archpriests of the basilica were cardinals.}}
{{Div col|colwidth=30em}}
* Rainiero (attested 1127–1130)
* Matteo (attested 1153)
* [[Pope Clement III|Paolo Scolari]] (attested 1176–1187)
* Rolando (attested 1189–1193)
* Pietro Sasso (attested 1212){{efn|Archpriest Pietro Sasso is commonly identified with contemporary cardinal Pietro Sasso of S. Pudenziana (1206–1218/19). However, this identification remains uncertain because the only document which mentions this archpriest (dated 3 July 1212) makes no reference to his cardinalate, cf. Ferri in ASRSP, vol. 28, p. 24.}}
* Romano (attested 1222)
* Astor (attested 1244)
* Pietro Capocci (?) (named in 1245?){{efn|Cardinal Pietro Capocci (died 1259) is mentioned in the majority of the catalogs of archpriests of Liberian Basilica but the documents from the archive of the Basilica, published by Ferri in ASRSP, vol. 27, pp. 34–39 and vol. 30, p. 119, give no support for this affirmation. Document dated 19 March 1244 mentions Astor (or Aston) as archpriest, documents between 13 February 1247 and 1 October 1255 mention archpriest without mentioning his name but also without indicating his cardinalate, and on 28 May 1258 Romano was archpriest of the Basilica; the latest document mentions also cardinal Pietro Capocci but makes no reference to his occupation of that post. If he was really an archpriest under Innocent IV, he must have later resigned, but it seems more likely that this statement resulted from a confusion.}}
* Romano (attested 1258)
* [[Adrian V|Ottobono Fieschi]] (1262–1276)
* [[Giacomo Colonna (cardinal)|Giacomo Colonna]] (1288–1297)
* Francesco Napoleone Orsini (administrator 1298–1306)
* Giacomo Colonna (again) (1306–1318)
* Pietro [[Colonna family|Colonna]] (1318–1326)
* [[Luca Fieschi]] (1326?–1336)
* [[Giovanni Colonna (cardinal, 1295–1348)|Giovanni Colonna]] (1336–1348)
* Nicola Capocci (after 1350–1368)
* [[Gregory XI|Pierre Roger de Beaufort]] (1368–1370)
* Marino Giudice (?–1385)
* Marino Bulcani (1385–1394)
* Stefano Palosio (1394–1396)
* [[Enrico Minutoli]] (1396–1412)
* [[Rinaldo Brancaccio]] (1412–1427)
* Francesco Lando (1427)
* [[Jean de la Rochetaillée]] (1428–1437)
* Antonio Casini (1437–1439)
* [[Giovanni Vitelleschi]] (1439–1440)
* [[Nicola Albergati]] (1440–1443)
* [[Guillaume d'Estouteville]] (1443–1483)
* [[Rodrigo Borgia]] (1483–1492)
* Giovanni Battista Savelli (1492–1498)
* Giovanni Battista Orsini (1498–1503)
* Giuliano Cesarini iuniore (1503–1510)
* Pedro Luis Borja Lanzol de Romani (1510–1511)
* Robert Guibe (1511)
* Francisco de Remolins (1511–1518)
* Leonardo Grosso della Rovere (1518–1520)
* [[Andrea della Valle]] (1520–1534)
* [[Paolo Emilio Cesi]] (1534–1537)
* [[Alessandro Farnese (cardinal)|Alessandro Farnese]] (1537–1543)
* [[Guido Ascanio Sforza]] (1543–1564)
* [[Carlo Borromeo]] (1564–1572)
* Alessandro Sforza (1572–1581)
* [[Filippo Boncompagni]] (1581–1586)
* [[Decio Azzolini (seniore)]] (1586–1587)
* [[Domenico Pinelli]] (1587–1611)
* [[Michelangelo Tonti]] (1611–1612)
* Giovanni Garzia Millini (1612–1629)
* [[Francesco Barberini (1597–1679)|Francesco Barberini]] (1629–1633)
* [[Antonio Barberini]] (1633–1671)
* Giacomo Rospigliosi (1671–1684)
* Felice Rospigliosi (1684–1688)
* [[Philip Howard (cardinal)|Philip Thomas Howard]] (1689–1694)
* [[Benedetto Pamphili]] (1694–1699)
* Giacomo Antonio Morigia (1699–1701)
* [[Pietro Ottoboni (cardinal)|Pietro Ottoboni]] (1702–1730)
* [[Lodovico Pico della Mirandola]] (1730–1743)
* [[Girolamo Colonna di Sciarra]] (1743–1763)
* [[Marcantonio Colonna (iuniore)]] (1763–1793)
* [[Andrea Corsini (cardinal)|Andrea Corsini]] (1793–1795)
* [[Gian Francesco Albani]] (1795–1803)
* Antonio Despuig y Dameto (28 December 1803 – 2 May 1813)
* Giovanni Gallarati Scotti (1814 – 6 October 1819)
* [[Pope Leo XII|Annibale Francesco Della Genga]] (10 February 18 – 28 September 1823)
* Benedetto Naro (1 January 1824 – 6 October 1832)
* [[Carlo Odescalchi]] (1832&nbsp;– 21 November 1834)
* [[Giuseppe Antonio Sala]] (11 December 1838&nbsp;– 23 August 1839)
* Luigi del Drago (29 August 1839&nbsp;– 28 April 1845)
* [[Costantino Patrizi Naro]] (24 April 1845&nbsp;– 21 September 1867)
* [[Gustav Adolf Hohenlohe]] (15 July 1878&nbsp;– 30 October 1896)
* [[Vincenzo Vannutelli]] (16 December 1896&nbsp;– 9 July 1930)
* [[Bonaventura Cerretti]] (16 July 1930&nbsp;– 8 May 1933)
* [[Angelo Dolci]] (22 May 1933&nbsp;– 13 September 1939)
* [[Alessandro Verde]] (11 October 1939&nbsp;– 29 March 1958)
* [[Carlo Confalonieri]] (16 November 1959&nbsp;– 1 August 1986)
* [[Luigi Dadaglio]] (15 December 1986&nbsp;– 22 August 1990)
* [[Ugo Poletti]] (17 January 1991&nbsp;– 25 February 1997)
* [[Carlo Furno]] (29 September 1997&nbsp;– 27 May 2004)
* [[Bernard Francis Law]] (27 May 2004 – 21 November 2011)
* [[Santos Abril y Castelló]] (21 November 2011 – 28 December 2016)
* [[Stanisław Ryłko]] (28 December 2016 – 4 July 2025)
* [[Rolandas Makrickas]] (4 July 2025)<ref>{{Cite web | title=Resignations and Appointments | url=https://press.vatican.va/content/salastampa/en/bollettino/pubblico/2025/07/04/250704b.html | access-date=2025-08-21 | website=press.vatican.va}}</ref>
{{Div col end}}

==Major works of art in the basilica==

[[File:Dome of Cappella Paolina in Santa Maria Maggiore (Rome).jpg|thumb|upright|Pauline Chapel dome frescoes, by [[Guido Reni]]]]
* Ancient Roman [[Menologium rusticum#Others|agricultural calendar]]
* Early Christian mosaic cycle depicting Old Testament events, 5th century
* The [[Salus Populi Romani]], a much venerated early icon of the Virgin and Child.
* Funerary monument of [[Pope Clement IX|Clement IX]] (1671) by [[Carlo Rainaldi]] with the papal bust by [[Domenico Guidi]].
* [[Statue of King Philip IV of Spain (Bernini)|Statue of King Philip IV of Spain]] by [[Gian Lorenzo Bernini]], 1666.
* Temporary [[Roman Catafalque for Philip IV of Spain|catafalque for Philip IV of Spain]] designed in 1665 by [[Carlo Rainaldi|Rainaldi]], no longer exists.
* Funerary monument of [[Pope Nicholas IV]], designed by [[Domenico Fontana]] in 1574.
* Bust of Costanzo Patrizi by [[Alessandro Algardi|Algardi]].
* Sacristy frescoes by [[Domenico Passignano]] and [[Giuseppe Puglia]],
* High altar sculpture by [[Pietro Bracci]], (c. 1750).
* Statue of [[Pius IX]] in prayer by [[Ignazio Jacometti]], (c. 1880).
* Pauline Chapel frescoes, by [[Guido Reni]]
* Frescoes for the monument of [[Pope Clement VIII|Clement VIII]], [[Giovanni Lanfranco|Lanfranco]]
* Cesi Chapel tombs by [[Guglielmo della Porta]]
* Altar, confessio and Presepio (crib) sculptures by [[Arnolfo di Cambio]], about 1290

==Burials in the church==
{{Further|List of extant papal tombs}}
{{Roman Catholic Mariology}}

===Artists===
* [[Gian Lorenzo Bernini]]
* [[Girolamo Muziano]]

===Nobility===
* [[Pauline Bonaparte]]
* [[Junio Valerio Borghese]]

===Clergy and religious figures===
* Archbishop Domenico Caloyera
* Cardinal [[Guido Ascanio Sforza di Santa Fiora]]
* Cardinal [[Ugo Poletti]]
* Cardinal [[Carlo Furno]]
* Cardinal [[Bernard Francis Law]]
* [[Jerome|Saint Jerome]], relics

===Popes===
* [[Pope Clement VIII]]
* [[Pope Clement IX]]
* [[Pope Francis]]<ref>{{Cite web |date=23 April 2025 |title=Notice from the Office of Liturgical Celebrations: Interment of the coffin of the Roman Pontiff Francis, 23.04.2025 |url=https://press.vatican.va/content/salastampa/en/bollettino/pubblico/2025/04/23/250423b.html |access-date=26 April 2025}}</ref>
* [[Pope Honorius III]] (no longer extant)
* [[Pope Nicholas IV]]
* [[Pope Paul V]]
* [[Pope Pius V|Pope St. Pius V]]
* [[Pope Sixtus V]]
<!-- Please don't add Pope Francis at the end of the list. It is sorted alphabetically. -->

== Gallery ==

<gallery mode="packed">
File:Santa Maria Maggiore - interior - hw - 5.jpg
File:Santa Maria Maggiore - interior - hw - 4.jpg
File:Santa Maria Maggiore - interior - hw - 2.jpg
File:Santa Maria Maggiore - interior - hw.jpg
File:Santa Maria Maggiore - Tomb of Clement VIII.jpg|Tomb of Clement VIII
File:Pope Francis Tomb.jpg|Tomb of Pope Francis
File:Santa Maria Maggiore - pius ix - 2.jpg|Pope Pius IX - Ignazio Jacometti
File:Santa Maria Maggiore - Ave Regina Pacis.jpg|Ave Regina Pacis
File:Santa Maria Maggiore - Baptismal chapel.jpg|Baptismal chapel
File:Statue of King Philip IV of Spain (Bernini) 02.jpg|[[Statue of King Philip IV of Spain (Bernini)|Statue of King Philip IV of Spain]]
</gallery>

==See also==

* [[Properties of the Holy See]]
* [[Roman Catholic Marian churches]]
* [[Dedication of the Basilica of St Mary Major]], feast day
* [[Index of Vatican City-related articles]]
* [[San Ciriaco alle Terme Diocleziane]]

==Notes==
{{notelist}}

==References==
===Citations===
{{Reflist}}

===Bibliography===

{{refbegin|60em}}
* {{cite book|title=Calendarium Romanum: ex decreto Sacrosancti Oecumenici Concilii Vaticani II instauratum|year=1969|publisher=Typis Polyglottis Vaticanis|location=Vatican State|author=Holy See|author-link=Holy See|ref={{harvid|Calendarium Romanum|1969}}}}
* {{cite book|last1=Beny|first1=Roloff|title=The churches of Rome|year=1981|publisher=Simon and Schuster|location=New York|isbn=978-0-671-43447-2|first2=Peter|last2=Gunn}}
* {{cite book|last=Cormack|first=Robin|editor1-last=Cameron|editor1-first=Averil|title=The Cambridge ancient history. empire and successors, AD 425–600|year=2000|publisher=Cambridge University Press|location=Cambridge|isbn=978-0-521-32591-2|editor2-last=Ward-Perkins|editor2-first=Bryan|editor3-last= Whitby|editor3-first=Michael|volume=XIV|chapter=Chapter 30: The Visual Arts|chapter-url=https://books.google.com/books?id=Qf8mrHjfZRoC&pg=PA889}}
* {{citation |last=Dyson |first=Stephen L. |url=https://books.google.com/books?id=wfN5dd5wbWgC |title=Rome: A Living Portrait of an Ancient City |location=Baltimore |publisher=Johns Hopkins University Press |date=2010 |isbn=9781421401010 }}.
* {{cite journal|first=Rhoda|last=Eitel-Porter|title=Artistic Co-Operation in Late Sixteenth-Century Rome: Sistine Chapel in S. Maria Maggiore and the Scala Santa|journal=The Burlington Magazine|year=1997|pages=452–462|volume=139|issue=1139|jstor=887503}}
* {{cite book|last=Ferri|first=G.|title= Le carte dell'Archivio Liberiano dal secolo X al XV|series= Archivio della Società Romana di Storia Patria|language=it|volume=27|year=1904 |url=https://archive.org/stream/archivio27sociuoft#page/n5/mode/2up}}
* {{cite book|last=Ferri|first=G.|title= Le carte dell'Archivio Liberiano dal secolo X al XV (continua)|series= Archivio della Società Romana di Storia Patria|language=it|volume=28|year=1905|url=https://archive.org/stream/archivio28sociuoft#page/22/mode/2up}}
* {{cite book|last=Ferri|first=G.|title= Le carte dell'Archivio Liberiano dal secolo X al XV (continuazione e fine)|series= Archivio della Società Romana di Storia Patria|language=it|volume=30|year=1907|url=https://archive.org/stream/archivio27sociuoft#page/n5/mode/2up}}
* {{cite book|last1=Gwynn |first1=David M. |first2=Susanne|last2=Bangert |title=Religious diversity in late antiquity|year=2010|publisher=Brill|location=Leiden|isbn=978-90-04-18000-0}}
* {{cite book|last=Krautheimer|first=Richard|title=Rome : profile of a city, 312–1308|year=1980|publisher=Princeton University Press|location=Princeton, N.J.|isbn=978-0-691-00319-1}}
* {{cite book|first=Louise Ropes|last= Loomis|title=The Book of Popes (Liber Pontificalis)|location= New York|publisher=Columbia University Press|oclc=1941708|url=https://archive.org/stream/bookofpopesliber00loom#page/n7/mode/2up|year=1916}}
* {{citation |last=Magi |first=Filippo |title=Il Calendario Dipinto sotto Santa Maria Maggiore |location=Rome |publisher=Tipografia Poliglotta Vaticana |date=1972 |language=it |series=Atti della Pontificia Accademia Romana di Archeologia, Vol. III }}.
* {{cite journal|last=Miles|first=Margaret R.|title=Santa Maria Maggiore's Fifth-Century Mosaics: Triumphal Christianity and the Jews|journal=Harvard Theological Review|year=1993|volume=86|issue=2|pages=155–172|doi=10.1017/S001781600003114X|s2cid=154086584 |quote=The fifth-century mosaics of Santa Maria Maggiore in Rome represent the oldest surviving program of mosaic decoration in a Christian church.}}
* {{cite book|last=Moroni|first=Gaetano|chapter=Notizie sul capitolo ed arcipreti della basilica di s. Maria Maggiore|title=Dizionario di erudizione storico-ecclesiastica da S. Pietro sino ai nostri giorni|year=1840|publisher=Tipografia Emiliana|pages=127–135|author-link=Gaetano Moroni|access-date=4 August 2011|language=it|volume=12|chapter-url=https://archive.org/stream/dizionariodierud12morouoft#page/126/mode/2up}}
* {{CathEncy| wstitle=Our Lady of the Snow| title =Our Lady of the Snow| first =Michael | last = Ott }} Retrieved 2008-12-17. <!-- moved accessdate out of template because it causes CS1 error -->
* {{cite book|last=Pirlo|first=Paolo O.|title=My First Book of Saints|year=1997|chapter=Mary, Mother of God|publisher=Sons of Holy Mary Immaculate – Quality Catholic Publications|isbn=971-91595-4-5}}
* {{cite book|last=Rubin|first=Miri|title=Mother of God : a history of the Virgin Mary|year=2009|publisher=Yale University Press|location=New Haven|isbn=978-0-300-10500-1|url-access=registration|url=https://archive.org/details/mary00miri}}
* {{citation |last=Salzman |first=Michele Renee |author-link=Michele Renee Salzman |url=https://books.google.com/books?id=xar95I_wpLMC |title=On Roman Time: The Codex Calendar of 354 and the Rhythms of Urban Life in Late Antiquity |location=Berkeley |publisher=University of California Press |date=1990 |isbn=9780520909106 }}.
* {{cite book|last=Vassilaki|first=Maria|title=The mother of God : representations of the Virgin in Byzantine art |year=2000|publisher=Skira|location=Milano|isbn=88-8118-738-8}}
* {{cite journal|last=Warland|first=Rainer|title=The Concept of Rome in Late Antiquity reflected in the mosaics of the Triumphal Arch of S. Maria Maggiore in Rome|journal=Acta Ad Archaeologiam et Artium Historiam Pertinentia|year=2003|volume=17|pages=127–141|url=http://www.freidok.uni-freiburg.de/volltexte/1436/pdf/Concept_of_Rome_in_Late_Antiquity.pdf|access-date=4 August 2011|issn=0333-1512}}
{{refend}}

==External links==

{{Wikisource1913CatholicEnc|Our Lady of the Snow}}
* [http://www.ewtn.com/library/CHRIST/MAGGIORE.TXT Eternal Word Television Network, Global Catholic Network (EWTN)] Profile of Basilica di Santa Maria Maggiore.
* [http://kunsthistorie.com/galleri/index.php?album=Italia%2FRoma%2FS.+Maria.+Maggiore&sortby=name&order=asc Kunsthistorie.com gallery] {{Webarchive|url=https://web.archive.org/web/20070929093223/http://kunsthistorie.com/galleri/index.php?album=Italia%2FRoma%2FS.+Maria.+Maggiore&sortby=name&order=asc |date=29 September 2007 }}
* [https://maps.google.com/maps?ll=41.897502,12.498171&spn=0.004044,0.007196&t=h&hl=en Satellite Photo of St. Mary's Major Basilica]
* {{Official site|url=https://www.basilicasantamariamaggiore.va/en.html }}
* {{Cite NIE|wstitle=Santa Maria Maggiore|short=x}}
* High-resolution 360° Panoramas and Images of [https://mcid.mcah.columbia.edu/art-atlas/ancient-and-early-christian-sites-rome/santa-maria-maggiore Santa Maria Maggiore | Art Atlas]
* [https://cbarnard2.wixsite.com/beggarsrome/copy-of-s-andrea-al-quirinale-2 "Beggar's Rome"] – A self-directed virtual tour of Santa Maria Maggiore Basilica and other Roman churches

{{commons-inline}}
{{Basilicas in Rome}}
{{Papacy}}
{{Holy See}}
{{Vatican City topics}}

{{Sequence
| prev = [[Archbasilica of Saint John Lateran]]
| list = Landmarks of Rome
| curr = Santa Maria Maggiore
| next = [[Basilica of Saint Paul Outside the Walls]]
}}
<!-- "Basilica of Saint Paul Outside the Walls" as the next landmark and "Archbasilica of Saint John Lateran" as the previous one are taken from the navbox "Landmarks of Rome" that is placed below. The addition enables mobile users to click at least the next landmark or the previous one. -->
{{Rome landmarks}}

{{Authority control}}

[[Category:Major basilicas]]
[[Category:Baroque architecture in Rome]]
[[Category:Marian apparitions|Maria Maggiore]]
[[Category:Sites of papal elections]]
[[Category:Byzantine church buildings in Italy|Maria Maggiore]]
[[Category:World Heritage Sites in Italy]]
[[Category:5th-century churches]]
[[Category:Burial places of popes]]
[[Category:Early Christian art]]
[[Category:Palaeo-Christian architecture in Italy]]
[[Category:Pope Francis]]
[[Category:Burial sites of the House of Bonaparte]]
[[Category:Burials at Santa Maria Maggiore| ]]
[[Category:Church buildings in Monti (rione of Rome)|Maria Maggiore]]
[[Category:Roman Catholic national shrines]]
[[Category:Extraterritorial properties of the Holy See in Rome]]