View source for Portal:Architecture/Selected article archive

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===2015 December ===
[[File:Warkworth Castle 2.jpg|180px|right|Keep at Warkworth Castle]]
A '''keep''' (from the Middle English ''kype'') is a type of [[fortified]] tower built within [[castle]]s during the [[Middle Ages]] by European [[nobility]]. Scholars have debated the scope of the word ''keep'', but usually consider it to refer to large towers in castles that were fortified residences, used as a refuge of last resort should the rest of the castle fall to an adversary. The first keeps were made of timber and formed a key part of the [[motte-and-bailey castle]]s that emerged in [[Normandy]] and [[County of Anjou|Anjou]] during the 10th century; the design spread to [[England]] as a result of the [[Norman conquest of England|Norman invasion]] of 1066, and in turn spread into [[Wales]] during the second half of the 11th century and into [[Ireland]] in the 1170s. The Anglo-Normans and French rulers began to build stone keeps during the 10th and 11th centuries; these included Norman keeps, with a square or rectangular design, and circular [[shell keep]]s. Stone keeps carried considerable political as well as military importance and could take up to a decade to build.

During the 12th century new designs began to be introduced – in [[France]], [[quatrefoil]]-shaped keeps were introduced, while in England [[polygon]]al towers were built. By the end of the century, French and English keep designs began to diverge: [[Philip II of France]] built a sequence of circular keeps as part of his bid to stamp his royal authority on his new territories, while in England castles were built without keeps. In [[Spain]], keeps were increasingly incorporated into both Christian and Islamic castles, although in [[Germany]] tall towers called ''[[Bergfried]]e'' were preferred to keeps in the western fashion. In the second half of the 14th century there was a resurgence in the building of keeps. In France, the keep at [[Château de Vincennes|Vincennes]] began a fashion for tall, heavily [[machicolation|machicolated]] designs, a trend adopted in Spain most prominently through the [[Valladolid]] school of Spanish castle design. Meanwhile, in England tower keeps became popular amongst the most wealthy nobles: these large keeps, each uniquely designed, formed part of the grandest castles built during the period. ('''[[Keep|more]]'''…)

===2015 November ===
[[File:Temple of Bel, Palmyra 02.jpg|180px|right|Temple of Bel, Palmyra]]
The '''Temple of Bel''', also known as the Temple of [[Baal]], was an ancient temple located in [[Palmyra]], [[Syria]]. The temple, consecrated to the [[Mesopotamia]]n god [[Bel (mythology)|Bel]], worshipped at Palmyra in triad with the lunar god [[Aglibol]] and the sun god [[Yarhibol]], formed the center of religious life in [[Palmyra]] and was dedicated in 32 AD. Its ruins were considered among the best preserved at Palmyra, until they were destroyed by the [[Islamic State of Iraq and the Levant]] in August 2015.

The temple was built on a [[Tell (archaeology)|tell]] with [[Stratification (archeology)|stratification]] indicating human occupation that goes back to the third millennium BC. The area was occupied in pre-[[Roman Empire|Roman]] periods with a former temple that is usually referred to as "the first temple of Bel" and "the [[Hellenistic civilization|Hellenistic]] temple". The walls of the [[temenos]] and [[propylaea]] were constructed in the late first and the first half of the second century AD. The names of three Greeks who worked on the construction of the temple of Bel are known through inscriptions, including a probably Greek architect named Alexandras. However, many Palmyrenes adopted Greco-Roman names and native citizens with the name Alexander are attested in the city. ('''[[Temple of Bel|more]]'''…)

===2015 October ===
[[File:Antoni Gaudi 1878.jpg|180px|right|Antoni Gaudí]]
'''Antoni Gaudí i Cornet''' (25 June 1852 – 10 June 1926) was an architect from [[Reus]] and the best known practitioner of [[Catalan Modernism]]. Gaudí's works reflect an individualized and distinctive style. Most are located in [[Barcelona]], including his magnum opus, the [[Sagrada Família]].

Gaudí's work was influenced by his passions in life: architecture, nature, and religion. Gaudí considered every detail of his creations and integrated into his architecture such crafts as [[ceramic]]s, [[stained glass]], [[wrought iron]]work [[forging]] and [[carpentry]]. He also introduced new techniques in the treatment of materials, such as ''[[trencadís]]'' which used waste ceramic pieces.

Under the influence of [[Gothic Revival architecture|neo-Gothic art]] and Oriental techniques, Gaudí became part of the ''Modernisme'' movement which was reaching its peak in the late 19th and early 20th centuries. His work transcended mainstream however, culminating in an organic style inspired by natural forms. Gaudí rarely drew detailed plans of his works, instead preferring to create them as three-dimensional [[scale model]]s and moulding the details as he conceived them. ('''[[Antoni Gaudí|more]]'''…)

===2015 September ===
[[File:The Seattle Central Library.jpg|180px|right|The Seattle Central Library]]
The [[Seattle Public Library]]'s '''Central Library''' is the flagship library of the [[public library]] system. The 11-story glass and steel building in [[Downtown, Seattle, Washington|downtown Seattle]] was opened to the public in 2004. [[Rem Koolhaas]] and [[Joshua Prince-Ramus]] of OMA/LMN were the principal architects, [[Magnusson Klemencic Associates]] was the structural engineer with [[Arup Group Limited|Arup]]; Arup also provided mechanical, electrical, and plumbing engineering, as well as, fire/life safety, security, IT and communications, and audio visual consulting; and [[Hoffman Construction Company]] of Portland was the general contractor. The {{convert|362987|sqft|m2}} [[public library]] can hold about 1.45 million books and other materials, features underground public parking for 143 vehicles, and includes over 400 computers open to the public. Over 2 million individuals visited the new library in its first year. It is the third Seattle Central Library building to be located on the same site at 1000 Fourth Avenue, the block bounded by Fourth and Fifth Avenues and [[Madison Street (Seattle)|Madison]] and Spring Streets. The library has a unique, striking appearance, consisting of several discrete "floating platforms" seemingly wrapped in a large steel net around glass skin. ('''[[Seattle Central Library|more]]'''…)

===2015 August===
[[File:Balfour Place, Mayfair - geograph.org.uk - 667710.jpg|180px|right|Balfour Place in the Mayfair district of London, designed by and named after Eustace Balfour]]
'''Eustace James Anthony Balfour''' (8 June 1854&nbsp;– 14 February 1911) was a London-based Scottish architect.  The brother of one [[Prime Minister of the United Kingdom|British Prime Minister]] and nephew of another, his career was built on family connections. His mother was the daughter of a Marquess, and his wife [[Frances Balfour|Frances]], a noted [[Women's suffrage in the United Kingdom|suffragist]], was the daughter of a Duke. Frances's sister in-law was [[Princess Louise, Duchess of Argyll|Princess Louise]], daughter of the reigning [[Queen Victoria]].

Balfour's initial work was on [[English country house|English]] and [[Scottish country house]]s, but he won only one major commission in this field. However, his appointment as surveyor of the [[Grosvenor Estate]] in London gave him architectural control over much of [[Mayfair]] and [[Belgravia]] in the 1890s and 1900s, and the opportunity to design many buildings himself.

Balfour was a senior officer of the [[Volunteer Force (Great Britain)|Volunteer Force]] in London.  His outspokenness on military matters was a factor in his appointment as an [[aide-de-camp]] to [[Edward VII|King Edward VII]].

A fastidious and somewhat withdrawn individual, Balfour succumbed to alcoholism in his fifties. This brought about his early death. ('''[[Eustace Balfour|more]]'''…)

===2015 July===
[[File:Polonnaruwa Vatadage.jpg|180px|right|Polonnaruwa Vatadage]]
The '''Polonnaruwa Vatadage''' ([[Sinhala language|Sinhala]]: {{lang|si|පොළොන්නරුව වටදාගේ}}) is an ancient structure dating back to the [[Kingdom of Polonnaruwa|Polonnaruwa period]] of [[Sri Lanka]]. It is believed to have been built during the reign of [[Parakramabahu I]] to hold the [[Relic of the tooth of the Buddha|tooth relic]] of the [[Buddha]], or during the reign of [[Nissanka Malla]] to hold the alms bowl used by the Buddha. Both these venerated relics would have given the structure a great significance and importance at the time. Located within the ancient city of [[Polonnaruwa]], it is the best preserved example of a [[vatadage]] in the country, and has been described as the "ultimate development" of this type of architecture. Abandoned for several centuries, excavation work at the Polonnaruwa Vatadage began in 1903.

Built for the protection of a small [[stupa]], the structure has two stone platforms decorated with elaborate stone carvings. The lower platform is entered through a single entrance facing the north, while the second platform can be accessed through four doorways facing the four cardinal points. The upper platform, surrounded by a brick wall, contains the stupa. Four Buddha statues are seated around it, each facing one of the entrances. Three concentric rows of stone columns had also been positioned here, presumably to support a wooden roof. The entire structure is decorated with stone carvings. Some of the carvings at the Polonnaruwa Vatadage, such as its [[sandakada pahana]]s, are considered to be the best examples of such architectural features. Although some archaeologists have suggested that it also had a wooden roof, this theory is disputed by others. ('''[[Polonnaruwa Vatadage|more]]'''…)

===2015 June===
[[File:Chateau Verteuil.JPG|180px|right|Château de Verteuil, Charente]]
The '''Château de Verteuil''' is a historical building in [[Charente]], France. It dates back to 1080 and has since been extensively rebuilt, although 12th century walls remain. The château has always been in the property of the [[Duc de La Rochefoucauld|La Rochefoucauld family]].

During the [[Hundred Years' War]] (1337–1453) the château was occupied several times by the English. It was demolished in 1442, but was soon rebuilt using the original stones. In the religious wars of 16th and 17th centuries the château was a base for [[Huguenot]] forces, and in 1650 it was partly demolished by royal troops. Another château was erected but it received extensive damage in a fire in 1793 during the [[French Revolution]]. The château was renovated in the romantic style after the [[Bourbon Restoration in France|Bourbon Restoration]] of 1815, and has been extensively modified since then. During [[World War II]] (1939–45) the château housed French troops and refugees from Alsace-Lorraine in 1940 and for several months it was partially occupied by some German units. In 1944 some members of the ''[[Maquis (World War II)|maquis]]'' were hidden there. The château was listed as a ''[[monument historique]]'' on 31 March 1966, and obtained full protection on 19 November 2010.

The present château, designed on a triangular plan, has five conical towers and a watchtower capped by [[slate]] roofs. Archaeologists have uncovered traces of the older buildings on the site dating back to the 11th century. The architect [[Frantz Jourdain]] renovated the interior of the 14th century tower as a library for the Rochefoucault family in 1893. The [[The Hunt of the Unicorn|Hunt of the Unicorn]] tapestries of the building, which hung in the master bedroom, were rediscovered in 1850; they were later sold to [[John D. Rockefeller, Jr.]] in 1923. ('''[[Château de Verteuil, Charente|more]]'''…)

===2015 May===
[[File:Berlin-Stadthaus-gp.jpg|180px|right|Altes Stadthaus]]
'''Altes Stadthaus''' ("Old City Hall") is a former administrative building in [[Berlin]], currently used by the [[Senate of Berlin|Senate]]. It faces the [[Molkenmarkt]] and is bound by four roads; [[Jüdenstraße (Berlin-Mitte)|Jüdenstraße]], Klosterstraße, Parochialstraße, and Stralauer Straße. Designed by [[Ludwig Hoffmann (architect)|Ludwig Hoffmann]], chief of construction for the city, it was built in 1902–11 to supplement the [[Rotes Rathaus]].

The building has five courtyards and features many sculptures, including 29 allegorical representations of [[civic virtue]]s and of Greek deities which are mounted on the tower. A [[Georg Wrba]] sculpture of a bear, the symbol of Berlin, is located in the central ''Bärensaal'' (Bear Hall).

Originally called the "Neues Stadthaus" (New City House), it became the seat of the [[Council of Ministers of the GDR]] after World War II. The building next to it became the center of administration for [[East Berlin]], and was also called "Neues Stadthaus"; to avoid confusion, Neues Stadthaus became known as "Altes Stadthaus" (Old city house).

During World War II, the Allied bombing campaign and fierce fighting in the [[Battle of Berlin]] caused severe damage; the roof was almost completely destroyed as were the statues above the rear entrance, and there was substantial water damage. In the first phase of reconstruction in 1951, the statue of the goddess of Fortuna was removed, and is assumed to have been smelted in 1962. ('''[[Altes Stadthaus, Berlin|more]]'''…)

===2015 April===
[[File:Uppsala Cathedral plan 1770 - from Busser, Om Upsala Stad etc.jpg|180px|right|Uppsala Cathedral plan]]
'''Uppsala Cathedral''' is located in the centre of [[Uppsala]], southeastern [[Sweden]]. Controlled by the [[Lutheranism|Lutheran]] [[Church of Sweden]], Uppsala Cathedral is the seat of the [[Archbishop of Uppsala]], the primate of Sweden. The archbishop is [[Antje Jackelén]] and the current bishop is [[Ragnar Persenius]].

The cathedral dates to the late 13th century and at a height of {{convert|118.7|m}}, it is the tallest church building in the [[Nordic countries]] and [[Scandinavia]]. Originally built under [[Roman Catholic]]ism, it was used for coronations of Swedish monarchs for a lengthy period following the [[Protestant Reformation]]. Several of its chapels were converted to house the tombs of Swedish monarchs, including [[Gustav Vasa]] and [[John III of Sweden|John III]]. [[Carl Linnaeus]], [[Olaus Rudbeck]], [[Emanuel Swedenborg]], and several archbishops are also buried here.

The church was designed in the [[Gothic architecture|French Gothic style]] by French architects including [[Étienne de Bonneuil]]. It is in the form of a [[Latin cross|cross]] formed by the [[nave]] and [[transept]]. Most of the structure was built between 1272 and 1420 but the western end was completed only in the middle of the 15th century. Twin towers were built shortly afterwards on the west end of the church. High spires were added later, but after a fire in 1702, they were adorned with low helms by [[Carl Hårleman]] in 1735. They were completely redesigned by [[Helgo Zetterwall]] who undertook substantial changes to the building in the 1880s. The cathedral's principal construction material is brick but the pillars and many details are of [[Gotland]] limestone. ('''[[Uppsala Cathedral|more]]'''…)

===2015 March===
[[File:Kowloon Walled City.jpg|180px|right|Kowloon Walled City, Hong Kong]]
'''Kowloon Walled City''' was a [[population density|densely populated]], largely [[anarchy|ungoverned settlement]] in [[New Kowloon]], [[Hong Kong]]. Originally a [[Qing Dynasty|Chinese]] military [[fort]], the Walled City became an [[enclave and exclave|enclave]] after the [[New Territories]] were leased to [[United Kingdom|Britain]] in 1898. Its population increased dramatically following the [[Japanese occupation of Hong Kong]] during [[World War II]]. In 1987, the Walled City contained 33,000 residents within its {{convert|2.6|ha|acre|adj=on}} borders. From the 1950s to the 1970s, it was controlled by [[Triad (underground society)|Triad]]s and had high rates of [[prostitution]], [[gambling]], and [[drug abuse|drug use]].

In January 1987, the [[government of Hong Kong|Hong Kong government]] announced plans to [[demolition|demolish]] the Walled City. After an arduous [[eviction]] process, demolition began in March 1993 and was completed in April 1994. Kowloon Walled City Park opened in December 1995 and occupies the area of the former Walled City. Some historical [[artifact (archaeology)|arte<!-- NOTE! Do not change this to "artifacts"! This article uses Hong Kong English spelling, where "artefacts" is the correct spelling. -->facts]] from the Walled City, including its [[yamen]] building and remnants of its South Gate, have been [[conservation-restoration|preserved]] there. ('''[[Kowloon Walled City|more]]'''…)

===2015 February===
[[File:Senedd National Assembly for Wales.jpg|180px|right| National Assembly for Wales in Cardiff]]
The '''Senedd''' (''Senate'' or ''Parliament''), also known as the '''National Assembly building''', houses the debating chamber and three committee rooms for the [[National Assembly for Wales]] in [[Cardiff]]. The {{convert|5308|m2|sqft|sigfig=3}} building was opened in 2006. The Senedd is part of the National Assembly estate that includes [[Tŷ Hywel]] and the [[Pierhead Building]].

After two selection processes, the decision was taken that the debating chamber would be on a new site, at Capital Waterside in [[Cardiff Bay]]. The [[Pritzker Prize]]-winning architect [[Richard Rogers]] won an international [[architectural design competition]], managed by [[RIBA Competitions]], to design the building. It was designed to be [[Sustainable architecture|sustainable]] with use of renewable technologies and be energy efficient. The building was awarded an "Excellent" certification by the [[Building Research Establishment]] Environmental Assessment Method ([[BREEAM]]), the highest ever awarded in Wales, and was nominated for the 2006 [[Stirling Prize]].

The Senedd was constructed in two phases, the first in 2001 and the second from August 2003 until it was handed over to the National Assembly in February 2006. ('''[[Senedd building|more]]'''…)

===2015 January===
[[File:Rochdale Town Hall Plan.jpg|180px|right|Plan of Rochdale Town Hall, Manchaster]]
'''Rochdale Town Hall''' is a [[Victorian era|Victorian-era]] [[City and town halls|municipal building]] in [[Rochdale]], [[Greater Manchester]], England. It is "widely recognised as being one of the finest municipal buildings in the country", and is rated by [[English Heritage]] as a [[Grade I listed buildings in Greater Manchester|Grade I listed building]]. The Town Hall functions as the ceremonial headquarters of [[Metropolitan Borough of Rochdale|Rochdale Metropolitan Borough Council]] and houses local government departments, including the borough's [[civil registry|civil registration office]].

Built in the [[Gothic Revival architecture|Gothic Revival style]], it was inaugurated for the governance of the [[County Borough of Rochdale|Municipal Borough of Rochdale]] on 27&nbsp;September 1871. The architect, [[William Henry Crossland]], was the winner of a competition held in 1864 to design a new Town Hall. It had a {{convert|240|ft|m|0|adj=on}} [[clock tower]] topped by a wooden spire with a gilded statue of [[Saint George and the Dragon]], both of which were destroyed by fire on 10&nbsp;April 1883, leaving the building without a spire for four years. A new {{convert|190|ft|m|0|adj=on}} stone clock tower and spire in the style of [[Manchester Town Hall]] was designed by [[Alfred Waterhouse]], and erected in 1888.

Art critic [[Nikolaus Pevsner]] described the building as possessing a "rare picturesque beauty". Its [[stained glass]] windows are credited as "the finest modern examples of their kind". The building came to the attention of [[Adolf Hitler]], who was said to have admired it so much that he wished to ship the building, brick-by-brick, to [[Nazi Germany]] had the United Kingdom been defeated in the Second World War. ('''[[Rochdale Town Hall|more]]'''…)

===2014 December===
[[File:Passivhaus thermogram gedaemmt ungedaemmt.png|180px|right|Thermogram of a Passivhaus building, with traditional building in background.]]
The term '''passive house''' ('''''Passivhaus''''' in German) refers to a rigorous, voluntary standard for [[efficient energy use|energy efficiency]] in a [[building]], reducing its [[ecological footprint]]. It results in [[Low-energy house|ultra-low energy buildings]] that require little energy for space heating or cooling. A similar standard, ''[[Minergie|MINERGIE-P]]'', is used in [[Switzerland]]. The standard is not confined to residential properties; several [[office building]]s, [[school]]s, [[kindergarten]]s and a [[supermarket]] have also been constructed to the standard. Passive design is not an attachment or supplement to architectural design, but a design process that is integrated with architectural design. Although it is mostly applied to new buildings, it has also been used for refurbishments.

Estimates of the number of Passivhaus buildings around the world in late 2008 ranged from 15,000 to 20,000 structures. As of August 2010, there were approximately 25,000 such certified structures of all types in Europe, while in the United States there were only 13, with a few dozen more under construction. The vast majority of passive structures have been built in German-speaking countries and [[Scandinavia]]. ('''[[Passive house|more]]'''…)

===2014 November===
[[File:Looking at Taliesin from Hill Crown.jpg|180px|right|Taliesin III's drafting studio (left) and living quarters (right) as seen from the crown of its hill]]
'''Taliesin''' was the estate of American architect [[Frank Lloyd Wright]]. Located {{convert|2.5|mi}} south of the village of [[Spring Green, Wisconsin|Spring Green]] in Iowa County, Wisconsin, the {{convert|600|acre|adj=on}} property was developed on land that originally belonged to Wright's maternal family.

Wright designed the estate after his affair with [[Mamah Borthwick]] made headlines and forced him out his residence in [[Oak Park, Illinois|Oak Park]], Illinois. The design of the original house was consistent with the design principles of the [[Prairie School]], emulating the flatness of the plains and the natural [[limestone]] outcroppings of the [[Driftless Area]]. The house was completed in 1911.

After a disgruntled employee murdered Borthwick and several others and set fire to the house in 1914, Wright rebuilt the Taliesin estate. This second version was used only sparingly by Wright as he worked on his projects abroad. He returned to the house in 1924, shortly before a fire destroyed the living quarters the next April. A third building was constructed after Wright reacquired the foreclosed property from a bank. Taliesin III was Wright's home for the rest of his life, although he began to winter at [[Taliesin West]] in [[Scottsdale, Arizona|Scottsdale]], Arizona upon its completion in 1937. Many of Wright's acclaimed buildings were designed here, including [[Fallingwater]], the [[Imperial Hotel, Tokyo|Imperial Hotel]], [[Johnson Wax Headquarters]], and the [[Solomon R. Guggenheim Museum]]. Wright was also an avid collector of Asian art and used Taliesin as a storehouse and private museum.

Taliesin was donated to the Frank Lloyd Wright Foundation upon Wright's death in 1959. This organization oversaw renovations to the estate and now operates it as a museum. The property was designated a [[National Historic Landmark]] in 1976 and is being considered as part of a UNESCO [[World Heritage Site]].
('''[[Taliesin (studio)|more]]'''…)

===2014 October===
[[File:Traprain Law 4.jpg|180px|right|Traprain Law in East Lothian, Scotland]]
'''Hillforts in Scotland''' are earthworks, sometimes with wooden or stone enclosures, built on higher ground, which usually include a significant settlement, built within the modern boundaries of Scotland. They were first studied in the eighteenth century and the first serious field research was undertaken in the nineteenth century. In the twentieth century there were large numbers of archaeological investigations of specific sites, with an emphasis on establishing a chronology of the forts. Forts have been classified by type and their military and ritual functions have been debated.

They were introduced into Scotland during the [[Bronze Age]] from around 1000 BCE. The largest group are from the [[Iron Age]], with over 1000 [[hillfort]]s, mostly below the Clyde-Forth line, most of which were abandoned during the period of Roman occupation of Britain. There are also large numbers of [[vitrified fort]]s, which have been subjected to fire, many of which may date to this period. After Roman occupation in the [[Scotland in the Early Middle Ages|early Middle Ages]] some hillforts were reoccupied and petty kingdoms were often ruled from smaller nucleated forts using defensible natural features, as at [[Edinburgh Castle|Edinburgh]] and [[Dumbarton Castle|Dunbarton]].

The first major study of Scottish hillforts was undertaken by [[William Roy|General William Roy]] and published as ''The Military Antiquities of the Romans in Britain'' in 1793. However, Roy only recorded native forts like Burnswark that had a close relationship to Roman constructions (in this case which have what are probably Roman practice siege camps), or which he wrongly attributed to be Roman in origin. [[George Chalmers (antiquarian)|George Chalmers]]' (1742–1825) first volume of ''Caledonia'' (1807) contained an arbitrary list of forts, but recognised that defences at Burnswark were not just in anticipation of Roman invasion, but to defend against native threats. He also recognised some of the relationships between major and subordinate sites, and the importance of [[intervisibility]] between sites.
('''[[Hillforts in Scotland|more]]'''…)

===2014 September===
[[File:Staircase.SintNicolaaskerk.IJsselstein.jpg|180px|right|Spiral staircase to the carillion of the Dutch Reformed Church of IJsselstein]]
'''Dutch brick''' is a type of [[brick]] made in the [[Netherlands]], or similar brick, and an architectural style of building with brick developed by the [[Dutch people|Dutch]]. The brick, made from clay dug from river banks or dredged from river beds and fired over a long period of time, was known for its durability and appearance.

Traditional Dutch brick architecture is characterized by rounded or stepped gables. The brick was imported as [[ballast]] into Great Britain and the colonies in the east of America. [[Trinity College, Dublin]], Ireland, founded in 1591, was originally built of red Dutch brick. Dutch brickmakers emigrated to [[New Netherland]] in America, where they built [[kiln]]s for firing bricks locally. Bricks were being burned in [[New Amsterdam]] (New York) by 1628, but the imported bricks were of better quality. At first the bricks were used only for chimneys, but they were later used to face the lower story of the house, and then the entire house. Most of the surviving "[[American colonial architecture#Dutch Colonial|Dutch Colonial]]" houses in New York do not in fact follow Dutch architectural practices, but there are several examples in [[Albany County, New York|Albany County]] which do.

Bricks were also exported by the Dutch for major buildings in their colonies in the east and around the world. The [[Castle of Good Hope]] in [[Cape Town]], South Africa, was built in 1666, and its entrance was made of the small yellow bricks called ''Ijsselsteen'' ([[IJssel]] stone).
[[Christ Church, Malacca|Christ Church]] in [[Malacca]], Malaysia, the oldest Dutch Church building outside the Netherlands, was made of Dutch bricks that had been brought as ballast in ships from the Netherlands, coated with Chinese plaster.

('''[[Dutch brick|more]]'''…)

===2014 August===
[[File:House in Toteil 002.jpg|180px|right|Earthen hut with thatched roof in Toteil, Sudan.]]
An '''earth structure''' is a building or other structure made largely from [[soil]]. Since soil is a widely available material, it has been used in construction since prehistoric times. It may be combined with other materials, compressed and/or baked to add strength. Soil is still an economical material for many applications, and may have low environmental impact both during and after construction.

Earth structure materials may be as simple as [[mud]], or mud mixed with straw to make [[Cob (material)|cob]]. Sturdy dwellings may be also built from [[sod]] or turf. Soil may be stabilized by the addition of lime or cement, and may be compacted into [[rammed earth]]. Construction is faster with pre-formed [[adobe]] or [[mudbrick]]s, [[compressed earth block]]s, [[Earthbag construction|earthbag]]s or [[brick|fired clay brick]]s.

Types of earth structure include [[earth sheltering|earth shelters]], where a dwelling is wholly or partly embedded in the ground or encased in soil. Native American [[earth lodge]]s are examples. [[Wattle and daub]] houses use a "wattle" of  poles interwoven with sticks to provide stability for mud walls. [[Sod house]]s were built on the northwest coast of Europe, and later by European settlers on the North American prairies. Adobe or mud-brick buildings are built around the world and include houses, apartment buildings, mosques and churches. [[Fujian Tulou]]s are large fortified rammed earth buildings in southeastern China that shelter as many as 80 families. Other types of earth structure include mounds and pyramids used for religious purposes, [[levee]]s, [[mechanically stabilized earth]] retaining walls, forts, trenches and [[embankment dam]]s.

('''[[Earth structure|more]]'''…)

===2014 July===
[[File:Abbotsford Morris edited.jpg|180px|right|Abbotsford House, Scotland]]
'''Estate houses in Scotland''' or '''Scottish country houses''', are large houses usually on [[landed estate]]s in Scotland. They were built from the sixteenth century, after defensive [[Scottish castles|castles]] began to be replaced by more comfortable residences for royalty, nobility and local [[laird]]s. The origins of Scottish estate houses are in aristocratic emulation of the extensive building and rebuilding of royal residences, beginning with [[Linlithgow Palace|Linlithgow]], under the influence of [[Renaissance]] architecture. In the 1560s the unique Scottish style of the [[Scots baronial]] emerged, which combined features from medieval castles, [[tower house]]s, and [[peel towers]] with Renaissance plans, in houses designed primarily for residence rather than defence.

After the [[Restoration (Scotland)|Restoration]] (1660) the work of architect [[William Bruce (architect)|William Bruce]] introduced  to Scotland a new phase of classicising architecture, in the shape of royal palaces and estate houses incorporating elements of the [[Palladian style]]. In the eighteenth century Scotland produced some of the most important British architects, including the neo-Palladian [[William Adam (architect)|William Adam]] and his innovative son [[Robert Adam]], who rejected the Palladian style and was one of the European initiators of [[neoclassical architecture]], embodied in  a series of estate houses in Scotland and England. The incorporation of [[Gothic Revival|"Gothick" elements of medieval architecture]] by William Adam helped launch a revival of the Scots baronial in the nineteenth century, given popularity by its use at [[Walter Scott]]'s [[Abbotsford House]] and [[Queen Victoria]]'s retreat at [[Balmoral Castle]]. In the twentieth century the building of estate houses declined as the influence of the aristocracy waned, and many were taken over by the [[National Trust for Scotland]] and [[Historic Scotland]].

('''[[Estate houses in Scotland|more]]'''…)

===2014 June===
[[File:Norðragøta, Faroe Islands (2).JPG|180px|right|Traditional sod roofs can be seen in many places in the Faroe Islands.]]
A '''green roof''' or '''living roof''' is a [[roof]] of a [[building]] that is partially or completely covered with vegetation and a growing medium, planted over a [[Waterproofing#Construction waterproofing|waterproofing membrane]]. It may also include additional layers such as a [[root barrier]] and [[drainage]] and [[irrigation]] systems. 
[[Container garden]]s on roofs, where plants are maintained in pots, are not generally considered to be true green roofs, although this is debated. Rooftop ponds are another form of green roofs which are used to treat [[greywater]].

Green roofs serve several purposes for a building, such as absorbing [[rainwater]], providing [[Building insulation|insulation]], creating a habitat for wildlife, increasing benevolence and decreasing stress of the people around the roof by providing a more aesthetically pleasing landscape, and helping to lower urban air temperatures and mitigate the [[heat island effect]]. 

The term ''green roof'' may also be used to indicate roofs that use some form of green technology, such as a [[cool roof]], a roof with [[solar thermal collector]]s or [[photovoltaic panels]]. Green roofs are also referred to as ''eco-roofs'', ''vegetated roofs'' and ''living roofs''.

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===2014 May ===
[[File:Santiago de Compostela plan vertical.jpg|180px|right|Cathedral of Santiago de Compostela]]

'''Romanesque architecture''' is an [[architectural style]] of [[Middle Ages|medieval Europe]] characterized by semi-circular [[arch]]es. There is no consensus for the beginning date of the Romanesque architecture, with proposals ranging from the 6th to the 10th century. It developed in the 12th century into the [[Gothic architecture|Gothic style]], marked by pointed arches. Examples of Romanesque architecture can be found across the continent, making it the first pan-European architectural style since [[Roman architecture|Imperial Roman Architecture]]. The Romanesque style in England is traditionally referred to as [[Norman architecture]].

Combining features of [[Ancient Roman architecture|ancient Roman]] and [[Byzantine architecture|Byzantine]] buildings and other local traditions, Romanesque architecture is known by its massive quality, thick walls, round arches, sturdy [[Pier (architecture)|piers]], [[groin vault]]s, large towers and decorative [[Arcade (architecture)|arcading]]. Each building has clearly defined forms, frequently of very regular, [[symmetrical]] plan; the overall appearance is one of simplicity when compared with the Gothic buildings that were to follow. The style can be identified right across Europe, despite regional characteristics and different materials.

Many [[castle]]s were built during this period, but they are greatly outnumbered by [[church (building)|churches]]. The most significant are the great [[abbey]] churches, many of which are still standing, more or less complete and frequently in use. 

('''[[Romanesque architecture|more]]'''…)

===2014 April ===
[[File:Userkaf complex legend.png|180px|right|Pyramid of Userkaf ]]

The '''Pyramid complex of Userkaf''' was built c. 2490 BC for the pharaoh [[Userkaf]] (reign 2494–2487 BC), founder of the [[Fifth Dynasty of Egypt|5th dynasty]] of Egypt (c. 2494–2345 BC). It is located in the [[Egyptian pyramids|pyramid]] field at [[Saqqara]], on the north-east of the [[Pyramid of Djoser|Step pyramid]] of [[Djoser]] (reigned ca. 2670 BC). Constructed in dressed stone with a core of rubble, the pyramid is now ruined and resembles a conical hill in the sands of Saqqara. For this reason, it is known locally as ''El-Haram el-Maharbish'', the "'''Heap of Stone'''" and was recognized as a royal pyramid by western archaeologists in the 19th century.

Userkaf's pyramid is part of a larger mortuary complex comprising a mortuary temple, an offering chapel and a cult pyramid as well as separate pyramid and mortuary temple for Userkaf's wife, queen [[Neferhetepes (Userkaf)|Neferhetepes]]. Userkaf's mortuary temple and cult pyramid are today completely ruined and difficult to recognize. The pyramid of the queen is no more than a mound of rubble, with its funerary chamber exposed by stone robbers.

The complex is markedly different from those built during the [[Fourth Dynasty of Egypt|4th Dynasty]] (c. 2613–2494 BC) in its size, architecture and location, being at [[Saqqara]] rather than [[Giza Plateau|Gizah]]. As such, Userkaf's pyramid complex could be a manifestation of the profound changes in the ideology of kingship that took place between the 4th and 5th dynasties, changes that may have started during the reign of Userkaf's likely immediate predecessor, [[Shepseskaf]]. Some 1500 years after its construction, the pyramid complex was restored under [[Ramses II]]. During the much later [[Late Period of ancient Egypt|Saite period]] (664–525 BC), it was used as a cemetery.

('''[[Pyramid of Userkaf|more]]'''…)

===2014 March ===
[[File:Walterburleygriffin.jpg|180px|right|Marion Mahony Griffin (right) with Walter Burley Griffin]]

'''Marion Mahony Griffin''' (February 14, 1871 – August 10, 1961) was an American architect and artist. She was one of the first licensed female [[architect]]s in the world, and is considered an original member of the [[Prairie School]]. In 1911 she married the architect [[Walter Burley Griffin]], the designer of Australia's capital city [[Canberra]].

Marion was born in 1871 in [[Chicago]], Illinois, the second child and eldest daughter of the five surviving children of Jeremiah Mahony, a journalist from Cork, Ireland, and Clara Hamilton, a schoolteacher. Her family moved to nearby Winnetka after the Great Chicago fire.  Growing up there, she became fascinated by the quickly disappearing landscape as suburban homes filled the area.  She was influenced by her first cousin, Dwight Perkins, and decided to further her education.  She graduated from the [[Massachusetts Institute of Technology]] in 1894, as one of the first women to receive a degree in architecture.  Though highly talented, she sometimes struggled with her place in both society and the field.   She was unsure of her ability to complete the thesis required for her bachelors degree, but her professor, [[Constant-Désiré Despradelle]], pushed her forward. 

After graduation, Mahony worked in her cousin's architecture firm, which was located in [[Steinway Hall]] at 64 E. Van Buren in downtown Chicago.  The space was shared with many other architects, including Robert C. Spencer, [[Myron Hunt]], Webster Tomlinson, [[Irving Pond]] and Allen Bartlitt Pond, [[Adamo Boari]], Birch Long and [[Frank Lloyd Wright]].  In 1895, Mahony, the first employee hired by Frank Lloyd Wright, went to work designing buildings, furniture, [[stained glass]] windows and decorative panels. Her beautiful watercolor renderings of buildings and landscapes became known as a staple of Wright's style, though she was never given credit by the famous architect.  

('''[[Marion Mahony Griffin|more]]'''…)

===2014 February===
[[File:Widok-na-mury-miejskie.JPG|180px|right|Walls of Dubrovnik]]

The '''Walls of Dubrovnik''' are a series of [[defensive wall|defensive stone walls]] that have surrounded and protected the citizens of the maritime [[city-state]] of [[Dubrovnik]] ([[Republic of Ragusa|Ragusa]]), situated in southern [[Croatia]], on a rocky island named Laus (Ragusia or Lave). With numerous additions and modifications throughout history, it have been considered to be amongst the great [[fortification]] systems of the [[Middle Ages]], as it were never breached by a hostile army during this time period. In 1979, the old city of Dubrovnik, which includes a substantial portion of the old walls, was listed by [[UNESCO]] as a [[World Heritage Site]].

The oldest systems of fortifications around the town were likely [[Palisade|wooden palisades]]. Today's intact city walls, were constructed mainly during the 12th–17th centuries, mostly a double line. The walls run an uninterrupted course of approximately {{convert|1940|m}} in length, encircling most of the old city, and reach a maximum height of about {{convert|25|m}}. The bulk of the existing walls and fortifications were constructed during the 14th and 15th centuries, but were continually extended and strengthened up until the 17th century.

The walls were reinforced by three circular and 14 quadrangular [[tower]]s, five [[bastion]]s (bulwarks), two angular fortifications and the large St. John's Fortress. The walls were additionally reinforced by one larger bastion  and nine smaller semicircular ones, like the [[casemate]] Fort Bokar, the oldest preserved fort of that kind in Europe. 

('''[[Walls of Dubrovnik|more]]'''…)

===2014 January===
[[File:Էջմիածնի Մայր Տաճար.jpg|180px|right|Etchmiadzin Cathedral]]
The '''Etchmiadzin Cathedral''' is the [[Mother Church]] of the [[Armenian Apostolic Church]] and the main building of the [[Mother See of Holy Etchmiadzin]]. It is the first church building in [[Armenia]], and considered the [[List of oldest church buildings|oldest cathedral in the world]]. The original church is believed to have been built between 301 and 303 by [[Gregory the Illuminator]], following Armenia's adoption of Christianity as a state religion by King [[Tiridates III of Armenia|Tiridates III]]. It was later seriously damaged and almost completely rebuilt in its current form in 483 by [[Vahan Mamikonian]]. Etchmiadzin was the [[Seats of the Catholicos of Armenians|seat]] of the [[Catholicos of All Armenians|Catholicos]] until 484. It was restored as [[catholicosate]] almost a millennium later in 1441 and remains as such to this day. It has been constantly renovated since the 17th century. Major additions were made by various catholicoi. Diminished during the early Soviet period (1920–30s), Etchmiadzin revived again under [[Vazgen I]] in the second half of the 20th century.

Etchmiadzin has been one of the most important locations in Armenia since its foundation. The cathedral complex is called the "Armenian Vatican" for its significance. Along with several important churches located nearby, the Etchmiadzin Cathedral was listed as a [[World Heritage Site]] by [[UNESCO]] in 2000.

('''[[Etchmiadzin Cathedral|more]]'''…)

===2013 December ===
[[File:Château de Chinon vu de la Vienne.jpg|180px|right|Château de Chinon from the south]]
'''Château de Chinon''' is a [[castle]] located on the bank of the [[Vienne (river)|Vienne river]] in [[Chinon]], France. It was founded by [[Theobald I, Count of Blois]]. In the 11th&nbsp;century the castle became the property of the [[Counts and dukes of Anjou|counts of Anjou]]. In 1156 [[Henry II of England]], a member of the House of Anjou, took the castle from his brother Geoffrey after he had rebelled for a second time. Henry favoured the Château de Chinon as a residence: most of the standing structure can be attributed to his reign and he died there in 1189.

Early in the 13th&nbsp;century, King [[Philip II of France]] harassed the English lands in France and in 1205 he captured Chinon after a siege that lasted several months, after which the castle remained under French control. When King [[Philip IV of France|Philip&nbsp;IV]] accused the [[Knights Templar]] of [[heresy]] during the first decade of the 14th&nbsp;century, several leading members of the order were imprisoned there.

Used by Charles&nbsp;VII in the 15th&nbsp;century, the Château de Chinon became a prison in the second half of the 16th&nbsp;century, but then fell out of use and was left to decay. It has been recognised as a ''[[monument historique]]'' by the [[French Ministry of Culture]] since 1840. The castle, which contains a museum, is now owned and managed by the Indre-et-Loire General Council and is a major tourist attraction. In the early 21st&nbsp;century it was restored at a cost of 14.5&nbsp;million euros.

('''[[Château de Chinon|more]]'''…)

===2013 November ===
[[File:Bjarke ingels group, BIG JDS PLOT, mountain dwellings, copenhagen 2005-2008.jpg|180px|right|Mountain Dwellings, Copenhagen]]
'''Bjarke Ingels''' (born 1974) is a Danish architect, heading the architectural practice [[Bjarke Ingels Group]] (BIG). Known for his innovative and ambitious designs and projects, many of his buildings defy traditional architectural conventions, and are often highly photogenic, ranging from representations of mountains to snowflakes. He often incorporates [[sustainable development]] ideas and sociological concepts into his designs.

Amongst his works are [[Copenhagen Harbour Baths|Islands Brygge Harbour Bath]], a series of five open-air swimming pools in Copenhagen Harbour (2003) and three major housing projects in [[Ørestad]] on the southern outskirts of Copenhagen: [[VM Houses]] (2005), multi-family housing in V and M shaped apartment buildings; [[Mountain Dwellings]] (2008), an extensive parking facility combined with terraced housing; and [[8 House]] (2010), a large mixed-use housing development.

Since 2009, Ingels has won numerous [[Architectural design competition|architectural competitions]] and has grown in international scope and acclaim. In October 2011, the ''[[Wall Street Journal]]'' named Ingels the Innovator of the Year for architecture and, in July 2012, cited him as "rapidly becoming one of the design world's rising stars" in light of his extensive international projects, including the [[Expo 2010 pavilions#Denmark|Danish pavilion]] at EXPO 2010 in Shanghai, China. His [[Carbon offset|zero-emission]] resort and entertainment city project on [[Zira Island]] off the coast of Baku, Azerbaijan, which represents the seven mountains of Azerbaijan, has been cited as "one of the world's largest eco-developments." Among his most recent projects is the [[West 57]] apartment project in [[Manhattan]].

('''[[Bjarke Ingels|more]]'''…)

===2013 October ===
[[File:Catedral de México.jpg|180px|right|Mexico City Metropolitan Cathedral]]
The '''Metropolitan Cathedral of the Assumption of Mary of Mexico City''' is one of the oldest and largest Roman Catholic [[cathedral]] in the [[Americas]] and seat of the [[Roman Catholic Archdiocese of Mexico]]. It is situated atop the former [[Aztec]] sacred precinct near the [[Templo Mayor]] on the northern side of the [[Plaza de la Constitución]] in downtown [[Mexico City]].  The cathedral was built in sections from 1573 to 1813 around the original church that was constructed soon after the [[Spanish conquest]] of [[Tenochtitlán]], eventually replacing it entirely.  Spanish architect [[Claudio de Arciniega]] planned the construction, drawing inspiration from [[Gothic architecture|Gothic]] cathedrals in Spain.

The two [[bell tower]]s contain a total of 25 bells. The tabernacle, adjacent to the cathedral, contains the [[baptistery]] and serves to register the parishioners.  There are two large, ornate altars, a [[sacristy]], and a choir in the cathedral.  Fourteen of the cathedral's sixteen [[chapel]]s are open to the public.  Each chapel is dedicated to a different saint or saints, and each was sponsored by a [[Confraternity|religious guild]].  The chapels contain ornate [[altar]]s, [[altarpiece]]s, [[retablo]]s, paintings, furniture and sculptures.  The cathedral is home to two of the largest 18th-century [[organ (music)|organ]]s in the Americas. There is a [[crypt]] underneath the cathedral that holds the remains of many former archbishops.

Over the centuries, the cathedral has suffered damage. A fire in 1962 destroyed a significant part of the cathedral's interior. The restoration work that followed uncovered a number of important documents and artwork that had previously been hidden. Although a solid foundation was built for the cathedral, the soft clay soil it is built on has been a threat to its structural integrity.  Dropping [[water table]]s and accelerated sinking caused the structure to be added to the [[World Monuments Fund]] list of the 100&nbsp;Most Endangered Sites. Reconstruction work beginning in the 1990s stabilized the cathedral and it was removed from the endangered list in 2000.

('''[[Mexico City Metropolitan Cathedral|more]]'''…)

=== 2013 September ===
[[File:Phillips Exeter Academy library atrium cross beams closeup.jpg|180px|right|Phillips Exeter Academy Library]]
The '''Phillips Exeter Academy Library''' in [[Exeter, New Hampshire]], U.S., with 160,000 volumes on nine levels and a shelf capacity of 250,000 volumes, is the largest [[Secondary education|secondary school]] library in the world. It is part of the [[Phillips Exeter Academy]], an independent [[boarding school]].

When it became clear in the 1950s that the library had outgrown its existing building, the school initially hired an architect who proposed a traditional design for the new building.  Deciding instead to construct a library with a contemporary design, the school gave the commission to [[Louis Kahn]] in 1965.  In 1997 the library received the [[Twenty-five Year Award]] from the [[American Institute of Architects]], an award that recognizes architecture of enduring significance that is given to no more than one building per year.

Kahn structured the library in three concentric square rings.  The outer ring, which is built of [[load-bearing wall|load-bearing]] brick, includes all four exterior walls and the library carrel spaces immediately inside them.  The middle ring, which is built of [[reinforced concrete]], holds the heavy book stacks.  The inner ring is a dramatic atrium with enormous circular openings in its walls that reveal several floors of book stacks.

('''[[Phillips Exeter Academy Library|more]]'''…)

=== 2013 August ===
[[File:Plan of the Grand Palace, Bangkok (with labels).svg|180px|right|Plan of the Grand Palace, Bangkok]]
The '''Grand Palace''' ({{RTGS|''Phra Borom Maha Ratcha Wang''}}) is a complex of buildings at the heart of [[Bangkok]], [[Thailand]]. The palace has been the official [[royal residence|residence]] of the [[Monarchy of Thailand|Kings of Siam]] (and later Thailand) since 1782.  The king, his [[Court (royal)|court]] and his royal government were based on the grounds of the palace until 1925. The present monarch, King [[Bhumibol Adulyadej]], currently resides at [[Chitralada Palace]], but the Grand Palace is still used for official events.  The palace complex is roughly rectangular and has a combined area of {{convert|218400|m2}}, surrounded by walls. It is situated on the banks of the [[Chao Phraya River]] at the heart of the [[Rattanakosin Island]]. It is one of the most popular tourist attractions in Thailand.

Construction of the palace began in 1782, at the order of King [[Buddha Yodfa Chulaloke]], the founder of the [[Chakri Dynasty]], when he moved the capital city from [[Thonburi]] to Bangkok. Throughout successive reigns, many new buildings and structures were added, especially during the reign of King [[Chulalongkorn]]. By 1925, the king, the Royal Family and the government were no longer permanently settled at the palace, and had moved to other residences. After the [[Siamese Revolution of 1932|abolition of absolute monarchy]] in 1932, all government agencies completely moved out of the palace. 

('''[[Grand Palace|more]]'''…)

=== 2013 July ===
[[File:Hiroshima Peace Memorial Museum 2009.jpg|180px|right|Hiroshima Peace Memorial Museum designed by Kenzō Tange]]
'''Kenzō Tange''' (1913–2005) was a [[Japanese people|Japanese]] [[architect]], and winner of the 1987 [[Pritzker Prize]] for  [[architecture]]. He was one of the most significant architects of the 20th century, combining traditional Japanese styles with [[Modern Architecture|modernism]], and designed major buildings on five continents. Tange was also an influential patron of the [[Metabolism (architecture)|Metabolist movement]]. He said: "It was, I believe, around 1959 or at the beginning of the sixties that I began to think about what I was later to call [[Structuralism (architecture)|structuralism]]", a reference to the architectural movement known as Dutch Structuralism.

Influenced from an early age by the Swiss modernist, [[Le Corbusier]], Tange gained international recognition in 1949 when he won the competition for the design of [[Hiroshima Peace Memorial Park]]. He was a member of [[Congrès International d'Architecture Moderne|CIAM]] (''Congres Internationaux d'Architecture Moderne'') in the 1950s. He did not join the group of younger CIAM architects known as [[Team 10|Team X]], though his 1960 Tokyo Bay plan was influential for Team 10 in the 1960s, as well as the group that became Metabolism.

His university studies on urbanism put him in an ideal position to handle redevelopment projects after the Second World War. His ideas were explored in designs for [[Tokyo]] and [[Skopje]]. Tange's work influenced a generation of architects across the world.

('''[[Kenzō Tange|more]]'''…)

=== 2013 June ===
[[File:Edinburgh Scottish Parliament01 2006-04-29.jpg|180px|right|The Scottish Parliament Building at Holyrood designed by the Catalan architect Enric Miralles ]]
The '''architecture of Scotland''' includes all human building within the modern borders of Scotland, from the [[Neolithic]] era to the present day. The earliest surviving houses go back around 9500 years, and the first villages 6000 years: [[Skara Brae]] on the [[Mainland, Orkney|Mainland]] of [[Orkney]] being the earliest preserved example in Europe. [[Crannog]]s, roundhouses, each built on an artificial island, date from the [[Bronze Age]] and stone buildings called [[Atlantic roundhouse]]s and larger earthwork [[hill forts]] from the [[Iron Age]]. The arrival of the Romans from about 71 AD led to the creation of forts like that at [[Trimontium (Newstead)|Trimontium]], and a continuous fortification between the [[Firth of Forth]] and the [[Firth of Clyde]] known as the [[Antonine Wall]], built in the second century AD. Beyond Roman influence, there is evidence of [[wheelhouse (archaeology)|wheelhouses]] and underground [[souterrain]]s. After the departure of the Romans there were a series of nucleated hill forts, often utilising major geographical features, as at [[Dunadd]] and [[Dumbarton Castle|Dunbarton]].

Castles arrived in Scotland with the introduction of [[feudalism]] in the twelfth century. Initially these were wooden [[motte-and-bailey]] constructions, but many were replaced by stone castles with a high curtain wall. In the late Middle Ages new castles were built, some on a grander scale, and others, particularly in the borders, simpler [[tower house]]s. Gunpowder weaponry led to the use of gun ports, platforms to mount guns and walls adapted to resist bombardment. Medieval parish church architecture was typically simpler than in England, but there were grander ecclesiastical buildings in the Gothic style. From the early fifteenth century the introduction of Renaissance styles included the selective use of [[Romanesque architecture|Romanesque]] forms in church architecture, as in the nave of [[Dunkeld Cathedral]], followed more directly influenced Renaissance palace building from the late fifteenth century, beginning at [[Linlithgow Palace|Linlithgow]]. 

('''[[Architecture of Scotland|more]]'''…)

=== 2013 May ===
[[File:Detroit Photographic Company (0645).jpg|180px|right|The Flatiron Building, New York, shortly after its construction in 1903]]
The '''early skyscrapers''' were a range of [[skyscraper|tall, commercial buildings]] built between 1884 and 1939, predominantly in the American cities of [[New York City]] and [[Chicago]]. Cities in the United States were traditionally made up of [[low-rise]] buildings, but significant economic growth after the [[American Civil War|Civil War]] and increasingly intensive use of urban land encouraged the development of taller buildings beginning in the 1870s. Technological improvements enabled the construction of [[Fireproofing|fireproofed]] iron-framed structures with deep [[Foundation (engineering)|foundations]], equipped with new inventions such as the [[elevator]] and [[electric lighting]]. These made it both technically and commercially viable to build a new class of taller buildings, the first of which, Chicago's {{convert|138|ft|adj=on}} tall [[Home Insurance Building]], opened in 1884. Their numbers grew rapidly and by 1888 they were being labelled ''skyscrapers''.

Chicago initially led the way in skyscraper design, with many constructed in the center of the financial district during the late 1880s and early 1890s. Sometimes termed the products of the [[Chicago school (architecture)|Chicago school of architecture]], these skyscrapers attempted to balance aesthetic concerns with practical commercial design, producing large, square ''[[palazzo]]''-styled buildings hosting shops and restaurants on the ground level and containing rentable offices on the upper floors. In contrast, New York's skyscrapers were frequently narrower towers which, more eclectic in style, were often criticised for their lack of elegance. In 1892, Chicago banned the construction of new skyscrapers taller than {{convert|150|ft}}, leaving the development of taller buildings to New York.

('''[[Early skyscrapers|more]]'''…)

=== 2013 April ===
[[File:Dingzhou Liaodi Pagoda 3.jpg|180px|right|The Liaodi Pagoda of Kaiyuan Temple in Dingzhou]]
The '''architecture of the Song Dynasty''' (960–1279) was noted for its towering [[Buddhist]] [[Chinese pagoda|pagodas]], enormous stone and wooden bridges, lavish tombs, and palaces. Although literary works on architecture existed beforehand, architectural writing blossomed during the [[Song Dynasty]], maturing into a more professional form that described dimensions and working materials in a concise, organized manner. In addition to the examples still standing, depictions in [[Culture of the Song Dynasty#Visual arts|Song artwork]], [[architectural drawing]]s, and illustrations in published books all aid modern historians in understanding the architecture of the period.

The professions of [[architect]], [[master craftsman]], [[carpenter]], and [[structural engineer]] did not have the high status of the [[Confucian]] scholar-officials during the dynastic era. Architectural knowledge had been passed down orally for thousands of years, usually from craftsman fathers to their sons. However, there were also government agencies and schools for construction, building, and engineering. The Song Dynasty's building manuals aided not only the various private workshops, but also the craftsmen employed by the central government.

('''[[Architecture of the Song Dynasty|more]]'''…)

=== 2013 March ===
[[File:Frankfurter-kueche-vienna.JPG|180px|right|Frankfurt kitchen]]

The '''Frankfurt kitchen''' was a milestone in domestic [[architecture]], considered the forerunner of modern [[fitted kitchen]]s, for it realised for the first time a [[kitchen]] built after a unified concept, designed to enable efficient work and to be built at low cost. It was designed in 1926 by [[Austria]]n architect [[Margarete Schütte-Lihotzky]] for architect [[Ernst May]]'s [[social housing]] project ''Römerstadt'' in [[Frankfurt]], [[Germany]]. Some 10,000 units were built in the late 1920s in Frankfurt.

The Frankfurt kitchen was a narrow double-file kitchen measuring 1.9&nbsp;m by 3.4&nbsp;m. It had a separate entrance in one of the short walls, opposite which was the window. Along the left side (as seen from the entrance), the [[stove]] was placed, followed by a [[sliding door]] connecting the kitchen to the dining and living room. On the right wall were cabinets and the sink, in front of the window a workspace. There was no [[refrigerator]], but a foldable [[ironing board]], visible in the image folded against the left wall.

The narrow layout of the kitchen was not due solely to the space constraints mentioned above, it was equally a conscious design decision in a Taylorist attempt to minimise the number of steps needed when working in the kitchen. The sliding door also helped minimise the walking distance between the kitchen and the table in the adjacent room.

Dedicated, labelled storage bins for common ingredients such as flour, sugar, rice and others were intended to keep the kitchen tidy and well-organised; the workspace had an integrated, removable "garbage drawer" such that scraps could just be shoved into it while working and the whole thing emptied at once afterwards.

Because conventional kitchen furniture of the time fit neither the new workflows nor the narrow space, the Frankfurt kitchen was installed complete with furniture and major appliances such as the stove, a novelty at that time in Germany. It was the first fitted kitchen. The wooden door and drawer fronts were painted blue because researchers had found that [[fly|flies]] avoided blue surfaces.  Lihotzky used [[oak]] wood for flour containers, because it repelled [[mealworms]], and [[beech]] for table tops because beech is resistant to staining, acids, and knifemarks.  The seating was a revolving stool on castors for maximum flexibility.

('''[[Frankfurt kitchen|more]]'''…)

=== 2013 February ===
[[File:Zafimaniry Village Madagascar.jpg|180px|right|Zafimaniry wooden houses]]

The '''architecture of Madagascar''' is unique in Africa, bearing strong resemblance to the [[Bubungan Tinggi|construction norms and methods of Southern Borneo]] from which the earliest inhabitants of Madagascar are believed to have emigrated. Throughout [[Madagascar]] and the [[South Kalimantan|Kalimantan]] region of [[Borneo]], most traditional houses follow a rectangular rather than round form, and feature a steeply sloped, peaked roof supported by a central pillar. In South Kalimantan, traditional houses are generally raised on [[Deep foundation|piles]] and feature "house horns" formed by the crossing of roof support beams at each gable end. Traditional Malagasy houses are likewise often built on piles, and the tradition of house horns can be seen in some southeastern communities and in the wooden architectural traditions of the ''[[andriana]]'' noble classes of the [[Merina people]] of the central highlands.

Differences in the predominant traditional construction materials used serve as the basis for much of the diversity in Malagasy architecture. Locally available plant materials were the earliest materials used and remain the most common among traditional communities. In intermediary zones between the central highlands and humid coastal areas, hybrid variations have developed that use [[cob (material)|cob]] and sticks.  Wood construction, once common across the island, declined as a growing human population destroyed greater swaths of virgin rainforest for [[slash and burn]] agriculture and [[zebu]] cattle pasture. The [[Zafimaniry]] communities of the central highland montane forests are the only [[Malagasy people|Malagasy ethnic group]] who have preserved the island's original wooden architectural traditions; their craft was added to the [[UNESCO]] list of [[Intangible Cultural Heritage]] in 2003. As wood became scarce over time, wooden houses became the privilege of the noble class in certain communities, as exemplified by the homes of the Merina nobility in the 19th century [[Kingdom of Madagascar]]. The use of stone as a building material was traditionally limited to the construction of tombs, a significant feature of the cultural landscape in Madagascar due to the prominent position occupied by ancestors in Malagasy cosmology. The island has produced several distinct traditions in tomb architecture: among the [[Mahafaly]] of the southwest coast, the top of tombs may be stacked with the skulls of sacrificed zebu and spiked with ''[[aloalo]]'', decoratively carved tomb posts, while among the Merina, aristocrats historically constructed a small wooden house on top of the tomb to symbolize their ''andriana'' status and provide an earthly space to house their ancestors' spirits.

('''[[Architecture of Madagascar|more]]'''…)

=== 2013 January ===
[[File:Frederiksborg-2.jpg|180px|right|Renaissance-styled Frederiksborg Palace completed by Hans van Steenwinckel the Younger in 1620]]

The '''architecture of Denmark''' has its origins in the [[Viking]] period, richly revealed by archaeological finds. It became firmly established in the [[Middle Ages]] when first [[Romanesque style|Romanesque]], then [[Gothic style|Gothic]] churches and cathedrals sprang up throughout the country. It was during this period that, in a country with little access to stone, brick became the construction material of choice, not just for churches but also for fortifications and castles.

Under the influence of [[Frederick II of Denmark|Frederick II]] and [[Christian IV of Denmark|Christian IV]], both of whom had been inspired by the [[Château|castles of France]], Dutch and Flemish designers were brought to Denmark, initially to improve the country's fortifications, but increasingly to build magnificent royal castles and palaces in the [[Renaissance architecture|Renaissance]] style. In parallel, the half-timbered style became popular for ordinary dwellings in towns and villages across the country.

Late in his reign, Christian IV also became an early proponent of [[Baroque architecture|Baroque]] which was to continue for a considerable time with many impressive buildings both in the capital and the provinces. [[Neoclassical architecture|Neoclassicism]] came initially from France but was slowly adopted by native Danish architects who increasingly participated in defining architectural style. A productive period of [[Historicism (art)|Historicism]] ultimately merged into the 19th century [[National Romantic style]].  

It was not, however, until the 1960s that Danish architects entered the world scene with their highly successful [[Functionalism (architecture)#Danish Functionalism|Functionalism]]. This, in turn, has evolved into more recent world-class masterpieces such as the [[Sydney Opera House]] and the [[Great Belt Fixed Link|Great Belt Bridge]] paving the way for a number of Danish designers to be rewarded for excellence both at home and abroad.

('''[[Architecture of Denmark|more]]'''…)

=== 2012 December ===
[[File:Fullingmill.jpg|180px|right|Durham Cathedral, above the River Wear.|alt=A winter view showing Durham Cathedral with three large towers looming high on a craggy cliff above a river bordered with snow-covered trees, a weir and a house.]]

The '''medieval cathedrals of England''', dating from between approximately 1040 and 1540, are a group of twenty-six buildings which together constitute a major aspect of the country’s artistic heritage and are among the most significant material symbols of [[Christianity]]. Though diversified in style, they are united by a common function. As [[cathedral]]s, each of these buildings serves as central church for an administrative region (or diocese) and houses the throne of a bishop (“cathedra” from the Greek). Each cathedral also serves as a regional centre and a focus of regional pride and affection.

Only sixteen of these buildings had been cathedrals at the time of the [[English Reformation|Reformation]]; eight being then served by secular canons, and a further eight being monastic.  A further five cathedrals are former abbey churches, which were reconstituted with secular canons as cathedrals of new dioceses by [[Henry VIII of England|Henry VIII]] following the [[dissolution of the monasteries]]; and which comprise, together with the former monastic cathedrals, the 'Cathedrals of the New Foundation'.  Two further pre-Reformation monastic churches, which had survived as ordinary parish churches for 350 years, became cathedrals in the 19th and 20th centuries; as did the three medieval collegiate churches which had retained their foundations for choral worship.

('''[[Architecture of the medieval cathedrals of England|more]]'''…)

===2012 October-November===
[[File:Hearst Castle Casa Grande September 2012 panorama 2.jpg|right|180px|The Hearst Castle designed by Julia Morgan]]

'''Julia Morgan''' (January 20, 1872 – February 2, 1957) was an American architect, the first woman to be admitted to the architecture program at l'[[École nationale supérieure des Beaux-Arts]] in Paris, and the first woman architect licensed in California. The designer of over 700 buildings in California, she is best known for her work on [[Hearst Castle]] in [[San Simeon, California]]. Throughout her long career, she designed many buildings for institutions serving women and girls.

Morgan's most famous patron was the newspaper magnate and antiquities collector [[William Randolph Hearst]], who had been introduced to Morgan by his mother [[Phoebe Apperson Hearst]], the chief patron of the University of California at Berkeley. It is believed that this introduction led to Morgan's first downstate commission by Hearst, circa 1914, for the design of the [[Los Angeles Herald-Examiner|Los Angeles Examiner]] Building, a [[Mission Revival Style architecture|Mission revival style]] project that included contributions by Los Angeles architects [[William J. Dodd]] and J. Martyn Haenkel. In 1919, Hearst selected Morgan as the architect for ''La Cuesta Encantada'', better known as [[Hearst Castle]], which was built atop the family campsite overlooking [[San Simeon]] Harbor. The project proved to be her largest and most complex, as Hearst's vision for his estate grew ever grander over the decades of planning and construction. It later included ''[[The Hacienda (Milpitas Ranchhouse)|The Hacienda]]'', a residence–private guest house complex built in  hybrid [[Mission Revival Style architecture|Mission Revival]], [[Spanish Colonial Revival architecture|Spanish Colonial Revival]], and [[Moorish Revival]] styles. It was located a day's horseback ride inland from Hearst Castle next to the [[Mission San Antonio de Padua]] near [[Jolon, California]]. Her work on 'the Castle' and San Simeon Ranch continued until 1947, ended only by Hearst's declining health.

('''[[Julia Morgan|more]]'''…)

=== 2012 September ===
[[File:XIX century print, Piazza della Scala, Milano.jpg|right|180px|The Teatro alla Scala, 19th century print]]

'''Neoclassical architecture in Milan''' covers the north Italian city's main artistic movement in the second half of the 18th and the first half of the 19th century. From the final years of the reign of [[Maria Theresa of Austria]], through the [[Kingdom of Italy (Napoleonic)|Napoleonic Kingdom of Italy]] and the [[European Restoration]], [[Milan]] was in the forefront of a strong cultural and economic renaissance in which [[Neoclassicism]] was the dominant style, making Milanese Neoclassical developments among the most important in Italy and across Europe. 

Notable developments include the [[Teatro alla Scala]], the restyled [[Royal Palace of Milan|Royal Palace]], and the Brera institutions including the [[Brera Academy|Academy of Fine Arts]], the Braidense Library and the [[Brera Astronomical Observatory]]. Neoclassicism also led to the development of monumental city gates, new squares and boulevards as well as public gardens and private mansions. Latterly two churches, San Tomaso in Terramara and [[San Carlo al Corso (Milan)|San Carlo al Corso]], were completed in Neoclassical style before the period came to an end in the late 1830s.

('''[[Neoclassical architecture in Milan|more]]'''…)

===2012 May - August ===
[[File:Hillevi Svedberg-MJ.jpg|right|180px|Swedish architect Hillevi Svedberg (1910—1990)]]

The number of '''[[women in architecture]]''' has been low over the years as the profession has been dominated by men. Apart from a very small number of exceptions, women played virtually no role in the field until the end of the 19th century when, starting in Finland, certain [[List of international architecture schools|schools of architecture]] in Europe began to admit women to their programmes of study. Only in recent years have women begun to achieve wider recognition with several outstanding participants including two [[Pritzker Architecture Prize|Pritzker prizewinners]] since the turn of the millennium. However, despite the fact that some 40% of architecture graduates in the western world are now women, not more than 12% are estimated to be practicing as licensed or registered architects.

Two European women stand out as historical exceptions to the rule in that several hundred years ago, they played an important part as architects, designing or defining the development of buildings under construction. In France, [[Katherine Briçonnet]] (ca. 1494–1526) was influential in designing the [[Château de Chenonceau]] in the [[Loire Valley]], supervising the construction work between 1513 and 1521 and taking important architectural decisions while her husband was away fighting in the Italian wars. In Britain, there is a fair amount of evidence that [[Elizabeth Wilbraham|Lady Elizabeth Wilbraham]] (1632–1705) who had studied the work of the Dutch architect [[Pieter Post]] as well as that of [[Andrea Palladio|Palladio]] in [[Veneto]], Italy, and the [[Landshut Residence|Stadtresidenz]] at Landshut, Germany, was the architect of [[Wotton House]] in [[Buckinghamshire]] and of many other buildings. It has also been suggested that she tutored one of Britain's most outstanding architects, [[Christopher Wren|Sir Christopher Wren]]. As it was impossible for a woman to admit to being an architect, Wilbraham used male architects to supervise the construction work. Towards the end of the 18th century, another Englishwoman, [[Mary Townley (architect)|Mary Townley]] (1753–1839), tutored by the artist [[Joshua Reynolds|Sir Joshua Reynolds]], designed several buildings in [[Ramsgate]] in south-eastern England including [[Townley House]] which is considered to be an architectural gem.

('''[[Women in architecture|more]]'''…)

===2012 March - April===

[[File:Lady Elizabeth Wilbraham by Sir Peter Lely.jpg|right|180px|Lady Elizabeth Wilbraham by Sir Peter Lely]]
'''Lady Elizabeth Wilbraham''' (1632-1705), née Mytton, was a member of the English aristocracy, important architectural patron and has also been posited to be the first known female [[architect]]. 

Elizabeth Mytton was born into a wealthy family and, aged 19, married Thomas Wilbraham, heir to the [[Wilbraham Baronets|Baronetcy of Wilbraham]]. They went on honeymoon together, travelling across Europe and she made this into an opportunity to take an extended architectural study tour. In the Netherlands, Elizabeth Wilbraham met architect [[Pieter Post]], creator of the [[Dutch Baroque architecture|Dutch baroque]] style of architecture. She studied the works of [[Andrea Palladio|Palladio]] in [[Veneto]], Italy and the [[Landshut Residence|Stadtresidenz]] at Landshut, Germany.

Historian John Millar claims that Wilbraham is the first female architect and is writing a book on the subject, due to be published in 2012. He says this follows over 50 years of research into the subject. In 2007 the owners of the stately home, [[Wotton House]], organised a conference to investigate who was the original architect of the building. The conference generated at least two follow up papers: in 2010 Howard Colvin proposed that John Fitch may have been the original architect, and later the same year John Millar, noting Colvin's paper, proposed Wilbraham as an alternative. During the 17th century it was impossible for a woman to pursue a profession and Wilbraham used male executant architects to supervise construction. She is believed to have designed over a dozen houses for her family and, because of the inclusion of unusual design details, is put forward as the designer of 18 London churches (officially attributed to [[Christopher Wren]]). Because Wren came late to architecture, Wilbraham is put forward as his most likely tutor. 

('''[[Elizabeth Wilbraham|more]]'''…)

===December 2007 - February 2012===
[[Image:Escorial traza def.jpg|left|180px|El Escorial: floor plan]]
'''El Escorial, the Royal Monastery of San Lorenzo El Real''' (also known as the '''Monasterio de El Escorial''' or simply '''El Escorial''') is located about 50 km (31 mi) northwest of the Spanish capital.  El Escorial comprises two architectural complexes of great historical and cultural significance: El Real Monasterio de El Escorial itself and [[La Granjilla de La Fresneda de El Escorial, Madrid|La Granjilla de La Fresneda]], a royal hunting lodge and monastic retreat about five km away.  These sites have a dual nature; that is to say, during the [[16th century|16th]] and [[17th century|17th centuries]], they were places in which the temporal power of the [[Spanish monarchy]] ''and'' the ecclesiastical predominance of the [[Roman Catholic church|Roman Catholic]] religion in Spain found a common architectural manifestation.  El Escorial was, at once, a monastery and a Spanish royal palace. Originally a property of the [[Hieronymite]] it is now an [[Order of Saint Augustine|Augustinian]] monastery. [[Philip II of Spain]], reacting to the [[Protestant Reformation]] sweeping through Europe during the sixteenth century, devoted much of his lengthy reign (1556-1598) and much of his seemingly inexhaustible supply of New World gold to stemming the Protestant tide. His protracted efforts were, in the long run, partly successful. However, the same [[Counter Reformation|counter-reformational]] impulse had a much more benign expression, thirty years earlier, in Philip's decision to build the complex at El Escorial. Philip engaged the Spanish architect, [[Juan Bautista de Toledo]], to be his collaborator in the design of El Escorial.  Juan Bautista had spent the greater part of his career in Rome, where he had worked on the [[St. Peter's Basilica|basilica of St. Peter's]], and in [[Naples]], where he had served the king's viceroy, whose recommendation brought him to the king's attention. Philip appointed him architect-royal in 1559, and together they designed El Escorial. On November 2, 1984, UNESCO declared The Royal Site of San Lorenzo of El Escorial a [[World Heritage Site]].  It is an extremely popular tourist attraction, often visited by day-trippers from Madrid. ('''[[El Escorial|more]]'''…)
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