View source for Notebook for Anna Magdalena Bach

{{Short description|Manuscripts by Johann Sebastian Bach}}
{{italic title}}
[[File:Gavotte from French suite n. 5.jpg|thumb|250px|This page of the 1722 notebook contains the gavotte from [[French Suites (Bach)|French Suite]] No. 5 ([[BWV]] 816).{{ external media|float=center|width=250px|audio1=You may hear selections from Bach's ''Anna Magdalena Notebook'' as performed by [[Gustav Leonhardt]] <br>  [https://archive.org/details/lp_selections-from-the-musical-notebook-for-a_johann-sebastian-bach-gustav-leonhardt-ell/disc1/01.05.+Bist+Du+Bei+Mir%2C+BWV+508+-+Aria+For+Clavier%2C+BWV+988%2C+1+-+So+Oft+Ich+Meine+Tabakspfeife%2C+BWV+515b+-+March+In+G%2C+BWV+Anhang+124.mp3 '''Here on Archive.org''']}}
]]

The title '''''Notebook for Anna Magdalena Bach''''' ({{langx|de|Notenbüchlein für Anna Magdalena Bach}}) refers to either of two [[manuscript]] notebooks that the German [[Baroque]] [[composer]] [[Johann Sebastian Bach]] presented to his second wife, [[Anna Magdalena Bach|Anna Magdalena]]. [[Keyboard instrument|Keyboard]] music ([[minuet]]s, [[Rondo|rondeaux]], [[polonaise (dance)|polonaise]]s, [[chorale]]s, [[sonata]]s, [[prelude (music)|preludes]], [[Bal-musette|musettes]], [[march (music)|marches]], [[gavotte]]s) makes up most of both notebooks, and a few pieces for [[Vocal music|voice]] ([[song]]s, and [[aria]]s) are included.

The Notebooks provide a glimpse into the domestic music of the 18th century and the musical tastes of the [[Bach family]].

==History==
The two notebooks are known by their title page dates of 1722 and 1725. The title "Anna Magdalena Notebook" is commonly used to refer to the latter. The primary difference between the two collections is that the 1722 notebook contains works only by Johann Sebastian Bach (including most of the [[French Suites (Bach)|French Suites]]), while the 1725 notebook is a compilation of music by both Bach and other composers of the era.<ref name="BD1722">[http://www.bach-digital.de/receive/BachDigitalSource_source_00001135 1. Klavierbüchlein der A. M. Bach, 1722, D-B Mus. ms. Bach P 224] at [[Bach Digital]] website</ref><ref name="BD1725">[http://www.bach-digital.de/receive/BachDigitalSource_source_00001136 2. Notenbüchlein der A. M. Bach, 1725, D-B Mus. ms. Bach P 225] at [[Bach Digital]] website</ref>

===The 1722 notebook: French Suites and miscellany===
[[File:Anna-magdalena-bach-noteboo.jpg|thumb|250px|Title page of the first (1722) ''Notebook for Anna Magdalena Bach''. Note the titles of the three Pfeiffer books written by Bach in the lower right corner.]]
This notebook contains 25&nbsp;unbound sheets (including two blank pages), which is estimated to be approximately a third of the original size. It is not known what happened to the other pages. The back and the corners are decorated with brown leather; greenish paper is used for the cover. The title page is inscribed ''{{Lang|de|Clavier-Büchlein vor Anna Magdalena Bachin {{sc|ANNO}} 1722}}'' in Anna Magdalena's hand (using the feminine version of her last name). For a reason so far unknown to researchers, Johann Sebastian wrote the titles of three books by [[Theology|theologian]] {{ill|August Pfeiffer|de|August Pfeiffer (Theologe)}} (died 1698) in the lower right corner of the title page:
* ''{{Lang|de|Ante Calvinismus}}'' is a shortened and misspelled title of ''{{Lang|de|Anti-Calvinismus, oder Unterredungen von der Reformierten Religion}}'' (Anti-[[Calvinism]], or Conversations about the reformed religion).
* "''{{Lang|de|Christen Schule}}'' item" refers to Pfeiffer's ''{{Lang|de|Evangelische Christen Schule}}'' ("[[Evangelical Church in Germany|Evangelical]] Christian School").
* ''AntiMelancholicus'' refers to ''{{Lang|de|Anti-melancholicus, oder Melancholey-Vertreiber}}'' (Anti-melancholy, or [something or someone] to drive out the melancholy).

The notebook contains the following works, most in Johann Sebastian's hand:
* Five [[Keyboard instrument|keyboard]] [[Suite (music)|suite]]s. The first three are fragments of the pieces that are now known as the first three [[French Suites (Bach)|French Suites]], BWV&nbsp;812–814. The next two are complete suites, French Suites Nos.&nbsp;4 and 5, BWV&nbsp;815–816. The [[minuet]]s of suites&nbsp;2 and 3 are separated from the rest of their respective suites and were most probably added at a later date by Anna Magdalena Bach (they are almost certainly in her hand), some time before 1725.
* ''Fantasia pro organo'', unfinished, BWV&nbsp;573. A short [[Organ (music)|organ]] piece, 12&nbsp;complete [[Bar (music)|bars]] and the beginning [[Note (music)|notes]] of the 13th&nbsp;bar.
* Air with variations in C&nbsp;minor, unfinished, BWV&nbsp;991. The first 10&nbsp;bars feature coherent two-part writing, but the remaining 35&nbsp;bars only have one voice written out.
* "Jesus, meine Zuversicht", chorale prelude, BWV&nbsp;728. A brief (9&nbsp;bars) piece in three voices, features two sections with repeats for each.
* Minuet in G&nbsp;major, BWV&nbsp;841 (not to be confused with [[Christian Petzold (composer)|Petzold]]'s ''Minuet in G&nbsp;major'' in the 1725 notebook). A short dance with simplistic two-part writing and two sections with repeats for each.

===The 1725 notebook===
[[File:Anna Magdalena Bach's Notebook 1725.jpg|thumb|250px|Cover of the second (1725) ''Notebook for Anna Magdalena Bach'' {{external media|float=center|width=250px|audio1=You may hear selections from Bach's ''Anna Magdalena Notebook'' as performed by the organist [[E. Power Biggs]] <br>  [https://archive.org/details/the-biggs-bach-book/01-+The+Little+Music+Book+for+Anna+Magdalena+Bach.mp3 '''Here on Archive.org''']}}
]]The 1725 notebook is larger than the 1722 one, and more richly decorated. Light green paper is used for the front cover, Anna Magdalena's initials and the year number "1725" are printed in gold, the annotations A[nna] M[agdal] B[ach] added by her stepson C. P. E. Bach when he inherited it. All pages feature [[Gilding|gilt edging]]. Most of the entries in the 1725 notebook were made by Anna Magdalena herself, with others written in the hand of Johann Sebastian, some by sons [[Johann Christian Bach|Johann Christian]] and [[Carl Philipp Emanuel Bach|Carl Philipp Emanuel]], and a few by family friends such as Johann Gottfried Bernhard and Johann Gottfried Heinrich. 
Although the 1725 notebook does contain work composed by Johann Sebastian Bach, it also includes works by many other composers.  The authorship of several pieces is identified in the notebook itself, while that of others was established by researchers.  The composers of still others, including several popular songs of the time, remain unknown. 
Here is a complete list of the pieces included, in order of appearance in the notebook:
#Keyboard partita in A minor, BWV 827. This is the third partita from Bach's set of Partitas for keyboard BWV 825–830, which was published in 1731 as the first volume of ''{{Lang|de|Clavier-Übung}}''.
#Keyboard partita in E minor, BWV 830. This is the sixth partita from Bach's set of Partitas for keyboard BWV 825–830.
#Minuet in F major, [[BWV Anh.]] 113.
#[[Minuet in G major (BWV Anh. 114)|Minuet in G major, BWV Anh. 114]]. Usually attributed to [[Christian Petzold (composer)|Christian Petzold]].<ref>{{Cite Grove |last=Wolff |first=Christoph |author-link=Christoph Wolff |title=Bach. III. 7. Johann Sebastian Bach. Works}}</ref><ref>[[Peter Williams (musicologist)|Williams, Peter F..]] 2007. ''J.S. Bach: A Life in Music'', p.&nbsp;158. Cambridge University Press.</ref><ref>Schulenberg, David. 2006. ''The Keyboard Music of J.S. Bach'', p.&nbsp;522 and elsewhere.</ref>
#Minuet in G minor, BWV Anh. 115. Usually attributed to Christian Petzold.
#Rondeau in B-flat major, BWV Anh. 183. This piece is by [[François Couperin]] and is best known under the original title: ''Les Bergeries'' (6e Ordre).
#Minuet in G major, BWV Anh. 116
#{{Interlanguage link multi|Polonaise in F major, BWV Anh. 117a|commons|3=File:Johann Sebastian Bach - BWV Anh. 117a - Polonaise in F major.pdf}}<br />Polonaise in F major, BWV Anh. 117b
#Minuet in B-flat major, BWV Anh. 118
#Polonaise in G minor, BWV Anh. 119
#Chorale prelude "Wer nur den lieben Gott läßt walten", BWV 691
#Chorale setting "Gib dich zufrieden und sei stille" in F major, BWV 510
#Chorale setting "Gib dich zufrieden und sei stille" in G minor, BWV 511<br />Chorale setting "Gib dich zufrieden und sei stille" in E minor, BWV 512
#Minuet in A minor, BWV Anh. 120
#Minuet in C minor, BWV Anh. 121
#March in D major, BWV Anh. 122. Usually attributed to Carl Philipp Emanuel Bach.
#Polonaise in G minor, BWV Anh. 123. Usually attributed to Carl Philipp Emanuel Bach.
#March in G major, BWV Anh. 124. Usually attributed to Carl Philipp Emanuel Bach.
#Polonaise in G minor, BWV Anh. 125. Usually attributed to Carl Philipp Emanuel Bach.
#Aria "So oft ich meine Tobackspfeife" in D minor, BWV 515<br />Aria "So oft ich meine Tobackspfeife" in G minor, BWV 515a
#Menuet fait par Mons. Böhm, by [[Georg Böhm]]. Not included in the BWV catalogue.
#Musette in D major, BWV Anh. 126
#March in E-flat major, BWV Anh. 127
#(Polonaise) in D minor, BWV Anh. 128
#Aria "[[Bist du bei mir]]", BWV 508. This composition is probably the most well-known of the arias of the 1725 notebook. Its melody is by [[Gottfried Heinrich Stölzel]].<ref>[[Andreas Glöckner]] in: ''''[[Bach-Jahrbuch]]'' 2002, pp. 172–174.</ref>
#Keyboard aria in G major, BWV 988/1. Another well-known piece, this is the aria of the [[Goldberg Variations]], BWV 988.  [[Christoph Wolff]] has [[Goldberg Variations#Publication|suggested]] that this Aria was entered into the two blank pages of this book by Anna Magdalena later, in 1740.
#Solo per il cembalo in E-flat major, BWV Anh. 129. A harpsichord piece by Carl Philipp Emanuel Bach.
#Polonaise in G major, BWV Anh. 130. Possibly composed by [[Johann Adolph Hasse]].
#Prelude in C major, BWV 846/1. This is the first prelude from ''[[The Well-Tempered Clavier]]'', Book 1, with bars 16–20 omitted, most likely in order to make the piece fit in two pages.
#Keyboard suite in D minor, BWV 812. This is the first [[French Suites (Bach)|French Suite]].
#Keyboard suite in C minor, BWV 813. This is an incomplete version of the second French Suite.
#Movement in F major, BWV Anh. 131. The handwriting looks like that of a child, and apparently the piece is an attempt to create a bass line for a given melody.
#Aria "Warum betrübst du dich", BWV 516
#Recitative "Ich habe genug" and aria "Schlummert ein, ihr matten Augen" (solo), BWV 82/2,3
#Chorale setting "Schaff's mit mir, Gott", BWV 514
#Minuet in D minor, BWV Anh. 132
#Aria "Willst du dein Herz mir schenken" (subtitled "Aria di Giovannini"), BWV 518
#Aria "Schlummert ein, ihr matten Augen", unfinished, BWV 82/3
#Chorale setting "Dir, dir Jehova, will ich singen" (version for choir), BWV 299<br />Chorale setting "Dir, dir Jehova, will ich singen" (solo), BWV 299
#Song "Wie wohl ist mir, o Freund der Seelen", BWV 517
#Aria "Gedenke doch, mein Geist, zurücke", BWV 509
#Chorale "O Ewigkeit, du Donnerwort", BWV 513

==Compositions==
{{expand section|date=September 2016}}
The Notebooks contain instrumental as well as vocal musical compositions. These notebooks serve more as collections of sheet music and other compositions rather than what notebooks are traditionally used for.

===Recitative and Aria from Cantata ''Ich habe genug'', BWV 82===
{{see also|Ich habe genug, BWV 82}}
The recitative "Ich habe genug" and the aria "Schlummert ein, ihr matten Augen", the second and third movements of the second version of Cantata [[Ich habe genug, BWV 82|''Ich habe genug'', BWV 82]], appear in the 1725 Notebook.<ref>[[Bach Digital|Bach Digital Work]] {{BDW|0104}}</ref>

===Four-part chorale "Dir, dir, Jehova, will ich singen", BWV 299===
{{see also|List of chorale harmonisations by Johann Sebastian Bach#In the 1725 Notebook for Anna Magdalena Bach}}
The four-part chorale "[[Dir, dir, Jehova, will ich singen]]", BWV 299, also appears in a two-part setting in [[Georg Christian Schemelli|Schemellis]] ''Musicalisches Gesang-Buch'' (BWV&nbsp;452).<ref>[[Bach Digital|Bach Digital Work]] {{BDW|0369}}</ref>

===Songs and arias, BWV 508–518===
{{see also|List of songs and arias by Johann Sebastian Bach#Songs and arias from the second Notebook for Anna Magdalena Bach (BWV 508–518)}}
The second Notebook contains a number of songs and arias set for voice and continuo.

====Aria "Bist du bei mir", BWV 508====
{{Listen
| filename    =Hmv-db2291-32-4808-2wx767.ogg
| title       ="Bist du bei mir"
| description =Performed by soprano [[Elisabeth Schumann]], 1934}}
{{see also|Bist du bei mir}}
"[[Bist du bei mir]]", BWV 508, is an arrangement of an aria of the opera ''Diomedes'' by [[Gottfried Heinrich Stölzel]].<ref>[[Bach Digital|Bach Digital Work]] {{BDW|0579}}</ref><ref name="BdbmRISM">{{RISM|469080810}} Diomedes (Excerpts): "Bist du bei mir geh ich mit Freuden"</ref><ref>[[scores:Diomedes (Stölzel, Gottfried Heinrich)|Diomedes (Stölzel, Gottfried Heinrich)]] at [[IMSLP]] website</ref>

====Aria "Gedenke doch, mein Geist", BWV 509====
"Gedenke doch, mein Geist, zurücke", BWV 509 is an aria contained in the second notebook.<ref>[[Bach Digital|Bach Digital Work]] {{BDW|0580}}</ref>

====Three settings of "Gib dich zufrieden", BWV 510–512====
The sacred songs BWV 510–512 are three settings of "Gib dich zufrieden und sei stille" for voice and continuo.<ref>[[Bach Digital|Bach Digital Work]] {{BDW|0581}}, {{BDW|0582}} and {{BDW|0583}}</ref>

====Sacred song "O Ewigkeit, du Donnerwort", BWV 513====
The sacred song "O Ewigkeit, du Donnerwort", BWV 513, No. 42 in the second Notebook, is a setting of the [[O Ewigkeit, du Donnerwort|chorale melody with the same name]], for voice and continuo:<ref>[[Bach Digital|Bach Digital Work]] {{BDW|0584}}</ref>

[[File:Anna Magdalena Bach BWV513.42 1894.JPG|750px]]

[[BWV 397]] is the four-part realisation of this song.

====Sacred song "Schaffs mit mir, Gott", BWV 514====
"Schaffs mit mir, Gott", BWV 514, is a sacred song for voice and continuo.<ref>[[Bach Digital|Bach Digital Work]] {{BDW|0585}}</ref>

====Aria "So oft ich meine Tobackspfeife", BWV 515–515a====
{{Listen
| image       = [[File:Video Camera Icon.png|50px]]
| header       =
| filename     =J.S.Bach-So oft ich meine Tobackspfeife.ogg
| title        =So oft ich meine Tobackspfeife, BWV 515
| alt          =J.S.Bach. So oft ich meine Tobackspfeife, BWV 515, with Ukrainian words by M. Strikha.
| description  =Ukrainian words by M. Strikha
}}
The aria "So oft ich meine Tobackspfeife" appears in two versions, BWV 515 and 515a, the second a fourth higher than the first.<ref>[[Bach Digital|Bach Digital Work]] {{BDW|0586}} and {{BDW|0587}}</ref>

====Aria "Warum betrübst du dich", BWV 516====
The aria "Warum betrübst du dich", BWV 516, is a setting for voice and continuo.<ref>[[Bach Digital|Bach Digital Work]] {{BDW|0588}}</ref>

====Sacred song "Wie wohl ist mir, o Freund der Seelen", BWV 517====
"Wie wohl ist mir, o Freund der Seelen", BWV 517, is a sacred song for voice and continuo.<ref>[[Bach Digital|Bach Digital Work]] {{BDW|0589}}</ref>

===="Aria di G[i]ovannini", BWV 518====
The authenticity of "Willst du dein Herz mir schenken", BWV 518, also known as "Aria di G[i]ovannini", is doubted.<ref>[[Bach Digital|Bach Digital Work]] {{BDW|0590}}</ref>

===For organ===
The first Notebook contains two compositions for organ. The chorale prelude ''Wer nur den lieben Gott lässt walten'' is No. 11 in the second Notebook.

====Fantasia in C major, BWV 573====
The Fantasia in C major for organ, BWV 573, is a fragment contained in the 1722 Notebook.<ref>[[Bach Digital|Bach Digital Work]] {{BDW|0653}}</ref>

====Chorale prelude ''Wer nur den lieben Gott lässt walten'', BWV 691====
{{see also|Kirnberger Collection}}
The chorale prelude "Wer nur den lieben Gott lässt walten", BWV 691, also appears in the [[Kirnberger Collection]].<ref>[[Bach Digital|Bach Digital Work]] {{BDW|0808}}</ref>

====Chorale setting ''Jesus, meine Zuversicht'', BWV 728====
The chorale setting ''Jesus, meine Zuversicht'', BWV 728, is ranged among Bach's chorale preludes for organ.<ref>[[Bach Digital|Bach Digital Work]] {{BDW|0851}}</ref>

===For keyboard===
The keyboard pieces are the largest group of compositions in both Notebooks.

====Five ''French Suites'', BWV 812–816====
{{see also|French Suites (Bach)}}
The first Notebook contains early versions of the first five ''[[French Suites]]'', BWV 812–816. the first and the second ''French Suite'' also appear in the second Notebook.<ref>[[Bach Digital|Bach Digital Work]] {{BDW|0945}}, {{BDW|0946}}, {{BDW|0948}}, {{BDW|0950}} and {{BDW|0952}}</ref>

====Third and sixth partita from ''Clavier-Übung I'', BWV 827 and 830====
{{see also|Clavier-Übung I}}
The second Notebook starts with the third Partita, BWV 827, from ''[[Clavier-Übung I]]'', followed by the sixth Partita, BWV 830, from that opus.<ref>[[Bach Digital|Bach Digital Work]] {{BDW|0964}} and {{BDW|0968}}</ref>

====Minuet in G major, BWV 841====
The Minuet in G major, BWV 841, is also contained in the [[Klavierbüchlein für Wilhelm Friedemann Bach]].<ref>[[Bach Digital|Bach Digital Work]] {{BDW|0980}}</ref>

====First prelude of ''The Well-Tempered Clavier'', BWV 846/1====
{{see also|Prelude and Fugue in C major, BWV 846}}
The prelude of [[Prelude and Fugue in C major, BWV 846]], from ''[[The Well-Tempered Clavier]]'' appears in a short version in the second Notebook.<ref>[[Bach Digital|Bach Digital Work]] {{BDW|0986}}</ref>

====Aria of the ''Goldberg Variations'', BWV 988/1====
{{see also|Goldberg Variations}}
No. 26 in the second Notebook is the aria with which the ''[[Goldberg Variations]]'' start:<ref name="BD1725" /><ref>[[Bach Digital|Bach Digital Work]] {{BDW|1166}}</ref>

[[File:Aria Autograph.jpg|750px]]

====Air with variations, BWV 991====
The Air with variations in C minor, BWV 991, is a fragment contained in the first Notebook.<ref>[[Bach Digital|Bach Digital Work]] {{BDW|1169}}</ref>

====Minuet in F major, BWV Anh. 113====
The Minuet in F major, BWV Anh. 113, is No. 3 in the second Notebook. Its attribution to J.&nbsp;S. Bach is considered doubtful, and for that reason it is included in [[BWV Anh. II|Anhang (Anh.) II]] of the [[Bach-Werke-Verzeichnis]].<ref name="BWVanhIIp465">[[List of compositions by Johann Sebastian Bach#BWV2a|Bach-Werke-Verzeichnis (1998)]], [https://www.bachmidi.info/kbwv-a2.html#p0465 p.&nbsp;465]</ref><ref>[[Bach Digital|Bach Digital Work]] {{BDW|1423}}</ref>

====Two Minuets by Christian Petzold, BWV Anh. 114–115====
{{main|Minuets in G major and G minor (Petzold)}}
Start of [[Minuet in G major, BWV Anh. 114]]:<ref>[[Bach Digital|Bach Digital Work]] {{BDW|1424}} and {{BDW|1425}}</ref>

[[File:BWV Anh. 114 - preview.png]]

The two Minuets in G major and G minor, Nos. 4–5 in the second Notebook, BWV Anh. 114 and 115, were composed by Christian Petzold. Because their former attribution to Bach is spurious they appear in [[BWV Anh. III|Anh. III]] of the Bach-Werke-Verzeichnis.<ref name="BWVanhIIIp469">[[List of compositions by Johann Sebastian Bach#BWV2a|Bach-Werke-Verzeichnis (1998)]], [https://www.bachmidi.info/kbwv-a3.html#p0469 p.&nbsp;469]</ref>

====Four Minuets and three Polonaises, BWV Anh. 116–121====
{{Synthlisten
| pos          = 
| header       = Polonaise, No. 8a
| filename     = Johann Sebastian Bach - BWV Anh. 117a - Polonaise in F major.mid
| title        = Polonaise in F major, BWV Anh. 117a
| description  = attribution to J.&nbsp;S. Bach
}}
Seven pieces with a doubtful attribution to J.&nbsp;S. Bach:<ref name="BWVanhIIp465" />
* Anh. II 116 – No. 7: Minuet in G major<ref>[[Bach Digital|Bach Digital Work]] {{BDW|1426}}</ref>
* Anh. II 117a and 117b – No. 8a and b: two Polonaises in F major<ref>[[Bach Digital|Bach Digital Work]] {{BDW|1427}} and {{BDW|1428}}</ref>
* Anh. II 118 – No. 9: Minuet in B♭ major<ref>[[Bach Digital|Bach Digital Work]] {{BDW|1429}}</ref>
* Anh. II 119 – No. 10: Polonaise in G minor<ref>[[Bach Digital|Bach Digital Work]] {{BDW|1430}}</ref>
* Anh. II 120 – No. 14: Minuet in A minor<ref>[[Bach Digital|Bach Digital Work]] {{BDW|1431}}</ref>
* Anh. II 121 – No. 15: Minuet in C minor<ref>[[Bach Digital|Bach Digital Work]] {{BDW|1432}}</ref>

====Two Marches and two Polonaises by Carl Philipp Emanuel Bach, BWV Anh. 122–125====
{{see also|List of compositions by Carl Philipp Emanuel Bach#Solo keyboard}}
Nos. 16–19 (BWV Anh. 122–125) are considered to be early compositions by Carl Philipp Emanuel Bach:<ref name="BWVanhIIIp469" />
* Anh. III 122 – No. 16: March in D major ([[List of compositions by Carl Philipp Emanuel Bach#Solo keyboard|H 1]]/1)<ref>[[Bach Digital|Bach Digital Work]] {{BDW|1433}}</ref>
* Anh. III 123 – No. 17: Polonaise in G minor (H 1/2)<ref>[[Bach Digital|Bach Digital Work]] {{BDW|1434}}</ref>
* Anh. III 124 – No. 18: March in G major (H 1/3)<ref>[[Bach Digital|Bach Digital Work]] {{BDW|1435}}</ref>
* Anh. III 125 – No. 19: Polonaise in G minor (H 1/4)<ref>[[Bach Digital|Bach Digital Work]] {{BDW|1436}}</ref>

====Three pieces, BWV Anh. 126–128====
A musette and two other pieces with a doubtful attribution to J.&nbsp;S. Bach:<ref name="BWVanhIIp465" />
* Anh. II 126 – No. 22: Musette in D major<ref>[[Bach Digital|Bach Digital Work]] {{BDW|1437}}</ref>
* Anh. II 127 – No. 23: March in E♭ major<ref>[[Bach Digital|Bach Digital Work]] {{BDW|1438}}</ref>	
* Anh. II 128 – No. 24: (Polonaise) in D minor<ref>[[Bach Digital|Bach Digital Work]] {{BDW|1439}}</ref>

====''Solo per il cembalo'' by Carl Philipp Emanuel Bach, BWV Anh. 129====
{{see also|Carl Philipp Emanuel Bach#Keyboard sonatas}}
Opening bars of ''Solo per il cembalo'', BWV&nbsp;Anh.&nbsp;129, by Carl Philipp Emanuel Bach, piece No.&nbsp;27 from the 1725 Notebook:<ref>[[Bach Digital|Bach Digital Work]] {{BDW|1440}}</ref>

[[File:Amb1725-27.png|750px]]

Anh. III 129 – No. 27: ''Solo per il cembalo'' in E-flat major by C. P. E. Bach (early version of the keyboard sonata Wq 65.7 / H 16).<ref name="BWVanhIIIp469" />

====Polonaise in G major by Johann Adolph Hasse, BWV Anh. 130====
Anh. III 130 – No. 28: Polonaise in G major by Johann Adolph Hasse, i.e. "Polonoise secondo", originally in F major, from his keyboard sonata in F major.<ref name="BWVanhIIIp469" /><ref>[[Bach Digital|Bach Digital Work]] {{BDW|1441}}</ref>

====Piece in F major by Johann Christian Bach, BWV Anh. 131====
Untitled movement in F major, {{nobreak|BWV Anh. 131}}, piece No.&nbsp;32 from the 1725 Notebook:<ref name="BWVanhIIIp469" />

[[File:Amb1725-32.png|675px]]

Anh. III 131 – No. 32: [March] in F major attributed to Johann Christian Bach (W A22), formerly also attributed to Gottfried Heinrich Bach<ref>[[Bach Digital|Bach Digital Work]] {{BDW|1442}}</ref>

====Minuet in D minor, BWV Anh. 132====
Anh. II 132 – No. 36: Minuet in D minor<ref name="BWVanhIIp465" /><ref>[[Bach Digital|Bach Digital Work]] {{BDW|1443}}</ref>

===="Rondeau" by François Couperin, BWV Anh. 183====
{{see also|List of compositions by François Couperin#For harpsichord}}
Anh. III 183 – No. 6: Rondeau in B-flat major by François Couperin, "Les Bergeries, Rondeau", sixth piece of the ''Sixième ordre'', published in Paris in 1717 (''[[List of compositions by François Couperin#For harpsichord|Second Livre de pièces de Clavecin]]'')<ref name="BWVanhIIIp469" /><ref>[[Bach Digital|Bach Digital Work]] {{BDW|1494}}</ref><ref>[[François Couperin]]. ''[[scores:Second livre de pièces de clavecin (Couperin, François)|Second Livre de pièces de Clavecin]]''. Paris: Foucault (1717), pp. 8–9</ref>

===="Menuet fait par Mons. Böhm"====
No. 21 of the second Notebook, "Menuet fait par Mons. Böhm" (Minuet by Mr. Böhm), in G major, was never assigned a number in the BWV catalogue. It is however included in both the [[Bach-Gesellschaft Ausgabe]] (BGA) and the [[New Bach Edition]] (Neue Bach-Ausgabe, NBA) of the Notebooks. There is some doubt which composer by the name Böhm may have been intended, [[Georg Böhm]] being the best known among them.<ref name="BD1725" /><ref>Waldersee (1894), p. XI and 35</ref><ref name="NBA">Von Dadelsen (1957)</ref><ref>Heinemann (1983), "Comments" p.&nbsp;55</ref>

==See also==
* {{Lang|de|[[Klavierbüchlein für Wilhelm Friedemann Bach]]}}, a notebook J.S. Bach compiled for his eldest son
* [[De Gruytters carillon book]], a music manuscript from Antwerp at the same time period
*''[[Anna Magdalena]]'', a 1998 Hong Kong film titled after the ''Notebook''; Minuet in G is featured extensively throughout the movie.
* [[List of songs and arias of Johann Sebastian Bach#For Anna Magdalena's Notebook|List of songs and arias by Johann Sebastian Bach from the 1725 ''Notebook for Anna Magdalena'' (BWV 508–518)]]
*[[List of compositions by Johann Sebastian Bach#Anna Magdalena's Notebooks|The 1725 ''Notebook for Anna Magdalena'' compositions in the appendix of the BWV catalogue]]

==References==
{{reflist|30em}}

==Sources==
Manuscripts:
* 1. Klavierbüchlein der A. M. Bach, 1722: [http://www.bach-digital.de/receive/BachDigitalSource_source_00001135 D-B Mus. ms. Bach P 224] at [[Bach Digital]] website
* 2. Notenbüchlein der A. M. Bach, 1725: [http://www.bach-digital.de/receive/BachDigitalSource_source_00001136 D-B Mus. ms. Bach P 225] at [[Bach Digital]] website

Score editions with critical commentary:
* [[Paul Waldersee]], editor. [[Bach-Gesellschaft Ausgabe]], [[scores:Bach-Gesellschaft Ausgabe (Bach, Johann Sebastian)#Band 43.2: Musikstücke in den Notenbüchern der Anna Magdalena Bach|Vol. 43<sup>2</sup>]] [plate B.W. XLIII(2)]: ''[[scores:Notebooks for Anna Magdalena Bach (Bach, Johann Sebastian)|Joh. Seb. Bach's Musikstücke in den Notenbüchern der Anna Magdalena Bach]]'' (Joh. Seb. Bach's music pieces in the notebooks of Anna Magdalena Bach). Leipzig: [[Breitkopf & Härtel]] (1894)
* [[Georg von Dadelsen]], editor. [[New Bach Edition]], Series V: [[List of keyboard and lute compositions by Johann Sebastian Bach|Keyboard and Lute Works]], Vol. 4: ''The Klavierbüchlein für Anna Magdalena Bach from 1722 and 1725''. [[Bärenreiter]]:  [https://www.baerenreiter.com/en/shop/product/details/BA5008_01/ Score] (1957, <sup>2</sup>1963, <sup>3</sup>1978, <sup>4</sup>2014) and [https://www.baerenreiter.com/en/shop/product/details/BA5008_41/ Critical Commentary] (1957)
* Ernst-Günter Heinemann, editor. [http://www.henle.de/de/detail/index.html?Titel=Notenb%C3%BCchlein+f%C3%BCr+Anna+Magdalena+Bach_349 ''J.S. Bach: Notebook for Anna Magdalena Bach''] ([[Urtext edition]]). [[G. Henle Verlag]], 1983. Includes [http://www.henle.de/media/foreword/0349.pdf Preface] and [http://www.henle.de/media/review/0349.pdf Critical commentary]

==Further reading==
* {{cite book |last1=Yearsley |first1=David |author-link1=David Yearsley |date=2019 |title=Sex, Death, and Minuets: Anna Magdalena Bach and Her Musical Notebooks |url=https://books.google.com/books?id=8bGhDwAAQBAJ |publisher=[[University of Chicago Press]] |isbn=9780226617848 }}

== External links ==
{{commons category|Notebook for Anna Magdalena Bach}}
*{{IMSLP2|work=Notebook for Anna Magdalena Bach (Bach, Johann Sebastian)|cname=''Notebook for Anna Magdalena Bach''}}

{{Compositions for Organ, Keyboard and Lute by Johann Sebastian Bach}}
{{Short vocal works by Johann Sebastian Bach}}
{{C. P. E. Bach}}
{{Authority control}}

{{DEFAULTSORT:Notebook For Anna Magdalena Bach}}
[[Category:1722 documents]]
[[Category:1725 documents]]
[[Category:18th-century manuscripts]]
[[Category:Music anthologies]]
[[Category:Compositions by Johann Sebastian Bach]]
[[Category:Compositions by Carl Philipp Emanuel Bach]]
[[Category:Compositions for harpsichord]]
[[Category:German-language manuscripts]]
[[Category:Articles containing video clips]]
[[Category:Polonaises]]