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{{Short description|Figure of speech of implicit comparison}}
{{About |the figure of speech}}
{{Use dmy dates|date=May 2020}}
[[File:George Cruikshank - Very unpleasant Weather (retouched).jpg|thumb|upright=1.35|1835 etching by [[George Cruikshank]] illustrating the metaphor of describing strong weather as "raining cats, dogs and pitchforks"]]
A '''metaphor''' is a [[figure of speech]] that, for [[rhetoric]]al effect, refers to one thing by mentioning another.<ref>Compare: {{Cite web|url= http://www.merriam-webster.com/dictionary/metaphor|title= Definition of METAPHOR|website= Merriam-Webster |access-date= 2016-03-29 | quote = [...] a figure of speech in which a word or phrase literally denoting one kind of object or idea is used in place of another to suggest a likeness or analogy between them [... .]}}</ref> It may provide clarity or identify hidden similarities between two different ideas. Metaphors are usually meant to create a likeness or an [[Analogy|analogy]].<ref>{{Cite web |title=Definition of METAPHOR |url =https://www.merriam-webster.com/dictionary/metaphor |access-date=2024-04-04 |website=Merriam-Webster |language=en}}</ref>

Analysts group metaphors with other types of figurative language, such as  [[hyperbole]], [[metonymy]], and [[simile]].<ref>{{Cite book
|title= The Oxford Companion to The English Language, 2nd Edition (e-book)
|date= 2018
|publisher= Oxford University Press|isbn= 978-0-19-107387-8
|quote= [...] ANTITHESIS; HYPERBOLE; METONYMY; SIMILE are all species of metaphor.
}}</ref> According to [[Grammarly]], "Figurative language examples include similes, metaphors, personification, hyperbole, allusions, and idioms."<!-- direct quote from the source needs quotes and attribution --><ref>{{Cite web |date=2021-10-14 |title=Figurative Language Examples: 6 Common Types and Definitions |url=https://www.grammarly.com/blog/writing-tips/figurative-language/ |access-date=2024-11-06 |website=Figurative Language Examples: 6 Common Types and Definitions {{!}} Grammarly |language=en}}</ref> One of the most commonly cited examples of a metaphor in English literature comes from the "[[All the world's a stage]]" monologue from ''[[As You Like It]]'':

<blockquote><poem>All the world's a stage,
And all the men and women merely players;
They have their exits and their entrances 
And one man in his time plays many parts,
His Acts being seven ages. At first, the infant...
:—[[William Shakespeare]], ''[[As You Like It]]'', 2/7<ref>{{cite web|url= http://shakespeare.mit.edu/asyoulikeit/full.html |title= As You Like It: Entire Play |publisher= Shakespeare.mit.edu |access-date= 4 March 2012}}</ref></poem>
</blockquote>

This quotation expresses a metaphor because the world is not literally a stage, and most humans are not literally actors and actresses playing roles. By asserting that the world is a stage, Shakespeare uses points of comparison between the world and a stage to convey an understanding about the mechanics of the world and the behavior of the people within it.

In the ancient Hebrew [[Psalms|Book of Psalms]] (around 1000 B.C.), one finds vivid and poetic examples of metaphor such as, "The Lord is my rock, my fortress and my deliverer; my God is my rock, in whom I take refuge, my shield and the horn of my salvation, my stronghold" and "The Lord is my shepherd, I shall not want". Some recent linguistic theories view all language in essence as metaphorical.<ref name="bbc_co_uk">{{cite web |url=http://www.bbc.co.uk/radio4/reith2003/lecture4.shtml | last = Ramachandran | first = V. S. | author-link = V. S. Ramachandran |title=Radio 4 – Reith Lectures 2003 – The Emerging Mind |publisher=BBC |access-date=4 March 2012 | quote =  If you look at our ordinary language, it's replete with synesthetic metaphors, cross-sensory metaphors such as for example if you said cheddar cheese is sharp. [...] So I'm going to argue in fact [[synesthesia]] has very broad implications. It might tell you about things like metaphor and how language evolved in the brain, maybe even the emergence of abstract thought that us humans, human beings are very good at.}}</ref> The [[etymology]] of a word may uncover a metaphorical usage which has since become obscured with persistent use - such as for example the English word "{{linktext|window}}", etymologically equivalent to "wind eye".<ref>
{{oed | window}}
</ref>

The word''&nbsp;metaphor'' itself is a metaphor, coming from a Greek term meaning 'transference (of ownership)'. The user of a metaphor alters the reference of the word, "carrying" it from one [[Semantics|semantic]] "realm" to another. The new meaning of the word might derive from an analogy between the two semantic realms, but also from other reasons such as the distortion of the semantic realm - for example in sarcasm.

== Etymology ==

The English word ''metaphor'' derives from the 16th-century [[Old French]] word {{Lang|fro|métaphore}}, which comes from the [[Latin]] {{Lang|la|metaphora}}, 'carrying over', and in turn from the [[Greek language|Greek]] {{Lang|grc|μεταφορά}} ({{Lang|grc-latn|metaphorá}}), 'transference (of ownership)',<ref>[https://www.perseus.tufts.edu/cgi-bin/ptext?doc=Perseus%3Atext%3A1999.04.0057%3Aentry%3D%2367015 μεταφορά] {{Webarchive|url=https://web.archive.org/web/20070706220206/http://www.perseus.tufts.edu/cgi-bin/ptext?doc=Perseus%3Atext%3A1999.04.0057%3Aentry%3D%2367015 |date=6 July 2007 }}, Henry George Liddell, Robert Scott, ''A Greek-English Lexicon'', on Perseus.</ref> from {{Lang|grc|μεταφέρω}} ({{Lang|grc-latn|metapherō}}), 'to carry over, to transfer'<ref>[https://www.perseus.tufts.edu/cgi-bin/ptext?doc=Perseus%3Atext%3A1999.04.0057%3Aentry%dsfsafdsagsafvdfc cdasc3D%2367010 μεταφέρω], Henry George Liddell, Robert Scott, ''A Greek-English Lexicon'', on Perseus.</ref> and that from {{Lang|grc|μετά}} ({{Lang|grc-latn|meta}}), 'behind, along with, across'<ref>[https://www.perseus.tufts.edu/cgi-bin/ptext?doc=Perseus%3Atext%3A1999.04.0057%3Aentry%3D%2366573 μετά] {{Webarchive|url=https://web.archive.org/web/20080329044238/http://www.perseus.tufts.edu/cgi-bin/ptext?doc=Perseus%3Atext%3A1999.04.0057%3Aentry%3D%2366573 |date=29 March 2008 }}, Henry George Liddell, Robert Scott, ''A Greek-English Lexicon'', on Perseus.</ref> + {{Lang|grc|φέρω}} ({{Lang|grc-latn|pherō}}), 'to bear, to carry'.<ref>[https://www.perseus.tufts.edu/cgi-bin/ptext?doc=Perseus%3Atext%3A1999.04.0057%3Aentry%3D%23110599 φέρω] {{Webarchive|url=https://web.archive.org/web/20070912222854/http://www.perseus.tufts.edu/cgi-bin/ptext?doc=Perseus%3Atext%3A1999.04.0057%3Aentry%3D%23110599 |date=12 September 2007 }}, Henry George Liddell, Robert Scott, ''A Greek-English Lexicon'', on Perseus.</ref>

==Parts of a metaphor==

''The Philosophy of Rhetoric'' (1936) by [[rhetorician]] [[I. A. Richards]] describes a metaphor as having two parts: the tenor and the vehicle. The tenor is the subject to which attributes are ascribed. The vehicle is the object whose attributes are borrowed. In the previous example, "the world" is compared to a stage, describing it with the attributes of "the stage"; "the world" is the tenor, and "a stage" is the vehicle; "men and women" is the secondary tenor, and "players" is the secondary vehicle.{{cn|date=May 2025}}

Other writers{{which|date=June 2019}} employ the general terms ''ground'' and ''figure'' to denote the tenor and the vehicle. [[Cognitive linguistics]] uses the terms ''target'' and ''source'', respectively.<ref>{{Cite book |title=A glossary of cognitive linguistics |date=2007 |publisher=Edinburgh University Press |isbn=978-0-7486-2280-1 |editor-last=Evans |editor-first=Vyvyan |series=Glossaries in Linguistics |location=Edinburgh}}</ref>

Psychologist [[Julian Jaynes]] coined the terms ''metaphrand'' and ''metaphier'', plus two new concepts, ''paraphrand'' and ''paraphier''.<ref name="JJpdf">{{cite book | last=Jaynes | first=Julian | author-link=Julian Jaynes | title=The Origin of Consciousness in the Breakdown of the Bicameral Mind | publisher=Houghton Mifflin | orig-year=1976 | year=2000 | isbn=0-618-05707-2 | url=http://s-f-walker.org.uk/pubsebooks/pdfs/Julian_Jaynes_The_Origin_of_Consciousness.pdf | access-date=24 October 2019 | archive-date=7 August 2019 | archive-url=https://web.archive.org/web/20190807100304/http://s-f-walker.org.uk/pubsebooks/pdfs/Julian_Jaynes_The_Origin_of_Consciousness.pdf | url-status=dead }}</ref><ref>{{Cite book
|chapter-url= https://books.google.com/books?id=t6blAAAAMAAJ
|title= Rhetorical Criticism and Theory in Practice
|last= Pierce|first= Dann L.|date= 2003
|publisher= McGraw-Hill|isbn= 9780072500875
|language= en|chapter= Chapter Five
}}</ref>
''Metaphrand'' is equivalent to the metaphor-theory terms ''tenor'', ''target'', and ''ground''. ''Metaphier'' is equivalent to the metaphor-theory terms ''vehicle'', ''figure'', and ''source''. In a simple metaphor, an obvious attribute of the metaphier exactly characterizes the metaphrand (e.g. "the ship plowed the seas"). With an inexact metaphor, however, a metaphier might have associated attributes or nuances – its paraphiers – that enrich the metaphor because they "project back" to the metaphrand, potentially creating new ideas – the paraphrands – associated thereafter with the metaphrand or even leading to a new metaphor. For example, in the metaphor "Pat is a tornado", the metaphrand is ''Pat''; the metaphier is ''tornado''. As metaphier, ''tornado'' carries paraphiers such as power, storm and wind, counterclockwise motion, and danger, threat, destruction, etc. The metaphoric meaning of ''tornado'' is inexact: one might understand that 'Pat is powerfully destructive' through the paraphrand of physical and emotional destruction; another person might understand the metaphor as 'Pat can spin out of control'. In the latter case, the paraphier of 'spinning motion' has become the paraphrand 'psychological spin', suggesting an entirely new metaphor for emotional unpredictability, a possibly apt description for a human being hardly applicable to a tornado.
Based on his analysis, Jaynes claims that metaphors not only enhance description, but "increase enormously our powers of perception...and our understanding of [the world], and literally create new objects".<ref name="JJpdf" />{{rp|50}}

== As a type of comparison ==
[[File:Ivory plaque-AO 11461-IMG 0704-black.jpg|thumb|"The [[Asherah]] is part of a jigsaw in weaving together the feminine threads of a religious history that could be an important new breakthrough for women, she says."<ref name="www.newspapers.com p831">{{cite web | title=The Wikipedia Library | website=newspapers.com | url=https://wikipedialibrary.wmflabs.org/?next_url=/ezproxy/r/ezp.2aHR0cHM6Ly93d3cubmV3c3BhcGVycy5jb20vYXJ0aWNsZS90aGUtc3lkbmV5LW1vcm5pbmctaGVyYWxkLWFzaGVyYWgvMTI0NTgwNjYwLw-- | access-date=2024-01-11}}</ref> An example of mixed metaphor in print.]]

Metaphors are most frequently compared with [[simile]]s. A metaphor asserts the objects in the comparison are identical on the point of comparison, while a simile merely asserts a similarity through use of words such as ''like'' or ''as''. For this reason a common-type metaphor is generally considered more forceful than a [[simile]].<ref name="English Language 1992 pp.653">The Oxford Companion to the English Language (1992) pp.653</ref><ref>The Columbia Encyclopedia (6th edition)</ref>

The metaphor category contains these specialized types:
* [[Allegory]]: An extended metaphor wherein a story illustrates an important attribute of the subject.
* [[Antithesis]]: A rhetorical contrast of ideas by means of parallel arrangements of words, clauses, or sentences.<ref>{{cite web|url=https://www.merriam-webster.com/dictionary/antithesis|title=Definition of ANTITHESIS|date=15 September 2023 }}</ref>
* [[Catachresis]]: A mixed metaphor, sometimes used by design and sometimes by accident (a rhetorical fault).
* [[Hyperbole]]: Excessive exaggeration to illustrate a point.<ref>{{cite web|url=https://www.merriam-webster.com/dictionary/hyperbole|title=Definition of HYPERBOLE|date=5 September 2023 }}</ref>
* [[Parable]]: An extended metaphor told as an anecdote to illustrate or teach a moral or spiritual lesson, such as in [[Aesop's fables]] or [[parables of Jesus|Jesus' teaching method]] as told in the [[New Testament|Bible]].
* [[Pun]]: A verbal device by which multiple definitions of a word or its homophones are used to give a sentence multiple valid readings, typically to humorous effect.
* Similitude: An extended simile or metaphor that has a picture part ({{Lang|de|Bildhälfte}}), a reality part ({{Lang|de|Sachhälfte}}), and a point of comparison (''[[tertium comparationis]]'').<ref>[[Adolf Jülicher]], ''Die Gleichnisreden Jesu'', 2nd ed (Tübingen: J. C. B. Mohr, 1910).</ref> Similitudes are found in the [[parables of Jesus]].

It is said that a metaphor is "a condensed analogy" or "analogical fusion" or that they "operate in a similar fashion" or are "based on the same mental process" or yet that "the basic processes of analogy are at work in metaphor." It is also pointed out that "a border between metaphor and analogy is fuzzy" and "the difference between them might be described (metaphorically) as the distance between things being compared."{{Quote without source|date=March 2024}}

===Metaphor vs metonymy===
{{main|Metaphor and metonymy}}
Metaphor is distinct from [[metonymy]], as the two concepts embody different fundamental modes of [[thought]]. Metaphor works by bringing together concepts from different conceptual domains, whereas metonymy uses one element from a given domain to refer to another closely related element. A metaphor creates new links between otherwise distinct conceptual domains, whereas a metonymy relies on pre-existent links within such domains.

For example, in the phrase "lands belonging to the crown", the word ''crown'' is a '''metonymy''' because some monarchs do indeed wear a crown, physically. In other words, there is a pre-existent link between ''crown'' and ''monarchy''.<ref>{{cite web|url= https://www.merriam-webster.com/dictionary/metonymy|title= Definition of METONYMY}}</ref> On the other hand, when [[Ghil'ad Zuckermann]] argues that the [[Modern Hebrew|Israeli language]] is a "phoenicuckoo cross with some magpie characteristics", he is using '''metaphor'''.<ref name=Revivalistics>{{cite book|author= Zuckermann, Ghil'ad|author-link= Ghil'ad Zuckermann|title=Revivalistics: From the Genesis of Israeli to Language Reclamation in Australia and Beyond |publisher=Oxford University Press|location=New York|year= 2020|isbn= 9780199812790|url= https://global.oup.com/academic/product/revivalistics-9780199812790?lang=en&cc=us}}</ref>{{rp|4}}
There is no physical link between a language and a bird. The reason the metaphors ''phoenix'' and ''cuckoo'' are used is that on the one hand hybridic ''Israeli'' is based on [[Hebrew language |Hebrew]], which, like a phoenix, rises from the ashes; and on the other hand, hybridic ''Israeli'' is based on [[Yiddish]], which like a cuckoo, lays its egg in the nest of another bird, tricking it to believe that it is its own egg. Furthermore, the metaphor ''magpie'' is employed because, according to Zuckermann, hybridic ''Israeli'' displays the characteristics of a magpie, "stealing" from languages such as [[Arabic language |Arabic]] and [[English language |English]].<ref name=Revivalistics/>{{rp|4–6}}

===Subtypes===

A [[dead metaphor]] is a metaphor in which the sense of a transferred image has become absent. The phrases "to grasp a concept" and "to gather what you've understood" use physical action as a metaphor for understanding. The audience does not need to visualize the action; dead metaphors normally go unnoticed. Some distinguish between a dead metaphor and a [[cliché]]. Others use "dead metaphor" to denote both.<ref>{{Cite journal |url=https://mh.bmj.com/content/26/2/97 |title=Working with the metaphor of life and death |year=2000 |doi=10.1136/mh.26.2.97 |pmid=23670145 |access-date=1 February 2019 |archive-date=2 February 2019 |archive-url=https://web.archive.org/web/20190202095633/https://mh.bmj.com/content/26/2/97 |url-status=live |last1=Barker |first1=P. |journal=Medical Humanities |volume=26 |issue=2 |pages=97–102 |s2cid=25309973 |doi-access=free |url-access=subscription }}</ref>

A mixed metaphor is a metaphor that leaps from one identification to a second inconsistent with the first, e.g.:
{{blockquote|I smell a rat [...] but I'll nip him in the bud"|source=Irish politician [[Boyle Roche]]}}
This form is often used as a parody of metaphor itself:
{{blockquote|If we can hit that bull's-eye then the rest of the dominoes will fall like a house of cards... [[Checkmate]].|''[[Futurama]]'' character [[Zapp Brannigan]].<ref>{{cite web|url=https://www.imdb.com/character/ch0013045/quotes|title=Zapp Brannigan (Character)|work=IMDb|access-date=21 September 2014}}</ref>}}

An extended metaphor, or conceit, sets up a principal subject with several subsidiary subjects or comparisons. In the above quote from ''As You Like It'', the world is first described as a stage and then the subsidiary subjects men and women are further described in the same context.

An implicit metaphor has no specified tenor, although the vehicle is present. [[M. H. Abrams]] offers the following as an example of an implicit metaphor: "That reed was too frail to survive the storm of its sorrows". The reed is the vehicle for the implicit tenor, someone's death, and the storm is the vehicle for the person's sorrows.<ref>M. H. Abrams and Geoffrey Galt Harpham, A Glossary of Literary Terms, 11th ed. (Stamford, CT: Cengage Learning, 2015), 134.</ref>

Metaphor can serve as a device for persuading an audience of the user's argument or thesis, the so-called rhetorical metaphor.

=== Absolute metaphor ===
{{excerpt|Absolute metaphor|sections=1}}

== In rhetoric and literature ==

[[Aristotle]] writes in his work the [[Rhetoric (Aristotle)|''Rhetoric'']] that metaphors make learning pleasant: "To learn easily is naturally pleasant to all people, and words signify something, so whatever words create knowledge in us are the pleasantest."<ref>Aristotle, W. Rhys Roberts, Ingram Bywater, and Friedrich Solmsen. Rhetoric. New York: Modern Library, 1954. Print.</ref> When discussing Aristotle's ''Rhetoric'', Jan Garret stated "metaphor most brings about learning; for when [Homer] calls old age "stubble", he creates understanding and knowledge through the genus, since both old age and stubble are [species of the genus of] things that have lost their bloom".<ref>Garret, Jan. "Aristotle on Metaphor". , Excerpts from Poetics and Rhetoric. N.p., 28 March 2007. Web. 29 Sept. 2014.</ref> Metaphors, according to Aristotle, have "qualities of the exotic and the fascinating; but at the same time we recognize that strangers do not have the same rights as our fellow citizens".<ref>Moran, Richard. 1996. Artifice and persuasion: The work of metaphor in the rhetoric. In Essays on Aristotle's rhetoric, ed. Amelie Oksenberg Rorty, 385–398. Berkeley: University of California Press.</ref>

Educational psychologist [[Andrew Ortony]] gives more explicit detail: "Metaphors are necessary as a communicative device because they allow the transfer of coherent chunks of characteristics – perceptual, cognitive, emotional and experiential – from a vehicle which is known to a topic which is less so. In so doing they circumvent the problem of specifying one by one each of the often unnameable and innumerable characteristics; they avoid discretizing the perceived continuity of experience and are thus closer to experience and consequently more vivid and memorable."<ref>{{cite journal |last1=Ortony |first1=Andrew |title=Why metaphors are necessary and not just nice |journal=Educational Theory |date=Winter 1975 |volume=25 |issue=1 |pages=45–53 |doi=10.1111/j.1741-5446.1975.tb00666.x}}</ref>

===As style in speech and writing===

As a characteristic of speech and writing, metaphors can serve the poetic imagination. This allows [[Sylvia Plath]], in her poem "Cut", to compare the blood issuing from her cut thumb to the running of a million soldiers, "[[Redcoat (British army)|redcoats]], every one"; and enabling [[Robert Frost]], in "The Road Not Taken", to compare a life to a journey.<ref>{{cite web|url= http://www.sylviaplathforum.com/thread2.html |title= Cut |publisher=Sylvia Plath Forum |access-date= 4 March 2012}}</ref><ref>{{cite web |url=http://www.sylviaplathforum.com/index.shtml |title= Sylvia Plath Forum: Home page|website=www.sylviaplathforum.com |archive-url=https://web.archive.org/web/20100912170625/http://www.sylviaplathforum.com/index.shtml |archive-date=12 September 2010}}</ref><ref>{{cite web|url= http://www.bartleby.com/119/1.html |title= 1. The Road Not Taken. Frost, Robert. 1920. Mountain Interval |publisher= Bartleby.com |access-date= 4 March 2012}}</ref>

Metaphors can be implied and extended throughout pieces of literature.

== Larger applications ==
[[Sonja K. Foss]] characterizes metaphors as "nonliteral comparisons in which a word or phrase from one domain of experience is applied to another domain".<ref>
{{cite book
 | last1 = Foss
 | first1 = Sonja K.
 | author-link1 = Sonja K. Foss
 | title = Rhetorical Criticism: Exploration and Practice
 | url = https://books.google.com/books?id=9r9VPwAACAAJ
 | edition = 4
 | year = 1988
 | location = Long Grove, Illinois
 | publisher = Waveland Press
 | publication-date = 2009
 | page = 249
 | isbn = 9781577665861
 | access-date = 2018-10-04
 }}
</ref>
She argues that since reality is mediated by the language we use to describe it, the metaphors we use shape the world and our interactions to it.
[[File:Anger Symbol.jpg|thumb|A metaphorical visualization of the word [[anger]]]]

The term "metaphor" can characterise basic or general aspects of experience and cognition:
* A [[conceptual metaphor|cognitive metaphor]] is the association of object to an experience outside the object's environment.
* A [[conceptual metaphor]] is an underlying association that is systematic in both language and thought.
* A root metaphor is the underlying worldview that shapes an individual's understanding of a situation.
* A nonlinguistic metaphor is an association between two nonlinguistic realms of experience.
* A visual metaphor uses an image to create the link between different ideas.

=== Conceptual metaphors ===
{{Main|Conceptual metaphor}}

Some theorists have suggested that metaphors are not merely stylistic, but are also cognitively important. In ''[[Metaphors We Live By]]'' (1980), [[George Lakoff]] and [[Mark Johnson (professor)|Mark Johnson]] argue that metaphors are pervasive in everyday life, not only in language but also in thought and action. A common definition of metaphor presents it as a comparison that shows how two things, which are not alike in most ways, are similar in another important way. In this context, metaphors contribute to the creation of multiple meanings within [[Polysemy|polysemic]] complexes across different languages.<ref>{{Cite journal | last =Зибин | first =Асиль | last2 =Халифа | first2 =Лама | last3 =Алтахайне | first3= Абдель Рахман Митиб | date =2024 | title =The role of metaphor in creating polysemy complexes in Jordanian Arabic and American English | url =https://cyberleninka.ru/article/n/the-role-of-metaphor-in-creating-polysemy-complexes-in-jordanian-arabic-and-american-english | journal =Russian Journal of Linguistics | volume =28 | issue =1 | pages =80–101 | issn =2312-9182}}</ref> Furthermore, Lakoff and Johnson explain that a metaphor is essentially the understanding and experiencing of one kind of thing in terms of another, which they refer to as a "conduit metaphor". According to this view, a speaker can put ideas or objects into containers and then send them along a conduit to a listener, who removes the object from the container to make meaning of it. Thus, communication is conceptualized as something that ideas flow into, with the container being separate from the ideas themselves. Lakoff and Johnson provide several examples of daily metaphors in use, including "argument is war" and "time is money". These metaphors occur widely in various contexts to express personal meanings. In addition, the authors suggest that communication can be viewed as a machine: "Communication is not what one does with the machine, but is the machine itself."<ref>Lakoff, G. & Johnson, M. ''Metaphors We Live By'' (IL: [[University of Chicago Press]], 1980), Chapters 1–3. (pp. 3–13).</ref>

Moreover, experimental evidence shows that "priming" people with material from one area can influence how they perform tasks and interpret language in a metaphorically related area.{{NoteTag|"In sum, there are now numerous results from comprehension-oriented studies suggesting that (1) comprehending metaphorical language activates concrete source domain concepts, and that (2) activating particular concrete perceptual or motor knowledge affects subsequent reasoning and language comprehension about a metaphorically connected abstract domain"<ref>{{cite journal | last1 =Sato | first1 =Manami | last2 =Schafer | first2 = Amy J. | last3 =Bergen | first3 = Benjamin K. | title = Metaphor priming in sentence production: Concrete pictures affect abstract language production | url = https://doi.org/10.1016/j.actpsy.2014.09.010 | journal = Acta Psychologica | year =2015 | volume =156 | pages =136–142 | doi =10.1016/j.actpsy.2014.09.010 | pmid =25443987 | issn =0001-6918| url-access =subscription }}</ref>}}

Omnipresent metaphor may provide an indicator for researching the functionality of language.<ref>
{{cite book
 |last1                = Way
 |first1               = Eileen Cornell
 |date                 = 14 March 2013
 |orig-date            = 1991
 |title                = Knowledge Representation and Metaphor
 |url                  = https://books.google.com/books?id=Mh_UBgAAQBAJ
 |series               = Studies in Cognitive Systems, volume 7
 |publisher            = Springer Science & Business Media
 |page                 = 2
 |chapter              = The literal and the metaphoric
 |isbn                 = 9789401579414
 |access-date          = 9 February 2025
 |quote                = [...] the kind of category shifting and concept merging that goes on in metaphor may turn out to be a better clue for how language operates than literal speech. [...]  metaphor pervades everyday speech to such an extent that we are rarely aware of its presence . 
}} 
</ref>

===As a foundation of our conceptual system===
[[Cognitive linguistics|Cognitive linguists]] emphasize that metaphors serve to facilitate the understanding of one conceptual domain—typically an abstraction such as "life", "theories" or "ideas"—through expressions that relate to another, more familiar conceptual domain—typically more concrete, such as "journey", "buildings" or "food".<ref name=lakoffmwlb>{{Cite book | author= Lakoff G. | author2= Johnson M. | orig-year= 1980 | year= 2003 | title= Metaphors We Live By | location= Chicago | publisher= University of Chicago Press | isbn= 978-0-226-46801-3 | url= https://archive.org/details/metaphorsweliveb00lako}}</ref><ref name=kovecses2002>Zoltán Kövecses. (2002) ''Metaphor: a practical introduction''. [[Oxford University Press]] US. {{ISBN|978-0-19-514511-3}}.</ref> For example: one ''devours'' a book of ''raw'' facts, tries to ''digest'' them, ''stews'' over them, lets them ''simmer on the back-burner'', ''regurgitates'' them in discussions, and ''cooks'' up explanations, hoping they do not seem ''half-baked''.

{{blockquote|A convenient short-hand way of capturing this view of metaphor is the following: Conceptual Domain (A) is Conceptual Domain (B), which is what is called a ''conceptual metaphor''. A conceptual metaphor consists of two conceptual domains, in which one domain is understood in terms of another. A conceptual domain is any coherent organization of experience. For example, we have coherently organized [[knowledge]] about journeys that we rely on in understanding life.<ref name=kovecses2002/>|sign=|source=}}

Lakoff and Johnson greatly contributed to establishing the importance of conceptual metaphor as a framework for thinking in language, leading scholars to investigate the original ways in which writers used novel metaphors and to question the fundamental frameworks of thinking in conceptual metaphors.

From a sociological, cultural, or philosophical perspective, one asks to what extent [[ideologies]] maintain and impose conceptual patterns of thought by introducing, supporting, and adapting fundamental patterns of thinking metaphorically.<ref>McKinnon, AM. (2013). [http://aura.abdn.ac.uk/bitstream/2164/3714/1/rational_choice_critique_author_final_version.pdf "Ideology and the Market Metaphor in Rational Choice Theory of Religion: A Rhetorical Critique of 'Religious Economies']". ''Critical Sociology'', vol 39, no. 4, pp. 529-543. {{Webarchive |url=https://web.archive.org/web/20141112222515/http://aura.abdn.ac.uk/bitstream/2164/3714/1/rational_choice_critique_author_final_version.pdf |date=12 November 2014}}</ref> The question is to what extent the ideology fashion and refashion the idea of the nation as a container with borders, and how enemies and outsiders are represented. {{Citation needed|date=December 2017}}

Some cognitive scholars have attempted to take on board the idea that different languages have evolved radically different concepts and conceptual metaphors, while others hold to the [[Sapir-Whorf Hypothesis|Sapir-Whorf hypothesis]]. German [[philologist]] [[Wilhelm von Humboldt]] (1767–1835) contributed significantly to this debate on the relationship between culture, language, and linguistic communities. Humboldt remains, however, relatively unknown in English-speaking nations. [[Andrew Goatly]], in "Washing the Brain", takes on board the dual problem of conceptual metaphor as a framework implicit in the language as a system and the way individuals and ideologies negotiate conceptual metaphors. Neural biological research suggests that some metaphors are innate, as demonstrated by reduced metaphorical understanding in psychopathy.<ref>{{cite journal |last1=Meier |first1=Brian P. |display-authors=etal |title=Failing to take the moral high ground: Psychopathy and the vertical representation of morality |journal=Personality and Individual Differences |date=September 2007 |volume=43| issue=4 |pages=757–767 |doi=10.1016/j.paid.2007.02.001 |url=https://www.researchgate.net/publication/222054362 |access-date=1 November 2016}}</ref>

James W. Underhill, in ''Creating Worldviews: Ideology, Metaphor & Language'' (Edinburgh UP), considers the way individual speech adopts and reinforces certain metaphoric paradigms. This involves a critique of both communist and fascist discourse. Underhill's studies are situated in Czech and German, which allows him to demonstrate the ways individuals are thinking both within and resisting the modes by which ideologies seek to appropriate key concepts such as "the people", "the state", "history", and "struggle".

Though metaphors can be considered to be "in" language, Underhill's chapter on French, English and [[ethnolinguistics]] demonstrates that language or languages cannot be conceived of in anything other than metaphoric terms.

Several other philosophers have embraced the view that metaphors may also be described as examples of a linguistic "category mistake" which have the potential of leading unsuspecting users into considerable obfuscation of thought within the realm of epistemology. Included among them is the Australian philosopher [[Colin Murray Turbayne]].<ref>[https://books.google.com/books?id=DsKvAwAAQBAJ&dq=Colin+Murray+Turbayne&pg=PA2451 ''Dictionary of Modern American Philosophers'' Shook, John. 2005 p. 2451 Biography of Colin Murray Turbayne on Google Books]</ref> In his book ''The Myth of Metaphor'', Turbayne argues that the use of metaphor is an essential component within the context of any language system which claims to embody richness and depth of understanding.<ref>Murphy, Jeffrie G. "Berkeley and the Metaphor of Mental Substance". ''[[Ratio (journal)|Ratio]]'' 7 (1965):176.</ref> In addition, he clarifies the limitations associated with a literal interpretation of the mechanistic Cartesian and Newtonian depictions of the universe as little more than a "machine" – a concept which continues to underlie much of the [[scientific materialism]] which prevails in the modern Western world.<ref name=Hesse1966>{{cite journal |last1=Hesse |first1=Mary |title=Review of The Myth of Metaphor |journal=Foundations of Language |date=1966 |volume=2 |issue=3 |pages=282–284 |jstor=25000234 }}</ref> He argues further that the philosophical concept of "substance" or "substratum" has limited meaning at best and that physicalist theories of the universe depend upon mechanistic metaphors which are drawn from deductive logic in the development of their hypotheses.<ref>[https://books.google.com/books?id=DsKvAwAAQBAJ&dq=Colin+Murray+Turbayne&pg=PA2451 ''Dictionary of Modern American Philosophers'' Shook, John. 2005 p. 2451 Biography of Colin Murray Turbayne on Google Books]</ref><ref>[http://www.sas.rochester.edu/phl/about/prize.html The University of Rochester Department of Philosophy- Berkley Essay Prize Competition - History of the Prize Colin Turbayne's ''The Myth of Metaphor'' on rochester.edu]</ref><ref name=Hesse1966/> By interpreting such metaphors literally, Turbayne argues that modern man has unknowingly fallen victim to only one of several metaphorical models of the universe which may be more beneficial in nature.<ref>[http://www.sas.rochester.edu/phl/about/prize.html The University of Rochester Department of Philosophy- Berkley Essay Prize Competition - History of the Prize Colin Turbayne's ''The Myth of Metaphor'' on rochester.edu]</ref><ref name=Hesse1966/><ref>[https://plato.stanford.edu/entries/metaphor/#MetaMakeBeli "Stanford Encyclopedia of Philosophy: Metaphor" Stanford University. August 19, 2011 Revised August 12, 2022. "Section 5 Recent Developments - 5.3 Metaphor and Make Believe". ISSN 1095-5054. Colin Turbayne's "The Myth of Metaphor"] See Hills, David, "Metaphor", The Stanford Encyclopedia of Philosophy (Fall 2024 Edition), Edward N. Zalta & Uri Nodelman (eds.), URL = <https://plato.stanford.edu/archives/fall2024/entries/metaphor/>.on plato.stanford.edu</ref>

In his book ''In Other Shoes: Music, Metaphor, Empathy, Existence'' [[Kendall Walton]] also places the formulation of metaphors at the center of a "Game of Make Believe," which is regulated by tacit norms and rules. These "principles of generation" serve to determine several aspects of the game which include: what is considered to be fictional or imaginary, as well as the fixed function which is assumed by both objects and people who interact in the game. Walton refers to such generators as "props" which can serve as means to the development of various imaginative ends. In "content oriented" games, users derive value from such props as a result of the intrinsic fictional content which they help to create through their participation in the game. As familiar examples of such content oriented games, Walton points to putting on a play of ''Hamlet'' or "playing cops and robbers". Walton further argues, however, that not all games conform to this characteristic.<ref>[https://onlinelibrary.wiley.com/doi/10.1111/j.1468-0378.1993.tb00023.x "European Journal of Philosophy - Metaphor and Prop Oriented Make-Believe"] Walton, Kendall L.. Vol. 1 No. 1 April 1993 p. 39-57 {{doi|10.1111/j.1468-0378.1993.tb00023.x}} Metaphor and prop oriented make Believe on Google.com</ref> In the course of creating fictions through the use of metaphor we can also perceive and manipulate props into new improvised representations of something entirely different in a game of "make-believe". Suddenly the properties of the props themselves take on primary importance. In the process the participants in the game may be only partially conscious of the "prop oriented" nature of the game itself.<ref>[https://plato.stanford.edu/entries/metaphor/#MetaMakeBeli "Stanford Encyclopedia of Philosophy: Metaphor" Stanford University, August 19, 2011 Revised August 12, 2022 "Section 5. Recent Developments 5.3 Metaphor and Make Believe"] ISSN 1095-5054. Kendall Walton and metaphor - See Hills, David, "Metaphor", The Stanford Encyclopedia of Philosophy (Fall 2024 Edition), Edward N. Zalta & Uri Nodelman (eds.), URL = <https://plato.stanford.edu/archives/fall2024/entries/metaphor/>. on plato.stanford.edu</ref><ref>[https://www.google.com/books/edition/Mind_as_Metaphor/rSG3EAAAQBAJ?hl=en&gbpv=1&dq=Kendall+Walton+metaphor&pg=PA15&printsec=frontcover "Mind as Metaphor A Defense of Mental Fictionalism".] Toon, Adam. OPU Oxford 2023 ebook {{ISBN|9780198879671}} "Chapter 1 Making Up Minds 1.3 Mind as Metaphor 1.3.1 Metaphor and Make-believe" p. 15–18 Kendall Walton on Google Books</ref><ref>[https://books.google.com/books?hl=en&lr=&id=ib1oBQAAQBAJ&oi=fnd&pg=PP1&dq=In+Other+shoes+music+Metaphor&ots=SVHEa5qGC7&sig=YWUh8-CalzualtHdIpq9nWAACLU#v=onepage&q=In%20Other%20shoes%20music%20Metaphor&f=false "In Other Shoes: Music, Metaphor, Empathy, Existence".] Walton, Kendall L. 2015 Oxford University Press New York pp. 175–195 "Chapter 10 Metaphor and Prop Oriented Make-Believe" {{ISBN|978-0-19-509871-6}}
on Google Scholar</ref>

=== Nonlinguistic metaphors ===
[[File:Tombe juive de femmes - Jewish tombstone of women.jpg|thumb|Tombstone of a [[Jewish]] woman depicting broken candles, a visual metaphor of the end of life]]

Metaphors can map experience between two nonlinguistic realms. [[Musicologist]] [[Leonard B. Meyer]] demonstrated how purely rhythmic and harmonic events can express human emotions.<ref>Meyer, L. (1956) Emotion and Meaning in Music. Chicago: [[University of Chicago Press]]</ref>

Art theorist Robert Vischer argued that when we look at a painting, we "feel ourselves into it" by imagining our body in the posture of a nonhuman or inanimate object in the painting. For example, the painting ''[[The Lonely Tree]]'' by [[Caspar David Friedrich]] shows a tree with contorted, barren limbs.<ref>Vischer, R. (1873) Über das optische Formgefühl: Ein Beitrag zur Aesthetik. Leipzig: Hermann Credner. For an English translation of selections, see Wind, E. (1963) Art and Anarchy. London: Faber and Faber.</ref> Looking at the painting, some recipients may imagine their limbs in a similarly contorted and barren shape, evoking a feeling of strain and distress.{{cn |date=November 2024}} 

Nonlinguistic metaphors may be the foundation of our experience of visual and musical art, as well as dance and other art forms.<ref>Johnson, M. & Larson, S. (2003) "Something in the way she moves" – Metaphors of musical motion. Metaphor and Symbol, 18:63–84</ref><ref>Whittock, T. (1992) The role of metaphor in dance. British Journal of Aesthetics, 32:242–249.
</ref>

== In historical linguistics ==
In historical [[onomasiology]] or in [[historical linguistics]], a metaphor is defined as a semantic change based on a similarity in form or function between the original concept and the target concept named by a word.<ref>Cf. [[Joachim Grzega]] (2004), ''Bezeichnungswandel: Wie, Warum, Wozu? Ein Beitrag zur englischen und allgemeinen Onomasiologie'', Heidelberg: Winter, and Blank, Andreas (1997), ''Prinzipien des lexikalischen Bedeutungswandels am Beispiel der romanischen Sprachen'', Tübingen: Niemeyer.</ref>

For example, ''mouse'': "small, gray rodent with a long tail" → "small, gray computer device with a long cord".

Some recent linguistic theories hold that language evolved from the capability of the brain to create metaphors that link actions and sensations to sounds.<ref name="bbc_co_uk" />

==Historical theories==

Aristotle discusses the creation of metaphors at the end of his ''[[Poetics (Aristotle)|Poetics]]'': "But the greatest thing by far is to be a master of metaphor. It is the one thing that cannot be learnt from others; and it is also a sign of genius, since a good metaphor implies an intuitive perception of the similarity in dissimilars."<ref>Cf. ''The Rhetoric and Poetics of Aristotle'', ed. [[Friedrich Solmsen]] (New York: Random House, 1954), 1459a 5–8.</ref>

[[Baroque]] [[Literary theory|literary theorist]] [[Emanuele Tesauro]] defines the metaphor "the most witty and acute, the most strange and marvelous, the most pleasant and useful, the most eloquent and fecund part of the human [[intellect]]". There is, he suggests, something divine in metaphor: the world itself is God's poem<ref>{{cite book|page=578|title=Cassell Dictionary Italian Literature|year=1996|isbn=9780304704644|publisher=Bloomsbury Academic}}</ref> and metaphor is not just a literary or rhetorical figure but an analytic tool that can penetrate the mysteries of God and His creation.<ref>{{cite book|title=Pittoresco. Marco Boschini, His Critics, and Their Critiques of Painterly Brushwork in Seventeenth- and Eighteenth-Century Italy|first=Philip|last=Sohm|year=1991|publisher=Cambridge University Press|isbn=9780521382564|page=126}}</ref>

[[Friedrich Nietzsche]] makes metaphor the conceptual center of his early theory of society in [[On Truth and Lies in a Nonmoral Sense|''On Truth and Lies in the Non-Moral Sense'']].<ref>{{cite web|url= http://oregonstate.edu/instruct/phl201/modules/Philosophers/Nietzsche/Truth_and_Lie_in_an_Extra-Moral_Sense.htm|title=T he Nietzsche Channel: On Truth and Lie in an Extra-Moral Sense|work= oregonstate.edu}}</ref> Some sociologists have found his essay useful for thinking about metaphors used in society and for reflecting on their own use of metaphor. Sociologists of religion note the importance of metaphor in religious worldviews, and that it is impossible to think sociologically about religion without metaphor.<ref>{{cite web|last= McKinnon|first= A. M.|year= 2012|title= Metaphors in and for the Sociology of Religion: Towards a Theory after Nietzsche|work= Journal of Contemporary Religion|volume= 27|issue= 2|pages= 203–216|url= http://aura.abdn.ac.uk/bitstream/2164/3056/1/Nietzsche_religion_metaphor_for_repository.pdf}}</ref>

==Psychological effects==

[[File:Puck; 1894-05-02; Vol 35 Iss 895 (cropped).jpg|thumb|A [[political cartoon]] by illustrator S.D. Ehrhart in an 1894 [[Puck (magazine)|''Puck'' magazine]] shows a farm-woman labeled [[Democratic Party (United States)|"Democratic Party"]] sheltering from a tornado of political change.]]
Psychological research has shown that metaphors influence perception, reasoning, and decision-making by shaping how people conceptualize abstract ideas. Studies in cognitive linguistics suggest that metaphors are not merely stylistic devices but fundamental to human cognition, as they structure the way people understand and interact with the world.<ref> Lakoff, G. & Johnson, M. (1980). Metaphors We Live By. University of Chicago Press. ISBN 978-0-226-46801-3. </ref> Experiments demonstrate that different metaphorical framings can alter judgment and behavior. For example, a study by Thibodeau and Boroditsky (2011) found that describing crime as a "beast preying on the city" led participants to support more punitive law enforcement policies, whereas framing crime as a "virus infecting the city" increased support for social reform and prevention measures.<ref> Thibodeau, P. H., & Boroditsky, L. (2011). "Metaphors We Think With: The Role of Metaphor in Reasoning". PLoS ONE, 6(2), e16782. https://doi.org/10.1371/journal.pone.0016782 </ref> Similarly, studies on political discourse suggest that metaphors shape attitudes toward policy decisions, with metaphors like "tax relief" implying that taxation is an inherent burden, thus influencing public opinion.<ref> Lakoff, G. (2004). Don't Think of an Elephant! Know Your Values and Frame the Debate. Chelsea Green Publishing. ISBN 978-1-931498-71-5. </ref>

Metaphors also play a crucial role in how people experience crises, such as the COVID-19 pandemic. A study by Baranowski et al. (2024) analyzed the use of metaphorical imagery in professional healthcare literature and found that metaphors significantly influenced how healthcare workers perceived and emotionally responded to the pandemic.<ref> Baranowski, A. M., Blank, R., Maus, K., Tüttenberg, S. C., Matthias, J-K., Culmann, A. C., Radbruch, L., Richter, C., & Geiser, F. (2024). "‘We are all in the same boat’: A qualitative cross-sectional analysis of COVID-19 pandemic imagery in scientific literature and its use for people working in the German healthcare sector". Frontiers in Psychology. https://doi.org/10.3389/fpsyg.2023.XXXXXX </ref> Their research identified different categories of metaphorical framings—such as war metaphors ("fighting the pandemic") and transformational metaphors ("lessons learned from the crisis")—which led to varying emotional responses among healthcare workers. While war metaphors were widely used, they could also induce feelings of helplessness if the metaphor implied an unwinnable battle. In contrast, metaphors that framed the pandemic as a challenge or learning opportunity tended to promote a sense of empowerment and resilience. These findings align with previous research showing that metaphors can significantly impact emotional processing and coping strategies in stressful situations.<ref> Hauser, D. J., & Schwarz, N. (2019). "The War on Prevention: Bellicose Cancer Metaphors Hurt (Some) Prevention Intentions". Personality and Social Psychology Bulletin, 45(10), 1464–1479. https://doi.org/10.1177/0146167219832336 </ref>

Moreover, metaphorical language can impact emotions and mental health. For instance, describing depression as "drowning" or "a dark cloud" can intensify the emotional experience of distress, while framing it as "a journey with obstacles" can encourage resilience and problem-solving approaches.<ref> Hauser, D. J., & Schwarz, N. (2019). "The War on Prevention: Bellicose Cancer Metaphors Hurt (Some) Prevention Intentions". Personality and Social Psychology Bulletin, 45(10), 1464–1479. https://doi.org/10.1177/0146167219832336 </ref> These findings highlight the pervasive role of metaphors in shaping thought processes, reinforcing the idea that language not only reflects but also constructs reality.

== See also ==
{{Div col|colwidth=22em}}
* [[Alliteration]]
* [[Camel's nose]]
* [[Colemanballs]]
* [[Conceptual blending]]
* [[Description]]
* [[Experience model]]
* [[Hypocatastasis]]
* [[Ideasthesia]]
* [[List of English-language metaphors]]
* [[Literal and figurative language]]
* [[Metaphor identification procedure]]
* [[Metaphor in philosophy]]
* [[Metonymy]]
* [[Misnomer]]
* [[Origin of language]]
* [[Origin of speech]]
* [[Pataphor]]
* [[Personification]]
* [[Reification (fallacy)]]
* [[Sarcasm]]
* [[Synecdoche]]
* ''[[Tertium comparationis]]''
* [[War as metaphor]]
* ''[[World Hypotheses]]''

{{div col end}}

== Notes ==
{{NoteFoot}}

== References ==
=== Citations ===
{{Reflist}}

=== Sources ===
{{refbegin}}
* {{Citizendium}}
* [[Stefano Arduini]] (2007). (ed.) ''Metaphors'', Roma, Edizioni di Storia e Letteratura.
* [[Aristotle]]. ''Poetics''. Trans. I. Bywater. In ''The Complete Works of Aristotle: The Revised Oxford Translation''. (1984). 2 Vols. Ed. [[Jonathan Barnes]]. Princeton, NJ: Princeton University Press.
* [[Max Black]] (1954). ''Metaphor'', Proceedings of the Aristotelian Society, 55, pp.&nbsp;273–294.
* [[Max Black]] (1962). ''Models and metaphors: Studies in language and philosophy'', Ithaca: [[Cornell University Press]].
* [[Max Black]] (1979). ''More about Metaphor'', in A. Ortony (ed) Metaphor & Thought.
* Clive Cazeaux (2007). ''Metaphor and Continental Philosophy: From [[Immanuel Kant|Kant]] to [[Derrida]].'' New York, NY: Routledge.
* L. J. Cohen (1979). ''The Semantics of Metaphor'', in A. Ortony (ed.), ''Metaphor & Thought''.
* [[Donald Davidson (philosopher)|Donald Davidson]]. (1978). "What Metaphors Mean". Reprinted in ''Inquiries into Truth and Interpretation''. (1984). Oxford, England: Oxford University Press.
* [[Jacques Derrida]] (1982). "White Mythology: Metaphor in the Text of Philosophy". In ''Margins of Philosophy''. Trans. Alan Bass. Chicago, [[University of Chicago Press]].
* {{cite book |year=2002 |editor1=René Dirvens |editor2=Ralf Pörings |title=Metaphor and Metonymy in Contrast |publisher=Mouton de Gruyter |place=Berlin.}}
* {{cite book |doi=10.3115/991635.991671 |chapter=Metonymy and metaphor: what's the difference? |title=Proceedings of the 12th conference on Computational linguistics |year=1988 |last1=Fass |first1=Dan |isbn=978-963-8431-56-1 |volume=1 |pages=177–81 |s2cid=9557558}}
* {{cite book |surname=Jakobson |given=Roman |year=1990 |chapter=Two Aspects of Language and Two Types of Aphasic Disturbances |pages=115–133 |editor1=Linda Waugh |editor2=Monique Monville-Burston |title=On Language |publisher=Harvard University Press |location=Cambridge, MA |isbn=978-0-674-63536-4}}
* Lakoff, G. & Johnson, M. ''Metaphors We Live By'' (IL: University of Chicago Press, 1980), Chapters 1–3. (pp.&nbsp;3–13).
* {{cite book |surname=Lakoff |given=George |title=Metaphors We Live By |publisher=The University of Chicago Press |location=Chicago, IL |year=1980 |isbn=978-0-226-46801-3 |url=https://archive.org/details/metaphorsweliveb00lako}}.
* {{cite book |last=Low |first=Graham |chapter=An Essay is a Person |editor1-first=Lynne |editor1-last=Cameron |editor2-first=Graham |editor2-last=Low |title=Researching and Applying Metaphor |location=Cambridge, England |publisher=Cambridge University Press |pages=221–48 |isbn=978-0-521-64964-3 |date=1999-02-11}}
* {{cite book |doi=10.3115/1118975.1118976 |chapter=Metonymy as a cross-lingual phenomenon |title=Proceedings of the ACL 2003 workshop on Lexicon and figurative language |year=2003 |last=Peters |first=Wim |volume=14 |pages=1–9 |s2cid=8267864}}
* McKinnon, AM. (2012). 'Metaphors in and for the Sociology of Religion: Towards a Theory after Nietzsche'. Journal of Contemporary Religion, vol 27, no. 2, pp.&nbsp;203–216. [http://aura.abdn.ac.uk/bitstream/2164/3056/1/Nietzsche_religion_metaphor_for_repository.pdf] {{Webarchive|url=https://web.archive.org/web/20140818030913/http://aura.abdn.ac.uk/bitstream/2164/3056/1/Nietzsche_religion_metaphor_for_repository.pdf |date=18 August 2014 }}
* David Punter (2007). ''Metaphor'', London, Routledge.
* [[Paul Ricoeur]] (1975). ''The Rule of Metaphor: Multi-Disciplinary Studies in the Creation of Meaning in Language'', trans. Robert Czerny with Kathleen McLaughlin and John Costello, S. J., London: Routledge and Kegan Paul 1978. (Toronto: [[University of Toronto Press]] 1977)
* [[I. A. Richards]]. (1936). ''The Philosophy of Rhetoric''. Oxford, Oxford University Press.
* [[John Searle]] (1979). "Metaphor," in A. Ortony (ed.) ''Metaphor and Thought'', Cambridge University Press.
* Underhill, James W., Creating Worldviews: Metaphor, Ideology & Language, Edinburgh UP, 2011.
* {{cite journal |last=Herscberger |first=Ruth |title=The Structure of Metaphor |journal=The Kenyan Review |date=Summer 1943 |volume=5 |issue=3 |pages=433–443 |jstor=4332426}}
* {{cite journal |last=Rudmin |first=Floyd W. |title=Having: A Brief History of Metaphor and Meaning |journal=Syracuse Law Review |year=1991 |volume=42 |page=163 |url=http://heinonline.org/HOL/Page?handle=hein.journals/syrlr42&id=175&type=text&collection=journals |access-date=11 October 2013}}
* {{cite journal |last=Somov |first=Georgij Yu |title=The interrelation of metaphors and metonymies in sign systems of visual art: An example analysis of works by V. I. Surikov |journal=Semiotica |year=2013 |volume=2013 |issue=193 |pages=31–66 |doi=10.1515/sem-2013-0003 |url=https://zenodo.org/record/1040441}}
* {{cite book |last=Quiring |first=Björn |chapter=Introduction |editor-last=Quiring |editor-first=Björn |title='If Then the World a Theatre Present ...': Revisions of the Theatrum Mundi Metaphor in Early Modern England |date=2014 |publisher=De Gruyter |location=Berlin/Boston |pages=1–24 |isbn=978-3-11-029229-9 |series=Pluralisierung & Autorität |volume=32 |issn=2076-8281 |ref= | chapter-url=https://api.pageplace.de/preview/DT0400.9783110343939_A22104918/preview-9783110343939_A22104918.pdf }}
* {{cite book |last=Zill |first=Rüdiger |chapter=»Substrukturen des Denkens«. Grenzen und Perspektiven einer Metaphorologie nach Hans Blumenberg |trans-chapter="Substructures of Thought". Limits and Perspectives of a History of Metaphor according to Hans Blumenberg |editor-last=Bödeker |editor-first=Hans Erich |title=Begriffsgeschichte, Diskursgeschichte, Metapherngeschichte |trans-title=History of Concepts, History of Discourse, History of Metaphor |date=2002 |publisher=Wallstein-Verl. |location=Göttingen |pages=211–257 |isbn=3-89244-470-6 |language=German |ref={{harvid|Zill|2002}} }}
{{refend}}

==External links==
{{Wiktionary|metaphor}}
{{Wikiquote|Metaphors}}
{{commons category|Metaphors}}
* {{In Our Time|History of metaphor|b00w227c|History_of_metaphor}}
* [http://www.americanrhetoric.com/figures/metaphor.htm Audio illustrations of metaphor as figure of speech]
* [https://www.perseus.tufts.edu/hopper/resolveform?type=start&lookup=meta&lang=greek List of ancient Greek words starting with ''μετα-''], on Perseus
* [http://www.iep.utm.edu/met-phen/ Metaphor and Phenomenology] article in the ''[[Internet Encyclopedia of Philosophy]]''
* {{cite journal |pages=130–151 |doi=10.1016/j.pragma.2014.06.008 |title=Meaning construction in verbomusical environments: Conceptual disintegration and metonymy |last=Pérez-Sobrino| year=2014  |first=Paula |journal=Journal of Pragmatics |volume=70  |url=https://www.academia.edu/7924477 |format=PDF}}

{{Narrative modes}}
{{Figures of speech}}
{{Authority control}}

[[Category:Metaphor| ]]
[[Category:Metaphors| ]]
[[Category:Figures of speech]]
[[Category:Tropes by type]]