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{{short description|Dutch sculptor}}
{{Infobox artist
| name          = Mathieu Kessels
| image         = Mathieu Kessels, Portrait by unknow painter, ca 1820-25.jpg
| image_size    = 200px
| caption       = Mathieu Kessels, about 40 years old, by unknown painter
| birth_name    =
| birth_date    = {{Birth date|1784|5|20|df=y}}
| birth_place   = [[Maastricht]], Netherlands
| death_date    = {{Death date and age|1836|3|4|1784|5|20|df=y}}
| death_place   = [[Rome]], Italy
| nationality   =
| known_for     = [[Sculpture]]
| training      = [[Venlo]], [[Paris]], [[Hamburg]], [[Saint Petersburg]], Rome
| movement      = [[Neoclassical sculpture|Neoclassical]]
| notable_works =
| patrons       = [[William Cavendish, 6th Duke of Devonshire|Duke of Devonshire]], [[Carlos Miguel Fitz-James Stuart, 14th Duke of Alba|Duke of Alba]], [[Ludwig I of Bavaria|King of Bavaria]], [[William I of the Netherlands|King of the Netherlands]]
| awards        = Canova competition, Rome (1819); [[Order of the Netherlands Lion]] (1827)
}}
'''Mathieu Kessels''' (20 May 1784 – 4 March 1836) was a Dutch [[Neoclassical sculpture|Neoclassical]] [[sculptor]] who mainly worked in [[Rome]].

==Biography==
Mathieu Kessels (also known as Matthias or Matthijs) was born the son of a carpenter in [[Maastricht]]. One of his brothers became an architect in Hamburg, whilst another ([[Hendrik Johan Kessels]]) became a famous clock maker in nearby [[Altona, Hamburg|Altona]]. Mathieu was first apprenticed to a goldsmith in [[Venlo]] but soon gave up his apprenticeship to attend the [[École des Beaux-Arts]] in [[Paris]]. In 1806 he made his way, via Hamburg, to [[Saint Petersburg]] where he abode eight years, learning how to make wax models and sculptures of various kinds in the workshop of [[Joseph Camberlain]]. In 1815 he returned briefly to Venlo and Maastricht. He then spent several months at [[Girodet]]'s studio in [[Paris]], where his work was exhibited at the [[Salon of 1819]].
 
Being determined to go to Rome, he was accepted as an apprentice of the [[Danish people|Danish]] sculptor [[Bertel Thorvaldsen]], probably in 1818. In a competition for young artists, organized by Venetian sculptor [[Antonio Canova]], Kessels in 1819 won the highest award with his terracotta ''Saint Sebastian pierced by arrows'', a piece of frank and beautiful workmanship. In Rome he became a member, later professor of the [[Accademia Nazionale di San Luca|Academy of St. Luke]] and of the Institute of the Netherlands. He also was a member of the academies in [[Amsterdam]] (from 1824 onwards) and [[Antwerp]].

In Rome Kessels taught the Liege sculptors [[Louis Jehotte]] (c. 1803-84) and [[Eugène Simonis]], who exerted an influence through their teaching at the [[Académie Royale des Beaux-Arts]] in [[Brussels]]. Another student of Kessels was the Dutch sculptor [[Johannes Antonius van der Ven]], who sculpted his funeral stone.

Mattieu Kessels died in Rome while he was working on ''Saint Michael overcoming the Hydra of Anarchy'' for the [[Cathedral of St. Michael and St. Gudula|Church of St. Michael and St. Gudula]] (now Brussels' cathedral). On Kessels's death his studio, having been inventoried by Thorvaldsen, was acquired by the Belgian government and transferred to the [[Royal Museums of Fine Arts of Belgium]], Brussels. The museum now owns over 70 works by Kessels. Four plaster sculptures are permanently exhibited in the museum's neoclassical department: ''Discobole lançant le disque'' (1822–23), ''Génie funèbre éteignant un flambeau'' (c. 1829),  ''Monument funeraire de la comtesse'' (1830–32) and ''Scène du déluge'' <ref>https://www.flickr.com/photos/brettdunnam/3305267088/ {{Dead link|date=February 2022}}</ref> (c. 1836).

==Patrons==
Among his numerous classically minded patrons was [[William Cavendish, 6th Duke of Devonshire]], who commissioned two marble bas-reliefs, ''Day'' and ''Night'' (1819), and ''Diskobolos Preparing to Throw'' (1828), both in [[Chatsworth House]]. A bronze copy of his ''Diskobolos'' stands in the gardens of the [[Palais des Académies]] in Brussels. Another bronze copy is in the [[Rijksmuseum]] in [[Amsterdam]]. For [[Carlos Miguel Fitz-James Stuart, 14th Duke of Alba]] Kessels sculpted ''Reclining disk thrower'', now in the [[Accademia Nazionale di San Luca]] in Rome, and ''[[Cupid]] whetting his darts''.

In 1823 [[Ludwig I of Bavaria|Ludwig I]], the crown prince of Bavaria, visited him in his studio in Rome and ordered a marble bust of [[Admiral Tromp]], which in 1845 was placed in the [[Walhalla memorial]] in [[Donaustauf]], near [[Regensburg]]. Ludwig offered Kessels a position as director of the academy in Munich but Kessels remained in Rome. Another important patron was [[William I of the Netherlands|William I, King of the Netherlands]] for whom he sculpted ''[[Mars (mythology)|Mars]] resting'', a colossal marble now at the palace of [[Laeken]], for which Kessels received the [[Order of the Netherlands Lion]].

==Style evolvement==
In our days, Kessels is no longer regarded as a major artist but in his lifetime he was famous. As he belonged to the Roman school of neoclassical sculpture, founded by Canova and Thorvaldsen, along with [[Johann Gottfried Schadow]], [[Albert Wolff (sculptor)|Albert Wolff]] and others, he adhered to idealist aesthetics and to the laws prescribed by classical art. His pure neoclassical works, apart from some of the works mentioned above, include the marble busts of Marcus Aurelius, Cicero, Isis, and Gaius or Lucius Caesar (all 1817-19), ''The genius of Art'' (1820–23), ''Bacchus'' (1823–24), ''Woman weeping over an urn'' (1825) and ''Venus'' (1826–29).

In the late 1820s Kessels renounced some of the pure classicism of Thorvaldsen in favour of the more seductive style of Canova, mixed with the pathos of Italian Baroque. This is the case with his marble monument to the Countess of Celles (Rome, [[Chiesa di San Giuliano dei Fiamminghi]], 1828). In another large sculpture, ''Flood Scene'' (plaster, c. 1833), the romantic emphasis of this work differentiates it from some of the other works of his late period, which are imbued with religious sentimentality, such as a sculpture of ''Christ at the Column'', a bas relief of the head of Christ, a [[Pietà]], and busts of Christ, the Virgin Mary and the four evangelists.
<gallery>
File:Discobole lançant le disque-ChatsworthHouse.jpg|''Diskobolos preparing to throw'', [[Chatsworth House]]
File:Génie funèbre éteignant un flambeau1.jpg|''Genie of death putting out the flame'', [[Royal Museums of Fine Arts of Belgium]], [[Brussels]]
File:Scène du déluge2.jpg|''Deluge scene'', Royal Museums of Fine Arts of Belgium, Brussels
File:Monument_Funeraire_de_la_Comtesse_de_Celles_(1828)4-RomeSanGiuliano.jpg|Tomb of the countess of Celles, [[Chiesa di San Giuliano dei Fiamminghi|Church of San Giuliano dei Fiamminghi]], [[Rome]]
File:Mathieu Kessels, Portrait bust of admiral Maarten Harpertsz Tromp (1824), Walhalla , Regensburg.jpg|Portrait bust of [[Admiral Tromp]], [[Walhalla memorial]], [[Regensburg]]
</gallery>

==Sources==
{{commons category}}
* Bergé, Willem, ''Heimwee naar de klassieken. De beelden van Mathieu Kessels en zijn tijdgenoten, 1815-1840''. Zwolle, Den Bosch (1994)
* {{CathEncy|url=http://www.newadvent.org/cathen/08629b.htm|title=Matthias Kessels}}
* Ubachs, P.J.H. & Evers, I.M.H., ''Historische Encyclopedie Maastricht'' (2005)
{{Reflist}}

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{{DEFAULTSORT:Kessels, Matthias}}
[[Category:1784 births]]
[[Category:1836 deaths]]
[[Category:Expatriates in the Papal States]]
[[Category:Dutch sculptors]]
[[Category:Dutch male sculptors]]
[[Category:Artists from Maastricht]]