View source for List of dodecaphonic and serial compositions

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{{More citations needed|date=June 2008}}
This is an incomplete list of musical pieces composed in the [[twelve-tone technique]] and pieces that use [[serialism]].

==List of musical pieces composed in the twelve-tone technique==
* [[Second Viennese School]]
** [[Alban Berg]]
*** ''[[Kammerkonzert (Berg)|Kammerkonzert]]'', for piano, violin, and winds (1923–25)
*** ''[[Lyric Suite (Berg)|Lyrische Suite]]'', for string quartet (1925/26)
*** ''[[Der Wein]]'', concert aria for soprano and orchestra after a poem by [[Charles Baudelaire]] (1929)
*** ''[[Lulu (opera)|Lulu]]'', opera after ''Die Büchse der Pandora'' by [[Frank Wedekind]] (1928–35)
*** ''[[Violin Concerto (Berg)|Violinkonzert]]'', for violin and orchestra (1935)
** [[Hanns Eisler]]
*** ''Palmström'', song cycle op. 5 (1923/24)
*** ''Zeitungsausschnitte'' (Newspaper Clippings), song cycle op. 11 (1926)
*** "14 Arten den Regen zu beschreiben" (1940, for the 1929 short documentary ''[[Rain (1929 film)|Regen]]'')<ref name="Gagne"/>
** [[Arnold Schoenberg]]
*** Waltz from 5 Klavierstücke, op. 23
*** Serenade, op. 24
*** [[Suite for Piano (Schoenberg)|Suite for Piano]], op. 25
*** [[Wind Quintet (Schoenberg)|Wind Quintet]], op. 26
*** ''Four Pieces'' for mixed voices, op. 27
*** Suite for piano, piccolo clarinet, clarinet, bass clarinet, violin, viola, and cello, op. 29
*** [[String Quartets (Schoenberg)|String Quartet No. 3]], op. 30
*** [[Variations for Orchestra (Schoenberg)|Variations for Orchestra]], op. 31
*** ''[[Von heute auf morgen]]'', op. 32
*** [[Zwei Klavierstücke (Schoenberg)|Klavierstück]], op. 33a<ref>Horace Reisberg, "The Vertical Dimension in Twentieth Century Music", ''Aspects of Twentieth-Century Music'', edited by Gary Wittlich, 362–72, citation on 370–71 (Englewood Cliffs, New Jersey: Prentice-Hall, 1975). {{ISBN|0-13-049346-5}}.</ref>
*** [[Zwei Klavierstücke (Schoenberg)|Klavierstück]], op. 33b
*** ''[[Moses und Aron]]'' (incomplete)
*** ''[[Begleitungsmusik zu einer Lichtspielscene]]''  [Accompanying music to a film scene], op. 34
*** [[Violin Concerto (Schoenberg)|Concerto for Violin and Orchestra]], op. 36
*** [[String Quartets (Schoenberg)|String Quartet No. 4]], op. 37
*** [[Piano Concerto (Schoenberg)|Concerto for Piano & Orchestra]], op. 42
*** String Trio, op. 45
*** ''[[A Survivor from Warsaw]]'', op. 46
*** Fantasy for Violin & Piano, op. 47
** [[Anton Webern]]
*** Three Lieder, op. 17 (1924–1925)
*** Three Lieder, for voice, E flat clarinet and guitar, op. 18 (1925)
*** Two Lieder, for mixed choir, celesta, guitar, violin, clarinet and bass clarinet, op. 19 (1926)
*** String Trio, op. 20 (1927)
*** [[Symphony_(Webern)|Symphony]], op. 21 (1928)
*** Quartet for violin, clarinet, tenor saxophone and piano, op. 22 (1930)
*** Three Songs on [[Hildegard Jone|Hildegard Jone's]] ''Viae inviae'', for voice and piano, op. 23 (1934)
*** [[Concerto for Nine Instruments (Webern)|Concerto]] for flute, oboe, clarinet, horn, trumpet, trombone, violin, viola and piano, op. 24 (1934)
*** Three Lieder on texts by Hildegard Jone, for voice and piano, op. 25 (1934–35)
*** ''Das Augenlicht'', for mixed choir and orchestra, on a text by Hildegard Jone, op. 26 (1935)
*** [[Variations for piano (Webern)|Variations]], for solo piano, op. 27 (1936)
*** [[String Quartet (Webern)|String Quartet]], op. 28 (1937–38) – the [[tone row]] of this piece is based around the [[BACH motif]]
*** Cantata No. 1, for soprano, mixed choir and orchestra, op. 29 (1938–39)
*** ''Variations'', for orchestra, op. 30 (1940)
*** Cantata No. 2, for soprano, bass, choir and orchestra, op. 31 (1941–43)
----
* [[Milton Babbitt]]
** Virtually all published works after 1947
* [[John Cage]]
** [[Sonata for Clarinet (Cage)|Sonata for Clarinet]] (1933)
* [[Carlos Chávez]]
** ''[[Soli II]]'' for wind quintet (1961)<ref name="Parker">Robert L. Parker, "Carlos Chávez's ''Opus Ultimum'': The Unfinished Cello Concerto". ''American Music'' 11, no. 4 (Winter 1993): 473–87. Citation on p. 479.</ref>
** Variations for Violin and Piano (1961)<ref name="Parker"/>
* [[Aaron Copland]]
** Piano Quartet (1950)
** Piano Fantasy (1957)
** ''[[Connotations (Copland)|Connotations]]'' for orchestra (1961) 
** ''[[Inscape (Copland)|Inscape]]'' for orchestra (1967)
* [[Henry Cowell]]
** ''Variations for Orchestra'' (1959)
* [[Luigi Dallapiccola]]
** Virtually all published works after 1942
* [[Benjamin Frankel]]
** Film score for ''[[The Curse of the Werewolf]]'' (1961)<ref>Dimitri Kennaway, notes for recording, Naxos 8.557850, "credited with being the first British feature film score to employ the method [twelve-tone serialism] almost entirely."</ref><ref name="Gagne"/>
** His 8 symphonies (see e.g. the article on [[Symphony No. 1 (Frankel)|Symphony No.1]] (Op.33, 1958)) either use the twelve-tone technique, or serial techniques with other kinds of rows, or both<ref>[http://www.bl.uk/reshelp/findhelprestype/music/frankel/frankelmiddle/frankelmiddle.html British Library Frankel Biography – Middle Years]</ref>
* [[Lou Harrison]]
** ''Rapunzel'' (1952)
** ''Symphony on G'' (1952)
* [[Josef Matthias Hauer]]
** All works written after August 1919 (though the twelve-tone technique used is not Schoenberg's system)
** ''Zwölftonspiele'' (approximately one thousand works) (after 1940)
* [[Eunice Katunda]]
** ''Quatro Epígrafes'' (1948) for piano
** ''Homenagem a Schoenberg'' (1949) for clarinet, viola, cello, and piano
* [[Ernst Krenek]]
** ''[[Karl V. (opera)|Karl V]]''
* [[Maurice Le Roux]]
** ''2 pieces dodecaphoniques, pour piano seul'' (1945/46)
* [[Luigi Nono]]
** ''Composizione no.1'', for orchestra (1951)
** ''Variazioni canoniche sulla serie dell’op. 41 di A. Schönberg'', for chamber orchestra (1950)
*[[Walter Piston]]
**''Chromatic Study on the Name of Bach'', for organ<ref>Howard Pollack, ''Walter Piston'' (Ann Arbor, Mich: UMI Research Press, 1982): 35, 72–73. {{ISBN|0-8357-1280-X}}.</ref> 
**Concerto for Clarinet and Orchestra<ref name="Archibald">Bruce Archibald, "Reviews of Records: Walter Piston: Symphony No. 7, Symphony No. 8, Louisville Orchestra, Jorge Mester; Walter Piston: Symphony No. 5, Louisville Orchestra, Robert Whitney; Walter Piston: Concerto for Viola and Orchestra, Paul Doktor, viola, Louisville Orchestra, Robert Whitney; Walter Piston: The Incredible Flutist, Louisville Orchestra, Jorge Mester", ''[[The Musical Quarterly]]'' 64, no. 2 (1978): 263–68 (citation on 267).</ref>
**Concerto for Flute and Orchestra<ref name="Archibald" />
**Fantasy for Violin and Orchestra<ref name="Archibald" />
**Ricercare for Orchestra<ref name="Archibald" />
**[[String Quartet No. 5 (Piston)|String Quartet No. 5]]<ref>Donald Chittum, Liner notes to Walter Piston: String Quartet No. 5, in ''American String Quartets, Volume II: 1900–1950'', Kohon String Quartet, 3-LP set, Vox SVBX 5305 (New York: Vox, 1974).</ref>
**[[Symphony No. 1 (Piston)|Symphony No. 1]]<ref>[[Elliott Carter]], "Walter Piston", ''[[The Musical Quarterly]]'' 32, no. 3 (July 1946): 354–75 (citation on 364–65).</ref>
**[[Symphony No. 8 (Piston)|Symphony No. 8]]<ref name="Archibald" />
**Variations for Cello and Orchestra<ref name="Archibald" />
* [[Leonard Rosenman]]
** ''[[The Cobweb (1955 film)|The Cobweb]]'' (1955)<ref name="Gagne"/>
* [[Humphrey Searle]]
**All works from the Intermezzo for eleven instruments, Op.&nbsp;8 (1946), onwards<ref>Colin Mason, Hugo Cole, and David C.F. Wright, "Searle, Humphrey", ''The New Grove Dictionary of Music and Musicians'', second edition, edited by [[Stanley Sadie]] and [[John Tyrrell (musicologist)|John Tyrrell]] (London: Macmillan Publishers, 2001).</ref>
* [[Roger Sessions]]
** Virtually all published works after 1953 (exceptions include his Mass, and the twelve-tone technique used rarely follows Schoenberg's system)
* [[Karlheinz Stockhausen]]
** ''[[Drei Lieder (Stockhausen)|Drei Lieder]]'' for alto voice and chamber orchestra, Nr. {{frac|1|10}} (1950)<ref>{{cite book|first=Rudolf|last=Frisius|title=Karlheinz Stockhausen II: Die Werke 1950–1977; Gespräch mit Karlheinz Stockhausen, "Es geht aufwärts"|location=Mainz, London, Berlin, Madrid, New York, Paris, Prague, Tokyo, Toronto|publisher=Schott Musik International|year=2008|page=25|isbn=978-3-7957-0249-6}}</ref>
** [[Sonatine (Stockhausen)|Sonatine]], for violin and piano, Nr. {{frac|1|8}} (1951)<ref>[[Robin Maconie]], ''Other Planets: The Complete Works of Karlheinz Stockhausen, 1950–2007'', updated edition (Lanham, Maryland; Boulder, Colorado; New York; London: Rowman & Littlefield, 2016): 23, 35–36 {{ISBN|978-1-4422-7267-5}}; {{harvnb|Frisius|2008|page=32}}; Michael Kurtz, ''Stockhausen: A Biography'', translated by [[Richard Toop]] (London and Boston: Faber and Faber, 1992): 30 {{ISBN|0-571-14323-7}} (cloth); {{ISBN|0-571-17146-X}} (pbk).</ref>
* [[Igor Stravinsky]], works from 1952 forward:<ref>Joseph N. Straus, ''Stravinsky's Late Music'', Cambridge Studies in Music Theory and Analysis (Cambridge: Cambridge University Press, 2001), 4. {{ISBN|0-521-80220-2}} (cloth) {{ISBN|0-521-60288-2}}.</ref>
** [[Cantata (Stravinsky)|Cantata]] (1952)
** ''Three Songs From Shakespeare'' (1953)
** ''In Memoriam Dylan Thomas'' (1954)
** '' [[Canticum Sacrum]]'' (1955)
** ''[[Agon (ballet)|Agon]]'' (1957)
** ''[[Threni (Stravinsky)|Threni]]'' (1958)
** [[Movements for Piano and Orchestra]] (1958–59)
** ''[[A Sermon, a Narrative and a Prayer]]'' (1961)
** ''[[The Flood (Stravinsky)|The Flood]]'' (1962)
** ''The Dove Descending Breaks the Air'' (1962)
** ''[[Variations: Aldous Huxley in memoriam]]'' (1963–64)
** ''[[Requiem Canticles]]'' (1966)
* [[Van der Graaf Generator]]
** "After the Flood" (1970, from the album ''[[The Least We Can Do Is Wave to Each Other]]'') – includes a [[twelve tone]] piece{{Clarify|date=February 2015}}<!--What is the piece that Jackson arranged, and who wrote it? The actual composer should be given credit here, rather than the band who happened to include it on an album.--> arranged by [[David Jackson (rock musician)|David Jackson]]<ref>{{cite book|title=Van der Graaf Generator – The Book|first1=Jim|last1=Christopulos|first2=Phil|last2=Smart|publisher=Phil and Jim Publishers|page=58|year=2005|isbn=978-0-955-13370-1}}</ref>
* [[Egon Wellesz]]
** Symphony No. 5, Op. 75 (1955–56)
* [[Charles Wuorinen]]
** Most mature works
* [[Frank Zappa]]
**''Waltz for Guitar'' (1958)

==List of pieces that use serialism==
Organized by composer:

* [[Tadeusz Baird]]
** ''Cassazione per orchestra'' (1956) 
** String Quartet (1957)
** ''Four Essays'' (1958)
** ''Erotyki'' (1961) 
* [[Jean Barraqué]]
** ''[[... Au delà du hasard]]'' (''premier "commentaire" de "Affranchi du hasard" et du "Temps restitué")'' for four instrumental groups and one vocal group (1958–59)
** ''[[Chant après chant]]'' for six percussionists, voice and piano (1966)
** [[Concerto (Barraqué)|Concerto]] for six instrumental groups and two solo instruments (vibraphone and clarinet) (1962–68)
** ''Étude'' for 3-track tape (1952–53)
** ''Séquence'' for voice, percussion and chamber ensemble (1950–55)
** [[Piano Sonata (Barraqué)|Sonata for Piano]] (1950–52)
** ''[[Le Temps restitué]]'' for soprano, chorus and orchestra (1956–68)
* [[Pierre Boulez]]
** ''[[Anthèmes]]'', for violin solo (1991/94)
** ''[[Anthèmes|Anthèmes II]]'', for violin and live electronics (1997)
** ''[[Cummings ist der Dichter]]'', for chorus and ensemble (1970/1986)
** ''[[Dérive 1]]'', for six instruments (1984)
** ''Dérive 2'', for eleven instruments (1988/2002/2006)
** ''[[Domaines (Boulez)|Domaines]]'', for clarinet solo or for clarinet and six instrumental groups (1968)
** ''Études'' (2), [[musique concrète]] (1951–52)
** ''[[...explosante-fixe...]]''
*** for flute, clarinet, and trumpet (1971–72)
*** for flute, clarinet, trumpet, harp, vibraphone, violin, viola, cello, and electronics (1973–74)
*** version for vibraphone and electronics (1986)
*** for solo MIDI flute, two "shadow" flutes, chamber orchestra, and electronics (1991–93)
*** version for vibraphone and electronics (1986)
** ''[[Figures—Doubles—Prismes]]'', for orchestra (1957–58/1964/1968)
** ''Improvisé—pour le Dr. K'', for flute, clarinet, piano, violin, and cello (1969; revised 2005)
** ''[[Incises]]'', for piano (1994/2001)
** ''Livre'', for string quartet (1948); two movements reworked for string orchestra (1968/1989)
** ''[[Le marteau sans maître]]'' (1955–57)
** ''[[Messagesquisse]]'', for solo cello and six cellos (1976)
** ''Notations''
*** for piano (1945)
*** I–IV and VII for orchestra (1978–1984/1997)
** ''Poésie pour pouvoir'', for tape and 3 orchestras (1955/58, withdrawn)
** ''[[Polyphonie X]]'' (1950–51)
** [[Piano sonatas (Boulez)|Sonata No. 1]], for piano (1946)
** [[Piano sonatas (Boulez)|Sonata No. 2]], for piano (1947–48)
** [[Piano sonatas (Boulez)|Sonata No. 3]], for piano (1958–63, unfinished)
** ''[[Pli selon pli]]'' (1957–62)
** ''[[Répons]]'', for six soloists, chamber orchestra, and live electronics (1981–84)
** ''[[Rituel in memoriam Bruno Maderna|Rituel in Memoriam Bruno Maderna]]'', for large chamber ensemble in eight groups (1974–75)
** ''Sonatine'', for flute and piano (1946)
** ''[[Structures (Boulez)|Structures, book I]]'' for two pianos (1952)
** ''[[Structures (Boulez)|Structures, book II]]'' for two pianos (1961)
** ''[[Incises|Sur incises]]'', for 3 pianos, 3 harps, and 3 mallet percussion instruments (1996/1998)
* [[Jacques Calonne]]
** ''Orbes'' for orchestra (1965) <ref>Jacques Calonne, "Aspects d'un resume (Apropos d' ''Orbes pour orchestre'')", ''Revue d'Esthetique'' 21 (1968), nos. 2–4 ("Musiques nouvelles"): 59–103.</ref>
* [[Benjamin Frankel]]
** Film score for ''[[The Prisoner (1955 film)|The Prisoner]]'' (1955, starring [[Alec Guinness]])<ref>Dimitri Kennaway, notes for recording, Naxos 8.557850, "his [Frankel's] first published experimentation with serial technique"</ref>
* [[Alexander Goehr]]
** Piano Sonata (1952)<ref name="Goehr">Gagné (2012), p.116.</ref>
** ''The Deluge'' (1958)<ref name="Goehr"/>
* [[Karel Goeyvaerts]]
** ''[[Sonata for Two Pianos (Goeyvaerts)|Nummer 1]]'', Sonata for two pianos (1950–51)
** ''[[Nummer 2]]'', for thirteen instruments (1951)
** ''Nummer 3 met gestreken en geslagen tonen'', for chamber ensemble (1952)
** ''Nummer 4 met dode tonen'', electronic music (1952)
** ''[[Nummer 5]] met zuivere tonen'', electronic music (1953)
** ''Nummer 6 met 180 klankvoorwerpen'' (1954)
** ''Nummer 7 met convergerende en divergerende niveaus'', electronic music (1955)
* [[Ernest Gold (composer)|Ernest Gold]]
** Score for ''[[On the Beach (1959 film)|On the Beach]]'' (1959)<ref name="Gagne">Nicole V. Gagné, ''Historical Dictionary of Modern and Contemporary Classical Music'', Historical Dictionaries of Literature and the Arts (Lanham, Maryland: Scarecrow Press, 2012): 98. {{ISBN|978-0-8108-6765-9}}.</ref>
* [[Jerry Goldsmith]]
** ''[[Freud: The Secret Passion|Freud]]'' (1962)<ref name="Gagne"/>
** ''[[Planet of the Apes (1968 film)|Planet of the Apes]]'' (1968)
** ''[[The Illustrated Man (film)|The Illustrated Man]]'' (1969)
** [[Music for Orchestra]] (1969)
** ''[[Christus Apollo]]'' (1970)
** ''[[The Mephisto Waltz]]'' (1971)
** ''[[Escape from the Planet of the Apes]]'' (1971)
* [[Wojciech Kilar]]
** ''Riff 62'' (1962)
* [[Gottfried Michael Koenig]]
** ''Zwei Klavierstücke'', for piano solo (1957)
** Quintet for Woodwinds, for flute, oboe, cor anglais, clarinet, and bassoon (1958–59)
** String Quartet 1959  (1959)
* [[Ernst Krenek]]
** String Quartet No. 6 (for example)
* [[Witold Lutosławski]]
** [[Symphony No. 1 (Lutosławski)|Symphony No. 1]] (1947) 
** ''Five Songs to Words by Kazimiera Iłłakowiczówna'' for soprano and piano (1957); Arrangement with Orchestra (1958) 
** ''[[Musique funèbre]]'' (1958)
** ''Trois poèmes d'Henri Michaux'' (1963)
** ''Livre pour orchestre'' (1968)
** Cello Concerto (1970) 
** ''[[Mi-parti]]'' (1976)
** ''Grave: Metamorphoses for Cello and Piano'' (1981)
** [[Symphony No. 3 (Lutosławski)|Symphony No. 3]] (1983)
* [[Johnny Mandel]]
** ''[[Point Blank (1967 film)|Point Blank]]'' (1967)<ref name="Gagne"/>
* [[Luigi Nono]]
** ''Canti per tredeci'', 13 instruments, (1954–55)
** ''[[Il canto sospeso]]'' (1955–56)
** ''Cori di Didone'', for chorus and percussion (1958)
** ''Diario polacco: Composizione no. 2'' (1958–59)
** ''Due espressioni'', for orchestra (1953)
** ''Incontri'', for 24 instruments (1955)
** ''Polifonica—monodia—ritmica'', for seven instrumentalists (1951)
** ''Varianti'', for violin, woodwinds, and strings (1957)
* [[Krzysztof Penderecki]]
** ''[[St Luke Passion (Penderecki)]]'' (1966) 
* [[Henri Pousseur]]
** ''Apostrophe et six Réflexions'' for piano (1964–66)
** ''Aquarius-Mémorial  (in memoriam Karel Goeyvaerts)''
*** I. ''Les Litanies d'Icare'' for piano (1994)
*** II. ''Danseurs Gnidiens cherchant la Perle clémentine'' for chamber orchestra (1998)
*** III.  ''Les Fouilles de Jéruzona'' for orchestra  (1995)
*** IV. ''Icare au Jardin du Verseau'' for piano and chamber orchestra (1999)
*** ''La Guirlande de Pierre'' for soprano, baritone and piano (1997)
** ''At Moonlight, Dowland's Shadow passes along Ginkaku-Ji'' for shakuhachi, shamisen, and koto (1989)
** ''Ballade berlinoise'' for piano solo (1977)
** ''Canines'' for voice and piano (1980)
** ''Caractères'' for piano (1961)
** ''Chroniques berlinoises'' for piano and string quartet with baritone ''ad lib.'' (1975)
** ''Chroniques canines'' for two pianos with soprano ''ad lib'' (1984)
** ''Chroniques illustrées'' for large orchestra with baritone ''ad lib.'' (1976)
** ''Couleurs croisées'' for large orchestra (1967)
** ''Crosses of Crossed Colors'' for vocal soloist, two to five pianos, six tape-recorder operators, two turntablists, and two radio operators (1970)
** ''Déclarations d'Orage'' for reciter, soprano, baritone, three improvising instruments (alto saxophone, tuba, synthesizer), large orchestra and tape (1988–89)
** ''Dichterliebesreigentraum'' for soprano, baritone, two solo pianos, choir and orchestra (1992–93)
** ''Les Éphémérides d'Icare 2'' for a soloist, three-part concertino, and four instrumental quartets (1970)
** ''Die Erprobung des Petrus Hebraïcus'' chamber opera in three acts, libretto by Léo Wintgens after Michel Butor (1974). Several "satellite" works are related to this opera:
** ''Flexions IV'' for viola solo (1980)
** ''Humeurs du Futur quotidien'' for two reciters and chamber orchestra (1978)
** ''Les Icare africains'' for solo voices, ''ad lib.'' choir, and orchestra (2002)
** ''Leçons d'Enfer'' music theatre for 2 actors, 3 singers, 7 instruments, tape, and live electronics; texts by Arthur Rimbaud and Michel Butor (1990–91)
** ''Madrigal I'' for clarinet (1958)
** ''Madrigal II'' for 4 early instruments (flute, violin, viola da gamba, harpsichord) (1961)
** ''Madrigal III'' for clarinet, violin, cello, 2 percussionists, and piano (1962)
** ''Mnémosyne'' monody solo voice or instrument, or unison choir (1968)
** ''Mnémosyne II'' for variable media (1969)
** ''Mobile'' for two pianos (1957–58)
** ''Navigations'' for harp (2000)
** ''Ode'' for string quartet (1960–61)
** ''La Paganania'' for solo violin (1982)
** ''La Paganania seconda'' for solo cello (1982)
** ''Paraboles-Mix'' electronic music (1972)
** ''Pédigrée'' for female voice and seven instruments (1980)
** ''Phonèmes pour Cathy'' for mezzo-soprano solo (1966)
** ''Prospection'' for three pianos tuned in sixths of a tone (1952–53)
** ''Quintette à la memoire d'Anton Webern'' for clarinet, bass clarinet, violin, cello, and piano (1955)
** ''Rimes pour différentes sources sonores'' for orchestra and tape (1958)
** ''[[Scambi]]'' electronic music (1957)
** ''Séismogrammes'' electronic music (1954)
** ''Seize Paysages planétaires'' ethno-electroacoustical music (2000)
** ''Sept Versets des Psaumes de la Pénitence'' for four vocal soloists or mixed choir (1950)
** ''Symphonies à 15 Solistes'' (1954–55)
** ''Tales and Songs from the Bible of Hell'' four singers with real-time electronic transformation and pre-recorded 4 track tape (1979)
** ''Trois Visages à Liège'' electronic music (1961)
** ''[[Votre Faust]]'' (1960–68), opera for five actors, four singers, twelve instruments, and electronic music, libretto by [[Michel Butor]]. Plus related "satellite" works:
*** ''Miroir de Votre Faust'' (''Caractères II'') for solo piano and (optional) soprano (1964–65),
*** ''Jeu de Miroirs de Votre Faust'' for piano, soprano and tape (1964–65)
*** ''Echos de Votre Faust'' for mezzo-soprano, flute, cello, and piano (1961–69),
*** ''Les Ruines de Jéruzona'' for mixed choir and "rhythm section" (1978),
*** ''La Passion selon Guignol'' for amplified vocal quartet and orchestra (1981),
*** ''Parade de Votre Faust'' for orchestra (1974)
*** ''Aiguillages au carrefour des immortels'' for 16 or 17 instruments (2002)
*** ''Il sogno di Leporello: Parade 2 (de Votre Faust)'' for orchestra (2005)
** ''Vue sur les Jardins interdits'' for saxophone quartet (1973)
* [[Miklós Rózsa]]
** ''[[King of Kings (1961 film)|King of Kings]]'' (1961)<ref name="Gagne"/>
* [[David Shire]]
** ''[[The Taking of Pelham One Two Three (1974 film)|The Taking of Pelham One Two Three]]'' (1974)<ref name="Gagne"/>
* [[Karlheinz Stockhausen]]
** ''[[Adieu (Stockhausen)|Adieu]]'', for wind quintet (flute, oboe, clarinet, bassoon, and horn), Nr. 21 (1966)
** ''[[Alphabet für Liège]]'', Nr. 36 (1972)
*** ''Am Himmel wandre ich'' ("In the Sky I Am Walking", American Indian Songs), Nr. {{frac|36|1|2}} (1972)
** ''[[Amour (Stockhausen)|Amour]]'', 5 pieces for clarinet, flute, or saxophone Nr. 44 (1976)
** ''[[Atmen gibt das Leben]]'', choral opera with orchestra (or orchestra on tape), Nr. 39 (1974/76–77)
** ''[[Aus den sieben Tagen]]'' ("From the Seven Days"), 15 texts for intuitive music (performable separately), Nr. 26 (1968)
** ''[[Licht#Structure|Bassetsu-Trio]]'', for basset horn, trumpet, and trombone, Nr. 3. ex 70  (1997). Arranged from ''[[Mittwoch aus Licht]]'', scene 4: ''Michaelion''
** ''[[Carré (Stockhausen)|Carré]]'', for 4 orchestras and choirs, Nr. 10 (1959–60)
** ''[[Dr K–Sextett]]'', for flute, bass clarinet, percussionist (tubular chimes and vibraphone), piano, viola, and cello, Nr. 28 (1968–69)
** ''[[Konkrete Etüde]]'', [[musique concrète]], Nr. {{frac|1|5}} (1952)
** ''[[Europa-Gruss]]'', Nr. 72 (1992/2002)
** ''[[Expo (Stockhausen)|Expo]]'', for 3 players or singers with 3 short-wave receivers, Nr. 31 (1969–70)
** ''[[Formel (Stockhausen)|Formel]]'', for small orchestra, Nr. <small><sup>1</sup>/<sub>6</sub></small> (1951)
** ''[[Fresco (Stockhausen)|Fresco]]'', for 4 orchestral groups, Nr. 29 (1969)
** ''[[Für kommende Zeiten]]'', 17 texts for intuitive music, Nr. 33 (1968–70)
** ''[[Gesang der Jünglinge]]'', electronic and concrete music, Nr. 8 (1955–56)
** ''[[Gruppen]]'', for 3 orchestras, Nr. 6 (1955–57)
** ''[[Harlekin]]'', for clarinet, Nr. 42 (1975)
*** ''[[Harlekin|Der kleine Harlekin]]'', for clarinet, Nr. {{frac|42|1|2}} (1975)
** ''[[Helikopter-Streichquartett]]'', for string quartet and 4 helicopters, Nr. 69 (1992–93) [Scene 3 of ''[[Mittwoch aus Licht]]'']
** ''[[Herbstmusik]]'', musical theatre for 4 performers, Nr. 40 (1974)
*** ''Laub und Regen'', duet for clarinet and viola, Nr. {{frac|40|1|2}}
** ''[[Hymnen]]'', 4-channel electronic and concrete music (also version with soloists, and Third Region with orchestra), Nr. 22 (1966–67)
** ''[[In Freundschaft]]'', for clarinet (and versions for most other instruments), Nr. 46 (1977)
** ''[[Inori (Stockhausen)|Inori]]'', adorations for 1 or 2 soloists and large orchestra, Nr. 38 (1973–74)
*** ''Vortrag über HU'', for a singer, Nr. {{frac|38|1|2}} (1974)
** ''[[Jubiläum]]'', for orchestra, Nr. 45 (1977)
** ''[[Klang (Stockhausen)|Klang]]'' ("Sound", the 24 Hours of the Day), Nr. 81– (2004–2007)
*** First Hour: ''[[Klang (Stockhausen)#First Hour: Himmelfahrt|Himmelfahrt]]'' (Ascension), for organ (or synthesizer), soprano, and tenor, Nr. 81 (2004–05)
*** Second Hour: ''[[Klang (Stockhausen)#Second Hour|Freude]]'' (Joy), for 2 harps, Nr. 82 (2005)
*** Third Hour: ''[[Klang (Stockhausen)#Third Hour|Natürliche Dauern 1–24]]'' (Natural Durations 1–24), for piano, Nr. 83 (2005–06)
*** Fourth Hour: ''[[Klang (Stockhausen)#Fourth Hour|Himmels-Tur]]'' (Heaven's Door), for a percussionist and a little girl, Nr. 84 (2005)
*** Fifth Hour: ''[[Klang (Stockhausen)#Fifth Hour|Harmonien]]'' (Harmonies), Nr. 85, versions for:
**** bass clarinet, Nr. 85.1 (2006)
**** flute, Nr. 85.2 (2006)
**** trumpet, Nr. 85.3 (2006)
*** Sixth Hour: ''[[Klang (Stockhausen)#Sixth Hour|Schönheit]]'' (Beauty), for flute, bass clarinet, and trumpet, Nr. 86 (2006)
*** Seventh Hour: ''[[Klang (Stockhausen)#Seventh Hour|Balance]]'', for flute, English horn, and bass clarinet, Nr. 87 (2007)
*** Eighth Hour: ''[[Klang (Stockhausen)#Eighth Hour|Glück]]'' (Bliss), for oboe, English horn, and bassoon, Nr. 88 (2007)
*** Ninth Hour: ''[[Klang (Stockhausen)#Ninth Hour|Hoffnung]]'' (Hope), for violin, viola, and cello, Nr. 89 (2007)
*** Tenth Hour: ''[[Klang (Stockhausen)#Tenth Hour|Glanz]]'' (Brilliance), for oboe, clarinet, bassoon, trumpet, trombone, tuba, and viola, Nr. 90 (2007)
*** Eleventh Hour: ''[[Klang (Stockhausen)#Eleventh Hour|Treue]]'' (Fidelity), for E-flat clarinet, basset horn, and bass clarinet, Nr. 91 (2007)
*** Twelfth Hour: ''[[Klang (Stockhausen)#Twelfth Hour|Erwachen]]'' (Awakening), for soprano saxophone, trumpet, and cello, Nr. 92 (2007)
*** Thirteenth Hour: ''[[Klang (Stockhausen)#Thirteenth Hour|Cosmic Pulses]]'', electronic music, Nr. 93 (2006–07)
*** Fourteenth Hour: ''[[Klang (Stockhausen)#Fourteenth Hour|Havona]]'', for bass voice and electronic music, Nr. 94 (2007)
*** Fifteenth Hour: ''[[Klang (Stockhausen)#Fifteenth Hour|Orvonton]]'', for baritone and electronic music, Nr. 95 (2007)
*** Sixteenth Hour: ''[[Klang (Stockhausen)#Sixteenth Hour|Uversa]]'', for basset-horn and electronic music, Nr. 96 (2007)
*** Seventeenth Hour: ''[[Klang (Stockhausen)#Seventeenth Hour|Nebadon]]'', for horn and electronic music, Nr. 97 (2007)
*** Eighteenth Hour: ''[[Klang (Stockhausen)#Eighteenth Hour|Jerusem]]'', for tenor and electronic music, Nr. 98 (2007)
*** Nineteenth Hour: ''[[Klang (Stockhausen)#Nineteenth Hour|Urantia]]'', for soprano and electronic music, Nr. 99 (2007)
*** Twentieth Hour: ''[[Klang (Stockhausen)#Twentieth Hour|Edentia]]'', for soprano saxophone and electronic music, Nr. 100 (2007)
*** Twenty-first Hour: ''[[Klang (Stockhausen)#Twenty-first Hour|Paradies]]'' (Paradise), for flute and electronic music, Nr. 101 (2007)
** ''[[Klavierstücke (Stockhausen)|Klavierstücke]]''
*** ''[[Klavierstücke (Stockhausen)|Klavierstücke I–IV]]'', Nr. 2 (1952)
*** ''[[Klavierstücke (Stockhausen)|Klavierstücke V–X]]'', Nr. 4 (1954–55/61)
*** ''[[Klavierstücke (Stockhausen)|Klavierstück XI]]'', Nr. 7 (1956)
*** ''[[Klavierstücke (Stockhausen)|Klavierstück XII]]'', ex Nr. {{frac|49|3|4}} (1979/83)
*** ''[[Klavierstücke (Stockhausen)|Klavierstück XIII]]'', Nr. {{frac|51|1|2}} (1981)
*** ''[[Klavierstücke (Stockhausen)|Klavierstück XIV]]'', ex Nr. {{frac|57|2|3}} (1984)
*** ''[[Klavierstücke (Stockhausen)|Synthi-Fou (Klavierstück XV)]]'', ex Nr. {{frac|61|2|3}}
*** ''[[Klavierstücke (Stockhausen)|Klavierstück XVI]]'', Nr. {{frac|63|1|2}} (1995)
*** ''[[Klavierstücke (Stockhausen)|Klavierstück XVII]]'', {{frac|7|1|2}} ex Nr. 64 (1994/99)
*** ''[[Klavierstücke (Stockhausen)|Klavierstück XVIII]]'', Nr. {{frac|73|2|3}} (2004)
*** ''[[Klavierstücke (Stockhausen)|Klavierstück XIX]]'', Nr. 80 (2001/2003)
** ''[[Kontakte]]'' ("Contacts"), for electronic sounds, Nr. 12 (1958–60); ''Kontakte'', for electronic sounds, piano, and percussion, Nr. {{frac|12|1|2}} (1958–60); ''[[Originale]]'', musical theatre with ''Kontakte'', Nr. {{frac|12|2|3}} (1961)
** ''[[Kontra-Punkte]]'' ("Counter-Points"), for 10 instruments, Nr. 1 (1952–53)
** ''[[Kreuzspiel]]'', for oboe, bass clarinet, piano, and 3 percussionists, Nr. {{frac|1|7}} (1951)
** ''[[Kurzwellen]]'', for 6 players with live electronics, plus sound director, Nr. 25 (1968)
** ''[[Licht]]'', Nr. 47–80 (1977–2003)
** ''[[Licht|Licht-Ruf]]'', Nr. 67 (1995)
** ''[[Litanei 97]]'', Nr. 74 (1997)
** ''[[Mantra (Stockhausen)|Mantra]]'', for 2 pianists (with wood blocks and antique cymbals) and electronics, Nr. 32 (1970)
** ''[[Mikrophonie (Stockhausen)|Mikrophonie I]]'', for tamtam (2 players), 2 microphones, 2 filters with potentiometers, and 4 pair of loudspeakers, Nr. 15 (1964)
** ''[[Mikrophonie (Stockhausen)|Mikrophonie II]]'', for 12 voices, Hammond organ (or synthesizer), 4 ring modulators, and tape, Nr. 17 (1965)
** ''[[Mixtur]]'', for orchestra, 4 sinewave generators, and 4 ring-modulators, Nr. 16 (1964)
** ''[[Musik im Bauch]]'', for 6 percussionists and music boxes, Nr. 41 (1975)
** ''[[Momente]]'', for soprano solo, 4 choirs, and 13 instrumentalists, Nr. 13 (1962–64/69)
** ''[[Licht#Tuesday|Oktophonie]]'' (1990/91) electronic music of ''Tuesday from Light''
** ''[[Plus-Minus (Stockhausen)|Plus-Minus]]'', 2 x 7 pages for realization, Nr. 14 (1963)
** ''[[Pole (Stockhausen)|Pole]]'', for 2 players or singers with 2 short-wave radios, Nr. 30 (1969–70)
** ''[[Prozession]]'', for 6 players with live electronics, Nr. 23 (1967)
** ''[[Punkte]]'' ("Points"), for orchestra, Nr. {{frac|1|2}} (1952/62/66/93)
** ''[[Licht#Auxiliary works|Quitt]]'' ("Even"), for alto flute, clarinet, and trumpet, Nr. 1 ex 59 (1989)
** ''[[Refrain (Stockhausen)|Refrain]]'', for piano (+ 3 woodblocks), vibraphone  (+ 3 alpine cowbells and [[keyboard glockenspiel]]), and celesta (+ 3 antique cymbals), Nr. 11 (1959)
** [[Rotary Wind Quintet|''Rotary'' Wind Quintet]], for flute, oboe, clarinet, bassoon, and horn, Nr. {{frac|70|1|2}} (1997)
** ''[[Schlagtrio]]'' ("Percussive Trio") [originally ''Schlagquartett''], for piano and 2 x 3 [originally 3 x 2] timpani, Nr. {{frac|1|3}} (1952)
** ''[[Sirius (Stockhausen)|Sirius]]'', electronic music with trumpet, soprano, bass clarinet, and bass voice, Nr. 43 (1975–77)
** ''[[Solo (Stockhausen)|Solo]]'', for a melody instrument and feedback (live electronics with 4 technicians, 4 pair of loudspeakers), Nr. 19 (1965–66)
** ''[[Spiel (Stockhausen)|Spiel]]'' ("Play"), for orchestra, Nr. {{frac|1|4}} (1952)
** ''[[Spiral (Stockhausen)|Spiral]]'', for a soloist with short-wave receiver and live electronics with sound director, Nr. 27 (1968)
** ''[[Sternklang]]'' ("Star Sound"), park music for five groups, Nr. 34 (1971)
** ''[[Stimmung]]'' ("Tuning"), for 6 vocalists, Nr. 24 (1968)
** ''[[Stop (Stockhausen)|Stop]]'', for small orchestra in 6 groups, Nr. 18 (1965)
** ''[[Strahlen]]'' ("Rays"), for a percussionist and ten-channel sound recording, Nr. {{frac|80|1|2}} (2002)
** ''[[Studie I]]'', electronic music, Nr. 3/I (1953)
** ''[[Studie II]]'', electronic music, Nr. 3/II (1954)
** ''[[Licht#Auxiliary works|Sukat]]'',  for alto flute and basset-horn, Nr. 2 ex 60 (1989)
** ''[[Telemusik]]'', electronic and concrete music, Nr. 20 (1966)
** ''[[Licht#Auxiliary works|Thinki]]'', for flute, Nr. 1 ex 70 (1997)
** ''[[Tierkreis (Stockhausen)|Tierkreis]]'' ("Zodiac"), 12 melodies of the star signs, for a melody and/or chording instrument, Nr. {{frac|41|1|2}} (1974–75)
** ''[[Trans (Stockhausen)|Trans]]'', for orchestra and tape, Nr. 35 (1971)
** ''[[Licht#Auxiliary works|Traum-Formel]]'' ("Dream Formula"), for basset-horn, Nr. {{frac|51|2|3}} (1981)
** ''[[Trumpetent]]'' (aka "Trompetent"), for 4 trumpeters, Nr. 73 (1995)
** ''[[Klang (Stockhausen)#T.C3.BCrin|Türin]]'', for ''Tür'' (door), [[Singing bowl|rin]], and speaker (versions in German and English), with electronics (2006)
** ''[[Unsichtbare Chöre]]'', 16-channel recording of a cappella choir, for 8-channel playback, ex Nr. 79 (1979)
** ''[[Licht#Auxiliary works|Vibra-Elufa]]'', for vibraphone, Nr. {{frac|9|3|4}} ex 64 (2003)
** ''[[Licht#Auxiliary works|Xi]]'', for a melody instrument with microtones, Nr. 1 ex 55 (1986)
** ''[[Ylem (Stockhausen)|Ylem]]'', for 19 players, Nr. 37 (1972)
** ''[[Licht#Auxiliary works|Ypsilon]]'', for a melody instrument with microtones, Nr. 2 ex 59 (1989)
** ''[[Zeitmaße]]'' ("Time Measures"), for oboe, flute, cor anglais, clarinet, and bassoon, Nr. 5 (1955–56)
** ''[[Zyklus]]'' ("Cycle"), for a percussionist, Nr. 9 (1959)
* [[Gilles Tremblay (composer)|Gilles Tremblay]]
** ''Cantique de durées'' (1960)<ref>Gilles Tremblay, "Note pour Cantique de durées", ''Revue d'esthetique'' 21 (1968), nos. 2–4 ("Musiques nouvelles"): 51–58.</ref>

== See also ==
* [[List of atonal compositions]]
* [[List of tone rows and series]]

== References ==
{{reflist|2}}

{{Music theory lists}}
{{Twelve-tone technique}}
{{Musical repertoire}}

[[Category:Lists of musical works|Dodecaphonic and serial compositions]]
[[Category:Serialism]]