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{{Short description|Korean unarmed martial art}}
{{italic title}}

{{Cleanup|reason=Excessively detailed lists; |date=August 2023}}

{{Infobox Korean name/auto
|img=Illustration of kwonbup practitioners from the muyedobotongji.png
|hangul=권@법<!--pronounced [권뻡]-->
|hanja=拳法
}}

'''''Gwonbeop''''' ({{Korean|hangul=권법}}) is a system of unarmed methods in [[Korean martial arts]] which was developed during the [[Joseon era]] (15th to 19th centuries). It is the [[Korean language|Korean]] rendition of the Chinese ''[[quan fa]]'' (拳法).

=={{anchor|Early development}}Early history==
Destruction of the Korean palace and its libraries in 1126 and the 1231 [[Mongol invasions of Korea|Mongol invasion]] and domination of Korea ([[Yuan dynasty]], 1231–1356) eliminated Korea's prior literary history, and no first-hand accounts of the origins of ''gwonbeop'' are extant. In 1145, King Injong (r. 1112–1146) ordered Confucian scholar Kim Bu-sik to compile the ''[[Samguk Sagi]]'' (''History of the Three Kingdoms''). About a century later a Buddhist monk, Iryeon, compiled the ''[[Samguk Yusa]]'' (''Memorabilia of the Three Kingdoms'').<ref>''Handbook of Korea''. Korean Overseas Information Service (2003), pp. 57-58.</ref> According to both works, militancy between and among the three major states during the [[Three Kingdoms of Korea|Three Kingdoms period]] (37 BC–660 AD) resulted in each state developing an institution for training warriors. Although the term ''gwonbeop '' was not used, cadets of the Pyong Dang (educational institute) in [[Goguryeo]] learned punches and kicks (''ji leu ki beop''); cadets in [[Silla]] learned ''chil kuk'' (kicks) and ''soo bak'' (punches). In [[Baekje]], open-handed fighting (''soo sool'') was included in the training. Consolidation of the Korean peninsula under Silla in 668 enhanced its approach to hand-to-hand combat. Infrequent references to ''soo bak'' indicate that contests in unarmed combat, often with wagering by the audience, were held on holidays and other special occasions until the invasion of Korea by the Mongols (1231–1392).<ref>Kimm, He-young. ''History of Korea and Hapkido''. [[New Charter University|Andrew Jackson College]] Press (2001), pp. 52-58.</ref>

==Later development==
With the end of Mongol dominance, incursions by ''wa-ko'' (coastal raiding forces of mixed nationalities) inspired the Korean administration to rebuild the Korean military; however, its efforts were undercut by a [[neo-Confucianism]] which deprecated militarism in favor of leadership by scholars and bureaucrats. Korea was unprepared for the 1591 invasion by Japanese armies intent on using Korea as a springboard to conquer China. Known as the ''[[Japanese invasions of Korea (1592–98)|Imjin Waerum]]'', the Japanese advance overran the Korean army and was stopped only by the [[Ming dynasty|Ming]] army and Koreans who formed "righteous armies" (''uibyeong'', 위병). In September 1593, King [[Seonjo of Joseon]] (1567–1608) established the ''Hunlyun Dokam'' (Royal Military Training Agency). With the encouragement of Ming general Liu T’ing, Korean prime minister Yu Song-Nyong tried to reorganize the Korean army into a structured, versatile organization. His reference for this effort was ''Jin Xiao Shin Shu'' (''Manual of New Military Tactics''), written by [[Qi Jiguang]] (1528–1588) and published in 1567. Chapter 14 of the manual described 32 methods of hand-to-hand combat; although Qi wrote that they were of little use on the battlefield, they improved his soldiers' confidence and conditioning. These 32 methods, gleaned from an examination of 16 major fighting systems in Ming China, were recorded in 32 short poems.

After the end of hostilities in 1598, the Korean government wanted to record useful material from General Qi's manual instead of adopting it in its entirety. The ''[[Muyejebo]]'' (무예제보 속집, 武藝諸譜續集, ''Compendium of Several Martial Arts'') was published in 1610. Commissioned by King Seonjo, the manual was compiled by military officer Han Kyo and contained six fighting methods: ''kon bong'' (long staff), ''dung pae'' (shield), ''[[nangseon|nang sun]]'' (multi-tipped spear), ''jang chang'' (long spear), ''dang pa'' (triple-tip spear) and ''ssang soo do'' (two-handed saber). Four volumes of a Japanese martial-arts manual were added, leading to the compilation of the ''Muyejebo Beonyeoksokjip'' (무예제보번역속집, 武藝諸譜飜譯續集) the same year. The latter included about 30 methods of unarmed combat.

During the reign of King [[Yeongjo of Joseon]] (1694–1776), the ''Muyejebo'' was revised and supplemented with 12 additional fighting methods by [[Crown Prince Sado]]. A modified form of ''gwonbeop'' reappeared in this work. The revision, the ''[[Muyesinbo]]'' (무예신보, 武藝新譜, ''New Compendium of Martial Arts)'', was published in 1759.

During the reign of King Jeongjo of Joseon (1752–1800), the ''Muyesinbo'' was revised by Park Je-ga and Lee Duk-moo beginning in 1790. With six additional fighting skills, the "new" methods were little more than ground methods modified for mounted execution; ''gwonbeop'' was also further modified with the addition of two-party moves. Although the material was intended to reflect neo-Confucianism by having partners use methods which would produce a stalemate (rather than victory), it rapidly fell into disuse due to its lack of practical combat effectiveness. The ''[[Muyedobotongji]]'' (무예도보통지, 武藝圖譜通志, ''Comprehensive Illustrated Manual of Martial Arts'') was published in 1795.

=={{anchor|Modern development}}Modern history==
During the second half of the 19th century, [[Western world|Western]] practices were adopted and traditions abandoned. Bolt-action rifles, revolvers and breech-loading artillery changed military tactics and the role of the soldier. Casualties of this trend were spears, cudgels, sticks and the bow and arrow. The [[Russo-Japanese War]] (1904) and [[World War I]] demonstrated that the future of warfare lay with encounters by small units, rather than between waves of troops. Armies tried to identify ways in which an individual soldier could protect himself without a weapon. Korea's efforts were quickly eclipsed by Japan, which [[Korea under Japanese rule|occupied the country]] from 1910 to 1945. During the occupation, [[Empire of Japan|Japanese forces]] imposed their customs on the Korean population (especially in urban areas).

Korea had a trading history across the [[Yellow Sea]] with northeastern China in general and [[Shandong]] in particular. Long associated with military science, the province gave Korea a variety of martial arts.

== Contents and structure ==

=== ''Ji Xiao Xin Shu'' ("Manual of New Military Tactics") ===
The following is a listing of the original 32 Boxing Methods identified by General [[Qi Jiguang]] in his training manual - ''Ji Xiao Xin Shu'' (紀效新書), Chapter 14, also sometimes identified as “The Boxing Canon”. Among the arts General Qi states that he examined for his material are well-known practices such as ''Taiso Chang Chuan'' ( "[[Zhao Taizu]] Long Fist"), ''Liu Ho Chuan'' ("Six-Step Boxing") and ''Hou Chuan'' ( "Monkey Boxing"). General Qi also identified “among the best contemporary styles are the "Thirty-six Posture Locking Form", "24 Throws Pat on Horse", "Eight Evasive Maneuvers", “Twelve Postures Closing Boxing”, “Lu Hungs Eight Throws” ... .”Cotton Changs’ Close Boxing", “LI Pan-tien of Shantung Leg Techniques”, “Eagle Claw Wang’s Grappling Techniques”, “Thousand Falls Chang’s Falling Techniques”, “CHANG Po-chings’ Striking Techniques". Having been disappointed with the poor quality of conscripts coming from China's cities, General Qi drew heavily from the rural areas for the hardiness of its farmers. As a result, many allusions to training, and training methods, mentioned in General Qi's writing use non-technical, even fanciful titles and terms which could be appreciated by an illiterate rural conscript. This format was continued through the Joseon dynasty and some examples of the Korean equivalent for Chinese labels are given in the following list.
As was the custom for such writing during the Ming dynasty, each method is characterized by a brief poem structured according to the manner of those times and identified with a title which captured the essence of the fighting method. (“Herein we have illustrated the postures and annotated them with aphorisms to enlighten future students.”)  An example of this is provided at the end of the listing.

#Casually Hitch-up your Clothes: Identifies the need for both mental and physical preparation for an encounter
#Golden Rooster: Stand on One Leg: Identifies the Importance of Balance relative to terrain<ref group="n"><poem>"'''Golden Cockerel stands on One Leg''' lowers and raises.
Feint with the leg and strike sideways with the fist.
Throw the opponent on his back with arms and legs in the air.
When the opponent encounters this technique, his cries will reach high heaven."
Source: Wile, Douglas Tai Chi's Ancestors Sweet Chi Press, 1999; pgs 18–35</poem></ref>
#The Spy Techniques (Scouting Horse Posture  Tammase (탐 마 세) 探 馬 勢): Identifies the nature of a "Host" forward hand and a "Guest" rearhand
#Stretch out the Whip 
#Seven Star Strike: Identifies the nature of "Inside" striking techniques
#Mount the Dragon Backwards (Falling and Riding the Dragon Posture Dokiryongse)
#Suspend the leg as empty bait False Prey Posture Hyunkak Huheese (현 각 허 이 세) 顯 脚 虛 餌 勢
#The Qiu Liu Posture
#Lower Jabbing Position
#Ambush Crouch Posture (Ambushing Posture Maebokse)
#Cast the Body Forward
#Taking the Elbow in Hand Posture
#One Instant Step (Drizzling Walk Posture Ilsahpbose (일 삽 보 세) 一 霎步 勢)
# Capture and Grab Stance
# Mid-Guard Posture (Middle Four Levels Posture Joongsapyeongse (중 사 평 세) 中 四 平 勢)
# Crouched Tiger Posture (Prone Tiger Posture Bokhose (복 호 세) 伏 虎 勢)
# High Guard Posture (High Four Levels Posture)
# Reverse Stabbing Position
# Well-railing Four-wise Balanced
# Ghost Kick
# Finger Opposition Posture
# Beast Head Position
# Spirit Fist
# Single Whip (Single Whip Posture Yodanpyunse (요 단 편 세) 拗 單 鞭 勢)
# Coiled Leg Method
# Yang-Facing Hand
# Wild Goose Wings (Goose Wing Posture Ahnshi Chukshinse)
# Straddling Tiger Posture (Straddling Tiger Posture Koahose)
# Joining Together the Luan Elbows
# Cannonball against the Head
# Synchronize the Luan Elbows
# Banners and Drums Posture

=== ''Muye Jebo'' ("Martial Arts Illustrations") ===
Choe Gi-nam ({{Korean|hangul=최기남|hanja=崔起南}}; 1559 - 1619) organized the Muyejebo sokjip (무예제보 속집, 武藝諸譜續集, “Martial Arts Illustrations”) and it was published in conjunction with the alternate work authored HAN Kyo in 1610. Included in this former treatise were chapters on the use of the Wol-Do, Hyup-Do, and Gwon Beop suggesting that this work was intended as an enhancement of the work by HAN Kyo rather than as a replacement for it. The figures used in Choe's book reflect the postures seen in General Qi's manual, making it reasonable that at least some of the methods were identified and functioned in the original manner identified by General Qi. However, the Korean listing provides only the title and does not characterize the nature of the method. In addition the methods have been rearranged, perhaps to reflect an alternate set of priorities regarding the associated techniques. The final two pages also show these methods organized into a continuous series or Form (K. Hyung) providing a kind of mnemonic device by which individuals were able to recall the requisite methods and, by extension, techniques associated with the methods.
{|
| [[File:Muye Jebo 1 - edited.jpg|thumb|Muye Jebo - 1st page of commentary]]
| [[File:Muye Jebo 3 - edited.jpg|thumb|Muye Jebo - 3rd page of commentary and illustrations]]
| [[File:Muye Jebo 4 - edited.jpg|thumb|Muye Jebo - 4th page of commentary and illustrations]]
| [[File:Muye Jebo 5 - edited.jpg|thumb|Muye Jebo - 5th page of commentary and illustrations]]
|}

=== ''Muye Dobo Tong Ji'' (“Comprehensive Illustrated Manual of Martial Arts”) ===
The following pages are taken from Book 4, Chapter 1 of the “[[Muyedobotongji|Comprehensive Illustrated Manual of Martial Arts]]” published in 1795. It is possible to identify similar method titles and illustrations between this material and that of the Muye Jebo and General Qi's Boxing Canon. However, there are also a number of methods which do not bear the same name and may be methods introduced by the Korean administration of the time. In similar fashion one cannot be sure that a method bearing the same title as that designated by General Qi was executed in the same fashion or was even the same method. This manual retained use of the same images, making it reasonable that at least some of the methods were identified and functioned in the original manner identified by General Qi. However, once again, the Korean listing provides only the title and does not characterize the nature of the method. Since this list includes the total number of methods mentioned in the Muyedobotongji, each individual method is noted in bold representing 32 unique methods with repetition not found in General Qi's catalog. In addition the methods have been rearranged, to include a number of engagements between two individuals. In deference to the Neo-Confucian beliefs of the Korean nation at the time, these encounters between two individuals were intended to produce a kind of stalemate rather than the victory of one individual over another. The final two page also show the methods of the chapter organized into a continuous series or Form (K. Hyung) providing a kind of mnemonic device by which individuals were able to recall the requisite methods and, by extension, techniques associated with the methods. 
[[File:Muye Tobo Tong Ji; Book 4; Chapter 1 pg 1.jpg|thumb|Index to Book No. 4]]
'''1. Scouting Horse Posture  Tammase (탐 마 세) 探 馬 勢'''

'''2. Breaking Bird Elbow Yoranjuse (요 란 주 세) 拗 鸞 肘 勢 '''

'''3. False Prey Posture Hyunkak Huheese (현 각 허 이 세) 顯 脚 虛 餌 勢 '''

'''4. Docile Bird WingSunranjuse (순 란 주 세)順 鸞 肘 勢 '''

'''5. Seven Star Fist Posture Chil Sung Kwonse ( 칠 성 권)七 星 拳'''

'''6. High Four levels Posture Kosapyeongse ( 고 사 평 세) 高 四 平 勢'''

'''7. Throwing Posture Dosahpse (도 삽 세) 倒 揷 勢'''

'''8. Lightning-Step Posture Ilsahpbose (일 삽 보 세) 一 霎 步 勢 '''

'''9. Single Whip Posture Yodanpyunse (요 단 편 세) 拗 單 鞭 勢'''

'''10. Prone Tiger Posture Bokhose (복 호 세) 伏 虎 勢'''

11. False Prey Posture 
Hyunkak Huheese (현 각 허 이 세)
顯 脚 虛 餌 勢

'''12. Pinning Posture Hasahpse'''

'''13. High Block Posture Dangdupose'''

'''14. Flag Beating Posture Kigose'''

'''15. Middle Four Levels Posture Joongsapyeongse (중 사 평 세) 中 四 平 勢'''

16. Throwing Posture Dosahpe

'''17. Falling and Riding the Dragon Posture Dokiryongse'''

18. Single Whip Posture
Yodanpyunse (요 단 편 세) 
拗 單 鞭 勢

'''19. Ambushing Posture Maebokse'''

20. False Prey Posture 
Hyunkak Huheese (현 각 허 이 세)
顯 脚 虛 餌 勢

21. Pinning Posture
Hasahpse

22. High Block Posture
Dangdupose

23. Flag Beating Posture
Kigose

24. Four levels Posture
Kosapyeongse ( 고 사 평 세)
高 四 平 勢

25. Throwing Posture
Dosahpse

26. Drizzling Walking Posture
Ilsahpse

27. Single Whip Posture
Yodanpyunse (요 단 편 세) 
拗 單 鞭 勢

'''28. Five Flowers Winding Around the Body Posture Ohwa Junshinse'''

'''29. Goose Wing Posture Ahnshi Chukshinse'''

'''30. Straddling Tiger Posture Koahose'''

31. False Prey Posture 
Hyunkak Huheese (현 각 허 이 세)
顯 脚 虛 餌 勢

'''32. Focus and Winning Posture Kooyuse'''

33. Goose Wing Posture
Ahnshi Chukshinse

34. Straddling Tiger Posture
Koahose

35. False Prey Posture 
Hyunkak Huheese (현 각 허 이 세)
顯 脚 虛 餌 勢

36. Focus and Winning Posture
Kooyuse

37. Goose Wing Posture
Ahnshi Chukshinse

38. Straddling Tiger Posture
Koahose

39. Prone Tiger Posture
Bokhose

40. Arresting Posture
Kumnase

41. Prone Tiger Posture
Bokhose

42. Arresting Posture
Kumnase

'''43. Throwing Shelf Posture Pogase'''

'''44. Picking Elbow Posture Jumjuse'''

'''45. Low Encountering Posture Nachaluichoolmun'''

'''46. Single Leg Throwing Posture Kumkye Doklip Jugi Jangtoi'''

'''47. Spring Railing Posture Jungranse'''

'''48. Ghost Kicking and leg striking Posture Kichuk Kakchange'''

'''49. Open Finger Attacking Posture Ji Dang Se'''

'''50. Beast Head Shield Posture Soodoose'''

'''51. Heavenly Fist Posture Shin kwon'''

'''52. Whipping Lunging Posture Iljo Pyunhweng Se'''

'''53. Dragon Prey Snatching Posture Jakjiryong Habantoibup'''

'''54. Slanting Hero Hand Posture Joyangsoo Pyunshin Bangtoi'''<ref>Sang H. Kim ''Muye Dobo Tongji'' Turtle press, Jan 2001; pgs 311-332</ref>
{|
| [[File:Muye Tobo Tong Ji; Book 4; Chapter 1 pg 30.jpg|thumb|29th Page of Commentary and Illustrations]]
| [[File:Muye Tobo Tong Ji; Book 4; Chapter 1 pg 31.jpg|thumb|30th Page of Commentary and Illustrations]]
| [[File:Muye Tobo Tong Ji; Book 4; Chapter 1 pg 32.jpg|thumb|31st Page of Commentary and Illustrations]]
|}

=== Analysis of methods and applications ===
In his introduction to the 14th Chapter of his military training manual - Quanjing Jieyao Pian ("Chapter on the Fist Canon and the Essentials of Nimbleness") -  General Qi coined the terms by which later practices organized their material: Striking (''Ti''), Kicking (''Da''), Wrestling (''Shuai''), and Submission (''Na'') as well as being the first to distinguish between Short Fist and Long Fist types of Boxing.<ref>Kung Fu Elements; WU Wen-chying, LIANG Shou-yu; Way of the Dragon Publ, 2001; pg 28</ref> Though known for centuries before his time, most practices had been unique to a particular unit, or a particular geographic area from which conscripts were drawn. General Qi first organized his material along these four categories with the intention of developing a Military Science that would inter-relate to the other weapons and duties of the soldier. Further, General Qi identified the role of unarmed training by stipulating three outcomes. The first was Conditioning of the soldiers' body wherein the observation was made that "This craft does not really concern itself with military weapons, but acquiring excess strength is also something which those in the military field ought to practice". That said, General Qi went on to acknowledge that the relationship between the use of weapons and those skills of unarmed training ought not be discounted. ("In general the hand, staff, broadsword, spear....all proceed from barehanded techniques to train the body and the hands.") and is clearly the second intended outcome to this training. Lastly, a strong spirit through the cultivation of self-confidence is understood from the General's advocacy for matching his soldiers against one another. As stated towards the end of his introduction, "If you are afraid of your opponent then your skill is still shallow. If you are good at contests it must be that the art is refined. The ancients said, 'when the art is high, the peoples courage is great.' This is credible".<ref>"An English Translation of General QI Jiguangs' "Quanjing Jieyao Pian" (Chapter on the Fist Canon and Essentials of Nimbleness) from the "Ji Xiao Xin Shu" (New Treatise of Disciplined Service); Gyves, Clifford Michael; University of Arizona, 1993; pg. 33-37</ref>

Gwon Beop methods are very much an expression of the culture and circumstances in which they were used. Use of the famed "Mandarin Duck" formation as well as small unit tactics that followed, obviated the need to consider much beyond threats directly to the front and rear as the flanks of any one unit were secured by units to either side. In this way an adversary could be viewed, essentially as a matrix of nine squares consisting of a left, right and middle square at a high, middle and low level. In response to this matrix, a defender could respond with various combinations of an active or passive front hand, an active or passive rear hand as well as an active or passive front or rear foot. Similarly, a secondary matrix could be envisioned to the rear in the case that an adversary was able to make his way behind the formation. While an initial assessment might suggest an overwhelming number of options, experience soon demonstrates which method or combination of methods are the most efficient and effective in producing the desired outcome. In this way certain techniques came to be identified with certain circumstances, methods or postures and these were the determinations that were made by the training cadre. Regardless of the specific technique, illustrations and descriptions of the biomechanic being employed are commonly represented in General Qi's work at the moment at which the adversary is engaged.

==Notes==
{{reflist|group="n"}}

==References==
{{reflist}}

==Further reading==
*Choe, Ki-nam  ''Muye Bunyok Sokjib'' (1610) Republ in 1999 by Taegu Kwangyoksi: Kyemyong Taehakkyo Chulpanbu; {{ISBN|89-7585-179-6}}
*Kimm, He-young ''History of Korea and Hapkido'' Andrew Jackson College Press, 2001; ASIN: B0006OY7UE
*Kim, Sang H. ''Muye Dobo Tongji'' Turtle press, Jan 2001;{{ISBN|1-880336-53-7}}
*Wile, Douglas ''Tai Chi's Ancestors'' Sweet Chi Press, 1999;{{ISBN|0-912059-04-4}}

==See also==
*[[Muyedobotongji]]

==External links==
*[http://www.turtlepress.com/articles/kwon_bup_korean_martial_art.aspx  Excerpt from Kwon Bup Section of the Muyedobotongji]

{{Korean martial arts}}

[[Category:Korean martial arts]]