View source for Far from the Madding Crowd

{{Short description|1874 novel by Thomas Hardy}}
{{Other uses}}
{{EngvarB|date=September 2013}}
{{Use dmy dates|date=May 2024}}
{{Infobox book
| name          = Far from the Madding Crowd
| image         = Far-From-The-Madding-Crowd-1874-Title-Page.jpg
| caption       = The title page from an 1874 first edition of ''Far from the Madding Crowd''.
| author        = [[Thomas Hardy]]
| country       = England
| language      = English
| genre         = Novel
| publisher     = ''[[Cornhill Magazine]]''
| release_date  = 23 November 1874
| pages         = 464 pages (Harper & Brothers edition, 1912)
| isbn          = <!--n/a-->
| preceded_by   = [[A Pair of Blue Eyes]]
| followed_by   = [[The Hand of Ethelberta]]
}}

'''''Far from the Madding Crowd''''' is the fourth published novel by English author [[Thomas Hardy]]; and his first major literary success. It was published on 23 November 1874. It originally appeared anonymously as a monthly serial in ''[[Cornhill Magazine]]'', where it gained a wide readership.

The novel is set in [[Thomas Hardy's Wessex]] in rural southwest England, as had been his earlier ''[[Under the Greenwood Tree]]''. It deals in themes of love, honour and betrayal, against a backdrop of the seemingly idyllic, but often harsh, realities of a farming community in [[Victorian England]]. It describes the life and relationships of Bathsheba Everdene with her lonely neighbour William Boldwood, the faithful shepherd Gabriel Oak, and the faithless soldier Sgt. Frank Troy.

On publication, critical notices were plentiful and mostly positive. Hardy revised the text extensively for the 1895 edition and made further changes for the 1901 edition.<ref>{{cite book|title=Oxford Reader's Companion to Hardy|url=https://archive.org/details/oxfordreaderscom00norm|url-access=registration|editor=Page, Norman | location= Oxford|publisher=Oxford University Press |year= 2000|pages= [https://archive.org/details/oxfordreaderscom00norm/page/130 130–132]|isbn=978-0-19-860074-9}}</ref>

The novel has an enduring legacy. In 2003, the novel was listed at number 48 on the [[BBC]]'s survey [[The Big Read]],<ref>[https://www.bbc.co.uk/arts/bigread/top100.shtml "BBC – The Big Read"]. BBC. April 2003, Retrieved 31 October 2012</ref> while in 2007, it was ranked 10th on ''[[The Guardian]]''{{'}}s list of greatest love stories of all time.<ref>{{Cite news |first=Martin |last=Wainwright |title=Emily Brontë hits the heights in poll to find greatest love story |url=https://www.theguardian.com/uk/2007/aug/10/books.booksnews |work=[[The Guardian]]|location=London |date=10 August 2007 |access-date=29 August 2009}}</ref> The novel has also been dramatised several times, notably in the Oscar-nominated [[Far from the Madding Crowd (1967 film)|1967 film]] directed by [[John Schlesinger]].

==Synopsis==
===Meeting, parting and reuniting===
Gabriel Oak is a young [[shepherd]]. With the savings of a frugal life, and a loan, he has leased and stocked a farm. He falls in love with a newcomer eight years his junior, Bathsheba Everdene, who arrives to live with her aunt. Over time, Bathsheba and Gabriel grow to like each other well enough, and Bathsheba even saves his life once. However, when he makes her an unadorned offer of marriage, she refuses; she values her independence too much and him too little. Days later, she moves to [[Puddletown|Weatherbury]], a village some miles off.

When next they meet, their circumstances have changed drastically. An inexperienced new sheepdog has driven Gabriel's flock over a cliff, ruining him. After selling off everything of value, he manages to settle all his debts but emerges penniless. He seeks employment at a [[Hiring and mop fairs|hiring fair]] in the town of [[Dorchester, Dorset|Casterbridge]]. When he finds none, he heads to another such fair in Shottsford, a town about ten miles from Weatherbury. On his way, he spots a fire on a farm and leads the bystanders in putting it out. When the veiled owner comes to thank him, he asks if she needs a shepherd. She uncovers her face and reveals herself to be Bathsheba. She has recently inherited her uncle's estate and is now wealthy. Though somewhat uncomfortable, she employs him.

===Bathsheba's valentine to Boldwood===
Meanwhile, Bathsheba gains a new admirer. William Boldwood is a prosperous farmer of about forty, whose ardour Bathsheba unwittingly awakens when she playfully sends him a valentine sealed with red wax on which she has embossed the words "Marry me". Boldwood, not realising the valentine was a jest, becomes obsessed with her and soon proposes marriage assuming she wanted the same. Despite not loving him, she toys with the idea of accepting his offer; he is the most eligible bachelor in the district, wealthy and handsome. However, she avoids giving him a definite answer. When Gabriel rebukes her for her thoughtlessness regarding Boldwood, she dismisses him from his job.

When Bathsheba's sheep begin dying from [[ruminal tympany|bloat]], she discovers to her chagrin that Gabriel is the only man who knows how to cure them. Her pride delays the inevitable, but eventually she is forced to beg him for help. Afterward, she offers him back his job, and their friendship is restored.

===Sergeant Troy===
[[Image:Troybathsheba.jpg|thumb|"She took up her position as directed." Troy courts Bathsheba; ''Cornhill'' illustration by [[Helen Paterson Allingham]]]]
At this point, Sergeant Francis "Frank" Troy returns to his native Weatherbury and by chance encounters Bathsheba one night. Her initial dislike turns to infatuation after he excites her with a private display of [[swordsmanship]]. Gabriel observes Bathsheba's interest in the young soldier and tries to discourage it, telling her she would be better off marrying Boldwood. Boldwood becomes aggressive towards Troy, and Bathsheba goes to [[Bath, Somerset|Bath]] to prevent Troy returning to Weatherbury, as she fears what might happen if Troy encountered Boldwood. On their return, Boldwood offers his rival a large bribe to give up Bathsheba. Troy pretends to consider the offer, then scornfully announces they are already married. Boldwood withdraws, humiliated, and vows revenge.

Bathsheba discovers that her new husband is an improvident gambler with little interest in farming. She also begins to suspect he does not love her. In fact, Troy's heart belongs to Bathsheba's former servant, Fanny Robin. Before meeting Bathsheba, Troy had promised to marry Fanny; on the wedding day, however, Fanny goes to the wrong church. She explains her mistake, but Troy, humiliated at being left at the altar, calls off the wedding. When they part, unbeknownst to Troy, Fanny is pregnant with his child.

===Fanny Robin===
[[Image:Fannyrobin.jpg|thumb|right| Fanny Robin on her way to the Casterbridge workhouse. ''Cornhill'' illustration by Helen Paterson Allingham]]
Months later, Troy and Bathsheba encounter the frail Fanny on the road, destitute, as she painfully makes her way toward the Casterbridge [[workhouse]]. Troy sends his wife onward, then gives Fanny all the money in his pocket, telling her he will give her more in a few days. Fanny uses up the last of her strength to reach her destination. Hours later, she dies in childbirth, along with the baby. Mother and child are then placed in a coffin and sent home to Weatherbury to be buried. Gabriel, who knows of Troy's relationship with Fanny, tries to conceal the child's existence – but Bathsheba agrees that the coffin can be left in her house overnight, from her sense of duty towards a former servant.<ref>{{cite book|editor1-last=Higonnet|editor1-first=Margaret R.|title=Feminist essays on Hardy : the Janus face of gender|date=1992|publisher=University of Illinois Press|location=Urbana|isbn=0252019407|page=[https://archive.org/details/senseofsexfemini00higo/page/59 59]|url-access=registration|url=https://archive.org/details/senseofsexfemini00higo/page/59}}</ref> Her servant and confidante, Liddy, repeats the rumour that Fanny had a child; when all the servants are in bed, Bathsheba unscrews the lid and sees the two bodies inside.

Troy then comes home from Casterbridge, where he had gone to keep his appointment with Fanny. Seeing the reason for her failure to meet him a second time, he tenderly kisses the corpse and tells the anguished Bathsheba, "This woman is more to me, dead as she is, than ever you were, or are, or can be". The next day he spends all his money on a marble tombstone with the inscription: "Erected by Francis Troy in beloved memory of Fanny Robin ..." Then, loathing himself and unable to bear Bathsheba's company, he leaves. After a long walk, he bathes in the sea, leaving his clothes on the beach. A strong current carries him away, but he is rescued by some men in a boat.  He does not return home, however.

===Troy returns===
A year later, with Troy presumed drowned, Boldwood renews his suit. Burdened with guilt over the pain she has caused him, Bathsheba reluctantly consents to marry him in six years, long enough to have Troy [[Legal death|declared dead]].  Boldwood begins counting the days, going so far as to buy (but not deliver) gifts for Bathsheba on special days.

Troy tires of his hand-to-mouth existence as a travelling actor and considers reclaiming his position and wife. He returns to Weatherbury on Christmas Eve and goes to Boldwood's house, where a party is under way. He orders Bathsheba to come with him; when she shrinks back in shock and dismay, he seizes her arm, and she screams. At this, Boldwood shoots Troy dead and tries unsuccessfully to turn the double-barrelled gun on himself. Although Boldwood is convicted of murder and sentenced to be hanged, his friends petition the [[Home Secretary]] for mercy, claiming insanity. This is granted, and Boldwood's sentence is commuted to "confinement during [[at Her Majesty's pleasure|Her Majesty's pleasure]]". Bathsheba buries her husband in the same grave as Fanny Robin and their child.

===Gabriel triumphant===
Throughout her tribulations, Bathsheba comes to rely increasingly on her oldest and, as she admits to herself, only real friend, Gabriel. When he gives notice that he is leaving her employ, she realises how important he has become to her well-being. That night, she goes alone to visit him in his cottage to find out why he is deserting her. Pressed, he reluctantly reveals that it is because people have been gossiping that he wants to marry her. She exclaims that it is "... too absurd – too soon – to think of, by far!" He bitterly agrees that it is absurd, but she corrects him, tearfully, saying that it is only "too soon." Emboldened, Gabriel says if he only knew if she would marry him, and she replies that he will never know, because he never asks. At this, they become engaged, and later, are quietly married.

==Title==
Hardy took the title from [[Thomas Gray]]'s poem "[[Elegy Written in a Country Churchyard]]" (1751):

{{Poemquote|text=Far from the madding crowd's ignoble strife
Their sober wishes never learn'd to stray;
Along the cool sequester'd vale of life
They kept the noiseless tenor of their way.}}

"[[wiktionary:madding|Madding]]" here means "frenzied".<ref>{{cite news|title=Madding|work=The American Heritage Dictionary of the English Language|edition=4th}}</ref>

Lucasta Miller points out that the title is an ironic literary joke, as Gray is idealising noiseless and sequestered calm, whereas Hardy "disrupts the idyll, and not just by introducing the sound and fury of an extreme plot ... he is out to subvert his readers' complacency".<ref>{{cite news|url=https://www.theguardian.com/books/2015/apr/24/far-from-the-madding-crowd-hardys-novel|title =Far from the Madding Crowd, Does the film live up to Hardy's novel|first = Lucasta|last = Miller |newspaper = [[The Guardian]]|date = 25 April 2015|access-date = 3 May 2015}}</ref>

==Hardy's Wessex==
[[Image:Puddletown, parish church of St. Mary - geograph.org.uk - 474200.jpg|thumb|left|Weatherbury Church ([[Puddletown]])]]
[[Thomas Hardy's Wessex]] was first mentioned in ''Far from the Madding Crowd''; describing the "partly real, partly dream-country" that unifies his novels of southwest England. ''Far from the Madding Crowd'' offers in ample measure the details of English rural life that Hardy so relished.<ref>{{cite book|author=Drabble, Margaret|author-link=Margaret Drabble|title=A Writer's Britain: Landscape in Literature |url=https://archive.org/details/writersbritainla0000drab|url-access=registration|publisher=Thames and Hudson |date=1979 |pages=[https://archive.org/details/writersbritainla0000drab/page/91 91–8]}}</ref>

He found the word in the pages of early English history as a designation for an extinct, pre-[[Norman Conquest]] kingdom, the [[Wessex]] from which [[Alfred the Great]] established England.<ref>Hardy, Thomas. ''Far From the Madding Crowd: Preface'', 1895–1902.</ref> In the first edition, the word "Wessex" is used only once, in chapter 50; Hardy extended the reference for the 1895 edition.<ref>''Oxford Reader's Companion to Hardy'', ibid., p. 131.</ref> Hardy himself wrote: "I am reminded that it was in the chapters of ''Far from the Madding Crowd''… that I first ventured to adopt the word 'Wessex' from the pages of early English history... – a modern Wessex of railways, the penny post, mowing and reaping machines, union workhouses, lucifer matches, labourers who could read and write, and [[National school (England and Wales)|National school]] children".<ref>{{Cite book|title=Far From The Madding Crowd|last=Hardy|first=Thomas|year=1895|pages=Preface}}</ref>

Puddletown's parish church has significant architectural interest, particularly its furnishings and monuments. It has a 12th-century font and well-preserved woodwork, including 17th-century box pews. Hardy took an interest in the church, and the village provided the inspiration for the fictional settlement of Weatherbury<ref>Anonymous. ''Far from the Madding Crowd'' (caption to frontispiece). New York and London: Harper and Brothers Publications, 1912.</ref>
In ''[[The Mayor of Casterbridge]]'', Hardy briefly mentions two characters from ''Far from the Madding Crowd'' – Farmer Everdene and Farmer Boldwood, both in happier days.

==Adaptations==
===Radio===
The novel was adapted by Graham White in 2012 into a three-part series on [[BBC Radio 4]]'s ''Classic Serial''. The production was directed by [[Jessica Dromgoole]] and featured Alex Tregear as Bathsheba, [[Shaun Dooley]] as Gabriel, [[Toby Jones]] as Boldwood and [[Patrick Kennedy (actor)|Patrick Kennedy]] as Troy.

===Comics===
The novel was adapted by [[Posy Simmonds]] into ''[[Tamara Drewe]]'', weekly comic strip that ran from September 2005 to October 2006 in ''[[The Guardian]]''{{'}}s Review section. The strip, a modern reworking of the novel, was itself adapted into a film, [[Tamara Drewe (film)|''Tamara Drewe'']] (2010), directed by [[Stephen Frears]].

===Film===
*[[Far from the Madding Crowd (1915 film)|''Far from the Madding Crowd'']] (1915) directed by [[Laurence Trimble]], starring [[Florence Turner]] and [[Henry Edwards (actor)|Henry Edwards]]. This is a [[lost film]].
*[[Far from the Madding Crowd (1967 film)|''Far from the Madding Crowd'']] (1967) directed by [[John Schlesinger]], starring [[Julie Christie]] as Bathsheba Everdene, [[Terence Stamp]] as Sergeant Troy, [[Peter Finch]] as Mr Boldwood, and [[Alan Bates]] as Farmer Oak.
*[[Far from the Madding Crowd (1998 film)|''Far from the Madding Crowd'']] (1998) ITV UK television adaption directed by [[Nicholas Renton]], starring [[Paloma Baeza]], [[Nathaniel Parker]], [[Jonathan Firth]] and [[Nigel Terry]].
*''[[Tamara Drewe (film)|Tamara Drewe]]'' (2010), a British romantic comedy film directed by Stephen Frears and based on [[Tamara Drewe|the newspaper comic strip of the same name]], which was a modern reworking of ''Far from the Madding Crowd'', starring [[Gemma Arterton]] and [[Luke Evans]] as analogues of Bathsheba and Gabriel.
*[[Far from the Madding Crowd (2015 film)|''Far from the Madding Crowd'']] (2015) directed by [[Thomas Vinterberg]], screenplay by [[David Nicholls (writer)|David Nicholls]], with [[Carey Mulligan]] as Bathsheba Everdene, [[Matthias Schoenaerts]] as Farmer Oak, [[Michael Sheen]] as Mr Boldwood, [[Tom Sturridge]] as Sergeant Troy and [[Juno Temple]] as Fanny Robin.<ref>{{cite news|first= Stuart|last= Kemp|title= BBC Films has diverse slate|url= https://www.hollywoodreporter.com/hr/content_display/film/news/e3i7c5c16b2d6b9258ea88d121088522f85|work= [[The Hollywood Reporter]]|date= 18 May 2008|access-date= 18 May 2008}}</ref><ref>{{cite web|last=Fleming|first=Mike|title=Searchlight Rounds Out 'Madding' Cast With Michael Sheen, Juno Temple|url=https://deadline.com/2013/09/searchlight-rounds-out-madding-cast-with-michael-sheen-juno-temple-587993/|website=[[Deadline Hollywood]]|publisher=[[PMC (company)|PMC]]|access-date=23 December 2013|date=16 September 2013}}</ref>

===Stage productions===
In 1879, Hardy adapted the novel under the title "The Mistress of the Farm: A Pastoral Drama". When [[J. Comyns Carr]] suggested something similar, Hardy gave him his version, which he said Carr "modified… in places, to suit modern carpentry &c".<ref>{{Cite book|title=Hardy and The Stage|last=Wilson|first=Keith|publisher=The Macmillan Press|year=1995|pages=25}}</ref> Hardy's experience of adapting a novel for the theatre was soured by controversy – the managers of the St James's Theatre, London, John Hare and William Hunter Kendal, on reading the Comyns Carr/Hardy adaptation, first accepted it and then rejected it; instead staging Arthur Wing Pinero's play ''The Squire'', which appeared to be heavily plagiarised from the earlier script.<ref>{{Cite book|title=Hardy and the Stage|last=Wilson|first=Keith|publisher=The Macmillan Press Ltd|year=1995|pages=25}}</ref> This enraged Comyns Carr and, to a lesser extent, Hardy. Prompted by Comyns Carr, Hardy wrote indignant letters to ''The Times'' and the ''Daily News''.<ref>{{Cite journal|last=Stottlar|first=James|date=1977|title=Hardy vs Pinero: Two Stage Versions of Far from the Madding Crowd|journal=Theatre Survey|volume=18|issue=2|pages=23–43|doi=10.1017/S0040557400009224}}</ref> Comyns Carr/Hardy's version was finally staged at the [[Royal Court Theatre, Liverpool|Royal Court Theatre]] in [[Liverpool]], where it opened on 27 February 1882 as ''Far from The Madding Crowd,'' with [[Marion Terry]] as Bathsheba and Charles Kelly as Oak.<ref>{{Cite journal|title=advertisement|journal=[[The Times]]|volume=3 March 1882|page=12}}</ref><ref>First night theatre programme: "Far from the Madding Crowd" Liverpool Court Theatre, 27 February 1882.</ref> The reviews were mixed, one critic calling their adaptation "a miniature melodrama… well placed in the provinces", while praising ''The Squire'''s appeal to "spectators of somewhat refined taste". The production subsequently transferred to the Globe Theatre in London, opening on 29 April 1882, presenting a similar cast, but with [[Mrs. Bernard Beere|Mrs Bernard Beere]] now playing Bathsheba.<ref>{{Cite journal|title=advertisement|journal=[[The Times]]|volume=28 April 1881|page=8}}</ref>

Inspired by these performances, a further, clumsy cut-and-paste version, of the novel was performed in America shortly afterwards, at the Union Square Theatre, New York in April 1882. The play was panned: according to the theatre reviewer for the American journal ''Spirit of the Times'', it was unfair "to Thomas Hardy, to the public, and to Miss Morris, although she got even by spoiling the play after Mr Cazauran had spoiled the novel". This experience made Hardy wary of theatrical adaptations and the potential risk to his reputation both from authorised adaptations and from unauthorised ones.<ref>{{Cite book|title=Thomas Hardy on Stage|last=Wilson|first=Keith|publisher=The Macmillan Press Ltd|year=1995|pages=29}}</ref>

In 1909, Harold Evans adapted the novel, with Hardy's input, for The Hardy Players, Hardy's own amateur theatrical society, formed in 1908 to perform a production of ''The Trumpet-Major''. As Harold Evans' daughter Evelyn wrote: "This pastoral romance presented more difficult problems of staging; sheep had to be sheared on stage in the great barn; the big shearing supper was essential; Boldwood’s Christmas party had to be staged, too, with its tragic climax, the shooting of Troy by the half-crazed Boldwood. Mr T. H. Tilley, a builder by trade, and a most gifted comedian, conquered all these staging difficulties. He constructed a model theatre (now in the possession of Mr Edward Grassby) with designs for each set, so that the Weatherbury (Puddletown) landscape could be faithfully portrayed. A painting of Waterston House formed one backcloth; meadows, fir plantations, house interiors, the others. Mr Tilley’s rich humour in the part of Joseph Poorgrass delighted Hardy and the audience. My father often chuckled over how Joseph, in his cups, declared, 'I feel too good for England. I ought to have lived in Genesis by right.'” In the 1909 production, one important scene had to be omitted. Much to Hardy's regret, the opening of Fanny Robin's coffin by Bathsheba and her reaction to it could not be staged. At that time, having a coffin on the stage was seen as too shocking. "Years later", wrote Evelyn Evans, "when Hardy attended a performance of Synge’s Riders to the Sea by the Arts League of Service, and watched drowned bodies carried on to the stage, he remarked wryly that his one coffin containing Fanny Robin and her child could hardly have shocked the same audience". There was also some unexpected comedy gold in the 1909 production. Evelyn Evans describes it thus: "To make this pastoral play true to life, my father engaged a professional sheep-shearer to shear sheep on stage during the important shearing scene. Everything was to be done as Hardy described it: 'The lopping off the tresses about the ewe’s head, opening up the neck and collar, the running of the shears line after line round her dewlap, thence about her flank and back, and finishing over her tail – the clean, sleek creature arising from its fleece: startled and shy at the loss of its garment, which lay on the floor in one soft cloud.' The shearer, complaining of thirst, was given unlimited free beer at his task, with the result that above the actors' voices could be heard a maudlin song, as the shearer sang to the sheep he was fondly kissing and clipping with expertise, becoming, unfortunately, drunker and drunker to father's great consternation".<ref>Evans, Evelyn L; My Father Produced Hardy's Plays. 1964 VG</ref>

The novel was adapted as a ballet in 1996 by David Bintley for the [[Birmingham Royal Ballet]],{{citation needed|date=December 2014}} a musical in 2000 by [[Gary Schocker]], and an opera in 2006 by [[Andrew Downes (composer)|Andrew Downes]].

New stage adaptations were performed in autumn 2008 by the English Touring Theatre (ETT), directed by [[Kate Saxon]],<ref>{{Cite news| issn = 0261-3077| last = Mahoney| first = Elisabeth| title = Far from the Madding Crowd| work = The Guardian|location=London| date = 2008-09-17| url = https://www.theguardian.com/stage/2008/sep/18/theatre4}}</ref> in March 2013 by Myriad Theatre & Film, and in 2019 by the [https://hardyonline.org/about-us/ New Hardy Players] (re-formed at the request of [[Norrie Woodhall]]).<ref>{{Cite web|url=https://www.dorsetecho.co.uk/leisure/reviews/17736352.review-far-from-the-madding-crowd-is-beautifully-told-by-the-new-hardy-players/|title="REVIEW: Far From the Madding Crowd is 'beautifully told' by the New Hardy Players"|last=Davis|first=Joanna|date=28 June 2019|website=Dorset Echo}}</ref>

In 2011 [[Roger Holman]] wrote a musical adaptation of "Far From the Madding Crowd".<ref>{{Cite web|url=https://www.getreading.co.uk/whats-on/theatre-news/shinfield-players-far-madding-crowd-4195566|title = Shinfield Players' Far from the Madding Crowd|date = 2 October 2012}}</ref>

==References in popular culture==

===Anime===
*Episode 20 of the [[anime]] ''[[Kill la Kill]]'' is titled "Far from the Madding Crowd".

===Music===

* British musician [[Paul McCartney]], included the lyric "When I fly above the Maddening Crowd" on the song "3 Legs" from his 1971 release ''[[Ram (album)|Ram]]''.
* British musician Nick Bracegirdle, better known as [[Chicane (recording artist)|Chicane]], released ''[[Far from the Maddening Crowds]]'', a studio album, in 1997.
*In 2000, the New York rock band [[Nine Days (band)|Nine Days]] titled their debut ''[[The Madding Crowd]]'' to express their allegiance to modernity in opposition to Hardy.<ref>{{cite web|url= https://www.allmusic.com/album/the-madding-crowd-mw0000060038 |publisher=AllMusic|title=The Madding Crowd}}</ref>
* The Danish metal band [[Wuthering Heights (band)|Wuthering Heights]] released a studio album titled ''Far From the Madding Crowd'' in 2004.
* [[Nanci Griffith]] included the lyric "You're a Saturday night, Far from the madding crowd" in the song ''On Grafton Street'' on her 1994 release ''[[Flyer (album)|Flyer]]''.
* [[Róisín Murphy]] included the lyric "Far from the madding crowd, something's stirring within me" in the song ''Jealousy'' on her 2020 release ''[[Róisín Machine]]''.
* In 2021, [[Pete Doherty]] released the album ''[[The Fantasy Life of Poetry and Crime]]'' in collaboration with the French musician [[Frédéric Lo]]. Its final track is titled "Far from the Madding Crowd".

===Literature===
* The city of Far Madding in [[Robert Jordan]]'s ''[[The Wheel of Time]]'' series of fantasy novels is named after Hardy's book.
* The heroine of [[Suzanne Collins]]'s ''[[The Hunger Games]]'' series, [[Katniss Everdeen]], gets her last name from Bathsheba Everdene.

==References==
{{Reflist}}

==External links==
{{Wikisource|Far from the Madding Crowd|''Far from the Madding Crowd''}}
* {{StandardEbooks|Standard Ebooks URL=https://standardebooks.org/ebooks/thomas-hardy/far-from-the-madding-crowd}}
* {{Gutenberg|no=107|name=Far from the Madding Crowd}}
* {{librivox book | title=Far from the Madding Crowd | author=Thomas Hardy}}
*[http://www.victorianweb.org/art/illustration/allingham/index.html Helen Paterson Allingham's] illustrations for the serial edition, with extensive commentary, from Victorian Web.
*[http://www.online-literature.com/hardy/Madding/ ''Far from the Madding Crowd'' on The Literature Network]

{{Thomas Hardy}}
{{Far from the Madding Crowd}}
{{DEFAULTSORT:Far From The Madding Crowd}}
[[Category:1874 British novels]]
[[Category:Novels by Thomas Hardy]]
[[Category:Works published anonymously]]
[[Category:English novels]]
[[Category:Novels first published in serial form]]
[[Category:Works originally published in The Cornhill Magazine]]
[[Category:Victorian novels]]
[[Category:Puddletown]]
[[Category:Novels set in Dorset]]
[[Category:Works about farmers]]
[[Category:British novels adapted for radio]]
[[Category:British novels adapted into films]]
[[Category:British novels adapted into operas]]
[[Category:British novels adapted into plays]]
[[Category:British novels adapted into television shows]]
[[Category:Novels adapted into comics]]