View source for Cross-dressing

{{short description|Practice of dressing like a different gender}}
[[File:This-Is-The-Army gals (Broadway).jpg|thumb|right|[[Irving Berlin]]'s "This Is the Army, Mr. Jones", performed by cross-dressed U.S. Army soldiers (1942)<ref name="Winkler-2016">{{cite web |last=Winkler |first=Sheldon |date=5 December 2016 |title='This is the Army': Irving Berlin's War |url=https://warfarehistorynetwork.com/this-is-the-army-irving-berlins-war/ |website=Warfare History Network |access-date=29 June 2022 |archive-date=18 July 2024 |archive-url=https://web.archive.org/web/20240718121040/https://warfarehistorynetwork.com/article/this-is-the-army-irving-berlins-war/ |url-status=live }}</ref>]]
[[File:Crossdressing circa 1890 Frances Benjamin Johnston (right).jpg|thumb|[[Frances Benjamin Johnston]] (right) poses with two cross-dressing friends; the "lady" is identified by Johnston as the illustrator Mills Thompson {{circa|1890}}.]]
{{Crossdressing}}
{{Transgender sidebar}}{{Lead too short|date=October 2025|reason=does not summarize some of the sections}}
'''Cross-dressing''' is the act of wearing clothes traditionally or stereotypically associated with a different [[gender]].<ref>{{cite web |url=https://www.apa.org/topics/lgbtq/transgender |title=What does transgender mean? |publisher=American Psychological Association |date=2014 |access-date=27 January 2023 |archive-date=8 February 2023 |archive-url=https://web.archive.org/web/20230208195456/https://www.apa.org/topics/lgbtq/transgender |url-status=live }}</ref> From as early as pre-modern history people have cross-dressed in order to disguise, comfort, entertain, and express themselves.<ref>{{Cite book |date=2004 |pages=13–30 |doi=10.2752/9781847888952/unzipgend0005|isbn=978-1-84788-895-2 |chapter=Clothing Sex, Sexing Clothes: Transvestism, Material Culture and the Sex and Gender Debate |title=Unzipping Gender }}</ref>

[[Socialization]] establishes social norms among the people of a particular society. With regard to the [[social aspects of clothing]], such standards may reflect guidelines relating to the style, color, or type of clothing that individuals are expected to wear. Such expectations may be delineated according to [[gender roles]]. Cross-dressing involves dressing contrary to the prevailing standards (or in some cases, laws) for a person of their gender in their own society.<ref>{{Citation |last1=Bicchieri |first1=Cristina |title=Social Norms |date=2018 |url=https://plato.stanford.edu/archives/win2018/entries/social-norms/ |encyclopedia=The Stanford Encyclopedia of Philosophy |editor-last=Zalta |editor-first=Edward N. |edition=Winter 2018 |publisher=Metaphysics Research Lab, Stanford University |access-date=2022-12-01 |last2=Muldoon |first2=Ryan |last3=Sontuoso |first3=Alessandro |archive-date=2020-03-22 |archive-url=https://web.archive.org/web/20200322042537/https://plato.stanford.edu/archives/win2018/entries/social-norms/ |url-status=live }}</ref>

==Terminology==

The term "cross-dressing" refers to an action or a behavior, without attributing or implying any specific causes or motives for that behavior. Cross-dressing is not synonymous with being [[transgender]], though the word was once used by and applied to people known to be transgender—and even by sexologists like [[Magnus Hirschfeld]] & [[Havelock Ellis]]. The shift & clear distinction would occur later as the science evolved, and also as the word transsexual was coined & then made distinct from transvestite in the 1920s; Previously, crossdressers and transgender people were collectively called transvestites in Hirschfeld's studies. LGBT+ activist [[Jennie June (autobiographer)|Jennie June]], who makes clear of desire to live full-time as a woman—as well as longing to be a housewife and dreams of becoming a mother—also uses this term in the 1922 book ''The Female Impersonators'' to describe certain androgynes, a term referring to gay and bisexual men, along with what is known today as trans women.

The phenomenon of cross-dressing is seen throughout recorded history, being referred to as far back as the earliest known [[Sumer|civilization]].<ref name=":5">{{Cite web |last=Wilkin |first=Stanley |date=2017-11-23 |title=ANCIENT ... MESOPOTAMIAN RELIGION II at Spillwords |url=https://spillwords.com/ancient-fictionality-religion-and-creativity-mesopotamian-religion-ii/ |access-date=2025-06-03 |website=Spillwords |language=en-US |quote=The people of Sumer parade before you. The women adorn their right side with men’s clothing. The people of Sumer parade before you. I say, “Hail” to Inanna, Great Lady of Heaven! The men adorn their left side with women’s clothing. The people of Sumer parade before you.}}</ref> The terms used to describe it have changed throughout history; the [[Anglo-Saxon]]-rooted term "cross-dresser" is viewed more favorably than the [[Latin]]-origin term "transvestite" in some circles, where it has come to be seen as outdated and derogatory.<ref name="Capuzza">{{cite book |author=Jamie C. Capuzza |author2=Leland G. Spencer|title=Transgender Communication Studies: Histories, Trends, and Trajectories|publisher=[[Lexington Books]]|isbn=978-1-4985-0006-7|year=2015|page=174|access-date=October 21, 2016|url=https://books.google.com/books?id=A1emBgAAQBAJ&pg=PA174|quote=Eventually, the transvestite label fell out of favor because it was deemed to be derogatory; cross-dresser has emerged as a more suitable replacement ([[GLAAD]], 2014b).}}</ref> Its first use was in Magnus Hirschfeld's {{langx|de|[[Die Transvestiten]]|label=none}} (''The Transvestites'') in 1910, originally associating cross-dressing with non-heterosexual behavior or derivations of sexual intent. Its connotations largely changed in the 20th century as its use was more frequently associated with sexual excitement, otherwise known as transvestic disorder.<ref>{{Cite web |title=transvestism {{!}} Britannica |url=https://www.britannica.com/topic/transvestism |access-date=2022-12-01 |website=www.britannica.com |language=en}}</ref> This term was historically used to diagnose psychiatric disorders (e.g. [[transvestic fetishism]]), but the former (cross-dressing) was coined by the [[transgender]] community.<ref name="Vaccaro">{{cite book |author=Annemarie Vaccaro |url=https://books.google.com/books?id=ZkxjSnI2e0UC&pg=PA142 |title=Safe Spaces: Making Schools and Communities Welcoming to LGBT Youth |author2=Gerri August |author3=Megan S. Kennedy |publisher=[[ABC-CLIO]] |year=2011 |isbn=978-0-313-39368-6 |page=142 |quote=Cross-dresser/cross-dressing. (1) The most neutral word to describe a person who dresses, at least partially or part of the time, and for any number of reasons, in clothing associated with another gender within a particular society. Carries no implications of 'usual' gender appearance, or sexual orientation. Has replaced transvestite, which is outdated, problematic, and generally offensive since it was historically used to diagnose medical/mental health disorders. |access-date=October 21, 2016}}</ref> The [[Oxford English Dictionary]] gives 1911 as the earliest citation of the term "cross-dressing", by [[Edward Carpenter]]: "Cross-dressing must be taken as a general indication of, and a cognate phenomenon to, homosexuality". In 1928, [[Havelock Ellis]] used the two terms "cross-dressing" and "transvestism" interchangeably. The earliest citations for "cross-dress" and "cross-dresser" are 1966 and 1976, respectively.<ref>{{Cite web|url=http://www.oed.com/;jsessionid=54290019DADF286E3311933DC816B7ED?authRejection=true&url=%2Fview%2FEntry%2F44812%3FredirectedFrom%3Dcross-dress|title=Home: Oxford English Dictionary|website=www.oed.com|language=en|access-date=2019-02-17|archive-date=2021-03-07|archive-url=https://web.archive.org/web/20210307191918/https://www.oed.com/;jsessionid=54290019DADF286E3311933DC816B7ED?authRejection=true&url=%2Fview%2FEntry%2F44812%3FredirectedFrom%3Dcross-dress|url-status=dead}}</ref>

Today, the term ''transvestite'' is commonly considered outdated and derogatory, with the term cross-dresser used as a more appropriate replacement.<ref name="Vaccaro1">{{cite book |last1=Vaccaro |first1=Annemarie |url=https://books.google.com/books?id=ZkxjSnI2e0UC&pg=PA142 |title=Safe Spaces: Making Schools and Communities Welcoming to LGBT Youth |last2=August |first2=Gerri |last3=Kennedy |first3=Megan S. |last4=Newman |first4=Barbara M. |publisher=[[ABC-CLIO]] |year=2011 |isbn=978-0-313-39368-6 |page=142 |quote=Cross-dresser/cross-dressing. (1) The most neutral word to describe a person who dresses, at least partially or part of the time, and for any number of reasons, in clothing associated with another gender within a particular society. Carries no implications of 'usual' gender appearance, or sexual orientation. Has replaced transvestite, which is outdated, problematic, and generally offensive since it was historically used to diagnose medical/mental health disorders. |access-date=October 21, 2016}}</ref><ref name="Capuzza1">{{cite book |url=https://books.google.com/books?id=A1emBgAAQBAJ&pg=PA174 |title=Transgender Communication Studies: Histories, Trends, and Trajectories |publisher=[[Lexington Books]] |year=2015 |isbn=978-1-4985-0006-7 |editor1-last=Capuzza |editor1-first=Jamie C. |page=174 |quote=Eventually, the transvestite label fell out of favor because it was deemed to be derogatory; cross-dresser has emerged as a more suitable replacement ([[GLAAD]], 2014b). |access-date=October 21, 2016 |editor2-last=Spencer |editor2-first=Leland G.}}</ref><ref name="Zastrow">{{cite book |author=Charles Zastrow |url=https://books.google.com/books?id=DB5TCwAAQBAJ&pg=PA239 |title=Empowerment Series: Introduction to Social Work and Social Welfare: Empowering People |publisher=[[Cengage Learning]] |year=2016 |isbn=978-1-305-38833-8 |page=239 |quote=the term transvestite is often considered an offensive term. |access-date=October 21, 2016}}</ref><ref name="kattari_2021">{{Cite book |title=Social Work and Health Care Practice With Transgender and Nonbinary Individuals and Communities: Voices for Equity, Inclusion, and Resilience |date=2021 |publisher=Routledge |isbn=978-1138336223 |editor1-last=Kattari |editor1-first=Shanna K. |edition=1st |location=New York, NY |page=xxxviii |chapter=Glossary |quote=Transvestite: Outdated term previously used to describe a cross-dresser. Now considered pejorative. |editor2-last=Kinney |editor2-first=M. Killian |editor3-last=Kattari |editor3-first=Leonardo |editor4-last=Walls |editor4-first=N. Eugene}}</ref> The term ''transvestite'' was historically used to diagnose medical disorders, including mental health disorders, and transvestism was viewed as a disorder, while the term ''cross-dresser'' was coined by the trans community.<ref name="Vaccaro1" /><ref name="Gerstner">{{cite book |author=David A. Gerstner |url=https://books.google.com/books?id=XS_SnVPixE8C&pg=PA568 |title=Routledge International Encyclopedia of Queer Culture |publisher=[[Routledge]] |year=2006 |isbn=978-0-313-39368-6 |page=568 |quote=A variety of derogatory terms are still used to describe any aspect of the transgender condition. [...] The term transvestite being older [than cross-dresser] and associated with the medical community's negative view of the practice, has come to be seen as a derogatory term. [...] The term cross-dresser, in contrast, having come from the transgender community itself, is a term seen as not possessing these negative connotations. |access-date=October 21, 2016}}</ref> In some cases, the term ''transvestite'' is seen as more appropriate for use by members of the trans community instead of by those outside the trans community, and some have [[Reappropriation|reclaimed the word]].<ref name="Richards">{{cite book |last1=Richards |first1=Christina |url=https://books.google.com/books?id=13GKAwAAQBAJ&pg=PA162 |title=Sexuality and Gender for Mental Health Professionals: A Practical Guide |last2=Barker |first2=Meg |publisher=[[SAGE Publications]] |year=2013 |isbn=978-1-44628716-3 |page=162 |quote=The term ''transvestite'' should not be considered to be a safe term, and should certainly not be used as a noun, as in 'a transvestite'. Instead, and only when relevant, the term trans person should be used. [...] There are some people who have reclaimed the word transvestite and may also use the word ''tranny'' or ''TV'' to refer to themselves and others. [...] The term ''cross-dressing'' too is somewhat outdated and problematic as not only do many fashions allow any gender to wear them -- at least in many contemporary Western societies -- but it also suggests a strict dichotomy being reinforced by the person who uses it. |access-date=October 21, 2016}}</ref>

==={{lang|fr|En femme}} and {{lang|fr|en homme}}===
The term '''''en femme''''' is a [[lexical borrowing]] of a French phrase. It is used in the transgender and crossdressing community to describe the act of wearing feminine clothing or expressing a stereotypically feminine personality. The term is a [[loanword]] from the [[French language|French]] phrase {{lang|fr|en femme}}<ref>{{Cite web |last=Butler |first=Kirstin |date=June 1, 2023 |title=We Were Never Meant to See this Photograph |url=https://www.pbs.org/wgbh/americanexperience/features/casa-susanna-we-were-never-meant-to-see-this-photograph/ |access-date=2024-03-24 |website=www.pbs.org |language=en |archive-date=2024-07-18 |archive-url=https://web.archive.org/web/20240718121100/https://www.pbs.org/wgbh/americanexperience/features/casa-susanna-we-were-never-meant-to-see-this-photograph/ |url-status=live }}</ref><ref>{{Cite web |title=Julia Serano's trans, gender, sexuality, & activism glossary |url=http://www.juliaserano.com/terminology.html |access-date=2024-03-24 |website=www.juliaserano.com}}</ref> meaning "as a woman", Most crossdressers also use a feminine name whilst {{lang|fr|en femme}}; that is their "femme name". In the cross-dressing community the persona a man adopts when he dresses as a woman is known as his "[[femme]] self".<ref>{{cite book|last=Boyd|first=Helen|title=My Husband Betty: Love, Sex and Life With a Cross-Dresser|year=2004|publisher=Sdal Press|isbn=1560255153|pages=64|url=https://books.google.com/books?id=vCT70HjI_a4C&q=en+femme}}{{Dead link|date=March 2023 |bot=InternetArchiveBot |fix-attempted=yes }}</ref>

'''{{lang|fr|En homme}}''' ({{IPA|fr|ɑ̃n‿ɔm|lang}}) is a similar borrowing from French, used to describe the act of wearing masculine clothing or expressing a stereotypically masculine personality.<ref>{{Cite book |last=Scott |first=Joan Wallach |url=https://www.jstor.org/stable/j.ctv1smjv00 |title=Only Paradoxes to Offer: French Feminists and the Rights of Man |date=1996 |publisher=Harvard University Press |isbn=978-0-674-63930-0 |pages=140–141 |language=en |chapter=The Radical Individualism of Madeleine Pelletier |jstor=j.ctv1smjv00.8 |quote=To re-dress the female body 'en homme' was to signal its autonomy and its individuality . . . . She herself wore closely cropped hair, a starched collar, tie, and suit coat long before these had become fashionable attire for 'modern' women after World War 1. . . . She understood her transvestism as a transgression of prevailing norms, a way of establishing her individuality in the face of a disapproving crowd |chapter-url=https://www.jstor.org/stable/j.ctv1smjv00.8}}</ref> The term is borrowed from the French phrase {{lang|fr|en homme}} meaning "as a man". Most crossdressers also use a masculine name whilst {{lang|fr|en homme}}.

==History==
{{Main|History of cross-dressing}}
{{See also|Trousers as women's clothing}}

===Non-Western history===
[[File:Tale of Genji (Genji monogatari) (CBL J 1038.1).jpg|thumb|[[Lady Murasaki|Lady Murasaki's]] classical novel ''[[The Tale of Genji]]'' from 1008 demonstrates the transgression between masculine and feminine beauty with characters that have no clear gender differentiability. ]]

Cross-dressing has been practiced throughout much of recorded history, in many societies, and for many reasons. Examples exist in [[Greek mythology|Greek]], [[Norse mythology|Norse]], and [[Hindu mythology]]. Cross-dressing can be found in theater and religion, such as [[kabuki]], [[Noh]], and [[Korean shamanism]], as well as in folklore, literature, and music. For instance, in examining kabuki culture during Japan's edo period, cross-dressing was not only used for theater purposes, but also because current societal trends: cross-dressing and the switching of genders was a familiar concept to the Japanese at the time which allowed them to interchange characters's genders easily and incorporate [[Geisha|geisha fashion]] into men's wear.<ref>{{Cite web |title=Cross-dressers in Ukiyo-e {{!}} 太田記念美術館 Ota Memorial Museum of Art |url=http://www.ukiyoe-ota-muse.jp/exhibition-eng/crossdressors |access-date=2022-12-01 |language=ja |archive-date=2022-12-01 |archive-url=https://web.archive.org/web/20221201011917/http://www.ukiyoe-ota-muse.jp/exhibition-eng/crossdressors |url-status=live }}</ref> This was especially common in the story-telling of ancient stories such as the character Benten from [[Benten Kozō]]. He was a thief in the play cross-dressing as a woman. Cross-dressing was also exhibited in Japanese Noh for similar reasons. Societal standards at the time broke boundaries between gender. For example, ancient Japanese portraits of aristocrats have no clear differentiation in characteristics between male and female beauty. Thus, in Noh performance, the cross-dressing of actors was common; especially given the ease of disguising biological sex with the use of masks and heavy robes.<ref>{{Cite web |title=Intersections: Children in Late Sixteenth and Early Seventeenth Century Lowland Philippine Societies |url=http://intersections.anu.edu.au/issue16/saeki.htm |access-date=2022-12-01 |website=intersections.anu.edu.au |archive-date=2022-12-01 |archive-url=https://web.archive.org/web/20221201011923/http://intersections.anu.edu.au/issue16/saeki.htm |url-status=live }}</ref> In a non-entertainment context, cross-dressing is also exhibited in Korean shamanism for religious purposes. Specifically, this is displayed in chaesu-gut, a shamanistic rite gut in which a shaman offers a sacrifice to the spirits to intermediate in the fortunes of the intended humans for the gut. Here, cross-dressing serves many purposes. Firstly, the shaman (typically a woman) would cross-dress as both male and female spirits can occupy her. This allows her to represent the opposite sex and become a cross-sex icon in 75% of the time of the ritual. This also allows her to become a sexually liminal being. It is clear that in entertainment, literature, art, and religion, different civilizations have utilized cross-dressing for many different purposes.<ref>{{Citation |last=Panoussi |first=Vassiliki |title=cross-dressing |date=2023-04-19 |work=Oxford Classical Dictionary |url=https://oxfordre.com/classics/display/10.1093/acrefore/9780199381135.001.0001/acrefore-9780199381135-e-8634 |access-date=2024-03-24 |language=en |doi=10.1093/acrefore/9780199381135.013.8634 |isbn=978-0-19-938113-5 |archive-date=2024-04-23 |archive-url=https://web.archive.org/web/20240423125531/https://oxfordre.com/classics/display/10.1093/acrefore/9780199381135.001.0001/acrefore-9780199381135-e-8634 |url-status=live |url-access=subscription }}</ref><ref>{{Cite book |last1=Duggan |first1=Anne E. |title=Folktales and fairy tales: traditions and texts from around the world |last2=Haase |first2=Donald |last3=Callow |first3=Helen J. |date=2016 |publisher=Greenwood |isbn=978-1-61069-253-3 |edition=2nd |location=Santa Barbara, California |pages=241–3 |language=en |quote=Prohibited in many societies, cross-dressing, or wearing the clothing of the other sex, is nonetheless practiced or narrated around the world in ritual, dance, balladry, theater, folktales, fairy tales, short stories, and novels. Transvestism, as it is also known, is an integral part of many folk ritual practices.}}</ref>

===Western history===
[[File:MFA PELIKE 04.jpg|thumb|right|200px|<small>Male performers putting on female costumes prior to a theatre performance. The figure on the left is wearing a mask and a second mask is lying on the ground between them. The masks represent a female character and they have a kerchief around the hair on the mask. Their costumes also include female clothing such as high boots and a chiton. Ceramic Athenian Pelike. Phiale Painter. Ancient Greek. Around 430 BCE. Museum of Fine Arts, Boston</small>]]
In Ashkenaz [[Moses Isserles]] (1520-1572) writes, "There is a custom to wear masks on Purim, for men to wear women’s clothing, and for women to wear men’s clothing." clearly he saw masks and cross-dressing as common enough to be mentioned as standard custom.<ref>{{Cite web |last=Moskowitz |first=Mike |date=2018-02-27 |title=I'm A Boy And These Are My Clothes |url=https://www.jta.org/2018/02/26/ny/im-a-boy-and-these-are-my-clothes |access-date=2025-06-03 |website=Jewish Telegraphic Agency |language=en-US}}</ref>

In the British and European context, theatrical troupes ("[[playing company|playing companies]]") were all-male, with the female parts undertaken by [[boy player]]s.

The [[Rebecca Riots]] took place between 1839 and 1843 in [[West Wales|West]] and [[Mid Wales]].<ref name="Welsh Academy">{{cite book |last=Davies |first=John |author2=Jenkins, Nigel  |title=The Welsh Academy Encyclopaedia of Wales |year=2008 |publisher=University of Wales Press |location=Cardiff|page=730 |isbn=978-0-7083-1953-6}}</ref> They were a series of [[protest]]s undertaken by local farmers and agricultural workers in response to unfair taxation. The rioters, often men dressed as women, took their actions against [[toll-gate]]s, as they were tangible representations of high taxes and tolls. The riots ceased prior to 1844 due to several factors, including increased troop levels, a desire by the protestors to avoid violence and the appearance of criminal groups using the guise of the biblical character [[Rebecca (biblical figure)|Rebecca]] for their own purposes.<ref>{{cite book |last=Gross|first=David M.|year=2014|title=99 Tactics of Successful Tax Resistance Campaigns|publisher=Picket Line Press|isbn=978-1-4905-7274-1|pages=68–69}}</ref> In 1844 an Act of Parliament to consolidate and amend the laws relating to [[turnpike trust]]s in [[Wales]] was passed.

A variety of historical figures are known to have cross-dressed to varying degrees. Many women found they had to disguise themselves as men in order to participate in the wider world. For example, it is postulated that [[Margaret King]] cross-dressed in the early 19th century to attend medical school, as universities at that time accepted only male students. A century later, [[Vita Sackville-West]] dressed as a young soldier in order to "walk out" with her girlfriend [[Violet Keppel]], to avoid the street harassment that two women would have faced. The prohibition on women wearing male garb, once strictly applied, still has echoes today in some Western societies which require girls and women to wear skirts, for example as part of [[school uniform]] or office [[dress code]]s.<ref>{{cite news |last1=Doig |first1=Liz |title=Who's wearing the trousers? |url=https://news.bbc.co.uk/2/hi/uk_news/505095.stm |access-date=12 December 2018 |work=BBC News UK |agency=BBC |date=November 4, 1999 |archive-date=23 November 2008 |archive-url=https://web.archive.org/web/20081123005510/http://news.bbc.co.uk/1/hi/uk/505095.stm |url-status=live }}</ref> Cross-dressing practices existed within both an evolving social and cultural environment up until cross-dressing laws became a prevalent part of controlling gender normativity and expression.<ref>Sears, Clare. “Instant and Peculiar.” In ''Arresting Dress: Cross-Dressing, Law, and Fascination in Nineteenth-Century San Francisco''. pg. 23-40. Duke University Press, 2015. <nowiki>https://doi.org/10.2307/j.ctv1220nx9</nowiki>.</ref>

==== Transvestism ====

The terms ''transvestism'' and ''transvestite'' were coined by [[Magnus Hirschfeld]] in 1910. In the early 20th century, ''transvestite'' referred to cross-dressers, and also a variety of people who would now be considered [[transgender]].

Though the term was coined as late as the 1910s by [[Magnus Hirschfeld]], the phenomenon is very old, It was referred to as far back as the earliest known [[Sumer|civilization]].<ref name=":5" /> It was part of the homosexual movement of Weimar Germany in the beginning, a first transvestite movement of its own started to form since the mid-1920s, resulting in founding first organizations and the first transvestite magazine, ''[[Das 3. Geschlecht]]''. The rise of [[National Socialism]] stopped this movement from 1933 onwards.<ref>Rainer Herrn: ''Die Zeitschrift ''Das 3. Geschlecht in: Rainer Herrn (ed.): ''Das 3. Geschlecht – Reprint der 1930 – 1932 erschienenen Zeitschrift für Transvestiten'', 2016, ISBN 9783863002176, p. 231 ff.</ref>

=====Etymology of “transvestite” =====
[[File:Faksimile-Transvestitenschein.png|thumb|A 1928 [[transvestite pass]] allowing [[Gert Katter]], a female-to-male [[trans man]] who was one of Hirschfeld's patients, to wear male clothing.<ref>{{cite book |last1=Taylor |first1=Michael T. |last2=Timm |first2=Annette |last3=Herrn |first3=Rainer |title=Not Straight from Germany: Sexual Publics and Sexual Citizenship Since Magnus Hirschfeld |date=30 October 2017 |publisher=University of Michigan Press |isbn=978-0-472-13035-1 |page=44 |url=https://books.google.com/books?id=WS9ADwAAQBAJ&pg=PA44 |language=en}}</ref>]]

[[Magnus Hirschfeld]] coined the word ''transvestite'' (from Latin ''trans-'', "across, over" and ''vestitus'', "dressed") in his 1910 book ''[[Die Transvestiten]]'' (''Transvestites'') to refer to the sexual interest in cross-dressing.<ref name="MagnusHirschfeld">Hirschfeld, Magnus: ''[https://books.google.com/books?id=mQMbAAAAYAAJ Die Transvestiten.]'' Berlin 1910: Alfred Pulvermacher<br />Hirschfeld, Magnus. (1910/1991). ''[https://books.google.com/books?isbn=1591021685 Transvestites: The erotic drive to cross dress.]'' (M. A. Lombardi-Nash, Trans.) Buffalo, NY: Prometheus Books.</ref> He used it to describe persons who habitually and voluntarily wore clothes of the opposite sex. Hirschfeld's group of transvestites consisted of both males and females, with [[heterosexual]], [[homosexual]], [[bisexual]], and [[asexuality|asexual]] orientations.<ref name="Hirschfeld">Hirschfeld, Magnus. ''Geschlechtsverirrungen'', 10th Ed. 1992, page 142 ff.</ref>

Hirschfeld himself was not happy with the term: He believed that clothing was only an outward symbol chosen on the basis of various internal psychological situations.<ref name="MagnusHirschfeld" /> In fact, Hirschfeld helped people to achieve changes of their [[first name]] (legal given names were required to be gender-specific in [[Germany]]) and performed the first reported [[sexual reassignment surgery]]. Hirschfeld's transvestites therefore were, in today's terms, not only transvestites, but a variety of people from the [[transgender]] spectrum.<ref name="MagnusHirschfeld" />

Hirschfeld also noticed that [[sexual arousal]] was often associated with transvestism.<ref name="MagnusHirschfeld" /> In more recent terminology, this is sometimes called [[transvestic fetishism]].<ref name="DSM-5-paraphillic">{{Cite book |last=American Psychiatric Association |url=https://archive.org/details/diagnosticstatis0005unse/page/685 |title=Diagnostic and Statistical Manual of Mental Disorders |publisher=American Psychiatric Publishing |year=2013 |isbn=978-0-89042-555-8 |edition=Fifth |location=Arlington, VA |pages=[https://archive.org/details/diagnosticstatis0005unse/page/685 685–705]}}</ref> Hirschfeld also clearly distinguished between transvestism as an expression of a person's "contra-sexual" (transgender) feelings and [[Sexual fetishism|fetishistic]] behavior, even if the latter involved wearing clothes of the other sex.<ref name="MagnusHirschfeld" />

The use of the term {{lang|es|travesti}} meaning cross-dresser was already common in [[French language|French]] in the early 19th century,<ref>{{Cite Q|Q125754132}}, Volume II, p. 896</ref> from where it was imported into [[Portuguese language|Portuguese]], with the same meaning.<ref>Porto Editora – ''[https://www.infopedia.pt/dicionarios/lingua-portuguesa/travesti travesti]'' no Dicionário Infopédia da Língua Portuguesa [em linha]. Porto: [[Porto Editora]]. Accessed on 2024-05-02 20:58:24. </ref>

==Legal issues==
In many countries, cross-dressing was illegal under laws that identified it as indecent or immoral. Many such laws were challenged in the late 1900s giving people the right to freedom of gender expression with regard to their clothing.<ref>{{Cite web |title=Chapter seven: Gender Expression and Cross-dressing |url=https://www.icj.org/sogi-casebook-introduction/chapter-seven-gender-expression-and-cross-dressing/ |access-date=2022-11-14 |website=International Commission of Jurists |language=en-US}}</ref> There still remains 13 UN member states that explicitly criminalize transgender individuals, and there exist even more countries that use a great deal of diverse laws to target them. The third edition of the Trans Legal Mapping Report, done by the [[International Lesbian, Gay, Bisexual, Trans and Intersex Association|International Lesbian, Gay, Bisexual, Trans, and Intersex Association]] found that an especially common method to target these individuals is through cross-dressing regulations.<ref>{{Cite web |last=Srikanth |first=Anagha |date=2020-09-30 |title=It is still illegal to be transgender in these countries |url=https://thehill.com/changing-america/respect/equality/519060-it-is-still-illegal-to-be-transgender-in-these-countries/ |access-date=2022-12-01 |website=The Hill |language=en-US}}</ref>

=== North America ===
For instance, from 1840 forward, the United States saw state and city laws forbidding people from appearing in public while dressed in clothes not commonly associated with their assigned sex. The goal of this wave of policies was to create a tool that would enforce a normative gender narrative, targeting multiple gender identities across the gender spectrum. With the progression of time, styles, and societal trends, it became even more difficult to draw the line between what was cross-dressing or not. In 2011, it was still possible for a man to get arrested for "impersonating a woman" — a vestige of the 19th century laws.<ref name="pbs.org">{{Cite web |date=2015-05-31 |title=Arresting dress: A timeline of anti-cross-dressing laws in the United States |url=https://www.pbs.org/newshour/nation/arresting-dress-timeline-anti-cross-dressing-laws-u-s |access-date=2022-12-01 |website=PBS NewsHour |language=en-us |archive-date=2024-07-18 |archive-url=https://web.archive.org/web/20240718120857/https://www.pbs.org/newshour/nation/arresting-dress-timeline-anti-cross-dressing-laws-u-s |url-status=live }}</ref> Legal issues surrounding cross-dressing perpetuated all throughout the mid 20th century. During this time period, police would often reference laws that did not exist or laws that have been repealed in order to target the LGBTQ+ community.<ref>{{Cite web |last=Ryan |first=Hugh |title=How Dressing in Drag Was Labeled a Crime in the 20th Century |url=https://www.history.com/news/stonewall-riots-lgbtq-drag-three-article-rule |access-date=2022-12-01 |website=HISTORY |date=28 June 2019 |language=en}}</ref>{{Unreliable source?|date=May 2025}}

=== Asia ===
[[Nepal]] decriminalized cross-dressing in 2007.<ref>{{Cite web|url=https://www.washingtonblade.com/2024/04/22/out-in-the-world-lgbtq-news-from-europe-and-asia-21/,%20https://www.washingtonblade.com/2024/04/22/out-in-the-world-lgbtq-news-from-europe-and-asia-21/|title=Out in the World: LGBTQ news from Europe and Asia|first=Rob|last=Salerno|date=April 22, 2024|website=www.washingtonblade.com|access-date=April 24, 2024|archive-date=July 18, 2024|archive-url=https://web.archive.org/web/20240718121101/https://www.washingtonblade.com/2024/04/22/out-in-the-world-lgbtq-news-from-europe-and-asia-21/|url-status=live}}</ref> Only in 2014 did an appeal court in Malaysia finally overturn a state law prohibiting Muslim men from cross-dressing as women.<ref name="pbs.org"/>

=== Oceania ===
In the Australian state of Tasmania, cross-dressing in public was made a criminal offence in 1935, and this law was only repealed in 2000.<ref>{{cite news |last1=Delaney |first1=Martine |title=How Tasmania is going from worst to best on transgender human rights |url=https://www.theguardian.com/commentisfree/2019/apr/08/how-tasmania-is-going-from-worst-to-best-on-transgender-human-rights |work=The Guardian |date=8 April 2019 |access-date=15 June 2023 |archive-date=4 May 2019 |archive-url=https://web.archive.org/web/20190504185844/https://www.theguardian.com/commentisfree/2019/apr/08/how-tasmania-is-going-from-worst-to-best-on-transgender-human-rights |url-status=live }}</ref><ref>{{Cite web |title=Evening Cross-Dressing Legal in Tasmania |url=https://abcnews.go.com/International/story?id=82131&page=1 |access-date=2023-06-15 |website=ABC News |language=en}}</ref>

==Varieties==
There are many different kinds of cross-dressing and many different reasons why an individual might engage in cross-dressing behavior.<ref name="eucwqo">''Rainbow Reader'', Fort Wayne, Indiana</ref> Some people cross-dress as a matter of comfort or style, a personal preference for clothing associated with the opposite gender. Some people cross-dress to shock others or challenge [[Norm (sociology)|social norms]]; others will limit their cross-dressing to underwear, so that it is not apparent. Some people attempt to pass as a member of the opposite gender in order to gain access to places or resources they would not otherwise be able to reach.

===Theater and performance===
[[File:A duet, “Mary from Dundee”.jpg|thumb|Two servicemembers of the [[29th Division (United Kingdom)|29th Divisional]] [[Concert party (entertainment)|concert party]] ([[The Diamond Troupe|Diamond Troupe]]), performing during World War&nbsp;I]]
Single-sex theatrical troupes often have some performers who cross-dress to play roles written for members of the opposite sex ([[Travesti (theatre)|travesti]] and [[trouser role]]s). Cross-dressing, particularly the depiction of males wearing dresses, was historically used for comic effect onstage and on-screen.

[[Boy player]] refers to children who performed in [[Medieval theatre|Medieval]] and [[English Renaissance theatre|English Renaissance]] [[playing companies]]. Some boy players worked for the adult companies and performed the female roles as women did not perform on the English stage in this period. Others worked for children's companies in which all roles, not just the female ones, were played by boys.<ref name="Chambers-1923">{{cite book
 |last=Chambers |first=E.K. |author-link=Edmund Kerchever Chambers
 |year=1923
 |title=The Elizabethan Stage
 |volume=2
 |place=Oxford, UK
 |publisher=Clarendon Press
}}
</ref>{{rp|style=ama|pp= 1–76}} <ref name="Halliday-1964">
{{cite book
 |last=Halliday |first=F.E. |author-link=F. E. Halliday
 |year=1964
 |title=A Shakespeare Companion 1564–1964
 |place=Baltimore, MD
 |publisher=Penguin Books
 |pages=35, 71, 98–101
}}
</ref>

In an effort to clamp down on [[kabuki]]'s popularity, women's kabuki, known as {{transliteration|ja|onna-kabuki}}, was banned in 1629 in Japan for being too erotic.<ref name="An Outline History of the Japanese Drama">{{cite book | url=http://www.theatrehistory.com/asian/kabuki001.html | title=An Outline History of the Japanese Drama | publisher=George Allen & Unwin LTD | author=Lombard, Frank Alanson | year=1928 | location=London | pages=287–295 | isbn=978-1-138-91983-9 | access-date=2022-06-15 | archive-date=2022-03-20 | archive-url=https://web.archive.org/web/20220320073931/http://theatrehistory.com/asian/kabuki001.html | url-status=live }}</ref> Following this ban, young boys began performing in {{transliteration|ja|[[wakashū]]-kabuki}}, which was also soon banned.<ref name="An Outline History of the Japanese Drama" /> Thus adult men play female roles in kabuki.

[[Dan role|Dan]] is the general name for female roles in [[Chinese opera]], often referring to leading roles. They may be played by male or female actors. In the early years of [[Peking opera]], all {{transliteration|zh|dan}} roles were played by men, but this practice is no longer common in any Chinese opera genre.

Women have often been excluded from [[Noh#Women in Noh|Noh]], and men often play female characters in it.<ref name="Nohauto">{{Cite web|url=https://thetheatretimes.com/living-breathing-history-noh/|title=Living And Breathing History, Through Noh|date=March 24, 2018|access-date=June 15, 2022|archive-date=June 18, 2022|archive-url=https://web.archive.org/web/20220618180243/https://thetheatretimes.com/living-breathing-history-noh|url-status=live}}</ref>

[[Drag (clothing)|Drag]] is a special form of [[performance art]] based on the act of cross-dressing. A [[drag queen]] is usually a [[Sex assignment|male-assigned]] person who performs as an exaggeratedly feminine character, in heightened costuming sometimes consisting of a showy dress, high-heeled shoes, obvious make-up, and [[Wig (hair)|wig]]. A drag queen may imitate famous female film or pop-music stars. A [[faux queen]] is a female-assigned person employing the same techniques. A [[drag king]] is a counterpart of the drag queen – a female-assigned person who adopts a masculine persona in performance or imitates a male film or pop-music star. Some female-assigned people undergoing [[Gender-affirming surgery]] also self-identify as 'drag kings'.[[File:Lady Bunny and Sherry Vine by David Shankbone.JPG|thumb|[[Drag queen]]s [[Lady Bunny]] (left) and [[Sherry Vine]] (right) in 2008. Drag is a form of cross-dressing as [[performance art]].]]The modern activity of [[battle reenactment]]s has raised the question of women passing as male soldiers. In 1989, Lauren Burgess dressed as a male soldier in a [[U.S. National Park Service]] reenactment of the [[Battle of Antietam]], and was ejected after she was discovered to be a woman. Burgess sued the Park Service for [[sexual discrimination]].<ref>{{cite news |last1=Robinson |first1=Lynda |date=September 30, 1991 |title=Battle re-enactor finds herself at war with U.S. Park Service |url=https://www.baltimoresun.com/1991/09/30/battle-re-enactor-finds-herself-at-war-with-us-park-service/ |work=[[The Baltimore Sun]] |issn=1930-8965 |oclc=244481759 |publisher=Trif Alatzas |access-date=13 August 2018 |archive-date=2018-08-15 |url-status=live |archive-url=https://web.archive.org/web/20180815024639/http://articles.baltimoresun.com/1991-09-30/news/1991273008_1_re-enactors-civil-war-burgess/2 }}</ref> The case spurred spirited debate among Civil War buffs. In 1993, a federal judge ruled in Burgess's favor.<ref>{{cite news |last1=Meyer |first1=Eugene L |date=March 18, 1993 |title=Woman Wins Fight Over Civil War 'Battle' Garb |url=https://www.latimes.com/archives/la-xpm-1993-03-18-mn-12369-story.html |work=[[Los Angeles Times]] |access-date=14 August 2018 |quote=U.S. District Judge Royce C. Lamberth ruled that... the Antietam park policy of 'categorically barring women from portraying male soldiers... constitutes unconstitutional discrimination against women.' |archive-date=2024-07-18 |archive-url=https://web.archive.org/web/20240718121042/https://www.latimes.com/archives/la-xpm-1993-03-18-mn-12369-story.html |url-status=live }}</ref>

"Wigging" refers to the practice of male [[stunt double]]s taking the place of an actress, parallel to "[[blackface|paint downs]]", where white stunt doubles are made up to resemble black actors.<ref>{{cite news |last1=Robb |first1=David |title=Stuntwomen Panel: Evangeline Lilly Says She Was Intentionally Injured While Filming 'Lost' |url=https://deadline.com/2018/05/stuntwomen-panel-evangeline-lilly-deven-macnair-1202393558/ |access-date=12 December 2018 |work=Deadline |date=17 May 2018 |language=en}}</ref> Female stunt doubles have begun to protest this norm of "historical sexism", saying that it restricts their already limited job possibilities.<ref>{{cite news |last1=Carroll |first1=Rory |title='It's historical sexism' – the fight to end stuntmen doubling for women |url=https://www.theguardian.com/film/2018/feb/10/wigging-stuntmen-doubling-for-women-lawsuit |access-date=12 December 2018 |work=The Guardian |date=10 February 2018 |archive-date=18 July 2024 |archive-url=https://web.archive.org/web/20240718121100/https://www.theguardian.com/film/2018/feb/10/wigging-stuntmen-doubling-for-women-lawsuit |url-status=live }}</ref><ref>{{cite news |last1=Lavelle |first1=Daniel |title=Why stuntwomen are angry about 'wigging' – and are changing the industry from within |url=https://www.theguardian.com/lifeandstyle/2018/nov/27/why-stuntwomen-are-angry-about-wigging-and-are-changing-the-industry-from-within |access-date=12 December 2018 |work=The Guardian |date=27 November 2018 |archive-date=18 July 2024 |archive-url=https://web.archive.org/web/20240718121101/https://www.theguardian.com/lifeandstyle/2018/nov/27/why-stuntwomen-are-angry-about-wigging-and-are-changing-the-industry-from-within |url-status=live }}</ref>

====British pantomime, television and comedy====
[[Image:1896 DanLeno-WidowTwankey.jpg|thumb|upright|Comedian [[Dan Leno]] as [[Widow Twankey]] in the 1896 [[pantomime]] ''Aladdin'' at [[Theatre Royal, Drury Lane]], London]]
Cross-dressing is a traditional popular trope in [[British comedy]].<ref>{{cite news |title=The Brits and Cross-Dressing: A History |url=http://www.bbcamerica.com/anglophenia/2014/11/brits-cross-dressing-history |access-date=26 April 2019 |agency=BBC America |archive-date=26 April 2019 |archive-url=https://web.archive.org/web/20190426175832/http://www.bbcamerica.com/anglophenia/2014/11/brits-cross-dressing-history |url-status=live }}</ref> The [[pantomime dame]] in British [[pantomime]] dates from the 19th century, which is part of the theatrical tradition of female characters portrayed by male actors in drag. [[Widow Twankey]] (Aladdin's mother) is a popular pantomime dame: in 2004 [[Ian McKellen]] played the role.

The [[Monty Python]] comedy troupe donned frocks and makeup, playing female roles while speaking in [[falsetto]].<ref>{{cite news |title=Cross-Dressing and Fish-Slapping, One Python at a Time |newspaper=The New York Times |date=22 February 2006 |url=https://www.nytimes.com/2006/02/22/arts/television/crossdressing-and-fishslapping-one-python-at-a-time.html |access-date=26 April 2019 |agency=The New York Times |last1=Martel |first1=Ned |archive-date=18 July 2024 |archive-url=https://web.archive.org/web/20240718121109/https://www.nytimes.com/2006/02/22/arts/television/crossdressing-and-fishslapping-one-python-at-a-time.html |url-status=live }}</ref> Character comics such as [[Benny Hill]] and [[Dick Emery]] drew upon several female identities. In the BBC's long-running sketch show ''[[The Dick Emery Show]]'' (broadcast from 1963 to 1981), Emery played Mandy, a busty peroxide blonde whose catchphrase, "Ooh, you are awful ... but I like you!", was given in response to a seemingly innocent remark made by her interviewer, but perceived by her as ribald double entendre.<ref>{{cite news |title=The Dick Emery Show |url=https://www.britishclassiccomedy.co.uk/ooh-you-are-awful-but-i-like-you |access-date=26 April 2019 |agency=British classic comedy}}</ref> The popular tradition of cross dressing in British comedy extended to the 1984 music video for [[Queen (band)|Queen]]'s "[[I Want to Break Free]]" where the band parody several female characters from the soap opera ''[[Coronation Street]]''.<ref>{{cite news |title=10 things you may not know about Queen's biggest 80s hits |url=https://www.bbc.co.uk/programmes/articles/4C6GqGSRcDydqhJNh5xpgyZ/10-things-you-may-not-know-about-queens-biggest-80s-hits |first=Fraser |last=McAlpine |date=29 November 2018 |agency=BBC |access-date=6 January 2019 |archive-date=18 July 2024 |archive-url=https://web.archive.org/web/20240718121446/https://www.bbc.co.uk/programmes/articles/4C6GqGSRcDydqhJNh5xpgyZ/10-things-you-may-not-know-about-queens-biggest-80s-hits |url-status=live }}</ref>

===Sexual fetishes===
[[File:Luzi Wuzi.jpg|thumb|upright|[[Archduke Ludwig Viktor of Austria]] liked to dress and be photographed as a woman]]

Sometimes either [[cisgender]] member of an [[androphilic]] and gynephilic couple will cross-dress in order to arouse the other. For example, the male might wear skirts or lingerie and/or the female will wear boxers or other male clothing. (See also [[forced feminization]].)

===Passing===
{{Main|Passing (gender)}}
Some people who cross-dress may endeavor to project a complete impression of belonging to another gender, including mannerisms, [[Speech communication|speech]] patterns, and emulation of [[Sex-determination system|sexual characteristics]]. This is referred to as passing or "trying to pass", depending how successful the person is. An observer who sees through the cross-dresser's attempt to pass is said to have "read" or "clocked" them. There are videos, books, and magazines on how a man may look more like a woman.<ref>''Transformation'' magazine; interviews for ''Rainbow Reader'', Fort Wayne, Indiana</ref>

Others may choose to take a mixed approach, adopting some feminine traits and some masculine traits in their appearance. For instance, a man might wear both a dress and a beard. This is sometimes known as "[[Gender bender|genderfuck]]". In a broader context, cross-dressing may also refer to other actions undertaken to pass as a particular sex, such as [[Packing (phallus)|packing]] (accentuating the male crotch bulge) or, the opposite, [[tucking]] (concealing the male crotch bulge).<ref>{{cite journal |last1=Rankin |first1=Sue |last2=Beemyn |first2=Genny |title=Beyond a Binary: The Lives of Gender-Nonconforming Youth |journal=About Campus: Enriching the Student Learning Experience |date=September 2012 |volume=17 |issue=4 |pages=2–10 |doi=10.1002/abc.21086 |s2cid=145529045 }}</ref>

== Gender disguise ==
Gender disguise has been used by women and girls to [[Passing (gender)|pass]] as male, and by men and boys to pass as female. Gender disguise has also been used as a [[plot device]] in storytelling, particularly in narrative [[ballads]],<ref name="child106">{{cite book |last=Child |first=Francis James |title=The English and Scottish Popular Ballads |publisher=Dover Publications Inc |year=2003 |isbn=978-0-486-43146-8 |volume=II |pages=428–432}}</ref> and is a recurring motif in literature, theater, and film. Historically, some women have cross-dressed to take up male-dominated or male-exclusive professions, such as military service. Conversely, some men have cross-dressed to escape from mandatory military service{{efn|See the television series ''[[M*A*S*H (TV series)|M*A*S*H]]'' for an example of a cross-dresser who did not want to serve in the military (Max Klinger). Although the character was played for laughs, his situation was based on military regulations prohibiting cross-dressing.}} or as a disguise to assist in political or social protest, as men in Wales did in the [[Rebecca Riots]] and when conducting [[Ceffyl Pren]] as a form of mob justice.<ref>{{Cite web |date=2 August 2013 |title=Some Welsh customs |url=https://www.bbc.co.uk/webarchive/https%3A%2F%2Fwww.bbc.co.uk%2Fblogs%2Fwales%2Fentries%2F5d65f917-5961-3e76-b5ac-ec0c8fb3c0b6 |website=BBC Wales}}</ref>

[[File:RebeccaRiots.gif|thumb|300px|Depiction of Welsh labourers dressed in women's clothing within the Rebecca Riots, ''Illustrated London News'' 1843]]

=== Sports ===
Conversation surrounding exclusion and [[Women's rights in sports|gender inequality in sports]] has been around for decades. Some women have dressed as men to enter male sports, or registered in male sports using an alias.

==== Roberta "Bobbi" Gibb ====
[[Bobbi Gibb|Roberta "Bobbi" Gibb]] is the first woman to have competed in the [[Boston Marathon]]. In 1966 Bobbi Gibb wrote a letter to the [[Boston Athletic Association]] asking to participate in the race happening that year. When Gibb received her letter back in the mail she was faced with the news that her entry to the race was denied due to her gender. Rather than just accept her fate, Gibb did not take no for an answer and decided to run the marathon anyways—however, she would do it hidden as a man. On the day of the race Gibb showed up in an oversized sweatshirt, her brother's shorts, and men's running shoes. Gibb hid in the bushes until the race started and then joined in with the crowd. Eventually her fellow runners figured out Gibb's real gender but stated that they would make sure that she finished the race. Gibb ended up finishing her first Boston Marathon in 3 hours, 27 minutes and 40 seconds.<ref>{{Cite journal |last=Boyer |first=Leroy |date=December 6, 2022 |title=RUNNING: Run for the Diamonds celebrates milestone |journal=Republican & Herald}}</ref> She crossed the finish line with blistered, bleeding feet from the men's running shoes she was wearing.<ref>{{Cite journal |last=Petri |first=Alexandra |date=October 11, 2021 |title=Roberta Gibb broke barriers in the Boston Marathon. Now there's a statue of her feet |url=https://advance.lexis.com/api/document?collection=news&id=urn:contentItem:63TP-S8P1-JBG3-61MD-00000-00&context=1516831. |journal=The New York Times |access-date=October 30, 2023 |archive-date=July 18, 2024 |archive-url=https://web.archive.org/web/20240718121447/https://signin.lexisnexis.com/lnaccess/app/signin?back=https%3A%2F%2Fadvance.lexis.com%3A443%2Furl-api%2Flaapi%2Fdocument%3Fcollection%3Dnews%26id%3Durn%253AcontentItem%253A63TP-S8P1-JBG3-61MD-00000-00%26context%3D1516831.&aci=la |url-status=live }}</ref> Gibb's act of defiance influenced other women marathon runners of the time like [[Katherine Switzer]], who also registered under an alias to be able to run the race in 1967. It would not be until 1972 until there was an official women's race within the Boston Marathon.{{Citation needed|date=October 2023}}

==== Sam Kerr ====
[[Sam Kerr]] is a forward for the [[Australia women's national soccer team|Australian Women's Soccer Team]] and [[Chelsea F.C. Women|Chelsea FC]] in the [[FA Women's Super League]]. Kerr has been regarded as one of the best forward players in the sport and has been one of the most highly paid players in women's soccer as well. While Kerr now shares the world state with other great women soccer players, as a young child she shared the field with young boys. Kerr grew up in a suburb of [[Perth]] where there was little to no access to young girls soccer teams in the direct area. Not having a girls team to play on did not bother Kerr though, she simply played on a youth boys team where all of her teammates just assumed she was also a boy. Kerr states in her book ''My Journey to the World Cup'' that she continued to hide her gender because she did not want to be treated any differently. In her book Kerr also revealed that when one of her teammates found out that she was, in fact a girl, he cried. While Kerr's act of hiding her gender was initially an accident, it is still an example of how women (and in the case a young girl) can create opportunities for themselves by looking or acting as a man.<ref>{{Cite web |last=Saeed |first=Daanyal |date=August 14, 2023 |title=Sam Kerr details why she had to hide her gender as a junior footballer |url=https://www.news.com.au/sport/football/sam-kerr-opens-up-on-why-she-had-to-hide-her-gender-as-a-junior-footballer/news-story/031f7ce28ba2237ffa5296a5b8bdff5c |access-date=September 27, 2023 |website=news.com.au}}</ref>

=== War ===
Sometimes gender disguise is for war/militaristic situations.

==== Joan of Arc ====
Born {{circa|1412}},<ref>{{Cite web |title=Joan of Arc |date=26 March 2024 |url=https://www.britannica.com/biography/Saint-Joan-of-Arc |access-date= |archive-date=30 January 2019 |archive-url=https://web.archive.org/web/20190130222443/https://www.britannica.com/biography/Saint-Joan-of-Arc |url-status=live }}</ref> St [[Joan of Arc]] or the Maid of Orleans is one of the oldest examples of gender disguise. At 13, after receiving a revelation that she was supposed to lead the French to victory over the English in the [[Hundred Years' War|100 years war]],<ref>{{Cite encyclopedia |last1=Mark |first1=Joshua J. |title=Joan of Arc -- World History |encyclopedia=World History Encyclopedia |date=28 March 2019 |url=https://www.worldhistory.org/Joan_of_Arc/ |access-date=}}</ref> [[Cross-dressing, gender identity, and sexuality of Joan of Arc|Joan donned the clothing]] of a male soldier in the [[French Army|French army]]. Joan was able to convince King Charles the VIII to allow her to take the lead of some of the French armies in order to help him get his crown back. Ultimately, Joan of Arc was successful in claiming victory over the English but was captured in 1430 and found guilty of [[heresy]], leading to her execution in [[1431]]. The impact of her actions was seen even after Joan's death. During the suffragette movement, Joan of Arc was used as an inspiration for the movement, particularly in [[Great Britain|Britain]] where many used her actions as fuel for their fight for [[political reform]].<ref>{{Cite web |title=How Joan of Arc Inspired Women's Suffragists |url=https://publicmedievalist.com/joan-of-arc-inspired-suffragists/#:~:text=Still%2C%20Joan's%20life%20and%20legend,Reims%20a%20few%20months%20later. |website=The Public Medievalist |date=10 September 2020 |access-date=10 October 2023 |archive-date=18 July 2024 |archive-url=https://web.archive.org/web/20240718122627/https://publicmedievalist.com/joan-of-arc-inspired-suffragists/#:~:text=Still%2C%20Joan's%20life%20and%20legend,Reims%20a%20few%20months%20later. |url-status=live }}</ref>

==== Deborah Sampson ====
Born in 1760 in [[Plympton, Massachusetts]],<ref>{{Cite web |title=Deborah Sampson |url=https://www.womenshistory.org/education-resources/biographies/deborah-sampson?gclid=CjwKCAjwyNSoBhA9EiwA5aYlbyKd_p6BMuOINFc0a10m6ORAqIBvuaOgE1alHQCnOT_QC0dC5VMD_RoCXU4QAvD_BwE |website=National Women's History Museum |access-date=2023-10-10 |archive-date=2024-07-18 |archive-url=https://web.archive.org/web/20240718122010/https://www.womenshistory.org/education-resources/biographies/deborah-sampson |url-status=live }}</ref> [[Deborah Sampson]] was the first female soldier in the [[United States Army|US Army]].<ref>{{Cite web |title=Deborah Sampson, U.S. Army |url=https://foundationforwomenwarriors.org/deborah-sampson-u-s-army/ |website=Foundation for Women Warriors |date=March 2017 |access-date=2023-10-10 |archive-date=2024-07-18 |archive-url=https://web.archive.org/web/20240718123622/https://foundationforwomenwarriors.org/deborah-sampson-u-s-army/ |url-status=live }}</ref> The only woman in the [[American Revolution|Revolution]] to receive a full [[Pension|military pension]], at age 18 Deborah took the name "Robert Shirtleff" and enlisted in [[Patriot (American Revolution)|revolutionary forces]]. In her capacity as a soldier, she was very successful, being named [[captain]] and leading an infantry in the capture of 15 enemy soldiers among other things.<ref>{{Cite web |title=Deborah Sampson |url=https://www.mountvernon.org/library/digitalhistory/digital-encyclopedia/article/deborah-sampson/ |website=George Washington's Mount Vernon |access-date=2023-10-10 |archive-date=2023-10-17 |archive-url=https://web.archive.org/web/20231017105659/https://www.mountvernon.org/library/digitalhistory/digital-encyclopedia/article/deborah-sampson/ |url-status=live }}</ref>{{failed verification|date=January 2025}} One and a half years into service, her true [[sex]] was revealed when she had to receive medical care. Following an [[Military discharge|honorable discharge]], Deborah petitioned congress for her full pay that was withheld on the grounds of being an "invalid soldier" and eventually received it.<ref>{{Cite web |last=Hassencahl |first=Fran |title=Mary Hayes and Deborah Sampson: The Rhetoric of Neglect, Praise, and Expectation |date=December 1974 |url=https://eric.ed.gov/?id=ED102620 |access-date=2023-10-10 |archive-date=2024-07-18 |archive-url=https://web.archive.org/web/20240718122001/https://eric.ed.gov/?id=ED102620 |url-status=live }}</ref> She died in 1827 at age 66.<ref>{{Cite web |title=Deborah Sampson: American Revolutionary War Hero |url=https://www.mass.gov/info-details/deborah-sampson-american-revolutionary-war-hero |website=Mass.gov |access-date=2023-10-10 |archive-date=2023-10-12 |archive-url=https://web.archive.org/web/20231012023926/https://www.mass.gov/info-details/deborah-sampson-american-revolutionary-war-hero |url-status=live }}</ref> Even after her death, Deborah Sampson continues to be a "hero of the [[American Revolutionary War|American Revolution]]".<ref>{{Cite web |title=Deborah Sampson: American Revolutionary War Hero |url=https://www.mass.gov/info-details/deborah-sampson-american-revolutionary-war-hero#:~:text=Deborah%20Sampson%20became%20a%20hero,participation%20in%20the%20Revolutionary%20army. |website=Mass.gov |access-date=2023-10-10 |archive-date=2023-10-12 |archive-url=https://web.archive.org/web/20231012023926/https://www.mass.gov/info-details/deborah-sampson-american-revolutionary-war-hero#:~:text=Deborah%20Sampson%20became%20a%20hero,participation%20in%20the%20Revolutionary%20army. |url-status=live }}</ref> In 2019, a [[diary]] from corporal Abner Weston shares about Deborah Sampson's previously unknown first attempt to enlist in the [[Continental Army]].<ref>{{Cite web|url=https://www.amrevmuseum.org/press-releases/revolutionary-war-diary-reveals-new-details-about-deborah-sampson-who-disguised-herself-as-a-man-to-join-the-continental-army#:~:text=%E2%80%9CAs%20someone%20who%20has%20spent,17%20months%20as%20a%20soldier.|title=Revolutionary War Diary Reveals New Details about Deborah Sampson, Who Disguised Herself as a Man to Join the Continental Army - Museum of the American Revolution|access-date=2023-10-10|archive-date=2024-07-18|archive-url=https://web.archive.org/web/20240718123627/https://www.amrevmuseum.org/press-releases/revolutionary-war-diary-reveals-new-details-about-deborah-sampson-who-disguised-herself-as-a-man-to-join-the-continental-army#:~:text=%E2%80%9CAs%20someone%20who%20has%20spent,17%20months%20as%20a%20soldier.|url-status=live}}</ref>

These women are just a few among many who have disguised themselves as men in order to be able to fight in many different wars. Others who have used gender disguise for this purpose include [[Christian Davies|Kit Kavanaugh/Christian Davies]], [[Hannah Snell]], [[Sarah Emma Edmonds]], [[Frances Clayton]], [[Dorothy Lawrence]], [[Zoya Smirnow]], and [[Brita Olofsdotter]].<ref name=":3">{{Cite web |last=Thomas |first=Heather |date=2021-03-30 |title=Women Who Dressed as Men and Made History {{!}} Headlines and Heroes |url=https://blogs.loc.gov/headlinesandheroes/2021/03/women-who-dressed-as-men-and-made-history/ |access-date=2023-11-08 |website=The Library of Congress}}</ref><ref>{{Cite web |title='I Wanted to Do My Part': Women as Soldiers in Civil War America {{!}} Mercy Street Revealed |url=http://mercystreet.lunchbox.pbs.org/blogs/mercy-street-revealed/i-wanted-to-do-my-part-women-as-soldiers-in-civil-war-america/ |access-date=2023-11-08 |website='I Wanted to Do My Part': Women as Soldiers in Civil War America {{!}} Mercy Street Revealed |archive-date=2023-03-24 |archive-url=https://web.archive.org/web/20230324152544/http://mercystreet.lunchbox.pbs.org/blogs/mercy-street-revealed/i-wanted-to-do-my-part-women-as-soldiers-in-civil-war-america/ |url-status=dead }}</ref>

=== Journalism and culture ===
In some instances, women in journalism deem wearing the identity of a man necessary in order to gather information that is only accessible from the male point of view. In other cases, people cross-dress to navigate certain cultures and/or specific circumstances that involve strict gender norms and expectations.<ref name=":3" /><ref>{{Cite web |title=Chapter seven: Gender Expression and Cross-dressing |url=https://www.icj.org/sogi-casebook-introduction/chapter-seven-gender-expression-and-cross-dressing/ |access-date=2023-11-08 |website=International Commission of Jurists |language=en-US}}</ref>

==== Norah Vincent ====
[[Norah Vincent]], author of the book ''[[Self-Made Man (book)|Self-Made Man: One Woman's Journey Into Manhood and Back Again]]'', used gender disguise in order to go undercover as a man to penetrate men's social circles and experience life as a man. In 2003, Vincent put her life on pause to adopt a new masculine identity as Ned Vincent.<ref>{{Cite book |title=Self-Made Man: One Woman's Journey Into Manhood and Back Again |isbn=978-0-670-03466-6 |oclc=62089984 |language=en |last1=Vincent |first1=Norah |date=2006 |publisher=Viking }}</ref> She worked with a makeup artist and vocal coach in order to convincingly play the role of a man. She wore an undersized sports bra, a stuffed jock strap, and size 11½ shoes to deceive those around her. In her book, Vincent makes discoveries about socialization, romance, sex, and stress as a man that leads her to conclude that, "[Men] have different problems than women have, but they don't have it better",<ref>{{Cite web |last= |first= |date=January 20, 2006 |title=A Self-Made Man |url=https://abcnews.go.com/2020/Entertainment/story?id=1526982 |access-date=2023-09-28 |website=ABC News |language=en |archive-date=2007-10-08 |archive-url=https://web.archive.org/web/20071008172430/http://abcnews.go.com/2020/Entertainment/story?id=1526982 |url-status=live }}</ref> However, Vincent developed controversial opinions about sex and gender, claiming that transgender people are not legitimate until they undergo hormone therapy and surgical intervention. After writing ''Self-Made Man,'' Vincent became a victim of depression; she died by medically assisted suicide in 2022.<ref>{{cite news |last1=Green |first1=Penelope |title=Norah Vincent, Who Chronicled Passing as a Man, Is Dead at 53 |url=https://www.nytimes.com/2022/08/18/obituaries/norah-vincent-dead.html |work=The New York Times |date=18 August 2022 |access-date=10 October 2023 |archive-date=18 August 2022 |archive-url=https://web.archive.org/web/20220818190111/https://www.nytimes.com/2022/08/18/obituaries/norah-vincent-dead.html |url-status=live }}</ref>

==== Bacha posh ====
[[Bacha posh]], an Afghan tradition, involves the crossdressing of young Afghan girls by their families so that they present to the public as boys. Families without sons, or whose sons are heavily outnumbered by daughters, may choose to raise one of their daughters bacha posh for a number of reasons. Having a bacha posh daughter may ease financial burdens, as girls and women are generally prohibited from work in contemporary Afghanistan,<ref>{{Cite web |date=2022-12-24 |title=Taliban bans women from working for domestic, foreign NGOs in Afghanistan |url=https://www.pbs.org/newshour/world/taliban-ban-women-from-working-for-domestic-foreign-ngos-in-afghanistan |access-date=2023-10-10 |website=PBS NewsHour |language=en-us}}</ref><ref name=":02">{{cite book |last1=Billaud |first1=Julie |title=Kabul Carnival: Gender Politics in Postwar Afghanistan |date=2015 |publisher=University of Pennsylvania Press |isbn=978-0-8122-4696-4 |jstor=j.ctt13x1pdw }}{{page needed|date=November 2023}}</ref> and improve their social status, as families with boys tend to be more well regarded in Afghan society.<ref>{{Cite web |last1=Hamidi |first1=Nilab |last2=Bohren |first2=Meghan |date=March 3, 2022 |title=Girls forced to act as boys in Afghanistan |url=https://findanexpert.unimelb.edu.au/news/40573-girls-forced-to-act-as-boys-in-afghanistan |access-date=2023-10-10 |website=findanexpert.unimelb.edu.au |archive-date=2023-10-12 |archive-url=https://web.archive.org/web/20231012023927/https://findanexpert.unimelb.edu.au/news/40573-girls-forced-to-act-as-boys-in-afghanistan |url-status=live }}</ref><ref name=":02" /> While there is no law that prohibits [[bacha posh]], girls are expected to revert to traditional gender norms upon reaching [[puberty]].<ref>{{cite journal |last1=Keerthana |first1=R |last2=Jayanthi |first2=S |title=The Unjust Twisting: Bacha Posh custom of the Invisible Girl Children in Afghanistan from Nadia Hashimi's work |journal=European Chemical Bulletin |date=2023 |volume=12 |issue=10 |url=https://www.eurchembull.com/issue-content/the-unjust-twisting-bacha-posh-custom-of-the-invisible-girl-children-in-afghanistan-from-nadia-hashimi-s-work-8214 |archive-url=https://web.archive.org/web/20231105132541/https://www.eurchembull.com/issue-content/the-unjust-twisting-bacha-posh-custom-of-the-invisible-girl-children-in-afghanistan-from-nadia-hashimi-s-work-8214 |url-status=dead |archive-date=November 5, 2023 |ssrn=4383274 }}</ref><ref>{{cite journal |title=Autonomy, Post-puberty Bacha Posh and Third World Feminism in Selected Afghan Fiction |journal=Journal of International Women's Studies |date=3 February 2023 |volume=25 |issue=1 |id={{ProQuest|2778390671}} |url=https://vc.bridgew.edu/jiws/vol25/iss1/13/ }}</ref><ref name=":1">{{Cite web |date=2022-01-16 |title=Afghan girls live as boys until they hit puberty, a temporary chance at freedom |url=https://www.nbcnews.com/news/world/afghanistans-bacha-posh-tradition-allows-girls-freedom-boys-rcna12216 |access-date=2023-10-01 |website=NBC News |language=en}}</ref> According to Thomas Barfield, an anthropology professor at [[Boston University]], bacha posh is "one of the most under-investigated" topics in the realm of gender studies, making difficult to determine exactly how common the practice is in Afghan society.<ref name=":1" /> However, some prominent female figures in Afghan society have admitted to being [[bacha posh]] in their youth. A more famous example of this is Afghan parliament member Azita Rafaat. Rafaat claims that [[bacha posh]] was a positive experience that built her self-confidence in Afghanistan's heavily patriarchal society and gave her a more well rounded understanding of women's issues in Afghanistan.<ref name=":02" />

==Fashion==
[[File:vanessatv.jpg|thumb|Some male crossdressers seek a more subtle feminine image.]]

The actual determination of cross-dressing is largely [[Social constructionism|socially constructed]].<ref>{{Cite journal |last=Gilbert |first=Miqqi Alicia |author-link=Michael A. Gilbert|date=May 1, 2014 |title=Cross-Dresser |url=https://doi.org/10.1215/23289252-2399632 |journal=Transgender Studies Quarterly |volume=1 |issue=1–2 |pages=65–67 |doi=10.1215/23289252-2399632 |via=Duke University Press}}</ref> For example, in Western society, trousers have long been adopted for usage by women, and it is no longer regarded as cross-dressing.<ref>{{Cite news |last=Brucculieri |first=Julia |date=March 8, 2019 |title=Women And Pants: A Timeline Of Fashion Liberation |url=https://www.huffpost.com/entry/women-and-pants-fashion-liberation_l_5c7ec7f7e4b0e62f69e729ec |access-date=July 1, 2024 |work=Huffington Post}}</ref> In cultures where men have traditionally worn [[Men's skirts|skirt-like garments]] such as the [[kilt]] or [[sarong]], these are not seen as women's clothing, and wearing them is not seen as cross-dressing for men. In many parts of the world, it remains socially disapproved for men to wear clothes traditionally associated with women.<ref>{{Cite web |title=Cross Dressing |url=https://gendercentre.org.au/downloads/Cross%20Dressing%20Information.pdf |access-date=July 1, 2024 |website=Gender Centre}}</ref>

[[Cosplaying]] may also involve cross-dressing, for some females may wish to dress as a male, and vice versa (see [[Crossplay (cosplay)|crossplay]]). Females may choose to chest bind while cosplaying a male character.<ref>{{Cite web |date=2022-06-29 |title=Chest or breast binding: Tips, side effects, safety, and more |url=https://www.medicalnewstoday.com/articles/breast-binding |access-date=2024-07-04 |website=www.medicalnewstoday.com |language=en}}</ref>

While creating a more feminine figure, male cross-dressers may utilize [[breast forms]] or breast plates to give the appearance of breasts.<ref name=":4">{{Cite journal |last=Germann |first=Olivia |date=2018 |title=Gender Performance: From the Freak Show to Modern Drag |url=https://openjournals.bsu.edu/dlr/article/download/2645/1567/4275 |journal=Digital Literature Review |volume=3 |pages=72}}</ref><ref>{{Cite news |last=Piper |first=Dannielle |date=June 12, 2019 |title=The Family-Owned Store that Helps Transgender Customers Find the Perfect Fit |url=https://thetyee.ca/News/2019/06/12/Family-Owned-Store-Breast-Forms-Helps-Transgender-Customers/ |work=The Tyee}}</ref> Some male cross-dressers may also cinch their waists or use padding to create a profile that appears more stereotypically feminine.<ref name=":4" /><ref>{{Cite web |last=Spataro |first=Joanne |date=2017-05-04 |title='Drag Race' Tells Us a Lot About the Queens' Jacked Up Eating Habits |url=https://www.vice.com/en/article/drag-race-tells-us-a-lot-about-the-queens-jacked-up-eating-habits/ |access-date=2024-07-04 |website=Vice |language=en |archive-date=2024-03-07 |archive-url=https://web.archive.org/web/20240307013345/https://www.vice.com/en/article/mgmjzy/drag-race-tells-us-a-lot-about-the-queens-jacked-up-eating-habits |url-status=live }}</ref>

While most male cross-dressers utilize clothing associated with modern women, some are involved in subcultures that involve dressing as little girls<ref name="Bent">{{Cite book |last=Bent |first=Rosalie |url=https://books.google.com/books?id=K_KoDwAAQBAJ&q=%2522adult%2520little%2520girl%2522%2520age%2520play&pg=PT23 |title=Dealing With the Baby In Your Bed!: Learning to Live With the Adult Baby In Your Relationship |date=2019-08-14 |publisher=AB Discovery |language=en}}</ref><ref name="Bennett">{{Cite book |last=Bennett |first=Paul |url=https://books.google.com/books?id=m8gvEAAAQBAJ&q=petticoat |title=Clinical Psychology: Psychopathology Through the Lifespan: Psychopathology through the Lifespan |date=2015-08-16 |publisher=McGraw-Hill Education (UK) |isbn=978-0-335-24770-7 |language=en}}</ref> or in [[vintage clothing]]. Some such men have written that they enjoy dressing as femininely as possible, so they wear frilly dresses with lace and ribbons, [[bridal gown]]s complete with veils, as well as multiple [[petticoat]]s, [[corset]]s, [[girdle]]s and/or [[garter belt]]s with [[nylon stockings]].

The term ''underdressing'' is used by male cross-dressers to describe wearing female undergarments such as panties under their male clothes. The famous low-budget film-maker [[Edward D. Wood Jr.]] (who also went out in public dressed in drag as "Shirley", his female alter ego<ref>Craig, Rob (2009). ''Ed Wood, Mad Genius: A Critical Study of the Films''. pg. 108. McFarland. ISBN 978-0-7864-5423-5.</ref>) said he often wore women's underwear under his military uniform as a Marine during [[World War II]].<ref>{{Cite magazine|last=Corliss|first=Richard|date=June 1, 1992|title=The World's Worst Director|magazine=Time|volume=139|page=79|via=Biography Reference Bank}}</ref> ''Female masking'' is a form of cross-dressing in which men wear masks that present them as female.<ref>{{cite web | url=http://vicestyle.com/en/news/today/post/female-masking | title=Female Masking | publisher=Vice Style | author=Jamie Clifton | date=August 30, 2011 | access-date=2012-02-07 | archive-url=https://archive.today/20120717035229/http://vicestyle.com/en/news/today/post/female-masking | archive-date=July 17, 2012 }}</ref>

Some [[drag king]]s may use binders or chest plates to give the impression of a more stereotypically male physique, but others forego this.<ref>{{Cite web |last=Rowello |first=Lauren |date=2024-05-29 |title=Philly Drag Kings: Challenges and the push for inclusion |url=https://epgn.com/2024/05/29/drag-kings-philly-challenges/ |access-date=2024-07-01 |website=Philadelphia Gay News |language=en-US}}</ref> They may also paste or draw on fake facial hair.<ref>{{Cite web |date=2019-11-12 |title=The Many Styles Of Drag Kings, Photographed In And Out Of Drag |url=https://www.huffpost.com/entry/drag-kings_l_5db9c682e4b00d83f72159c8 |access-date=2024-07-01 |website=HuffPost |language=en |archive-date=2021-03-08 |archive-url=https://web.archive.org/web/20210308080628/https://www.huffpost.com/entry/drag-kings_l_5db9c682e4b00d83f72159c8 |url-status=live }}</ref> Drag kings may use a phallic prosthetic for [[Packing (phallus)|packing]] to create the appearance of having male genitals.<ref>{{Cite book |url=https://onlinelibrary.wiley.com/doi/book/10.1002/9781118896877 |title=The International Encyclopedia of Human Sexuality |date=2015-04-10 |publisher=Wiley |isbn=978-1-4051-9006-0 |editor-last=Bolin |editor-first=Anne |edition=1 |language=en |doi=10.1002/9781118896877.wbiehs326 |editor-last2=Whelehan |editor-first2=Patricia}}</ref><ref>{{Cite web |last=Drysdale |first=Kerryn |date=2017-07-17 |title=Strapped, packed and taking the stage: Australia's new drag kings |url=http://theconversation.com/strapped-packed-and-taking-the-stage-australias-new-drag-kings-79747 |access-date=2024-07-27 |website=The Conversation |language=en-US}}</ref>

[[File:Shane Onyou.jpg|thumb|Example of drag king utilizing fake facial hair|320x320px]]

==Social issues==
[[File:A Morning Frolic, or the Transmutation of the Sexes.jpg|thumb|A Morning Frolic, or the Transmutation of the Sexes ({{Circa|1780}}, artist unknown) depicts a man and a woman exchanging items of clothing in a parody of the satirical drawings of [[John Collett (artist)|John Collet]], which were considered to be vulgar at the time.]]
Cross-dressers may begin wearing clothing associated with the opposite sex in childhood, using the clothes of a sibling, parent, or friend. Some parents have said they allowed their children to cross-dress and, in many cases, the child stopped when they became older. The same pattern often continues into adulthood, where there may be confrontations with a spouse, partner, family member or friend. Married cross-dressers can experience considerable anxiety and guilt if their spouse objects to their behavior.

Sometimes because of guilt or other reasons cross-dressers dispose of all their clothing, a practice called "purging", only to start collecting the other gender's clothing again.<ref name = "eucwqo"/>

==Publications==

===''Transvestia''===
{{main|Transvestia}}

In 1960, [[Virginia Prince]] published the first issue of ''[[Transvestia]]'',  a magazine aimed at cross-dressers.<ref>{{cite web |last=Prince |first=Virginia |date=1952 |title=Transvestia |publisher=Chevalier Publications |location=Los Angeles |website=University of Victoria |url=https://search.library.uvic.ca/discovery/fulldisplay?context=L&vid=01VIC_INST:01UVIC&search_scope=MyInstitution&tab=LIBALL&docid=alma9955531023807291 |access-date=16 March 2025 <!--Reproduction of the original from Gay, Lesbian, Bisexual, and Transgender Historical Society.-->}}</ref> Prince funded the initial publication with a capital of one hundred dollars raised through personal acquaintances.<ref name=career>Prince, Virginia. "My Accidental Career." How I Got Into Sex. Eds. B. Bullough, V.L. Bullough, M.A. Fithian, W.E. Hartman and R.S Klein. Buffalo: Prometheus Books, 1997.</ref>  The first issue was published by Prince's Chevalier Publications, and sold by subscription and through adult bookstores.<ref name=richard>{{cite book|title=Virginia Prince: Pioneer of Transgendering|year=2006|publisher=Haworth Medical Press Inc|location=Binghamton|editor=Richard Elkins and Dave King}}</ref><ref>"The Life and Times of Virginia", Transvestia #100 (1979)</ref>

In 1963, the inside jacket of the magazine stated the publication as "dedicated to the needs of the sexually normal individual who has discovered the {{sic|exi|stance}} of his or her 'other side' and seeks to express it."<ref name=richard/> Rather than relying on a team of professional authors, this magazine was to be"written by... the readers" with the editor's job to be organizing and categorizing these submissions as appropriate.<ref>Prince, Virginia. (1979). "The Life and Times of Virginia." Transvestia, 1.2.</ref>
 
''Transvestia'' was published bi-monthly by Prince between the years of 1960 and 1980, with a total of 100 issues being created. The subsequent 11 issues were edited and published by Carol Beecroft (the co-founder of Chevalier publications) until 1986.

With a readership of mostly white, middle-to-professional-class crossdressers, the magazine offered, among other things, dozens of published life stories and letters contributed by other crossdressers.<ref name=hill>Hill, Robert. (2011). "'We Share a Sacred Secret:' Gender, Domesticity, and Containment in Transvestia's Histories and Letters from Crossdressers and Their Wives." Journal of Social History 44.3: 667–687.</ref>

=== ''Beaumont Bulletin'' ===
{{main|Beaumont Bulletin}}

The [[Beaumont Society]] began in the UK in 1966 as an offshoot of Virgina Prince's [[Full Personality Expression]] group for cross-dressers.<ref name="Bishopsgate-2024">{{Cite web |title=Beaumont Society Press Cuttings Collection |url=https://www.bishopsgate.org.uk/collections/beaumont-society-press-cuttings-collection |access-date=2024-03-13 |website=Bishopsgate Institute}}</ref> The society began to distribute its publication the ''[[Beaumont Bulletin]]'' in January 1968. Starting out at eight pages, it reached 24 pages by 1970. The publication referred to its readers as 'girls',<ref name="Pickett-2024">{{Cite book |last=Pickett |first=Brent |url=https://books.google.com/books?id=84nxEAAAQBAJ&dq=%22The+Beaumont+Society%22+-wikipedia&pg=PA39 |title=The Transgender Encyclopedia |date=2024-02-26 |publisher=Rowman & Littlefield |isbn=978-1-5381-5726-8 |pages=39 |language=en}}</ref> and included tips on make-up and women's clothing, especially those in larger sizes.<ref>{{Cite book |last=Fawcus |first=Margaret |url=https://books.google.com/books?id=7i8BCAAAQBAJ&dq=%22The+Beaumont+Society%22+-wikipedia&pg=PA323 |title=Voice Disorders and their Management |date=2013-11-11 |publisher=Springer |isbn=978-1-4899-2861-0 |pages=323 |language=en}}</ref> In 1977, a new publication, ''Beaumag'', was issued which included fiction and comic writing.<ref name="MoL-2024">{{Cite web |title=Museum of London  |website=London Museum |url=https://collections.museumoflondon.org.uk/online/object/531220.html |access-date=2024-03-13}}</ref>  As of 2024, the society was still publishing a magazine for its members, entitled ''Beaumont Magazine''.<ref name="Pickett-2024" />

===''En Femme''===

Between 1987 and 1991, JoAnn Roberts and CDS published a magazine called ''En Femme'' that was "for the transvestite, transsexual, crossdresser, and [[Drag queen|female impersonator]]".<ref>{{cite web |last=Roberts|first=JoAnn|date=December 1990|title=En femme magazine |publisher=Creative Design Services |url=https://archive.org/details/enfemmemagazine21unse/page/n1/mode/2up}}</ref>

=== Others ===

''[[Chrysalis Quarterly]]'' was [[Dallas Denny]]'s publication from the 1990s focused on gender identity, including cross-dressing and transgender issues.
<ref>{{cite web |title=Chrysalis Quarterly |website=Digital Transgender Archive |author=<!--none--> |date=<!--none-->
|url=https://www.digitaltransgenderarchive.net/col/2801pg32c |access-date=16 March 2025}}</ref>

''[[Femme Mirror]]'' was a quarterly inewsletter/magazine of [[Tri-Ess]] begun by [[Carol Beecroft]], and catered to the cross-dresser community.<ref>{{cite book |editor1-last=Goldberg |editor1-first=Abbie E. |editor2-last=Beemyn |editor2-first=Genny |date=2021 |title=The SAGE Encyclopedia of Trans Studies |publisher=SAGE Publications |isbn=9781544393841 <!--isbn2=1544393849--> |oclc= |page= <!--total-pages=1040--> |url=}}{{page needed|date=March 2025}}</ref>

''[[Transgender Tapestry]]'' magazine began as the ''TV-TS Tapestry'' newsletter by [[Merissa Sherrill Lynn]]'s Tiffany Club. It was published from 1979 to 2008, and continues as an online website of the [[International Foundation for Gender Education]].<ref>{{Cite web |title=LGBTQ Publications |url=https://oac.cdlib.org/findaid/ark:/13030/c8hq45dc/entire_text/|website=oac.cdlib.org|access-date=2020-05-08}}</ref>

''Empathy Magazine'' was a publication in the United States focused on support for cross-dressers and their families.<ref>{{cite web |last=Slavik |first=Cathy Charles |date=1970 |title=Empathy Magazine <!--vol. 3, issue 28--> |website=Digital Transgender Archive |publisher=Empathy Press
|url=https://www.digitaltransgenderarchive.net/files/z890rt48c |access-date=17 March 2025}}</ref>

==Festivals==
Celebrations of cross-dressing occur in widespread cultures. The [[Abissa]] festival in Côte d'Ivoire,<ref>{{cite book |last1=Hall |title=Bibliographic Guide to Dance |date=1992 |page=4 }}</ref> [[Ofudamaki]] in Japan,<ref>{{cite news |last1=Egli |first1=Justin |title=Visiting an ancient Japanese cross-dressing festival |url=http://www.dazeddigital.com/artsandculture/article/32036/1/visiting-an-ancient-japanese-cross-dressing-festival |access-date=12 December 2018 |work=Dazed |date=13 July 2016 |language=en |archive-date=15 December 2018 |archive-url=https://web.archive.org/web/20181215222551/http://www.dazeddigital.com/artsandculture/article/32036/1/visiting-an-ancient-japanese-cross-dressing-festival |url-status=live }}</ref> and [[Kottankulangara Festival]] in India<ref>{{cite news |title=Cross-dressing for the Goddess - Times of India |url=https://timesofindia.indiatimes.com/Cross-dressing-for-the-Goddess/articleshow/2929677.cms? |access-date=12 December 2018 |work=The Times of India |date=Apr 6, 2008}}</ref> are all examples of this.

==Analysis==
Advocacy for social change has done much to relax the constrictions of gender roles on men and women, but they are still subject to prejudice from some people.<ref>{{cite book |last1=Butler |first1=Judith |title=Gender Trouble: Feminism and the Subversion of Identity |date=2011 |publisher=Routledge |isbn=978-1-136-78323-4 }}{{page needed|date=November 2023}}</ref><ref>{{cite book |last1=Halberstam |first1=Judith |last2=Halberstam |first2=Jack |title=Female Masculinity |date=1998 |publisher=Duke University Press |isbn=978-0-8223-2243-6 }}{{page needed|date=November 2023}}</ref><ref>Epstein, Julia, Straub, Kristina; Eds, Body Guards: The Cultural Politics of Gender Ambiguity, Routledge, London, 1991</ref>

The reason it is so hard to have statistics for female cross-dressers is that the line where cross-dressing stops and cross-dressing begins{{clarify|reason=same phrase twice|date=April 2024}} has become blurred, whereas the same line for men is as well defined as ever. This is one of the many issues being addressed by third wave feminism as well as the modern-day [[masculism|masculist]] movement.

The general culture{{clarify|reason=Which culture? Where?|date=May 2021}} has very mixed views about cross-dressing. A woman who wears her husband's shirt to bed is considered attractive, while a man who wears his wife's nightgown to bed may be considered transgressive. [[Marlene Dietrich]] in a tuxedo was considered very erotic; [[Jack Lemmon]] in a dress was considered ridiculous.<ref>{{cite book |last1=Blechner |first1=Mark J. |title=Sex Changes: Transformations in Society and Psychoanalysis |date=2009 |publisher=Routledge |isbn=978-0-415-99435-4 }}{{page needed|date=November 2023}}</ref> All this may result from an overall gender role rigidity for males; that is, because of the prevalent gender dynamic throughout the world, men frequently encounter discrimination when deviating from masculine gender norms, particularly violations of [[heteronormativity]].<ref>{{cite web |url=http://steinhardt.nyu.edu/scmsAdmin/media/users/lec321/Sirin_Articles/Sirin_McCriery__Mahalik_2004.pdf |archive-url=https://web.archive.org/web/20140418220633/http://steinhardt.nyu.edu/scmsAdmin/media/users/lec321/Sirin_Articles/Sirin_McCriery__Mahalik_2004.pdf |archive-date=2014-04-18 |url-status=live |title=Differential Reactions to Men and Women's Gender Role Transgressions: Perceptions of Social Status, Sexual Orientation, and Value Dissimilarity |publisher=NYU |access-date=1 June 2013 }}</ref> A man's adoption of feminine clothing is often considered a going down in the gendered social order whereas a woman's adoption of what are traditionally men's clothing (at least in the English-speaking world) has less of an impact because women have been traditionally subordinate to men, unable to affect serious change through style of dress. Thus when a male cross-dresser puts on his clothes, he transforms into the quasi-female and thereby becomes an embodiment of the conflicted gender dynamic. Following the work of [[Judith Butler]], gender proceeds along through ritualized performances, but in male cross-dressing it becomes a performative "breaking" of the masculine and a "subversive repetition" of the feminine.<ref name=Butler>{{cite web|last=Butler|first=Judith|title=Performative Acts and Gender Construction: An Essay in Phenomenology and Feminist Theory|url=http://www.mariabuszek.com/kcai/PoMoSeminar/Readings/BtlrPerfActs.pdf|access-date=1 June 2012|archive-url=https://web.archive.org/web/20120112054310/http://www.mariabuszek.com/kcai/PoMoSeminar/Readings/BtlrPerfActs.pdf|archive-date=12 January 2012}}</ref>{{primary source inline|date=May 2022}}

Psychoanalysts today do not regard cross-dressing by itself as a psychological problem, unless it interferes with a person's life. "For instance", said Joseph Merlino, senior editor of ''Freud at 150: 21st Century Essays on a Man of Genius'', "[suppose that]...I'm a cross-dresser and I don't want to keep it confined to my circle of friends, or my party circle, and I want to take that to my wife and I don't understand why she doesn't accept it, or I take it to my office and I don't understand why they don't accept it, then it's become a problem because it's interfering with my relationships and environment."<ref>Shankbone, David. "[[n:Dr. Joseph Merlino on sexuality, insanity, Freud, fetishes and apathy#Gender identity and Heteronormativity|Interview with Dr. Joseph Merlino]]",  ''[[Wikinews]]'' (October 5, 2007)</ref>

== Cross-dressing in the 21st century ==

=== Fashion trends ===
[[File:Camp - Notes on Fashion at the Met (73835).jpg|thumb|[[Camp (style)|Camp fashion]] made an appearance during the 2019 [[Met Gala]] which had the theme of "Camp: Notes on Fashion", A themed [[Camp: Notes on Fashion|exhibit of the same name]] was later displayed at the [[The Met Fifth Avenue|Met Fifth Avenue]].]]
Cross-dressing today is much more common and normalized due to trends such as [[Camp (style)|camp]] fashion and [[androgynous]] fashion. 
Camp is a style of fashion that has had a long history extending all the way back to the Victorian era to the modern era. During the [[Victorian era]] up until the mid-20th century, it was defined as an exaggerated and flamboyant style of dressing.<ref name=":0">{{cite news |title=Camp Fashion Unveiled: Stunning Examples and the 3 Key Elements |url=https://usatales.com/what-is-camp-fashion-examples-and-elements/ |date=30 November 2022 |access-date=1 December 2022 |archive-date=1 December 2022 |archive-url=https://web.archive.org/web/20221201064448/https://usatales.com/what-is-camp-fashion-examples-and-elements/ |url-status=dead }}{{unreliable source?|date=November 2023}}</ref> This was typically associated with ideas of [[effeminacy]], de-masculization, and homosexuality.<ref>{{cite news |last1=Smith |first1=Erika W. |title=Ahead Of The Met Gala, Remember: 'You Can't Have Camp Without Queer' |url=https://www.refinery29.com/en-us/2019/05/231016/camp-fashion-gay-culture-drag-lgbtq-history |work=Refinery29 |date=18 April 2019 |access-date=1 December 2022 |archive-date=1 December 2022 |archive-url=https://web.archive.org/web/20221201064446/https://www.refinery29.com/en-us/2019/05/231016/camp-fashion-gay-culture-drag-lgbtq-history |url-status=live }}</ref> As the trend entered the 20th century, it also developed an association with a lack of conduct, creating the connotation that those who engaged in Camp are unrefined, improper, distasteful, and, essentially, undignified. Though this was its former understanding, Camp has now developed a new role in the fashion industry. It is considered a fashion style that has "failed seriousness" and has instead become a fun way of self-expression. Thanks to its integration with high fashion and extravagance, Camp is now seen as a high art form of absurdity: including loud, vibrant, bold, fun, and empty frivolity.<ref name=":0" />
[[File:RuPaul at Dragcon 2019 by dvsross (cropped).jpg|192x192px|thumb|Drag icon [[RuPaul]] speaking at [[RuPaul's DragCon LA|RuPaul's DragCon]] in Los Angeles in 2019.|left]]
Camp is often used in drag culture as a method of exaggerating or inversing traditional conceptions of what it means to be feminine. In actuality, the QTPOC community has had a large impact on Camp. This is exhibited by [[ballroom culture]], camp/glamour queens, Black '70s funk, Caribbean Carnival costumes, Blaxploitation movies, "pimp/player fashion", and more. This notion has also been materialized by camp icons such as [[Josephine Baker]] and [[RuPaul]].<ref name=":0" />

Androgynous fashion is described as neither masculine nor feminine rather it is the embodiment of a gender inclusive and sexually neutral fashion of expression. The general understanding of androgynous fashion is mixing both masculine and feminine pieces with the goal of producing a look that has no visual differentiations between one gender or another. This look is achieved by masking the general body so that one cannot identify the biological sex of an individual given the silhouette of the clothing pieces: Therefore, many androgynous looks include looser, baggier clothing that can conceal curves in the female body or using more "feminine" fabrics and prints for men.
[[File:Harry Styles - St. Paul, MN 7 1 2018 (41393943120).jpg|thumb|251x251px|Musician [[Harry Styles]] wearing a shimmery [[Pussy bow|pussy-bow]] blouse at a concert in [[Saint Paul, Minnesota|Saint Paul]] in 2018.]]
Both of these style forms have been normalized and popularized by celebrities such as [[Harry Styles]], [[Timothée Chalamet]], [[Billie Eilish]], [[Troye Sivan]], and more.<ref>{{Cite web |date=2022-11-01 |title=The iconic Princess Diana fashion moment that changed the lives of two fashion designers |url=https://www.hellomagazine.com/fashion/royal-style/20221101155704/princess-diana-sheep-jumper-designers/ |access-date=2022-12-01 |website=HELLO! |language=en |archive-date=2022-12-01 |archive-url=https://web.archive.org/web/20221201064449/https://www.hellomagazine.com/fashion/royal-style/20221101155704/princess-diana-sheep-jumper-designers/ |url-status=live }}</ref>

=== Societal changes ===
[[File:C2E2 2015 - Misty (16697788693).jpg|left|thumb|220x220px|A person [[crossplay (cosplay)|crossplaying]] as [[Misty (Pokémon)|Misty]] from the popular [[anime]] [[Pokémon (TV series)|Pokémon]] at [[Chicago Comic & Entertainment Expo]] in 2015.]]
Beyond fashion, cross-dressing in non-Western countries has not fully outgrown the negative connotations that it has in the West. For instance, many Eastern and Southeastern Asian countries have a narrative of discrimination and stigma against LGBTQ+ and cross-dressing individuals. This is especially evident in the post-pandemic world. During this time, it was clear to see the failures of these governments to provide sufficient support to these individuals due to a lack of legal services, lack of job opportunity, and more. For instance, to be able to receive government aid, these individuals need to be able to quickly change their legal name, gender, and other information on official ID documents.<ref name=":2">{{Cite web |date=2022-11-14 |title=Asia and the Pacific Islands: Pandemic's disproportionate impact on transgender people should be "wake-up call" to governments |url=https://www.amnesty.org/en/latest/news/2022/11/asia-pacific-pandemics-transgender-rights/ |access-date=2022-12-01 |website=Amnesty International |language=en}}</ref> This fault augmented the challenges of income loss, food insecurity, safe housing, healthcare, and more for many trans and cross-dressing individuals. This was especially pertinent as many of these individuals relied on entertainment and sex work for income. With the pandemic removing these job opportunities, the stigmatisation and discrimination against these individuals only increased, especially in Southeast Asian countries.<ref name=":2" />

On the other hand, some Asian countries have grown to be more accepting of cross-dressing as modernization has increased. For instance, among Japan's niche communities, there exists the [[otokonoko]]. This is a group of male-assigned individuals who engage in female cross-dressing as a form of gender expression. This trend originated with [[manga]] and grew with an increase in [[Maid café|maid cafes]], [[cosplay]]ing, and more in the 2010s.<ref>{{cite news |last1=Ripley |first1=Will |title=A 51-year-old male schoolgirl? Meet Tokyo's inspirational cross-dresser |url=https://www.cnn.com/2014/07/19/world/asia/japan-inspirational-cross-dresser/index.html |work=CNN |date=20 July 2014 |access-date=1 December 2022 |archive-date=1 December 2022 |archive-url=https://web.archive.org/web/20221201073100/https://www.cnn.com/2014/07/19/world/asia/japan-inspirational-cross-dresser/index.html |url-status=live }}</ref> With the normalization of this through cosplay, cross-dressing has become a large part of [[otaku]] and [[anime]] culture.<ref>{{Cite news |date=2022-11-10 |title=LSA100: Rule Breaker Hakken is comfortable in their own skin, in cosplay and in life |url=https://www.lifestyleasia.com/kl/digital-cover/lsa100-rule-breaker-hakken-cosplayer/ |access-date=2022-12-01 |website=Lifestyle Asia Kuala Lumpur |language=en-US}}</ref>

In 2023, [[Death of Noor Alsaffar|Noor Alsaffar]], an Iraqi vlogger and model, who described themselves as a cross-dresser, was murdered.<ref>{{Cite web |date=2024-04-27 |title=Iraqi social media influencer Um Fahad shot dead by motorbike gunman in Baghdad - CBS News |url=https://www.cbsnews.com/news/iraq-investigating-killing-um-fahad-social-media-influencer/ |access-date=2024-04-28 |website=www.cbsnews.com |language=en-US |archive-date=2024-04-27 |archive-url=https://web.archive.org/web/20240427201521/https://www.cbsnews.com/news/iraq-investigating-killing-um-fahad-social-media-influencer/ |url-status=live }}</ref><ref>{{Cite magazine |date=2024-04-27 |title=Iraqi Authorities Investigate Killing of TikTok Star |url=https://time.com/6971797/iraqi-authorities-investigate-tiktok-star-om-fahad-killing/ |access-date=2024-04-28 |magazine=TIME |language=en |archive-date=2024-04-27 |archive-url=https://web.archive.org/web/20240427211650/https://time.com/6971797/iraqi-authorities-investigate-tiktok-star-om-fahad-killing/ |url-status=live }}</ref><ref>{{Cite web |title=Popular Iraqi female TikTok star shot dead in Baghdad night attack |url=https://www.aljazeera.com/news/2024/4/27/iraqi-tiktok-star-om-fahad-shot-dead-in-baghdad-night-attack |access-date=2024-04-28 |website=Al Jazeera |language=en |archive-date=2024-04-27 |archive-url=https://web.archive.org/web/20240427183634/https://www.aljazeera.com/news/2024/4/27/iraqi-tiktok-star-om-fahad-shot-dead-in-baghdad-night-attack |url-status=live }}</ref> The killing of Alsaffar appears to be linked to an increase in homophobia and transphobia in Iraq.<ref name=":03">{{Cite web |last=Morey |first=Alice |date=2023-09-29 |title=Popular Iraqi TikToker allegedly shot dead in Baghdad |url=https://www.gaytimes.co.uk/life/popular-iraqi-tiktoker-shot-dead-in-baghdad/ |access-date=2024-04-28 |website=GAY TIMES |language=en-GB |archive-date=2024-04-28 |archive-url=https://web.archive.org/web/20240428104911/https://www.gaytimes.co.uk/life/popular-iraqi-tiktoker-shot-dead-in-baghdad/ |url-status=live }}</ref>

==Across media{{Anchor|Literature}}==
{{Main|Cross-dressing in literature|Cross-dressing in film and television|Cross-dressing in music and opera}}
[[File:Bundesarchiv Bild 183-U0920-507, Lucie Höflich.jpg|thumb|255x255px|Actress [[Lucie Höflich]] portraying Viola in a [[Berlin]] production of [[Twelfth Night]] in 1907.]]
Women dressed as men, and less often men dressed as women, is a common trope in fiction<ref name="C&G 395">Clute & Grant 1997, p. 395</ref> and folklore. For example, in [[Thrymskvitha]], [[Thor]] disguised himself as [[Freya]].<ref name="C&G 395" /> These [[disguise]]s were also popular in [[Gothic fiction]], such as in works by [[Charles Dickens]], [[Alexandre Dumas, père]], and [[Eugène Sue]],<ref name="C&G 395" /> and in a number of [[Shakespeare]]'s plays, such as ''[[Twelfth Night]]''. In ''[[The Wind in the Willows]]'', Toad dresses as a washerwoman, and in ''[[The Lord of the Rings]]'', [[Éowyn]] pretends to be a man.

In [[science fiction]], [[fantasy]] and [[women's literature]], this [[literary motif]] is occasionally taken further, with literal transformation of a character from male to female or vice versa. [[Virginia Woolf]]'s ''[[Orlando: A Biography]]'' focuses on a man who becomes a woman, as does a warrior in [[Peter S. Beagle]]'s ''The Innkeeper's Song'';<ref name="C&G 396">Clute & Grant 1997, p. 396</ref> while in [[Geoff Ryman]]'s ''[[The Warrior Who Carried Life]]'', Cara magically transforms herself into a man.<ref name="C&G 396" />

Other popular examples of gender disguise include ''[[Madame Doubtfire]]'' (published as ''Alias Madame Doubtfire'' in the United States) and its movie adaptation ''[[Mrs. Doubtfire]]'', featuring a man disguised as a woman.<ref>Anita Silvey [https://books.google.com/books?id=8GUNHGutszEC&dq=characters+disguised+as+human&pg=PA284 The essential guide to children's books and their creators] p.155</ref> Similarly, the movie ''[[Tootsie]]'' features Dustin Hoffman disguised as a woman, while the movie ''[[The Associate (1996 film)|The Associate]]'' features Whoopi Goldberg disguised as a man. Japanese fashion designer and [[visual kei]] musician [[Mana (Japanese musician)|Mana]] of the bands [[Malice Mizer]] and [[Moi dix Mois]] is notable for wearing traditionally female clothes. He is credited with popularizing cross-dressing among visual kei bands.<ref>{{cite web|title=【インタビュー】Mana × Közi、MALICE MIZERを語る「Kamiの約束が実現できる」|url=https://www.barks.jp/news/?id=1000158491&page=3|work=Barks|language=Japanese|date=2018-08-29|accessdate=2024-05-15|archive-date=2021-04-26|archive-url=https://web.archive.org/web/20210426024350/https://www.barks.jp/news/?id=1000158491&page=3|url-status=live}}</ref>

==Medical views==
The [[International Statistical Classification of Diseases and Related Health Problems]] listed ''dual-role transvestism'' (non-sexual cross-dressing)<ref>{{Cite web |title=ICD-10 Version:2016 |url=https://icd.who.int/browse10/2016/en#/F64.1 |url-status=live |archive-url=https://web.archive.org/web/20181105125609/http://apps.who.int/classifications/icd10/browse/2016/en#/F64.1 |archive-date=2018-11-05 |access-date=2019-10-11 |website=icd.who.int}}</ref> and ''fetishistic transvestism'' (cross-dressing for sexual pleasure) as disorders in [[ICD-10|its 10th edition]],<ref>{{Cite web |title=ICD-10 Version:2016 |url=https://icd.who.int/browse10/2016/en#/F65.1 |url-status=live |archive-url=https://web.archive.org/web/20181105125609/http://apps.who.int/classifications/icd10/browse/2016/en#/F65.1 |archive-date=2018-11-05 |access-date=2019-10-11 |website=icd.who.int}}</ref> but both were removed for the [[ICD-11|11th edition]], which came into effect in 2022.<ref name="lgbtq">{{Cite web |last=Bollinger |first=Alex |date=2019-05-28 |title=The World Health Organization will no longer classify being transgender as a 'mental disorder' |url=https://www.lgbtqnation.com/2019/05/world-health-organization-will-no-longer-classify-transgender-mental-disorder/ |url-status=live |archive-url=https://web.archive.org/web/20210308211753/https://www.lgbtqnation.com/2019/05/world-health-organization-will-no-longer-classify-transgender-mental-disorder/ |archive-date=2021-03-08 |access-date=2019-10-11 |website=LGBTQ Nation}}</ref>

When cross-dressing occurs for [[erotic]] purposes over a period of at least six months and also causes significant distress or impairment, the behavior is considered a [[mental disorder]] in the United States ''[[Diagnostic and Statistical Manual of Mental Disorders]]'', and the psychiatric diagnosis "[[transvestic fetishism]]" is applied.<ref>{{cite web |date=2009 |title=DSM-V |url=http://www.dsm5.org/Documents/Sex%20and%20GID%20Lit%20Reviews/Paraphilias/DSMV.TF.pdf |access-date=February 4, 2013 |work=The DSM Diagnostic Criteria for Transvestic Fetishism |publisher=[[American Psychiatric Association]]}}</ref> Under the name transvestic disorder, it is categorized as a paraphiliac disorder in the [[DSM-5]].<ref name="DSM-5-paraphillic" /> The DSM-5 defines a paraphilic disorder as "a paraphilia that is currently causing distress or impairment to the individual or a paraphilia whose satisfaction has entailed personal harm, or risk of harm, to others", adding that [[paraphilia]]s do not require or justify psychiatric treatment in themselves.<ref name="DSM-5, intro">{{cite book |title=Diagnostic and Statistical Manual of Mental Disorders |publisher=[[American Psychiatric Publishing]] |year=2013 |edition=Fifth |location=Philadelphia, Pennsylvania |pages=685–686 |chapter=Paraphilic Disorders}}</ref>

For the next edition of the DSM the aim is to harmonize with the ''International Classification of Diseases'' (ICD-11) as much as possible.<ref>{{Cite web |title=APA Unveils Early Plans for the Next DSM |url=https://www.medscape.com/viewarticle/apa-unveils-early-plans-next-dsm-2025a1000eu1 |access-date=2025-10-18 |website=Medscape |language=en}}</ref>

==See also==
* [[Breeches role]]
* [[Breeching (boys)]]
* [[Cross-dressing ball]]
* [[Cross-gender acting]]
* [[Femboy]]
* [[Feminization (activity)]]
* [[Femminiello]]
* [[Gender-based dress codes]]
* [[Gender bender]]
* [[Gender identity]]
* [[Gender variance]]
* [[List of transgender-related topics]]
* [[List of transgender-rights organizations]]
* [[List of wartime crossdressers]]
* [[Muxe]]
* ''[[Otokonoko]]'', male crossdressing in Japan
* [[Queer heterosexuality]]
* [[Sex and gender distinction]]
* [[Social construction of gender]]
* [[Sexual orientation hypothesis]]
* [[Transsexual]]
* [[Travesti (theatre)]]
* [[Tri-Ess]]
* [[Womanless wedding]]

==Notes==
{{notelist}}

==References==
{{reflist|25em}}

==Sources==
* Ackroyd, Peter. ''[https://archive.org/details/dressinguptransv00ackrrich Dressing up, transvestism and drag: the history of an obsession.]'' Simon and Schuster, 1979. {{ISBN|0671250914}}
* Mancini, Elena. ''[https://books.google.com/books?isbn=0549700552 A Brighter Shade of Pink: Magnus Hirschfeld.]'' ProQuest, 2007. {{ISBN|0549700552}}
* Ambrosio, Giovanna. ''[https://books.google.com/books?isbn=178049307X Transvestism, Transsexualism in the Psychoanalytic Dimension.]'' Karnac Books, 2011. {{ISBN|178049307X}}
* Gravois, Valory. ''{{usurped|1=[https://archive.today/20130103160412/http://www.crossdressingnovel.com/ Cherry Single: A Transvestite Comes of Age (a novel)]}}'' Alchemist/Light Publishing, 1997 (Available to read free, online), {{ISBN|0-9600650-5-9}}

== Further reading ==
* Anders, Charles. ''The Lazy Crossdresser'', [[Greenery Press]], 2002. {{ISBN|1-890159-37-9}}.
* [[Helen Boyd|Boyd, Helen]]. ''[[My Husband Betty]]'', Thunder's Mouth Press, 2003
* {{citation |last=Chesser |first=Lucy Sarah |title=Parting with My Sex: Cross-dressing, Inversion and Sexuality in Australian Cultural Life |url=https://books.google.com/books?id=CKRE6-CWLAoC |year=2008 |publisher=Sydney University Press |isbn=978-1-920898-31-1 |oclc=488863093}}
* [[John Clute|Clute, John]] & Grant, John. ''[[The Encyclopedia of Fantasy]]'', Orbit Books, 1997. {{ISBN|978-1-85723-368-1}}
* {{citation |last1=Dekker |first1=Rudolf M |last2=van de Pol |first2=Lotte C  |author3=Kazi Maruful Islam |title=The Tradition Of Female Cross-Dressing In Early Modern Europe |url=https://books.google.com/books?id=buewCwAAQBAJ |date=8 February 1989 |publisher=Palgrave Macmillan UK |isbn=978-1-349-19752-1}}
* {{citation |last=Hauk |first=Savannah |title=Living with Crossdressing: Defining a New Normal |url=https://books.google.com/books?id=CJ8uDwAAQBAJ |date=1 September 2017 |isbn=978-1-5378-6529-4 |oclc=1013928885}}
* "Lynne". [https://web.archive.org/web/20160305000529/https://gendercentre.org.au/resources/polare-archive/archived-articles/a-cross-dressing-perspective.htm "A Cross-Dressing-Perspective"]

* {{cite journal | author = Thanem Torkild, Wallenberg Louise | publisher=[[Stockholm University]] | year = 2016 | title = Just doing gender? Transvestism and the power of underdoing gender in everyday life and work | url = http://su.diva-portal.org/smash/get/diva2:770890/FULLTEXT01| journal = Organization | volume = 23 | issue = 2| pages = 250–271 | doi = 10.1177/1350508414547559 | s2cid = 144150015 }}

==External links==
{{commons category}}
{{wikiquote}}
{{wiktionary|transvestite}}
{{portal|fashion}}
* [http://www.gendercentre.org.au/ The Gender Centre (Australia)]
* [http://www.xdresser.ca/ Crossdressing Support Group (Canada)]
* [https://web.archive.org/web/20060207033802/http://www.cdspub.com/ef01.html The EnFemme Archives]
* [https://www.digitaltransgenderarchive.net/files/s1784k813 En Femme Magazine No. 1, Digital Transgender Archive]
* [http://www.britannica.com/topic/transvestism Transvestism at Britannica Online Encyclopædia]

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