View source for Bruno Walter

{{short description|German-born conductor, pianist, and composer (1876–1962)}}
{{Use mdy dates|date=April 2024}}
{{more citations needed|date=May 2013}}

{{Infobox person
| name                = Bruno Walter
| image               = Bruno Walter Wien 1912.jpg
| image_size          = 
| caption             = Walter, Vienna, 1912
| birth_name          = Bruno Schlesinger
| birth_date          = {{birth date|mf=yes|1876|9|15}}
| birth_place         = [[Berlin]], [[Kingdom of Prussia]], [[German Empire]]
| death_date          = {{death date and age|mf=yes|1962|2|17|1876|9|15}}
| death_place         = [[Beverly Hills]], California, U.S.
| occupation          = [[Composer]], [[Conducting|conductor]], [[pianist]]
| years_active        = 
| spouse              = 
| signature           = 
}}

'''Bruno Walter''' (born '''Bruno Schlesinger''', September 15, 1876{{spaced ndash}}February 17, 1962) was a [[Germany|German]]-born [[Conducting|conductor]], pianist, and composer. Born in [[Berlin]], he left [[Nazi Germany]] in 1933, was naturalised as a [[French people|French]] citizen in 1938, and settled in the United States in 1939. He worked closely with [[Gustav Mahler]], whose music he helped to establish in the repertory, held major positions with the [[Leipzig Gewandhaus Orchestra]], [[New York Philharmonic]], [[Royal Concertgebouw Orchestra|Concertgebouw Orchestra]], [[Salzburg Festival]], [[Vienna State Opera]], [[Bavarian State Opera]], [[Staatsoper Unter den Linden]] and [[Deutsche Oper Berlin]], among others, made recordings of historical and artistic significance, and is widely considered to be one of the great conductors of the 20th century.

== Biography ==
[[File:Bruno Walter, by Julius Schaarwächter.png|thumb|upright|The young Bruno Walter]]

=== Early life ===
Born near [[Alexanderplatz]] in [[Berlin]] to a [[middle-class]] [[Jew]]ish family, he began his musical education at the [[Stern Conservatory]] at the age of eight, making his first public appearance as a [[pianist]] when he was nine; he performed a concerto movement with the [[Berlin Philharmonic]] in 1889 and a full concerto with them in February 1890.<ref>{{harvp|Holden|2005|p=146}}</ref> He studied composition at Stern with [[Robert Radecke]], and remained active as a composer until about 1910 (see list of compositions below). But it was hearing a concert in 1889 by the Berlin Philharmonic led by [[Hans von Bülow]], he wrote, that "decided my future. Now I knew what I was meant for. No musical activity but that of an orchestral conductor could any longer be considered by me."<ref>{{harvp|Walter|1946|p=39}}</ref> He made his conducting début at the [[Cologne Opera]] with [[Albert Lortzing]]'s ''[[Der Waffenschmied]]'' in 1894. Later that year he left for the [[Hamburg State Opera|Hamburg Opera]] to work as a chorus director. There he first met and worked with [[Gustav Mahler]], whom he revered and with whose music he later became strongly identified.<ref>Andreas Kluge, liner notes for Bruno Walter's recording of ''Mahler's Symphonies No. 1 & No.2'' and ''Lieder eines Fahrenden Gesellen'' for Sony Classical, 1994.</ref>

=== Conducting ===
In 1896, he was appointed Kapellmeister of the Stadttheater (municipal opera) in [[Breslau]], on the strength of a recommendation from Mahler to the theater's director, Theodor Löwe. However, Löwe required that before taking up this position the young conductor change his last name from Schlesinger—which literally means [[Silesia]]n—"because of its frequent occurrence in the capital of Silesia".<ref>{{harvp|Walter|1946|p=89}}</ref>
In a letter to his brother, paraphrased by biographers Erik Ryding and Rebecca Pechefsky, Walter said that he had "suggested several names, which Mahler wrote down and gave to Löwe, who returned the contract with the name Bruno Walter".<ref name="Ryding_21_22">{{harvp|Ryding|Pechefsky|2001|pp=21–22}}</ref> These biographers add that Walter wrote to his parents that he found that "having to change his name was 'terrible'". They report that Mahler and his sisters "pressed" Walter to make the change of name, and add that contrary to occasional unsubstantiated reports, it "is unknown" whether Löwe's stipulation had anything to do with a desire to conceal Walter's Jewish origins.<ref name="Ryding_21_22"/>

In 1897, Walter became Chief Conductor at the municipal opera in Pressburg (now [[Bratislava]]). He found the town provincial and depressing, and in 1898 took the position of Chief Conductor of the [[Latvian National Opera|Riga Opera]], [[Russian Empire]]. While there, he converted to Christianity, probably Roman Catholicism.<ref>{{harvp|Ryding|Pechefsky|2001|pp=28–30}}: the authors consider it "almost certain" that the denomination he chose was Roman Catholicism, in that Walter is buried in a Catholic cemetery in Italy</ref> In 1899 Walter was appointed music director of the Temeswar, Austria-Hungary (now Timișoara, Romania) Opera, the current [[Banatul Philharmonic of Timișoara]]. Walter then returned in 1900 to [[Berlin]], where he assumed the post of Royal Prussian Conductor at the [[Staatsoper Unter den Linden]], succeeding [[Franz Schalk]]; his colleagues there included [[Richard Strauss]] and [[Karl Muck]]. While in Berlin he also conducted the premiere of ''[[Der arme Heinrich]]'' by [[Hans Pfitzner]], who became a lifelong friend.{{citation needed|date=May 2013}}

In 1901, Walter accepted Mahler's invitation to be his assistant at the Court Opera in [[Vienna]]. Walter led [[Verdi]]'s ''[[Aida]]'' at his debut. In 1907 he was elected by the [[Vienna Philharmonic]] to conduct its Nicolai Concert. In 1910, he helped Mahler select and coach solo singers for the premiere of Mahler's [[Symphony No. 8 (Mahler)|Symphony No.&nbsp;8]]. In the following years Walter's conducting reputation soared as he was invited to conduct across [[Europe]]—in [[Prague]], in [[London]] where in 1910 he conducted ''[[Tristan und Isolde]]'' and [[Ethel Smyth]]'s ''The Wreckers'' at [[Royal Opera House|Covent Garden]], and in [[Rome]]. When Mahler died on May 18, 1911, Walter was at his deathbed. On June 6, he wrote to his sister that he was to conduct the premiere of Mahler's ''[[Das Lied von der Erde]]'';<ref>{{harvp|Ryding|Pechefsky|2001|p=90}}</ref> he did so in Munich on November 20, 1911, in the first half of an all-Mahler concert (the second half contained Mahler's [[Symphony No. 2 (Mahler)|Symphony No. 2]]).<ref>Ryding, Erik and Rebecca Pechefsky, "Gustav Mahler and Bruno Walter: A Musical Friendship," Andante CD 4973, p. 31</ref> On June 26, 1912, he led the [[Vienna Philharmonic]] in the world premiere of Mahler's [[Symphony No. 9 (Mahler)|Symphony No.&nbsp;9]].<ref>{{harvp|Fischer|2011|p=611}}</ref>

=== Munich ===
Although Walter became an [[Austria]]n citizen in 1911, he left Vienna in 1913 to become the Royal Bavarian Music Director and General Music Director of the [[Bavarian State Opera]] in Munich. While there, argue Erik Ryding and Rebecca Pechefsky, "Walter's contribution to the history of Wagner performance [was] more significant than many realize. The [[Bayreuth Festival]] was suspended after 1914 and resumed only in 1924. During those nine years, Munich was the centre of authentic Wagner performance; its Prinzregenttheather was closely patterned after the Festspielhaus in Bayreuth, and its National Theatre had seen the world premieres of ''[[Die Meistersinger von Nürnberg]]'', ''[[Das Rheingold]]'', ''[[Die Walküre]]'', and ''[[Tristan und Isolde]]''. Walter was the city's music director for most of this period, and he presided over most of the Wagnerian repertoire."<ref>Erik Ryding and Rebecca Pechefsky, "Bruno Walter – Energy and Grace," notes to EMI's ''Great Conductors of the 20th Century'' Bruno Walter release, EMI 5 75133, p. 10</ref>

In January 1914, Walter conducted his first concert in [[Moscow]]. During the [[World War I|First World War]] he remained actively involved in conducting, giving premieres to [[Erich Wolfgang Korngold]]'s ''[[Violanta]]'' and ''[[Der Ring des Polykrates (opera)|Der Ring des Polykrates]]'' as well as [[Hans Pfitzner]]'s ''[[Palestrina (opera)|Palestrina]]''. In 1920, he conducted the premiere of [[Walter Braunfels]]' ''[[Die Vögel (opera)|Die Vögel]]''.{{citation needed|date=May 2013}}

However, Walter's most significant achievement while Director in Munich was his bond with Mozart: "My greatest artistic gain in Munich was the increased depth of my relation to Mozart...I recognized in Mozart the Shakespeare of the opera...With him, everything was dramatically true: nobility as well as baseness, kindness as well as malice, wisdom as well as stupidity, and he turned all truth in beauty."  [Walter: Theme and Variations, pg. 217]

In Munich, Walter was a good friend of Cardinal Eugenio Pacelli (later [[Pope Pius XII]]).<ref>{{harvp|Dalin|2005|p=50}}</ref> Walter's close friendship with [[Thomas Mann]] seems to have begun in Munich by 1914.<ref>{{harvp|Ryding|Pechefsky|2001|p=125}}</ref>

=== United States ===
Walter ended his Munich appointment in 1922 (being succeeded by [[Hans Knappertsbusch]]) and left for New York in 1923, working with the [[New York Symphony Orchestra]] in [[Carnegie Hall]]; he later conducted in [[Detroit]], [[Minnesota]] and [[Boston]].<ref>{{Cite web|date=January 6, 2015|title=Bruno Walter (1876–1962)|url=https://mahlerfoundation.org/mahler/contemporaries/bruno-walter/|access-date=March 23, 2021|website=Mahler Foundation|language=en-US}}</ref>

=== Berlin, Leipzig, Vienna ===
Back in Europe, Walter made his debuts with both the [[Leipzig Gewandhaus Orchestra]] and the [[Royal Concertgebouw Orchestra]] in 1923, and was Music Director of the [[Deutsche Oper Berlin]] ''(Städtische Oper)'' from 1925 to 1929. He made his debut at [[La Scala]] in 1926, and was chief conductor of the German seasons at [[Royal Opera House, Covent Garden|Covent Garden]] in London from 1924 to 1931.{{citation needed|date=May 2013}}

Walter served as Principal Conductor of the [[Leipzig Gewandhaus Orchestra]] from 1929 until March 1933, when his tenure was cut short by the new Nazi government, as detailed below.

In speeches in the late 1920s, Nazi leader [[Adolf Hitler]] had complained bitterly about the presence of Jewish conductors at the Berlin opera, and mentioned Walter a number of times, adding to Walter's name the words "alias Schlesinger."<ref>{{harvp|Ross|2007|p=343}}</ref> When the Nazis took power, they undertook a systematic process of barring Jews from artistic life.<ref>{{harvp|Friedländer|1997|pp=9–14}}</ref>
[[File:Dr. Bruno Walter, 1937.jpg|thumb|Bruno Walter, 1937]]
As reported by biographers Erik Ryding and Rebecca Pechefsky, when Hitler became Chancellor in January 1933, Walter was conducting in New York, but the next month sailed back to Leipzig planning to conduct his previously scheduled concerts with the Gewandhaus Orchestra in March. However, Leipzig's Chief of Police informed management that he would cancel the concerts if Walter was to conduct them. Management resisted and Walter led rehearsals, but on the day that the first concert was to take place, the police, "in the name of the Saxon ministry of the interior," forbade the dress rehearsal and the concerts; Walter left Leipzig.<ref name="Ryding_220_221">{{harvp|Ryding|Pechefsky|2001|pp=220–221}}</ref> Walter was then scheduled to conduct the [[Berlin Philharmonic]] on March 20, but its management was warned by [[Joseph Goebbels]] that "unpleasant demonstrations" might occur at the concert, and the Propaganda Ministry clarified this by saying that there would be violence in the hall. Hearing of this, Walter chose to withdraw, saying to management, "Then I have no further business here."<ref name="Ryding_220_221"/> The concert in the end was conducted by [[Richard Strauss]].<ref>{{harvp|Ryding|Pechefsky|2001|pp=221–222}}</ref> Walter later wrote, "The composer of [[Ein Heldenleben]] ["A Hero's Life"] actually declared himself ready to conduct in place of a forcibly removed colleague."<ref>{{harvp|Ryding|Pechefsky|2001|p=224}}, quoting Walter's 1946 autobiography ''Theme and Variations''.</ref> A concert that Walter was scheduled to lead in Frankfurt was also cancelled.<ref name="Ryding_224">{{harvp|Ryding|Pechefsky|2001|p=224}}</ref> Walter left Germany and was not to conduct there again until after the war.<ref name="Ryding_224"/>

{{ external media | float = right|width=200px |audio1 = You may listen to Bruno Walter conducting the [[Vienna Philharmonic Orchestra]] in [[Johannes Brahms]]' ''Symphony No. 3 in F major Opus 90'' in 1936 [https://archive.org/details/BRAHMSSymphonyNo.3-NEWTRANSFER/01.I.AllegroConBrio.mp3 '''here on archive.org''']}}
Austria became his main center of activity for the next several years. He and his family moved to Vienna, where he regularly conducted the [[Vienna Philharmonic]]—with whom he made a number of momentous recordings during this period—and at the [[Salzburg Festival]]. In 1936 he accepted an offer to be Artistic Director of the [[Vienna State Opera]], where he occupied the same office that had once been Mahler's.<ref>{{harvp|Ryding|Pechefsky|2001|p=248}}</ref> He was also appointed Permanent Guest Conductor (''eerste dirigent'') of the [[Amsterdam]] [[Concertgebouw Orchestra]] from 1934 to 1939,<ref>Johan Giskes, "Anthology of the Royal Concertgebouw 1935–1950," p. 7, Radio Nederlands CD 97017</ref> and made guest appearances such as in annual concerts with the [[New York Philharmonic]] from 1932 to 1936. When Nazi Germany annexed Austria{{snd}}the ''[[Anschluss]]''{{snd}}in 1938, Walter was in the Netherlands conducting the Concertgebouw Orchestra. His elder daughter Lotte was in [[Vienna]] at the time and was arrested by the Nazis; Walter was able to use his influence to free her. He also used his influence to find safe quarters in [[Scandinavia]] for his brother and sister during the war.{{citation needed|date=May 2013}}

During his time in Vienna, Walter "he developed a painful 'professional cramp' in his left arm that prevented him from conducting and playing the piano.... Walter consulted all kinds of specialists ... nothing helped. Finally, as a psychological element was suspected, Walter decided to consult [[Sigmund Freud|[Sigmund] Freud]], probably on the advice of his friend [[Max Graf]]".<ref>[[Mikkel Borch-Jacobsen|Borch-Jacobsen, Mikkel]] (2021). ''Freud's Patients: A Book of Lives''. Reaktion Books, p. 124.</ref> The cramp did not disappear under Freud's treatment, but, "[l]ittle by little, adapting his conducting to his physical handicap, Bruno Walter ended up regaining full use of his arm. He never had a problem again."<ref>Borch-Jacobsen, pp. 125-126.</ref>

Walter's daughter Marguerite "Gretel" (born 1906) was murdered on August 21, 1939, by her husband [[Robert Neppach]], who then killed himself; his motive was jealousy over her growing relationship with the Italian bass singer [[Ezio Pinza]].<ref>{{harvp|Ryding|Pechefsky|2001|p=267}}</ref> Walter's wife Elsa, née Korneck (born in 1871) fell into a permanent depression and died in 1945, and Walter blamed himself for the tragedy, as his daughter had met Pinza only because Walter had made special efforts to hire him to sing the role of [[Don Giovanni]].{{citation needed|date=May 2013}}

=== Return to the United States ===
On November 1, 1939, he set sail for the [[United States]], which became his permanent home. He settled in [[Beverly Hills, California]], where his many [[expatriate]] neighbors included [[Thomas Mann]].{{citation needed|date=May 2013}}

While Walter had many influences within music, in his ''Of Music and Making'' (1957) he notes a profound influence from the philosopher [[Rudolf Steiner]]. He notes, "In old age I have had the good fortune to be initiated into the world of [[anthroposophy]] and during the past few years to make a profound study of the teachings of Rudolf Steiner. Here we see alive and in operation that deliverance of which [[Friedrich Hölderlin]] speaks; its blessing has flowed over me, and so this book is the confession of belief in anthroposophy. There is no part of my inward life that has not had new light shed upon it, or been stimulated, by the lofty teachings of Rudolf Steiner ... I am profoundly grateful for having been so boundlessly enriched ... It is glorious to become a learner again at my time of life. I have a sense of the rejuvenation of my whole being which gives strength and renewal to my musicianship, even to my music-making."<ref>{{harvp|Hemleben|2000|p=198}}</ref>

{{ external media | float = right|width=200px |audio1 = You may listen to Bruno Walter conducting the [[New York Philharmonic]] in: <br> [[Wolfgang Amadeus Mozart]]'s [[Symphony No. 40 (Mozart)|Symphony No. 40 in G minor]] <br> [[Richard Strauss]]' tone poem ''[[Don Juan (Strauss)|Don Juan in E major, Op. 20]]'' <br> with commentary in 1953 [https://archive.org/details/AnEveningWithBRUNOWALTER/03.Mozart-SymphonyNo.40InGMinor-Ii.Andante.mp3 '''here on archive.org''']}}

During his years in the United States, Walter worked with many famous American orchestras. In December 1942, he was offered the music directorship of the [[New York Philharmonic]], but declined, citing his age;<ref>{{harvp|Ryding|Pechefsky|2001|p=283}}</ref> then in February 1947, after the resignation of [[Artur Rodzinski]], he accepted the position but changed the title to "Music Adviser" (he resigned in 1949). Among other orchestras he worked with were the [[Chicago Symphony Orchestra]], the [[Los Angeles Philharmonic]], the [[NBC Symphony Orchestra]], and the [[Philadelphia Orchestra]]. From 1946 onwards, he made numerous trips back to Europe, becoming an important musical figure in the early years of the [[Edinburgh Festival]] and in [[Salzburg]], Vienna and Munich. He also coached & accompanied Kathleen Ferrier in London throughout the post war period until her premature death in 1953 & was an ardent fan of her singing. In September 1950 he returned to Berlin for the first time since the aborted concert of 1933; he conducted the Berlin Philharmonic in a program of Beethoven, Mozart, Richard Strauss, and Brahms, and "gave a lecture for the students of the Municipal Conservatory – formerly his old school, the Stern Conservatory – at the students' request".<ref>{{harvp|Ryding|Pechefsky|2001|p=339}}</ref> His late life was marked by stereo recordings with the [[Columbia Symphony Orchestra]], an ensemble of professional musicians assembled by [[Columbia Records]] for recordings. He made his last live concert appearance on December 4, 1960, with the [[Los Angeles Philharmonic]] and pianist [[Van Cliburn]]. His last recording was a series of [[Wolfgang Amadeus Mozart|Mozart]] overtures with the Columbia Symphony Orchestra at the end of March in 1961.{{citation needed|date=May 2013}}

=== Death ===
[[File:Walter 1 1978.jpg|thumb|The family grave in 1998.]]
Bruno Walter died of a [[myocardial infarction|heart attack]] in his Beverly Hills home in 1962.<ref>{{Cite web|url=https://www.imdb.com/name/nm0909989/bio|title=Bruno Walter|website=IMDb|access-date=January 22, 2019}}</ref> His final resting place is in the cemetery of [[Gentilino]] near [[Lugano]] in the [[Canton of Ticino]], [[Switzerland]], in the same grave where his wife and their daughter Gretel had already been buried. Their daughter Lotte (1903–1970) was buried there as well.

== Work ==

=== Recordings ===
{{Unreferenced section|date=November 2012}}
[[File:Walter Caricature.png|210px|thumb|Caricature of Walter conducting]]
{{ external media | float = right|width=220px |audio1 = You may listen to Bruno Walter performing [[Wolfgang Amadeus Mozart]]'s ''Piano Concerto No. 20 in D minor K.466'' with the [[Vienna Philharmonic Orchestra]] in 1937 [https://archive.org/details/MOZARTPianoConcertoNo.20InDMinor-NEWTRANSFER/01.I.Allegro.mp3 '''here on archive.org''']}}
Walter's work is documented on hundreds of recordings made between 1900 (when he was 24) and 1961. Most listeners became familiar with him through the stereo recordings made in his last few years, when his health was declining. Some critics have suggested that these recordings do not fully convey what Walter's art must have sounded like in its prime. The late recordings are said to have a geniality that contrasts with the energetic, intense and mercurial performances of earlier decades. Furthermore, Walter's late recordings focus mostly on older compositions, whereas in his youth he often conducted what was then considered newer music.{{citation needed|date=May 2013}}

Walter worked closely with [[Gustav Mahler|Mahler]] as an assistant and protégé. Mahler did not live to perform his ''[[Das Lied von der Erde]]'' or ''[[Symphony No. 9 (Mahler)|Symphony No. 9]]'', but his widow, [[Alma Mahler]], asked Walter to premiere both. Walter led the first performance of ''Das Lied ''in 1911 in Munich and of the Ninth in 1912 in Vienna with the Vienna Philharmonic. Decades later, Walter and the Vienna Philharmonic (with Mahler's brother-in-law [[Arnold Rosé]] still a concertmaster) made the first recordings of ''Das Lied von der Erde'' in 1936 and of the Ninth Symphony in 1938. Both were recorded live in concert, the latter only two months before the Nazi [[Anschluss]] drove Walter (and Rosé) into exile.{{citation needed|date=May 2013}}

These recordings are of special interest for the performance practices of the orchestra and also for intensity of expression. Walter was to re-record both works successfully in later decades. His famous [[Decca Records|Decca]] ''Das Lied von der Erde'' with [[Kathleen Ferrier]], [[Julius Patzak]] and the [[Vienna Philharmonic]] was made in May 1952, and he recorded it again in stereo, with the New York Philharmonic, in 1960. He conducted the New York Philharmonic in the 1957 stereo recording of the Second Symphony. He recorded the Ninth in stereo in 1961. These recordings, as well as his other American recordings, were released initially by [[Columbia Records]] and later on CD by [[Sony]].{{citation needed|date=May 2013}}

Since Mahler himself never conducted the Ninth Symphony and ''Das Lied von der Erde'', Walter's performances cannot be taken as documentations of Mahler's interpretations. However, in the light of Walter's personal connection with the composer and his having given the original performances, they have another kind of primary authenticity. In his other (greatly esteemed) recordings of Mahler—various songs and the First, Second, Fourth, and Fifth Symphonies—there is the great added interest that he had heard Mahler's own performances of most of them.{{citation needed|date=May 2013}}

Walter made many highly acclaimed recordings of other great Germanic composers, such as [[Wolfgang Amadeus Mozart|Mozart]], [[Joseph Haydn|Haydn]], [[Ludwig van Beethoven|Beethoven]], [[Schubert]], [[Johannes Brahms]], Johann Strauss Jr., and [[Anton Bruckner]], as well as of [[Bach]], [[Wagner]], [[Schumann]], [[Antonín Dvořák|Dvorak]], Richard Strauss, [[Tchaikovsky]], [[Smetana]], and others. Walter was a leading conductor of opera, and recordings of Mozart's [[Don Giovanni]] and [[The Marriage of Figaro]] from both the [[Metropolitan Opera]] and the Salzburg Festival, of Beethoven's ''[[Fidelio]]'', and of Wagner and Verdi are now available on CD. Also of great interest are recordings from the 1950s of his rehearsals of Mozart, Mahler and Brahms, which give insight into his musical priorities and into the warm and non-tyrannical manner—as contrasted with some of his colleagues—with which he related to orchestras.{{citation needed|date=May 2013}}

=== Compositions ===
Walter composed actively until at least 1910. As detailed in the biography by Erik Ryding and Rebecca Pechefsky,<ref>{{harvp|Ryding|Pechefsky|2001}}</ref> his compositions include:
* Symphony No. 1 in D minor (composed circa 1907; premiered in Vienna, 1909; recorded by CPO 777 163–2, 2007)
* Symphony No. 2 in E (composed circa 1910)
* Symphonic Fantasia (composed 1904; premiered by Richard Strauss in 1904)
* String Quartet in D major (1903; premiered in Vienna by the [[Rose Quartet]])
* Piano Quintet (premiered in 1905 in Vienna by the [[Rose Quartet]])
* Piano Trio (premiered in 1906 in Vienna by Walter and members of the [[Rose Quartet]])
* Sonata for Violin and Piano in A (circa 1908; premiered by Walter and Rose in Vienna in February 1909; recorded VAI vaia 1155, 1997)
* Incidental music for "King Oedipus" (1910. The production was an adaptation of the Sophocles play by [[Hugo von Hofmannsthal]]. It was directed by [[Max Reinhardt]], and premiered in September 1910 in Munich, followed by performances in Berlin, Cologne, and Vienna.
* Numerous songs
* Choral Works

=== Written works ===
* ''Gustav Mahler's III. Symphonie''. In: ''Der Merker'' 1 (1909), 9–11
* ''Mahlers Weg: ein Erinnerungsblatt''. In: ''Der Merker'' 3 (1912), 166–171
* ''Über Ethel Smyth: ein Brief von Bruno Walter''. In: ''Der Merker'' 3 (1912), 897–898
* ''Kunst und Öffentlichkeit''. In: ''Süddeutsche Monatshefte'' (Oktober 1916), 95–110
* ''Beethovens Missa solemnis''. In: ''Münchner Neueste Nachrichten'' (30. Oct. 1920), Beethoven suppl., 3–5
* ''Von den moralischen Kräften der Musik''. Vienna 1935
* ''Gustav Mahler''. Wien 1936
* ''Bruckner and Mahler''. In: ''Chord and Discord'' 2/2 (1940), 3–12
* ''Thema und Variationen – Erinnerungen und Gedanken''. Stockholm 1947
* ''Von der Musik und vom Musizieren''. Frankfurt 1957
* ''Mein Weg zur Anthroposophie''. In: ''Das Goetheanum'' 52 (1961), 418–21
* ''Briefe 1894–1962''. Hg. L.W. Lindt, Frankfurt a.M. 1969

== Notable recordings ==
* 1935: [[Richard Wagner]], ''[[Die Walküre]]'' (Act I), with the [[Vienna Philharmonic Orchestra]], feat. soloists [[Lotte Lehmann]], [[Lauritz Melchior]], [[Emanuel List]], et al. (EMI Great Recordings of the Century, Naxos Historical)
* 1938: [[Gustav Mahler]], [[Symphony No. 9 (Mahler)|Symphony No. 9]], with the [[Vienna Philharmonic Orchestra]]. (Dutton, EMI Great Artists of the Century, Naxos Historical) (This was the work's first recording)
* 1941: [[Ludwig van Beethoven]], ''[[Fidelio]]'', with the [[Metropolitan Opera]], feat. soloists [[Kirsten Flagstad]], [[Alexander Kipnis]], [[Herbert Janssen]], et al. (Naxos Historical)
* 1952: [[Gustav Mahler]], ''[[Das Lied von der Erde]]'', with the [[Vienna Philharmonic Orchestra]], feat. soloists [[Kathleen Ferrier]] and [[Julius Patzak]]. (Decca Legends, Naxos Historical)
* 1956: ''The Birth of a Performance'': Walter's rehearsals and finished performance of [[Wolfgang Amadeus Mozart|Mozart]]'s ''[[Symphony No. 36 (Mozart)|"Linz" Symphony]]'', with the [[Columbia Symphony Orchestra]]. A then-rare instance of rehearsals of a performance being issued on a commercial recording. (Sony Masterworks)
* 1958–1961: [[Ludwig van Beethoven]], [[Symphony No. 4 (Beethoven)|Symphony No. 4]], [[Symphony No. 6 (Beethoven)|Symphony No. 6]] and [[Symphony No. 9 (Beethoven)|Symphony No. 9]], with the [[Columbia Symphony Orchestra]]. (Sony Bruno Walter Edition)
* 1960: [[Johannes Brahms]], [[Symphony No. 2 (Brahms)|Symphony No. 2]] and [[Symphony No. 3 (Brahms)|Symphony No. 3]], with the [[Columbia Symphony Orchestra]]. (Sony Bruno Walter Edition)

== References ==
{{Reflist|24em}}

===Bibliography===
{{refbegin}}
*{{cite book |last=Dalin |first=David G. |year=2005 |title=The Myth of Hitler's Pope: Pope Pius XII And His Secret War Against Nazi Germany |location=Washington, DC |publisher=Regency Publishing |isbn=978-0-89526-034-5 |url-access=registration |url=https://archive.org/details/mythofhitlerspop0000dali }}
*{{cite book |last=Fischer |first=Jens Malte |others=Translated by Stewart Spencer |year=2011 |title=Gustav Mahler |url=https://archive.org/details/gustavmahler0000fisc |url-access=registration |publisher=Yale University Press |isbn=978-0-300-13444-5 }}
*{{cite book |last=Friedländer |first=Saul|author-link=Saul Friedländer|year=1997 |title=Nazi Germany and the Jews, Volume 1: The Years of Persecution, 1933–39 |publisher=HarperCollins |isbn=978-0-7538-0142-0 }}
*{{cite book |last=Hemleben |first=Johannes |year=2000 |title=Rudolf Steiner: An Illustrated Biography |publisher=Sophia Books |isbn=978-1-85584-093-5 |url=https://books.google.com/books?id=CyJekdY0ug8C&pg=PA198 }}
*{{cite book |last=Holden |first=Raymond |year=2005 |title=The Virtuoso Conductors: The Central European Tradition from Wagner to Karajan |location=New Haven, CT |publisher=Yale University Press |isbn=978-0-300-09326-1 |url=https://archive.org/details/virtuosoconducto00hold }}
*{{cite book |last=Ross |first=Alex |author-link=Alex Ross (music critic) |year=2007 |title=[[The Rest Is Noise|The Rest Is Noise: Listening to the Twentieth Century]] |publisher=Farrar, Straus and Giroux |isbn=978-0-374-24939-7 }}
*{{cite book |last1=Ryding |first1=Erik |last2=Pechefsky |first2=Rebecca |year=2001 |title=Bruno Walter: A World Elsewhere |location=New Haven, CT |publisher=Yale University Press |isbn=978-0-300-08713-0 |url=https://archive.org/details/brunowalterworld00rydi_0 }}
*{{cite book |last=Walter |first=Bruno |year=1961 |title=Of Music and Music-Making |location=New York |publisher=W. W. Norton & Company |oclc=394450 }}
*{{cite book |last1=Walter |first1=Bruno |year=1946 |title=Theme and Variations: An Autobiography |url=https://archive.org/details/themeandvariatio010023mbp |translator=James A. Galston|location=New York |publisher=Alfred A. Knopf |oclc=564814 }}
{{refend}}

== External links ==
{{Commons category|Bruno Walter}}
* [http://archives.nypl.org/mus/20155 The Bruno Walter Papers] in the [http://www.nypl.org/musicdiv Music Division] of [https://web.archive.org/web/20091016095314/http://www.nypl.org/research/lpa/lpa.html The New York Public Library for the Performing Arts]
* [https://www.sonyclassical.com/artists/artist-details/bruno-walter Website at Sony Classical]
* [http://www.mdw.ac.at/bib/BW/BW_Page/Walter_NL.html Bruno Walters Heritage at Vienna Music University]
* {{AllMusic|class=artist|id=q6611|label=Bruno Walter}}
* {{DNB portal|118628879|TYP=}}
* [https://web.archive.org/web/20060325085611/http://www.klangwege.orpheustrust.at/musikschaffende.php?detail=55 Page with an mp3 file: Bruno Walter conducts Gustav Mahler (1. Symphony, Trio of 2d Movement)]
* [http://www.sonymasterworks.com/artist/bruno-walter/ Bruno Walter biography] at [[Sony Classical]]
* [http://robertmeyer.wordpress.com/2007/04/17/bruno-walter-an-extraordinary-conductor/ Conducting the London Philharmonic]
* {{PM20|FID=pe/018056}}

{{Bayerisches Staatsorchester conductors}}
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{{DEFAULTSORT:Walter, Bruno}}
[[Category:1876 births]]
[[Category:1962 deaths]]
[[Category:Musicians from Berlin]]
[[Category:Musicians from the Province of Brandenburg]]
[[Category:Austrian conductors (music)]]
[[Category:Male conductors (music)]]
[[Category:German conductors (music)]]
[[Category:German male conductors (music)]]
[[Category:American male conductors (music)]]
[[Category:20th-century American conductors (music)]]
[[Category:Music directors (opera)]]
[[Category:Anthroposophists]]
[[Category:Deutsche Grammophon artists]]
[[Category:Jewish emigrants from Nazi Germany to the United States]]
[[Category:Emigrants from Nazi Germany to the United States]]
[[Category:Royal Philharmonic Society Gold Medallists]]
[[Category:Converts to Roman Catholicism from Judaism]]
[[Category:Berlin University of the Arts alumni]]
[[Category:Jewish classical musicians]]
[[Category:Analysands of Sigmund Freud]]
[[Category:Salzburg Festival directors]]
[[Category:Music directors of the New York Philharmonic]]
[[Category:Kapellmeisters of the Leipzig Gewandhaus Orchestra]]
[[Category:Music directors of the Bavarian State Opera]]