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{{Short description|Seventh-century Tamil Śaiva poet-saint}}
{{Use dmy dates|date=October 2016}}
{{Use Indian English|date=October 2016}}
{{Infobox Hindu leader
| name               = Appar
| image              = ApparPerundhagaiyaar.png
| caption            = Appar
| native_name        = 
| religion           = [[Hinduism]]
| birth_place        = Tiruvamur, Panruti, [[Chola Kingdom]]<br/> (modern day Tiruvamur, [[Tamil Nadu]], [[India]])
| birth_name         = Marul Neekkiyar
| death_place        = Thiruppugalur [[Chola Kingdom]]<br/>  (modern day [[Thiruvarur]], [[Tamil Nadu]], [[India]])
| philosophy         = [[Shaivism]] [[Bhakti]]
| honors             = [[Nayanars|Nayanar]] saint, Muvar
| literary_works     = ''[[Tevaram]]'' 4,5 (Tirukkuruntokai), 6 (Tiruttantakam)
| birth_date         = 570 CE
| death_date         = 650 CE (aged 80)
}}
'''Appar''' ({{langx|ta|அப்பர்}}), also referred to as '''Tirunavukkaracar''' ({{Langx|ta|திருநாவுக்கரசர்|translit=Tirunāvukkaracar}}) or '''Navukkarasar''', was a seventh-century Tamil [[Shaivism|Shaiva]] poet-saint. Born in a peasant Shaiva family, raised as an orphan by his sister, he lived about 80 years and is generally placed sometime between 570 and 650 CE.{{sfn|Peterson|1989|pp=19–21, 270-273, 283–297}}<ref name="Zvelebil95">Zvelebil 1974, p. 95</ref> Appar composed 4,900 devotional hymns to the god [[Shiva]], out of which 313 have survived and are now canonized as the 4th to 6th volumes of ''[[Tirumurai]]''.{{sfn|Nagaswamy|1989|pp=Chapter 2}} One of the most prominent of the sixty-three revered [[Nayanars]], he was an older contemporary of [[Sambandar]].{{sfn|Peterson|1989|pp=19–21, 270-273, 283–297}}{{sfn|Vanmikanathan|1983|p=8}}

His images are found and revered in Tamil Shiva temples. His characteristic iconography in temples show him carrying a farmer's small hoe – a gardening tool and weed puller.{{sfn|Peterson|1989|pp=19–21, 270-273, 283–297}}

==Names==
Appar is also known as Tirunavukkaracar (''lit.'' "King of the Tongue, Lord of Language"). His birth-name was Marulneekkiyar. He was renamed Dharmasenar while he studied and later served as the head of a Jain monastery. After he returned to Shaivism and began composing devotional hymns to Shiva, he has been historically referred to as ''Appar'' (''lit.'' "father"), after the child poet-saint Sambandar lovingly called him ''Appar''.{{sfn|Vanmikanathan|1983|p=8}}

==Early life==
An outline about Appar's life, without specifics, are found in his own hymns that were preserved by an [[oral tradition]]. A written collection of his hymns as well as more details are found in texts about four centuries after he died. One of the most studied version is the Sekkizhar's ''[[Periya Puranam]]'', the last book of the ''Tirumurai''. There, under ''Thiruninrasargam'' and in 428 verses, Sekkizhar presents the legendary life of Appar.{{sfn|Nagaswamy|1989|pp=Chapter 2}}

Appar was born in late 6th-century, likely between 570 and 596 CE.<ref name="Zvelebil95"/> Some scholars place him a bit later, in early 7th-century.{{sfn|Spencer|1970|pp=234–235}} Appar was born in the Guruaruludaiyan [[Gotra|kothiraam]] of the [[Vellalar|Thodu Paraiyar]] caste by birth.<ref>{{cite book|url=https://books.google.com/books?id=9YzXAAAAMAAJ&q=%22Appar+was+a+vaisya%22|title=Developments in Indian Religion|publisher=Canadian Scholars' Press|year=2002|last=Smith|first=Ronald Morton|page=33}}:"Appar was a vaisya"</ref><ref>{{cite book|url=https://archive.org/details/proceedings-volume-3/page/300/mode/2up?q=%22Vellala+or+Vaisya%22|title=Actes Du Sixième Congrès International Des Orientalistes|publisher=Wentworth Press|year=2018|last=Leiden|first=International Congress of Orientalists|page=300|isbn=978-0-27090-885-5}}:"He was born in the Guruaruludaiyan kothiraam of Vellala caste by birth ."</ref> His childhood name was Marunikkiyar (Marulneekiar). Orphaned, he was raised by his older sister Thilagavathiar.{{sfn|Peterson|1989|pp=283–287}}{{sfn|Zvelebil|1974|p=95}} Thilagavathiar was betrothed to a military commander who died in war. She never married thereafter, devoted herself to Shaivism and to taking care of her little brother.{{sfn|Peterson|1989|pp=283–287}} He spent his childhood in Tiruvamur village near Atikai by most accounts.{{sfn|Peterson|1989|pp=283–287}}

===Conversion to Jainism and return to Shaivism===
{{Thirumurai}}
Unlike his sister, Appar turned to Jainism. He left home, joined a Jain monastery, where he was renamed Dharmasena (Tarumacenar). He studied Jainism and years later became the head of the Jain monastery in Tiruppatirippuliyur.{{sfn|Peterson|1989|pp=283–287}}<ref name="Das p33">{{harvnb|Das|2005|p=33}}</ref> After a while, afflicted by a painful stomach illness, Dharmasena returned home.<ref name="Siva Bhakthi Chapter 2">{{harvnb|Nagaswamy|1989|loc=ch. 2}}</ref> His sister gave him ''[[Vibhuti|Tiruniru]]'' (sacred ash) and taught him the five syllable mantra "namaccivaya" ([[Om Namah Shivaya|Namah Shivaya]]). Then they went together to a Shiva temple in Atikai, where he spontaneously composed his first hymn of Tevaram. As he sang the second verse, he was miraculously cured of his stomach illness. Thereafter, he came to be known as Navukkaracar (from Skt: Vagisa, "king of speech") or more popularly just Appar. He thus left Jainism and become a devout Shaiva.{{sfn|Peterson|1989|pp=283–287}}

Appar's hymns are intimately devotional to Shiva, but occasionally include verses where he repents the Jain period of his life.{{sfn|Peterson|1989|pp=283–287}} In Tevaram hymn IV.39 and others, he criticizes the Jain monastic practice of not brushing teeth, the lack of body hygiene, their barbaric ascetic practices, the doctrine of ''pallurai'' (anekantavada) as self-contradictory relativism, the hypocrisy of running away from the world and work yet begging for food in that same world, and others.{{sfn|Peterson|1989|pp=286–293 with footnotes}}

[[File:Appar wooden image.jpg|right|thumb|250px|Appar (Wooden Image), [[Archaeological Survey of India|ASI]] Museum, [[Vellore]]]]
[[File:Thirukkadaiyur Gopuram Appar.JPG|right|thumb|250px|Amirthakadaieeshwarar temple relief depicting Appar bearing Sambandar's palanquin]]

===Bhakti===
Appar largely stayed at Atikai with his sister before visiting other Shiva temples to sing in praise of Shiva. He heard of [[Thirugnana Sambandar|Sambandar]] and went to Sirkali to meet him. Sambandar respectfully addressed Navukkarasar as ''Appar'' (father) and he and Appar travelled together singing hymns. Appar is said to have traveled to about a hundred and twenty-five temples in different cities or villages in Tamil Nadu. He died in ''Sadhaya Nakshtra'' in the [[Tamil calendar|Tamil month]] of ''Chithirai'' at Tirupukalur Shiva temple at the age of 81.<ref name="Zvelebil96"/>

==Appar's Tevaram==
The Tamil Shaiva tradition believes that Appar extolled Siva in 4,900 hymns (49,000 stanzas). Of these 313 hymns (3,130 stanzas) have survived, later compiled in the fourth, fifth and sixth volumes of the ''[[Tirumurai]]'', the Tamil poetic canon of [[Shaiva Siddhanta]]. The compilation of these books is generally ascribed to [[Nambiyandar Nambi]] (10th century CE). Some of Appar's hymns set to various ''[[Pann]]s'', the melodic modes of [[Ancient Tamil music]] – the rest are set to ''Tirunerisai'' and ''Viruttam'' metres.  In the last four decades of his life, he visited on foot no less than 125 shrines of [[Shiva]], scattered over a territory of a {{convert|1,000|miles|spell=in}}.  He was the only one of the four ''kuravars'' to visit the shrine at [[Gokarna, India|Tirukokarnam]] on the western coast of [[India]].  He sang 312 decads comprising 3,056 stanzas of devotion.{{sfn|Vanmikanathan|1983|p=8}}

All the songs in the Tevaram (called ''pathikam'', Tamil:பதிகம்) are believed to be in sets of ten. The hymns were set to music denoted by ''[[Pann]]s'' and are part of the canon of the [[Ancient Tamil music|Tamil music]].<ref name="Sabaratnam">Sabaratnam 2001, p. 26</ref> They continue to be part of temple liturgy today.<ref>{{cite web
|url=http://www.templenet.com/glossary3.html
|title=Glossary
|publisher=TempleNet
|access-date=2007-01-10
}}</ref><ref>{{cite web
|url=http://www.indiantemples.com/abode_initial.html
|title=Abodes of Shiva
|publisher=Indiantemples.com
|access-date=2007-01-10
}}</ref>  Several of these poems refer to historic references pointing to the saint-poets' own life, voice of devotee persona, using interior language of the mystic.<ref name="Callewaert">Callewaert 1994, p. 199</ref>  Multi-vocal rhetoric is commonly used taking on personal emotions and genres and some voices of classical [[Sangam literature]].
Appar's poems dealt with inner, emotional and psychological state of the poet saint.<ref name="Zvelebil95"/> The metaphors used in the poems have deep agrarian influence that is considered one of the striking chords for common people to get accustomed to the verse.<ref>Sabaratnam 2001, p. 27</ref>  The quote below is a popular song of Appar glorifying Shiva in simple diction.<ref name="Aiyangar">Aiyangar 2004, p. 35</ref>

:::மாசில் வீணையும் மாலை மதியமும்
:::வீசு தென்றலும்  வீங்கிள வேனிலும்
:::மூசு வண்டறை பொய்கையும் போன்றதே
:::ஈசன் எந்தை இணையடி நீழலே"

:::(''"Mācil vīṇaiyum mālai matiyamum''
:::''vīcu těņṛalum vīŋkiḷa vēņilum''
:::''mūcu vaṇţaṛai pǒykaiyum pōņṛatē''
:::''īcaņ ěntai iṇaiyaţi nīļalē"'')

translating to

:::"My Lord's twin feet are like the blemishless Veena
:::like the full-moon of the evening
:::like the gentle breeze blowing from the South
:::like the young spring
:::like a bee-humming pond "<ref name="Aiyangar"/>

The tendency to incorporate place names known to the folks in the idiom of the poems is another characteristic feature of ''Tevaram''.<ref name="Saba 27">Sabaratnam 2001, pp. 27-28</ref> The poems also involved glorifying the feat of Shiva in the particular location – the usage of locale continuously occurring in the verses is a testament.<ref name="Saba 27"/>  According to Prentiss, the poems do not represent social space as a contested space, the hymns represent the hymnists were free to wander and to offer their praise of Shiva.{{sfn|Prentiss |1992|p=51-52}} The emotional intensity of the hymns represent spontaneous expression of thought as an emotional responses to God.{{sfn|Prentiss |1992|p=51-52}} The hymnists made classificatory lists of places like ''katu'' (for forest), ''turai'' (port or refuge), ''kulam'' (water tank) and ''kalam'' (field) being used – thus both structured and unstructured places in the religious context find a mention in ''Tevaram''.{{sfn|Prentiss |1992|p=51-52}}

==Compilation==
[[Raja Raja Chola I]] (ruled 985–1013 CE) embarked on a mission to recover the hymns after hearing short excerpts of ''Tevaram'' in his court.<ref name="Culter 50">Culter 1987, p. 50</ref>  He sought the help of Nambi Andar Nambi,<ref>Xavier Irudayaraj,"Self Understanding of 'Saiva Siddanta' Scriptures," in The St. Thomas Christian Encyclopaedia of India, Ollur [Trichur] 2010 Ed. George Menachery, Vol. III, p.14 ff.</ref>  who was a priest in a temple.<ref name ="Cort178"/>  It is believed by Tamil Shaiva that Nambi found the scripts by divine intervention, in the form of cadijam leaves half eaten by white ants in a chamber inside the second precinct in [[Thillai Nataraja Temple, Chidambaram]].<ref name="Culter 50"/><ref name ="Cort178">Cort 1998, p. 178</ref>

Rajaraja thus became known as ''Tirumurai Kanda Cholan'' meaning one who saved the ''Tirumurai''.<ref name="Vasu">Vasudevan 2003, pp. 109-110</ref>  The king added the images of the Nayanar poet-saints inside the Shiva temple.<ref name="Vasu"/>  Nambi arranged the hymns of three saint poets Sambanthar, Appar and Sundarar as the first seven books.<ref name="Zvelebil91">Zvelebil 1974, p. 191</ref>

In 1918, 11 more songs were found engraved in a stone temple in Tiruvidavayil in a village close to Nannillam, and it was the first instance found where ''Tevaram'' verses were found in inscriptions.<ref>Ayyar, p. 23</ref>

===Translations===
Francis Kingsbury and Godfrey Phillips selected and translated 39 out of 313 of Appar's hymns into English in 1921. These were published with small collection of Sambandar and Sundarar hymns in a book titled ''Hymns of the Tamil Śaivite Saints'', released by the Oxford University Press. They stated that these were some of the hymns from ''Devaram'' (Tevaram) that they could hear being chanted in South Indian Shiva temples of their times.<ref name=Saivite>{{cite book|last1=Kingsbury|first1=F|title=Hymns of the Tamil Saivite Saints (1921)|date=1921|publisher=Oxford University Press|pages=35–68|url=http://www.ibiblio.org/guruguha/MusicResearchLibrary/Books-English/BkE-KingsburyF&PhillipsGE-Hymns-of-Tamil-Saivite-Saints-1921-0103.pdf|access-date=8 July 2014}}</ref>

In 1959, Dorai Rangaswamy published a prose translation with commentary on about 100 Appar's hymns in Volume 3 of his collected works on Tevaram.{{sfn|Dorai Rangaswamy|1959}} More recent English translations of many more select hymns by Appar have been published by Indira Peterson.{{sfn|Peterson|1989}}

==Legacy==
[[File:Appar, Chola period bronze, 12th century, Government Museum, Chennai (1) (37405562076).jpg|250x250px|thumb|Bronze image of Appar from 12th century - Vembavur, Perambalur district]]
Appar is traditionally credited with converting the [[Pallava]] king, [[Mahendravarman I|Mahendravarman]] to Shaivism.<ref name="Vasu13">Vasudevan 2003, p. 13</ref> His efforts helped expand the sacred geography of Shaivism and bring fame to smaller Shiva temples.  Appar sanctified all these temples by his verses<ref name="Vasu13"/> and was also involved in cleaning of the dilapidated temples with his ''ulavarapadai'' (farmer's gardening hoe) – now a part of his iconography.{{sfn|Peterson|1989|pp=19–21, 270-273, 283–297}}<ref name="Zvelebil96">Zvelebil 1974, p. 96</ref>

===Temple services===
Appar celebrated the Vedas, and connected the Vedic ritual to the temple ''[[Agama (Hinduism)|Agamic]] [[puja (Hinduism)|puja]]'' that is ever since followed in Shiva temples.{{sfn|Nagaswamy|1989|pp=Chapter 6: Vedic Nature of Appar’s Saivism}}<ref name="Cort176"/> According to John Cort – a scholar of Jainism and Hinduism studies, the Agamic temple rituals perpetuate the Vedic practices. Appar and other Nayanars helped transform this "as the central element of the Saiva Siddhanta philosophical and theological system, and thus of Tamil Saiva soteriology", states Cort, by emphasizing the instrumentality and efficacy of the temple and its rituals. According to Appar and others, the Vedic and the Agamic overlap, are alternate roads to the same spiritual end, both evoke a transformation in the devotee, with the difference that temple-based Saiva puja alone is emphasized in the tradition that Appar and other Nayanars helped create.<ref name="Cort176">Cort 1998, p. 176</ref>

Appar's tradition has thrived in Tamil Shiva temples. ''Odhuvars'', ''Sthanikars'', or ''Kattalaiyars'' offer musical programmes in Shiva temples of Tamil Nadu by singing ''Tevaram'' after the daily rituals.<ref>Ghose 1996, p. 239</ref>  These are usually carried out as chorus programme soon after the divine offering.  The singing of Tevaram was followed by musicals from the music pillars in such temples like [[Madurai Meenakshi Amman Temple]], [[Nellaiappar Temple]] and [[Suchindram]].<ref>Bhargava 2006, p. 467</ref>  The singers of these hymns were referred as ''Tirupadiyam Vinnapam seyvar'' or ''Pidarar'', from the inscriptions of [[Nandivarman III]] in the Tiruvallam Bilavaneswara temple records. Rajaraja deputed 48 ''pidarars'' and made liberal provisions for their maintenance and successors.<ref name="Vasu"/>

Historic inscriptions give details about the gifts rendered to the singers of ''Tevaram'' from [[Parantaka I]] of the 8th century.<ref name="Vasu"/>  A record belonging to [[Rajendra I]] mentions ''Tevaranayakan'', the supervisor of ''Tevaram'' and shows the institutionalisation of ''Tevaram'' with the establishment of a department.<ref name="Vasu"/>{{sfn|Vasudevan|2003|p=101}}  There are records from [[Kulothunga Chola III]] from Nallanyanar temple in South Arcot indicating singing of ''Tiruvempavai'' and ''Tiruvalam'' of Manickavasagar during special occasion in the temple.<ref name="Vasu"/>  From the 13th century, the texts were passed on to the Odhuvars by the ''Adheenams'' or charitable establishments. The charitable establishments that ran on philanthropy of individuals and merchant caravans had come to be because after the 13th century, the time of ancient nation states viz. cholas etc. was finished, and the temples became only denominated, voluntary, charitable places. This is briefed by a 15th-century, chidambaram temple inscription. During the time of cholas etc. the temple hymn service workers were known as ''uvacchar'' and ''marars''. These terms are of very ancient origin and traceable to even early sangam times.

Appar's stone image is revered in almost all Shiva temples of Tamil Nadu. A [[Chola bronze]] of Appar with {{convert|57|cm|in|abbr=on}} in standing posture dated to about 12th century was found in Vembavur in [[Perambalur district]]. He is sported with beads of [[Rudraksha]] on both his arms and neck. The bronze image is stored in the Bronze gallery in [[Government Museum, Chennai]].<ref name=arch>{{cite report|title=An exhibition on Chola bronzes - 1000th anniversary of Thanjavur Big temple celebration|editor-last=T.S.|editor-first=Dr. Sridhar|url=https://www.tnarch.gov.in/Library%20BOOk%20PDF/Chola%20Bronzes.pdf|page=25|publisher=Department of Archaeology & Government Museum|location=Chennai|year=2011}}</ref>

===History and culture===
Appar's hymns provide a window into the history and culture of Tamil Hindus between the 7th and 9th-century, states Paramasivanandan. They mention names of rulers, towns, villages, festivals, agriculture, trade, temples, role of temple in providing social support during famines and economic hardship, role of temples in dance, music, arts, life rituals, social conditions, literature, and the education system. Given Appar's study of Digambara Jainism prior to returning to Shaiva Hinduism, it also includes a historic view into the two traditions.<ref>A.M. Paramasivanandan (1982), ''[https://books.google.com/books?id=7-kZAAAAIAAJ The Historical Study of the Thevaram Hymns, Tamilkalai]'', {{oclc|13103354}}</ref>

==References==
{{reflist|30em}}

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*{{cite book|author=G. Vanmikanathan|editor=N. Mahalingam|title=Periya Puranam: A Tamil Classic on the Great Saiva Saints of South India by Sekkizhar|url=https://books.google.com/books?id=ffIMGgAACAAJ|year=1985|isbn=978-81-7823-148-8}}

==Further reading==
{{refbegin}}
* {{cite web |url=http://projectmadurai.org/pm_etexts/pdf/pm0173.pdf|title=Tevaram Of Tirunavukkaracu Cuvamikal Tirumurai 4 part - 1 Poems(1-487)|access-date=2011-12-13 |last=Swamigal |first=Tirunavukkarasu  |publisher=Project Madurai }}
* {{cite web |url=http://projectmadurai.org/pm_etexts/pdf/pm0173.pdf|title=Tevaram Of Tirunavukkaracu Cuvamikal Tirumurai 4 part - 2 Poems(488-1070)|access-date=2011-12-13 |last=Swamigal |first=Tirunavukkarasu  |publisher=Project Madurai }}
* {{cite web |url=http://projectmadurai.org/pm_etexts/pdf/pm0186.pdf|title=Tevaram Of Tirunavukkaracu Cuvamikal Tirumurai 5 part - 1 Poems(1-509)|access-date=2011-12-13 |last=Swamigal |first=Tirunavukkarasu  |publisher=Project Madurai }}
* {{cite web |url=http://projectmadurai.org/pm_etexts/pdf/pm0173.pdf|title=Tevaram Of Tirunavukkaracu Cuvamikal Tirumurai 5 part - 2 Poems(510-1016)|access-date=2011-12-13 |last=Swamigal |first=Tirunavukkarasu  |publisher=Project Madurai }}
* {{cite web |url=http://projectmadurai.org/pm_etexts/pdf/pm0192.pdf|title=Tevaram Of Tirunavukkaracu Cuvamikal Tirumurai 6 part - 1 Poems(1-508)|access-date=2011-12-13 |last=Swamigal |first=Tirunavukkarasu  |publisher=Project Madurai }}
* {{cite web |url=http://projectmadurai.org/pm_etexts/pdf/pm0196.pdf|title=Tevaram Of Tirunavukkaracu Cuvamikal Tirumurai 6 part - 2 Poems(509-981)|access-date=2011-12-13 |last=Swamigal |first=Tirunavukkarasu  |publisher=Project Madurai }}
{{refend}}

{{Nayanars}}
{{DEFAULTSORT:Appar}}

[[Category:Converts to Hinduism from Jainism]]
[[Category:Nayanars]]
[[Category:Year of birth unknown]]
[[Category:Year of death unknown]]
[[Category:Tamil Hindu saints]]
[[Category:Chola poets]]