View source for Shogi

{{short description|Japanese strategy board game}}
{{Infobox game
 |italic title  = no
 |title         = Shogi
 |image_link    = Shogi board pieces and komadai.jpg
 |image_size    = 300px
 |image_caption = A game of shogi ([[Fortress opening]])
 |genre         = {{ubl|[[Board game]]|[[Abstract strategy game]]|[[Mind sport]]}}
 |players       = 2
 |setup_time    = < 2 minutes
 |playing_time  = 30 mins. to 2 hours (typically)
 |random_chance = None
 |skills        = [[Shogi strategy and tactics|Strategy, tactics]]
 |AKA           = {{ubl|Japanese chess|Game of Generals}}
}}

{{Nihongo|'''Shogi'''|将棋|shōgi|extra={{IPAc-en|lang|ˈ|ʃ|oʊ|ɡ|i}},<ref>{{cite Merriam-Webster|shogi|access-date=September 18, 2022}}</ref> {{IPA|ja|ɕoːɡi|lang}}}}, also known as '''Japanese chess''', is a [[Strategy game|strategy]] [[board game]] for two players. It is one of the most popular board games in Japan and is in the same family of games as [[chess|Western chess]], [[chaturanga]], [[xiangqi]], [[Indian chess]], [[Makruk]], and [[janggi]].  ''Shōgi'' means general's (''shō'' {{lang|ja|将}}) board game (''gi'' {{lang|ja|棋}}).

Shogi was the earliest historical chess-related game to allow captured pieces to be returned to the board by the capturing player.<ref name="chessvariants1" /> This ''drop rule'' is speculated to have been invented in the 15th century and possibly connected to the practice of 15th-century [[Mercenary#15th to 18th centuries|mercenaries]] switching loyalties when captured instead of being killed.<ref>{{cite magazine | date=1980 | title=Shogi history & the variants | magazine=Shogi | issue=27 | pages=9–13 | editor1-last=Hodges | editor1-first=George }}</ref>

The earliest predecessor of the game, [[chaturanga]], originated in India in the 6th century, and the game was likely transmitted to Japan via China or [[Korea]] sometime after the [[Nara period]].<ref name=EBshogi>"Shogi". ''Encyclopædia Britannica''. 2002.</ref> Shogi in its present form was played as early as the 16th century, while a direct ancestor without the drop rule was recorded from 1210 in a historical document ''{{ill|Nichūreki|ja|二中歴 |vertical-align=sup}}'', which is an edited copy of ''Shōchūreki'' and ''Kaichūreki'' from the late [[Heian period]] (c. 1120).

== Equipment ==
[[File:Shogi Ban Koma.jpg|right|thumb|upright=1.5|A traditional ''shōgi ban'' (shogi board) displaying a set of ''koma'' (pieces). The pieces on the far side are turned to show their promoted values. The stands on either side are ''komadai'' used to hold captured pieces. The board itself is raised for the comfort of players seated on ''tatami'' mats (background), and is hollowed underneath to produce a pleasing sound when the pieces are moved.]]

Two players face each other across a board composed of rectangles in a grid of 9 ''ranks'' (rows, {{lang|ja|段}}) by 9 ''files'' (columns, {{lang|ja|筋}}) yielding an 81-square board.{{efn | Cf. the 64 square [8x8] board in western chess and the 90 intersection point board [9x10] in [xiangqi]).}} In Japanese they are called {{nihongo||先手|Sente|"earlier move"}} and {{nihongo||後手|Gote|"later move"}}, but in English they are conventionally referred to as Black and White, with Black being the first player.{{efn|The first player is called Black because moves from the first player are traditionally marked with a black triangle or pentagon (▲ or ☗) in Japanese [[shogi notation]], while moves of the other player are marked with a white triangle or pentagon (△ or ☖).<ref>{{cite web |date=Aug 2023 |title=How to Read Kifu |url=https://shogishack.net/pages/internet-resources/how-to-read-kifu.html |url-status=live |website=shogishack.net |access-date=2025-01-28 |archive-url=https://web.archive.org/web/20231102152544/https://shogishack.net/pages/internet-resources/how-to-read-kifu.html |archive-date=2023-11-02 |quote=Unfortunately, Japanese notation historically uses white triangle (△) to indicate Gote's move and black triangle (▲) to notate Sente's move. Therefore, in Shogi, Black moves first, not White.}}</ref> This is notably reversed from [[Western chess]], where the player who moves first is called White and the other Black, but the same as in [[Go (game)|Go]], where the first player usually plays with black stones.}}
The board is nearly always rectangular, and the rectangles are undifferentiated by marking or color. Pairs of dots mark the players' promotion zones.<ref>Fairbairn, John (1985), ''Shogi'', in ''The Book of Games''. New York, USA: Exeter Books {{ISBN|0-671-07732-5}}.</ref>

Each player has a set of 20 flat wedge-shaped pentagonal pieces of slightly different sizes. Except for the kings, opposing pieces are undifferentiated by marking or color. Pieces face ''forward'' by having the pointed side of each piece oriented toward the opponent's side – this shows who controls the piece during play. The pieces from largest (most important) to smallest (least important) are:

* 1 [[King (chess)|king]]
* 1 [[rook (chess)|rook]]
* 1 [[bishop (chess)|bishop]]
* 2 [[Fairy chess piece#G|gold generals]]
* 2 [[Fairy chess piece#K|silver generals]]
* 2 [[knight (chess)|knights]]
* 2 [[Fairy chess piece#L|lance]]s
* 9 [[pawn (chess)|pawns]]

Several of these names were chosen to correspond to their rough equivalents in international chess, and not as literal translations of the Japanese names.

Each piece has its name written on its surface in the form of two ''[[kanji]]'' ([[Chinese characters]] used as [[syllabogram]]s or as [[logogram]]s to record texts in [[Old Japanese]]), usually in black ink. On the reverse side of each piece, other than the king and gold general, are one or two other characters, in amateur sets often in a different color (usually red); this side is turned face up during play to indicate that the piece has been promoted.

In some cases, the backsides of the King pieces (the narrow side which faces back toward the player during normal play) will display kanji containing additional information about the piece manufacturers.

Following is a table of the pieces with their Japanese representations and English equivalents. The abbreviations are used for game notation and often when referring to the pieces in speech in Japanese.

[[File:Shogi Koma Ryoko.jpg|right|thumb|upright=1.3|Closeup of shogi pieces. ''Top:'' +R, R, K (reigning), K (challenging), B, +B. ''Bottom:'' +L, L, +S, S, G, N, +N, P, +P]]
[[File:DifferentStyleKoma.jpg|thumb | Another popular style of shogi pieces different from the usual Japanese characters. Shows a 7-move [[tsumeshogi]] problem. White has pawns on 13, 24, 34; king on 23; and a promoted rook on 29. Black has a bishop on 44, a pawn on 17, a lance on 19, and a rook, two golds, and a silver in hand.]]
[[File:Kurobori shogi pieces.jpg|thumb|Pieces in the most simplified {{nihongo|''kurobori''|黒彫}} typeface]]
[[File:Shogi-Set-08 cropRotate.jpg|thumb|An example set of "international" pieces. In this set, those pieces that do not have their equivalents in chess have symbols that iconically show their movement (e.g. the silver general's crown and ribbons point towards its possible directions of movement).]]

{| class="wikitable"
|-
! English name
! Image
! [[Kanji]]
! [[Rōmaji]]
! Meaning
! colspan=3| Abbreviations
! [[Fairy chess piece#Ralph Betza's "funny notation"|Betza notation]]
|-
| King<br />(higher ranked player or reigning champion) || style="text-align:center;"| [[File:Shogi osho(svg).svg|35px]]||{{Lang|ja|王将}} ||  ''ōshō'' || king general{{efn|Originally both kings were named {{nihongo|"jewelled general"|玉將}}, but at one point in history the dot in {{nihongo|"jewel"|玉}} was left out on one piece to make {{nihongo|"king"|王}}. This is said to be introduced by the great warlord [[Toyotomi Hideyoshi]] in the 16th century.<ref name="zatsugaku"/>}} || '''K''' || {{Lang|ja|王}} || ''ō'' || K
|-
| King<br />(lower ranked player or challenger) || style="text-align:center;"| [[File:Shogi gyokusho(svg).svg|35px]]||{{Lang|ja|玉将}} ||  ''gyokushō'' || jeweled general || '''K''' || {{Lang|ja|玉}} || ''gyoku'' || K
|-
| Rook || style="text-align:center;"| [[File:Shogi hisha(svg).svg|35px]]||{{Lang|ja|飛車}} ||  ''hisha'' || flying chariot || '''R''' || {{Lang|ja|飛}} || ''hi'' || R
|-
| Promoted rook<br />("Dragon") || style="text-align:center;"| [[File:Shogi ryuo(svg).svg|35px]]||{{Lang|ja|竜王}} ||  ''ryūō'' || [[Chinese dragon|dragon]] king || '''+R''' || {{Lang|ja|龍}} or {{Lang|ja|竜}}{{efn|The kanji {{Lang|ja|竜}} is a [[shinjitai|simplified]] form of {{Lang|ja|龍}}.}} || ''ryū'' || FR
|-
| Bishop || style="text-align:center;"| [[File:shogi kakugyo(svg).svg|35px]]||{{Lang|ja|角行}} ||  ''kakugyō'' || angle mover || '''B''' || {{lang|ja|角}} || ''kaku'' || B
|-
| Promoted bishop<br />("Horse") || style="text-align:center;"| [[File:shogi ryuma(svg).svg|35px]]||{{Lang|ja|竜馬}} ||  ''ryūma'' or ''ryūme'' || dragon horse || '''+B''' || {{Lang|ja|馬}} || ''uma'' || WB
|-
| Gold general<br />("Gold") || style="text-align:center;"| [[File:shogi kinsho(svg).svg|35px]]||{{Lang|ja|金将}}  ||  ''kinshō'' || gold general || '''G''' || {{Lang|ja|金}}  || ''kin'' || WfF
|-
| Silver general<br />("Silver") || style="text-align:center;"| [[File:shogi ginsho(svg).svg|35px]]||{{Lang|ja|銀将}} ||  ''ginshō'' || silver general || '''S''' || {{Lang|ja|銀}} || ''gin'' || FfW
|-
| Promoted silver || style="text-align:center;"| [[File:shogi narigin(svg).svg|35px]]||{{Lang|ja|成銀}} ||  ''narigin'' || promoted silver || '''+S''' || {{lang|ja|(全)}} || — || WfF
|-
| Knight || style="text-align:center;"| [[File:Shogi keima.svg|35px]]||{{Lang|ja|桂馬}} ||  ''keima'' || [[Cinnamomum cassia|cassia]] horse{{efn|Although sometimes translated as "[[Cercidiphyllum japonicum|katsura]] horse," the name ''keima'' is derived from a word for {{nihongo|[[Cinnamomum cassia|cassia]]|肉桂|nikkei}}, also known as "Chinese cinnamon," the bark of which is a spice that used to be very valuable in Japan, similar to jade, gold, silver, and incense.<!-- see also definition 1 of 桂 (kei) at https://dictionary.goo.ne.jp/word/%E6%A1%82_%28%E3%81%91%E3%81%84%29/#jn-65913 --><ref name="zatsugaku">{{cite web | url=https://kerokero-info.com/2018/11/02/post-19484/ | title=将棋の駒の意味や名前の由来、王将は昔存在しなかった。 |trans-title=The meaning of shogi pieces and the etymology of their names, the king general used to not exist. | access-date=2025-01-20 | date=2018-11-02 | website=雑学.com | lang=ja | archive-url=https://web.archive.org/web/20181104055741/https://kerokero-info.com/2018/11/02/post-19484/ | archive-date=2018-11-04}}</ref>}} || '''N''' || {{lang|ja|桂}} || ''kei'' || ffN
|-
| Promoted knight || style="text-align:center;"| [[File:shogi narikei(svg).svg|35px]]||{{Lang|ja|成桂}} ||  ''narikei'' || promoted cassia || '''+N''' || {{Lang|ja|(圭}} or {{Lang|ja|今)}} || — || WfF
|-
| Lance || style="text-align:center;"| [[File:shogi kyosha(svg).svg|35px]]||{{Lang|ja|香車}} ||  ''kyōsha'' || [[Joss stick|incense]] chariot || '''L''' || {{Lang|ja|香}} || ''kyō'' || fR
|-
| Promoted lance || style="text-align:center;"| [[File:shogi narikyo(svg).svg|35px]]||{{Lang|ja|成香}} ||  ''narikyō'' || promoted incense || '''+L''' || {{Lang|ja|(杏}} or {{Lang|ja|仝)}} || — || WfF
|-
| Pawn || style="text-align:center;"| [[File:shogi fuhyo(svg).svg|35px]]||{{Lang|ja|歩兵}} ||  ''fuhyō'' || foot soldier || '''P''' || {{Lang|ja|歩}} || ''fu'' || fW
|-
| Promoted pawn<br />("tokin") || style="text-align:center;"| [[File:shogi tokin(svg).svg|35px]]||{{Lang|ja|と金}} ||  ''tokin'' || reaches gold || '''+P''' || {{Lang|ja|と (}}or {{Lang|ja|个)}} || ''to'' || WfF
|}

English speakers sometimes refer to promoted bishops as ''horses'' and promoted rooks as ''dragons'', after their Japanese names, and generally use the Japanese term ''tokin'' for promoted pawns. Silver generals and gold generals are commonly referred to simply as ''silvers'' and ''golds'', respectively.

The characters inscribed on the reverse sides of the pieces to indicate promotion may be in red ink, and are usually cursive. The characters on the backs of the pieces that promote to gold generals are cursive variants of {{lang|ja|金}} 'gold', becoming more cursive (more abbreviated) as the value of the original piece decreases. These cursive forms have these equivalents in print: {{lang|ja|全}} for promoted silver, {{lang|ja|今}} for promoted knight, {{lang|ja|仝}} for promoted lance, and {{lang|ja|个}} for promoted pawn (tokin). Another typographic convention has abbreviated versions of the original values, with a reduced number of strokes: {{lang|ja|圭}} for a promoted knight {{lang|ja|(桂)}}, {{lang|ja|杏}} for a promoted lance {{lang|ja|(香)}}, and the {{lang|ja|全}} as above for a promoted silver, but {{lang|ja|と}} (a [[hiragana]] symbol for the syllable "to") for ''tokin''.

The suggestion that the Japanese characters have deterred Western players from learning shogi has led to "[[Western world|Westernized]]" or "international" pieces which use iconic symbols instead of characters. Most players soon learn to recognize the characters, however, partially because the traditional pieces are already iconic by size, with more powerful pieces being larger. As a result{{fact|date=January 2025}}, Westernized pieces have never become popular. Bilingual pieces with both Japanese characters and English captions have been developed as have pieces with animal cartoons.

== Setup and gameplay ==
[[File:Shogiban.png|thumb|right|upright=1.6|Shogi starting setup; Black (at bottom) moves first.]]

Each player sets up friendly pieces facing forward (toward the opponent).
* In the rank nearest the player:
** The king is placed in the center file;
** The two gold generals are placed in files adjacent to the king;
** The two silver generals are placed adjacent to each gold general;
** The two knights are placed adjacent to each silver general;
** The two lances are placed in the corners, adjacent to each knight.

:That is, the first rank is
:{| class="wikitable"
|- style="text-align:center;"
|&thinsp;L&thinsp;||&thinsp;N&thinsp;||&thinsp;S&thinsp;||&thinsp;G&thinsp;||&thinsp;K&thinsp;||&thinsp;G&thinsp;||&thinsp;S&thinsp;||&thinsp;N&thinsp;||&thinsp;L&thinsp;
|}
:Or
:{| class="wikitable"
|- style="text-align:center;"
|{{lang|ja|香}}||{{lang|ja|桂}}||{{lang|ja|銀}}||{{lang|ja|金}}||{{lang|ja|玉}}||{{lang|ja|金}}||{{lang|ja|銀}}||{{lang|ja|桂}}||{{lang|ja|香}}
|}
* In the second rank, each player places:
** The bishop in the same file as the left knight;
** The rook in the same file as the right knight.
* In the third rank, the nine pawns are placed one per file.

[[File:Furigoma.jpg|thumb|right|Deciding who goes first: ''Furigoma'']]

A ''furigoma'' 振り駒 'piece toss' is used to decide who moves first. One of the players tosses five pawns. If the number of tokins (promoted pawns, と) facing up is higher than unpromoted pawns (歩), then the player who tossed the pawns plays ''gote'' 後手 'white' (that is, getting the second move).<ref>{{cite web|last1=Grimbergen|first1=Reijer|title=Shogi Terms|url=http://www.shogi.net/arc/shogi-l/shogi_terms.txt|website=www.shogi.net|access-date=22 July 2016}}</ref>

After the piece toss ''furigoma,'' the game proceeds. If multiple games are played, then players alternate turns for who goes first in subsequent games. (The terms "Black" and "White" are used to differentiate sides although there is no difference in the color of the pieces.) For each turn, a player may either move a piece that is currently on the board (and potentially promote it, capture an opposing piece, or both) or else drop a piece that has been previously captured onto a square of the board. These options are explained below.

== Rules ==
=== Objective ===

The usual goal of a game is for one player to [[checkmate]] the other player's king, winning the game.

=== Movement ===
Most shogi pieces can move only to an adjacent square. A few may move across the board, and one jumps over intervening pieces.

The lance, bishop, and rook are ''ranging'' pieces: They can move any number of squares along a straight line limited only by intervening pieces and the edge of the board. If an opposing piece intervenes, it may be captured by removing it from the board and replacing it with the moving piece. If a friendly piece intervenes, the moving piece must stop short of that square; if the friendly piece is adjacent, the moving piece may not move in that direction at all.

<div class="floatright">

{| 
|-
| [[File:Shogi king.jpg|thumb|none|100px|The king]] 
|
{| class="wikitable" style="width:107px; font-size:95%;"
|- 
| style="width:20px;"|  
| style="width:20px;"|  
| style="width:20px;"|  
| style="width:20px;"|  
| style="width:20px;"|  
|- style="text-align: center;"
| 
| style="background:#d0d0f0;"| ○
| style="background:#d0d0f0;"| ○
| style="background:#d0d0f0;"| ○
| 
|- style="text-align:center;"
| 
| style="background:#d0d0f0;"| ○
| style="background:#e0e0e0;"|{{lang|ja|玉}}
| style="background:#d0d0f0;"| ○
| 
|- style="text-align:center;"
| 
| style="background:#d0d0f0;"| ○
| style="background:#d0d0f0;"| ○
| style="background:#d0d0f0;"| ○
| 
|- 
|  
| 
| 
| 
| 
|}
| [[File:Shogi rook.jpg|thumb|none|100px|The rook]]
| 
{| class="wikitable" style="width:107px; font-size:95%; text-align:center;"
|-
| style="width:20px;"|  
| style="width:20px;"|  
|  style="width:20px; background:#f0c0c0;"| │
| style="width:20px;"|  
| style="width:20px;"|  
|-
|  
|  
|  style="width:20px; background:#f0c0c0;"| │
|  
|  
|-
|  style="width:20px; background:#f0c0c0;"| ─
|  style="width:20px; background:#f0c0c0;"| ─
| style="background:#e0e0e0;"|{{lang|ja|飛}}
|  style="width:20px; background:#f0c0c0;"| ─
|  style="width:20px; background:#f0c0c0;"| ─
|-
|  
|  
|  style="width:20px; background:#f0c0c0;"| |
|  
|  
|-
|  
|  
|  style="width:20px; background:#f0c0c0;"| |
|  
|  
|}
|-
| [[File:Shogi bishop.jpg|thumb|none|100px|The bishop]]
| 
{| class="wikitable" style="width:107px; font-size:95%;"
|- style="text-align:center;"
|  style="width:20px; background:#f0c0c0;"| ╲ || style="width:20px;"|   || style="width:20px;"|   || style="width:20px;"|   ||  style="width:20px; background:#f0c0c0;"| ╱
|- style="text-align:center;"
|   || style="background:#f0c0c0;"| ╲ ||   || style="background:#f0c0c0;"| ╱ ||  
|- style="text-align:center;"
|   ||   || style="background:#e0e0e0;"| {{lang|ja|角}} ||   ||  
|- style="text-align:center;"
|   || style="background:#f0c0c0;"| ╱ ||   || style="background:#f0c0c0;"| ╲ ||  
|- style="text-align:center;"
| style="background:#f0c0c0;"| ╱ ||   ||   ||   || style="background:#f0c0c0;"| ╲
|}
| [[File:Shogi gold.jpg|thumb|none|100px|The gold general]]
| 
{| class="wikitable" style="width:107px; font-size:95%;"
|- style="text-align:center;"
| style="width:20px;"|   || style="width:20px;"|   || style="width:20px;"|   || style="width:20px;"|   || style="width:20px;"|  
|- style="text-align:center;"
|   || style="background:#d0d0f0;"|  ○ || style="background:#d0d0f0;"| ○ || style="background:#d0d0f0;"| ○ ||  
|- style="text-align:center;"
|   || style="background:#d0d0f0;"|  ○ || style="background:#e0e0e0;"| {{lang|ja|金}} || style="background:#d0d0f0;"| ○ ||  
|- style="text-align:center;"
|   ||   || style="background:#d0d0f0;"| ○ ||   ||  
|- style="text-align:center;"
|   ||  ||  ||   || 
|}

|-
| [[File:Shogi silver.jpg|thumb|none|100px|The silver general]]
|
{| class="wikitable" style="width:107px; font-size:95%;"
|- style="text-align:center;"
| style="width:20px;"|   || style="width:20px;"|   || style="width:20px;"|   || style="width:20px;"|   || style="width:20px;"|  
|- style="text-align:center;"
|   || style="background:#d0d0f0;"| ○ || style="background:#d0d0f0;"| ○ || style="background:#d0d0f0;"| ○ ||  
|- style="text-align:center;"
|   ||   || style="background:#e0e0e0;"| {{lang|ja|銀}} ||   ||  
|- style="text-align:center;"
|   || style="background:#d0d0f0;"| ○ ||   || style="background:#d0d0f0;"| ○ ||  
|- style="text-align:center;"
|   ||   ||   ||   ||  
|}
| [[File:Shogi knight.jpg|thumb|none|100px|The knight]]
| 
{| class="wikitable" style="width:107px; font-size:95%;"
|- style="text-align:center;"
| style="width:20px;"|   ||  style="width:20px; background:#f0f0b0;"| ☆ || style="width:20px;"|   ||  style="width:20px; background:#f0f0b0;"| ☆ || style="width:20px;"|  
|- style="text-align:center;"
|   ||   ||   ||   ||  
|- style="text-align:center;"
|   ||   || style="background:#e0e0e0;"| {{lang|ja|桂}} ||   ||  
|- style="text-align:center;"
|   ||   ||   ||   ||  
|- style="text-align:center;"
|   ||   ||   ||   ||  
|}

|-
| [[File:Shogi lance.jpg|thumb|none|100px|The lance]]
|
{| class="wikitable" style="width:107px; font-size:95%;"
|- style="text-align:center;"
| style="width:20px;"|   || style="width:20px;"|   ||  style="width:20px; background:#f0c0c0;"| │ || style="width:20px;"|   || style="width:20px;"|  
|- style="text-align:center;"
|   ||   || style="background:#f0c0c0;"| │ ||   ||  
|- style="text-align:center;"
|   ||   || style="background:#e0e0e0;"| {{lang|ja|香}} ||   ||  
|- style="text-align:center;"
|   ||   ||   ||   ||  
|- style="text-align:center;"
|   ||   ||   ||   ||  
|}
| [[File:Shogi pawn.jpg|thumb|none|100px|The pawn]]
| 
{| class="wikitable" style="width:107px; font-size:95%;"
|- style="text-align:center;"
| style="width:20px;"|   || style="width:20px;"|   || style="width:20px;"|   || style="width:20px;"|   || style="width:20px;"|  
|- style="text-align:center;"
|   ||   || style="background:#d0d0f0;"| ○ ||   ||  
|- style="text-align:center;"
|   ||   || style="background:#e0e0e0;"| {{lang|ja|歩}} ||   ||  
|- style="text-align:center;"
|   ||   ||   ||   ||  
|- style="text-align:center;"
|   ||   ||   ||   ||  
|}

|}
</div>

{| class="wikitable"
|-
| colspan="2" style="background:#e0e0e0;" | '''Notation'''
|- 
|  style="width:20px; text-align:center; background:#d0d0f0;"| ○ || Steps to an adjacent square
|-
|  style="width:20px; text-align:center; background:#f0f0b0;"| ☆ || Jumps to a non-adjacent square, bypassing any intervening piece
|-
|  style="width:20px; text-align:center; background:#f0c0c0;"| │ || rowspan=4 | Ranges along a straight line, crossing any number of empty squares
|-
|  style="width:20px; text-align:center; background:#f0c0c0;"| ─
|-
|  style="width:20px; text-align:center; background:#f0c0c0;"| ╲
|-
|  style="width:20px; text-align:center; background:#f0c0c0;"| ╱
|}

A '''king''' (玉/王) moves one square in any direction, [[Orthogonality|orthogonal]] or diagonal.

A '''rook''' (飛) moves any number of squares in an orthogonal direction.

A '''bishop''' (角) moves any number of squares in a diagonal direction. Because they cannot move orthogonally, the players' unpromoted bishops can reach only half the squares of the board, unless one is captured and then dropped.

A '''gold general''' (金) moves one square orthogonally, or one square diagonally forward, giving it six possible destinations. It cannot move diagonally backwards.

A '''silver general''' (銀) moves one square diagonally, or one square straight forward, giving it five possible destinations. Because an unpromoted silver can retreat more easily than a promoted one, it is common to leave a silver unpromoted at the far side of the board. (See [[#Promotion|Promotion]]).

A '''knight''' (桂) jumps at an angle intermediate to orthogonal and diagonal, amounting to one square straight forward plus one square diagonally forward, in a single move. Thus the knight has two possible forward destinations. Unlike [[Knight (chess)|international chess knights]], shogi knights cannot move to the sides or in a backwards direction. The knight is the only piece that ignores intervening pieces on the way to its destination. It is not blocked from moving if the square in front of it is occupied, but neither can it capture a piece on that square. It is often useful to leave a knight unpromoted at the far side of the board. A knight ''must'' promote, however, if it reaches either of the two furthest ranks. (See [[#Promotion|Promotion]].)

A '''lance''' (香) moves just like the rook except it cannot move backwards or to the sides. It is often useful to leave a lance unpromoted at the far side of the board. A lance ''must'' promote, however, if it reaches the furthest rank. (See [[#Promotion|Promotion]].)

A '''pawn''' (歩) moves one square straight forward. It cannot retreat. Unlike [[Pawn (chess)|international chess pawns]], shogi pawns capture the same way as they move. A pawn ''must'' promote if it arrives at the furthest rank. (See [[#Promotion|Promotion]].) In practice, however, a pawn is usually promoted whenever possible. There are two restrictions on where a pawn may be dropped. (See [[#Drops|Drops]].)

All pieces but the knight move either horizontally, vertically, or diagonally. These directions cannot be combined in a single move; one direction must be chosen.

Every piece blocks the movement of all other non-jumping pieces through the square it occupies.

If a piece occupies a legal destination for an opposing piece, it may be ''captured'' by removing it from the board and replacing it with the opposing piece. The capturing piece may not continue beyond that square on that turn. Shogi pieces capture the same as they move.

Normally, when moving a piece, a player snaps it to the board with the ends of the fingers of the same hand. This makes a sudden sound effect, bringing the piece to the attention of the opponent. This is also true for capturing and dropping pieces. On a traditional ''shogi-ban'', the pitch of the snap is deeper, delivering a subtler effect.
{{clear}}

=== Promotion ===
{{shogi diagram
| tright 
| '''A player's<br />promotion zone (yellow)'''
| –
 | yy | yy | yy | yy | yy | yy | yy | yy | yy 
 | yy | yy | yy | yy | yy | yy | yy | yy | yy 
 | yy | yy | yy | yy | yy | yy | yy | yy | yy 
 |    |    |    |    |    |    |    |    |
 |    |    |    |    |    |    |    |    |
 |    |    |    |    |    |    |    |    |
 | ps | ps | ps | ps | ps | ps | ps | ps | ps 
 |    | bs |    |    |    |    |    | rs |
 | ls | ns | ss | gs | aks | gs | ss | ns | ls
| –
|
}}

A player's ''promotion zone'' consists of the furthest one-third of the board – the three ranks occupied by the opponent's pieces at setup. The zone is typically delineated on shogi boards by two inscribed dots. When a piece is moved, if part of the piece's path lies within the promotion zone (that is, if the piece moves into, out of, or wholly within the zone; but ''not'' if it is dropped into the zone – see [[#Drops|Drops]]), then the player has the option to ''promote'' the piece at the end of the turn. Promotion is indicated by turning the piece over after it moves, revealing the character of the promoted piece.

Promoting a piece is usually not compulsory; however, if a pawn or lance is moved to the furthest rank, or a knight is moved to either of the two furthest ranks, that piece ''must'' promote (otherwise, it would have no legal move on subsequent turns). A silver general is never required to promote, and it is often advantageous to keep a silver general unpromoted (it is easier, for example, to extract an unpromoted silver from behind enemy lines: a promoted silver, with only one line of retreat, can be easily blocked.) Rooks, bishops and pawns are almost always promoted, as these pieces do not lose any of their powers upon promotion.

{{shogi diagram 
| tright
| '''Pieces that promote'''
| –
 |    |    |    |    |    |    |    |    |
 |    |    |    |    |    |    |    |    |
 |    |    |    |    |    |    |    |    |
 |    |    |    |    |    |    |    |    |
 |    |    |    |    |    |    |    |    |
 |    |    |    |    |    |    |    |    |
 | ts | ts | ts | ts | ts | ts | ts | ts | ts 
 |    | hs |    |    |    |    |    | ds |
 | pls | pns | pss |    |    |    | pss | pns | pls
| –
|
}}

Promoting a piece changes the way it moves. The various pieces promote as follows:
* A silver general, knight, lance, or pawn has its normal power of movement replaced by that of a gold general.
* A rook or bishop keeps its original movement and gains the power to move one square in any direction (like a king). For a promoted bishop, this means it is able to reach any square on the board, given enough moves.
* A king or a gold general does not promote; nor can a piece that is already promoted.

When captured, a piece loses its promoted status. Otherwise promotion is permanent.

A '''promoted rook''' (literally '''dragon king''' ({{nihongo krt||龍王|ryūō}}); shortended forms: {{nihongo krt||龍|ryū}} and {{nihongo krt||竜|ryū}}) moves as a rook and as a king. It is commonly referred to as '''dragon'''.
{{col-begin|width=auto}}
{{col-break|valign=middle|gap=1em}}
[[File:Shogi rook p.jpg|thumb|none|100px|The dragon king]]
{{col-break|valign=middle|gap=1em}}
{| class="wikitable" style="width:107px; font-size:95%;"
|- style="text-align:center; height:29px;"
| style="width:29px;"|   || style="width:29px;"|   ||  style="width:29px; background:#f0c0c0;"| │ || style="width:29px;"|   || style="width:29px;"|  
|- style="text-align:center; height:29px;"
|   || style="background:#d0d0f0;"| ○ || style="background:#f0c0c0;"| │ || style="background:#d0d0f0;"| ○ ||  
|- style="text-align:center; height:29px;"
| style="background:#f0c0c0;"| ─ || style="background:#f0c0c0;"| ─ ||  style="background:#e0e0e0; color:red;"| {{lang|ja|龍}} || style="background:#f0c0c0;"| ─ || style="background:#f0c0c0;"| ─
|- style="text-align:center; height:29px;"
|   || style="background:#d0d0f0;"| ○ || style="background:#f0c0c0;"| │ || style="background:#d0d0f0;"| ○ ||  
|- style="text-align:center; height:29px;"
|   ||   || style="background:#f0c0c0;"| │ ||   ||  
|}
{{col-end}}

A '''promoted bishop''' (literally '''dragon horse''' ({{nihongo krt||龍馬|ryūma}}); shortened form {{nihongo krt||馬|uma}}) moves as a bishop and as a king. It is commonly referred to as '''horse'''.
{{col-begin|width=auto}}
{{col-break|valign=middle|gap=1em}}
[[File:Shogi bishop p.jpg|thumb|none|100px|The dragon horse]]
{{col-break|valign=middle|gap=1em}}
{| class="wikitable" style="width:107px; font-size:95%;"
|- style="text-align:center; height:29px;"
|  style="width:29px; background:#f0c0c0;"| ╲ || style="width:29px;"|   || style="width:29px;"|   || style="width:29px;"|   ||  style="width:29px; background:#f0c0c0;"| ╱
|- style="text-align:center; height:29px;"
|   || style="background:#f0c0c0;"| ╲ || style="background:#d0d0f0;"| ○ || style="background:#f0c0c0;"| ╱ ||  
|- style="text-align:center; height:29px;"
|   || style="background:#d0d0f0;"| ○ ||  style="background:#e0e0e0; color:red;"| {{lang|ja|馬}} || style="background:#d0d0f0;"| ○ ||  
|- style="text-align:center; height:29px;"
|   || style="background:#f0c0c0;"| ╱ || style="background:#d0d0f0;"| ○ || style="background:#f0c0c0;"| ╲ ||  
|- style="text-align:center; height:29px;"
| style="background:#f0c0c0;"| ╱ ||   ||   ||   || style="background:#f0c0c0;"| ╲
|}
{{col-end}}

A '''promoted silver''' (成銀 ''narigin''; alternate forms: 全, cursive 金), a '''promoted knight''' (成桂 ''narikei''; alternate forms: 圭, 今, cursive 金), a '''promoted lance''' (成香 ''narikyō''; alternate forms: 杏, 仝, cursive 金) and a '''promoted pawn''' (と金 ''tokin''; alternate forms: と, 个) all move the same way as a gold general. The promoted pawn is often called by its Japanese name '''tokin''', even by non-Japanese players.
{{col-begin|width=auto}}
{{col-break|valign=middle|gap=1em}}
[[File:Shogi silver p.jpg|thumb|none|100px|The promoted silver]]
{{col-break|valign=middle|gap=1em}}
{| class="wikitable" style="width:107px; font-size:95%;"
|- style="text-align:center; height:29px;"
| style="width:29px;"|   || style="width:29px;"|   || style="width:29px;"|   || style="width:29px;"|   || style="width:29px;"|  
|- style="text-align:center; height:29px;"
|   || style="background:#d0d0f0;"|  ○ || style="background:#d0d0f0;"| ○ || style="background:#d0d0f0;"| ○ ||  
|- style="text-align:center; height:29px;"
|   || style="background:#d0d0f0;"|  ○ || style="background:#e0e0e0;color:red;"| {{lang|ja|全}} || style="background:#d0d0f0;"| ○ ||  
|- style="text-align:center; height:29px;"
|   ||   || style="background:#d0d0f0;"| ○ ||   ||  
|- style="text-align:center; height:29px;"
|   ||   ||   ||   ||  
|}
{{col-break|valign=middle|gap=1em}}
[[File:Shogi knight p.jpg|thumb|none|100px|The promoted knight]]
{{col-break|valign=middle|gap=1em}}
{| class="wikitable" style="width:107px; font-size:95%;"
|- style="text-align:center; height:29px;"
| style="width:29px;"|   || style="width:29px;"|   || style="width:29px;"|   || style="width:29px;"|   || style="width:29px;"|  
|- style="text-align:center; height:29px;"
|   || style="background:#d0d0f0;"|  ○ || style="background:#d0d0f0;"| ○ || style="background:#d0d0f0;"| ○ ||  
|- style="text-align:center; height:29px;"
|   || style="background:#d0d0f0;"|  ○ || style="background:#e0e0e0;color:red;"| {{lang|ja|圭}} || style="background:#d0d0f0;"| ○ ||  
|- style="text-align:center; height:29px;"
|   ||   || style="background:#d0d0f0;"| ○ ||   ||  
|- style="text-align:center; height:29px;"
|   ||   ||   ||   ||  
|}
{{col-end}}
{{col-begin|width=auto}}
{{col-break|valign=middle|gap=1em}}
[[File:Shogi lance p.jpg|thumb|none|100px|The promoted lance]]
{{col-break|valign=middle|gap=1em}}
{| class="wikitable" style="width:107px; font-size:95%;"
|- style="text-align:center; height:29px;"
| style="width:29px;"|   || style="width:29px;"|   || style="width:29px;"|   || style="width:29px;"|   || style="width:29px;"|  
|- style="text-align:center; height:29px;"
|   || style="background:#d0d0f0;"|  ○ || style="background:#d0d0f0;"| ○ || style="background:#d0d0f0;"| ○ ||  
|- style="text-align:center; height:29px;"
|   || style="background:#d0d0f0;"|  ○ || style="background:#e0e0e0;color:red;"| {{lang|ja|杏}} || style="background:#d0d0f0;"| ○ ||  
|- style="text-align:center; height:29px;"
|   ||   || style="background:#d0d0f0;"| ○ ||   ||  
|- style="text-align:center; height:29px;"
|   ||   ||   ||   ||  
|}
{{col-break|valign=middle|gap=1em}}
[[File:Shogi pawn p.jpg|thumb|none|100px|The promoted pawn]]
{{col-break|valign=middle|gap=1em}}
{| class="wikitable" style="width:107px; font-size:95%;"
|- style="text-align:center; height:29px;"
| style="width:29px;"|   || style="width:29px;"|   || style="width:29px;"|   || style="width:29px;"|   || style="width:29px;"|  
|- style="text-align:center; height:29px;"
|   || style="background:#d0d0f0;"|  ○ || style="background:#d0d0f0;"| ○ || style="background:#d0d0f0;"| ○ ||  
|- style="text-align:center; height:29px;"
|   || style="background:#d0d0f0;"|  ○ || style="background:#e0e0e0;color:red;"| {{lang|ja|と}} || style="background:#d0d0f0;"| ○ ||  
|- style="text-align:center; height:29px;"
|   ||   || style="background:#d0d0f0;"| ○ ||   ||  
|- style="text-align:center; height:29px;"
|   ||   ||   ||   ||  
|}
{{col-end}}

=== Drops ===
[[File:Shogi S09 3.jpg|thumb|Traditional piece stands for pieces in hand]]
[[File:Shogi S09 1.jpg|thumb|Piece stands next to shogi board]]

Captured pieces are retained '''in hand''' and can be brought back into play under the capturing player's control. The Japanese term for ''piece(s) in hand'' is either 持ち駒 ''mochigoma'' or 手駒 ''tegoma.'' On any turn, instead of moving a piece on the board, a player may select a piece in hand and place it – unpromoted side up and facing the opposing side – on any empty square. The piece is then one of that player's active pieces on the board and can be moved accordingly. This is called ''dropping'' the piece, or simply, a ''drop''. A drop counts as a complete move.

A drop cannot capture a piece, nor does dropping within the promotion zone result in immediate promotion. Capture and/or promotion may occur normally, however, on subsequent moves of the piece.

'''Restrictions.''' There are three restrictions on dropping pieces; the last two of these apply only to pawns.

# '''Piece with No Moves''' ({{langx|ja|[[:ja:行き所のない駒|行き所のない駒]]}} ''ikidokorononaikoma''): Pawns, lances and knights may not be dropped onto the last (9th) rank, and knights may not be dropped onto the penultimate (8th) rank; this is because such dropped pieces would have no legal moves on subsequent turns (as they can only move in the forward direction).
# '''Two Pawns''' ({{langx|ja|[[:ja:二歩|二歩]]}} ''nifu''): A pawn may not be dropped onto a file (column) containing another unpromoted pawn of the same player (promoted pawns do not count). 
# '''Drop Pawn Mate''' ({{langx|ja|[[:ja:打ち歩詰め|打ち歩詰め]]}} ''uchifuzume''): A pawn may not be dropped to give an immediate [[checkmate]]. (This rule only applies specifically to pawns, drops ''and'' checkmates − to clarify, a player ''may'' deliver an immediate checkmate by dropping a non-pawn piece, a player ''may'' checkmate a king with a pawn that is already on the board, and a pawn ''may'' be dropped to give an immediate [[Check (chess)|check]] as long as it does not also result in checkmate.)

A corollary of the second restriction is that a player with an unpromoted pawn on every file is unable to drop a pawn anywhere. For this reason, it is common to sacrifice a pawn in order to gain flexibility for drops.

Captured pieces are typically kept on a wooden stand (駒台 ''komadai)'' which is traditionally placed so that its bottom-left corner aligns with the bottom-right corner of the board from the perspective of each player. It is not permissible to hide pieces from full view.

It is common for players to swap bishops, which oppose each other across the board, early in the game. This leaves each player with a bishop in hand to be dropped later. The ability for drops in shogi gives the game tactical richness and complexity. The fact that no piece ever goes entirely out of play accounts for the rarity of draws.

=== Check ===
When a player's move threatens to capture the opposing king on the next turn, the move is said to ''give check'' to the king and the king is said to be ''in check.'' If a player's king is in check, that player's responding move must remove the check.<ref name="shogi2">{{cite web|url=http://www.shogi.or.jp/shogi/hon/05.html|script-title=ja:反則について3.王手放置|title=Hansoku ni Tsuite 3. ōtehōchi|language=ja|trans-title=About rule violations: 3. Leaving your king in check|publisher=日本将棋連盟 (Japan Shogi Association)|quote=王手をかけられたら, 玉が逃げるなど, 必ず王手を防ぐ手を指さなければなりません。王手がかかっているのに違う手を指すのは反則です. [When your king is placed in check, the king must escape, etc. so you must play moves that prevent checks. If your king is in check, ignoring the check and playing a different move is a violation.]|access-date=17 December 2014|archive-url=https://web.archive.org/web/20140926053955/http://www.shogi.or.jp/shogi/hon/05.html|archive-date=26 September 2014}}</ref> Ways to remove a check include moving the king away from the threat, capturing the threatening piece, or placing another interposing piece between the king and the threatening piece.

To announce check in Japanese, one can say ''ōte'' ({{lang|ja|王手}}), however, this is an influence of international chess and is not required, even as a courtesy.<ref>{{cite web|url=http://www.shogi.or.jp/faq/index.html#rule|script-title=ja:将棋のルールに関するご質問 — Q: 対局中に王手をかけたら, ｢王手をかけたのに,『王手』と発声しないのは反則だ｣と言われました。そのような規定はあるのでしょうか。|title=Shōgi no Ruru ni Kansuru Goshitsumon — Q: Taikyokuchū ni Ōte wo Kaketara, "Ōte wo Kaketa noni, 'Ōte' to Hasseishinai no wa Hansoku da" to Iwaremashita. Sonoyō na Kitei wa Aru no Deshōka.|trans-title=Questions about the Rules of Shogi — Q: I've been told that not saying "Ote" when you place your opponent in check is against the rules. Is there really such a rule?|publisher=日本将棋連盟 (Japan Shogi Association)|quote=A: たまにそういう主張をされる方がいらっしゃいますが, そのような規定は一切ありません。 [A: Occasionally you will hear such a thing being asserted, but there is absolutely no such rule at all.]|access-date=9 December 2014}}</ref> It may be common to announce ''ōte'' in beginner matches or for local rules to dictate that you have to announce it.<ref>{{Cite web |date=2018-09-26 |title=【将棋のルール】対局時のマナーについて {{!}} ゼロから始める将棋研究所 |url=https://shogi-joutatsu.com/archives/1127 |access-date=2022-08-12 |website=shogi-joutatsu.com |language=ja}}</ref><ref>{{Cite web |date=2017 |title=将棋入門～将棋のルールまとめ～ |url=https://xn--pet04dr1n5x9a.com/%E5%85%A5%E9%96%80%E7%B7%A8/%E5%B0%86%E6%A3%8B%E3%81%AE%E3%83%AB%E3%83%BC%E3%83%AB.html |access-date=2022-08-12 |website=将棋講座.com |language=ja}}</ref> Announcing a check vocally is unheard of in competitive tournaments.{{citation needed|date=October 2021}}

=== End of the game ===

The usual way for shogi games to end is for one side to checkmate the other side's king, after which the losing player will be given the opportunity to admit defeat. Unlike western chess or xiangqi, checkmate is almost always the result in shogi since pieces never retire from play, which gives the players a sufficient number of pieces to deliver checkmate. That said, there are three other possible ways for a game to end: ''repetition'' ({{lang|ja|千日手}} ''sennichite''), ''impasse'' ({{lang|ja|持将棋}} ''jishōgi''), and an ''illegal move'' ({{lang|ja|反則手}} ''hansokute''). The first two – repetition and impasse – are particularly uncommon. Illegal moves are also uncommon in professional games although this may not be true with amateur players (especially beginners).

Unlike western chess, there is no tradition of offering a mutual [[draw by agreement]].

{| class="wikitable"
! Game End 
! Win State
|-
| Checkmate || Loss
|-
| Resignation || Loss
|-
| Illegal move || Loss
|-
| Repetition || Draw
|-
| Impasse || Draw (usually)
|-
| Time forfeit || Loss
|}

==== Checkmate ====
{{shogi diagram
| floatright
| '''Checkmate by Black'''
| –
| kg |    |    |    |    |    |    |    |
| gsl|    |    |    |    |    |    |    |
|    |    |    |    |    |    |    |    |
|    |    | bs |    |    |    |    |    |
|    |    |    |    |    |    |    |    |
|    |    |    |    |    |    |    |    |
|    |    |    |    |    |    |    |    |
|    |    |    |    |    |    |    |    |
|    |    |    |    |    |    |    |    |
| –
| <small>The most common basic checkmating patterns involve golds. This mating move is called "Gold on the Head." It is the solution to the most basic of mating problems.</small>
}}

If the king is in check and there is no possible move which could protect the king, the move is said to ''[[checkmate]]'' (''tsumi'' 詰み) the king. Checkmate effectively means that the opponent wins the game as the player would have no remaining legal moves.<ref name="shogi2"/>  (See also: [[tsumeshogi]], [[hisshi]].)
{{clear}}

==== Resignation ====

The losing player will usually resign when the situation is thought to be hopeless and may declare the resignation at any time during their turn. Although a player may resign just after they are checkmated, playing up to the checkmate point rarely occurs in practice as players normally resign as soon as a loss is deemed inevitable. Similarly, if a player were to lose in an Entering King situation (see section below) by having less than 24 points (or by any of the other Impasse rules used by amateurs), then the player will usually resign before that point.

In traditional tournament play, a formal resignation is required – that is, a checkmate is not a sufficient condition for winning.<ref>Hosking (1997: 17)</ref> The resignation is indicated by bowing and/or saying 'I lost' (負けました ''makemashita'') and/or placing the right hand over the piece stands. Placing the hand over the piece stand is a vestige of an older practice of gently dropping one's pieces in hand over the board in order to indicate resignation. In western practice, a handshake may be used.

==== Illegal move ====
In professional and serious (tournament) amateur games, a player who makes an illegal move loses immediately.{{efn | This is in contrast to western chess, which usually allows moves to be corrected with sometimes a less severe consequence of time penalty. However, the rules are complex. Cf. [[Rules of chess#Illegal move|Rules of chess § Illegal move]].}} The loss stands even if play continued and the move was discovered later in game. However, if neither the opponent nor a third party points out the illegal move and the opponent later resigned, the resignation stands as the result.

Illegal moves include:

{{shogi diagram
| floatright
| '''Toyokawa's televised Two Pawns'''
| 角桂歩歩
| lg | ng |    | sg |    |    |    | ds |
|    | kg | sg |    |    |    |    |    |
|    | pg |    | pg |    |    |    | ps |
| pg |    | pg | sg |    |    |    |    |
|    |    |    |    | lg |    |    | pg |
| ps |    | ps |    | ps |    | ps |    | ps 
|    | ps |    | ps | ss |    | png|    |
|    |    | ks | gs | gs |    | bs | dg |
| ls | ns |    |    |    | gs |    | psl| ls 
| 金歩歩
| 
}}

* Violating the ''Two Pawns'' (''nifu'') restriction (See [[#Drops|§Drops]] above.)
* Violating the ''Drop Pawn Mate'' (''uchifuzume'') restriction
* Dropping or moving a piece to position where it cannot move (such as dropping a knight to an opponent's last two ranks, etc.)
* Dropping a piece with its promoted value
* Playing out of turn, e.g. making more than one move or white moving first instead of moving second.
* Making [[perpetual check]] four times (cf. ''[[sennichite]]'')
* Leaving one's king in check, or moving one's king into check
* Moving a piece contrary to how its movements are defined (for example, moving a gold like a silver, or moving an unpromoted bishop off its legal diagonal)

In friendly amateur games, this rule is sometimes relaxed, and the player may be able to take back the illegal move and replay a new legal move.<ref>{{cite web |url=http://www.shogi.or.jp/faq/taikyoku-kitei.html#hansoku |title=Hansoku |publisher=Shogi.or.jp |access-date=2018-06-05 |archive-date=2016-05-13 |archive-url=https://web.archive.org/web/20160513215556/http://www.shogi.or.jp/faq/taikyoku-kitei.html#hansoku |url-status=dead }}</ref><ref>Fairbairn (1986) pp&nbsp;135–136</ref>

In particular, the Two Pawn violation is the most common illegal move played by professional players. The Two Pawn violation played by [[Takahiro Toyokawa]] (against [[Kōsuke Tamura]]) in the 2004 [[NHK Cup (shogi)|NHK Cup]] is infamous since it was broadcast on television. On the 109th move, Toyokawa (playing as Black) dropped a pawn to the 29&nbsp;square while he already had a pawn in play on the board on the 23&nbsp;square and, thus, lost the game.<ref>As shown on the 2005 [[NHK]] television special [[:ja:大逆転将棋|大逆転将棋]].</ref><ref>{{cite web |title=豊川孝弘 vs. 田村康介 ＮＨＫ杯 |website=将棋DB2  |url=https://shogidb2.com/games/59d601109a4db989007b77f5195d785077252191}}</ref>

==== Repetition (draw) ====
{{Main|Sennichite}}

If the same game position occurs four times with the same player to move and the same pieces in hand for each player, then the game ends in a '''repetition draw''' (千日手 ''sennichite,'' lit. "moves for a thousand days"), as long as the positions are not due to [[perpetual check]]. Perpetual check (連続王手の千日手) is an illegal move (see above), which ends the game in a loss in tournament play.

In professional shogi, a repetition draw outcome is not a final result as draws essentially do not count. Each game can only end in either a win or loss.{{efn | This is a significant difference from western chess, in which a player can play specifically to obtain draws for gaining points.}} In the case of a repetition draw, professional shogi players will have to immediately play a subsequent game (or as many games as necessary) with sides reversed in order to obtain a true win outcome. (That is, the player who was White becomes Black, and vice versa.) Also, depending on the tournament, professional players play the subsequent game in the remainder of the allowed game time.

Thus, aiming for a repetition draw may be a possible professional strategy for the White player in order to play the second replay game as Black, which has a slight statistical advantage and/or greater initiative. For instance, [[Bishop Exchange Fourth File Rook]] is a passive strategy for White with the goal of a repetition draw (as it requires two tempo losses – swinging the rook and trading the bishops) while it is a very aggressive strategy if played by Black.

Repetition draws are rare in professional shogi occurring in about 1–2% of games and even rarer in amateur games. In professional shogi, repetition draws usually occur in the opening as certain positions are reached that are theoretically disadvantaged for both sides ([[reciprocal zugzwang]]). In amateur shogi, repetition draws tend to occur in the middle or endgame as a result of player errors.

==== Impasse ====
The game reaches an '''Impasse''' or '''Deadlock''' (持将棋 ''jishōgi'') if both kings have advanced into their respective promotion zones – a situation known as 相入玉 (''ai-nyū gyoku'' "double entering kings") – and neither player can hope to mate the other or to gain any further material. An Impasse can result in either a win or a draw. If an Impasse happens, the winner is decided as follows: each player agrees to an Impasse, then each rook or bishop, promoted or not, scores 5 points for the owning player, and all other pieces except kings score 1 point each. A player scoring fewer than 24 points loses. (Note that in the start position, both players have 27 points each.) If neither player has fewer than 24, the game is no contest – a draw. In professional shogi, an Impasse result is always a draw since a player that cannot obtain the 24 points will simply resign. ''Jishōgi'' is considered an outcome in its own right rather than no contest, but there is no practical difference. As an Impasse needs to be agreed on for the rule to be invoked, a player may refuse to do so and attempt to win the game in future moves. If that happens, there is no official rule about the verdict of the game.<ref>Fairbairn (1986: 138–139)</ref>

However, in amateur shogi, there are different practices most of which force a win resolution to the Impasse in order to avoid a draw result.

The first draw by Impasse occurred in 1731 in a [[Handicap (shogi)|bishop handicap game]] between the seventh [[Lifetime Meijin]], {{Interlanguage link multi | Sōkan Itō II|ja| 3=伊藤宗看 (3代) | vertical-align=sup}}, and his brother, Sōkei Ōhashi.<ref>{{cite magazine |date=1982 |last=Fairbairn |first=John |title=Champions of past & present (2) |magazine=Shogi |issue=35 |pages=9–12}}</ref>

=====Entering King=====
{{shogi diagram
| floatright
| '''Black's king in an Entering King state'''
| 角 銀 桂 香
| kg | ng | gg |    |    |    |    | ks |
| lg | sg | gg |    | ts | ts | ts | hs |
|    | pg | pg | pg | ts |    | pg | pg | pg 
| pg |    |    |    | pg | pg |    |    |
|    | ps | ps |    |    |    |    | rg | rg 
| ps |    | gs | ss | ps |    | ps |    |
|    |    | ns |    |    |    |    |    |
|    |    |    |    |    |    |    |    |
| ls |    |    |    |    |    |    |    |
| 金 銀 桂 香
| 
}}

As a practical matter, when an opponent's king has entered a player's own territory especially with supporting defending pieces, the opponent's king is often very difficult to mate given the forward attacking nature of most shogi pieces. This state is referred to as '''entering king''' (入玉 ''nyū gyoku''). If both players' kings are in entering king states, the game becomes more likely to result in an impasse.

In the adjacent diagram example, although White's king is in a strong [[Bear-in-the-hole castle]], Black's king has entered White's territory making it very difficult to mate. Therefore, this position favors Black.<ref>滝瀬, 竜司 [Takise, Ryuji] and 田中, 哲朗 [Tanaka, Tetsuro]. 2012. 入玉指向の将棋プログラムの作成 [Development of entering-king oriented shogi programs]. ''Information Processing Society of Japan, 53'' (11), 2544–2551.</ref>
{{clear}}

{{Col-begin | width=auto | class=floatright}}
{{Col-2}}
{{shogi diagram 
|  
| '''Kimura vs Toyoshima 2019'''
| 桂<sub>1</sub> 歩<sub>4</sub>
| hs |    |    | hs | pg |    |    |    |
|    |    |    |    |    | sg | gg |    |
| pg |    |    | ns | ps | ng | sg |    | pg 
|    |    |    |    | ds | pg |    | pg |
|    |    |    |    |    |    | pg |    |    
| ps |    | ps | ps |    |    | gg | dah|
|    | ps | ss |    |    |    |    | kgl|
|    | ks | gs | gs |    | ps |    | psg|
| ls | ns |    |    |    |    | rg | plg|
| 香<sub>2</sub> 歩<sub>2</sub>
| After 150 moves.
}}
{{Col-2}}
{{shogi diagram 
|  
| '''Kimura vs Toyoshima 2019'''
| 金<sub>1</sub> 銀<sub>1</sub> 桂<sub>2</sub> 歩<sub>3</sub>
|    | hs |    |    |    |    |    |    |
|    | ks | hs |    |    |    |    |    |
|    | ssl| ts |    |    |    | ds |    |    
| ps | uah|    | ps |    | ps |    |    | gs 
|    | dg |    |    | gg |    |    | lg |    
|    |    |    |    |    |    |    |    |
|    |    |    |    |    | tg | tg |    |
|    |    |    |    | gg |    |    | psg| lg 
|    |    |    |    |    |    |    | plg| kg 
| 銀<sub>1</sub> 桂<sub>2</sub> 香<sub>1</sub> 歩<sub>9</sub>
| After 285 moves.
}}
{{Col-end}}

An example of Entering King occurred in the fourth game of the 60th [[Ōi (shogi)|Ōi]] title match between [[Masayuki Toyoshima]] and [[Kazuki Kimura]] held on August 20{{ndash}}21, 2019. After being unsuccessful in attacking Kimura and also in defending his own king within his camp, Toyoshima (playing as White) moved his king away from Kimura's attacking pieces by fleeing up the second file, ultimately entering his king into Kimura's camp by move 150. Although Toyoshima had achieved Entering King, he still had only 23 points{{mdash}}one point shy of the required 24 points for an [[#Impasse|Impasse]] draw{{mdash}}while Kimura (Black) had 31 points. Toyoshima then spent the next 134 moves trying to bring his point total, which fluctuated between 17 and 23, up to the necessary 24. By the 231st move, the game had reached a Double Entering Kings state, and by move 285 Kimura had successfully kept Toyoshima's point total at bay. Here, Toyoshima with 20 points (and Kimura at 34 points) resigned.<ref>{{cite web |title=King's War - 60th Oi title match, seven-game series, game 4 |website=live.shogi.or.jp |url=http://live.shogi.or.jp/oui/kifu/60/oui201908200101.kif }} 2019/08/20 09:00 to 2019/08/21 21:12</ref><ref>{{cite news|last=Mizuta|first=Yukihiro|url=https://www.kobe-np.co.jp/news/sougou/201908/0012628486.shtml|script-title=ja:将棋王位戦第4局 木村が勝ち2勝2敗に|title=Shōgi Ōisen Daiyonkyoku Kimura ga Kachi Nishō Nihai|language=ja|trans-title=Game 4 of the Ōi title match: Kimura wins to even match at two games apiece|date=August 21, 2019|newspaper=[[Kobe Shimbun]]|access-date=August 22, 2019}}</ref> Incidentally, this game broke the record of longest game in a title match.<ref>{{Cite web|url=https://news.yahoo.co.jp/byline/matsumotohirofumi/20190821-00139300/|title=王位戦七番勝負第４局、タイトル戦最長手数の285手！ 木村一基九段が豊島将之王位を降す（松本博文） - Yahoo!ニュース|website=Yahoo!ニュース 個人|access-date=2019-08-22|archive-date=2023-04-10|archive-url=https://web.archive.org/web/20230410211417/https://news.yahoo.co.jp/byline/matsumotohirofumi/20190821-00139300|url-status=dead}}</ref>
{{clear}}

=====Amateur resolutions=====
For amateur games, there are various guidances with little standardization. [[John Fairbairn (writer)|Fairbairn]] reports a practice in the 1980s (considered a rule by the now defunct Shogi Association for The West) where the dispute is resolved by either player moving all friendly pieces into the promotion zone and then the game ends with points tallied.<ref>Fairbairn (1986: 139)</ref>

Another resolution is the 27-Point (27点法) rule used for some amateur tournaments.<ref>{{cite web|url=https://www.shogi.or.jp/faq/rules |title=将棋のルールに関するご質問｜よくある質問｜日本将棋連盟 |publisher=Shogi.or.jp |access-date=2018-06-05}}</ref> One version of this is simply the player who has 27 or more points is the winner of the Impasse. Another version is a 27-Point Declaration rule. For instance, the Declaration rule on the online shogi site, [[81Dojo]], is that the player who wants to declare an Impasse win must (i) declare an intention to win via Impasse, (ii) have the king in the enemy camp (the promotion zone for that player), (iii) 10 other pieces must be in the promotion zone, (iv) not be in check, (v) have time remaining, and (vi) must have 28 points if Black or 27 points if White. If all of these conditions are met, then the Impasse declarer will win the game regardless of whether the opponent objects.<ref>{{cite web|url=http://81dojo.com/documents/Rules_and_Manners_of_Shogi#27-point_Declare_System |title=Rules and Manners of Shogi - 81Dojo Docs |publisher=81dojo.com |access-date=2018-06-05}}</ref>

Yet another resolution to Impasse is the so-called Try Rule (トライルール ''torairūru''). In this case, after both kings have entered their corresponding promotion zones, then the player who first moves the king to the opponent's king's start square (51 for Black, 59 for White) first will be the winner.<ref>近代将棋 magazine Nov 1983</ref><ref>将棋世界 magazine Aug 1996</ref> As an example, the popular [[:ja:将棋ウォーズ|将棋ウォーズ]] (Shogi Wars) app by [[HEROZ Inc.]] used the Try Rule up until 2014.<ref>{{Cite web|url=https://shogiwars.heroz.jp/|title=将棋ウォーズ|website=将棋ウォーズ}}</ref> (Now the app uses a variant of the 27-Point Declaration Rule – although it differs from the variant used on the 81Dojo site.) The idea of the "Try Rule" was taken from [[rugby football]] (see [[Try (rugby)]]).<ref>https://www.youtube.com/watch?v=EriI9bxyDHY "How to play Shogi(将棋) -Lesson#16- Impasse" (at about 6.00 time marker)</ref>

==== Draws in tournaments ====
{{shogi diagram 
| floatright
| '''Impasse position of Katoh vs Nakahara 1982'''
| 銀<sub>1</sub> 桂<sub>2</sub> 香<sub>2</sub> 歩<sub>7</sub>
| pls|    |    |    | ts |    |    |    |
|    | ks |    |    | ds |    |    |    |
|    |    | hs |    |    |    |    |    |
|    | gs | ls |    |    |    | ts |    |
|    |    |    |    |    | hs |    |    |
|    |    | tg |    |    | rah|pnsl| pg |
|    |    |    | gg | tg |    |    | gg | psg 
|    |    |    |    |    |    | kg | sg |
|    |    |    |    | dg |    |    |    | png 
| 金<sub>1</sub> 銀<sub>1</sub> 歩<sub>6</sub>
| <small> Katoh played +N-36, and Nakahara then agreed to a draw via impasse. Katoh has 29 points, Nakahara 25 points.</small>
}}

In professional tournaments, the rules typically require drawn games to be replayed with sides reversed, possibly with reduced time limits. They are rare compared to [[chess]] and [[xiangqi]], occurring at a rate of 1–2% even in amateur games.

The 1982 [[Meijin (shogi)|''Meijin'' title match]] between [[Makoto Nakahara]] and [[Hifumi Katoh]] was unusual in this regard with an impasse draw in the first ([[Double Fortress]]) game on April 13–14 (only the fifth draw in the then 40-year history of the tournament). This game (with Katoh as Black) lasted for 223 moves with 114 minutes spent pondering a single move. One of the reasons for the length of this game was that White (Nakahara) was very close to falling below the minimum of 24 points required for a draw. Thus, the end of the endgame was strategically about trying to keep White's points above the 24-point threshold.<ref>Fairbairn (1986: 158–161)</ref> In this match, ''sennichite'' occurred in the sixth and eighth games. Thus, this best-of-seven match lasted eight games and took over three months to finish; Black did not lose a single game and the eventual victor was Katoh at 4–3.
{{clear}}

=== Time control ===

Professional games are timed as in international chess, but [[professional shogi players]] are almost never expected to keep time in their games. Instead a timekeeper is assigned, typically an apprentice professional. Time limits are much longer than in international chess (9 hours a side plus extra time in the prestigious [[Meijin (shogi)|''Meijin'' title match]]), and in addition ''byōyomi'' (literally "second counting") is employed. This means that when the ordinary time has run out, the player will from that point on have a certain amount of time to complete every move (a ''byōyomi'' period), typically upwards of one minute. The final ten seconds are counted down, and if the time expires the player to move loses the game immediately. Amateurs often play with electronic clocks that beep out the final ten seconds of a ''byōyomi'' period, with a prolonged beep for the last five.

== Player rank and handicaps ==

{{ main | Professional shogi player#Ranking }}

Amateur players are ranked from 15 ''[[kyū]]'' to 1 kyū and then from 1 ''[[dan (rank)|dan]]'' to 8 dan. Amateur 8 dan was previously only honorarily given to famous people. While it is now possible to win amateur 8 dan by actual strength (winning amateur Ryu-oh 3 times), this has yet to be achieved.

Professional players operate with their own scale, from 6 kyū to 3 dan for pro-aspiring players and professional 4 dan to 9 dan for formal professional players.<ref>{{cite web|url=http://www.shogi.or.jp/kisen/shourei/index.html|script-title=ja:奨励会概要|title=Shōreikai Gaiyō|language=ja|trans-title=Outline of Shoreikai|publisher=Japan Shogi Association|access-date=21 September 2015|archive-url=https://web.archive.org/web/20081216005214/http://www.shogi.or.jp/kisen/shourei/index.html|archive-date=16 December 2008}}</ref> Amateur and professional ranks are offset (with amateur 4 dan being equivalent to professional 6 kyū).<ref>{{cite web|url=http://web-japan.org/kidsweb/archives/news/04-12/image/kyudan.gif |title=Title offset illustration |access-date=8 March 2012}}</ref>

=== Handicaps ===
{{Main|Handicap (shogi)}}

{{shogi diagram 
| floatright
| '''6-Piece Handicap'''
| –
|    |    | sg | gg | kg | gg | sg |    |
|    |    |    |    |    |    |    |    |
| pg | pg | pg | pg | pg | pg | pg | pg | pg 
|    |    |    |    |    |    |    |    |
|    |    |    |    |    |    |    |    |
|    |    |    |    |    |    |    |    |
| ps | ps | ps | ps | ps | ps | ps | ps | ps 
|    | bs |    |    |    |    |    | rs |
| ls | ns | ss | gs | ks | gs | ss | ns | ls 
| –
|
}}
Shogi has a handicap system (like [[Go (game)|go]]) in which games between players of disparate strengths are adjusted so that the stronger player is put in a more disadvantageous position in order to compensate for the difference in playing levels. In a [[Handicap (shogi)|handicap game]], one or more of White's pieces are removed from the setup, and instead White plays first.

The imbalance created by this method of handicapping is not as strong as it is in [[handicap (chess)|western chess]] because material advantage is not as powerful in shogi.
{{clear}}

== Notation ==
{{Main|Shogi notation}}
[[File:ISF6 final.jpg|thumb|A shogi game record]]

There are two common systems used to notate piece movements in shogi game records. One is used in Japanese language texts while a second was created for western players by George Hodges and Glyndon Townhill in the English language. This system was updated by Hosking to be closer to the Japanese standard (two numerals).{{sfn | Hosking | 1997 | p=20–21}}{{sfn | Hosking | 1997 | p=263–265}} Other systems are used to notate shogi board positions.  Unlike chess, the origin (11 square) is at the top right of a printed position rather than the bottom left.

In western piece movement notation, the format is the piece initial followed by the type of movement and finally the file and rank where the piece moved to. The piece initials are K (King), R (Rook), B (Bishop), G (Gold), S (Silver), N (Knight), L (Lance), and P (Pawn). Simple movement is indicated with '''-''', captures with '''x''', and piece drops with '''*'''. The files are indicated with numerals 1–9. The older Hodges standard used letters a–i for ranks, and the newer Hosking standard also uses numerals 1–9 for the ranks. Thus, '''Rx24''' indicates 'rook captures on 24'. Promoted pieces are notated with '''+''' prefixed to the piece initial (e.g. '''+Rx24'''). Piece promotion is also indicated with '''+''' (e.g. '''S-21+''') while unpromotion is indicated with '''=''' (e.g. '''S-21='''). Piece ambiguity is resolved by notating which square a piece is moving from (e.g. '''N65-53+''' means 'knight from 65 moves to 53 and promotes,' which distinguishes it from '''N45-53+''').

The Japanese notation system uses Japanese characters for pieces and promotion indication and uses Japanese numerals instead of letters for ranks. Movement type aside from drops is not indicated, and the conventions for resolving ambiguity are quite different from the western system. As examples, the western Rx24 would be '''{{lang|ja|2四飛}}''' in Japanese notation, +Rx24 would be '''{{lang|ja|2四龍}}''', S-21+ would be '''{{lang|ja|2一銀成}}''', S-21= would be '''{{lang|ja|2一銀不成}}''', and N65-53+ would be '''{{lang|ja|5三桂左成}}''' showing that the leftmost knight jumped (implicitly from the 65 square), which distinguishes it from '''{{lang|ja|5三桂右成}}''' in which the rightmost knight jumped.

Although not strictly part of the notational calculus for games, game results are indicated in Japanese newspapers, websites, etc. with wins indicated by a white circle and losses indicated by a black circle.
{{clear}}

== Strategy and tactics ==
{{Main|Shogi strategy and tactics}}

{{shogi diagram 
| floatright
| '''Ranging Rook vs Static Rook'''
| –
| lg | ng |    |    |    |    | gg | ng | kg 
|    | rg |    |    |    |    | gg | sg | lg 
| pg |    | pg | pg | sg | pg | bg | pg | pg 
|    | pg |    |    | pg |    | pg |    |
|    |    |    |    |    |    |    |    |
|    |    | ps | ps |    | ps | ps | ps | ps 
| ps | ps |    | ss | ps | gs |    | ss |
|    | bs |    | rs |    |    | gs | ks |
| ls | ns |    |    |    |    |    | ns | ls 
| –
| Bear-in-the-hole Static Rook by white against High Mino Castle 4th File Ranging Rook by black
}}

Shogi is similar to chess but has a much larger [[game tree complexity]] because of the use of drops, greater number of pieces, and larger board size.<ref>{{cite journal |title=Differences between Shogi and western Chess from a computational point of view|author=Hitoshi Matsubara, Reijer Grimbergen|journal=Proceedings: Board Games in Academia}}</ref> In comparison, shogi games average about 140 (half-)moves per game (or 70 chess move-pairs) whereas  chess games average about 80 moves per game (or 40 chess move-pairs) and [[minishogi]] averages about 40 moves per game (or 20 chess move-pairs).<ref>{{cite journal |author=Xiaohong Wan |author2=Daisuke Takano |author3=Takeshi Asamizuya |display-authors=etal | date=2012 | title=Developing intuition: Neural correlates of cognitive-skill learning in caudate nucleus | journal=Journal of Neuroscience | volume=32 |issue=48 | pages=17492–17501 |doi=10.1523/jneurosci.2312-12.2012 |pmid=23197739 |pmc=6621838 | doi-access=free }}</ref>{{efn | In shogi and Western chess, the term ''move'' has different definitions, which may cause confusion for western chess players. In Japanese language texts, the term 手 ''te'' translated as "move" or "tempo" (as in 手数 ''tesū'' "number of moves") is defined as a single player moving their piece. However, in Western chess, the English term ''move'' is defined as two players each moving their pieces once – in other words, a move-pair. Thus, the English shogi term ''move'' would be called a ''half-move'' in English chess terminology. Wikipedia follows the shogi usage and not the chess usage for the term ''move.''}}

Like chess, however, the game can be divided into the opening, middle game and endgame, each requiring a different strategy. The [[shogi opening|opening]] consists of arranging one's defenses usually in a [[castle (shogi)|castle]] and positioning for attack; the mid game consists of attempting to break through the opposing defenses while maintaining one's own; and the endgame starts when one side's defenses have been compromised.

In the adjacent diagram, Black has chosen a [[Ranging Rook]] position (specifically [[Fourth File Rook]]) where the rook has been moved leftward away from its starting position. Additionally, Black is using a [[Mino castle#Silver Crown|Silver Crown castle]], which is a type of fortification structure constructed with one silver and two gold pieces and the king moved inside of the fortification – the ''silver crown'' name comes from the silver being positioned directly above the king's head on the 27 square as if it were a crown. In the diagram, White has chosen a [[Static Rook]] position, in which the rook remains on its starting square. This Static Rook position is specifically a type of Counter-Ranging Rook position known as [[Bear-in-the-hole Static Rook]] that uses a [[Bear-in-the-hole castle]]. The Bear-in-the-hole fortification has the king moved all the way into very edge corner of the board on the 11 square as if it were a badger in a hole with a silver moved to the 22 square in order to close up the hole and additional reinforcing golds on 31 and 32 squares. This board position required 33 moves (or 12 move pairs as counted in western chess) to construct.

{{clear}}

== Etiquette ==
[[File:Playingshogiinuenopark-april11-2014.jpg|thumb|Two men playing shogi outside in [[Ueno Park]], 2014]]

Shogi players are expected to follow etiquette in addition to rules explicitly described. Commonly accepted etiquette include the following:
* Greetings to the opponent both before and after the game
* Avoiding disruptive actions both during the game and after, for instance:
** Not changing the move once realized on the board
** Fair withdrawal without any disruption, such as scattering pieces on the board to demonstrate frustration
* Announcing one's resignation

Shogi piece sets may contain two types of king pieces, {{lang|ja|王}} (king) and {{lang|ja|玉}} (jewel). In this case, the higher classed player, in either social or genuine shogi player rank, may take the king piece. For example, in [[titleholder system]] games, the current titleholder takes the king piece as the higher.

The higher-ranked (or older) player also sits facing the door of the room and is the person who takes the pieces out of the piece box.{{sfn | Hosking | 1997 | p=19–20}}

Shogi does not have a [[touch-move rule]] as in western chess tournament play or [[chu shogi]]. However, in professional games, a piece is considered to be moved when the piece has been let go of. In both amateur and professional play, any piece may be touched in order to adjust its centralization within its square (to look tidy).{{sfn | Hosking | 1997 | p=20}}

Taking back moves (待った ''matta'') in professional games is prohibited. However, in friendly amateur games in Japan, it is often permitted.

Professional players are required to follow several ritualistic etiquette prescriptions such as kneeling exactly 15 centimeters from the shogi board, sitting in the formal [[seiza]] position, etc.<ref>Fairbairn (1986: 143)</ref>

[[File:Shogi -Shimbashi-April 14 2018.webm|thumb|People arranging large shogi pieces in [[Shimbashi]], 2018]]

=== Game setup ===
{{Col-begin|width=auto|class=floatright}}
{{Col-2}}
{| class="wikitable" style="text-align: center;"
|+ Ōhashi order
|- 
| &nbsp; ||   ||   ||   ||   ||   ||   ||   ||
|- 
| <small>19</small><br />歩 || <small>17</small><br />歩 || <small>15</small><br />歩 || <small>13</small><br />歩 || <small>12</small><br />歩 || <small>14</small><br />歩 || <small>16</small><br />歩 || <small>18</small><br />歩 || <small>20</small><br />歩 
|- 
|   || <small>10</small><br />角 ||   ||   ||   ||   ||   || <small>11</small><br />飛 ||
|- 
| <small>8</small><br />香 || <small>6</small><br />桂 || <small>4</small><br />銀 || <small>2</small><br />金 || <small>1</small><br />玉 || <small>3</small><br />金 || <small>5</small><br />銀 || <small>7</small><br />桂 || <small>9</small><br />香 
|}

{{Col-2}}

{| class="wikitable" style="text-align: center; margin-right: 10px;"
|+ Itō order
|- 
| &nbsp; ||   ||   ||   ||   ||   ||   ||   ||
|- 
| <small>8</small><br />歩 || <small>9</small><br />歩 || <small>10</small><br />歩 || <small>11</small><br />歩 || <small>12</small><br />歩 || <small>13</small><br />歩 || <small>14</small><br />歩 || <small>15</small><br />歩 || <small>16</small><br />歩 
|- 
|   || <small>19</small><br />角 ||   ||   ||   ||   ||   || <small>20</small><br />飛 ||
|- 
| <small>17</small><br />香 || <small>6</small><br />桂 || <small>4</small><br />銀 || <small>2</small><br />金 || <small>1</small><br />玉 || <small>3</small><br />金 || <small>5</small><br />銀 || <small>7</small><br />桂 || <small>18</small><br />香 
|}
{{Col-end}}

Traditionally, the order of placing the pieces on the board is determined. There are two commonly used orders, the ''Ōhashi'' order 大橋流 and the ''Itō'' order 伊藤流.<ref>{{cite web|url=http://www.shogi.or.jp/faq/index.html#hoka|script-title=ja:その他のご質問: 駒の並べ方に決まりはあるのでしょうか？|title=Sono Hoka no Goshitsumon: Koma no Narabikata ni Kimari wa Aru no Deshōka?|language=ja|trans-title= Other questions: Is there a certain way to set up the pieces?|publisher=日本将棋連盟 (Japan Shogi Association)|quote=江戸時代は, それぞれの家元に「大橋流」「伊藤流」という並べ方がありました。現在のでも, その並べ方を用いている棋士は少なからずおります. ただし, 決まりとして「このような並べ方をしなければならない」というものはありません. [In the Edo Era, each Iemoto had their own respective way of setting up the pieces: the 'Ohashi-style' and the 'Ito-style'. Although these two styles are still used today by many professionals, there is really no rule specifying that 'the pieces must be set up in this particular way'.]|access-date=17 December 2014}}</ref> Placement sets pieces with multiples (generals, knights, lances) from left to right in all cases, and follows the order:

# King
# Gold generals
# Silver generals
# Knights
:In ito, the player now places:
<ol start=5>
  <li>Pawns (left to right starting from the leftmost file)</li>
  <li>Lances</li>
  <li>Bishop</li>
  <li>Rook</li>
</ol>
:In ohashi, the player now places:
<ol start=5>
  <li>Lances</li>
  <li>Bishop</li>
  <li>Rook</li>
  <li>Pawns (starting from center file, then alternating left to right one file at a time)</li>
</ol>

=== Furigoma ===
Among amateur tournaments, the higher-ranked player or defending champion performs the piece toss. In professional games, the furigoma is done on the behalf of the higher-ranked player/champion by the timekeeper who kneels by the side of the higher-ranked player and tosses the pawn pieces onto a silk cloth.{{sfn | Hosking | 1997 | p=19–20}} In friendly amateur games, a player will ask the opponent to toss the pawns out of politeness. Otherwise, the person who tosses the pawns can be determined by [[Rock–paper–scissors]].<ref>{{cite magazine | date=1982 | title=Who moves first? | magazine=Shogi | issue=40 | page=13 | editor1-last=Hodges | editor1-first=George }}</ref>

== History ==
{{Main|History of shogi}}

[[File:Brooklyn Museum - Two Boys Playing Shogi with a Third Observer.jpg|thumb|Boys playing shogi (18th century)]]
[[File:Shogi playing japan 0001.jpg|thumb|Playing shogi in Japan (ca. 1916–1918)]]
[[File:Masuda Kozo.JPG|thumb|Kōzō Masuda (升田幸三) in 1952]]

From ''[[The Chess Variant Pages]]'':<ref name="chessvariants1">{{cite web |url= http://www.chessvariants.com/shogi.html |title=Shogi: Japanese Chess | work = The Chess Variant Pages | access-date= 8 March 2012}}</ref>
{{Blockquote | The world's first chess variant, [[chaturanga]] arose in India in approximately the seventh century AD. From there it migrated both westward and northward, mutating along the way. The western branch became shatranj in Arabia and Orthodox Chess in Europe. The northern branch became [[xiangqi]] in China and [[janggi]] in Korea. Sometime in the tenth to twelfth centuries, 'chess' crossed the channel to Japan where it spawned a number of interesting variants. One of these was called 'Small Shogi'. Eventually, Small Shogi (though it went through many forms) won out over the larger variants and is now referred to simply as 'Shogi'. It is certain that Shogi in its present form was played in Japan as early as the 16th century.}}

It is not clear when chess was brought to Japan. The earliest generally accepted mention of shogi is {{Nihongo |Shin Saru Gakuki |新猿楽記}} (1058–1064) by Fujiwara Akihira. The oldest archaeological evidence is a group of 16 shogi pieces excavated from the grounds of [[Kōfuku-ji]] in [[Nara Prefecture]]. As it was physically associated with a wooden tablet written on in the sixth year of [[Tengi]] (1058), the pieces are thought to date from that period. These simple pieces were cut from a writing plaque in the same five-sided shape as modern pieces, with the names of the pieces written on them.

The dictionary of common folk culture, {{Nihongo|Nichūreki|二中歴}} (c. 1210–1221), a collection based on the two works {{Nihongo|Shōchūreki |掌中歴}} and {{Nihongo|Kaichūreki|懐中歴}}, describes two forms of shogi, large ''(dai)'' shogi and small ''(shō)'' shogi. These are now called [[Heian shogi]] (or Heian small shogi) and [[Heian dai shogi]]. Heian small shogi is the version on which modern shogi is based, but the ''Nichūreki'' states that one wins if one's opponent is reduced to a single king, indicating that drops had not yet been introduced. According to Yasuji Shimizu<!-- correct name reading from https://researchmap.jp/kashi54 -->, chief researcher at the Archaeological Institute of Kashihara, Nara Prefecture, the names of the Heian shogi pieces keep those of [[chaturanga]] (general, elephant, horse, chariot and soldier), and add to them five treasures of Buddhism (jade, gold, silver, [[Cinnamomum cassia|cassia bark]], and incense).<ref>{{cite journal |last1=Shimizu |first1=Yasuji |date=October 1994 |script-title=ja:将棋伝来についての一試論 |title=Shōgi Denrai ni Tsuite no Ichi Shiron|trans-title=An essay on the introduction of shogi |url= |journal=Yūgishi Kenkyū (遊戯史研究) |issue=6 |publisher=遊戯史学会 (Society for the History of Games) |page=12 |lang=ja |doi=}}</ref>

Around the 13th century the game of [[dai shogi]] developed, created by increasing the number of pieces in Heian shogi, as was [[sho shogi]], which added the rook, bishop, and drunken elephant from dai shogi to Heian shogi. The drunken elephant steps one square in any direction except directly backward, and promotes to the prince, which acts as a second king and must also be captured along with the original king for the other player to win. Around the 15th century, the rules of dai shogi were simplified, creating the game of [[chu shogi]]. Chu shogi, like its parent dai shogi, contains many distinct pieces, such as the queen (identical with Western chess) and the lion (which moves like a king, but twice per turn, potentially being able to capture twice, among other idiosyncrasies). The popularity of dai shogi soon waned in favour of chu shogi, until it stopped being played commonly. Chu shogi rivalled sho shogi in popularity until the introduction of drops in the latter, upon which standard shogi became ascendant, although chu shogi was still commonly played until about World War II, especially in [[Kyoto]].

It is thought that the rules of standard shogi were fixed in the 16th century, when the drunken elephant was removed from the set of pieces present in sho shogi. There is no clear record of when drops were introduced, however.

In the [[Edo period]], shogi variants were greatly expanded: [[tenjiku shogi]], [[dai dai shogi]], [[maka dai dai shogi]], [[tai shogi]], and [[taikyoku shogi]] were all invented. It is thought that these were played to only a very limited extent, however. Both standard shogi and [[Go (game)|Go]] were promoted by the [[Tokugawa shogunate]]. In 1612, the shogunate passed a law giving endowments to top shogi players ({{Nihongo|[[Meijin]]|名人}}). During the reign of the eighth shōgun, [[Tokugawa Yoshimune]], castle shogi tournaments were held once a year on the 17th day of [[Kannazuki]], corresponding to November 17, which is '''Shogi Day''' on the modern calendar.

The title of ''meijin'' became hereditary in the Ōhashi and Itō families until the fall of the shogunate, when it came to be passed by recommendation. Today the title is used for the winner of the [[Meijin (shogi)|Meijin-sen]] competition, the first modern title match. From around 1899, [[newspaper]]s began to publish records of shogi matches, and high-ranking players formed alliances with the aim of having their games published. In 1909, the {{Nihongo|Shogi Association |将棋同盟社}} was formed, and in 1924, the {{Nihongo|Tokyo Shogi Association |東京将棋連盟}} was formed. This was an early incarnation of the modern {{nihongo |[[Japan Shogi Association]]|日本将棋連盟|nihon shōgi renmei}}, or JSA, and 1924 is considered by the JSA to be the date it was founded.<ref name="F&H">{{cite web |url=http://www.shogi.or.jp/aboutus/history.html |title=Sōritsu・Enkaku |script-title=ja:創立・沿革 |language=ja |trans-title=Founding and History |publisher=日本将棋連盟 (Japan Shogi Association) |access-date=16 August 2012 |archive-url=https://web.archive.org/web/20141006120701/http://www.shogi.or.jp/aboutus/history.html |archive-date=6 October 2014 }}</ref>

In 1935, ''meijin'' [[Kinjirō Sekine]] stepped down, and the rank of meijin came to be awarded to the winner of a {{Nihongo |[[Meijin (shogi)|Meijin title match]]|名人戦|meijin-sen}}. {{Nihongo |[[Yoshio Kimura (shogi player)|Yoshio Kimura]]|木村義雄}} became the first Meijin under this system in 1937. This was the start of the [[Template:Shogi title tournaments|shogi title matches]] (see [[titleholder system]]). After the war other tournaments were promoted to title matches, culminating with the {{Nihongo|[[Ryu-oh|Ryūō title match]]|竜王戦 |ryūō-sen}} in 1988 for the modern line-up of seven. About 200 professional shogi players compete. Each year, the title holder defends the title against a challenger chosen from knockout or round matches.

After the Second World War, [[Supreme Commander of the Allied Powers|SCAP]] (occupational government mainly led by US) tried to eliminate all "feudal" factors from Japanese society and shogi was included in the possible list of items to be banned along with [[Bushido]] (philosophy of samurai) and other things. SCAP's reason for banning shogi was that the game uniquely utilized captured pieces. SCAP insisted that this could lead to the idea of [[prisoner abuse]]. [[Kozo Masuda]], then one of the top professional shogi players, when summoned to the SCAP headquarters for an investigation, criticized such understanding of shogi, instead insisting that chess that potentially contained the idea of prisoner abuse, because opposing pieces are removed permanently, while shogi gives prisoners the chance to get back into the game. Masuda also argued that chess contradicts the ideal of [[gender equality]] in western society because the king shields himself behind the queen and runs away. Masuda's arguments are said{{by whom?|date=January 2025}}<!--The only source cited here is a book by Masuda himself. This is hardly grounds for formulating it as a widespread view in the passive voice.--> to have eventually led to the exemption of shogi from the list of items to be banned.<ref>{{cite book |last= Masuda|first=Kozo|title=Meijin ni Kyosha wo Hiita Otoko |script-title= ja:名人に香車を引いた男|trans-title=The Man Who Gave A Lance Handicap To A Meijin|year= 2003|page=223|publisher= [[Chuokoron-Shinsha]] |isbn= 978-4-12-204247-6}}</ref>

== Tournament play ==
[[File:WOSC-2013.jpg|thumb|2013 World Shogi Open Championship (amateur) tournament in [[Minsk]]]]

There are two organizations for shogi professional players in Japan: the JSA, and the {{nihongo|{{Interlanguage link multi|Ladies' Professional Shogi-players' Association of Japan|ja|3=日本女子プロ将棋協会|vertical-align=sup}} |日本女子プロ将棋協会|nihon joshi puro shōgi kyōkai}}, or LPSA. The JSA is the primary organization for men and women's professional shogi<ref name="F&H" /> while the LPSA is a group of women professionals who broke away from the JSA in 2007 to establish their own independent organization.<ref>{{cite web|url=http://joshi-shogi.com/2011/09/28/enkaku.pdf |title=Enkaku|script-title=ja:沿革|trans-title= LPSA History|publisher=日本女子プロ将棋協会 (Ladies' Professional Shogi-players' Association of Japan)|access-date=26 June 2014|language= ja|archive-url=https://web.archive.org/web/20121031152603/http://joshi-shogi.com/2011/09/28/enkaku.pdf|archive-date=31 October 2012}}</ref> Both organize tournaments for their members and have reached an agreement to cooperate with each other to promote shogi through events and other activities.<ref>{{cite web|url=http://www.shogi.or.jp/topics/2014/06/post-1000.html|title=Nihon Joshi Puro Shōgi Kyōkai (LSPA) to Gōisho Teiketsu|script-title=ja:日本女子プロ将棋協会 (LPSA)と合意書締結|language=ja|trans-title=Agreement signed with LPSA|publisher=日本将棋連盟 (Japan Shogi Association)|date=2 June 2014|access-date=26 June 2014|archive-url=https://web.archive.org/web/20140703063811/http://www.shogi.or.jp/topics/2014/06/post-1000.html|archive-date=3 July 2014}}</ref> Top professional players are fairly well-paid from tournament earnings. In 2016, the highest tournament earners were [[Yoshiharu Habu]] and [[Akira Watanabe (shogi player)|Akira Watanabe]] who earned ¥91,500,000 and ¥73,900,000. (The tenth highest earner, [[Kouichi Fukaura]], won ¥18,490,000.)<ref>https://www.shogi.or.jp/news/2017/02/201610.html (accessed 2017 Feb 19)</ref>

The JSA recognizes two categories of shogi professionals: {{nihongo|Professional |棋士|kishi}}, and {{nihongo|Female Professional|女流棋士 |joryūkishi}}. Sometimes ''kishi'' are addressed as {{Nihongo|seikishi|正棋士}}, a term from [[Go (game)|Go]] used to distinguish ''kishi'' from other classes of players. JSA professional ranks and female professional ranks are not equivalent and each has their own promotion criteria and ranking system. In 2006, the JSA officially granted women "professional status". This is not equivalent, however, to the more traditional way of "gaining professional status", i.e., being promoted from the {{nihongo |"Shoreikai System"|奨励会}}: leagues of strong amateur players aspiring to become a professional. Rather, it is a separate system especially designed for female professionals. Qualified amateurs, regardless of gender, may apply for the "Shoreikai System" and all those who successfully "graduate" are granted ''kishi'' status; however, no woman has yet to accomplish this feat (the highest women have reached is "Shoreikai 3 ''dan'' league" by [[Kana Satomi]] and [[Tomoka Nishiyama]]), so ''kishi'' is [[de facto]] only used to refer to male shogi professionals.<ref>{{cite web|url= http://www.shogi.or.jp/faq/index.html#kisen|title=Yoku Aru Goshitsumon: Naze, Dansei wa "Kishi" na no ni, Josei wa "Joryūkishi" to Naru no Desuka |script-title= ja:よくあるご質問：なぜ、男性は「棋士」なのに、女性は「女流棋士」となるのですか。|language=ja|trans-title=FAQ: Why are men referred to as "kishi" and women referred to as "joryūkishi"? |publisher= 日本将棋連盟 (Japan Shogi Association)|access-date=28 June 2014}}</ref>

The JSA is the only body which can organize tournaments for professionals, e.g., the eight major tournaments in the [[titleholder system]] and other professional tournaments. In 1996, [[Yoshiharu Habu]] became the only ''kishi'' to hold seven major titles at the same time. For female professionals, both the JSA and LPSA organize tournaments, either jointly or separately. Tournaments for amateurs may be organized by the JSA and LPSA as well as local clubs, newspapers, private corporations, educational institutions or municipal governments for cities or prefectures under the guidance of the JSA or LPSA.

Since the 1990s, shogi has grown in popularity outside Japan, particularly in the [[People's Republic of China]], and especially in [[Shanghai]]. The January 2006 edition of {{nihongo|''Kindai Shogi''|近代将棋}} stated that there were 120,000 shogi players in Shanghai. The spread of the game to countries where Chinese characters are not in common use, however, has been slower.

===In Europe===

[[File:Shogi nidan.JPG|thumb|Amateur shogi certificate for 2 dan]]

{{Expand section|date=January 2018}}

European shogi tournaments vary in format, including both individual and team competitions. Major events are typically held annually, attracting players of all skill levels. The tournaments often feature different time controls, ranging from classical formats to faster-paced variants like blitz shogi. Notable tournaments include the European Shogi Championship and various national championships.<ref>{{Cite web |date=2024-06-06 |title=FESA - Federation of European Shogi |url=https://fesashogi.eu/ |access-date=2024-12-19 |language=en-US}}</ref>

{{As of|November 2017}}, there were over 1,200 active players in Europe.<ref>{{cite web|author=Andreas Neumaier |url=http://www.shogi.net/fesa/index.php?mid=5 |title=FESA home page - Ratings |publisher=Shogi.net |date=2018-05-20 |access-date=2018-06-05}}</ref>

== Computer shogi ==
{{Main|Computer shogi}}

Shogi has the highest [[game tree complexity|game complexity]] of all popular chess variants. Computers have steadily improved in playing shogi since the 1970s. In 2007, champion Yoshiharu Habu estimated the strength of the 2006 world computer shogi champion Bonanza at the level of two-dan shoreikai.

The JSA prohibits its professionals from playing computers in public without prior permission, with the reason of promoting shogi and monetizing the computer–human events.<ref>{{cite news|title=Shogi pros warned not to play computers|url=http://www.japantimes.co.jp/text/nn20051016a4.html|access-date=28 November 2011|newspaper=[[The Japan Times]]|date=16 October 2005|location=Tokyo, Japan|archive-date=11 April 2020|archive-url=https://web.archive.org/web/20200411070426/https://www.japantimes.co.jp/text/nn20051016a4.html|url-status=dead}}</ref>

On October 12, 2010, after some 35 years of development, a computer finally beat a professional player, when the top ranked female champion Ichiyo Shimizu was beaten by the Akara2010 system in a game lasting just over 6 hours.<ref>{{cite news|url=http://www.japantimes.co.jp/news/2010/10/13/national/top-female-shogi-pro-falls-to-computer|title=Top female 'shogi' pro falls to computer|newspaper=Japan Times|agency=[[Kyodo]]|date=12 October 2010|access-date=17 December 2014}}</ref>

On July 24, 2011, computer shogi programs Bonanza and Akara crushed the amateur team of Kosaku and Shinoda in two games. The allotted time for the amateurs was one hour and then three minutes per move. The allotted time for the computer was 25 minutes and then 10 seconds per move.<ref>{{cite news|url=http://www.asahi.com/shougi/topics/TKY201108020334.html|newspaper=[[The Asahi Shimbun]]|title=Shōgi Sofuto ni Amagumi Kanpai: Hijutsu, Ikki ni Semetsubusareru|script-title=ja:将棋ソフトにアマ組完敗 秘術、一気に攻めつぶされる|trans-title=Shogi computer programs crush amateurs |date=2 August 2011|language=ja|access-date=17 December 2014}}</ref>

On April 20, 2013, GPS Shogi defeated 8-dan professional shogi player [[Hiroyuki Miura (shogi)|Hiroyuki Miura]] in a 102-move game which lasted over 8 hours.<ref>{{cite web |trans-title=Second Shogi Denosen, Game 5: Hiroyuki Miura 8 dan vs. GPS Shogi|title=Dainikai Shōgi Denōsen Daigokyoku Miura Hiroyuki vs GPS Shōgi|date=20 April 2013 |script-title=ja:第2回 将棋電王戦 第5局 三浦弘行八段 vs GPS将棋|url=http://live.nicovideo.jp/watch/lv118757933|publisher=Niwango |access-date=17 December 2014|language=ja}}</ref>

On December 13, 2015, the highest rated player on Shogi Club 24 was computer program Ponanza, rated 3455.<ref>{{cite web | url=http://www.shogidojo.com |title=Computer program Bonkras highest rated player on Shogi Club 24 |publisher=Shogi Club 24 |language=ja}}</ref>

On April 10, 2016, Ponanza defeated Takayuki Yamasaki, 8-dan in 85 moves. Takayuki used 7 hours 9 minutes.<ref>{{cite news|last1=Shinji|first1=Fukamatsu|title=AI beats top shogi player in first match of tournament final：The Asahi Shimbun|url=http://www.asahi.com/ajw/articles/AJ201604110029.html|access-date=17 May 2016|work=The Asahi Shimbun|language=en-us|archive-date=16 May 2016|archive-url=https://web.archive.org/web/20160516112047/http://www.asahi.com/ajw/articles/AJ201604110029.html|url-status=dead}}</ref>

In October 2017, [[DeepMind]] claimed that its program [[AlphaZero]], after a full nine hours of training, defeated [[Elmo (shogi engine)| Elmo]] in a 100-game match, winning 90, losing 8, and drawing two.<ref name=preprint>{{Cite arXiv|eprint=1712.01815|class=cs.AI |author=[[David Silver (programmer)|David Silver]] |author2=Thomas Hubert |author3=Julian Schrittwieser |author4=Ioannis Antonoglou |author5=Matthew Lai |author6=Arthur Guez |author7=Marc Lanctot |author8=Laurent Sifre |author9=[[Dharshan Kumaran]] |author10=Thore Graepel |author11=Timothy Lillicrap |author12=Karen Simonyan |author13=[[Demis Hassabis]] |title=Mastering Chess and Shogi by Self-Play with a General Reinforcement Learning Algorithm|date=5 December 2017}}</ref><ref>{{Cite news|url=https://www.theverge.com/2017/12/6/16741106/deepmind-ai-chess-alphazero-shogi-go|title=DeepMind's AI became a superhuman chess player in a few hours, just for fun|work=The Verge|access-date=2017-12-06}}</ref>

From a [[computational complexity theory|computational complexity]] point of view, generalized shogi is [[EXPTIME-complete]].<ref>{{cite journal |author1=H. Adachi |author2=H. Kamekawa |author3=S. Iwata | title = Shogi on n × n board is complete in exponential time | journal = Trans. IEICE | volume= J70-D | pages = 1843–1852 | year = 1987}}</ref>

== Video games ==
{{Main|List of shogi video games}}

Hundreds of [[video game]]s were released exclusively in Japan for several [[Video game console|consoles]].

Clubhouse Games: 51 Worldwide Classics was released internationally by Nintendo in 2020 for the Nintendo Switch console, offering both Shogi and mini Shogi variants using either traditional or bilingual pieces.

== Culture ==

According to professional player [[Yoshiharu Habu]], in Japan shogi is viewed as not merely a game as entertainment or a mind sport but is instead an art that is a part of traditional Japanese culture along with [[haiku]], [[tanka]], [[noh]], [[ikebana]], and the [[Japanese tea ceremony]]. Its elevated status was established by the ''[[iemoto]]'' system supported by the historical [[shogunate]].<ref>{{Cite web|url=https://en.chessbase.com/post/when-a-shogi-champion-turns-to-che|title=When a Shogi champion turns to chess|date=May 17, 2002|website=Chess News}}</ref><ref>{{Cite web|url=https://www.youtube.com/watch?v=82U8LR6MSV0| archive-url=https://ghostarchive.org/varchive/youtube/20211114/82U8LR6MSV0| archive-date=2021-11-14 | url-status=live|title=Aesthetics of game: shogi, Japanese traditional culture/GAME CHRONICLE/IS JAPAN COOL?(羽生善治)| date=29 October 2019|via=www.youtube.com}}{{cbignore}}</ref>

The backwards ''uma'' (shogi horse symbol) is often featured on merchandise (such as on large decorative shogi piece sculptures, keychains, and other keepsakes) available for sale in [[Tendō, Yamagata|Tendō]]. It also serves as a symbol of good luck. (Cf. [[Rabbit's foot]].) There are multiple theories on its origin. One is that ''uma'' (うま ) spelled in the Japanese syllabary backwards is まう ''mau'' (舞う), which means ''(to) dance'' and dancing horses are a good luck omen.<ref>Fairbairn, John. 1982. esorH drawkcaB ehT. ''Shogi, 37,'' p. 18.</ref>

<gallery>
File:左馬.gif|The backwards 馬 ''uma'' (左馬 ''hidari uma'')
File:Ningen shogi himeji.jpg|Ningen Shogi held in Himeji City with real people (2015)
File:Tendo station and shogi museum.jpg| Tendō shogi museum (right) next to [[Tendō Station]] (top)
</gallery>

== See also ==
{{div col}}
* [[Mind sport]]
* [[Shogi tactics]]
* [[Shogi strategy]]
* [[Shogi variant]]s
** [[Chu shogi]]
** [[Dai shogi]]
** [[Dōbutsu shōgi]]
* [[Tsumeshogi]]
* [[Chess variant]]s
** [[Crazyhouse]]
* [[Computer shogi]]
* [[List of world championships in mind sports]]
* [[Janggi]]
* [[Xiangqi]]
{{div col end}}

==Notes==

{{Notelist}}

== References ==

{{reflist}}

== Bibliography ==
* ''SHOGI Magazine'' (70 issues, January 1976 – November 1987) by The Shogi Association (edited by George Hodges)
* {{cite book|last=Aono|first=Teruichi|year=1983|title=Better Moves for Better Shogi|location=Tokyo, Japan|publisher=Sankaido Publishing Co., Ltd.|isbn= 978-4-381-00597-7|others= translated by [[John Fairbairn (writer)|John Fairbairn]]}}
* {{cite book|last=Aono|first=Teruichi|year=1983|title=Guide to Shogi Openings: Shogi Problems in Japanese and English|location=Tokyo, Japan|publisher=Sankaido Publishing Co., Ltd.|isbn=978-4-381-00598-4|others= translated by [[John Fairbairn (writer)|John Fairbairn]]}}
* {{cite book | last=Fairbairn | first=John | title=Shogi for beginners | year=1986 | edition=2nd | publisher=[[Ishi Press]] | isbn=978-4-8718-720-10}}
* {{cite book|last1=Habu|first1=Yoshiharu|author-link1=Yoshiharu Habu|last2=Hosking|first2=Tony|year=2000|title=Habu's Words|location=Stratford-upon-Avon, England|publisher=The Shogi Foundation|isbn=978-0-9531089-2-3|others= translated by Tony Hosking and {{Interlanguage link multi|Yamato Takahashi|ja|3=高橋和|vertical-align=sup}}}}
* {{cite book|last=Hosking|first=Tony|year=1997|title=The Art of Shogi|location=Stratford-upon-Avon, England|publisher=The Shogi Foundation|isbn=978-0-9531089-0-9}}
* {{cite book|last=Hosking|first=Tony|year=2006|title=Classic Shogi: Games Collection|location=Stratford-upon-Avon, England|publisher=The Shogi Foundation|isbn=978-0-9531089-3-0}}
* {{cite book
 |last=Pritchard
 |first=D. B.
 |author-link=David Pritchard (chess player)
 |title=The Encyclopedia of Chess Variants
 |publisher=Games & Puzzles Publications
 |year=1994
 |contribution=Shogi
 |pages=269–79
 |isbn=0-9524142-0-1}}
* {{cite book | last=Yebisu | first=Miles | year=2016 | title=Comprehensive shogi guide in English: How to play Japanese chess | publisher=Laboratory Publishing}}

== External links ==
<!--Note: Wikipedia is [[WP:NOT|not]] a link repository. As such, additional sites to play Shogi should not be listed here unless the site adds significantly to the article. Please discuss all additions of such external links at the [[Talk:Shogi|talk page]] first. Thank you. -->
{{Commons category}}
* [http://www.shogishack.net/ Shogi Shack]
* [http://www2.teu.ac.jp/gamelab/SHOGI/shogipage.html Reijer Grimbergen's Shogi Page]
* [http://www.shogi.net/shogi.html Shogi.Net] 
* [http://shogihub.com/ Shogi Hub] {{Webarchive|url=https://web.archive.org/web/20221130161751/http://shogihub.com/ |date=2022-11-30 }} portal for current information about the shogi world (tournaments, news, etc.) 
* [https://groups.google.com/forum/#!forum/shogi-l Shogi-L] shogi mailing list
* [http://www.ricoh.co.jp/SHOGI/index_e.html Ricoh Shogi Page] {{Webarchive|url=https://web.archive.org/web/20130922182618/http://www.ricoh.co.jp/SHOGI/index_e.html |date=2013-09-22 }}
* [http://keishogi.web.fc2.com/dic/ Japanese–English shogi glossary]
* [http://www.shogi.net/shogivocab/vocabhtml.html Hans Geuns' Basic Shogi Vocabulary]
* [http://www.shogi.pl/ism/ International Shogi Magazine] {{Webarchive|url=https://web.archive.org/web/20230924050111/http://shogi.pl/ism/ |date=2023-09-24 }}

'''Rules'''
* Shogi Harbour: [http://www.shogi.pl/level-1-shogi-course/ Level 1 Shogi Course] by women's professional player [[Karolina Styczyńska]]
* [https://www.youtube.com/view_play_list?p=587865CAE59EB84A&page=1 40 shogi lessons] on YouTube by HIDETCHI
* [http://www.crockford.com/chess/shogi.html An Introduction to Shogi for Chess Players] {{Webarchive|url=https://web.archive.org/web/20060127011433/http://www.crockford.com/chess/shogi.html |date=2006-01-27 }}
* [http://www.chessvariants.org/shogi.html Shogi] by [[Hans Bodlaender]] and Fergus Duniho, ''[[The Chess Variant Pages]]''
* [http://81dojo.com/documents/Rules_and_Manners_of_Shogi Rules and Manners of Shogi] by Tomohide Kawasaki (a.k.a. HIDETCHI)
* [http://www.shogi.net/fesa/pdf/FESA%20rules.pdf FESA - Shogi official playing rules] {{Webarchive|url=https://web.archive.org/web/20211106061240/http://shogi.net/fesa/pdf/FESA%20rules.pdf |date=2021-11-06 }}
* [http://history.chess.free.fr/shogi.htm Shogi, the Japanese Chess] by Jean-Louis Cazaux
* [http://www.shogi.cz/en/rules Shogi and Dobutsu-Animal shogi rules to download] by Filip Marek

'''Online play'''
* [https://81dojo.com/ 81Dojo] English-language shogi play online
* [https://lishogi.org/ Lishogi] free and open source shogi server
* [https://www.shogidojo.net/ Shogi Dojo 24] shogi server in Japan
* [https://shogiwars.heroz.jp/?locale=en Shogi Wars]
* [http://wars.fm/shogi10 Shogi Quest]
* [https://www.playok.com/en/shogi/ PlayOK shogi]
* [http://goldtoken.com/games/play?rules=Shogi GoldToken] online turn-based shogi
* [http://wsl.81dojo.com/ World Shogi League] international online tournament associated with 81Dojo and the [[Japan Shogi Association]]
* [http://www.hozo.biz/shogi.html HamShogi] handicap shogi against the computer, [http://www.shogi.net/shogi-l/Archive/2007/Njun15-05.txt instructions]
* [http://boardspace.net/english/about_shogi.html boardspace.net] real time play against human or (weak) computer players.

'''Online tools'''
* [https://shogidb2.com/ 将棋DB2] shogi game record database {{in lang|ja}}
* [http://kyokumen.jp/positions/1 Kyokumenpedia] game record databases as move decision tree with user-generated wiki annotations (associated with 81Dojo) {{in lang|ja}}
* [http://play.mogproject.com/ Shogi Playground] record or play through games, mate problems, board positions
* [https://sfenreader.appspot.com/en/create_board.html Create Shogi Diagram on the Web]

{{Shogi title tournaments}}
{{Shogi variants}}
{{Chess variants}}

{{Authority control}}

[[Category:Shogi| ]]
[[Category:Abstract strategy games]]
[[Category:Japanese games]]
[[Category:Traditional board games]]
[[Category:Games related to chaturanga]]