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		<id>http://debianws.lexgopc.com/wiki143/index.php?title=Talk:New_Journalism&amp;diff=1257207</id>
		<title>Talk:New Journalism</title>
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		<updated>2025-02-27T11:25:14Z</updated>

		<summary type="html">&lt;p&gt;71.210.71.94: /* Hunter S. Thompson */&lt;/p&gt;
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== Steinbeck is a candidate ==&lt;br /&gt;
&lt;br /&gt;
Steinbeck&#039;s series that led to The Grapes of Wrath in the 1930s certainly qualifies. From the encyclopedia:&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;The Grapes of Wrath&#039;&#039; developed from &#039;&#039;[[The Harvest Gypsies]]&#039;&#039;, a series of seven articles that ran in the &#039;&#039;San Francisco News&#039;&#039;,  from October 5 to 12, 1936. The newspaper commissioned that work on migrant workers from the Midwest in California&#039;s agriculture industry. (It was later compiled and published separately.) [[User:Psycherotica|Psycherotica]] ([[User talk:Psycherotica|talk]]) 02:48, 2 April 2024 (UTC)&lt;br /&gt;
&lt;br /&gt;
== Hunter S. Thompson ==&lt;br /&gt;
&lt;br /&gt;
The article&#039;s only-in-passing mention of HST, and then, with Nocera&#039;s ridiculous citing of him as the killer of the genre, is revisionist history at its worst. &lt;br /&gt;
&lt;br /&gt;
Ridiculous because Nocera, like anyone serious about journalism, knows that the genre existed long before and has continued to exist long since its purported birth and death, respectively.  Wolfe&#039;s heralded &amp;quot;new&amp;quot; genre was really little more than the public awakening, thanks to mass media, to the talents of a new generation of talented writers all at approximately the same time - specifically, the moment when a new generation was taking the reins from the old.&lt;br /&gt;
&lt;br /&gt;
Creative, groundbreaking chroniclers of life have done down through history what this group did, but if we&#039;re going to label this group as &amp;quot;the New Journalists&amp;quot; of the 20th Century, omitting Thompson is an exercise in revisionist history. Though his widest-read works were purposely (and purpose&#039;&#039;fully&#039;&#039;) cartoonish and silly, readers of &amp;quot;Hell&#039;s Angels (1967),&amp;quot; &amp;quot;The Kentucky Derby is Decadent and Depraved (1970),&amp;quot; and especially &amp;quot;Fear and Loathing on the Campaign Trail &#039;72,&amp;quot; know that his ability to contextualize current events within the broader American experience was without peer. &lt;br /&gt;
&lt;br /&gt;
The latter, in particular, dissects - through the story of Democrats&#039; blowing what should have been a sure thing, the election of George McGovern - the American left&#039;s unrivaled cluelessness around effective political messaging, and its regular, reliable convening of its &amp;quot;big tent&amp;quot; circular shooting squad, the source of the mixed messaging the party creates. He presciently concludes: &amp;quot;There is really no hope of accomplishing anything genuinely new or different in American politics until the Democratic Party is done away with.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
In short, Thompson clearly saw that the left&#039;s ineptitude would fuel the rise of the right - and where that would lead - at a time when other &amp;quot;New Journalists&amp;quot; were more concerned with naval-gazing themselves into their works. [[Special:Contributions/71.210.71.94|71.210.71.94]] ([[User talk:71.210.71.94|talk]]) 11:16, 27 February 2025 (UTC)&lt;/div&gt;</summary>
		<author><name>71.210.71.94</name></author>
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