Felsted Records
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Felsted Records was the name of two record labels. The UK version began as a subsidiary of Decca Records in July 1954 with music mainly in the jazz and dance band genres and recordings leased from the French Blue Star, Riviera, and Classique labels. The label took its name from the village where Sir Edward Lewis, the head of UK Decca, lived. The British label's only release of note was "Smokie", the first single by Bill Black's Combo, Black having been Elvis Presley's bassist, licensed from Hi Records.
Late in 1957, Felsted Records US opened, operating from London Records' office in New York and was marketed as a pop label. Releases included Kathy Linden's "Billy" and "Goodbye Jimmy, Goodbye"; Jimmy Wisner's 1961 instrumental "Asia Minor", credited to "Kokomo, his Piano and Orchestra"[1] on the London label in the UK; and The Flares' 1961 release "Foot Stompin' Part 1", which reached No. 20 on the Black Singles chart and No. 25 on the Billboard Hot 100[2]
In 1958 Felsted was reinstated in the UK leasing US material contracted through its US office. Neither label had much commercial success; the UK label was closed in 1964 and its roster transferred to London Records.[3]
During 1958 and '59, British producer Stanley Dance supervised albums for Felsted in New York by Buster Bailey, Coleman Hawkins, Budd Johnson, Rex Stewart, Buddy Tate, and Dicky Wells.[4]
Discography
7500 Popular Series
| Catalog | Artist | Album |
|---|---|---|
| FL-7501 | Template:Sortname with Joe Leahy and His Orchestra | That Certain Boy |
| FL-7502 | Template:Sortname Orchestra | It's Never Too Late for Dancing |
| FL-7503 | Various Artists | A Night at the Boulevard |
| FL-7504 | Template:Sortname | Musette Catch |
| FL-7505 | Antobal's Cuban All-Stars under the direction of Obdulio Morales | Agua!-Agua! |
| FL-7506 | Template:Sortname | All the Way |
| FL-7507 | Template:Sortname | Mr. B. in Paris |
| FL-7509 | Template:Sortname Trio | Blues for Harvey |
| FL-7510 | Antobal's Cuban All-Stars directed by Obdulio Morales | Dia de Reyes |
| FL-7511 | Antobal's Cuban All-Stars directed by Obdulio Morales | Mango Mangűé |
| FL-7512 | Template:Sortname | Music from the Connection |
| Fl-7513 | Kokomo | Asia Minor |
7000 Jazz Series
| Catalog | Artist | Album |
|---|---|---|
| FAJ-7001 | Template:Sortname | Rendezvous with Rex |
| FAJ-7002 | Template:Sortname / Cozy Cole | Earl's Backroom and Cozy's Caravan |
| FAJ-7003 | Template:Sortname | All About Memphis |
| FAJ-7004 | Template:Sortname | Swinging Like Tate |
| FAJ-7005 | Template:Sortname | The High and Mighty Hawk |
| FAJ-7006 | Template:Sortname | Bones for the King |
| FAJ-7007 | Template:Sortname | Blues a la Mode |
| FAJ-7008 | Template:Sortname Septet | Cue for Saxophone |
| FAJ-7009 | Template:Sortname | Trombone Four-in-Hand |
45 rpm singles, New York
| Catalog | Artist | Album |
|---|---|---|
| 45-8673 | The Classmates (arranged and conducted by Alan Lorber) | "Theme From A Summer Place" / "Cotton Picken', Pickle Packin', Fish Strippin', Claw Hoppin' Hands" |